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Smif-N-Wessun - Dah Shinin' LP 3x12"
  • 1: Timz N Hood Chek
  • 2: Wrektime
  • 3: Wontime
  • 4: Wrekonize
  • 5: Sound Bwoy Burreill
  • 6: K.i.m
  • 7: Bucktown
  • 8: Stand Strong
  • 9: Next Shit
  • 10: Cession At Da Doghillee
  • 11: Hellucination
  • 12: Home Sweet Home
  • 13: Wipe Ya Mouf
  • 14: Let’s Git It On
  • 15: P.n.c. Intro
  • 16: P.n.c
  • 17: Nuttin' Move But Da Money
  • 18: Wrekonize Remix
  • 19: Sound Bwoy Burreill Remix

Released in the winter of 1995, Dah Shinin’ introduced Smif-N-Wessun as torchbearers of the gritty, sample-driven East Coast sound that defined a generation. Backed by Da Beatminerz’ haunting, jazz-laced production and supported by their Boot Camp Clik brethren, Tek and Steele delivered a debut that was as raw as it was revolutionary — capturing the essence of mid-90s Brooklyn.
Now, 30 years later, Dah Shinin’ returns in its most complete form. The 30th Anniversary Definitive Deluxe Edition brings together for the first time in one place, the full original album, two essential remixes "Wrekonize" and "Sound Bwoy Bureill" and rare material, including the long-unreleased “Nuttin’ Move But Da Money,” finally available officially after years on white label.
Pressed across three LPs and housed in a premium tri-fold jacket featuring original artwork, newly commissioned liner notes, period photography, and archival content, this expanded edition stands as a tribute to the album’s creation and legacy. From the underground anthem “Bucktown” to the crew showcase “Cession At Da Doghillee,” every track celebrates the timeless sound that made Dah Shinin’ a classic.

Reservar15.06.2026

debe ser publicado en 15.06.2026

47,48
THE SOUTH SIDE MOVEMENT - I' Been Watching You (Original & Koenma Edit) 7"
  • A. I' Been Watching You (Original)
  • B. I' Been Watching You (Koenma Edit)

Chicago funk/soul band South Side Movement, who began their career as the backing band for the renowned pair Shintek & Wiley known for “Bootleggin,”
released their debut album The South Side Movement (Wand, 1973). From this album comes the enduring classic “I’m Been Watching You”, a track that remains
highly popular among hip-hop listeners—sampled by artists such as Erykah Badu (“Woo”), Ghostface Killah (“Camay”), and Jadakiss featuring Nas (“Show Discipline”).
This new 7-inch release features a special edit by producer/MPC player KOENMA, who digs deep into the analog-born groove and brings a fresh edge to this timeless cut.

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debe ser publicado en 15.06.2026

27,94
Glenn Underground - The Jerusalem EP’s (2x12")

Glenn Underground is the founding member of the Strictly Jaz Unit. He was raised on disco classics and freeform jazz in Chicago's Southside, the place where house music was born. Taking inspiration from Chicago's original pioneers, Larry Heard, Ron Hardy, Lil' Louis, and the like, Glenn has produced many sought after house gems for some of the most well respected deep house labels such as Prescription and Guidance.
The Jerusalem EP's, GU's second album for Peacefrog originally released in 1997 still sounds so fresh, so deep and so soulful. Blending jazz-tinged chord progressions with sax accents, and rolling basslines the album evokes the sound of late-’90s hypnotic Chicago house.
Timeless, quality, underground house music for the mind, the body and especially the soul.

