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Carlita’s meteoric rise through the electronic music space continues with her impressive new ‘Bon Trip’ EP and also marks her first-ever vinyl release.

The EP kicks off with the title track, a spacey slice of progressive house drenched with a classic-era piano line - it’s exactly what you want to be listening to when the sun rises and sets at your favorite outdoor party. Next, ‘Run Run Run’ immediately kicks into high gear with an irresistible bassline that offsets Duddha’s spiritual, leftfield vocals which help make the track quite the trip. The package is rounded out by two remixes - Krystal Klear offers a punchy, electro-interpretation of the title track while Red Axes dips ‘Run Run Run’ into a vat of acid for their 303-inspired version of the song.

The “Bon Trip EP” comes on the heels of Carlita and DJ Tennis’ incredible remix of Diplo feat. Jungle “Don’t Be Afraid”.

Legendary Iowan icons SLIPKNOT have announced details of their widely anticipated new album, THE END FOR NOW…, which will be released September 30th on Roadrunner Records.

The band has also shared the album’s lead single “The Dying Song (Time To Sing)” with an official music video directed by the band’s own M. Shawn ‘clown’ Crahan. The “The Dying Song (Time To Sing)” video, and the track itself, sees one of the world’s most popular and deeply enigmatic bands relentlessly charting new ground as they continue to redefine, revitalize, and reimagine the scope of rock music.

Produced By SLIPKNOT and Joe Barresi, THE END FOR NOW…. includes the band’s 2021 surprise single “The Chapeltown Rag” and follows their widely celebrated 2019 album WE ARE NOT YOUR KIND, which marked SLIPKNOT’s third consecutive #1 on the Billboard 200 and debuted at #1 on the UK Album Chart..

Legendary Iowan icons SLIPKNOT have announced details of their widely anticipated new album, THE END FOR NOW…, which will be released September 30th on Roadrunner Records.

The band has also shared the album’s lead single “The Dying Song (Time To Sing)” with an official music video directed by the band’s own M. Shawn ‘clown’ Crahan. The “The Dying Song (Time To Sing)” video, and the track itself, sees one of the world’s most popular and deeply enigmatic bands relentlessly charting new ground as they continue to redefine, revitalize, and reimagine the scope of rock music.

Produced By SLIPKNOT and Joe Barresi, THE END FOR NOW…. includes the band’s 2021 surprise single “The Chapeltown Rag” and follows their widely celebrated 2019 album WE ARE NOT YOUR KIND, which marked SLIPKNOT’s third consecutive #1 on the Billboard 200 and debuted at #1 on the UK Album Chart..

2022 Repress!

Clark kehrt mit "Superscope" zurück zum klassischen Techno-Sound, zum Dancefloor, immer mit fortschrittlichem Ansatz. Seine neuen Tunes passen in ein Underground Resistance Set wie auch zu zeitgenössischen DJs wie Jacques Greene oder der Night Slugs-Posse. Passend dazu Clarks neue audiovisuelle Liveshow namens "Phosphor": purer und klassischer Acid.

Luca LTJ Trevisi (LTJ Xperience) began his dj/producer career in the 80s. As resident dj in two of the most famous Italian clubs of the time, Kinky in Bologna and Cap Creus in Imola, he was one of the first Italian jocks to spin House and to re-propose those black music, jazz and latin-bossa classics from the 70s that at the end of the same decade would have given birth to the Acid Jazz and Rare Groove movements. His first single release in 1988, titled First Job, together with Kekkotronics, was also the first release ever on Bologna based Irma Records. It was featured in a lot of compilations of the time and entered several playlists, rapidly reaching cult status for many UK and US djs. During the early 90s LTJ delivered a couple of singles in a kind of pre-breakbeat style: Dont Stop The Sax, released all over Europe, and Funky Superfly. He also produced US singer Tameka Starrs single Going In Circles, always for Irma Records, still a classic in the downtempo/r&b field. In the second half of the nineties Luca began to produce acid jazz bands like Bossa Nostra, still today one of Irma Records main acts. Their first album had Vicky Anderson as special
guest and today is still considered one of the most important European acid jazz albums. In the following years he concentrated on developing his activity as collector and rare vinyl merchant, which gave him the chance to get in touch with djs from all over the World and to discover many forgotten gems from the past years. Thanks to this experience he was able to create two extremely successful rarities series on Irma Records:

Groovy and Suono Libero. In the meanwhile LTJ started to dj outside Italy too, performing in important venues like the Blue Note and Jazz Café in London, Giant Step in New York and Montreux Jazz Festival in Switzerland. In 1999 saw the release of his first solo album under the LTJ Xperience moniker. The album was produced with the collaboration of fellow Irma artist and producer Ohm Guru and had Taka Boom and Jackson Sloan among the guests. Two of the main tracks on the album are brazil house classic Sombre Guitar and title track Moon Beat, which became a true hit of the Chill Out genre, featured in dozens of important compilations.

