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M.I.A. (US) - WE MUST FIGHT
  • TELL MY WHY
  • GAS CRISIS
  • COLD SWEAT
  • NEW LEFT
  • I HATE HIPPIES
  • ANGRY YOUTH
  • ALL THE PRESIDENT'S SKIN
  • FUCKING ZONES
  • (I CAN'T TAKE IT) NO MORE
MCR20
MODERN CITY
12inch12.12.202512.DEC.25

PopPunk

USA Hardcore/Punk Geschichte! M.I.A. wurden 1980 in Las Vegas gegründet, zogen 1981 nach Orange County und begannen im berüchtigten Cuckoo's Nest zusammen mit Fear, Shattered Faith, T.S.OL. u.a. Shows zu spieln. Ende '81 gingen sie in ein lokales Tonstudio in Costa Mesa und nahmen an einem Nachmittag neun Songs auf, bis ihnen das Geld ausging - 300 Dollar gut angelegt! Eine Kassette wurde rasch kopiert und herumgereicht. Eine Kopie der Kassette wurde KevinSeconds bei einem Gig mit 7 Seconds in Reno gegeben. Kevin gab sie an Tim Yohannan von Maximum Rocknroll weiter. Schließlich gelangte sie in die Hände von Felix Alanis von Smoke Seven und Greg Shaw von Bomp. Mitte 1982 waren M.I.A. dann auf drei Vinyl-Veröffentlichungen vertreten: "Tell Me Why" auf der Compilation American Youth Report von Bomp, "New Left" auf Maximum Rocknroll Presents: Not So Quiet On the Western Front von Alternative Tentacles und acht der neun Tracks landeten auf der berüchtigten Split-LP mit Last Rites auf Smoke Seven. Alle 9 Tracks des ersten Tapes sind hier versammelt, zum ersten Mal richtig abgemischt. Der Begin von M.I.A. (US) und gleichzeitig das letzte Lapitel der Moder City Records-Reissue-Reihe zur Band. « ...In one corner is M.I.A., a band originally from Las Vegas, the champions of punk's positive side. They've managed to fuse a super tight thrash sound with enlightened attitudes_"I Hate Hippies" is obviously meant as a satire with a moral, and the results are absolutely stunning. » _Jeff Bale's 1982 review of the Last Rites for...-Split-LP in Maximum Rocknroll #2 Farbiges Vinyl plus 24seitigem Booklet.

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

21,81 €
M.I.A. (US) - WE MUST FIGHT
MCRLTD20
MODERN CITY
12inch12.12.202512.DEC.25

PopPunk

USA Hardcore/Punk Geschichte! M.I.A. wurden 1980 in Las Vegas gegründet, zogen 1981 nach Orange County und begannen im berüchtigten Cuckoo's Nest zusammen mit Fear, Shattered Faith, T.S.OL. u.a. Shows zu spieln. Ende '81 gingen sie in ein lokales Tonstudio in Costa Mesa und nahmen an einem Nachmittag neun Songs auf, bis ihnen das Geld ausging - 300 Dollar gut angelegt! Eine Kassette wurde rasch kopiert und herumgereicht. Eine Kopie der Kassette wurde KevinSeconds bei einem Gig mit 7 Seconds in Reno gegeben. Kevin gab sie an Tim Yohannan von Maximum Rocknroll weiter. Schließlich gelangte sie in die Hände von Felix Alanis von Smoke Seven und Greg Shaw von Bomp. Mitte 1982 waren M.I.A. dann auf drei Vinyl-Veröffentlichungen vertreten: "Tell Me Why" auf der Compilation American Youth Report von Bomp, "New Left" auf Maximum Rocknroll Presents: Not So Quiet On the Western Front von Alternative Tentacles und acht der neun Tracks landeten auf der berüchtigten Split-LP mit Last Rites auf Smoke Seven. Alle 9 Tracks des ersten Tapes sind hier versammelt, zum ersten Mal richtig abgemischt. Der Begin von M.I.A. (US) und gleichzeitig das letzte Lapitel der Moder City Records-Reissue-Reihe zur Band. « ...In one corner is M.I.A., a band originally from Las Vegas, the champions of punk's positive side. They've managed to fuse a super tight thrash sound with enlightened attitudes_"I Hate Hippies" is obviously meant as a satire with a moral, and the results are absolutely stunning. » _Jeff Bale's 1982 review of the Last Rites for...-Split-LP in Maximum Rocknroll #2 Handgedrucktes Lithographie-Sleeve, farbiges Vinyl plus 24seitigem Booklet (weltweite Limitierung 300 Stück).

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

27,31 €
JACKY COUGAR & THE VAMPYRES FROM AFRICA - JACKY COUGAR & THE VAMPYRES FROM AFRICA LP
  • 1: Mic Czech
  • 2: Fuck the Police
  • 3: Jeighdean (Approximate)
  • 4: Grim Up North
  • 5: Nancy
  • 6: Abok?s Angelika
  • 7: Fuck Life
  • 8: Festival Era Extract
  • 9: Altamont Blues
  • 10: Skinhead Reggae
  • 11: Theodora?s Angelika
DIG025
DIG! RECORDS
12inch12.12.202512.DEC.25

PopRockAlternativeIndie

Debut solo album from DC polymath Jack Abok. When not making zines and visual art, singing for Des Demonas' or drumming AND singing for SEXFACES, Abok's busied himself by bringing this, his most personal and ferousious vision, to (immortal) life with VAMPYRES FROM AFRICA. 11 tracks of electro punk, melding Abok's massive love for the delta blues, post punk, Krautrock and hip hop. Or, in his own words: VAMPYRES FROM AFRICA MANIFESTО: 1. Ideas > skill 2. Don't be a musician 3. Cool > smart 4. It's not about money or being liked, it's about expressing ourselves. 5. Bands should have an expiration date 6. Fuck originality! 7. Don't stop creating And Syd's Angelika Piper at the Gates of Dawn: "All movements is accomplished in six stages And the seventh brings return The seven is the number of the young light It forms when darkness is increased by one Changel return / success Going and coming without error Action brings good fortune Sunset"

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

28,53 €
KING GIZZARD & THE LIZARD WIZARD - NONAGON INFINITY LIVE LP
  • 1: Robot Stop (Live in Barcelona '25)
  • 2: People Vultures (Live at The Caverns '3)
  • 3: Mr. Beat (Live in London '19)
  • 4: Invisible Face (Live in Chicago '23)
  • 5: Big Fig Wasp (Live in Chicago '24)
  • 6: Gamma Knife (Live in New Orleans '24)
  • 7: Evil Death Roll (Live at Levitation '16)
  • 8: Wah Wah (Live in Barcelona '24)
  • 9: Road Train (Live in Austin '24)
SGR0071
SOUR GRAPES
12inch12.12.202512.DEC.25

PopAlternativeIndie

Sour Grapes Records piece together the live LP of Nonagon Infinity on vinyl, with tracks made up of their sell outs shows across the years. The album features some of the best and most raucous live outings (Chicago, Barcelona, London) from each of the songs available on the infamous King Gizzard bootlegger series, one of the first of its kind. Available on red vinyl, with artwork designed by Jordan Warren.

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

28,53 €
BABYMETAL - Babymetal (2x12")
COOKLP799C
Cooking Vinyl
2x12inch12.12.202512.DEC.25

PopHeavy-Metal

The FOX GOD has decreed a new prophecy: for the very first time in BABYMETAL history, the band’s four iconic albums—BABYMETAL, METAL RESISTANCE, METAL GALAXY, and THE OTHER ONE—will be unleashed as limited edition splatter vinyl.

From the explosive birth of kawaii metal to the cosmic journey across galaxies and the restoration of THE OTHER ONE, these four albums have carved the path of the Metalverse. Each one is a chapter in BABYMETAL’s legend—now reborn in a form unlike anything ever released before.

Splatter vinyl is new territory for BABYMETAL. Each pressing radiates with bursts of chaotic color, echoing the energy and intensity of the music itself. They are not just vinyl records, but sacred artifacts—collector’s editions destined for the chosen disciples of the FOX GOD. Once these limited runs vanish, their true form will never return.

This is more than a release; it is a celebration of the entire BABYMETAL saga. From the self-titled album that started the global revolution, to the second chapter declaring our Resistance, to the interdimensional odyssey of METAL GALAXY, and the rebirth told through THE OTHER ONE—every disc is infused with Kitsune Power.
The FOX GOD commands: seize this moment, honor the prophecy, and claim your relic before it disappears into legend.

