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South London’s James Massiah returns to Jon Rust’s Levels imprint with the highly anticipated follow-up to the 2019 underground hit ‘Natural Born Killers’ EP.

The six-track EP ‘True Romance’ is the artist / poet / DJ / producer's richest work to date, autobiographically charting the peaks and troughs of 21st century love, life and relationships.

Massiah’s rap leanings ride over his signature neon productions, taking in an arc of influences including dancehall, dub, acid house, grime and left field pop.

Gritty and shimmering in equal measure, this is essential for devotees of the Dean Blunt, Lord Tusk axis, or anyone switched on to the stream of rap bubbling up from the UK right now.

Heavy rotations from Benji B, Jamz Supernova, Shy One & Scratcha DVA.

A vital release for 2024.

A few years ago, Angel Olsen quietly formed somethingscosmic, a new imprint and a home for Olsen to have “the flexibility to release when and how I want to with the help from my longtime partners at Jagjaguwar.” Somethingscosmic’s second release, ‘Cosmic Waves Volume 1’ is a compilation reimagined as a dialogue; side A features artists chosen by Olsen, with each artist choosing their own song for the collection. Side B is a collection of songs from the same artists, but chosen by Olsen and recorded by her. Each song, unsurprisingly, illuminates a new artist Olsen finds spectacular. Hearing Olsen refract the artists’ songs back to them reveals the depth of Olsen’s imagination, while spotlighting multiple exciting artists at work.

“As someone that emerged into the music scene through a small tape label,” says Olsen, “I’ve wanted to continue the spirit of discovery and of my debut release, ‘Strange Cacti’, while supporting and collaborating with artists and friends whose music I have been moved by. I feel there is something unique and special about covering another artist's song,” she continues. “We all make it our own, or we try to, but I personally always learn something new about the process when I’m engaging someone else’s words and melodies in such a close way. Time and again I find that putting myself into various different styles of songs can lead to new ways of thinking and creating.”

The artists on “Cosmic Waves Volume 1” draw from a sprawling, myriad sounds, eras and inspirations. Poppy Jean Crawford’s magnetic growl and guitar-god heaviness; Coffin Prick’s reckless, psychedelic fuzz; Sarah Grace White’s hypnotic voice and melody; Maxim Ludwig’s expert minimalism; and Camp Saint Helene’s beautiful, big sky folk. “Thank you for listening and supporting this experiment,” Olsen says. “If you like what you hear, please support these artists by buying some of their music, merch, a ticket to their show, or telling your friends about them. It goes a long way. Love, Angel”

Repress!

Moby is a name synonymous with us all in the electronic music world and we are lucky enough to have been able to hand select some Drumcode artists to remix his work.This 9 track package included remixes from Enrico Sangiuliano, Dense & Pika, Bart Skils, Alan Fitzpatrick, Marco Faraone, Tiger Stripes, Manic Brothers and Luca Agnelli. Each one has been thought out and accomplished with precision using some of Moby's synonymous samples.

ÄÆ Sound is a new mysterious and futuristic silver dark project hailing from Milan produced and developed by Andrea Lazzari, a miscellaneous italian artist. ÄÆ, dropping a super groovy first track with a heavy kick, bass variations, and killer melodies perfect for the dance floor. The second track brings darker vibes, break techno variations, and well-crafted silver dark underground shapes. For the flip side of the record, ÄÆ for his very first EP launch developed two B Side tracks. The first one hits you with some UK groovy bass variations and hypnotic synths, plus some slick drum work and background melodies. The second one is a tool uk drum n bass track with a dark and futuristic sound.