After making countless productions for Irma Records, including their second album When The Rain Begins To Fall (with the participation of the historic Spanish-American singer Joe Bataan), and the recents singles as ORGAN MIND / I LOVE YOU (favorite track by Larry Heard ) & ON THE FLOOR / SOUND MACHINE, LTJ is devoted almost exclusively to re-edit and reconstruct tracks from the past with the addition of sounds and rhythms in post production for labels like SUPER VALUE, SMALL WORLD DISCO, HOT GROOVY RECORDS, OH CRISTO! increasing the production of this new musical genre that is currently defined as beatdown/slo-mo, working with international labels such as Far Out Recordings, Sleazy Beats, Future Classics, E.A.R. Music For Dreams, Apersonal Music, Roam Recordings, !K7.

Lisbon's purveyor of dance incantations Paraiso are back with an EP that packs a meeting of 3 legends of the local and global underground - a trio of fearless pioneers and cultural agitators from different eras. Yen Sung and Photonz have partnered up in 2020 to collaborate on new music and start a record label. Fast forward to today and this Paraiso EP is their third release, further exploring their mutual penchant for ethereal house music drenched in subtle but fiery grooves and acid basslines. Opener 'A Temperanca' taps into moody yet bouncy motifs, punctuated by crisp claps and an infectious 303 line in the vein of DJ Pierre's record 'What is House Music', their confessed influence for this track. Things get slower on the A2 where the title track gets reworked with alternative elements - aptly named Gravity Mix. The B side continues the metallic acid exploration via 'Akasha', twisting and turning like only expertly crafted basslines do before things blossom into a sunny house groover with enticing percussion and variegated hats. Legendary Angolan-Portuguese producer DJ Satelite steps in for remix duties, adding his iconic deep afro house edge to a wonderful effect, all blissful motifs and broken percussive sonics.

Neotex – Between The Machine (NH002) The A1 is hypnotic and dark ambient music, the A2 is a minimal focused cut, B1 is a bleepy acid bomb and then the B2 is a 138bpm rave style track. Why sleep when you can bleep.

Big Acid hard Techno EP bringing some Rave remixes...
A Massive 4rth release on JKS autoproduction's label !

ENJOY !

Progressive acid tribe old school. Repressed from 2001 with remasterised sound. A little pearl of the Indie world.

Deeply ingrained into the fabric of the British electronic music landscape, Luke Vibert shows no sign of slowing down, after an illustrious career spanning three decades (to date!). Vibert returns to Hypercolour after 2020’s hugely successful trilogy series (Amen Andrews/Modern Rave/Rave Hop) with his 18th album (not counting albums released under his other monikers Kerrier District, Plug, Wagon Christ et al).

‘GRIT.’ finds Vibert in playful mode (and, let’s face it, whenever isn’t he!), as twelve tracks of acidic and squelching drum machine tracks come rolling out to play. Bouncy and hypnotising 303 jams of the highest order are served up here, with rhythms pulled from the electro, garage and house pools, all delivered in Vibert’s inimitable style.

Hardfloor bangers : serious beat melting acidcore, hardfloor and hard techno oldschool sound !

Maaasive !

Perc returns to Perc Trax with 'Dirt', one of his most raw and uncompromising works to date. Across three versions of the track, one remixed in collaboration with rising US star EAS, Perc fuses together dry looped techno with caustic industrial sounds and just a splash of rave euphoria.

Opening up the release is the original mix of 'Dirt' layering searing top end percussion over cropped breakbeats before dropping unexpectedly to an unmistakable classic piano riff. The riff has been completely replayed and reproduced rather than sampled and provides the kind of sudden jolt that Perc's productions are famous for.