Prepare your turntables. Summon your spirit. The Splatter Vinyl Apocalypse has begun.

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

36,77 €
Lumiero - Il Primo Grande Disco Di Lumiero LP
  • 01: La Tua Amica Più Cara
  • 02: Non Sono Tua
  • 03: Un Letto Per Tre
  • 04: Semi Nel Vento
  • 05: Corteggiamento Lento
  • 06: Impermeabile
  • 07: Io Sono il Vento
  • 08: Come Fossi Estate
FLIES79
Four Flies
12inch12.12.202512.DEC.25

PopRock

Following the release of the 7-inch "La Tua Amica Più Cara / Corteggiamento Lento" last September, Marengo is thrilled to announce Lumiero's debut LP, Il Primo Grande Disco Di Lumiero. Distributed by Four Flies Records, the album will be available starting Friday 5 December.

Featuring a timeless voice and a sophisticated touch, Lumiero sends poetic postcards from Milan and its Barona district that expertly blend auteur pop, chanson, and 60s exotica. Born in '97, Lumiero is the city's new chansonnier. Drawing inspiration from both the core and fringes of Milanese life, he offers a romantic, nuanced, yet playfully irreverent look at contemporary Italy and its profound longing for new horizons.

Marquis's compositions and arrangements provide the perfect backdrop for Lumiero's captivating melodies, acting as both canvas and frame. Meanwhile, the lyrics explore passionate romances, fleeting summer escapades, and a nation striving to reconnect with its core identity.

Moving between exotic waltzes and theatrical atmospheres, Lumiero's full-length debut is imbued with lightheartedness, underpinned by elegant songwriting and vocals that combine irony and melancholy. Living fully in the present but rooted in tradition, the album's tracks are little musical gems that bridge eras and generations, infusing the classic style of Italian songs with a modern, elegant, and cinematic quality.

And so, as time comes full circle, we find ourselves at a new beginning.

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

27,52 €
Rieko Okuda / Mia Dyberg - Glasscut
K001LP
Kassiani Records
12inch12.12.202512.DEC.25

PopJazz

An alto saxophone and acoustic piano engage in an intimate musical dialogue, reflecting on the current state of improvised music. Okuda and Dyberg’s album unites two artists at the peak of their musical collaboration, deconstructing jazz history into shimmering fragments, reassembling them in new forms that deliberately move away from traditional references. The music incorporates diverse influences—glimpses of classical composers like Webern and Prokofiev, abstract electronic elements reimagined acoustically, and a genuine spirit of exploration seeking a unique musical fusion.

Rooted in jazz, the Okuda / Dyberg Duo performs conceptual improvisations that include pulse, durations, interactions, natural/everyday life objects, soundalized: water dropping, light rain comes to a coffee-filter dripping, construction work or glass breaking sounds. Born in 2018. Glasscut is their third release – the first on vinyl – after Nigatsu 二月 (2019) and Naboer (2020).

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

35,08 €
London Music Works & Nick Squires - Music From The Crown LP 2x12"
  • A1: The Crown Main Title
  • A2: Duck Shoot
  • A3: The Letter
  • A4: Where Does That Leave Me?
  • A5: Mary Is Dead
  • B1: Your Majesty
  • B2: Future King
  • B3: Princess Margaret
  • B4: New Queen
  • B5: Charles
  • C1: Simple Harp
  • C2: Fairytalec
  • C3: Simple Harp Variation No.1
  • C4: Voices
  • C5: Actually Her
  • D1: Al Fayed
  • D2: Gunpowder
  • D3: William
  • D4: Holding Hands
  • D5: Leave You To It
DFLP048
Diggers Factory
2x12inch12.12.202512.DEC.25

PopSoundtrack

Silva Screen Records präsentiert „Music from The Crown“, ein mitreißendes neues Album, dass die Emmy-prämierte Netflix-Serie mit frischen orchestralen Interpretationen ihrer einprägsamsten Melodien feiert. Aufgenommen vom renommierten Ensemble London Music Works und mit ausdrucksstarken Cello-Soli von Nick Squires, umfasst die Sammlung die Hauptthemen und wichtigsten musikalischen Momente aller sechs Staffeln und zeichnet die Reise der Krone von der jungen Elizabeth II. bis zum Ende ihrer Regierungszeit nach.

Diese neuen, für ein volles Orchester arrangierten und mit modernem cineastischem Glanz versehenen Versionen würdigen den musikalischen Ton von „The Crown“ und verleihen den prägnanten Themen von Hans Zimmer, Rupert Gregson-Williams und Lorne Balfe die Unmittelbarkeit eines Konzertsaals. Hans Zimmer ging das Projekt mit dem Gewicht eines Spielfilms an und erkannte die weitreichende Vision des Schöpfers Peter Morgan. Rupert Gregson-Williams erinnert sich an lange Gespräche, in denen der majestätische und doch zurückhaltende Ton des ersten Themas festgelegt wurde, während Lorne Balfe betont, wie die Filmmusik mit Königin Elizabeths Entwicklung von der Unschuldigen zur Monarchin mit gereift ist. Als Martin Phipps in Staffel 3 das Ruder übernahm, schuf er ein Gleichgewicht aus Respekt vor dem Bestehenden und einer frischen musikalischen Identität, die die neue Ära der Serie widerspiegelte.

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

31,05 €
Oh No - Nodega LP
  • 1: Broken Radio Intro
  • 2: No's One Stop (feat. DJ Romes)
  • 3: Community Trenches (feat. Kazi, MED, Blu, and Roc C)
  • 4: Around Here (feat. Rah Digga and Talib Kweli)
  • 5: Rooftop Shottas (feat. Blacca, Ghostface Killah, and Tristate)
  • 6: Dr. Nodega Infomercial (Interlude)
  • 7: Gutter Streams (feat. Alchemist)
  • 8: Watch Ya Steps (Interlude)
  • 9: Grounding Stars (feat. Guilty Simpson, Vic Spencer, and Montage One)
  • 10: Nodega Run (feat. J. Sands)
  • 11: Money Everyday (feat. Big Twins and Tha God Fahim)
  • 12: Nobody Told U (Interlude)
  • 13: How Crime Works (feat. Crimeapple)
  • 14: Alley Loitering (Interlude)
  • 15: No Parking Zone (feat. Logic)
  • 16: Czarnobyl Torture (feat. Esoteric)
  • 17: Good Beer Therapy (Interlude)
  • 18: Likwit Smoke (feat. Wildchild and Tash)
  • 19: ICU With Bottle Service (feat. Bishop Lamont and Khrysis)
  • 20: Corner Goons (feat. Roc C and Jayo Felony)
NSD256LP
Nature Records
12inch12.12.202512.DEC.25

Hip-HopHip-HopRap

Oh No helped shape the texture of modern independent hip-hop, introducing the world to his turbulent lyricism with the 2004 Stones Throw classic The Disrupt before establishing himself as one of the world’s most dynamic beat architects. Ranging from soulful to sinister, hypnotic to chaotic, Dr. No’s psychedelic production has become a vital force in hip-hop, bringing the best out of artists like Mos Def, Action Bronson, Prodigy, Murs, Dilated Peoples, Danny Brown, Elzhi, Your Old Droog, and more. The California native has also released several acclaimed sample-themed instrumental collections, mining Mediterranean psyche funk, the work of jazz icon Roy Ayers, Italian library music, rare Ethiopian grooves, and more. Now, Oh No is back with Nodega, his first vocal album in more than a decade. Conceptualized as a corner store where microphone assassins stop through to lay down their street tales, the project finds Oh No cooking up a fresh batch of wild creations as the drama unfolds. While contributing a handful of memorable verses himself, Oh No mostly focuses on crafting soundscapes for a staggering array of guests, including Logic, Ghostface Killah, Talib Kweli, Tha God Fahim, Alchemist, Guilty Simpson, Blu, Crimeapple, Rah Digga, Esoteric, Vic Spencer, Wildchild, Big Twins, and more. “I work with some of the most dangerous emcees in the game,” he explains. “I wanted the album to be like a hip-hop play, with all these different geniuses showing how they steal the scenes.” This concept is brought to life by music Oh No describes as a “cinematic landscape ranging from dark stabbing pianos to melodic jazz interludes, raw gutter loops to funk grit, dirty synths to nighttime thrills.” A visceral experience elevated by immense collective talent, Nodega is a compelling one-stop shop for Oh No’s expansive artistry.

pre-order now12 Dec 2025

expected to be published on 12 Dec 2025

28,15 €
Nokuit - Gates of Horn and Ivory
TINA002
TINA Records
12inch11.12.202511.DEC.25

BeatsAmbient

Tina Records presents the apocalyptic visions of Nokuit. Constructing a hellish diorama across six tracks of industrial electronics, Gates of Horn and Ivory uses biblical allegory to map out our current End Times. With sleeve notes by Andy Sharp a.k.a The English Heretic.

