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múm - History of Silence (TAPE)

múm

History of Silence (TAPE)

CassetteMORR206-CS
Morr Music
19.09.2025

múm are returning with a new album on Morr Music. »History of Silence« is the first full body of work by the Icelandic collective since 2013's »Smilewound« and their seventh studio album to date—recorded, deconstructed, put back together again, refined and finished over the course of two years. Vibrantly oscillating around a carefully curated palette of electronic and analogue sounds, the eight new tracks reflect the group's continuous strive to explore sonic spaces through subtle yet gripping songwriting.

For a long time now, múm have been exploring the idea of distance in their music. In the beginning, this was born purely out of necessity. Founded in Iceland in the late 1990s, the members soon began embarking on journeys across the world—collectively while touring, but also individually, exploring new places to live and create. Settling in, moving on, catching up: The concept of distance soon became an integral part of the collective's process. »History of Silence« leans into this idea, with space and time becoming indispensable pillars of the arrangements. While being coherent and structured, they echo their origins from different seasons, cities, and spaces—neatly stitched together with unparalleled craftsmanship. They breathe an overall airy and intimate atmosphere, yet resonate with the structural heft of time.

On »History of Silence« time manifests in unexpected, liberating, and mesmerizing ways. It does not move reliably forward; it drifts, takes twists and turns, even disappears completely. Electronic textures blur into acoustic sounds, voices flicker and dissolve, melodies stumble and repeat. The arrangements often feel like they’re wandering, gently resisting direction. »Our Love is Distorting,« for instance, begins with a subtle piano motif, playing hide and seek with feedback noises, digital artefacts, and lush—yet very quiet—string arrangements, before gradually forming into a distinctive song. It's a perfect illustration of múm's general approach on this album. »Mild at Heart« turns this idea upside-down, flowing freely from start to finish with moments of silence sprinkled in—serving to emphasize the musical elements. The music on »History of Silence« moves like weather: unexpected, intimate, quietly detailed. Contrasted with vivid phrases, rhythmic shifts, and small hooks, the album offers a new angle of compositional clarity and vision.

Work on »History of Silence« began at Sudestudio in southern Italy. Additional recordings were made in Reykjavík, Berlin, Athens, Helsinki, New York, and Prague. The strings were recorded by Sinfonia Nord at the Hof concert hall, Akureyri, arranged and conducted by Ingi Garðar Erlendsson, who has worked with the band for many years. The orchestral elements don’t dominate the record—instead, they surface gently, adding depth and resonance to the songs without disturbing the songs' fragility.

Contrary to what the album title suggests, »History of Silence« is a collection of bold and colorful songs, no matter how muted they might sound at times. They tickle like a feather drifting through the wind, ending up in unexpected places, stimulating long-forgotten thoughts and feelings, intimate moments of introspection. The songs move through the echoes those moments leave behind: the emotional traces of things unsaid, the weight of stillness. Offering closeness by means of distance and much-needed support.

pre-order now19.09.2025

expected to be published on 19.09.2025

16,18 €
BLACK LIPS - BEBOP ARMAGEDDON (DETOURS & OFFCUTS FROM SEASON OF...)
  • KINGDOM COME
  • COLT 44 (FT. KING KHAN)
  • STEP BACK OLD KING COLE
  • GUNNIN
  • BOUND FOR RODEO
  • ZULU SAINTS (DEMO)
  • SX SX SX MEN (REMIX)
  • BACK TO KIEV
  • THE ONE
  • SATAN
  • BACK WITH THE BREEZE
  • JUDAS PIG (DEMO)
  • KASSANDRA (ALTERNATE MIX)
  • GUNNIN DEMO (INSTRUMENTAL)
  • THE ILLUSION PT. 1 (DREAM MIX)

Exklusive Vinyl-Sammlung mit Demos, Skizzen und Outtakes vom neuen Album "Season Of The Peach" von Black Lips. Mit einem Feature von King Khan sowie alternativen Versionen und Mixen und exklusiven Songs aus den Sessions. Gleichzeitig mit ihrem richtigem neuen Album "Season Of The Peach" wird die Outtakes-Sammlung "Bebop Armageddon (Detours & Offcuts From Season Of The Peach)" veröffentlicht, ein wildes, limitiertes Kompendium: Demos, alternativen Versionen und klingende Missgeschicke der jüngsten Sessions zum neuen Album, für echte Fans auf Vinyl gebannt. Wenn "Season Of The Peach" eine farbenfrohe Halluzination ist - teils Garagenrock-Fantasie, teils verbranntes Americana-Land - dann ist "Bebop Armageddon" sein zerfetzter, magnetischer Schatten. Diese 14 Tracks nehmen einen orientierungslosen Weg durch dasselbe Terrain und bieten mutierte Skizzen, wunderschöne Trümmer und freakige Umwege, die vor rohem Charme und chaotischer Erfindungsgabe nur so strotzen. Es gibt alternative Mixe (,Kassandra"), Demoversionen (,Judas Pig", ,Zulu Saints") und schwindelerregende Neuinterpretationen wie ,The Illusion Pt. 1 (dream mix)". Das Exklusive ,Colt 44" (mit King Khan) rattert wie ein Güterzug, der zu entgleisen droht, während ,Satan" und ,Back To Kiev" gleichermaßen versengten Psych, Saloon-Gospel und gespenstische Front-Porch-Melodien bieten. Alle Tracks wurden auf Analogband im Sound At Manor Studio von Oakley Munson in den Catskills aufgenommen. Bebop Armageddon fängt den Geist der Sessions in roher, ungekünstelter Form ein. Keine sauberen Linien. Keine Wiederholungen. Kein Glanz. Das ist das Chaos unter der polierten Oberfläche des Mutteralbums - die Black Lips, die sich nicht benehmen wollten. Limitiertes klassisch schwarzes Vinyl (1000 Stück weltweit) mit DLC dabei.

pre-order now19.09.2025

expected to be published on 19.09.2025

26,01 €
YVES JARVIS - ALL CYLINDERS

On his new album All Cylinders, Yves Jarvis expresses a brazen songcraft and pure musicianship. 11 tracks he played himself, without a single additional contributor, transforming his now four-time-Polaris-nominated vision into the stuff of verses and choruses, hooks and hits, vibrating like a cosmic anthropology. Whereas once he had fetishized analog tape, now Jarvis appreciated the value of working without any such preciousness: much of All Cylinders was recorded on bare-bones Audacity, sans plugins, channeling the spirit of Paul McCartney’s II.

Jarvis is an omnivore, and All Cylinders smashes together a stunning array of influences: Serge Gainsbourg, Judee Sill, Sheryl Crow, Captain Beefheart, Jackson Browne, Throbbing Gristle, Ray Charles, Brian Eno, Fleetwood Mac… All distilled into tunes that feel like taking sips from a cup, or drags from a cigarette. Vivid and self-contained songs that are just two or three minutes long. “I feel like this is the least contrived thing I’ve ever done,” Jarvis declares. Lyrics that matter. Vocals up front, where people will actually hear them. “If something’s true to you,” he explains, “it’s probably true to a million other people.”

The first run of All Cylinders on limited edition vinyl sold out, leading to this highly anticipated second pressing. This edition includes 4 bonus tracks from the forthcoming deluxe release, making it an essential piece for fans and collectors alike. Originally released via In Real Life to critical acclaim from Pitchfork, Financial Times, NPR, Aquarium Drunkard, Far Out Magazine, New Noise, Out Front, KCRW, RANGE, Atwood Magazine, The Luna Collective, Billboard Canada, The Fader, Blamo! Podcast, Stereogum, and Guitar World.

pre-order now19.09.2025

expected to be published on 19.09.2025

21,43 €
Monty Python - The Album Of The Soundtrack Of The Trailer Of The  LP

50 Jahre Wahnsinn – der erste Monty-Python-Soundtrack jetzt auf goldfarbenem Vinyl

Zum 50-jährigen Jubiläum des Films erscheint Monty Pythons legendärer erster Soundtrack in einer neuen, umweltfreundlichen Edition – als 1LP auf Gold Nugget Vinyl.

Mit dem herrlich absurden Titel The Album of the Soundtrack of the Trailer of the Film of Monty Python and the Holy Grail erschien das Original bereits 1975. Die LP enthält eine Mischung aus Filmszenen und eigens produziertem Studio-Material – darunter eine fiktive Kinoeinführung im „Classic Silbury Hill Theatre“ sowie der „Marilyn Monroe“-Sketch, geschrieben von Graham Chapman und Douglas Adams (Per Anhalter durch die Galaxis).