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34,66
Various - Randy's 50th Anniversary Chapter One (2x12")
  • A1: Java - Augustus Pablo
  • A2: Hospital Trolly - I Roy
  • A3: King Of Babylon - Junior Byles
  • A4: Don't Go - Horace Andy
  • A5: A Little Love - Jimmy London
  • A7: Cheater - Dennis Brown
  • A9: For The Love Of You - John Holt
  • A10: Too Late To Turn Back Now - Alton Ellis
  • A11: Be Thankful - Donovan Carless
  • A12: Woman Of The Ghetto - Hortense Ellis
  • A13: Children Of The Ghetto - Senya
  • A14: Lonely Soldier - Gregory Isaacs
  • A16: Going To Zion - Black Uhuru
  • A17: Ordinary Man - Lloyd Parks
  • A18: Ordinary Version 3 - Impact All Stars
  • A19: Hold Tight - African Brothers
  • A20: Righteous Man - Keith Poppin
  • A21: Created By The Father - Errol Dunkley
  • A22: The Race - The Gladiators
  • A24: My Guiding Star - The Heptones
  • A27: No Jestering - Carl Malcolm
  • A28: Knotty No Jester - Big Youth
  • A29: Fattie Bum Bum - Carl Malcolm
  • A25: Something On Your Mind - Hubert Lee
  • A26: Country Boy - Charley Ace & Dirty Harry
También disponible

Chapter Two[36,35 €]


RANDY'S 50th ANNIVERSARY CHAPTER ONE / VARIOUS - First time on vinyl for Chapter Two second part of the acclaimed previously CD only set that was released to celebrate the 50th Anniversary of Randy's Records. From Augustus Pablo's groundbreaking 'Java' to Carl Malcolm's UK pop crossover hit 'Fattie Bum Bum' Chapter Two showcase classic after classic from a all-star line up of the 70's reggae music greats including Black Uhuru, Horace Andy, Dennis Brown, Gregory Isaacs, The Heptones & Big Youth. Beautifully packaged with inner sleeves featuring rare photos and liner notes by reggae historian, Dennis Katz.

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36,35
Owelu Dreamhouse - Owelu Dreamhouse LP
  • 1: Kellen
  • 2: Owerri Disco
  • 3: Tourist
  • 4: Okra Bilalli (Feat. Bilalli)
  • 5: Oluwasam
  • 6: Stutter
  • 7: Daughters Always Listening I
  • 8: Niger River
  • 9: Daughter's Always Listening Ii
  • 10: Struggle For Kasawa
  • 11: Realised
  • 12: Yellow Trumpet

A fiery blend of cinematic soul, psychedelia, and Afrobeat exploring the in-betweens of identity, music, and culture in the 21st century—Owelu Dreamhouse’s debut LP is a deeply orchestrated journey through memory and imagination, led by ex-Saskwatch bandmates Nkechi Anele and Nic Ryan-Glenie, and produced by Henry Jenkins (Surprise Chef).
The band's namesake is a play on Nkechi’s grandmother's village—Owaelu—in Nigeria. Growing up as a woman of color in a predominantly white Australia, Nkechi had fear and hesitation around expressing her Africanness and Nigerianess, and this album is about her journey. Both archival and contemporary, the album’s DNA is laced with musical and historic references as well as a cohesive vision of the present.

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26,68
Yoni Mayraz - Dybbuk Tse! LP

Fast-rising pianist and producer Yoni Mayraz presents his debut LP ‘Dybbuk Tse!’ revealing the story of a malicious possession that is taking over one’s body and soul.

Dybbuk, known from Jewish folklore, is a malevolent wandering spirit that enters and possesses the body of a living person. It’s a cursed soul of a dead one that wanders tirelessly for sins committed during their life. The most vulnerable victims are the young and the sinful. Possession can be taken literally or as an analogy to the burden that young people carry generations back, which they have no influence on, and which they have to accept. Dybbuk can only be removed by exorcism. The titular ‘Dybbuk Tse!’ is a command to remove the spirit from the possessed body. The album is a story about possession but also about exorcism through music.

Recorded live with his band over the course of a spring week last year, ‘Dybbuk Tse!’ is indeed experimenting with the ‘darker side of things’, but yet with a somewhat lighthearted approach which is so typical of Yoni’s work. He easily combines jazz with the sound of 90’s New York hip hop and raw old school breakbeat. The album interweaves unique Middle Eastern melodies, sophisticated structures and sounds, and beautifully crafted solos played by some of the promising talents on the scene.

London based Israeli born pianist and producer Yoni Mayraz has set foot in the instrumental music scene with his EP ‘Rough Cuts’ released in 2020. Since then, Yoni and his band have been playing major venues and festivals around the world including the legendary Ronnie Scott’s and The Jazz Cafe, to name a few, bringing raw energy to stage with live versions of the studio materials, and stretching the melodies and structures into a Dancefloor-focused take on jazz.

