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Following up his EP 'String Theory' on Simple, Julian 'October' Smith has teamed up with label head Will Saul, for 'Light Sleeper', Aus Music's final release of 2012. The EP comes with a remix from Kompakt boss Michael Mayer. Jules & Will met last year when Will relocated to Somerset and they seemed to click instantly in the studio. A natural division of labour emerged which proved to be both effective and fun whilst also playing to both's strengths. Jules mans the drum machines and outboard FX and Will controls the synths....they hit record and see what happens. Look out for another 12 from them in Feb next year with a remix from Fred P. October's profile has been steadily rising since the launch of his first label, Caravan Records in 2007. In the last few years, his brand of off-kilter house and techno has also appeared on Skudge, Misericord, Jack Off and Applepips, and been championed by the likes of Ewan Pearson, Skudge and Appleblim. Smith's label 'TANSTAAFL', has been widely praised by the music press, and sets the course forv more of the jacking dancefloor house and techno he is known for. This year Will Saul revealed he was behind Close, a project he's created as a vehicle for his forthcoming album 'Getting Closer' and a A/V show which will feature Will on various machines and Al Tourettes on drums all backed with lovingly crafted visuals created & mixed by Silent Studios. The A/V show debuts at Fabric on the 23rd February and the album will be released in May 2013 on !K7 and features vocals from Joe Dukie of Fat Freddies Drop, Peacefrog artist Charlene Soraia and Paul 'Tikiman' St.Hillaire as well as collaborations with Scuba, Appleblim, Ewan Pearson, and of course October. In the eight years since Michael Mayer released his debut album 'Touch', he's maintained a tightly packed schedule of DJ gigs and remixes.

Newly established music connection House is OK from Frankfurt and Zagreb is raising the roof with the upcoming We Make Music Vol. 1 release. Get into the party mode with Janis, Oliver Achatz, Homeboy and The Citizen's Band this December. We Make Music opens with JANIS 'Mind Made Up'; a reminder of the early Frankfurt House sound with a scent of the Soylent Green Remixes from the late 90ties. A distorted Techno siren that evolves over a tough and jacking 909 groove and finally leads into blissful deepness. Homeboy, who got some attention with his playful Hypercolour release, brings out the edgier and deeper sound in 'Sedam'; a track based on the elements of classic House, whilst breaking the borders through its arrangement and musical form. The jazzy synth riff that locks to a hypnotic 7/4 groove is what makes this track a quality gem. Previous support on Jimpsters Freerange podcast shall suffice as evidence. The flip-side starts with Oliver Achatz' track: 'It Won't Last'. Oli, being the sentimental one in this joint, proves that House music can work with a very sensual touch. The smooth and warm use of analogue synth lines combined with suggestive vocal samples, are played over a steadily drifting rhythm. This compound, of an almost meditative nature, will provide the perfect atmosphere for early morning club hours. The Citizen's Band, one half of Arto Mwambe, closes the compilation with a remix of Janis' 'Mind Made Up". TCB shows that a track doesn't need much to get the crowd jumping and the party working, by returning the tune to its basic elements and making it a club banger for the 'heads". We Make Music Vol. 1 is only the first out of the three upcoming releases set to shake your solid house ground.

Hello listeners, blunt heads, fly ladies and prisoners..... This is the future of the music industry. Not the music, just the idea of the artists writing their own PR faffle. Next year I'll probably have to carry my own bags on tour too.......tragic. I have had a few years of working on other projects and shuffling about in loose trousers, but now I feel the time has come to release some more music for feet and floors. What I should say is that every time I tried to write techno/house/moonbeat in the last couple of years, everything came out as shitty tech-house.....The brain was just in an alternate mode, a mode for classical music and melody, but now it seems to have come back to techno so I here present some of its recent outpourings. It belched out Polka the first night I got back to Scotland, having left London. BabaYaga is named after a sinister-as-hell witch from a Russian story book we had as kids (check http://en.wikipedia.org/wiki/Baba_Yaga) clearly designed to traumatise young minds. My traumatised mind made this tune, so it has come full circle. Mu is slower, for lazy, emotional dancers. I hope you will enjoy them and the excellent Sons of Tiki mix of Polka that accompanies them..... Send all hate mail to Vakant, I don't read it. Alex