Ein urkomischer Meta-Soundtrack, der Monty Pythons anarchischen Humor perfekt auf Vinyl bannt.

pre-order now19.09.2025

expected to be published on 19.09.2025

27,94 €
Various - Just To Keep You Satisfied LP
  • 1: BLACKMAIL DAVID RUFFIN
  • 2: CRIME IN THE STREET DAVID RUFFIN
  • 3: LOOK OUT YOUR WINDOW FRANK WILSON
  • 4: JUST TO KEEP YOU SATISFIED THE ORIGINALS
  • 5: I PRAY YOU STILL LOVE ME JIMMY RUFFIN
  • 6: I HATE MYSELF FOR LOVING YOU THE
  • 7: IF I CAN´T LOVE YOU THEN I CAN´T LOVE ME EDDIE
  • 8: WHEN THE LIGHTS COME DOWN ON LOVE DENNIS
  • 9: YOU ARE THE WAY YOU ARE LEON WARE
  • 10: DON´T YOU WANNA COME LEON WARE

Satisfaction comes in many forms. When the magical word Motown is uttered, most people are hard-wired to The Four Tops, the Temptations and The Supremes. But to reduce Motown to the effervescent sixties is only part of the label’s remarkable legacy.
By the 1970s, a different sound was gathering. America was on the verge of a nervous breakdown. The Vietnam War had been a disaster, urban street crime was epidemic and the nation’s college campuses were alive with political resistance. The joyful hope that had inspired “Baby Love” now felt anachronistic and out of time.

The music industry was changing too. The vinyl pop single on 45rpm which had been the staple of Motown’s success was being challenged by concept albums.   This was the era of Edwin Starr’s anti-war album War and Peace (1970), The Temptations mind-bending Psychedelic Shack (1970) and Marvin Gaye’s state-of-the-nation classic What’s Going On (1971).
By the early 1970s Motown had a stable of male vocalists that was arguably the best in the world, among them former lead singers from The Temptations - David Ruffin, Dennis Edwards and Eddie Kendricks. Alongside them singer-producers like Leon Ware and Frank Wilson were asserting their presence.

David Ruffin’s “Crime in the Street” captured the epidemic of violence in Detroit allowing his exquisite voice to quietly rage against gun crime. Recorded a few years before his underground classic “Rode by the Place”, both sound more modern today than when they were recorded.
If there is a common thread here, it’s the mid-tempo shifting soul soon to be christened as “quiet storm” including groups on the margins of Motown such as The Originals and The Fantastic Four led by the impassioned “Sweet” James Epps.
Just to keep you satisfied, immerse yourself in the overlooked creativity of Detroit’s male voices in the early 1970s.

pre-order now19.09.2025

expected to be published on 19.09.2025

28,99 €
Needless, Monoder & Tm Shuffle - VUO 404

Needless, Monoder & TM Shuffle join forces on VUO Records for a deep excursion into the realms of dub-infused techno and stripped-back house. Echoing chords, warm low-end pressure, and hypnotic grooves form the backbone of this release - a sonic journey where raw analog textures meet subtle swing and spatial depth. Crafted for sound system lovers and late-night explorers alike, this is a record that resonates far beyond the dancefloor.

out of Stock

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Last In: 28 days ago
12,19 €
Peki Momes - Peki Momés LP

Peki Momes

Peki Momés LP

12inchMLP1015
Mocambo
19.09.2025
  • Baslangiç
  • Rüya
  • Göç Mevsimi
  • Masmavi
  • Future
  • Yasli Dünya
  • Oyun
  • Dertsiz Kedi
  • Bahçe
  • Bahar
  • Uzak
  • Laleler
also available

Alternate 2nd Edition[26,85 €]

Alternate 2nd Edition[32,14 €]


Das atemberaubende Debütalbum von Peki Momés mit 12 herausragenden Songs: Türkischer Psychedelic, Global Disco und Outland! Peki Momés ist eine in Deutschland lebende türkische Künstlerin, die erst 2024 zufällig begann, Musik aufzunehmen. Gesegnet mit Stil und Intuition statt formaler Ausbildung, eroberte ihr frischer und kompromisslos authentischer Zugang zur Musik Herzen und Ohren im Sturm. Peki wurde innerhalb und außerhalb der Organic-Groove-Szene schnell zur Sensation, die von Trendsettern wie Coco Maria, Iggy Pop oder Turntablist DJ Koco unterstützt wird. Peki Momés' Musik ist ein vielseitiger Mix aus Klängen des globalen Undergrounds, geschmackvoll arrangiert von Produzent Dustin Braun und einer Band unglaublich talentierter Jazzmusiker. Dirty Disco, Fuzzy Funk, anatolische Rare Grooves, experimentelle Synthesizer, Library Music und japanischer City Pop verschmelzen auf natürliche Weise mit ihrem unverwechselbaren Gesang und kreieren einen einzigartigen, ätherischen, fremdländischen Sound, der ganz ihr eigen ist.

Limitierte Erstausgabe im handgefertigten Deluxe-Tip-On-Sleeve.

"Turkish city pop - I love it." - Coco Maria

pre-order now19.09.2025

expected to be published on 19.09.2025

27,31 €
Anathema - The Crestfallen LP

Anathema

The Crestfallen LP

12inchVILELP1253
Peaceville
19.09.2025
  • 1: And I Lust
  • 2: The Sweet Suffering
  • 3: Everwake
  • 4: Crestfallen
  • 5: They Die
pre-order now19.09.2025

expected to be published on 19.09.2025

24,16 €
TIN FINGERS - ROCK BOTTOM BALLADS LP

Tin Fingers takes on a darker, melancholic direction on their second full album. Felix Machtelinckx' weeping vocals, preaching, searching, and trying to understand God, form the leitmotif. With rich melodies, haunting piano sounds, improvisations, first takes and no overdubs, Tin Fingers is searching for pureness and keeping things human and simple. The band is playing together intuitively, without a computer, without ego, just for the sake of music

The creation of the album was very fluent and spontaneous. Singer Felix wrote the backbones of the songs and the lyrics on acoustic guitar and piano. He wanted to have songs ready in order to be able to record and write arrangements fast. With an eye for details but without overthinking, keeping the ideas fresh. 'I wanted to stay in love with the music.' he explains. 'It needed to go fast, very fast, in just two weeks the entire album was recorded and ready to be mixed.'

In the studio, the band especially focused on picking the right mood rather than playing the right notes.

They were fed up with working on a computer for many hours, overthinking production choices, and adding instruments on top of each other as if they were Lego blocks. This time they decided to work in a more traditional way, going for first takes, jams, and essentially working with analog gear. No computers, no screens, no distractions. Only four humans in a studio trying to make a sound together by keeping things spontaneous and raw. They said goodbye to perfection and worked towards an unfinished product, a snapshot.

Tin Fingers also didn't want to sound like any other artist on this record. They decided not to listen to music during the sessions, and to never express ideas by referencing other bands. Just before the studio session, however, bass player Simen Wouters broke the rules and shared Bonnie 'Prince' Billy's, I See Darkness. Its dark and searching sound ended up inspiring the band unmistakably.

Once the recording was finished, the band decided to keep the volatile rhythm going and asked reputable NYC-based mixer and producer D. James Goodwin to finish the job. Goodwin, known for his analog folk productions with a real American punchy sound but a tender touch, proved the right man for the job. He opened up the songs and kept things poetic, minimal but impressive.

out of Stock

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Last In: 12 months ago
12,19 €
FLYING HORSEMAN - ANAESTHESIA

Flying Horseman

ANAESTHESIA

12inchUNDAY170LP
UNDAY RECORDS
12.09.2025

Limited first pressing on silver vinyl. Flying Horseman returns with their first new album in five years. Experience their renewed but signature sound with a fresh line-up.



Flying Horseman is back! After a five year hiatus and with a new line-up, the band is ready to once again captivate headphone junkies and live audiences alike with Anaesthesia, their seventh album. It's an urgent and passionate work of intelligent rock'n roll, hazy psychedelia and cosmic folk. Anaesthesia is brooding, angry and dark but at the same time full of life, wonder and sophistication. It's an invigorating, fascinating, electric brew.



Flying Horseman is still centered around the intensely personal song writing, singing and guitar playing of Bert Dockx. The band's line-up has changed,with Louis Evrard (Pruillip, Ottla, Grid Ravage) and Maximilian Dobbertin (Calicos, Frankie Fame) replacing drummer Alfredo Bravo and bassist Mattias Cré. Bravo and Cré were long-standing members, beloved by fans and fellow musicians alike, and they have played an important part in establishing Flying Horseman's musical identity. Today Evrard and Dobbertin are adding a fresh and personal twist to the idiosyncratic sound of Flying Horseman: their groove, their intuition and sensibility, their soul.



Then there's Loesje and Martha Maieu, who have been part of the group for almost as long as its frontman has, and who offer essential ingredients to bring about Flying Horseman's signature flavour, their haunting vocals and atmospheric electronics contrasting beautifully with Dockx' more earthy vocal delivery and his restless, fiery plucking of the guitar strings.



The whole record is fiery, alternately smouldering and violently burning. These are musical sounds capable of setting the listener's heart and mind ablaze. Anaesthesia is very consciously, a political record born out of Dockx and his friends' bafflement at the state of the world, the new rise of fascism, the onslaught of injustice, barbarism and stupidity which we, inhabitants of planet earth, are witnessing day in day out.