On the B-side Perc teams up with Los Angeles DJ and producer EAS who returns to the label for the first time since his devastating remix of Perc's own 'Dumpster' in early 2021. Perc provides the beats and EAS serves up the 303 lines, as the hedonism of the original mix's piano drop is swapped for a screw faced slice of warehouse acid.

Rounding off the release is Perc's own 'Crowd Mix' which focuses on the beats with additional layers of percussion and atmospheric crowd samples filling the space taken by the piano hook and acid lines of the first two mixes.

'Dirt' will be released as a hand-stamped white label release in a stickered black paper sleeve. The release was mastered by regular Perc Trax mastering engineer Matt Colton at Metropolis studios with Adult Art Club handling visual presentation and design.

A retrospective double LP compilation of the work of dutch producer Aad De Mooy. Specifically focusing on the first half of the 90's with his aliases as Interface, Time Warp and Paradise 3001 on ESP Records. This compilation attempts to encapsulate and expose the masterful prowess of Aad's work as a producer with a focus on maximum dancefloor efficiency. This double LP consists of 10 tracks ranging from downtempo acidic breaky chuggers to full on floor activators channeling tribal and early progressive trance inducing elements perfectly arranged in highly effective compositions. Can't go wrong – all killer no filler is all one can say about Aad's meticulous productions. Compiled by Castro & Nemo and re-mastered for vinyl at manmade mastering.

Issued on BBE Music, “Reflections” is the new album by London based harp player and composer Alina Bzhezhinska, alongside her HipHarpCollective. Following up her critically acclaimed debut album “Inspiration” (Ubuntu 2018), Bzhezhinska puts together a second long player, collaborating with British jazz stars Tony Kofi (Saxophones), Jay Phelps (Trumpet), Julie Walkington (Double Bass) and vocalist Vimala Rowe, strongly supported by international talents Mikele Montolli (Electric Bass), Joel Prime (Percussion), Adam Teixeira (Drums) and Ying Xue (Violin & Viola).

 Alina creates a unique sound on the harp with layered effects and electronics, combining original works and covers to pay homage to some of jazz, funk and hip-hop’s greatest innovators. Throughout the record she draws from a variety of influences, including the likes of Dorothy Ashby’s ‘Afro-Harping’, Alice Coltrane’s spiritual outputs, Joe Henderson’s free-form jazz experimentation, 90s Acid Jazz and Trip Hop.

“This album is very vibrant and reflects directly on London’s multicultural community. We had so much fun making this recording - it truly built up our morale in the middle of the pandemic and I hope our fans will feel this energy too. For ‘Reflections’ I tried to break from any stereotypes and limitations - what you hear is my own choice of sounds and influences, taken from the many mixtapes I've been making since I was a teenager. I put together the music I like to listen to when I am happy or sad, when I feel like dancing or meditating. The tunes we play are my own reflections on what I love the most - a free spirit, courage, innovation and all the beautiful things life gives us. I hope our music can reach people’s hearts and evoke all the spectrum of colours and emotions that only the arts can do.” - Alina Bzhezhinska

 Reflections is released on double LP vinyl, limited edition CD & digital formats.
 

In a world hurtling towards new frontiers of horror on a daily basis, there’s precious little time for pause. For the self respecting artist, the only reasonable solution is psychic warfare. Such is the terrain of Petbrick on the titanic and transformative Liminal. Here on their second album the duo of Wayne Adams (Big Lad/Johnny Broke) and Iggor Cavalera (Sepultura/Cavalera Conspiracy/Soulwax) lays waste to all or any constrictions in its path, Blending a vast sonic landscape with a relentless compunction to break the pain barrier, Liminal is a dizzying exercise in overdrive which can take in industrial abrasions, pulverising rhythmic drive, acid-damaged freakery, cinematic tension and balladic gravitas in disarmingly coherent fashion. Other heads and personalities also came on board to add richness and intrigue to the onslaught - “I believe we got an amazing team of collaborators - from old school friends like Neurosis’ Steve Von Tilll and Converge’s Jacob Bannon to new school artists like Paula Rebbeledo from Rakta and New York doom rappers Lord Goat and Truck Jewelz” notes Iggor. This is an album birthed in difficult times and expressly engaged with raging against the dying of the light. As Iggor puts it “Liminal is an insane mirror of what being isolated feels like - madness through noise experimentations” An alchemical vision fit to both elevate the spirit and destroy everything in its path, ‘Liminal’ is the sound of Petbrick blasting their way through the boundaries of a fresh hell. Tracks: 01. Primer 02. Arboria 03. Pigeon Kick 04. Raijin 05. Lysergic Aura (Feat. Lord Goat & Truck Jewelz) 06. Damballa 07. Ayan 08. Grind You Dull (Feat. Jake Bannon) 09. Chemical Returns 10. Distorted Peace (Feat. Paula Rebellato) 11. Reckoning (Feat. Steve Von Till