Marysia Osu’s debut album, “harp, beats & dreams,” is a captivating journey of self-exploration and emotional expression, blending classical harp with innovative electronic production. A graduate of Brownswood’s ‘Bubblers’ academy and a key member of Levitation Orchestra, Marysia brings a unique background, including a classical music degree from Trinity Laban. The album, entirely homemade, captures intimate moments and raw emotions, featuring notable tracks like “seatime,” which celebrates self-acceptance, and “memento mori,” inspired by stoic philosophy. Collaborations with artists such as Emma Barnaby (cello), YUIS (flute), and Plumm (clarinet) enrich the project, which reflects Marysia’s classical training infused with modern experimental sounds. The album offers an absorbing and elevating listening experience, perfect for those seeking a peaceful, calming sonic sanctuary in an uncertain world

Taking the album name from the famous adventure novel ‘My Side of the Mountain’, Iconoclastic artist Kat Von D explores themes of love and sobriety in her sophomore album release. Created whilst covering her iconic tattoos and finding a new faith to live by, this synthwave, goth, post-punk album was created whilst finding peace amongst the chaos and written from Kat’s own experiences of love, darkness and vulnerability with collaborations from respected songwriters Shep Solomon (Enrique Iglesias, Kelly Clarkson, Natalie Imbruglia) Fernando Garibay (Lady Gaga, Bruno Mars, and Kylie Minogue) and guest vocalist Alissa White-Gluz (Arch Enemy).Kat Von D has an impressive résumé. She has done everything from shaking up the tattoo industry to starring in hit TV shows, writing best-selling books, and creating a beauty empire. But before all of that, her first love was music. She poured her heart into melodies and songwriting before she became known for her work in tattoos and makeup. With a background in classical music and an eclectic appreciation for different genres, it is clear that ‘My Side of the Mountain’ is an impressive follow up album from Kat.

HOUSEWAX presents Black Eyes aka Matthew Jesus - Pressure System EP.

We are very happy about our first collab with this great artists who delivered here a brilliant deep and warm piece of art.

Hot on the heels of Sukuma, Durban's Sugarman Sandy B returns to Red Motorbike with Bink Party!

This time around, he's teamed up with label boss Eddie C on production, as well as an assortment of underground artists from around the globe whom he has collaborated with during his WorldKwaitour, which he combined with the 30th anniversary of his successful underground independent debut, AmaJoviJovi.
Bink, the genre Sandy B coined, is a modern take on Kwaito's loose rhythms and the mid-tempo funk we've come to know and love from the Red Motorbike stables.

Sandy B's Zulu staccato rap and R&B stylings sound as fresh as ever as he continues to connect with his global family through his international travels, currently on tour across Asia and Australia.

Bink Party into 2025!!

Frank Sinatra was one of the greatest performers and first musical superstar of the last century. His voice, timing and performance created the standards for vocalists ever since. Even today’s performers like Michael Bubble, Jamie Cullum and Robbie Williams are highly inspired by ""Ol' Blue Eyes."" On Frank Sinatra Collected, his career and musical legacy is celebrated on 2 LPs, spanning over 5 decades. In association with Frank Sinatra Enterprises, the 31 recordings on Collected include not just his most famous songs, but also delves into some of his best album tracks and collaborations with Count Basie, Quincy Jones and his daughter Nancy, all showcasing the versatile artist he was. Frank Sinatra Collected is available as a 2LP, housed in a deluxe gatefold sleeve with liner notes inside. 10.000 numbered copies are pressed on “Sinatra Ol' Blue Eyes"" translucent blue coloured vinyl."

Just a Man, Beres Hammond’s 1979 album, is a hidden gem in his illustrious career, celebrated for its heartfelt lyrics and smooth melodies, hallmarks of Hammond's signature style. This album offers a rare glimpse of Hammond before he became the lover’s rock icon we know today. Blending R&B, disco, soul reggae, and lovers rock, Just a Man showcases his soulful voice against the backdrop of disco-infused reggae rhythms, creating an irresistible vibe.
At this pivotal moment in his career, Hammond had just left the band Zap Pow to focus on his solo work, and Just a Man was a bold statement of independence. It reflects Hammond’s early musical journey, combining elements of R&B and disco with reggae, and marks a key moment in his rise as a solo artist.
Produced by Joe Gibbs, a legendary figure in reggae, and arranged by Willie Lindo, the album features some of Jamaica’s most esteemed musicians: Val Douglas & Mike Chung on bass; Mike Richards, Robert Stephenson & Calvin McKenzie on drums; Robert Lyn, Franklyn Waul& Harold Butler on electric piano; Lenox Gordon, Willie Lindo on guitar; Pam Hall, Prilly Hamilton, Sharon Forrester & Beres Hammond on backing vocals; Waul, Clive Hunt & Noel Seale on percussions; Hunt, Franklyn Waul & Harold Butler on piano; Dean Fraser on saxophone; Peter Ashbourne Group as string ensemble; Jerome Francque & Roland Robinson on trombone; David Madden, Willie Brackenridge & Clive Hunt on trumpet.
The album’s standout track, “Do This World A Favour,” became a UK soul hit, but the entire album features rare and funky gems like "Keep My Wheel Turning" that reflect Hammond's versatility and ability to transcend genres.
Our exclusive edition has been remastered, delivering superior sound quality that enhances the richness of every note.
This edition is published under the direction of Joseph Barthelet for Jamwax, under license from Gavin D.A. Gibson.
Just a Man is more than just an album; it’s a significant piece of jamaican music history.