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26,68
VARIOUS - INGERABLE (10")

INGERABLE, which means “inedible” or “unpalatable” in French, was the adjective a record label used to describe Cathy Claret when she showed them the song inspired by a Caló poem that is now part of our upcoming release, “Por el Chiben.” The piece was born in 1987 when the artist was living in Can Tunis (Barcelona), inspired by a poem she heard from Uncle Bastián. Years later, when recording her first album, she included this composition, but the artist was censored for not fitting commercial standards. Now, Alhaja Records revives it in an album with two versions: a flamenco one, featuring Emilio Caracafé on guitar, and an electronic one, produced by Wará.

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debe ser publicado en 15.06.2026

21,22
Bosse-De-Nage - Hidden Fires Burn Hottest (2x12")

There's a tendency in metal to mistake aggression for honesty, volume for depth. To confuse the performance of darkness with its actual weight. Hidden Fires Burn Hottest, the new album from San Francisco-based post-black metal band Bosse-de-Nage, sidesteps this entirely. It’s the group’s most fully realized work yet, precisely because it refuses to be pinned down.

Bosse-de-Nage have been working with The Flenser for over fifteen years. They were one of the first bands the label ever partnered with and have the longest active relationship in the label's history. But unlike most bands who build momentum through constant touring and visibility, Bosse-de-Nage has largely existed apart from the music world's usual machinery. They've evolved on their own terms, in relative isolation, allowing the work to develop without outside pressure or influence. What began rooted in black metal anonymity has mutated into something that actively defies categorization. The aggression is still there, but it's no longer the point. Hidden Fires Burn Hottest finds the band treating emotions like physical objects, feelings with spatial properties. “No Such Place"" describes a space that can't exist but does anyway, somewhere between thought and location. ""Immortality Project"" examines infinite possibility not as promise but as problem, endless options collapsing under their own weight. These songs don't use metaphor to describe emotion. They make emotion into something you could theoretically touch.
Tracked by Jack Shirley (Deafheaven, Oathbreaker) at Atomic Garden East and mixed and mastered by Richard Chowenhill of Agriculture, Hidden Fires Burn Hottest was years in development, with some tracks beginning in 2018.

The long writing process offered time that most records don't get. Time to live with ideas, revise endlessly, to let structures settle. For the first time, lyricist Bryan Manning wrote everything in advance, creating a surplus to pull from rather than working under deadline pressure. The difference shows.
Coming off Further Still, an album built on constraint and economy, Bosse-de-Nage sought the opposite: sprawl, strangeness, fewer rules. Space for ideas to develop without rushing them. Dynamics that move through quiet as much as noise. Presence earned through atmosphere instead of volume. The record even includes ""Mementos,"" which might be considered the first love song the band has ever written.

Nothing here coheres into a theme. These are pieces pulled from low moments and private feelings made public through sound. The band has never been interested in positivity, in music that resolves cleanly or offers comfort. But bleakness doesn't mean humorlessness. There's something darkly funny running through much of it, even when it shouldn't be.
Hidden Fires Burn Hottest doesn't explain itself. It just insists: what you feel is as real as what you can see."

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34,03
Memorials - All Clouds Bring Not Rain LP
  • A1: Life Could Be A Cloud
  • A2: Cut Glass Hammer
  • A3: I Can't See A Rainbow
  • A4: Dropped Down The Well
  • A5: In The Weeds
  • A6: Reimagined River
  • A7: Mediocre Demon
  • A8: Bell Miner
  • A9: Lemon Trees
  • A10: Watching The Moon
  • A11: Wildly Remote
  • A12: Holy Invisible
También disponible

YELLOW VINYL[25,17 €]


MEMORIALS jump off the waterslides and head above the clouds with their stunning second album, ‘All Clouds Bring Not Rain’. The duo of Verity Susman and Matthew Simms (formerly of Electrelane and WIRE) locked themselves away in a studio in a barn secluded deep in the woods in southwestern France and re-emerged with a beautiful, unusual record that is both melodic and unconventional. For such an ambitious album it’s striking that it was written, performed, recorded and mixed solely by the two of them. Sounding like an unearthed classic, MEMORIALS twist their influences into their own unmistakable sound. Imagine Nico singing with Can produced by David Axelrod and you’re somewhere in the right ballpark.