Tablon is a new France based independent record label. Supporting artists with a characteristic style, tablon releases music by passion, developing its own vision of today's and tomorrow's dance music.
After a first EP by Arnaud linked in a certain way to Greece, tablon 002 will come from Istanbul. Far from us the idea to make a worldwide music label or refer to any old war between two countries. It just happened like that. Sarp makes amazing music and we are proud to present his new EP. It is called "I care because you don't", the artwork is made by Nefelie and the mastering by Mathieu Berthet in Paris. As we care a lot about the vinyl thing, our releases appear first on 12" and then in digital.
"Hi, I am Sarp Yilmaz. No, not your household name, not the next megaDj, not the chart topper, just a guy with some machines and a passion in his heart, who is supported by some other guy who runs this young, fresh label, who is mad enough to release music that is not bassline obsessed, not fitting any of the genre slots of your favorite online store, that is as much hip hop and jazz as it's house. No, this will not destroy your dancefloor, nor will it make you dance like there's tomorrow, it's moody, sometimes even depressive, but I made it with a smile on my face. It's trippy, it's glitchy and it's slow. Music, I make to cure the sicknesses of my heart. Hope it puts a smile on your face too. I care because you don't".
Sarp Yilmaz - I care because you don't EP

Dennis Busch is an artist who is well-known to all Pingipung fans for his 'James Din A4' contributions to our catalogue. This man of many faces has also developed a reputation as visual artist. Therefore he decides to present his music under the same name: Dennis Busch - which we think might be his real one.

*Presenting a new collaboration featuring Oren Ambarchi on guitar, the electronics of Robin Fox, and both performing on various other instruments. The music on this album came about as the result of the two being asked to co-compose the soundtrack for a new production by renowned Australian contemporary dance company Chunky Move for their Connected production.
" Chunky Move's artistic director Gideon Obarzanek was drawn to the organic and deeply musical qualities of Ambarchi's work and the digital, almost scientic quality of Fox's sound. Over a process of many weeks these two aesthetics were merged. Working both in the Chunky Move studio and Head-gap studio in Melbourne, new works were forged from both digital and analog sources. 
" This release brings together two of the most extraordinary artist/musicians working in Australia today. Both are renowned internationally for their individual practices, and here they join forces to produce powerful music that fuses Ambarchi's legendary guitar sound with Fox's mathematically rigorous tones and textures. This fusion results in sound works that stretch in scope from the sublime and spacious to the intensely dense and foreboding. Treading a precarious line between music and abstract sound, between organic and inorganic tones, this collaboration is a must listen for anyone interested in contemporary soundworks.

Six artists remix the rich sound material from Sven Kacirek's LP 'Scarlet Pitch Dreams' (Pingipung 32, April 2012). Sven's original percussion recordings and his densely layered melodies invite for a rework which fo-cuses on the single elements.