The Italian magician comes back home with a stellar LP. This is his first album, but it’s a very mature piece, carefully crafted, where all his main influences and genres live in perfect harmony. Dub, house, breaks, acid, ambient, progressive… you name it. Instant classic.

Birimingham’s TRMNL Records returns with its third release this September, coming courtesy of Paris, France’s Djebali.

Djebali has been releasing his twist on House and Techno since 2008 via the the likes of Fuse London's label and sub-label Infuse, Burnski’s Aesthetic, Chez Damier’s Balance Music, REda daRE Records and of course his own self-titled Djebali label which has been the predominant home for his output over the past decade.

Here though we see Djebali join the roster of the fledgling TRMNL Records, launched by the Birmingham club night of the same name so far the imprint has unveiled two EP’s by East End Dubs and Samu.l to date and here the story continues.

Title-cut ‘Rave Vision’ leads with a squelchy acid bassline and robust drums running alongside gritty stabs, spacey atmospheric pads and choppy vocal samples. ‘Line 56’ follows, shifting focus to dubby stab sequences, heavily swung drums and a bumpy bass groove all flowing with a subtly nuanced feel throughout.

The Hypnotic floaty sounds of ‘Cotton Candy’ then round out the release, diving deeper via an amalgamation of airy synth flutters, resonant synth licks and snaking subs atop a shuffled drum groove.


DJ Support:

Marco Carola
Chris Stussy
Rich Nxt
Davide Squillace
Mahony
Ilario Alicante
Jorge Savoretti
Silvie Loto
Hermanez
Tobi Neumann


DJ Feedback:

Rich Nxt - Top groove!

Salvo Borrelli - una bomba !!!!

Carlos Valdes - dope!

Alejo Galvez - lovely grooves!

Hermanez - Loving the grooves.

Tobi Neumann - Decent grooving & sounding tracks..

Karlos Sense - Wow!!!.Amazing EP. bro!!!

Mirko - super ep!

Mancini - Great EP as usual from Djebali!!

Sasa - Solid EP

Adrian Barr - Solid release, cool club rollers

Jade - Brilliant !

Lis Sarroca - all nice!

Juliche Hernandez - MASTER Djebali!! Amazing!!

Ocean Lam - Lovely summer vibes! Rave Version is my fav,

Chris Davis - rave vision is amazing!

Jorge Savoretti - Love Line 56, Djebali groover all the way

Lele Sacchi - cool deep acid driver, reminiscent of early 00's brit electronic deep, yess.

M-High makes his LOCUS debut with his four-track EP, ‘Enchant Me’.

With Amsterdam’s house scene continuing to flourish, M-High has seen his stock surge in recent months. Still young in the game, his releases and remixes via labels such as META, Moxy Muzik and Politics Of Dancing have seen him flying high alongside his fellow compatriots while also evolving from a label regular to A&R duties at PIV alongside founder Prunk. Having featured for the label’s New Year’s Day party in London, the Dutchman touches down on LOCUS for the first time with four fresh productions via his ‘Enchant Me’ EP.

Title cut ‘Enchant Me’ is a slick and classy effort fusing rich chords and skipping drums with zipping acid lines, while ‘Do You Even Groove’ pairs things back as rolling drums and sweeping electronics zig-zag through sparse textures. Next, ‘Endless Whispers’ combines sharp organ stabs with breezy pads and warm basslines, with the low-end heavy ‘Faded Senses’ closing the show and offering up yet more late-night dancefloor grooves.

