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TechnoElectroTechnoIndustrialExperimental
Second from last...
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BeatsElectroExperimentalAbstract
Alésia Cosmos was a collective of musicians led by Bruno de Chénerilles formed in the early 1980s in Strasbourg, France. The group consisted of Pascal Holtzer (guitar, synthesizer, tapes, drum machine, vocals), Pierre Clavreux (vocals, gong), Marie-Berthe Servier (vocals), Bruno (guitar, tapes, synthesizer, drum machine, vocals) and Tunisian percussionist Lotfi Ben Ayed (darbukas, bendir). In 1981 Bruno composed and wrote some sci-fi radio plays for French state radio channel France Culture. Under the influences of William Burroughs, John Cage, Pierre Henry and others, he developed tape music studio work. By 1982 he appeared for the first time under the name Alésia Cosmos Furi Show. It was a solo performance on guitar, voice, analog synth and tapes. This experimental show lead to a music project based on Bruno and Pascal's compositions to be performed and recorded with other musicians in the beginning of 1983.
Exclusivo! was the group's debut album recorded and self-released in 1983 on Planetarium. Pascal and Bruno would compose tunes in their personal home studios. Then they would bring the tapes, electronics, guitar lines and lyrics to experiment and rehearse with the other members of the group. Improvisations and adaptations brought more ideas and the album was recorded in a few days. The result was a musical mixing of electronic music, field recordings, North African and Asian percussion, electric guitars and voices, compositions and free improvisations. All four musicians take turns singing onomatopoeic phrases and backing vocals, even sometimes in an unknown language, a sort of mixed bag between Breton and Japanese. All songs have been remastered cut by George Horn at Fantasy Studios in Berkeley. Each LP is housed in a replica of the 1983 cover and includes a 6-page insert with photos, lyrics, reviews and liner notes by Bruno de Chénerilles.
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HouseDeepProgressiveElectronica
Returning to Iceland to focus on fresh material, Kiasmos will release new EP 'Blurred' through Erased Tapes on October 6th.
Janus Rasmussen explains: "To write new material felt like a new beginning for us after two years of touring. The plan was to write something a tad darker than our previous stuff. Spring in Reykjavík had other plans though, as this turned out to be our brightest release to date." Remixes on the EP come from Bonobo and Stimming, each taking Kiasmos' music in fresh directions
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HouseWaveBeatsElectroExperimental
Group Rhoda is the solo electronic music project of Mara Barenbaum, based out of Oakland, California. The project started around 2009 with a debut album 'Out of Time, Out of Touch' in 2012 on Night School Records and '12th House' in 2013 on Not Not Fun. She is also one half of Max and Mara who released the album 'Less Ness' in 2013 on Dark Entries Records. She is committed to live performance, situated within the analog synthesizer and drum machine medium.
'Wilderless' is Group Rhoda's third full length and first for Dark Entries Records. Each of the these 7 songs draw forth tones of tropical darkwave and soft industrial, while negating the sound of conformity and control. The album explore themes of societal and spiritual displacement, contemporary serfdom, the depths of empathy, regeneration through destruction, and the tyranny of claiming recognition and power. Lyrics are poetically expressed through allegory and explore archetypes rooted more in abstract observation rather than hard line experience. Through transgression and imagination, Group Rhoda explores the arc of songwriting interwoven into stark electronic environments, and creates a bridge between the corporeal and the dream worlds.
Each song was mixed by Mark Pistel at Room 5 in San Francisco and mastered by George Horn at Fantasy Studios in Berkeley. Each LP is packaged in a jacket featuring a colorful custom made collage by Hugo Barros and includes a full color sticker and digital download card.