RAWAX IS PROUD TO WELCOME MR. K-ALEXI SHELBY TO THE FAMILY!
Mr. K Alexi Shelby
Like a moth drawn to a flame, there is something utterly infectious about the music of Mr.K Alexi Shelby, better known as K-Alexi one of the founding fathers of house music direct from his home city of Chicago. Since the late 1980s, he has pioneered the true house sound, leading to a DH and production career spanning over 20 years, including collaborations with artists ranging from The Pet Shop Boys to Derrick May and from Larry Heard and Felix da Housecat to Will Smith, as well as gigs across the globe.
An impressionable young teenager, Mr.K Alexi Shelby developed friendships with Frankie Knuckles and Ron Hardy whilst attending seminal venues like The Warehouse and The Music Box in the mid 1980s. Being here at this embryonic stage of dance music culture, there were no rules or precedents, so K Alexi drew on a rich musical heritage that had seen him grow up in the 70s and 80s listening to Stevie Wonder, Prince, Curtis Mayfield and David Huff. Those roots continue to influence his music to this day.
It was under the moniker Risque III that Essence Of A Dream was released in 1987, firmly establishing the name of Mr.K Alexi Shelby amongst the most prominent of all house producers at the time. Moreover, those early tracks are still recognized to be the quintessential Chicago house sound. The rumbling and dark bass, smooth strings, incredible percussion and the spoken word poetic and erotic lyrical flow became the trademark for classic Chicago house and the template for everything else that followed. To reiterate, there was no template before this. This was the beginning.
This initial success has lead to Mr.K Alexi Shelby working with the leading names across the electronic music world and beyond. Collaborations and remixes for Chicago peers like Mike Dunn, Mr. Lee and Marshall Jefferson merely served as the springboard for Alexi to work with the best in the electronic scene, from Derrick May to Paul Johnson ,Ron Trent Dave Angel to Felix ad House Kat. Furthermore, his talents have also lead to him working with The Pet Shop Boys and Will Smith.
On top of this, his tracks have appeared on compilations by artists varying from Laurent Garnier to DJ Hell, who used It's Me 2010 contribution to the Body Language series for Get Physical Music. Produced under the Club M.C.M. moniker, the 1991 EP It's Me/Club M.C.M. has been a frequent selection for compilations for 20 years and is rightly regarded as a true underground techno classic.

The Cryovac machine is maintained and operated by A. Garcia. The components that make this machine function are the artists that push their creations forward to seal off their own vision of the now. What is preserved is the character of a craft that follows its own path. Cryovac believes sound vibration released from vinyl has the proper disposition to express the true nature of the Cryovac approach, and only selects the best vinyl when manufacturing and inspecting its' product. The Cryovac machine's purpose is to keep an independent view of the Detroit sound.
Jason Garcia is an international D.J., producer, and house music aficionado. His production runs the gambit of genres with a knack for injecting his smooth character into each work. For this effort Garcia has chosen to represent himself with a house style that is truly pimp heroic. Jason Garcia will forever have people in the Detroit underground.

Alftavatn is Thomalla.s second EP release on Berlin-based Techno-label Krakatau Records. The tracks captivate instantly and still surprise with imaginative variety, sudden shifts and dazzling timbre. 23 year-old Thomalla was featured as a co-musician on Bodi Bill's European ›What‹-Tour in 2011/12 and recently started playing live-shows on his own. His tracks unite artistic and dancefloor-compatible appeal, which he was also able to show during last year's visit of the Red Bull Music Academy in Madrid. The Alftavatn EP articulates his forward-looking interpretation of electronic music, embedded in references of his own eclectic education. Techno without thought control.

Finnish DJ crew Rollomatik break out on the Boogie Boutique imprint with a two track release that aims to represent the Arctic Circle fully in the nu funk/breakbeat scene. Formed of Hesh & Eaves, Rollomatik aim to rock the party and that much is evident on this cheeky 12" with "We Love To Party" deftly blending Will Smith with Chic amidst a melange of other recognisable samples. A similar approach runs through flipside jam "The Greatest" as Rollomatik lay down the vocal from an oft used Q-Tip solo joint over a heavily filtered take on Sister Sledge's most ubiquitous track.

Francisco Allendes, a classic violinist with a synth rock background, one of the most interesting electronic music artists from Chile, already released on Ghostly, Cadenza and several other labels. Italian born DJ, producer and Ibiza resident Paola Poletto, is not only the 'first female DJ to ever perform at Pacha' - she is also a graduated sound engineer. Together Francisco and Paola are not only the nicest couple of dance music, but as a producer team they are also about to leave a deep mark on the musical landscape. Their Desolat debut is a 4 track EP with their unique view on house music, full of optimism, fun and sundrenched grooves. Enjoy!

This is the 5th release in the now popular vinyl series personally compiled by Detroit producer & DJ Terrence Parker. This project features two very talented women from different parts of the world who have the love for soul music in common. The 'A' side features the song 'Finally' with lyrics written, vocals arranged and performed by Reno Ka. Reno Ka is a soul singer originally from Vienna/Austria but now living in Hamburg/Germany. The 'B' side features the song 'Where Do You Want Me' with lyrics written, vocals arranged and performed by Kelly Gunn. Kelly is a soul singer from Detroit who currently tours as a background singer for the R&B artist Kem. Both tracks were produced & mixed by Terrence Parker to make another funky soulful classic TP release!