Soul4Real returns to the south with a selection of eleven songs from Malaco, Muscle Shoals Sound Studios and Alarm Records.
There is no doubt that in the 1970s and 1980s, Malaco in Mississippi and Muscle Shoals Sound in Alabama were both highly significant in defining the southern soul sound. Malaco’s Studio had opened in 1967, while Muscle Shoals Sound Studio opened its doors for business in 1969, when four musicians left nearby Fame Studios to go it alone. Alarm Records, meanwhile, based in Shreveport, Louisiana, provides us with four of the tracks on this album.
Independent producers and major record companies sent their artists south to record, taking advantage of both Malaco and Muscle Shoals Sound’s talented array of musicians, writers and producers. Muscle Shoals Sound, in particular, started to receive artists from Atlantic Records from the get-go; R.B. Greaves, Baby Washington, Sam & Dave and Solomon Burke led the way, along with Scotland’s Lulu. The first relesase on their own record label was the timeless “It Hurts So Good” by Katie Love. Meanwhile, Stax (amongst others) sent some of their artists to record at both studios, and Malaco would also lease some of its own productions out to Atlantic. Alarm Records was a smaller set-up which also produced some wonderful records.
This album opens with the only female singer featured – Dorothy Moore. Her exquisite “Girl Overboard” has been justifiably popular on the soul scene for decades. The other ten tracks showcase an array of fine male singers, most of whom (Bobby Bland and King Floyd aside), sadly and perhaps unjustly, never really made the big time. It is the first showing on vinyl for three of the tracks here (previously having only been issued on CD), and Jimmy Jules’ reading of “Having A Little Talk With Love” has never appeared anywhere before. As always, sit back and savour the music!

Jorge Ben is surely one of the world’s greatest all-round musical artists. He is internationally renowned and vastly influential as a vocalist, musician, performer and phenomenal songwriter. Famed for penning ‘Taj Mahal’, which was the source for Rod Stewart’s ‘Do You Think I’m Sexy?’, and also ‘Mas Que Nada’, one of Brazil’s most iconic anthems, Jorge Ben is a powerful musical force. A simple glance at his impressive back catalogue reveals a master of his craft, with a depth and quality that is seldom paralleled.

For 'Tudo Ben' we take a side-step, focusing on Jorge Ben’s songs that have been performed by other artists. Complied by Mr Bongo, Greg Caz and Sean Marquand, this collection features the Brazilian legends Elza Soares, Claudette Soares, and Wilson Simonal, alongside prodigious artists such as Marijô, Os Brazoes, and Doris Monteiro to name but a few. The selection covers a wide range of genres including samba, bossa nova, MPB and batacuda workouts. Many of the songs featured have become staples in Mr Bongo DJ sets over the years and are some of our most loved classics. As with many of history’s great songwriters, Jorge Ben’s songs transcend genres and styles, they can be covered and reinterpreted, yet the quality of the writing holds up to the standard of the original.

In the dark days of the mid to late 2000s when the end of vinyl seemed inevitable, Mr Bongo released 'Tudo Ben' on CD only. Years later, we finally get to put this right and present it for the first time on vinyl with alternative artwork by Mr Krum.