Eurosleaze film composer by day, Nokuit has developed a distinctive cosmology over a mutating series of releases on underground labels including wannamarchi club and NKT. Alongside Cut Hands (William Bennett of Whitehouse), he remixed Roberto Musci on the inaugural Tina Records release, as well as having been remixed himself by schuttle, Kinn and Sonae. He has performed internationally, including at Cafe OTO alongside Mun Sing as part of a lineup curated by Flora Yin-Wong and has received radio support from Ad93's Nik Tasker and Ana Quiroga of Editions Mego's LCC, amongst others.

English Heretic is an autonomous creative research project helmed by writer, occultist and multimedia artist, Andy Sharp. Having released over a dozen albums and booklets since it's inception in 2003, the project culminated with the publication of The English Heretic Collection in 2020 by Repeater Books. Friend and collaborator of the late Mark Fischer, Andy has talked at academic conferences and counter-cultural events on a wide range of subjects drawn from his research.

This is the second release from Tina Records, following Cargo Cult by Roberto Musci. Featuring remixes from Cut Hands and Nokuit, that record received airplay from the likes of Surgeon and Not Waving on stations such as NTS, Noods, Resonance and Intergalactic FM. It was also named one of the best releases of 2024 by Bleep. Tina Records is based in London and Rome.

out of Stock

Last delivered 10 months ago
available to reorder, subject to availability

15,34 €
Gilles Peterson & Stuart Baker - Freedom, Rhythm & Sound CHAPTER TWO: Revolutionary Jazz Cover Art

Freedom, Rhythm and Sound showcases the stunning graphic works of independently published jazz record cover designs in the 1960s, 70s, 80s and beyond, from radical jazz musicians such as Sun Ra, John Coltrane, Pharoah Sanders, The Art Ensemble of Chicago and others. This second Freedom, Rhythm and Sound book is a new ‘chapter’, featuring hundreds more unique, rare and beautiful jazz record cover designs.

This book documents the continued development in jazz as African-American artists set out on new journeys to enlightenment, heading out into Europe at the end of the 1960s. The artwork of these (often self-produced) record cover designs during this era reflected their radical agenda, spiritual awareness and singular search for musical and personal freedoms. From raw, DIY aesthetics to lyrical and poetic illustrations, sometimes containing futuristic worlds and ancient landscapes, the designs are always bold, strikingly graphic, and most importantly capture the spirit of the music, giving them a unique beauty. The book also includes sections on African-American poets and writers, Civil Rights and Black Power Movement leaders (Martin Luther King, Malcolm X) and early musical pioneers (Yusef Lateef, Max Roach, Art Blakey and others), all of which helped influence and shape the world of radical and spiritual jazz from the 1960s and onwards to its rebirth today. Since the 1980s, Gilles Peterson has been a pivotal figure in the club scene, renowned for his genre-defying approach to music with jazz at its core. As one of the UK’s most iconic DJs, he has spent over 40 years shaping music trends as a radio presenter, club DJ, producer, and festival curator.

He hosts a flagship show on BBC Radio 6 Music and, in 2016, launched Worldwide FM. He is founder of the Worldwide Festival in the South of France and We Out Here festival in the UK. He runs the label Brownswood Recordings, dedicated to discovering and promoting new talent and bringing fresh voices to the global stage. Stuart Baker founded Soul Jazz Records in 1992. For more than 30 years the record company has released over 500 records covering a genre-defying array of non-mainstream musical worlds – Jazz, Reggae, Punk, Latin, Brazilian, Disco, African, Gospel, Acid House and more.

In 2017, part of Stuart Baker’s jazz record collection (much of which appears in Freedom, Rhythm and Sound) was featured and displayed as part of the Soul of a Nation: Art in the Age of Black Power exhibition at Tate Modern in London, and subsequently at The Broad in Los Angeles (2019) and Brooklyn Museum (2019). Soul Jazz Books launched in 2007, a similarly diverse and critically acclaimed publishing house with graphic art, culture and photography titles that include ‘Voguing and The House Ballroom Scene of New York’, ‘Dancehall – The Rise of Jamaican Dancehall Culture’, ‘Yo! The Early Days of Hip-Hop’, ‘Freedom, Rhythm and Sound – Revolutionary Jazz Cover Art 1965-83’, ‘Punk 45 – The Singles Cover Art of Punk 1976-80’ and others. Reviews of the first Freedom, Rhythm and Sound: “A remarkable book” The New Yorker “If there can be such a thing as a revolutionary coffee table book, Freedom Rhythm & Sound is it―a chance to wallow in the Afrocentric visual language of the non-mainstream black jazz vinyl of this extraordinary fertile and creative period.” Eye “Like the uncompromising music they represent, all the covers broadcast a sense of bold, brazen ideology” Pitchfork “A definitive account of a complex passage of cultural upheaval.” The Independent “For decades, no one was sure how to refer to this extraordinary music.

Calling it ‘fire music’ does justice to its incandescent spirit, still burning from the pages of a book that preserves the memory of a special time.” The Guardian “These sleeves are the original independent legacy to America’s premier art form – Jazz. In terms of African-American cultural expression they are part of a long line of thought that was charged in the 1960s by John Coltrane, Martin Luther King, Ornette Coleman, Malcolm X and others” The Wire “A hefty compendium of radical jazz cover art” Mojo

out of Stock

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Last In: 2 days ago
34,87€
HAPPY MONDAYS - The Factory Singles LP 2x12"
LMS1725595
London Records
2x12inch10.12.202510.DEC.25

PopIndie

2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

out of Stock

Last delivered 6 months ago
available to reorder, subject to availability

32,73 €
GARETH DAVIS & SCANNER - SONGLINES
MFR119
Moving Furniture Records
12inch10.12.202510.DEC.25

BeatsAmbient

When the ghost in the machine meets the breath in the reed, expect sparks. Electronic sound artist Robin Rimbaud – Scanner joins forces with acclaimed British bass clarinetist Gareth Davis to create an album where circuitry hums, wood vibrates, and the air between notes crackles with possibility.

This is no polite meeting of minds — it’s an elegant collision. Scanner’s intricate electronic textures weave around Davis’s deep, resonant tones, blurring the boundary between acoustic breath and digital pulse. The result is a sound world that’s at once intimate and expansive, familiar yet thrillingly unpredictable.

Think late-night conversations in abandoned buildings. Think fog rolling over neon. Think sound that slips through your fingers even as it takes hold of you.

The songlines in question , memories and distorted images of travels across various continents, form an imagined biography of places that might or might not have been but somehow seem to exist . Landscapes of blurred statements , lost words and echoes of meandering structures.

"If Miles Davis had been raised on shortwave radio static and midnight phone calls, it might have sounded like this."

pre-order now10 Dec 2025

expected to be published on 10 Dec 2025

22,27 €
JOHN WILLIAMS - Star Wars: Episode III - Revenge of the Sith - OST 2x12
  • A01: Star Wars and the Revenge of the Sith
  • A02: Anakin's Dream
  • A03: Battle of the Heroes
  • A04: Anakin's Betrayal
  • B01: General Grievous
  • B02: Palpatine's Teachings
  • B03: Grievous and the Droids
  • B04: Padme's Ruminations
  • B05: Anakin vs. Obi-Wan
  • C01: Anakin's Dark Deeds
  • C02: Enter Lord Vader
  • C03: The Immolation Scene
  • C04: Grievous Speaks to Lord Sidious
  • D01: The Birth of the Twins and Padme's Destiny
  • D02: A New Hope and End Credits
UWJD-9043/4
Walt Disney Records
2x12inch10.12.202510.DEC.25

PopSoundtrack

Composed by John Williams for George Lucas’s 2005 film "Star Wars: Episode III – Revenge of the Sith," this soundtrack captures the tragic
fall of Anakin Skywalker—his fear of losing Padmé, his desire for recognition, and his growing arrogance lead him down the dark path to
become Darth Vader, an agent of fear across the galaxy. Yet, even within the darkness, traces of light remain. Alongside the series’ iconic themes,
Williams introduces powerful new compositions such as "Battle of the Heroes" and "Anakin vs. Obi-Wan." The album concludes by returning to
the beginning of the saga with "A New Hope and End Credits."

pre-order now10 Dec 2025

expected to be published on 10 Dec 2025

59,03 €
Various - We Are The Robots Vol. I
HCR025
Hypnotica Colectiva Records / HC Records
12inch08.12.202508.DEC.25

TechnoElectro

We Are The Robots Vol. 01 – Hypnotica Colectiva 25

Hypnotica Colectiva drops a fresh wax cut: We Are The Robots Vol. 01 — a heavyweight double vinyl release that channels the raw energy of the crew’s legendary club nights and distills 15 years of sonic exploration across electro, broken beats, and IDM textures.