UK stalwarts Jamie Anderson and Owain K team up again for another sumptuous slice of contemporary house music on Steve Bug's Dessous Recordings. Jamie Anderson has been exploring and manipulating the links between house and techno for over 15 years, having released on numerous influential labels, both solo and as a collaborator with other top artists. But it's his work with Bristolborn hot-property Owain K that is currently exciting discerning dancefloors worldwide. 'Do You Know', their latest collaboration, sees Jamie and Owain drop some serious sunshine grooves - shuffling hi-hats and a classic, Chitown synth let you know that this is all about the good times. The spoken word vocal pays homage to forgotten jazz legends - the uplifting vibe sure to put a smile on the faces of dancers all summer long. Jamie and Owain switch it up on the other main track in this release. 'Keep It Pumping' drops the tempo to 118bpm and digs its toes into the sand for a balearic-tinged nu-disco stomper. Disco toms fire, the sub bass rumbles, and spacey synths and vocal samples wash over this expertly crafted sunrise/ sunset groove. A dub of 'Do You Know' rounds off the release from this hugely talented combo.

REPRESSED !!
Blank Code Records launches with its first release Circle 1 by label artist Mutate. Circle 1 is the first in a series of releases by Mutate and features remixes by Drumcell, Audio Injection, and Bas Mooy Detroit has always had a definitive voice in the future sound of techno, and this debut release from Blank Code is a prime example of both the latest from Detroit, and its international allegiances exemplified by three brilliant remixes from some of techno's most accomplished modern artists.

Nite Recordings' second 12" and the first single from the Argentinean duo Moan. This single gives us an original song with a clean sound and a catchy melody. The first remix of this song by Pablo Pellegrini highlights the electro-styling voice of Moan's singer, Agustina Parpal. Side B starts with a remix with a groovy and slightly slower beat by acclaimed artist Deep Mariano. This side continues with a remix by Kristian Gjellan that brings out the deepness of the song. A must-have 12" that you can play a any time

Well, the ìdeep, raw and realî series has come to an end with volume 4, but Quintessentials
keep these lovely compilations coming. The ìthank you freaksî series is about hot tunes from
hot producers. And part 1 is offering a lot of them: Andy Ash, Uncle Deep, Chicago Damn
and Marcos Cabral! Quite essential!

Recent Songs is the sixth studio album by Leonard Cohen, released in 1979. It was a return to Cohen's acoustic folk music after the Phil Spector experimentation of Death of a Ladies' Man, (MOVLP476) but now with many jazz and Oriental influences. The album includes Gypsy violin player Raffi Hakopian, and even a Mexican Mariachi band. Long-time Cohen collaborator Jennifer Warnes prominently appears in vocal tracks. Members of the band Passenger played on four of the songs and Garth Hudson of The Band also appeared on the album. 'Came So Far for Beauty" seems to be an unaltered outtake from the unfinished 1975 album Songs for Rebecca , which also included early versions of "The Traitor" and "The Smokey Life" (then with music by John Lissauer)."Ballad of the Absent Mare"'s metaphoric lyrics are based on the twelfth-century Ten Bulls (or Ten Ox-herding Pictures). The song is covered by several artists, notably Emmylou Harris on the album Cowgirl's Prayer (as "Ballad of a Runaway Horse"). This album comes with a lyric sheet.

s one of the most successful artists in contemporary Techno Music Hendrik Weber aka Pantha Du Prince presents his new studio project together with Workshop's Stephan Abry: URSPRUNG.

After several studio sessions in the cold and charming winter of the Swiss Alps, Abry and Weber were driven deeper and deeper into some microcosm of sound to almost cut the edge to the myth. Influenced by Krautrock, the Ambient Music of Harold Budd and early Brian Eno, Avantgarde, and the minimalistic guitar sound of Durutti Collumn the URSPRUNG project can't resist to make the guitar a main source. coming together with highly futuristic sounds as we know from the researches of Pantha Du Prince. A truly unconventional structure of slowly growing beats hold this universe which came from the cold mountains together.