How to guard one's sanity in such a crazy world? How to maintain one's dignity? How to feel useful and joyful when surrounded by confusion and hate? These are the questions Flying Horseman is struggling with, as are so many of us today. But there is joy and purpose in the asking; in the struggling; in staying critical of dominant systems of oppression; in thinking or saying: "I don't agree, this is not how it's supposed to be"; in coming together and connecting, sharing, mourning and dreaming. Joy and purpose; questions and confusion; burning hearts and tarnished dreams: it's allhere, in the transportive sound world of Flying Horseman.



Anaesthesia was recorded in Antwerp by Joris Caluwaerts (keyboardist of the inimitable avant-jazz group .STUFF) and mixed by Yves De Mey (one of Belgium's most prominent & avant-garde electronic wizards), two experienced collaborators who know a thing or two about capturing sound and transforming it into a rewarding listening experience. With their help, Flying Horseman has crafted a tight collection of eight art-rock tunes with a clear identity, a rich sound, an original vision and a joyful purpose in the face of encroaching sinister forces.

out of Stock

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Last In: 12 months ago
24,16 €
Chet Baker - Five From '65:The Quintet Summer Sessions (Ltd.LP 5x12")
  • LP1: Groovin’ with The Chet Baker Quintet
  • LP2: Smokin’ with The Chet Baker Quintet
  • LP3: Boppin’ with The Chet Baker Quintet
  • LP4: Cool Burnin’ with The Chet Baker Quintet
  • LP5: Comin’ On with The Chet Baker Quintet

LP-Box mit fünf Original-Studioalben von 1965.
(AAA) Remastered und direkt von den originalen analogen Mono-Bändern von Kevin Gray geschnitten.

Fünf Original-Studioalben, aufgenommen in einer Woche im August 1965 in New York City: Boppin', Smokin', Groovin', Comin' On, Cool Burnin' sind zum ersten Mal seit über 50 Jahren wieder auf Vinyl erhältlich. Für diese Aufnahmen, die einen Wendepunkt in seiner Karriere markieren, hat Chet Baker eine Band der Superlative um sich geschart: George Coleman, Kirk Lightsey, Herman Wright und Roy Brooks spielen alle auf diesen aufregenden Sets, die ursprünglich bei Prestige Recordings erschienen sind.

New Land hatte vollen Zugang zu den originalen analogen Monobändern, und Kevin Gray hat sie neu gemastert und geschnitten (AAA), um ihnen eine frische Klangfarbe zu verleihen. Das Herzstück dieser Box ist ein Buch mit einem unglaublich detaillierten Essay von GRAMMY® Nominee James Gavin, der die wahre Geschichte hinter diesen Aufnahmen mit Interviews der Beteiligten verbindet. Illustriert mit seltenen Fotos und Ephemera ist dies der bisher tiefste Einblick in diese Aufnahmen.

Chet Bakers Prestige-Aufnahmen aus dem Jahr 1965 markieren eine Übergangsphase - seine Rückkehr in die USA nach einer Zeit in Europa und einer Auseinandersetzung mit dem Rechtssystem. Diese Sessions zeigen ihn in einem raueren, expressiveren Ton, der aber immer noch von seiner charakteristischen lyrischen Schönheit durchdrungen ist. Die Aufnahmen entstanden auf dem Höhepunkt der Hard-Bop-Renaissance von Prestige Records und zeigen Baker zusammen mit dem Saxophon-Titanen George Coleman, der gerade mit Miles Davis auf Tournee war. Das Ergebnis ist ein rauer, swingender Quintett-Sound, direkt, gefühlvoll und ungeschminkt.

Nach Jahren des Umherziehens in Europa und scheinbar endlosen persönlichen Turbulenzen kehrte Chet in die USA zurück, um diese Sessions aufzunehmen. Ohne die jugendliche Unschuld seiner frühen Tage an der Westküste spielt Baker mit einer dunkleren, introspektiven Note - sein Horn singt immer noch, aber jetzt seufzt es auch.

Zusammen mit einer starken Rhythmusgruppe aus New York verbinden diese Aufnahmen die Eleganz des Cool Jazz mit der rauen Direktheit des Hard Bop der Ostküste. Baker zeigt sich hier von seiner menschlichsten Seite - zerbrechlich, lyrisch, ungefiltert.

Dies sind nicht einfach nur Aufnahmen aus Chets Spätzeit - sie sind ein Dokument seiner Neuerfindung. Für Sammler schließen sie eine wichtige Lücke zwischen seiner ikonischen Cool Jazz Ära der 1950er Jahre und seinen düsteren europäischen Sessions der 1970er Jahre.

pre-order now12.09.2025

expected to be published on 12.09.2025

164,66 €
GUERILLA TOSS - YOU'RE WEIRD NOW

Guerilla Toss

YOU'RE WEIRD NOW

12inchSPLPX1645
Sub Pop
12.09.2025
  • KRYSTAL BALL
  • PSYCHOSIS IS JUST A NUMBER
  • CEO OF PERSONAL & PLEASURE
  • LIFE'S A ZOO
  • RED FLAG TO ANGRY BULL
  • PANGLOSSIAN MANNEQUIN
  • DEEP SIGHT
  • WHEN DOGS BARK
  • CROCODILE CLOUD
  • FAVORITE SUN

When NYC-based experimental dance punks Guerilla Toss, active since 2011, were in Vermont recording their new full-length album You're Weird Now, frontwoman Kassie Carlson would prepare what she called 'punk lunch': a communal meal made by raiding the studio fridge for whatever was left and assembling a sandwich from the most random ingredients imaginable. Regularly joining punk lunch were two legends from their own corners of the weird music world: Stephen Malkmus (Pavement, The Jicks) and Trey Anastasio, Phish guitarist and owner of The Barn; the recording studio where Guerilla Toss were making You're Weird Now, with Malkmus in the producer's seat. Engineer Bryce Goggin, who has worked with Malkmus since Crooked Rain, Crooked Rain, and Ben Collette, Phish's longtime engineer at The Barn, were also part of the crew. While the idea of the guy from Phish and the guy from Pavement sitting around with Guerilla Toss, congenially assembling sandwiches from random foodstuffs dug up from the depths of a studio fridge, might seem absurd, it also makes total sense. Because really, if there's any band that serves as the natural bridge between slacker punks who saw Pavement way before you did, wild-eyed wooks who've seen Phish more times than you ever will, and even the eccentrics in '90s drip following former GT tourmates Primus-it's Guerilla Toss. A band so imaginative and unapologetically themselves, they're basically the real-life manifestation of a utopian, post-snob world where all musical ideas are worthy of expression and everyone is welcome. You're Weird Now powers this message. Guerilla Toss' fifth album and second for Sub Pop is a hugely creative and joyful statement about the joy of creativity. With You're Weird Now Guerilla Toss reclaim the word "weird" for everyone brave enough to let their freak flag fly and stay true to their artistic vision no matter what-a way riskier act than it's ever given credit for, and one that requires a certain amount of serene self-confidence that it takes time and effort to cultivate and sustain. And they do so with the enthusiastic support of their musical predecessors: a standout moment arrives with "Red Flag to Angry Bull," which builds to a campfire sing-along-worthy outro featuring Malkmus and Carlson duetting over a chatty, classically Phish-y (there's really no better word for it) solo from Anastasio. The band hopes the message of You're Weird Now will resonate not only with music heads but anyone who struggles with feeling weird in a world where it will always be hard to be different. At the end of the day, it's all about the spirit of punk lunch: there's room for everyone because music is for everyone. "Everyone loves and appreciates music," says Carlson. "If you don't like music, you're kind of an asshole." That's not weird-that's just true.