Marking catalogue number HCR025, the Valencia-based imprint doubles down on its underground ethos, curating a ten-track lineup from artists deeply connected to the collective’s orbit. Each contributor brings a distinct flavor of robotic sound design.

Every track has been handpicked for its club impact, conceptual depth, and ability to resonate with the aesthetic of We Are The Robots — a party series that’s been pushing uncompromising electro since 2010. Expect a full-spectrum journey: from cerebral synth workouts to gritty analog pressure, industrial atmospheres, shadowy breaks, and raw minimalism.

Artwork come courtesy of Dani Requeni, keeping the HC Records design language sharp and functional. Steve Voidloss handles mastering duties, ensuring each groove hits with precision.

Mastered by Voidloss at Black Monolith Studio, London.
Artwork, Label art & Designs by Dani Requeni.
All rights reserved.
HC RECORDS
València, 2025.

out of Stock

Last delivered 10 months ago
available to reorder, subject to availability

28,15 €
Darius Syrossian / Harry Collett - Moxy Musik Editions Vol 9
MM095
Moxy Muzik
12inch08.12.202508.DEC.25

HouseTechTechnoDeep

As Moxy marks an incredible seven years as a trailblazing label, The label unveils Moxy Editions 9 — a four-track collection that captures the spirit of his DJ sets and the global energy of his dancefloor community. Already a highlight of the summer season, these records have been making serious waves across Ibiza and beyond.

At the heart of the release is “Gypsy Woman (Moxy Edit)” — a track that started as a spontaneous edit for Darius’s own sets and quickly took on a life of its own. With re-recorded vocals from Holly Jazz and official publishing clearance, the track has become a defining anthem of the year.

From DC-10 to clubs across Europe, the record has been met with full-room singalongs and explosive reactions. Early support from DJs including Prosper and Liam Palmer has further cemented it as one of the most in-demand edits on the circuit. Now officially released, “Gypsy Woman” arrives on vinyl, just in time for the label’s milestone birthday.

Next up comes a standout comes from Harry Collett “Check up”. A longtime Moxy fan and emerging talent, Collett’s production has already earned support from MK and a growing roster of influential selectors. “Harryette” has been a staple in Darius’s summer sets, marking Collett as one to watch.

Also featured are two more highlights from the summer — “Tengo La Musica (Crackazat Remix)” and “Never Let You Go”, both driven by irresistible samples and undeniable grooves. These cuts embody the energy and emotion of Darius’s signature club sound — upfront and built for the dancefloor.

out of Stock

Last delivered 57 days ago
available to reorder, subject to availability

14,24 €
Kingston Sounds - Return To Orange Street’ 14 Roots Rock Reggae Classics LP
KSLP009
Kingston Sounds
12inch05.12.202505.DEC.25

Hip-HopReggae

From 1968 through to the mid 1970’s the reggae beat began to slow down,some say due to the extreme heat hitting down onto Kingston Town and its surrounding enclaves. People needed something less strenuous to dance to. The Ska and Rocksteady Sounds (see 101 Orange Street KS007) that rocked Jamaica previously, had now found a slower tempo and become more ‘Dread’ lyrically to suit the times. Reggae music has always moved within the social climate it found itself in and this set here, as we ‘Return To Orange Street’ was ROOTS ROCK REGGAE TIME....

The Rastafarian message that runs through this collection of ‘Reality’, sometimes labelled ‘Sufferers’ music,is strong and works on many levels. It can come across on a heavy rhythm and vocal cut. Its example represented here by Prince Jazzbo’s ‘Dread in a Earth’ and ‘I Roy’s ‘Roots Man Time’, moving through to the popular new sounds of the DJ’s working over an old rhythm and alongside its existing vocal. As with Busty Brown working with Delroy Wilson's ‘Know Your Friend’ and Mr Jah Stitch working over Johnny Clarke’s ‘Roots Natty Roots’ to produce an even more dreader ‘True Born African’. The heartfelt lyric can also convey this message as we can see when Horace Andy laments ‘Where is the Love’ and Delroy Wilson again shows us on his ‘Who Cares’ cut. The great Twinkle Brothers also put the message across on their two cuts we have here, ’Too Late’ one of their lost classics if ever there was one and the thoughtful ‘It’s Not Who You Know’,being another prime example.

Orange Street itself is always at the heart of all reggae's musical changes and some singers also ride these waves as Mr Cornell Campbell shows us here with two cuts. The mournful ‘Too Be Loved’ and his uplifting ‘Girl of My Dreams’, which uses the same rhythm as our previously mentioned Prince Jazzbo’s 'Dread in a Earth’. Showing us that firstly you can’t keep a good rhythm down and secondly that two if not more great songs can work from the same source point. The light hearted ‘Vengeful’ lyric also worked in this period when artists spared off to each other on records to vent their frustrations. As we can hear here with Mr Lee Perry’s ‘You Funny Boy’. The song snipping back at a previous employer over what he felt were his misdoings to an under appreciated Mr Perry. We have culled these tracks together to show that the Dread Roots feel of the 1970’s came across in many guises and even in earlier songs these sentiments were also prevalent. As represented in Slim Smith’s almost bluesy feel in ‘Trying To Find a Home’, never a truer statement in Kingston's ghetto areas.

Well we hope you enjoy this musical journey and make a connection with messages portrayed here, as Mr Monty Morris points out on his contribution to this collection ‘Times Are Dread’.... Dread indeed.....

out of Stock

Available to reorder, subject to availability

13,03 €
The Dear Hunter - Act IV: Rebirth in Reprise LP 2x12"
  • 1: Rebirth
  • 2: A Night On the Town
  • 3: The Old Haunt
  • 4: Is There Anybody Here?
  • 5: Waves
  • 6: At the End of the Earth
  • 7: Remembered
  • 1: The Squeaky Wheel
  • 2: If All Goes Well
  • 3: The Line
  • 4: The Bitter Suite IV and V: The Congregation and The Sermon in the Silt
  • 5: Wait
  • 6: The Bitter Suite VI: Abandon
  • 7: Ouroboros
  • 8: King of Swords (Reversed)
also available

Act V[31,72 €]


EVR2931
Rude Records Equal Vision
2x12inch05.12.202505.DEC.25

PopAlternative

Vinyl Edition: Clear with Green, Yellow & Black Splatter Part four of The Dear Hunter’s long-running concept series, Act IV combines symphonic rock with narrative-driven songwriting. The multicolor splatter pressing (clear with green, yellow, and black) reflects the album’s theatrical tone and ornate arrangement style. Includes gatefold sleeve with lyric and story inserts. Format: CD Presented in standard CD format with full booklet, Act IV continues the saga’s elaborate storytelling with orchestral arrangements and progressive rock influences. Packaging includes expanded artwork and story content.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

31,72 €
Nolove - NOLOVE EP
HBR019
Honey Badger Records
12inch05.12.202505.DEC.25

HouseTech

Honey Badger Records is pleased to announce the release of its 19th EP, NOLOVE EP, marking the label debut of Seoul-based producer and DJ, Nolove.