After this pair of Leeds residents made waves last November with their first EP for Pilot, Bobby O'Donnell and Reeshy return to lay down four new tracks that definitely stray towards the electro end of the breaks/electro spectrum. There's a sense of continuity, as the first EP's tracks - labelled 1-4, are followed by tracks 5-8, as well as being executed with a proper human touch that not all such machinefunk can boast. '6' is full of spiralling Drexciyan mystery, before being pared down to an LFO-style bass prod. '8' also echoes the former legends of Leeds with its dreamy pads and acid backdrop - something in the local water supply. Definitely funky enough to keep the breaks DJs onside, but with a thorough knowledge of love of 40 years of electronic music heritage at its disposal too, this is one release you should make sure you not miss.

2022 repress !


It’s been 11 years since we released the first Spektre production on Noir Music and I’ve been a fan of their music for even longer.
So it’s a great honor to have them back on the label with this amazing Shadowline release. The UK duo is currently making some serious noise in techno-world and well deserved as they keep shooting out great music. On this specific release I wanted the guys to show off their excellent production skills, so we get both their in your face, raw and unpolished sound with the acid opener “The Maze” and the more trippy, afterhours
hypnotic title track “Shadowline”. “Planet Noir” sits nicely in between with Spektre’s hardhitting beats and signature melodies.
On top of that we got an incredible remix of “The Maze” by Robert S (PT) who made the acid-journey more minimal and underground.
I’ve had these tracks for quite some time and I don’t get tired of playing these. In the fast-moving techno-industry that’s saying a lot. I am honored and super happy to have the guys back on my label.

(incl. Franco Cinelli & Dorian Paic remixes)


The first record from keepitgoing. is finally here, a panorama from Switzerland all the way to Chile in our world with no borders. An EP from Camilo Gil & ONE+1 with 2 originals backed up by two contrasting interpretations from Dorian Paic and Franco Cinelli, is how we kick off our labels musical journey in our vinyl only series.

The opening original track "Can Soleietes" offers a minimal, dubby twist with sweeping chords and atmospheric pad work with hints of skippy percussion layered throughout. On the second original "Opera House" this is where things begin to turn around a darker, acidic corner consisting of rolling acid baselines and spooky pad-work. It features various chords and stabs working in the background, while the prominent acid bass moves around creating some dark, trippy vibes on the listener.

Franco Cinelli reworks "Can Soleietes" perfectly with a minimalist approach to the track, offering a more mellow and groovy interpretation of the original. One that will get you lost in the cosmos with an immediate listen. The second remix from Dorian Paic is a more stripped back affair than it's original. It is another minimalist one that represents his sound truly, as a classy remixer for the EP alongside fellow family member Franco.

Join us as we begin our journey from every corner of the world, all connected without any borders between us. Like this, anyone can express themselves freely, and really create the way they want to without any judgement or limitations. We are a forever growing family who share the goal of loving and living music together.

It has only been four catalogue numbers in the past since.....

Generali Minerali (Tbisili/Georgia) cooperated with RNBWS and made a fuzz. This time he’s on a solo path, or - according to the title - maybe alongside Kim Jong-un?

“Batteries aren’t low” gets to the heart of Generali’s sense for sounds: Softly billowing Electro, a vocal sample which kinda sounds like P. Diddy and harmonies that could well have been on “Selected Ambient Works II”. Come on, let’s go!
Point before line calculation or cryptic code? We don’t know for sure, but “5-5-6:5-6-5“ remains true to the ambient focus of the a-side. Retro 90s vibe, cosmic, prancing and floating - like stumbling into the chill out area for the first time on a muzzy Sunday morning.

“I got it” comes in significantly more abstract. Harmonies give way to industrial sounds, without vanishing entirely. Electric boogie with litte acid nuances - beautiful prelude to the b-side!
In terms of acid, „Smooth D“ puts a few blotters on top. A combination of psych sounds, dirty raw drums and trippy sequences. Two tickets for the 90s time capsule, please.