pre-order now12.09.2025

expected to be published on 12.09.2025

24,79 €
Louis Philippson - My Way LP

Louis Philippson

My Way LP

12inch19802946911
Masterworks
12.09.2025

Vom "Klassik-Star der Gen Z" zum Pianisten der Stunde: Louis Philippson "My Way"Nur sieben Monate nach seinem Debüt "Exposition" beleuchtet "My Way" die rasante Entwicklung des jungen Pianisten, Social-Media-Stars und Moderators Louis Philippson vom "Klassik-Star der Gen Z" (Süddeutsche Zeitung) zu einem der Pianisten der Stunde. Vom britischen Sender Classic FM wurde Louis als einziger deutscher Künstler in die "Top 30 artists under 30 in 2025" aufgenommen, während BR-Klassik erklärte: "mit Louis Philippson hat die klassische Musik einen neuen Rockstar gefunden." Auch auf den 12 restlos ausverkauften Konzerten seiner Debüt-Tour im Mai 2025 und bei den Arena Shows der "Night of the Proms" im Winter 2024 begeisterte er tausende Menschen für die Klassik auf seine eigene Weise. Daran knüpft Louis Philippson mit seinem Album "My Way" an. Aufgenommen mit dem MDR Sinfonieorchester unter der Leitung von Dirigent Ben Palmer, verbindet es neue Originalkompositionen mit neuen Bearbeitungen bekannter Themen aus der Klassik oder Filmmusik für Solo Piano sowie Piano und Orchester. Zu den neuen Werken zählen unter anderem der virale Hit "Beethoven Virus" für Klavier und Orchester, "Show Waltz" für Klavier und Orchester, "Supernova" für Klavier, Sopran und Orchester, sowie mehrere Solostücke für Klavier. Unter den neu interpretierten Klassikern finden sich das mitreißende Medley "Dancing Bee" für Klavier und Orchester, "Cornfield Chase" für Klavier und kleines Ensemble, sowie eine Bearbeitung von Themen aus den Vierjahreszeiten mit dem Titel "Vivaldi Storm". Key Dates: • 6th June: German public broadcaster MDR broadcasting a studio concert featuring the MDR Radio Symphony Orchestra (reach 1 Mio)Pre-oder start and 1. Single "Für Elise"• 23rd July: German public broadcaster ARD "3nach9" talk show (reach 1 Mio)• 11th Sept: German public broadcaster TV gala ARD Deutscher Radiopreis - 2 performances live (reach 1 Mio +)• 12th Sept: German public broadcaster TV gala MDR Goldene Henne - Performance (reach 2 Mio)Album Release • September: pitch for ClassicFM Gala London • 26th Sept. German public broadcaster MDR Riverboat Talkshow (reach 2 Mio)• October - November: Concerts in GSA in venues up to 3,000 cap (e.g. Hamburg CCH / München Prinzregententheater / Düsseldorf Tonhalle etc.)• 6th Dec: German public broadcaster ARD charity show Ein Herz für Kinder (reach 3 Mio)• Dec: concert at Royal Albert Hall London • Spring 2026: Europa-Tour mit Konzerten in Paris, Benelux, Polen, Spanien usw.In the making: documentary about his life similar to Anastasia Kobekina

pre-order now12.09.2025

expected to be published on 12.09.2025

26,26 €
Rebecca Goldberg - Dancing Dreamland

Detroit-based electronic music producer and DJ Rebecca Goldberg presents, Dancing Dreamland, a four-track journey of raw techno, electro, and acid. The EP was created during her 2024 artist residency at Modja Modja House in Margate, UK.

Drawing inspiration from Margate’s eclectic soundscape, Goldberg crafted the EP using field recordings captured around the coastal town: its prominent resident seagulls, carnival games, and bustling seaside energy. These organic textures were fused with analog hardware during sessions in renowned artist Yuri Suzuki’s studio, where she was granted access to a range of vintage and modern synthesizers and drum machines.

The result is Dancing Dreamland, a gritty and hypnotic blend of rhythmic percussion and experimental textures. Each track reflects Goldberg’s signature Detroit-rooted minimalism while embracing the playful chaos of the British seaside. The EP pays homage to the cultural crossover between the industrial sound of techno and the natural, atmospheric noise of a historic resort town in artistic transition.

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Last In: 12 months ago
18,45 €
Flaer - Translations

Flaer

Translations

12inchODA06FT
ODDA Recordings
12.09.2025

Artist and multi-instrumentalist Flaer embraces the search for quiet miracles on first full-length LP Translations.

In 2023, Realf Heygate - who makes music as Flaer - released his debut mini-album Preludes, composed on his mother’s piano and his childhood cello.Returning to ODDA for his debut full-length album, Heygate is now looking in another direction. A record that embraces transition and movement, Translations is in many ways more internal, less rooted to a single place and reflective of the process of laying new foundations in Cornwall.

Like Preludes, Translations is coloured with found sounds and field recordings, from the starlings which can be heard singing through the open window of his studio, to the brittle recordings of his mother, who was a linguist, learning Spanish on a set of language tapes. In both cases, Heygate embraced the translations and memories inherent to the sounds.

“When I digitised my mother’s tapes, they warped and stuttered in a very similar way to the starling’s song,” he explains. “They had this uncanny rhythm and pulse that I couldn’t quite decode, but was saying something." These decayed transmissions hint at loss, resisting clarity in favour of the ineffable.

Translations is also a record of ambiguities and in-betweens, suggested by the double meaning of the album’s opening track ‘Entre’. At once intricate and expansive, threaded with birdsong and acoustic guitar motifs, this and ‘Starling Descends’ (a reference to Vaughan Williams’ ‘The Lark Ascending’) act as a bridge away from the pastoral themes of Preludes towards a more assertive sound. At times intimate in its textured instrumentation and at others more overtly grand in orchestration, reflecting awider palette of influences.

“Flaer began in many ways when I picked up my mother’s instruments, seeking a form of reconnection. Where words evaded me, they became the tools through which I found a language for grief – and above all, for love.”

Recorded between 2023 and 2025 – what Heygate calls “A gradual process of sowing and harvesting ideas rather than a single intense creative period” - each track follows a rhythm similar to the small maquettes and sculptures he has been working on in his visual practice, whereby structures and melodies form intuitively in moments that are as rare as they are fleeting.

“It's that feeling of searching that I really enjoy,” Heygate continues. “I never know what the destination of the composition is going to be, and I never really find what it is."

Translations is released on limited edition off-white vinyl LP (500 copies worldwide) with one of five signed and numbered handmade risograph prints. It's also available as standard black vinyl LP and digitally.

pre-order now12.09.2025

expected to be published on 12.09.2025

26,01 €
BLACK LIPS - SEASON OF THE PEACH

BLACK LIPS

SEASON OF THE PEACH

12inchFIRELP806
Fire Records
12.09.2025

Die Black Lips sind mit einer 40-minütigen Rock'n'Roll-Odyssee quer durch die Genres zurück, bei der Garagenrock auf New-Wave-Pop trifft und verärgerter Country sich die Hand mit epischen Western-Soundtracks gibt. Das 14-Track-Album fängt die Energie und den Geist der frühen Black Lips ein und geht gleichzeitig neue Wege beim Songwriting. Das Album ist ein musikalisches Karussell, eine Trip mit straßengeschundenen Geschichten aus der Schattenseite eines lichtlosen Amerikas. Die Rahmung bildet "The Illusion", pt.I und II: eine Suche nach Hoffnung, Angst und Hass in einer Bar, die immer wieder von einem Gefühl der Resignation durchkreuzt wird: ,you reach for the sky / but it's an illusion". An anderer Stelle spielt sich "Wild One" wie ein Morricone-Taumel durch einen weiteren Tag in der Hölle ab. Ein Mantra für verkatertes, himmelschreiendes Klagelied zum Lob des Wilden im Herzen. "Tippy Tongue" zeigt, wie Black Lips den Soul der 60er-Jahre-Girlgroups aufgreifen, wie Shangri-Las oder Ronettes, die von Jayne/Wayne County infiltriert wurden, und ist eine Hommage an Buddha Records. "Kassandra" hat einen sonntäglichen Gitarrensound, der sich wie The Chocolate Watchband mit Zappa am Gesang durch immer wiederkehrende Salven schlängelt. "Zulu Saints" ist ein beschwingter Country-Hupf, ein Gute-Laune-Stück mit Bravour, gespickt mit Cole in einer ungläubigen Radio-Telefon-Show, der nach schwarzäugigen Erbsen sucht und an den Spielautomaten groß gewinnt. Für die Aufnahmen verschanzten sie sich in der idyllischen Umgebung von Schlagzeuger Oakleys neuem Sound At Manor Studio in den Catskills (das erste Album, das dort aufgenommen wurde, seit Oakley das Studio 2020 baute). In dieser idyllischen Umgebung entzog sich die Band dem Stadtleben und nahm ihre Musik analog auf Band auf - Teil ihres Bestrebens, Spontaneität zu leben und die Energie eines Live-Konzerts der Black Lips auf Platte einzufangen. Gelungen! "Simply masters in their field" NME" - Limitiertes, cremefarbenes Vinyl mit DLC sowie CD im Digisleeve

pre-order now12.09.2025

expected to be published on 12.09.2025

26,68 €
Various - The Italo Disco Collection Vol. 3
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Last In: 40 days ago
50,00 €
YS - BURN

YS

BURN

12inchPERF000
Perf
12.09.2025

Sticking a dirty thumb in the eye of fate, our third collaboration sees this marrow deep family malarky turn official as Pace Yourself teams up with YS’s own imprint ERF REC for a split release. As if our status as minor celebrities and footnotes of the underground could level off no further: the unification no one asked for is here. Sticking it to the man, handing your arse to ya on plate; cauterising infected suburban minds world over.

Burn is the second YS album and written as a direct follow-up album to Brutal Flowers. If their first album was an exercise in the incremental, a construction of poise and patience, Burn, should be taken way the fuck at it’s word: it quite literally finds catharsis in twisted reverse. Birthed out the malignant kick found in deconstruction and chaos. Evil twin, psychotic younger sibling, call it what the hell you like. It might take you a moment to get the lay of the land in this darkly mutated world. Like a bug eye’d native first confronted with a zippo, the hit is radical and instant: a new way for the world to go up in smoke.