"CYRIL is the Aussie-born artist, DJ, mulit-instrumentalist and producer behind two of the world's hottest records at the moment, ""Stumblin' In"" and his remix of Grammy-nominated artist Disturbed's ""Sound of Silence."". He is signed to the Dutch record label Spinnin' Records, known for its smash hits in the EDM genre.

His biggest moment thus far came in late 2023 with the release of ""Stumblin' In,"" which initially exploded on TikTok before dominating the worlds of streaming and radio. It became the #1 most played song on air in countries like Germany, Poland, Australia, New Zealand, and more, as well as covering some of Spotify and Apple's biggest playlists.

Shortly afterwards, a remix of Disturbed's cover of the Simon & Garfunkel song ""The Sound of Silence"" was released and reached the Top 10 in several countries.

CYRIL’s debut album, From Down Under-To The World , features tracks such as ""True"" with Kita Alexander, alongside extended versions of ""Stumblin' In"" and ""The Sound of Silence."" From Down Under - To The World is available as limited edition of 1000 copies on white coloured vinyl. "

Irishman Dom Martin is a multi award winning artist from Belfast Northern Ireland.
The 34 year old's music is steeped in the atmospheric celtic hallways of the past with many likening his style and stage presence to the likes of the late greats Rory Gallagher and Belfast's own Gary Moore.

Equally at home with an acoustic guitar in hand tearing at the heartstrings of the audience, he's an inducted UK Blues Hall of Fame Artist as a result of three consecutive acoustic awards, and his trusty telecasters and Les Pauls that lead his power trio, delivering him two consecutive Instrumentalist of The Year Awards, Dom tours internationally on a regular basis and has built a reputation for his emotional and powerful legendary shows.

His latest album 'Buried In The Hail' garnered rave reviews and was voted Best UK Blues Album of 2024 at the UK Blues Awards.

Whilst touring the UK and Europe in 2023/2024, many tracks from 'Buried In The Hail' were recorded live along with several from his previous albums, 'Spain To Italy' and 'A Savage Life'.
The result is 'Buried Alive', a double live album by one of the most exciting artists to come out of Ireland in a very long time.

Dauw welcomes back the multidisciplinary artist Zander Raymond to the label with a reissue of his debut album ‘separate in space’. Previously only available on USB/digital, it's now presented in a remastered version for cassette tape alongside a risograph interpretation of the initial artwork.

“I’m listening to the album right now. Are you? If so, you’re likely awash in the humble glow of these tracks, which seem to wonder and wander in equal measure. Yet there are also keen shifts in pace, texture, and pulse that make Separate in Space a dynamic and extremely sessionable atmosphere to revisit. It is perhaps not surprising that, as a visual artist, Zander’s work is grounded in collage and sculpture. The necessary tactility of those mediums is certainly evident here, rippling and dimensional.

In this music, I hear the rhythms of different ecosystems and organisms being evoked–a burbling stream on one track, maybe a dawn chorus on another. Those same tracks could just as soon soundtrack a crowded morning commute. Its adaptability and cohesion are the result of the patient curiosity Zander brings to activating and arranging sound. I hope you’ll spend time with Separate in Space and discover how it shapes you.” - Ned Milligan (Florabelle Records)

Dutch musicians Han Litz & Olivier Schreuder found each other again, after their initial collaboration in a John Coltrane tribute with the Kindred Spirits Ensemble, in their wish to create spiritual animistic music inspired by nature. Together with Thai-Dutch musician and visual artist Angkanang Pimwankum they start making audiovisual improvisations in which they are lead by fieldrecordings made by Schreuder, and their intuition.

“Other Phases Of Sleep” is Amsterdam based artist Kennedy’s first excursion beyond his ever-consistent imprint “Dream Machine”. On this EP he further explores the ethos behind his creative process he describes as - "a series of thoughts, sensations and sounds occurring from a person's mind, translated by machines."

The EP calls to mind the effervescent and driving energy of early Metroplex material while also paying homage to the Vancouver Sound and the optimistic vibe of the early 90s. Playful, sophisticated, and life-affirming dance music for those looking to uplift their mind, body, and soul.