The record draws inspiration from a wide range of music including folk, dub, post punk, experimental tape music, 60s soul, garage rock, 70s spiritual jazz and Canterbury prog. This attention to detail in their sound meant finding several other studios to get what they needed to record with, including a harpsichord at 4AD’s studio in London and a vibraphone and vintage Leslie speaker in Stereolab drummer Andy Ramsay’s studio Press Play. Verity’s distinctive, unadorned singing is a focal point of the record, moving from tender to wild. Her vocal melodies quickly become earworms, providing the tuneful heart around which the songs’ more unorthodox elements are arranged, which is where Matthew’s unconventional approach to recording and production comes to the fore. With their adventurous arrangements, classic songwriting skills and innovative production techniques, MEMORIALS have created another mesmerising listen that’s accomplished and compelling in its unique approach yet remains dizzyingly immersive - just like their acclaimed live shows.

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21,81
SLUTET - Jihad LP

SLUTET

Jihad LP

12inchCRYPTMETAL039
Crypt Of The Wizard
15.06.2026
  • 1: Match Questions - Gasoline Truth
  • 2: Goddess Of Paradox (Tiamat Yawns Awake)

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

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debe ser publicado en 15.06.2026

25,00
1 Umbrella - 1 Umbrella LP 2x12"

1 Umbrella

1 Umbrella LP 2x12"

2x12inchERE1317
EMPIRE
15.06.2026
  • A1: 1 Umbrella
  • A2: One Of Those
  • A3: Code
  • A4: Baller Blockin
  • A5: The Blueprint
  • A6: Off Top (Feat. Larry June)
  • A7: No Gimmicks (Feat. Daboii)
  • B1: Pretty
  • B2: Type Of Time
  • B3: N.e.w.s. (Feat. Lingo & Dooder)
  • B4: Change My Ways
  • B5: Foreign Whip Swinger (Feat. Rexx Life Raj)
  • B6: For The Night (Feat. Larry June & 1100 Himself)
  • B7: Run The City
  • B8: Real Nigga Diary

1 Umbrella represents a watershed moment for modern Bay Area hip-hop, effectively serving as the region's "Avengers" assembly designed to consolidate the Northern California sound. For years, the local scene has been bisected by the distinct "mob music" bounce of Oakland and the melodic, trauma-drenched "pain music" of San Francisco; this collective is the first major commercial force to deliberately fuse these competing energies into a single, dominant infrastructure. The roster is a calculated cross-Bay alliance that balances opposing sonic weights: Lil Bean and Lil Yee anchor the group with the emotive, auto-tune-heavy melodies that define the current SF landscape, while Zaybang cuts through that introspection with his signature high-octane aggression.

Balancing the scales are ALLBLACK and 22nd Jim, who inject the classic East Bay attitude-ALLBLACK delivering the motivational, sports-heavy "player" lineage of the region, contrasted against Jim's nonchalant, rhythmic flow. Backed by the powerhouse infrastructure of EMPIRE and united under tracks like "Baller Blockin" and the unification anthem "The Blueprint," the group is attempting to solve the fragmentation that has historically plagued the Bay's independent market. By synchronizing their movement with the arrival of Super Bowl LX, 1 Umbrella is positioning itself not merely as a rap group, but as the official cultural ambassadors for the region, betting that a unified front can finally command the national spotlight that often eludes the West Coast's independent giants.