Splice the Seattle slacker scene with the spliffhead soundsystem culture of the 90s Bristol trip-hop scene, then cross-breed that with the DIY optimism and glee in creation found in the cut-and-paste worlds of skate, graffiti and hiphop, now run that through the skitzo basement mind of John.T. Gast and you’re close to the kind of scorched earth and spiked suburbia that birthed Burn.

Dunno quite what YS have been ingesting of late but this massively twisted LP touches on a host of gloriously fucked totemic underground sources while not sounding much like any of them. It has the ballsy swagger and hard flipping of the script as Massive Attack’s seminal Blue Lines. Indeed, the eponymous album tracks sound similar - the opener ‘Burn’ is like a hard nosed jammed out redux of ‘Blue Lines’. Getting into a kind of slow-spinning overdubbed maximal euphoria ending with mumbled downer vocals, struggling to conceal their tongues in their cheeks there’s an air of paranoia and proto-conspiracy theory. It’ll leave you scratching your head, feeling like you’ve stepped into a New World Order governed by a cacophony of drop outs, dope fiends and apocalyptic stoners. A cracked out world somewhere between Richard Linklater’s movie Slacker (1990) and Marc Singer’s Dark Days (2001).

The rest of the album parts like a tongue on a wine glass: Smith and Mighty, Bandulu, ambient Luke Slater records, Wah Wah Wino, Nurse with Wound, Land of the Loops, Placid Angels, Adrian Sherwood, Urban Tribe and DJ Shadow can all be heard in momentary splatters - but Burn like other works by YS, is its own ritual beast. ‘Moth’, a track which has been knocking about the underground deejai circuit for many moons, is a real raw chopped and screwed slice of stoner erotica that reeks of obsession and unrequited desire. Elsewhere, on tracks like ‘Switch’, ‘Trying’ and ‘Drift’ the throughline from Brutal Flowers can be heard. Underneath the driving heavy gravity the trademark emotional intimacies of YS linger: eternal recurrence, ghosts of static and shortwave, worn memories of the playful and painful sort. The brief moments where flashes of orchestral ambience get out from underneath the swagger are so pure, personal and unguarded that for a moment they leave you completely lonesome. In the album’s closer ‘End’, you can hear the fleeting promise and DIY possibilities of an analogue world and embers of ash that flutter in its wake: where it seemed, for a brief moment, that collective of DJs, engineers, rappers, graffiti artists and skate crews were emerging from the streets, giving the middle fingers to the system, before just as quickly disappearing back to the doldrums of obscurity. ‘End’ is a bittersweet ode to early soundsystem culture, MCs and pirate radio - an out of step time where for a moment the underdogs and weirdos seemed to be kicking on the door of something bigger.

A veritable teenage doof suite dosed with desire, claustrophobia and deviance. Burn is a good old howl at the moon: lonely, raw, and out for blood; basement style exegesis at its best. A thump to the gut, a stud through your blood. A dubbed-to-death classic straight out of the annals of nowhere. A perfect post card from oblivion. A bleak, bold and personally ferocious vision of tomorrow and tomorrow and tomorrow.

This is everything that record collectors skip dates for. Fuck the scene and keep that shit underground. That’s what it is all about. Know what I mean, if you do? You’re in…

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Last In: 11 months ago
23,32 €
Herbert von Karajan, Berliner Philharmoniker Schoenberg - Berg - Webern (Original Source Series) LP 4x12"

1973/74 wagte Herbert von Karajan einen innovativen Schritt und nahm mit den Berliner Philharmonikern
Orchesterwerke von Arnold Schoenberg, Anton Webern und Alban Berg auf. Das Ergebnis waren bahnbrechende Aufnahmen der Zweiten Wiener Schule, präsentiert in einer aufwändig gestalteten 4-LP-Box vom
renommierten Grafikdesigner Holger Matthies.
Erstmals wurden diese Aufnahmen von den originalen Vier- und Acht-Spur-Bändern neu abgemischt und
geschnitten und erscheinen nun im Rahmen der Original Source Serie als 4-LP-Gatefold-Edition mit OriginalArtwork in einem hochwertigen Schuber.
Die audiophile Vinyl-Serie The Original Source präsentiert herausragende Aufnahmen der 1970er Jahre
in ganz neuer Klangqualität. Dafür haben die renommierten Emil Berliner Studios die originalen Vier- und
Achtspur-Bänder mit eigens für die Produktion der Serie entwickelten Technologien in 100% analoger Qualität (AAA) neu gemastert und geschnitten. Die klanglichen Unterschiede zu den Originalveröffentlichungen sind beträchtlich: Größere Klarheit, mehr Feinheiten und Verbesserungen im Frequenzgang, zugleich
weniger Nebengeräusche, Verzerrungen und Komprimierungen ermöglichen ein audiophiles Hörerlebnis wie
nie zuvor.
Auf 180g Vinylplatten und in einer Deluxe-Gatefold Edition mit Originalcovers und -texten werden die Exemplare dieser Serie limitiert und nummeriert veröffentlicht, begleitet von zusätzlichen Fotos und Faksimiles
der Aufnahmeprotokolle und Bandkartons.

pre-order now12.09.2025

expected to be published on 12.09.2025

164,66 €
FJAAK - REMIX02

FJAAK

REMIX02

12inchFJAAKRMX02
Fjaak
12.09.2025

FJAAK return with a powerful remix package, delivering fresh takes on a selection of tracks from their unforgettable 2024 album 'FJAAK THE SYSTEM'. Welcoming three standout remixes from some of techno's most respected names, 'REMIX02' sees offerings from Robert Hood, Shed and West Code, as well as some surprise Bandcamp digital only remixes selected from the participants of FJAAK's latest remix competition. Kicking off the main remix package release, Detroit legend Robert Hood brings his unmistakable raw, relentless and pioneering sound to the table as he reimagines FJAAK's 'Breathe Underwater'. The genre-defining godfather serves up an undeniably signature cut flooded with euphoric energy, thumping grooves, rippling musicality and spaced-out vocal injections, carving out an authentic Floorplan-esque peak-time jam. Berlin-based artist Shed (one of the many monikers of established electronic stalwart Ren? Pawlowitz) is next to feature, delivering another impressive spin on FJAAK's work, this time exploring his vision on 'Micro Expressions'. An impressive blend of hypnotism and electricity, this bold remix echoes FJAAK's preference for cultivating huge dancefloor heaters that thrive on live instrumentalism and limitless energy. It's racy, groovy and raw, building around rolling rhythms, warping layers of analogue sound and intricate breaks throughout. Argentinian talent West Code was the winner of the 'Redemption' remix competition and rounds off the main package with a huge interpretation of FJAAK's original mix. Almost bordering into tribal techno in places, its emphasis on groove and subtle South American influences create a unique remix, overflowing with boomy low-end drive, piercing percussive drive and mind-bending melodics - a real gem for the height of the party and irresistibly sinister from start to finish. The remix competition of 'Redemption' drew an overwhelming response from producers worldwide, which made it very difficult to choose a winner. Even though West Code's interpretation was the chosen remix, four other interpretations were so good that FJAAK decided to showcase the talent of Helsmoortel, Genex, Ay Din and Your friend daao by including their reworks on an exclusive Bandcamp-only EP, highlighting the duo's ongoing commitment to to the underground.

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Last In: 66 days ago
14,08 €
STEF KAMIL CARLENS - BO WHO YOU WANNA BE LP

STEF KAMIL CARLENS

BO WHO YOU WANNA BE LP

12inchSMR449
STARMAN Records
12.09.2025

The song sets the tone of this album. A simple structure, over which a web of rhythm is woven using an instrumentation of old drum machines in dialogue with live drums and percussion. Lots of sax, tenor and baritone! A pumping bass. A frisky pizzicato violin. And some classic keyboards: the Fender Rhodes, the Hohner Clavinette D6, the L-100 Hammond organ. And lots of analogue synthesisers: a rippling Juno-106 marks the path to follow, which is crossed with phrases from other museum pieces: Crumar's Stratus, Farfisa's Synthorchestra, Sequential's Prophet-10. Or still the Casio Club M-100, which is basically a toy, but has been subtly colouring SKC's songs for years!

SKC has often dived deep into the repertoire of artists he holds in high esteem, looking for pearls, forgotten or not, to work on. Likewise on this album with versions of songs by Prince, Dez Mona, Alain Bashung…

pre-order now12.09.2025

expected to be published on 12.09.2025

23,95 €
Fat Dog - Peace Song (Ltd 12inch+MP3)

Ltd Edition!

Was passiert, wenn man die apokalyptische Euphorie des Raves mit den Ruinen der Popkultur kurzschließt? Fat Dog liefern die Antwort – oder vielmehr: Jimmy Cauty tut es. Unter seinem Alias TowerBlock1 hat die legendäre Ikone des anarchischen UK-Sounds (The KLF, The Orb) sich den ohnehin schon exorzistisch-schwelenden “Peace Song” vorgenommen – und ihn in einen dystopischen Bastard aus Jungle, Sirenengeheul und dogmatischer Sample-Strategie verwandelt.