Recognised as an active presence within Seoul’s underground dance club community, Nolove has steadily built a reputation for her distinctive style and energy on the floor. On NOLOVE EP, she presents four original tracks shaped by the current momentum of the club scene—where minimal, crystalline synths and tightly woven percussion come together to form a sound that is unmistakably her own.

out of Stock

Last delivered 10 months ago
available to reorder, subject to availability

13,87 €
HAPPY MONDAYS - The Factory Singles LP 2x12"
  • A1: Delightful 3:38:00
  • A2: Freaky Dancin' 3:42:00 7" Edit
  • A3: Tart Tart 4:18:00
  • A4 24: Hour Party People 3:20:00 Radio Edit
  • A5: Wrote for Luck 3:41:00 7" Edit 18:39:00
  • B1: Lazyitis - One Armed Boxer (with Karl Denver) 3:53:00
  • B2: Hallelujah 3:46:00 Oakenfold 7" Edit
  • B3: Step On 4:20:00 7" Edit
  • B4: Kinky Afro 3:58:00 Radio Edit
  • B5: Loose Fit 3:46:00 Radio Edit 19:43:00
  • C1: Judge Fudge 3:58:00 7" Edit
  • C2: Stinkin' Thinkin' 4:18:00 Hague 7
  • C3: Sunshine & Love 3:23:00 7" Edit
  • C4: Angel 4:05:00 Edit 15:44:00
  • D1: Hallelujah (Club Mix) 6:29:00
  • D2: Step On (Twistin' My Melon Mix) 5:55:00
  • D3: W.F.L. (Think Abou The Future Mix) 7:05:00 19:29:00
also available

Yellow / Magenta Vinyl[32,73 €]


LMS1725594
London Records
2x12inch05.12.202505.DEC.25

PopIndie

2025-2026 marks the 40th anniversary of the Happy Mondays, a milestone celebration of one of Britain's most iconic and era-defining bands.

To celebrate, London Records will launch a series of special anniversary releases, beginning with a fully remastered brand-new compilation: The Factory Singles. This definitive collection captures the band's ground-breaking output from 1985-1992, celebrating their pivotal role in shaping UK music culture. Classic remixes from Paul Oakenfold, Andrew Weatherall, Terry Farley and Jon Carter make up bonus tracks on the 2CD and 2LP.

The release will be available across multiple formats, appealing to collectors and fans alike.

Complementing the physical editions, a series of brand-new digital remixes will be unveiled from world-renowned artists Daniel Avery, Paul Oakenfold, Mella Dee, and Shadow Child and more, bridging the Mondays' legacy with today's electronic innovators, and a revisit from Paul Oakenfold.

This campaign marks the beginning of an extensive celebration of the Happy Mondays' 40-year legacy, bringing their iconic sound to both devoted fans and new generations

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

28,99 €
Pierce The Veil - A Flair For The Dramatic
  • 1: She Sings in the Morning
  • 2: Chemical Kids and Mechanical Brides
  • 3: The Balcony Scene
  • 4: Currents Convulsive
  • 5: Yeah Boy and Doll Face
  • 6: Drella
  • 7: I'd Rather Die Than Be Famous
  • 8: Diamonds and Why Men Buy Them
  • 9: Wonderless
  • 10: The Cheap Bouquet
  • 11: Falling Asleep on a Stranger
EVR1321
Rude Records
12inch05.12.202505.DEC.25

PopAlternative

Pierce the Veil is an American rock band from San Diego, California. Formed in 2006, the band was founded by brothers Vic and Mike Fuentes after the disbandment of the group Before Today. Other members of the band include Jaime Preciado (bass) and Tony Perry (lead guitar). To celebrate the 10-years anniversary from ‘A Flair For The Dramatic’ original release Rude Records is delighted to present the album in a new and refreshed format with remixed and remastered audio. The band extensive touring action saw them perform multiple times on Vans Warped Tour stage from 2008 on. Being one of the most influential names in the alternative scene, expect continuously touring to support their eagerly anticipated fourth studio album ‘Misadventures’ which was released on May 13, 2016.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

25,63 €
Peki Momes - Peki Momés LP
MLP1015XLP
Mocambo
12inch05.12.202505.DEC.25

PopWorld Music

The stunning debut album by Peki Momés is back in store after selling out the first edition in a few weeks! This 2nd pressing has a different label design. Featuring twelve outstanding original tunes. Turkish psychedelic, global disco and outernational!

Peki Momés is a Turkish artist living in Germany - who only started to record music by accident in 2024. Blessed with style and intuition rather than formal education, her fresh and uncompromisingly authentic approach to music took hearts and ears by storm.

Ever since her debut 45 on Mocambo Records, Peki Momés has become a little sensation in and outside the organic groove scene: turntablist DJ Koco played doubles of "Göc Mevsimi" in his set, Iggy Pop announced "Rüya" on his "Iggy Confidential" show on BBC and the second vinyl single surprised everyone with a mesmerizing cover of Marco Valle's much loved "Estrelar" in the turkish language. Both records sold out quickly and are in the bags of tastemakers like Coco Maria.

Peki Momés' music is an eclectic mix of sounds from the global underground, tastefully crafted by producer Dustin Braun and a troupe of ridiculously talented jazz musicians. Dirty disco, fuzzy funk, anatolian rare grooves, experimental synth, library music and japanese city pop all blend naturally with her distinct vocals to create a unique ethereal outernational sound that is all her own.

Once dubbed as 'turkish discodelic', Peki's songs have a dreamlike, enchanted and psychedelic quality and instantly take the listener on a journey. In a poetic way, she approaches topics like "dreams and a naive fear of losing or not fulfilling them" or expresses "worries about our weary world and call for solidarity from all" - always with an outlook of hope. You do not have to speak turkish to understand - the message is transported by a universal language.

With her debut album, Peki Momés is now telling her full story. Displaying a young Peki on the cover, the artwork hints at the freshness and enthusiasm of the project. We should consider ourselves lucky that Peki chose to disrespect rules in favor of self-empowerment and made this wonderful longplayer that you never knew you needed.

out of Stock

Last delivered 4 months ago
available to reorder, subject to availability

26,85 €
Marcia Griffiths - The First Time I Ever Saw Your Face / Gypsy Man (7")
  • A1: The First Time I Ever Saw Your Face
  • B1: Gypsy Man
HRHSS0037
Harlem Shuffle Records
7"-Vinyl05.12.202505.DEC.25

Hip-HopReggae

This exceptional release brings together two of Marcia Griffiths’ most remarkable recordings.

Both tracks originally appeared on her acclaimed debut solo album Sweet and Nice , produced by

Lloyd Charmers and released on Trojan Records in 1974.

These two gorgeous tracks are extremely popular today as highlighted by the hundreds of thousands views on Youtube

but incredibly, this is the very first time these two gems are issued on a 7" single!!

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

19,54 €
TUK SMITH & THE RESTLESS HEARTS - TROUBLED PARADISE
  • TROUBLED PARADISE
  • RUNNIN' WITH THE WILD ONES
  • SADIE MAE
  • LOVE DON'T LIVE HERE ANYMORE
GYPRB2
Gypsy Rose Records
12inch05.12.202505.DEC.25

PopRock

Tuk Smith is the kind of rock 'n' roll ambassador you didn't think existed anymore. Punk maverick from rural Georgia, Biters frontman, producer and solo artist, he's seen the best and worst of a music industry in constant flux. By turns it's left him critically acclaimed, poised for stadiums, dropped, burned out, back in the game and beloved by those for whom rock is still everything. Now based in Nashville, and with his own label Gypsy Rose Records, he creates from a more real place than most. "I want to do something that means something to people," Tuk says, "because a lot of shit nowadays is so disposable and so plastic. I just don't connect with that. I'd like to do things that impact people positively. It's a weird time on the planet, so to have songs about hope, but not be cheesy about it, it's something I think we need with songwriting. That's the kind of music I want to hear." Again, there's that dichotomy he speaks of. "Rock 'n' roll is essentially the illusion of not giving a fuck, right? Like, you know Axl Rose was doing sit-ups and jump rope, and Paul Stanley was on a cardio machine, and they come out and act like it just happens. The point is I sit at that piano many hours, working on this stuff."

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

18,95 €
FRACTION - MOON BLOOD LP
EZRDR169LP
Riding Easy
12inch05.12.202505.DEC.25

PopRockIndie

US Black Friday 2025 Release. There are very few albums in the psych/punk/hard rock/private presses strata that garner the sort of universal awe and accolades that Fraction’s almighty Moonblood LP does, and even fewer records in the world that could be dubbed ‘Christian Rock’ incur such fierce devotion. Indeed some records just meteorically lift themselves out any genre tag with brilliance and sheer defiance--and Moonblood is surely one of them. Based in LA, Fraction was a ragged collection of working-class musicians--the line-up was ringleader Jim Beach--vocals; Don Swanson--lead guitar, Curt Swanson--drums, Victor Hemme--bass, and Robert Meinel--rhythm guitar. Beach himself describes those early days: “The guys met through various acquaintances that we had in LA. All of us had been in bands before, but were seeking something with more teeth. We had a small studio in an industrial complex in North Hollywood and started practicing sometimes as early as 4:30 AM. We all had day jobs, so we did what we could.”