Big Strick is back at it and this time he brings Generation Next the first artist from the 7 Days camp to emerge from the city streets of the D. Only 16 this young man is shaping up to be one of the premier producers in the Biz!! He is the Future!!

Laurel Halo's first full album following well-received EPs on Hippos in Tanks and Liberation Technologies (the latter under her King Felix alias), plus a cassette-only ambient record on NNA Tapes, it's also her most vocal-led affair since her debut EP - eschewing the techno flyovers of Hour Logic for a slower, squishier brand of synth-pop that features often untreated, raw vocals.
Quarantine's striking artwork is taken from a piece by Tokyo artist Makoto Aida called Harakiri Schoolgirls 2002.

The New York and Miami based duo ROM deliver this LP with twelve wildly energetic instrumental pieces. Pingipung very happily welcome Roberto Carlos Lange and Matt Crum to their artist family.

In its own way, Speicher on Kompakt Extra has always been one of the most uncompromising series in the Kompakt universe. Starting out as a mere compilation series to tie up some loose ends from our regulars, it has since become a guarantee for vanguard dance sounds from all over the planet, with Kompakt being able to invite and support electronic artists that comfortably inhabit both the delicate and the more deliberate ends of the electronic music spectrum. That's also where we found the highly versatile Sei A, native Glaswegian, now residing in London and immersing himself in the hybrid house, firm techno and bass-heavy scenes that happily co-exist within UK's capital.

freshly repressed!
Leisure System, the collective, label and famed Berghain club night of four years standing, is back with their third release from co-founder and resident, Sam Barker. Known for its genre-defiant lineups, Leisure System's quarterly residency has consistently brought together artists with varying styles. Flying Lotus, Autechre, Afrika Hitech, Jackmaster, Surgeon, Jimmy Edgar, Blawan, 808 State, Dopplereffekt, Clark, Machinedrum, Surgeon, Venetian Snares, Objekt and Egyptian Lover have all graced the decks, showing off the collective's commitment to the exploration of new and experimental sounds in EDM. The development of the label, and now this release from Barker, is no exception. After discovering computers and raves in the late '90s, Barker began making tracks at age 13, building up a sizable collection of vintage analogue synths, paving the way for his future solo work and collaborations with artists like Tim Exile, Clark, Shitmat, Scotch Egg, The Field, Leafcutter John and Jimmy Edgar. Shortly after his 2007 move to Berlin, Barker began collaborating with fellow Berghain resident nd_baumecker, resulting in their ongoing project Barker & Baumecker. Their first EP 'Candyflip', was released on Ostgut Ton in 2010, followed up by a live show tour throughout Europe. The duo is currently readying their second EP and have a long player due out in August 2012. For this new solo EP, mastered by electronic music legend Pole, Barker presents a creative three-track lesson in diversity and highlights Leisure System's ever-evolving aural curiosity. The opener and title track 'Like An Animal' is a number that builds and builds, quickly changing course and mutating into a percussive and texturized melting pot of sounds. Up next the hypnotic 'I Feel', which is filled with moody pads and syncopated breakbeat rhythms, paving the way for the mechanical, yet smooth half-step rhythm of 'Hot Lover'. Siimilar to the collective, this offering pushes boundaries and mirrors the progressive ideals of the collective. Just like Leisure System's first two 12's from Pixelord and Eprom in 2011, Barker's 'Like An Animal' EP is a clear statement of the label's simple and distinct commitment : to be a platform for timeless, thrilling and soulful dance music in the fields of house, techno and electronica, disregarding media hype and genre borders. In keeping with this clear sonic manifesto, Leisure System's design aesthetic is equally individual, with all vinyl releases housed in deluxe die-cut jackets.