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- A1: LEE MARROW - Shanghai (Vocal Version)
- A2: WISH KEY - Easy Way (Vocal)
- A3: CYBER PEOPLE - Doctor Faustu'S (Razzmatazz Version)
- A4: RADIORAMA - Aliens (Swedish Remix)
- B1: SPY 71 - Take Me ..Mr. Love (Vocal)
- B2: KOTO - Visitors (Vocal Remix)
- B3: TOMMY - One Night
- B4: TOM SPENCER - Ferrari
- C1: VALERIE DORE - Get Closer (Vocal Version)
- C2: GRANT MILLER - California Train
- C3: ART FINE - Dark Silence (Long Version)
- C4: THE FASHION - Future Girl
- D1: BRIAN ICE - Talking To The Night (Swedish Remix)
- D2: DARYL SCOTT - I Need You Now (Vocal)
- D3: G P. UNIVERSE - Let Me Love You
- D4: KEN LASZLO - Hey Hey Guy (US Remix)
3x12"[20,59 €]
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TechnoTechnoIndustrialBeatsExperimental
Restive Plaggona is the music project of the Corfu-based artist Dimitris Doukas -also producing under Matriarchy Roots, Leftina Osha and Plaggona-. After releasing a series of cassettes in different labels along 2016 and 2017 -including his own Several Minor Promises- 'Leaving The Body' arrives as an electronic composition of beats and synthesizer bodies disguised as a sense of provocation and mystery. Each of the seven pieces offers more than a smattering of interesting textures separated by spans of great decline, but a master class of permutations in-between accompanying sounds, stretching rhythms and viscera-and- violence noises. Driven by a deeply expressive narrative, Restive Plaggona makes a strong statement about
his post-industrial vision adding technoid inclinations in a delightful dystopian world.
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BeatsAmbientElectroExperimentalPop
'Truth Is A Beautiful Thing' the follow up album to London Grammar's critically acclaimed, platinum selling debut 'If You Wait'.
Includes the singles 'Rooting For You', 'Big Picture' and title track 'Truth Is A Beautiful Thing'.
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Kein anderer Künstler unserer Zeit dominiert Pop und Politik wie Kendrick Lamar: Er ist der junge König des Rap, die schonungslose Stimme der Alternativdenker, Armen & Anderen, der größte, einflussreichste MC des neuen Jahrtausends. Nachdem er vor kurzem seine neuen Sensations-Single - HUMBLE.' vom Stapel gelassen hat, folgt nun sein neues Album. Nach dem fulminanten Doppelerfolg bei den Grammys 2014 setzte Kendrick Lamar seinen Siegeszug 2015 dem Hit-Album - To Pimp A Butterfly' fort, das als - ein Meisterwerk der Komplexität, politisch, musikalisch und konzeptionell' (Die Welt) gefeiert wurde und rund um den Globus die Spitze der Charts erstürmte (u. a. #1 D, #1 USA). Anfang 2016 räumte er für das Album gleich fünf Grammys ab. Im März letzten Jahres legte er dann überraschend mit - untitled unmastered' ein neues Werk vor, um die Wartezeit auf die nun kommende LP zu verkürzen: Auch diese - unfertigen, titellosen Rohversionen' eroberten direkt die Spitze der Billboard-200. Mit einem neuen Album festigt er seine Position auf demjenigen Thron, auf dem er nun schon seit Jahren sitzt: Bevor der - König von Compton' (Der Spiegel) im Sommer seinen Dreißigsten feiert, läutet er nun das vierte Kapitel seiner Ausnahmekarriere ein.
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The Gooiland Elektro compilation 'Unruhe' is a showcase of contemporary acid techno... spacey and trippy in the hands of Zarkoff and distorted and freaked out by Roberto Auser... but also rather industrial when done by FOQL or pushed to the extreme by The Untitled... this is acid as it should sound... edgy and daring tracks for illuminated heads instead of easy and boring sounds suitable for the masses... and as with all Gooiland Elektro releases this one is equally intense on the dance floor as with headphone playback...