Amazingly the recording sessions for the album were recorded similarly on the fly, as Beach further states: “The Moonblood recording took place at Whitney’s Studio in Glendale, CA, early in 1971. On a strict budget, these songs were recorded in less than three hours—all of them “one takes.” We played, all 5 of us, simultaneously-- there were no studio effects, no overdubbing or any additional sound effects added. Basically what you hear is considered ‘old school’ recording.”

This workmanlike description in no way prepares one for the pure tortured genius the session wrought. Particularly noteworthy is Beach’s vocals—as commonly stated, the spirit of Jim Morrison is conjured in his deep baritone, which gives way to unparalleled pained howls, at times bathed in delay which trails into the abyss. Fascinatingly enough, Beach cites the much punker Love as his fave LA band over the Doors, and also gives influence-nods to proto-everything rockers The Yardbirds and to Dylan, whose dark word tapestries surely inspired Beach’s lyrics (though lines from The Doors’ “L’America” pop up on the LP) Whatever the case, the man clearly has a vision, as even the stark sleeve concept is Beach’s own. Equally as integral to the Fraction sound is lead guitarist Don Swanson—his blown-out fuzz riffs set a template for what is now commonly known as “stoner rock” or “acid punk,” and his solos consist of jagged, wah-wah-ed shards of notes, with his amplifier clearly pushed to the limit.

Beach says: “Don’s guitar was always my driving force and he did everything he could to keep it over the top. You’d never know that (his sound) was coming from an old, broken down Esquire. Don kept it alive!” The other members contributions shouldn’t be underappreciated though-- drummer Curt Swanson keeps things at a constant simmer, and then boils over when the whole band launches into snarling glory. The band and LP as a whole equals something indescribably intense from start to finish—comparisons to the Detroit late 60s high-energy bands like The Stooges and MC5 abound, as well as the sort of late 60s damaged spirit lurking in biker clubs and disgruntled Vietnam vets. The song cycle on side 1 of the LP in particular cuts to the emotional core, with severely charged dark lyrics like “Extend your thumbs and burn the darkness out of her.” Which brings us to the Christian aspect--it often can confuse listeners. The Fraction/Beach world of religion is complex and perhaps a bit pagan/sinister than most---fire and brimstone, temptation, and the truth-seeker being burned by this hell on earth—or perhaps as Beach himself best put it: “Speaking for myself, as a believer, it’s been a progressive experience since my childhood.

I think we’re all basically driven to live more than religion.” The album was pressed in a run of but a few hundred to little attention in the day, but now inferior bootlegs flood the marketplace, and originals of Moonblood command thousands of dollars. So enjoy this all-inclusive reissue, which also features for the first time on vinyl, 3 lost tracks-- like the more acoustic-minded “prisms” and “dawning light,” as well as the proto-metal choogle of “Intercessor’s Blues.”

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

45,80 €
Noriko Miyamoto - Push 2x12"
BBE695ALP
BBE
2x12inch05.12.202505.DEC.25

Hip-HopFunk

BBE Music is proud to present the latest J Jazz Masterclass Series reissue, 1978 soul/jazz tour de force album ’Push’ by Noriko Miyamoto. For the first time, this critically acclaimed series that delves deep into the history of Japanese Jazz will be releasing an album by a Japanese female singer, Noriko Miyamoto produced by one of the legendary figures in Japanese Jazz, Isao Suzuki. The release of her incredible debut album, ‘Push’, coincided with a surge in popularity for local female jazz singers such Kimiko Kasai, Yasuko Agawa, etc. that crossed over into the pop market. It was originally released by the now-defunct label, Yupiteru Records in 1978. Since then, it has been reissued a few times in Japan but recently, along with a surge of worldwide interest in old Japanese music, ‘Push’ has been gaining a cult status among foreign music heads, with the price for an original pressing skyrocketing in the second hand record market. This reissue of ‘Push’ will be the first time ever that this album will be officially released worldwide. Long before R&B music went onto enjoy mainstream success in Japan, a soul music and disco loving lady, Noriko Miyamoto who started her music career working as a dancer at the legendary Tokyo disco, ‘Mugen’, was inspired by Tina Turner’s performance there and decided to became a soul singer. It was at a time in the early 1970s when there were only a handful of female songstresses who sang soulfully in Japan. In 1977, Miyamoto was scouted by Isao Suzuki to join his band, Soul Family and subsequently, with their backing, he produced Push, an album that kickstarted her career. It is an album that exquisitely combines her jazzy and soulful vocals with Suzuki’s acoustic bass and precocious playing from his youthful and vibrant group at the time. Along with Sadao Watanabe, Terumasa Hino, Masabumi Kikuchi and George Otsuka, bassist, cellist, multi-instrumentalist, composer, arranger, producer and band leader, Isao Suzuki was considered to be one of the most influential figures in Japanese jazz history. Beloved by many in the Japanese jazz scene as “Oma-san”- Suzuki was renowned for developing young talent.

out of Stock

Last delivered 57 days ago
available to reorder, subject to availability

35,25 €
Glen Phillips - There Is So Much Here LP
  • 1: Stone Throat
  • 2: I Was A Riot
  • 3: The Sound Of Drinking
  • 4: Big Changes
  • 5: The Bluest Eye
  • 6: Brand New Blue
  • 7: Center Of The Circle
  • 8: Skeleton For School
  • 9: Other Birds Of Prey
  • 10: Let In Anarchy
  • 11: Call The Moondust
COM48421
Compass Records
12inch05.12.202505.DEC.25

PopRock

140 gram purple colored vinyl (with download code) "I've seldom allowed myself to stay in one place for very long," Glen Phillips says, explaining the genesis of his new album, 'There Is So Much Here' "I was lucky during the COVID lockdown to move in with my girlfriend, now fiance , and to stay home for the longest stretch I've had since the birth of my daughter, 20 years ago. After a life of travel and seeking out peak experiences, I began to appreciate the subtle beauty of sitting still."

The 11 tracks on Phillips' new album are informed by the time that the pandemic shut down allowed for reflection, moving between quiet love songs and rockers that consider the multi- faceted meanings hidden in our everyday lives. Glen Phillips has been making music for over two decades, with a career that began as the 14- year- old frontman for Toad the Wet Sprocket. Since then, he's accumulated an esteemed body of work comprising eight albums with Toad (which collectively have sold close to 4 million units) and three as a solo artist.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

31,05 €
FINE YOUNG CANNIBALS - FYC 40 (40Th Anniversary Best Of) (LP 2x12")
LMS1725532
London Records
2x12inch05.12.202505.DEC.25

PopClassics

VINYL - 1LP CRYSTAL CLEAR : 12 songs
" 12 songs. taking in the band's biggest global hits across a decade : 5 UK Top 10 Hits / 9 UK Top 40 hits / 2 US Billboard # 1 singles
" All versions are single versions where relevant
" From their first single 'Jonny Come Home' (1985) up to 'The Flame' (1996)
" New artwork, new liner notes, fully remastered





d A4. Funny How Love Is 3:29 rerecorded version



h B2. Don't Look Back 3:47 7" remix




d A4. Funny How Love Is 3:29 rerecorded version



[h] B2. Don't Look Back 3:47 [7" remix]

out of Stock

Last delivered 10 months ago
available to reorder, subject to availability

31,47 €
The Dear Hunter - Act V: Hymns with the Devil in Confessional LP 2x12"
  • 1: The Revival
  • 2: Regress
  • 3: The Moon / Awake
  • 4: Melpomene
  • 5: Mr. Usher (on His Way to Town)
  • 6: Cascade
  • 7: The Most Cursed of Hands / Who Am I
  • 8: The Haves Have Naught
  • 9: The March
  • 10: Light
  • 11: Gloria
  • 12: Blood
  • 13: The Flame (Is Gone)
  • 14: A Beginning
  • 15: The Fire (Remains)
also available

Act IV[31,72 €]


EVR3601
Rude Records Equal Vision
2x12inch05.12.202505.DEC.25

PopAlternative

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

31,72 €
Clint Jackson III, Byard Lancaster - Mother Africa
FFL095LP
Souffle Continu
12inch05.12.202505.DEC.25

PopJazz

At the beginning of the 1960s, at the Berklee College of Music, Byard Lancaster met some feisty friends: Sonny Sharrock, Dave Burrell and Ted Daniel. It is easy to see why he rapidly became involved in free jazz. Once he was settled in New York, he appeared on Sunny Murray Quintet, recorded under the leadership of the drum crazy colleague of Albert Ayler.