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debe ser publicado en 15.06.2026

26,93
JA:CK - DINAMO

JA:CK

DINAMO

12inchICNTX003V
INTERCONNECT
15.06.2026

Ja:ck is an artist who moves beyond fast-paced trends, focusing instead on a clear, driving vision. His releases on the renowned label Cocoon Recordings represent an uncompromising sound that balances hypnotic techno and energetic club dynamics. With a keen sense of tension and atmosphere, he has developed a signature style over the years that works as effectively on large floors as it does in intimate sets.
His new track, Dinamo, perfectly encapsulates this energy: pulsating, powerful, and precisely crafted. The track builds with subtle intensity before erupting into a forceful, captivating movement designed for the peak time.
Notably, Ja:ck has been supported for years by techno icon Sven Väth, who consistently integrates Ja:ck's sound into his sets. This ongoing backing underscores not only the quality of his productions but also his relevance within the international scene. With Dinamo, Ja:ck delivers another clear statement: raw, direct, and absolute club material.
The Oliver Keim remix of Ja:ck’s Dinamo translates the original track into a clean, stripped-back club aesthetic with a steadfast focus on groove and energy. From the start, a driving flow emerges: precise, dry drums meet a deep, rolling bassline that constantly pushes forward. The arrangement remains intentionally minimalist, yet leaves enough room for subtle details to unfold and build tension. Finely placed breaks provide dynamics without losing momentum, leading back into powerful, controlled drops.
The remix eschews clutter, relying instead on clarity, punch, and timing. This makes it versatile enough for both intimate club settings and larger floors, fitting seamlessly into Tech House, Melodic Techno, or driving House sets. It is a modern, functional remix—minimalist in sound, powerful in impact, and strictly geared toward the dancefloor.

Ja:ck ist ein Künstler, der sich jenseits schneller Trends bewegt und stattdessen auf eine klare, treibende Vision setzt. Seine Releases auf dem renommierten Label Cocoon Recordings stehen für kompromisslosen Sound zwischen hypnotischem Techno und energetischer Club-Dynamik. Mit einem feinen Gespür für Spannung und Atmosphäre hat er sich über die Jahre eine eigene Handschrift erarbeitet, die sowohl auf großen Floors als auch in intimen Sets funktioniert.
Sein neuer Track Dinamo bringt genau diese Energie auf den Punkt: pulsierend, druckvoll und gleichzeitig präzise ausgearbeitet. Der Track baut sich mit subtiler Intensität auf, bevor er sich in eine kraftvolle, mitreißende Bewegung entlädt, gemacht für die Peak-Time.
Besonders bemerkenswert: Ja:ck wird bereits seit Jahren von Techno Ikone Sven Väth unterstützt, der seinen Sound immer wieder in seine Sets integriert. Diese kontinuierliche Rückendeckung unterstreicht nicht nur die Qualität seiner Produktionen, sondern auch seine Relevanz in der internationalen Szene.
Mit Dinamo setzt Ja:ck ein weiteres klares Statement : roh, direkt und absolut clubtauglich.

German Text:
Der Oliver Keim Remix von „Dinamo“ von Ja:ck übersetzt den Original-Track in eine klare, reduzierte Club-Ästhetik mit konsequentem Fokus auf Groove und Energie.
Von Beginn an entsteht ein treibender Flow: präzise, trockene Drums treffen auf eine tiefe, rollende Bassline, die sich konstant nach vorne bewegt. Der Aufbau bleibt bewusst minimalistisch, lässt aber genug Raum für subtile Details, die sich im Verlauf entfalten und Spannung erzeugen. Fein eingesetzte Breaks sorgen für Dynamik, ohne den Drive zu verlieren, und führen kontrolliert zurück in kraftvolle Drops.
Der Remix verzichtet auf Überladung und setzt stattdessen auf Klarheit, Druck und Timing. Dadurch funktioniert er sowohl in intimen Clubsettings als auch auf größeren Floors und lässt sich vielseitig zwischen Tech House, Melodic Techno und treibenden House-Sets einsetzen.
Ein moderner, funktionaler Remix, reduziert im Sound, stark in der Wirkung und konsequent auf den Dancefloor ausgerichtet.