It's no secret that Kompakt pioneers Wolfgang Voigt and Jörg Burger have
maintained a long and steady friendship outside the studio. It's even
detectable if you give a critical listen to their collaborative sound, where
almost like magic, the distinct musical swagger of each artist synchronises
completely with the other. There's Wolfgang Voigt, a confirmed radical, a
stalwart, analytical, mindbombing sensualist who famously transformed
Techno into a state of matter and lifted the Art Brut club canvas. His
material spans from Mike Ink and Gas to Protest or Kafkatrax, and within
this contrast-rich portfolio, each new oeuvre transports the serial anarchy
which is the artist's trademark.

the 1st Funkenflug Various Artist Compilation contains a Deep Orchestra of tracks on a 200 pieces pressed limited Vinyl Edition.

Brand new in those deeper days, 'DUB 2 DUST RECORDS' is going to start their vinyl-label, releasing electronic dance music with a special
focus on the various colours of deep Dub-Techno and "Dub" inspired Tech-House.

As artists and remixers Marko Fürstenberg, Gabriel Le Mar, Frank Leicher, Quantec, Luke Hess and youANDme will light a match this year for 'DUB 2 DUST' reflecting their passion and respect for the needs of a Dub head on the floor.

The dub-feeling is clearly the inspiration behind the general flavor of the DUB2DUST-Sound and will demonstrate innovative efforts to offer interesting hybrids of techno/house music. 'DUB 2 DUST RECORDS' is operated from Gabriel Le Mar & Carsten Schorr, and already based in Frankfurt am Main, Germany.

Up and away / To your journey to the sun / Drink your rocket juice / Fly away (Hey, Shooter).
High up in the skies, amongst the clouds, Rocket Juice & The Moon was born. Literally. It happened back in 2008, when Damon Albarn, Flea and Tony Allen convened on the same Lagos flight, to play and exchange musical ideas in that city as part of the Africa Express collective. Relishing a shared enthusiasm for one another's work, and bonding immediately, there and then the triumvirate laid down the blueprint for Rocket Juice.
Still, more than a year passed before conditions were set for three weeks together at Albarn's West London studio, recording and refining two-dozen startlingly out and deeply funky instrumental grooves. The next stage was to invite onboard some extremely talented friends, with further sessions in Dallas, New York, Chicago and Paris... Erykah Badu, no less, queen of contemporary soul. Three companions from Africa Express: Malian singer Fatoumata Diawara, whose debut album has topped World Music charts since its release last Autumn; her multi-talented compatriot Cheick Tidiane Seck, whose prodigious keyboardism has lit up releases by artists ranging from Youssou N'Dour to Hank Jones; the young, Ghanaian rapper M.anifest, quizzically existential, switching seamlessly between Twi and English. And the Hypnotic Brass Ensemble, long-time stalwarts in the Honest Jon's set-up — since one of the team discovered them busking near the shop in Portobello Road, on his lunchbreak — with a second album for the label due in May... Finally, the tracks were dispatched for mixing to Berlin, to be meticulously honed, polished and envenomed by Mark Ernestus, one half of the legendary Basic Channel and Rhythm & Sound partnerships.
The result is Rocket Juice & The Moon — out March 26, 2012, on Honest Jon's Records — a triumphant exploration and proliferation of kinetic Afro-funk rhythms: organic, exuberant, communal music-making, evidenced by the project's live debut on stage as part of the Honest Jon's Chop Up in late 2011, which hit London, Marseille, Dublin, and Cork to such great acclaim (witness the flurry of smart-phone film-clips uploaded in the days thereafter).
From the inaugural bars — that absurdly funky slice of instructional timekeeping, 1-2-3-4-5-6 — the liquid pulse of Fela Kuti's classic recordings drives the action through a suite of 18 shape-shifting compositions. The greatest drummer in the world has never sounded so good as he does here. His intricate cross-patterns jostle and lock with Flea's nimble, rumbling bass riffs. Joined by Seck on There and Extinguished — 'when you dispose of something burning, be sure it's out' — Albarn's keyboards spray synth fusillades up top, over, and under... splicing into the mess of wires running between the freaked Afro-disco of William Onyeabor and the space-jazz-moog of Sun Ra. The HBE brings extra intensity and drama to Leave-Taking — likewise Flea's trumpet to Rotary Connection — teasing out the haunting melody coiled in the mix.
Where the best of vintage Afrobeat sides sustained their concentrated energies over the course of sprawling, marathon jams, RJ & TM manages something altogether different: the group bottles the idiom into capsules of funk... and real songs. Beautifully buoyed by Erykah Badu's unmistakable vocals, Hey, Shooter brilliantly traverses metaphysical spaceways sans any semblance of noodling. Lolo and Follow-Fashion — featuring the open-hearted sensuality of Diawara's singing, M.anifest's quick, brawny science, and more brass blasts — play like its musical cousins or codas. Indeed, the album's shrewd sequencing creates the composite effect of tracks working both individually or within the context of an extended song-cycle.
The lovely ballad, Poison, is bittersweet and ruminative: 'If you're looking for love, beware the signs / They will paralyze you one by one / Poison, it will only break your heart.' Down-tempo and dubby, Check Out and Worries amplify the range of styles and moods. And by the time of Fatherless — a chugging Afro blues that evokes John Lee Hooker lost in Lagos, one gets the sneaking suspicion there's very little outside the reach of this collective's inventive musical grasp.
There is, in fact, a palpable openness pervading Rocket Juice & The Moon — the sense of a limber willingness to follow creative impulse — right down to how the group acquired its name. When Ogunajo Ademola — the Lagotian commissioned to do the album's cover artwork — dubbed his submission 'Rocket Juice & The Moon', it quickly morphed into the formal name of the project, like trying to hold onto mercury.
Surely, the stars above also approved.