In 1968, the saxophonist and flutist recorded his first album under his own name: It’s Not Up To Us. The following year he came to Paris in the wake of… Sunny Murray. He would come back to France in 1971 (again with Murray) and in 1973 (without Murray for a change). This is when he met Jef Gilson, the pianist and producer who encouraged him to record under his own name again.

On Palm Records (Gilson’s label), he would release four albums: Us, Mother Africa, Exactement and Funny Funky Rib Crib.



A few months after recording “Us”, Lancaster recorded “Mother Africa” along with Clint Jackson III, a trumpeter, partner of Khan Jamal or Noah Howard on other recordings.

On march 8th, 1974, Lancaster and Jackson headed up a group composed of Jean-François Catoire (electric and double bass), Keno Speller (percussion) and Jonathan Dickinson (drums).


Together, they create an immediate impression. From the first seconds of “We The Blessed”, they develop a free jazz which rapidly abandons any virulence under the effect of blues and soul based interventions.

When Gilson’s composition “Mother Africa” begins, listeners are transported into the studio, listening to the musicians setting up: chatting and joking… Then comes the melody: a dozen or so notes of a repeated theme which is accelerated and deformed according to their whims… The jazz played by the association Byard Lancaster / Clint Jackson III is rare: creative AND recreational. “We the blessed”, is apt listening to this again today!

This CD edition contains a bonus track, the magnificent “Love Always” that was originally released on the fourth (and last) volume of the Jef Gilson Anthology series released in 1975.


Recorded on 8th March 1974, it is a beautiful 15-minute-long modal jazz piece. Four notes from the bass (the relentless Jean-François Catoire, who makes up the rhythm section alongside drummer Jonathan Dickinson and percussionist Keno Speller), and the group is up and running!

On piano, Gilson shows the subtle tact of a sideman, leaving the lions’ share of the place to the horns. This allows us to hear the trumpet of Clint Jackson III and the alto (which sometimes sounds almost flute-like) of Byard Lancaster each staking their claim in a long hallucinatory march which moves from moments of direct exaltation to profoundly sensitive collective playing.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

26,47 €
Kenson Lovers - Keep Rolling (7")
JS7S486
JET SET RECORDS
7"-Vinyl05.12.202505.DEC.25

PopWorld Music

Based on a Motown classic that also served as the debut song for a world-famous kids group, the long-awaited ending theme is finally getting a single release!

From the soundtrack of director Shinichiro Ueda's One Cut of the Dead, the indie film that became a social phenomenon upon its 2018 release, grossing over 3.1 billion yen, this gem of a track is now available on vinyl. While retaining the melody of the original song written by Berry Gordy Jr., Kensun Lovers (Nobuhiro Suzuki and Shoma Ito) added Japanese lyrics and a new arrangement, with actress Mayumi Yamamoto on vocals. The theme song "Keep Rolling" quickly won the support of discerning international listeners, reaching No. 1 on Spotify's "Japan Viral Chart" the week after the film's release.

On the B-side, two versions of the film's main theme "zombeat" are included, featuring hard-hitting guitar work brimming with respect for the original Zombie series.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

26,01 €
Tilda Gebhardt - Come the Afternoon (TAPE)
NX35
NX Records
Cassette05.12.202505.DEC.25

PopFolk

Pianist and singer songwriter Tilda Gebhardt creates a curious and immersive world on her debut "Come the Afternoon", a tender portrait of her upbringing in the bleak yet beautiful north west English countryside.

Telling tales that take us back to a 1936 premier of Swing Time, or inside a telescope where a man named Ernest lives, via the vast plains of the Australian desert - Gebhardt's unusual combination of playfulness, storytelling and profound reflection is carried along by her crystalline voice, and acrobatic piano.

Inspired in turn by the magic of moving images and nature, "Come the Afternoon" is like a collection of miniature films, chronicling Tilda's adventures on the fells of the langdales, hiding in the heather on the Trough of Bowland, and exploring the fields and valleys that surround her home in Lancaster.

Sounds like: Joni Mitchell, Liza Minelli and Joanna Newsom picking cockles in Morecambe Bay.
Recommended if you like: Keith Jarret, Emahoy Tsege Mariam Gebru, Issa Kobayashi, John Berger.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

10,04 €
THE	OH HELLOS - DEAR WORMWOOD

THE OH HELLOS

DEAR WORMWOOD

  • PRELUDE
  • BITTER WATER
  • THERE BENEATH
  • IN THE BLUE HOURS OF MORNING
  • EXEUNT
  • CAESAR
  • THIS WILL END
  • PALE WHITE HORSE
  • WHERE IS YOUR RIDER
  • SOLDIER, POET, KING
  • DEAR WORMWOOD
  • DANSE MACABRE
  • THUS ALWAYS TO TYRANTS
also available

TEN YEAR ANNIVERSARY[33,57 €]


TOHLP4
No Coincidence Records
12inch05.12.202505.DEC.25

PopAlternative

Dear Wormwood acts as a volume II to Through the Deep, Dark Valley. While Through the Deep, Dark Valley is about the protagonist's past, Dear Wormwood is about the character's future. The duo explains, "This album is a collection of letters, all written by a single protagonist and addressed to a single recipient, a conversation to which the listener is an observer as a relationship gone wrong reaches its breaking point - the words and music are at times affectionate and bittersweet, at others resigned and resolute."

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

22,27 €
Gangster Doodles Presents - Gangster Music Vol. 3 (2x12")
  • 1: Raz Fresco – Who Mapped the Earth
  • 2: ROMderful – Maybe With You
  • 3: Dowker – Call Me
  • 4: Speak – Sakuraba
  • 5: Cookin Soul (feat. Ovrkast) – Flying
  • 6: Demahjiae (feat. Monster Rally) – Clooney
  • 7: Mr. Scruff – Flute Boom
  • 8: 645AR – Shooting Star
  • 9: Peanut Butter Wolf (feat. Myka & WarAgainstGod?) – Organic AI
  • 10: Chuck Strangers (feat. Graymatter) – Marigold
  • 11: L.A. Jay (feat. Pigeon John) – Thank You
  • 12: DJ Harrison – AppleChopChutney
  • 13: Homeboy Sandman (feat. Monster Rally) – I Love You
  • 14: Low Leaf – Faerie Function
  • 15: Pouya (feat. Boobie Lootaveli) – Bitch, Park Backward
  • 16: Eddie Chacon (feat. John Carroll Kirby) – Comes and Goes (Live at ISC)
  • 17: Devin Morrison – Givin' Up
  • 18: Suzi Analogue – King
  • 19: Lee "Scratch" Perry – Morning Star
  • 20: Dayytona Fox – WoOoAaah
  • 21: RVYO (feat. Bombay) – KFLEX
  • 22: Crimeapple (feat. Don Leisure) – Vic Damone
  • 23: Huey Briss – Don't Clap When I Win
  • 24: NCY Milky Band (feat. Quelle Chris) – High Speed Clouds
  • 27: Swum (feat. Big Lordy) – Shinto
  • 28: Xavier Wulf – 2 Can Wulf
  • 29: Tommy Wright III – Chrome Thang
  • 30: YVAIN – Metta
  • 25: Mr. Mumblz (feat. Daniel Son) – Snake Eyes
  • 26: Girl Talk (feat. Freeway & Waka Flocka Flame) – Tolerated (Remixed by Mikey the Magician)
ACGDX3LP
All City Records
2x12inch05.12.202505.DEC.25

Hip-HopHip-HopRap

Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before. Gangster Doodles himself puts it best: "It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”

Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.

This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.