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12,56
Shcuro & Vil - Repercussions Part 2

Shcuro & Vil

Repercussions Part 2

12inchPARAISO019
Paraíso
15.06.2026

A Lisbon classic by now, Paraiso (a label, a radio show, a party and now also a documentary) is back for its 19th release with a pairing who's no stranger to the label or the portuguese techno underground: lucky for us, head honcho Shcuro got back in the studio with techno legend in the making Vil to make Repercussions part 2 - and they invited iconic Spanish producer Annie Hall (Delsin, CPU) as a remixer. The record opens with a tour de force, the relentless yet perfectly in control, mutanting and experimental yet elegant and timeless 'Motorik'. In it, you can hear echoes of Detroit groove sense, but also a generous splash of dub sonics seamlessly merging into pure peak time, closed eyes, layers of ear-candy hypnotizing you type of stuff. Things strip back a little in 'Emergence Dub' - still immersive fast techno ammunition, but there is a playful, experimental and sometimes ravey spirit to it, with a wonky mutating key, vocal pads and cheeky percussion working together to create a stunning modern dance piece. Side B is inaugurated by 'Origins', a deep bow to dub traditions with delay-drenched stabs and a bouncy bassline for days. An energetic yet dreamy piece with spoken word samples that will have your heart melt, it perfectly mirrors the duo's influences in a beautiful closing original. Annie Hall steps in for the remix, taking A2 'Emergence Dub' into Breaks geographies, with a talking bassline fit for an electro banger, and the ever-present pads sending us off in zen mode after a delightful ride.

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debe ser publicado en 15.06.2026

14,08
A GOOD YEAR - PLAY

A GOOD YEAR

PLAY

12inchESC208
Escho
15.06.2026

A Good Year - Play. Driving through the country. Tender anthemic voices. Real sounds and synthetic sounds. Baggy drums. Acoustic guitars, bass drops, big and small, Moody. A Good Year is a collaboration between producer and former Liss drummer Tobias Laust Hansen and filmmaker-turned-musician Albert R. Hildebrand. Featuring: Horse Vision, Koilwood, Tiffi M, Quiet Light, Late Verlane, Alba Akvama, Suisse Air and MØ

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22,65
Luiz Bonfà - Introspection LP
  • A1: Enchanted Mirror 04:00
  • A2: Summertime Love 03:00
  • A3: Reflections 02:42
  • A4: Concerto For Guitar 03:15
  • B1: Rain 02:40
  • B2: Leque 01:50
  • B3: Missal (Estudo) 03:46
  • B4: Adventure In Space 05:17

Introspection is a 1972 cult-favorite solo guitar album by Brazilian composer and guitarist Luiz Bonfà. Unlike his more famous bossa nova recordings, this album presents Bonfá in a deeply personal, almost meditative setting. Recorded primarily as a set of intimate solo guitar pieces, Introspection showcases Bonfà’s signature combination of classical technique, Brazilian rhythm and emotive melodic phrasing. Initially overlooked, Introspection later gained recognition as one of Bonfà’s most admired and distinctive works outside the mainstream bossa nova canon. This reissue is the first ever on vinyl after 1972.

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23,32
Kingpin Skinny Pimp - King Of Da Playaz Ball LP 2x12"
  • A1: Intro
  • A2: One Life 2 Live
  • A3: Nobody Crosses Me
  • A4: Midnight Hoes
  • A5: Lookin' For Da Chewin
  • B1: Long Story
  • B2: Y'all Ain't No Killaz
  • B3: Hear My Dear/Anger
  • B4: I Don't Lov'em
  • C1: We Ain't No Playa Hatas
  • C2: Pimpin' And Hoin
  • C3: Don't Test Me
  • C4: Let's Start A Riot
  • D1: King Of Da Playaz Ball
  • D2: All About Them Prophets
  • D3: Outro
  • D4: Blaze Up Another 1

Hypnotize Minds is proud to present Kingpin Skinny Pimp's King Of Da Playaz Ball on a limited edition orange crush double vinyl! Featuring classic Memphis rap such as "Lookin' for Da Chewin'" and "One Life 2 Live (feat. DJ Paul & Juicy J)"

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40,76
FIG THIEF - WE PLANTED PEONIES

FIG thief is an Amsterdam-based artist from Greece. This album refers to the healing process of opening up the self to diverse encounters. This diversity represents the transgression of the material and immaterial boundaries. Peonies are the healing flowers. Planting the peonies led this creation to bloom. It is a trip-hop album with pure hip-hop elements. It portrays the playfulness of making music and accepting transformations . Slam poetry, bars, and travelling melodies with punchy breaks. Art doesn't belong to the artist. It is a co-creation.