Limited 180 gm vinyl

3 track EP from new artist JBSF. We don't know much about this 12" except that it holds up to FPR standards, very deep and emotional sampled based Detroit influenced dance music. Detroit house fans and deep diggers don't sleep...

So this very special Various Artists EP comes to you as the follower of the reminded release as a double A Side EP, called the VARIOUS ARTIST EP TWO PT. 2!.

The next various artist release on Houseworx "Lost Housetracks vol.3 " welcomes 4 new artists to the Houseworx family!

Siggatunez from Germany, Anton Mayer from Russia, Freischwimmer from Japan and last but not least, Rhymos from UK.

Support by:
Anthony Collins, Daniel Sanchez, Richie Hawtin, Danny Tenaglia, Jonas Kopp, Matt Star, Meat, Laurent Garnier, Jonas Kopp,
Laurent N (Radio France), Tim Green, Super Flu, Dan Curtin, Resident Advisor...

Second release in a series of four of this Ann Aimee compilation series, featuring a diverse selection of techno tracks.
Part two of the four-part Inertia sampler again serves up four heavy-hitting techno bangers from different artists of the new-school techno generation. Again, each of the tracks is previously unreleased.

First up is Frenchman Marcelus who offers a heavy house and techno fusion, before London's Sigha goes deep and ominous with 'Finding Myself.' Redshape and Area Forty_One close out the package with frozen, static coated sounds and textured techno respectively.

Reading like a who's who of the day's most pioneering techno producers, Inertia #2 is another connoisseur selection.

Djs is a label focused on releasing original material from timeless artists. our releases will be only for djs / limited edition,for our 6th release, we bring you the best of the best & obviously the rarest 12 inches around again !Amazing 3 tracks ep from 1990 feat. one of the original deep house creators VINCENT FLOYD.A side comes up with the fantastic 'cruising' (long ride), we guess the words deep has been created for records like this.

Taken from their forthcoming debut album, the spellbinding "Alive In Us", Darkness Falls announces their next single, the melancholic and mysterious "The Void". Featuring the heartwarming tones of lead singer Josephine Philip, who co-writes with band partner Ina Lindgreen, the whole album was produced by leading Danish composer and recording artist Anders Trentemøller.

Endless Flight's favorite US artist Srategy finally returned with two excellent alternative house tracks!!

Having just celebrated it's 50th release with Photek's 'Closer' 12', Tectonic moves straight into bold new territories, introducing a new artist to the label: namely Distal from Atlanta, USA. His approach to music production is refreshingly dynamic and eclectic, taking elements of the familiar and making it sound obscure while injecting plenty of energy and dancefloor savvy throughout his productions.