From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

34,87 €
BON PUBLIC - BON PUBLIC
MAGMA005
Magma Records
12inch05.12.202505.DEC.25

HouseDeep

Releasing a first EP at 35, after more than 20 years listening to alternative music and 10 years of DJing, could only result in something matured - something fermented. Fermented Beats EP is a blend of raw club energy and emotional textures, where grooves meet melodies. Rooted in club music but infused with influences from across genres, it reflects years spent absorbing music from a lot of different angles, distilled into a few tracks that speak both to the body and to the mind.

out of Stock

Last delivered 10 months ago
available to reorder, subject to availability

11,72 €
Old Crow Medicine Show - OCMS XMAS LP
  • 1: Breakin' Up Xmas
  • 2: Holly Jolly Christmas (Ft. Brassville)
  • 3: Jolly Man
  • 4: North By Northeast
  • 5: Corn Whiskey Christmas
  • 6: Happy Xmas (War Is Over)
  • 7: All About A Baby
  • 8: Jinglin' Jack Guy
  • 9: Store-Bought Christmas
  • 10: December 26
  • 11: Krampus Night
  • 12: Grandpa's Gone
  • 13: Bethlehem, PA
HLND0001LP
HARTLAND RECORDS
12inch05.12.202505.DEC.25

PopCountry

"We're in the joy business," says frontman Ketch Secor, who launched the Grammywinning band in 1998. "From the very start, a lot of the virtues of Christmas -- the revelry, the singalongs, the happiness -- have been present in our show." Nowhere is that more apparent than OCMS XMAS , the group's first holiday album. Decorated with seasonal spirit and string-band stomp, it's the rare breed of Christmas record that packs a punch all year long, shining new light on the band's chart-topping version of American roots music. Old Crow Medicine Show aren't just reinterpreting their favorite yuletide standards; they're adding new songs to the canon, too, from "Jolly Man" -- a country-blues number inspired by Mississippi John Hurt and laced with harmonica, sleigh bells, and resonator guitar -- to the Zydeco- flavored "All About A Baby." They're telling fresh stories, too. On "Corn Whiskey Christmas," a bootlegger drives his Chevrolet through the snow on Christmas Eve, bringing moonshine to those craving a cup of cheer. On the John Prine-worthy "Bethlehem, PA" -- a sly reimagining of Jesus' birth story, with lyrics that substitute Steel Country for Jerusalem -- the band heads to the Keystone State to witness the Nativity, making stops at Wawa and Motel 6 along the way.

"Grandpa's Gone" grapples with the loss of a family figure during the holiday season, while the wicked "Krampus Night" puts a minor- key spin on the Christmas catalog, paying tribute to a folkloric creature who, according to Secor, "just might leave ya coal and steal your soul." Old Crow have thrived for more than a quarter century. Like many of their heroes, they've become torchbearers of classic folk music, reshaping those sounds for the modern world. They're creators, not replicators, and OCMS XMAS finds them tackling another tradition -- the time- honored Christmas album -- with humor, hillbilly twang, and novel ideas. Supported by the band's first-ever "Holiday Hootenanny" tour, OCMS XMAS just might be the start of a new tradition itself: a celebration of the seasonal sounds, shared joy, and holiday rituals that bring us all together. Christmas just got a new soundtrack.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

23,32 €
Beatrice Dillon - Workaround LP
  • 1: Workaround One
  • 2: Workaround Two
  • 3: Workaround Three
  • 4: Workaround Four
  • 5: Workaround Five
  • 6: Clouds Strum
  • 7: Workaround Six
  • 8: Workaround Seven
  • 9: Workaround Eight
  • 10: Workaround Nine
  • 11: Square Fifths
  • 12: Workaround Bass
  • 13: Pause
  • 14: Workaround Ten
PAN106LP
PAN RECORDS
12inch05.12.202505.DEC.25

HouseDanceElectro

‘Workaround’ is the lucidly playful and ambitious solo debut album by rhythm-obsessive musician and DJ, Beatrice Dillon for PAN. It combines her love of UK club music’s syncopated suss and Afro-Caribbean influences with a gamely experimental approach to modern composition and stylistic fusion, using inventive sampling and luminous mixing techniques adapted from modern pop to express fresh ideas about groove-driven music and perpetuate its form with timeless, future-proofed clarity. Recorded over 2017-19 between studios in London, Berlin and New York, ‘Workaround’ renders a hypnotic series of polymetric permutations at a fixed 150bpm tempo.

Mixing meticulous FM synthesis and harmonics with crisply edited acoustic samples from a wide range of guests including UK Bhangra pioneer Kuljit Bhamra (tabla); Pharoah Sanders Band’s Jonny Lam (pedal steel guitar); techno innovators Laurel Halo (synth/vocal) and Batu (samples); Senegalese Griot Kadialy Kouyaté (Kora), Hemlock’s Untold and new music specialist Lucy Railton (cello); amongst others, Dillon deftly absorbs their distinct instrumental colours and melody into 14 bright and spacious computerised frameworks that suggest immersive, nuanced options for dancers, DJs and domestic play. ‘Workaround’ evolves Dillon’s notions in a coolly unfolding manner that speaks directly to the album’s literary and visual inspirations, ranging from James P. Carse’s book ‘Finite And Infinite Games’ to the abstract drawings of Tomma Abts or Jorinde Voigt as well as painter Bridget Riley’s essays on grids and colour. Operating inside this rooted but mutable theoretical wireframe, Dillon’s ideas come to life as interrelated, efficient patterns in a self-sufficient system.

With a naturally fractal-not-fractional logic, Dillon’s rhythms unfold between unresolved 5/4 tresillo patterns, complex tabla strokes and spark-jumping tics in a fluid, tactile dance of dynamic contrasts between strong/light, sudden/restrained, and bound/free made in reference to the notational instructions of choreographer Rudolf Laban. Working in and around the beat and philosophy, the album’s freehand physics contract and expand between the lissom rolls of Bhamra’s tabla in the first, to a harmonious balance of hard drum angles and swooping FM synth cadence featuring additional synth and vocal from Laurel Halo in ‘Workaround Two’, while the extruded strings of Lucy Railton create a sublime tension at the album’s palatecleansing denouement, triggering a scintillating run of technoid pieces that riff on the kind of swung physics found in Artwork’s seminal ‘Basic G’, or Rian Treanor’s disruptive flux with a singularly tight yet loose motion and infectious joy. Crucially, the album sees Dillon focus on dub music’s pliable emptiness, rather than the moody dematerialisation of reverb and echo. The substance of her music is rematerialised in supple, concise emotional curves
and soberly freed to enact its ideas in balletic plies, rugged parries and sweeping, capoeira-like floor action. Applying deeply canny insight drawn from her years of practice as sound designer, musician and hugely knowledgable/intuitive DJ, ‘Workaround’ can be heard as Dillon’s ingenious solution or key to unlocking to perceptions of stiffness, darkness or grid-locked rigidity in electronic music. And as such it speaks to an ideal of rhythm-based and experimental music ranging from the hypnotic senegalese mbalax of Mark Ernestus’ Ndagga Rhythm Force, through SND and, more currently, the hard drum torque of DJ Plead; to adroitly exert the sensation of weightlessness and freedom in the dance and personal headspace.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

25,00 €
Helm - Olympic Mess (2x12")
  • 1: Don't Lick The Jacket
  • 2: I Exist In A Fog
  • 3: Fluid Cloak
  • 4: Outerzone 2015
  • 5: Often Destroyed
  • 6: Sky Wax (London)
  • 7: Olympic Mess
  • 8: Strawberry Chapstick
  • 9: The Evening In Reverse
  • 10: Sky Wax (NYC)
PAN063LP
PAN RECORDS
2x12inch05.12.202505.DEC.25

TechnoExperimentalElectro

London-based experimentalist Luke Younger (a.k.a HELM) returns to PAN with ‘Olympic Mess’.
Where his previous effort, 2014’s ‘The Hollow Organ,’ dealt in dense, distressed sonics, ‘Olympic Mess’ is Younger responding to a period spent engaged with loop-based industrial music, dub techno, and balearic disco. These musical references, all of which can induce hypnotic states and feelings of euphoria, inform ten evocative aural landscapes which unfurl over the course of an hour and act almost as a counterpoint to the turmoil that spawned them.
Crafted using an array of heavily processed samples, found sound and electroacoustics, personal conflict manifests in “I Exist In A Fog” and “Outerzone 2015,” where visceral noise disintegrates into veiled, ambient strata. The disquieting crescendos of “The Evening In Reverse” and “Fluid Cloak” offer no such relief, while the title track and “Don’t Lick The Jacket” are mineral, multilayered abstractions twisting around a brittle pulse.

pre-order now05 Dec 2025

expected to be published on 05 Dec 2025

26,47 €

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