Global techno titan Josh Wink returns to his own Ovum Recordings for big new single 'Balls Back', which comes with a remix from Marco Faraone. Philly-born DJ, legendary producer and the man behind many of techno's most iconic cuts, Josh Wink remains as prominent now as he did a quarter of a century ago. That is because of the constant sense of innovation in all he does, as well as his rare understanding of dance floor dynamics and mastery of his studio. Says Josh of his latest track, “Every time I play this people rush over asking 'what is this track that says “get your balls back”?' Its reaction after playing has been amazing and reassuring that it hits hard, works on the floor, and sticks in people's heads.“ He's not wrong: the powerful 'Balls Back' is a spatial, acid-tinged techno stormer that builds and builds until it ultimately explodes in signature Josh Wink fashion. The 303s are saturated in deep processing along with heavy 909 percussion and a ‘slap-you-in-your-face’ vocal sample that will lead to dance floor devastation. The dub version is a raw, stripped down and faster-paced bass jacker that turns up the heat, and a Balls Tool is also included for dexterous DJ deployment. Italian Marco Faraone is a fellow techno heavyweight and one of the scene’s most versatile producers. He has brought his always impactful sounds to labels like Drumcode, Rekids and Etruria Beat. His remix is typically robust: vast, rolling drums power it along while glitchy percussion peels off the groove and the percussion gets ever more wild and heavy. It's a real main room monster. This is no-nonsense techno that perfectly marries form and function into a dynamite package.

It’s been ten years since No Trigger gifted the world a full length. TEN GODDAMN YEARS. But all that is about to change with the release of 2022’s Dr. Album. They’re the first sextet on Red Scare (we think?) and the biggest thing to come outta Worcester, MA since Bob Cousy. These guys have played all over the world (Europe, Japan, South America, Austra1lia, etc.) and made their name perfecting melodic hardcore, but this new 13-song record has something for everyone. Dynamic indie-punk of all stripes can be heard on Dr. Album, and this doctor has an IV bag of hooks, choruses, melodies, and ferocious lyrics that you’ll wanna inject straight into your veins. Side note: Did you know that Emma Goldman opened an ice cream shop in Worcester (AKA Wormtown) back in the 1800’s? It’s true, and Saint Emma would be proud of these scrappy punks and this Left-Wing masterpiece. It may have taken a decade, but No Trigger is relentless, and the band is playing Riot Fest, Punk In Drublic Festival, and shows with The Lawrence Arms in support of these new songs. Onward and upward!

Tracks: 01. Antifantasy 02. Take Your Time 03. Acid Lord 04. Coffee From A Microwave 05. Too High To Die 06. No Tattoos 07. Brainwashed 08. Water By The Beer Can 09. Foggy Mountain Bus Stop 10. Northern Corner 11. Euro Coke 12. Best Friend Stuff 13. Totally Digital

Since 1999 the Kaophonic Tribu plays psychedelic tribal sound... Powerfull tripperz from France bring sound in a Acid mother Temple melted with Highlight Tribe style...
Definitely Gong at some point too...
But finally almost looking like themselves.

Quiet honored to have few copies !

A multi-layered kaleidoscopic musical ride that will take you to places no other soundtrack has ever taken you before. Uplifting latin funk, melancholic chanson, dark synth drone, biguine punk, acid techno and a few absolutely indescribable hybrids, the songs created by Figueira to back the images of the film where he also plays the main character, are very impactful and cover an impressive array of influences and musical languages, put together in exquisite cinematic fashion.

After 5 highly acclaimed singles under his own name, the unpredictable, “out there” song writing and production style of Figueira is displayed here from a new perspective. Composing expressively for specific moments of the film, he has allowed yet new elements arise in his already extensive palette of sounds.

Relying once again exclusively on himself to get the job done, he has assembled a collection of songs that portrait many different emotions. Happiness, awe, fear, paranoia, helplessness, disappointment, excitement… are all evoked, reflecting all key twists and turns of the short-film directed by Mateo Fava and Dave Postma.

Limited cassette release (99 copies) with exclusive dialogue excerpts from the film (not included in the digital version). Hand-numbered, beautiful risographed foldable inlay, drawn by Kevin Mancera.

“Passing Signals” is the Suction Records label debut of The Jaffa Kid, aka UK producer Daniel Pringle. Over the past few years, The Jaffa Kid has been building up a strong following amongst braindance/d’n’b/acid heads, with killer releases on labels like 030303, Altered Sense, Utter, and his 2 standout “anonymous” WH03 and WH09 EPs on the Withhold label series.

From the melody-drenched 303 acid of “Olyqu” and “Xom”, to the Bochum Welt-style electro vibes of “Ief” and “Tropet”, it was clearly just a matter of time before The Jaffa Kid appeared on Suction. With these 8 carefully curated tracks, Suction Records delivers 8 tracks of timeless melodic electronics, and surely the most solid The Jaffa Kid release to date, in our books!