Format: - Limitierte 140G schwarzes Vinyl inkl. Downloadkarte

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Last In: 12 months ago
16,60 €
Universal Comfort - Flags are Walls

Flags Are Walls is the latest release from an enigmatic electronic duo based in Barcelona. "Universal Comfort"

The album explores the boundaries of contemporary electronic music, blending synthetic and organic sounds, layering analogue and digital sources, where abstract and concrete elements shift in and out of focus.

Boundaries are not only physical-shaping how we experience time and space-but also emotional, framing the sense of place we attach to them. The tracks play with these flimsy, and uncertain intersections, exploring expression and perception through evolving, haunting and diffused sonic landscapes.

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Last In: 12 months ago
26,01 €
RADWIMPS - Radwimps 3 -Mujintou Ni Motteikiwasureta Ichimai-
  • A1: 4645
  • A2: September
  • A3: EDP ~ Summer you fly into the fire ~
  • B1: Closed light
  • B2: 25th chromosome
  • B3: Ridicule
  • C1: Firefly
  • C2: Fairy tale
  • C3: Greatest common denominator
  • D1: Hex-shun
  • D2: Tremolo
  • D3: The last song

An analog version of the original album "RADWIMPS3 ~The one I forgot to take to a deserted island~" released on February 15, 2006.

pre-order now05.09.2025

expected to be published on 05.09.2025

51,47 €
Winterlight - Winterlight LP

Emerging from the shadows of a small apartment in Chicago’s South Side Pilsen neighborhood in 1999, Winterlight was produced and mixed by Daniel Thompson over the course of three years, from 1999 to 2002. It’s an intimate and evocative album that captures a pivotal chapter in Thompson’s life and echoes the spirit of a formative era in the underground music scene.
Thompson’s journey began in the heat of Houston, Texas, where his love for sound quickly became an obsession. By the late ’90s, he was among the first DJs in Houston to champion the sound of Chicago house, often driving long distances from Texas to Chicago in search of records, inspiration, and connection. These trips—equal parts pilgrimage and education—eventually led him to relocate to Chicago, where his artistic vision would fully take shape. Winterlight is the direct result of that move. Crafted over several years, the album embodies a raw, hands-on approach to production, built from analog synths, outboard gear, and hours of meticulous layering. Thompson leaned on tools like the Kurzweil K2000, SE-1, Juno-106, and classic processors such as the DP4 and TC Electronic units, shaping each track with
care and intention.
Blending atmospheric textures with hypnotic rhythm and subtle experimental flourishes, Winterlight captures the sound of an artist deeply engaged with his tools and surroundings. His extensive vinyl collection—over 3,000 records—served as both palette and inspiration, with carefully chosen samples lending further depth and narrative to the music. Now set for release across all digital platforms and as a limited double 12" vinyl edition through Berlin’s Word & Sound, Winterlight invites listeners into a soundscape that is both immersive and personal. More than just an album, it is a sonic document of a moment in time—rich in tone, memory, and intent. For those willing to listen deeply, Winterlight offers a rare window into the underground spirit of the early 2000s and the inner world of a producer finding his voice.

pre-order now05.09.2025

expected to be published on 05.09.2025

28,99 €
ADRIAN YOUNGE & ANGELA  MUÑOZ - - ADRIAN YOUNGE PRESENTS: ANGELA MUÑOZ
  • DON'T SHOW IT
  • I DON'T CARE
  • I'M IN LOVE
  • TOP DOWN
  • CAN I GET YOUR NAME
  • STARDUST
  • FEEL THE SAME
  • IN MY MIND
  • SO YOUNG

ADRIAN YOUNGE PRESENTS ANGELAMUÑOZ ist das Debütalbum der 18-jährigen Angela Muñoz, das die zeitlose Stimme der gebürtigen Los Angelenerin mit Unschuld und Verletzlichkeit unterstreicht. Unterstützt von der gefühlvollen Produktion von Adrian Younge offenbart Muñoz' fesselnde Stimme die alte Seele einer Legende in spe. Aufgenommen und gemischt von Adrian Younge im Linear Labs, dem renommierten Analogstudio in Los Angeles, Kalifornien.

pre-order now05.09.2025

expected to be published on 05.09.2025

23,49 €
THE SULTANS - SHIPWRECKED LP

THE SULTANS

SHIPWRECKED LP

12inchSWA164LP
SWAMI
05.09.2025
  • A1: It Meant Nothing
  • A2: Try To Forget You
  • A3: Shut Up And Sit Down
  • A4: Please Don't Leave Me On The Highway
  • A5: I Can't Change
  • A6: Jet Lag
  • A7: I Just Can't Take It
  • A8: Too Tough
  • A9: Walk Of Shame
  • B1: Regret
  • B2: I Wanna Be With You Tonight
  • B3: Peril-ized
  • B4: One Way Street
  • B5: I Don't Care What She Thinks Of Me
  • B6: Empty Hole
  • B7: Out Of Focus
  • B8: Permission Too Bored
  • B9: Blow Up

**ON LTD SPLATTER VINYL** First time available on vinyl! With bonus tracks and unreleased material! The Sultans formed in 2000 and were John Reis / Slasher and Tony DiPrima and at times also Andy Stamets / Black Flame (Rocket From The Crypt’s ND) and Dean Reis / Black Velvet (Mannequin Piss, Spider Fever, The Heartaches, Los Dug Dugs). Shipwrecked was the bands second album and was released only on CD in 2004.

It was hailed as a “power-pop meets ’70s punk classic” by Virtual Underground Press and “…a masterpiece of the form...essential” by the Cleveland Call And Post. This reissue is a labor of lust with maximum attention to detail in resurrecting these masters from their deteriorated, analog state. The result is a louder, thicker and even more bristling slab of triumphant rock ’n’ roll. Everything on this reissue cuts deeper and breaks the digital glass into razor sharp shards and then shits on the 1s and 0s. Treble Magazine says. “It is the perfect soundtrack to your post-breakup life: fourteen songs about heartache, shame, trying to move on, regrets and just plain old hate. (And by the by, hate has never sounded as good as this)”. Added to the original are four bonus tracks, one being a cover of The Dils “Blow Up” and another the never released “Out Of Focus”. Shipwrecked was the last record at Drag Racist (Hot Snakes, RFTC, etc) before it shuddered its doors for good.

pre-order now05.09.2025

expected to be published on 05.09.2025

30,21 €
INSTITUTE - SUBORDINATION

INSTITUTE

SUBORDINATION

12inchSBRLPC2167
Sacred Bones Records
05.09.2025

Seit ihrem ersten Demo 2013 haben INSTITUTE, die ursprünglich aus Austin stammen, ihren rauen Anarcho-Punk zu etwas Weitgreifenderem und Nuancierterem geschliffen. Die ,Salt EP" aus dem Jahr 2014 stellte den Beginn der Zusammenarbeit der Band mit Sacred Bones dar und ergründete längere, experimentellere Songstrukturen. ,Catharsis", das Debütalbum der Band, war ein weiterer großer Schritt vorwärts - mit einer etwas klareren Produktion und einigen Krautrock-Einflüssen. Weiter und weiter schieben sie sich selbst aus jeglichem Genre, indem sie Hard Rock und Glam mit in ihr Spektrum aufnehmen und so das bisher abwechslungsreichste Material ihrer Karriere auf Subordination veröffentlichen.

pre-order now05.09.2025

expected to be published on 05.09.2025

21,43 €
VR SEX - ROUGH DIMENSION

Vr Sex

ROUGH DIMENSION

12inchDAISLP4160
Dais Records
05.09.2025
  • VICTIM OR VIXEN
  • GLUTTON FOR LOVE
  • CYBER CRIMES
  • LIVE (IN A DREAM)
  • THE WALK OF SHAME
  • CRISIS STAGE
  • TASTE OF HATE
  • SNAKE WATER
  • END VISION

The latest by Andrew Clinco's acid punk alias VR SEX takes its title from an architectural phrase but more importantly refers to the warped, wicked underworld the songs both chronicle and condemn. Donning the moniker Noel Skum - an acerbic anagram of Elon Musk - Clinco vents his scorn for and fascination with the seedy, surreal margins of low-life Los Angeles, doomed to dead ends of vanity, lust, and technology. Although initially launched as an outlet for "heavier sounds" beyond Clinco's duties in new wave fantasists Drab Majesty, the project has ripened into a compelling exercise in world building, weaving themes of gritty city neofuturist sleaze within a framework of driving, distorted guitars and cathode-blasted synths. Echoes of Chrome, Wire, Minimal Man, and Sisters Of Mercy ripple through the collection but ultimately Rough Dimension charts its own twisted vision of "our unforgiving reality." Written and demoed across two weeks alone in a Marseille flat using his prized 1980's Gibson "Invader" and a laptop, Clinco then took the tracks to Strange Weather studios in Brooklyn to record with Ben Greenberg (Uniform, The Men) who helmed 2019's debut, Human Traffic Jam. The results are notably ripping, refined, and riveting. Riffs in alternate tunings chug and churn over mid-tempo drums punctuated by spikes of sci-fi electronics while the vocals swagger and spit venom ("where we walk is also where we shit / but if we bark at our reflections are we hypocrites? / impulses bleed right into our seed / where hate culminates the apple rotted on the tree"). It's a bristling mix of the melodic and the macabre, absurdist observations of fast living and desperate measures, the clock of youth ticking towards midnight as dreams unravel in Babylon. VR SEX's specialty is making these cautionary tales of psychic decay and tainted love a thrill rather than a drag. There's a sunglasses at night glamor to Clinco's choruses and solos, a wit to his black leather judgements ("what is the answer / to cancerous people / walking in my line of sight?"). The music's milieu tends towards parasites and predators but its mood skews refreshingly accelerated and amused, cruising the strip with a cigarette, watching goths and limousines crawl in gridlock beneath digital billboards. The Rough Dimension may be a cesspool, but it's home.