Selected press quotes:
Guessing you all fancy a spot of electronic disturbia, in truth sounds like something the late Mr Peel would play before going off on a stroll around Maida Vale only to return to find his audience had gone somewhat hypnotically gaga, no surprise given you can feel your mind evaporating beneath its hypno grooving pulsars, a bit like putting your head in psych techno tumble drier and then switching the settings to bleach. This is heading down the release track via Enfant Terrible, from the Untitled this is the aptly titled 'sleep paralysis' the b-side in fact of a mini-set called 'unruhe' - a humungous mushrooming cosmic mind melter which we suspect many listeners may not necessarily emerge out of the other side with all their faculties in place. We suggest you hike up the volume for maximum damage and guaranteed oblivion. (The Sunday Experience)
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Strut present the first official reissue of a landmark album in the field of African music, Mulatu Astatke's 'Mulatu Of Ethiopia' from 1972. Across three formats including a special 3LP version including unreleased bonus cuts and a special unreleased mono pressing of the album
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TechnoAcidTechnoBeatsElectroExperimental
The first release of Alienata's label is coming from Artificiero, which is the alias of Alfonso Alfonso (Murcia, Spain), an experienced musician who has released nine records with his psychedelic rock band Schwarz. 'Masa Negra' will be his first album with this new project.
In it, Artificiero delivers a sort of 'electronic esoterica', an inner ritual where repetitive beats and drones have an important roll. A ceremony where textures are more prominent than melody.
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Patrick Gibin aka TwICE is back with the 9th release of his 'BLACK AROMA' edits.
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West Africa's most iconic dance-band are back. A decade on from their last album and almost half a century since their formation, Senegal's Orchestra Baobab return with a timeless set of classic, swaying tunes fusing Afro-Cuban rhythms and African tradition in the group's trademark style.
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Green Vinyl
On his own Ladies and Gentlemen imprint, Green Supreme is the fourth studio album from house music veteran Phonique: a collection of 11 remarkable songs from one of the scene's most revered producers. To describe Phonique as prolific would be something of an understatement. To date, he has amassed a discography of more than 500 original tracks and remixes - as well as three previous studio albums - for acclaimed labels such as Dessous, Poker Flat, Crosstown Rebels, Systematic, Souvenir and of course his own label Ladies and Gentlemen, a collection which includes some runaway successes. Despite working on Green Supreme, Phonique's fierce production rate has continued unabated in 2016, with highlights including 'T Groove' on Katermukke and his stunning remix of Frank & Friedrich 'Coming Home' which landed on Universal earlier this year.
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HouseElectronicaBeatsAmbientChill-Out
Madame E. is a musical setting of Georges Bataille's 'Madame Edwarda', a short novel that interlaces themes of eroticism, religiosity and death, and was written under the pseudonym Pierre Angelique in 1941, during the occupation of Paris.
Composer Mirco Magnani wrote eleven electronic pieces and presented them to actor/singer Ernesto Tomasini. They turned them into songs by adding vocal melodies and together they produced a libretto based on Bataille's French text. The result of their dynamic interpretation is a hypnotically spellbinding performance where the audience is transported through worlds - ancient and new - and where Tomasini's haunting falsetto conveys the tormented emotions in Bataille's work and becomes the instrument that articulates the writer's famously obscure themes.
The experimental operatic performance captures the atmosphere of heightened human passion, reminiscent of opera seria and revisited through hazy and minimalistic lens. The resulting dark and twitchy mood amalgamates old vintage electronic devices, string piano and Stella Veloce´s touching violoncello. The stage becomes a space where Eros and Thanatos, real and virtual, analogue and digital, cluster and melody, spirituality and technology are intermixed and turned unidentifiable, hence collapsing the binary logic of dualism.
Written by Magnani/Tomasini and produced by Mirco Magnani, with lyrics taken from "Madame Edwarda" by Georges Bataille, Madame E. was developed between Berlin and London where Magnani and Tomasini are respectively based. Recorded in Berlin, mastered by Murcof and released by Magnani's label Undogmatisch, a collective that also includes Nicolas Defawe (Urban Spree) and Valentina Bardazzi, the painter responsible for the album artwork.
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