Available digitally, and on limited vinyl LP in a reverse board jacket — includes a Bandcamp download card inside.

Uit de Hoogte goes raw on new release “Λέων” with 15 analog jams made between July 23 and August 22, summer 2022. All tracks are written, recorded and mixed off the cuff, straight to 1/2 inch reel-to-reel tape which gives the tracks a deep and warm vibe. Some additional editing and mastering duties were done in the box. The Belgian producer doesn’t hesitate to explore new grounds with tracks ranging from house to garage and acid till techno. These 100 minutes of bangers are printed on a limited number of 50 cassettes. Download option included*.

2023 Repress

The third release from Canopy features the title track from a tough to catch Afro funk 7” originally released on private press in Benin in the 1980s. While information on the mesmerising Tomede Ehue remains elusive, she is backed by the Beninois powerhouse, the truly almighty, “TP Orchestre Poly-Rythmo de Cotonou”.

Electrifying cosmic voodoo disco grooves, heavy bass pulsing, blistering horns and spooky
organ riffs set the tone on this transcendental dance floor afro funk cut.

A modernised tropical disco remix from bosq & an Afro - acid version from Sam Redmore revitalise this mysterious dance floor incantation and launch it into the present day.

These tracks strike a balance between moody afro psych-funk and more punchy electronic aesthetics, while maintaining the subtleties of the original composition and performance.

Demon are proud to release “Eddie Piller Presents British Mod Sounds Of the 1960s”, the follow up the “The Mod Revival”. This 2LP set serves an introduction to 'British Mod Sounds of the '60s’ and features 34 tracks.

Curated by Acid Jazz Records and Modcast founder Eddie Piller, this collection features the stapes of the British Mod scene including Small Faces, The High Numbers, The Action, The Fleur De Lys, The Kinks, Spencer Davis Group, The Creation, Rod Stewart, The Yardbirds, and The Love Affair.

"Be in with the In Crowd once more."
Every great youth cult deserves a great soundtrack, and when the '60s Mods adopted classic American R&B, with a side order of hip Jazz, they undoubtedly found the right music for their exuberant and stylish way of life. And yet, buying expensive imports, hoping for a local release or praying for a rare visit from overseas talent was never going to be enough to satisfy British youth with a thirst for the latest sounds. Certainly not those on the dancefloor and definitely not those with their own musical ambitions.

It was a music scene that began with imitation, before skill and imagination lead curious minds to innovation, a scene that evolved from average (at best) copies of releases on the Chess, Motown and Stax labels, to become something more sophisticated,something quite unique, something very British.

Last year Sacred Bones released the groundbreaking album Sounds of the Unborn which was made by using biosonic MIDI technology to translate Luca Yupanqui’s in utero movements into sound. With the help of her parents, Psychic Ills bassist Elizabeth Hart and Lee Scratch Perry collaborator Iván Diaz Mathé, Luca’s prenatal essence was captured in audio. They designed a ritual, a kind of joint meditation for the three of them, with the MIDI devices hooked to Elizabeth’s stomach, transcribing its vibrations

into Iván’s synthesizers. They let the free-form meditations flow without much interference, just falling deeper into trance and feeling the unity. After five hour-long sessions, the shape of an album began to emerge. Elizabeth and Iván then edited and mixed the results of the sessions, respecting the sounds as they were produced, trying to intervene as little as possible, allowing Luca’s message to exist in its raw form.

The second extended EP by London synth cyberneticians 3 Electro Knights is Rave One, which is human and machine in hot synergy. If Blixa Bargeld played the synthesizer he would probably come up with something like the crazed lead on Rave One. I Move In Another Dimension is a remix of very limited lathe cut single, which Rough Trade shops described as “Electro sqwonk and clatter meet Patti Smith style beat poetry’. This, the “Mandy” remix ups the psychedelic energy, with Mandy referring to the acid drenched Nicholas Cage starring film of the same name. The flip side track, I_tense, is a 14 trip into territory somewhere between Berlin School synth and early Aphex Twin driven by perhaps the greatest synthesizer ever made, the Roland System 100m, and was recorded in one take with no overdubs Very limited copies – 250 only – on white vinyl with orange swirl. The sleeve design is by acclaimed graphic designer Asif Khan. Destroy/Exist wrote of their cassette album Sketches For Another Future: “Through krautrock, psychedelic, synthpunk, and modern electronica passages, 3 Electro Knights fully realize their analog electronic sound, exposing their warm connection with their synths.” 3 Electro Knights are Daren Pickles (Supercharger, bushpilot), Nik Clifford (Jesus Licks, bushpilot) and Ross Holloway (bushpilot).