pre-order now05.09.2025

expected to be published on 05.09.2025

23,49 €
General Magic - Bosko LP

General Magic

Bosko LP

12inchEMEGO314V
Editions Mego
04.09.2025

Editions Mego presents Bosko, landing exactly 30 years after the initial General Magic flights into the fantastic; the legendary first Mego release, a collaboration with Pita whereby all sounds were harnessed from the buzzing, drinking, humming sounds of fridges MEGO 001 General Magic & Pita and a 12” with Elin called Die Mondlandung (The Moon Landing) MEGO 002 which embarked on a minimal techno template so austere and strange it was one of the historic progenitors of austere and wonky rhythms alongside Sakho and other European explorers.

The initial return of the playful and mystical Austrian outfit General Magic came with the 20th year anniversary vinyl reissue of their classic debut Frantz eMEGO 010. A record so audacious and playful it still baffles as much as it entertains. At some point whilst working on this reissue GM’s Ramon Bauer and Andi Pieper were spurred on to rummage around with ideas and tools once more and after more than two decades of inactivity sonic sorcery was conjured once again. Live shows in honour of Peter Rehberg were performed in Vienna and London. Softbop, a limited risograph collaboration with Tina Frank came with the first new recordings as a digital download came out discreetly online. The first full length album following Rechenkönig in 2000 MEGO 032 “Nein Aber Ja” released in 2023 on Finlay Shakespeare’s GOTO Records on CD and cassette. An ongoing series of mix tapes online further highlights their interests encapsulating a new found angle on electronic mayhem. All of these elements retain the wildly eclectic and ecstatic glow that only they can harness and hand out to an unprepared world.

Now, we have General Magic’s second official full length comeback recording, Bosko. The new album is initially notable prior to the needle hitting the wax or the cursor identifying a track due to the artwork. Made by long term collaborator Tina Frank, this is Frank’s first analogue artwork, with a painting of a happy/nervous machine thing hovering in a landscape of no discernible identity. It’s quasi science fiction hovering amongst the potential for fun. Suited to the music? Natürlich.

Bosko sees Bauer and Pieper update and reframe their original investigations with a fresh supply of head scratching, heart racing tunes that hit the inexplicable with a wild mesh of drums, pianos, synthetic voices and all manner of immaterial sonic play. Startling sonics shock the ears on Club Duchamp which sounds like a conversation between synthetic adult ants in an environment still in development. Elfer features vocals supplied by a female-ish voice who, whilst grappling melody, has trouble executing a firm identity. Noorenhalt catapults along a mainframe of syncopation so unwieldy it feels like the voice, which is utterly alien, provides the only comfort. Seite 5 inhabits a fuzzy zone where a synthetic Horn of Jericho type ambience competes with rhythms never quite sure of who they are. Rise of the Ombré raises the spectral dread. Is this Science Fact? Absolutely nothing within Bosko is predictable.

The amount of change in the miasma of existence and the things we touch in order to make things has shifted so exponentially we are at the point where minds are starting to glaze over. All of this makes the return of the always original, always surprising, always fresh and exciting General Magic totally in tune with the artificial intelligent apocalyptic age we currently inhabit. The tools may have changed but the wonderfully warped gaze of Bosko offers a fresh new vision of perplexing funk and robotic punk.

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Last In: 13 months ago
24,58 €
COLD - A Different Kind Of Pain LP

A Different Kind Of Pain is the fourth studio album by Jacksonville-based rock band Cold, which was originally released in 2005. It was recorded with award-winning producer Michael Baskette, who also worked with Alter Bridge, Limp Bizkit, and Slash among many others. The album further explored the band’s melodic and less aggressive sound that they first initiated with the predecessor Year Of The Spider. However, Cold proved that heaviness isn’t a requirement for the band to be effective and successful.
The album spawned two singles, “Happens All The Time” and the title track, but also included the additional standout tracks “When Heaven’s Not Far Away” and “Back Home”. Shortly after the release, the band went on a hiatus for three years. A Different Kind Of Pain is available as a limited edition of 1000 individually numbered copies on silver coloured vinyl it includes an insert and the sleeve has a linen laminate finish.

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Last In: 7 months ago
16,39 €
Koffi - Midnight Feast EP

Koffi

Midnight Feast EP

12inchLGVG003
Legram VG
04.09.2025

It started like any other day on the cobbled streets of Lyon. The record store was humming, the usual diggers flipping through the usual crates. For Oscar and Anaïs, still new to the city, everything felt pretty normal. But the locals knew something they didn’t.

That’s when he walked in, a quiet humble presence, his magic key in hand. A producer with a daily ritual of one tune a day, every day. No fuss, just low-key consistency and a folder full of heat. We squeezed on as many as we could for his debut EP: a genre-blurring blend of head-turning cuts, all with creepy, classy, and catchy attitudes baked into every groove. Koffi is here.

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Last In: 11 months ago
14,71 €
Piero Piccioni - Travolti da un insolito destino nell’azzurro mare d’agosto (aka Swept Away) LP 2x12"

Nie klang der Geschlechterkampf sinnlicher, melodischer, hypnotischer als auf diesem italienischen KultSoundtrack von 1974. In der bitterbösen Filmkomödie „Swept Away“ finden sich eine High-Society-Lady
und ein kommunistischer Seemann nach einem Schiffbruch im Rettungsboot wieder und kämpfen nicht nur
um das Kommando, sondern auch gegen die aufkeimende gegenseitige erotische Faszination.
Der Film der Oscar-nominierten Lina Wertmüller mit Mariangela Melato und Giancarlo Giannini wurde
2002 als US-Remake mit Madonna in der Hauptrolle neu herausgebracht. Zum 50ten Jubiläum des Originals veröffentlicht CAM Sugar jetzt Piero Piccionis Soundtrack, eine geniale Mischung aus Jazz, Samba,
Bossa Nova und psychedelischer Lounge Music, als frisch von den originalen Analogbändern remasterte
Doppel-LP (2 x 140gr, Single-Sleeve) und CD (Digipak) mit neuen Linernotes.

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Last In: 4 months ago
28,53 €
Shook - Spectrum LP

Shook

Spectrum LP

12inchEPI009
Epicenter
01.09.2025

Spectrum marks Shook's bold evolution expanding his analog synth-funk roots into lush, cinematic territory. This 2014 release includes the breakout track Milestones, which reached global audiences through its feature in Better Call Saul. Rich in dreamy keys, retro-futuristic grooves, and emotional depth, Spectrum solidified Shook's voice as a one-man orchestra of vintage soul and electronic storytelling. A fan favorite, now ready for rediscovery on limited 180 gram vinyl.

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Last In: 4 years ago
21,22 €
Tokio Fuko - Reflection Code

"Reflection Code" is an EP that delves into the multifaceted aspects of human reflection through a collection of immersive musical compositions, each inviting the listener on a unique sonic journey.

The Practice of Desire — A deep techno track featuring enveloping pads and modulating metallic cosmic sounds, reminiscent of heavy matter from outer space. Accompanied by a lecture from Gangaji, this track adds an extra layer of depth and meaning to the musical experience.

Port Del Compte — Inspired by memories of Spain's stunning landscapes and a performance at the Parallel festival, this track transports the listener to picturesque settings, filling their heart with joy and harmony.

Bad Trigger — This track offers a profound reflection on life events, utilizing an expressive electronic soundscape with a compelling bass line at 144 bpm. It creates an atmosphere conducive to introspection and self-discovery.

Green Frequency — A shamanic sequence infused with forest vibes and the calls of an electronic bird. This composition immerses the listener in nature, evoking a sense of unity with the surrounding environment and the inner self.

"Reflection Code" invites listeners to explore their inner reflections and connect with each composition on a profound level, creating a unique auditory landscape that lingers long after the music ends.

Toki Fuko music can be described as mechanical signals are structured in a hypnotic substance. Their constant musical experimentation actor perceives as an analysis of the surrounding world.