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debe ser publicado en 15.06.2026

18,07
Cinthie, Stevn.aint.leavn - Beste Modus 09

2026 Repress

Berlin’s Beste Modus has been moving from strength to strength over the past five years, with the DJ and producer collective all making their mark on the local scene in the German capital and across the globe. Here we see two of the members stepping up to deliver two-tracks each for the labels ninth release.

Cinthie takes the a-side and leads with ‘Everything I Say’, employing choppy synth stabs, bumpy bass and heavily swung 909 drums alongside a hooky vocal before ‘Good For You And Me’ edges into Garage territory, fusing bright piano chords and a stab-led
bass hook with tension building strings and soulful vocals lines.
On the flip is two cuts from stevn.aint.leavn, the first of which, ‘Quins’, takes a more stripped-back approach via rumbling subs, metallic percussion and a stuttering synth line throughout. ‘Spiff’ then closes the package with an array of organic drum hits, soft chords, airy chimes and heady electronic synths all unfolding dynamically throughout.

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12,82

Ültimo hace: 13 Meses
Wu-tang Clan - Enter The Wu-Tang (36 Chambers) LP
  • A1: Bring Da Ruckus 4:10
  • A2: Shame On A Nigga 2:57
  • A3: Clan In Da Front 4:33
  • A4: Wu-Tang: 7Th Chamber 6:05
  • A5: Can It Be All So Simple
  • A6: Protect Ya Neck (Intermission) 6:48
  • B1: Da Mystery Of Chessboxin '4:48
  • B2: Wu-Tang Clan Ain't Nuthing Ta F' Wit
  • B3: C.r.e.a.m
  • B4: Method Man 5:50
  • B5: Tearz Performer
  • B6: 1 Wu-Tang: 7Th Chamber - Part Ii 5:08
  • B6: 2 Conclusion

[k] B5 Tearz Performer [Excerpts] – Wendy Rene

Reservar15.06.2026

debe ser publicado en 15.06.2026

26,85
The Pool - Dance It Down/jamaica Running

REPRESSED !
Patrick Keel is a multi-instrumentalist, composer, producer, and performer. The Pool was his solo project, the sum of fifteen years of experience in live bands, studios, and home recording. Patrick was heavily influenced by the radio of the early and mid 1960's in Dallas. The British bands and Black soul of the era gave him a distinct style, and shaped his musical attitude. The New Wave/Punk/D.I.Y. attitudes of the late 1970s inspired him to express himself in a new way. 1980 saw the release of "Pool One," a sixty minute home-produced cassette. "Pool Two" followed in 1981, which received much praise and little distribution. In 1982 he released a 5-song self-titled vinyl EP of tight, skeletal, synthetic dance music.

In 1983, 'Dance It Down/Jamaica Running' 12' EP was released on Moment Productions. Based on response from D.J.'s in New York and the Bronx, Patrick went back in the studio and remixed two songs from the self-titled EP for rapping, scratching and break dancing. "Jamaica Resting" was sped-up, extended, and reconfigured as "Jamaica Running". The whirlpool synth-strut of 'Dance It Down' came out of the studio as 'Dance In Dub', with a heavier kick and extended dub outro. These spacious versions were optimal for DJ play, slotting regularly in sets at hip clubs like Danceteria. For this reissue we've added two bonus European remixes from the 1984 12' of 'Dance It Down/Jamaica Running', released on Nunk records from Belgium. Both songs employ the use of a Boss DR-55, Korg MS-20, Korg PolySix, and a Prophet 5, and were mixed on a 16- track Ampex recorder. The Pool's spartan, self-assured songs are experiments you can dance to.

All songs have been remastered for vinyl by George Horn at Fantasy Studios in Berkeley. The record comes housed in a newly designed jacket by Eloise Leigh, updating the magenta and blue grid and Pool logo of the Moment Productions release. Each copy includes a 12-page booklet with a never seen before photos, press clippings and notes.

Reservar15.06.2026

debe ser publicado en 15.06.2026

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