From a Balkan basement comes an EP so filthy that we had to cover the record with a color photo. KRI records first installment oscillates between EBM and electro, ready for sweaty dancefloors and those extra long afterhours needing some “warm leatherette”. A well crafted five tracker journey is a debut collab by two veterans, Christian Kroupa discovering his darker shades coming off of an LP on Natural Sciences under his Alleged Witches moniker, while Le Chocolat Noir is no stranger either with seals of approval on Return to Disorder and L.I.E.S among others. Get ready for plenty of melodies, massive chords and menacing vocals spiced with an epic acid remix by the Mannequin boss Alessandro Adriani.

Copenhagens own dj legend and veteran producer KIM KEMI releases another jacking and euphoric banger- ONLY SMOKE - his stylish and subtle sound design and varied arrangement take hints of Robert Hoods minimal riffs and flesh out a full funky arrangement taking us on that classic luxurious sonic journey. Pres play and trigger the
smoke machine - or the soap bubbles.
Martinez ́s remix is a more electro affair that could blend well with classic Underground Resistance releases. Watch out for the acid topline. Martinez is a Swedish electronic music producer and DJ, currently based in Copenhagen. Martinez kick started his carrier
in 2000 with his "Laidback Grooves EP" on the notorious Chicago based Deep-House label Guidance Recordings.
Asmus Odsats remix of SMOKE KILLS is taking the track in a more broken but funky IDM territory, breaking the track down adding avantgarde dub details over the stuttering beat.
Asmus Odsat is a former resident at Culture Box and co-founder of Ritual Malmö as well as the BULK club night releases via. FALK DISKS, the club focused sub-label of FALK (Fuck Art Lets Kill) with his ‘Ecstatic Half Truth’ EP, is played by Courtesy - even in her BBC Radio 1 show mix.
An added bonus to these 3 unique remixes is Kim Kemis beautiful
Tropical Tucan, a perfect opening track fusing sensual chilly Detroit pads and jacking understated beats into a growing glowing mind-state that is worthy of a Carl Craig spin - let it ride - don't miss the climax - you will end up looping it. An essential tool. Enjoy!

Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named the Back Street Warriors, Busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with the Rock Steady Crew in Camden Palace in front of an audience.

Then in 1987 he became a DJ, playing all genres of music, he first played on
RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90s he played on Weekend Rush and then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.

In the early days MixMaster Max was one of the Innovators of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping others to produce, fuse & gain ideas in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.

In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the famous Hacienda club in Manchester.
He was the First DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC world championships in the early 90s.

He played at some of the Biggest Raves back in the day, Pirate club 93, Fantazia 92, Dungeons 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People's Choice, which were legal Radio Stations, not forgetting Kool fm & Centreforce.

He performed on stage with the We Papa Girl Rappers in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchuckers & TurnTables!
His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!

For those that listened to pirate radio back in the day, he was the legendary cult
figure that inspired us all, giving us the freshest musical styles that had never been heard before!

Sherrie B's super rare Nah Tek It gets the remix treatment from Interplanetary Criminal - flexing acid tinged basslines & 2-step FWD drums.

Kristian is a new anonymous project on Figure Music, exploring a different kind of sound that is based on subtly nuanced live jams and oriented towards a slightly more raw house and dubby-related style.
Opener Doubtful makes a strong first impression as Kristian weaves together lush, cheerful chords with a tight yet rolling bass momentum, carrying the track forward effortlessly. In stark contrast, Dry Dub is groove reduced to its bare essence. A straight-up drum track made of
sparse elements that confidently unfold their subliminal power over time.
The flip holds cuts that really want to spring to life. Swirly, dubbed-out sounds create a colorful and dynamic palette, rapidly changing in movement and direction. Insider riffs on heavily animated, filtered synth action, while closing track Worthiness goes deep and spacey, oozing with warm machine charm, squelching acid, and bubbly bass.