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18,45 €
Wishbone Ash - Argus LP 2x12"
  • A1: Time Was
  • B1: Sometime World
  • B2: Blowin' Free
  • C1: The King Will Come
  • C2: Leaf And Stream
  • D1: Warrior
  • D2: Throw Down The Sword

Wishbone Ash reigned supreme through the 1970s — centered on inspired musicianship, joyful spirit and inventive songs. Their concerts were uplifting and their recorded work sublime. Argus remains a stunning high point in the band's startling repertoire. Argus was a 1972 tour de force, a hard-rocking masterpiece that has gone on to have a huge impact on rock bands moving forward. If you've never heard Argus, you've surely heard music that it inspired.

The British quartet's trademark harmony guitars became a touchstone for many: Thin Lizzy, Iron Maiden, Opeth, and Lynyrd Skynyrd have all acknowledged an Ash influence, and tracks such as Lizzy's "The Boys Are Back in Town," Maiden's "The Trooper," and even Steely Dan's "Reeling in the Years" all have twin-guitar moments that hark back to Argus. But Wishbone Ash were different from the start. They were never strictly a hard rock band; their soaring vocal harmonies and musical grandeur placed them close to progressive rock.

But they weren't strictly prog either: They had no keyboards, no real classical influence and weren't into side-long suites. Their roots were in the blues, and their calling card was twin lead guitars in harmony (played in the original lineup by Ted Turner and Andy Powell). Even the hardest Ash rockers — like "Blowin' Free," the most famous track from Argus — had an ethereal touch. They could rock the big stages, but they did it with subtlety and grace. This is reflected perfectly in the classic album sleeve by prog-associated designers Hipgnosis: The front cover shows a Greek sentry — the "argus" of the title — staring off into the distance. It's a mythic, old-world kind of image until you look closely at the back cover, and see that he's heralding the arrival (or perhaps watching the departure) of a spaceship.

Two worlds colliding. Exactly what the band and album were all about. By the time of Argus, Wishbone Ash were stars in England and cult heroes among Anglophiles in the US. What made Argus a step forward was its flow of moods. The songs don't run together, but there's an emotional connecting thread from the album's somber beginning to its heroic end. The band insisted at the time that lyrics were something of an afterthought: Shortly after its release, main lyricist Martin Turner told NME that he wrote them mainly to fit the mood of the music: "The music that was coming out was very English, very medieval, and the lyrics had to reflect that." Added Powell at the time, "The expression comes out in the guitars. We wouldn't play it if it didn't express something." Now, Analogue Productions has applied all of its vaunted craft and technical expertise to make this epic album shine! Two 45 RPM LPs pressed on virtually silent 180-gram vinyl at Quality Record Pressings make the remastered audio sparkle. Quieter lyrical sentiments and softer musical passages are rendered precisely, while majestic riffs and fist-waving anthems fully reveal the energy of the music! Argus isn't just another rock record — it's a journey through a sonic landscape rich with depth, emotion and technical prowess. It's the album that solidified Wishbone Ash as masters of twin guitar harmony. Discerning audiophiles will find Argus an essential addition to their record collection. It's a masterclass in sound engineering that fully captures the intricate interplay of dual guitars with pristine clarity and a warmth that only analog recordings can provide.

pre-order now31.08.2025

expected to be published on 31.08.2025

88,19 €
Miles Davis - Sketches Of Spain LP
  • A1: Concierto de Aranjuez
  • A2: Will O’ the Wisp
  • B1: The Pan Piper
  • B2: Saeta
  • B3: Solea

Miles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and Emotion Mobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record Pressing and Strictly Limited to 5,000 Numbered Copies 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers. For their final act, they created Sketches of Spain, a peak moment in each luminary's legacy.

The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony that resonates more than six decades after its original release. Part of Mobile Fidelity's Miles Davis restoration series, this 1960 landmark has been afforded the ultimate white-gloves treatment for its 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record's enjoyment. You can now hear the full-range responsiveness of the woodwinds, strings, and percussion, all of which come alive with superior definition and detail.

The beautiful presentation of this UD1S set befits the record's historical importance. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP. This reissue is made for discerning listeners who desire to fully immerse themselves with the album. And who wouldn't want to go deep with Sketches of Spain? Whether it is the somber mood piece "Concierto de Aranjuez," renowned for Davis' flugelhorn performance, or the folktale-based "Solea," Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It's one reason why Mobile Fidelity's engineers took all available measures to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18-piece orchestra. The results are as breathtaking as the music.

Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis' famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain: color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues to draw praise from the global music community in the 21st century. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed "a work of unparalleled grace and lyricism" by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken "jazz in a new direction," the Grammy Award-winning effort has never been better.Miles Davis' Final Collaboration with Arranger Gil Evans Yields Watershed Innovations: Flamenco-Themed Sketches of Spain Spins Graceful Webs of Sound and Emotion Mobile Fidelity's UltraDisc One-Step 180g 33RPM LP Set Brings Out the Record's Full Spectrum of Color: 65th Anniversary Edition Pressed at Fidelity Record Pressing and Strictly Limited to 5,000 Numbered Copies 1/4" / 15 IPS analogue master to DSD 64 to analogue console to lathe Miles Davis and Gil Evans bridged styles and collaborated on high-concept projects three different times during their celebrated careers.

For their final act, they created Sketches of Spain, a peak moment in each luminary's legacy. The transformative album weds Spanish themes, lush orchestrations, romantic timbres, and Davis' lyrical methods in a tender ceremony that resonates more than six decades after its original release. Part of Mobile Fidelity's Miles Davis restoration series, this 1960 landmark has been afforded the ultimate white-gloves treatment for its 65th anniversary. Sourced from the original master tapes, strictly limited to 5,000 numbered copies, and pressed at Fidelity Record Pressing, this UltraDisc One-Step 33RPM 180g LP set dramatically expands the soundstages and eradicates a dryness that many critics found inhibitive to the record's enjoyment. You can now hear the full-range responsiveness of the woodwinds, strings, and percussion, all of which come alive with superior definition and detail. The beautiful presentation of this UD1S set befits the record's historical importance. Housed in a deluxe slipcase, it features a special foil-stamped jacket and faithful-to-the-original graphics that illuminate the splendor of the 1960 LP.

This reissue is made for discerning listeners who desire to fully immerse themselves with the album. And who wouldn't want to go deep with Sketches of Spain? Whether it is the somber mood piece "Concierto de Aranjuez," renowned for Davis' flugelhorn performance, or the folktale-based "Solea," Sketches of Spain transfixes with playing, ideas, and innovations exclusive to this incomparable effort. It's one reason why Mobile Fidelity's engineers took all available measures to insert listeners into the space originally occupied by Davis, bassist Paul Chambers, drummer Jimmy Cobb, percussionist Elvin Jones, and an 18-piece orchestra. The results are as breathtaking as the music. Multi-note motifs, brief improvisational solos, fanfare sweeps, and contrapuntal exchanges inform flamenco-spiced pieces. Davis' famous Harmon-muted trumpet is complemented by an assortment of bassoons and French horns. Heard together, they create pleasing contrasts and sounds (pp, mf, ppp) that get to what resides at the heart of Sketches of Spain: color. Seldom, if ever, did Davis ever so expressively and liberally paint with color. And in Evans, he has a likewise-minded partner to help draw out tones, shades, layers, and textures. What they achieved continues to draw praise from the global music community in the 21st century. Ranked #358 on Rolling Stone's 500 Greatest Albums of All Time, deemed "a work of unparalleled grace and lyricism" by noted scribe J.D. Considine, bestowed a five-star review from DownBeat, and noted by Q to have taken "jazz in a new direction," the Grammy Award-winning effort has never been better.

pre-order now30.08.2025

expected to be published on 30.08.2025

159,62 €
Various - Midnite Spares, Compiled By Andros And Instant Peterson

2025 Repress


Australian music devotees András and Instant Peterson hold a candle to overlooked avant-pop and electronic works by antipodean artists and outsiders working through the 80s and 90s. Through co-presenting weekly radio show Strange Holiday, the duo slowly upturned their locale for inspiration - archives, country bookstores, private collections and convenience stores, searching for a place to anchor their own identities in the oceans of the island continent. The 10 tracks acknowledge a minor history, passed on via a network of friends, friends of friends, the libraries of radio station 3RRR and more often than not, the artists themselves. Renowned mixed media artist Maria Kozic enters with the mysterious downbeat of Trust Me, her husband Philip Brophy responsible for digital and analogue sonic construction. A recurring character in András and Instant Peterson's investigations, Brophy reappears with a score piece from his divisive feature film Salt, Saliva, Sperm and Sweat, recorded as (pronounced 'Tch Tch Tch"). Other links are thread under the surface. Melbourne inner north experimentalist David Chesworth explores his Australiana songcraft leading Whadya Want. The short lived project also featured Philip Jackson, whose husband-wife duo The Couch is restored from Fast Forward's dance issue - a pioneering cassette fanzine published by early-80s 3RRR personality Bruce Milne.

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21,81 €
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