Pacific Rhythm alumni Space Ghost rounds out the EP with a masterful remix of “Asleep” that slows the energy down to a crawl and leans into his love of UK Street Soul and cosmic flourishes.

ISOxo & Knock2 have been building towards the release of the forthcoming 4EVR album since the duo sold-out an historic four (4) consecutive headline performances at the Shrine Expo Hall in Los Angeles in November 2023. At the beginning of the year, the duo announced their Coachella debut and a select number of “ISOKNOCK 4EVR” headline events in Seattle (2X WAMU Theater) and Brooklyn (Under The K Bridge) – selling out 10,000 tickets per market in a matter of days. ISOKNOCK also will be headlining the North Coast Music Festival in Chicago. ISOKNOCK debuted at Coachella to a packed-out Sahara Tent with intricate, multi-tiered, live production from Production Club. Many of the songs from the forthcoming 4EVR album were first teased at this performance. Each of the subsequent ISOKNOCK shows in Seattle and Brooklyn had unique production – with special guest cade clair popping out in Seattle to perform forthcoming album focus track “4EVR”. In April 2024, Knock2 and RL Grime co-headlined Ultra Music Festival with a special back-to-back DJ set. During this performance, ISOxo popped out for a special guest appearance and the trio debuted the collaboration “SMACK TALK” to the roaring crowd. In support of the 4EVR album, ISOKNOCK will be producing a narrative short film that embodies the tagline of the album – “Pain is Temporary, ISOKNOCK is "4EVR” On the eve of their highly-anticipated collaborative album 4evr, ISOxo & Knock2 will present the 4EVR Gallery – a tribute to the DIY ethos, uncompromising vision, and longstanding partnership of the two artists who are pushing the boundaries of dance music and reshaping it in their own image. From their humblest beginnings in San Diego to dominating the world’s most prestigious festival stage at Coachella, the 4EVR GALLERY will give fans a rare opportunity to share space with artifacts of history-in-the-making.

WRWTFWW Records is honored to announce the first ever vinyl release for esteemed Japanese producer, composer, and environmental music luminary Yoshio Ojima’s rare forgotten album Club, previously only released as a limited edition of 50 cassettes back in 1983. The electronica/proto-techno/experimental gem is available as an LP reissue supervised by the artist, sourced from the original masters and housed in a heavy 350gsm sleeve. Only 500 copies were made.

A precious and sought-after item among collectors and enthusiasts of early Japanese electronic music, Club is a stunning and timeless collection of avant-garde electronica, proto-techno, mecha-ambient, and ear-pleasing experimentations from Yoshio Ojima, the ambient/environmental master behind the pivotal Music for Spiral albums released in 1988 (aka Une Collection Des Chaînons I and II reissued on WRWTFWW), and producer of Hiroshi Yoshimura’s Pier & Loft, Motohiko Hamase’s #Notes of Forestry, and Satsuki Shibano's iconic Rendez-Vous.

Filled with quirky minimalist acid-synth-and-drum-machine-handiwork, bouncy collages of beautifully childlike techno and pre-IDM, and the irresistible DIY charm of humble beginnings, the 8-track album is a fun, adventurous and risqué-but-catchy-in-the-most-peculiar-way piece of Japanese electronic music history neatly capturing the incredible creative energy boiling through the country’s scene in the 1980s.


Experience the roots of Japanese electronica!

Man of the moment Diffrent unleashes his debut full length EP via Bristol's Time Is Now imprint, fresh off the back of his hit single 'A Little Closer', which was widely regarded as the song of the summer in 2024 in clubs across Europe.

My Sound EP is a weighty body of work for an artist's debut EP, it blends together all the best elements of UK Garage, Bass & Breaks forming a stand out take on modern day dance music.

Acclaimed musicians Nitai Hershkovits and Daniel Dor will release their highly anticipated album, “The Garden Suite”, on Circus Company. Following their previous collaboration on Daniel Dor’s debut album, “Four Petals”, this new project sees the duo exploring uncharted musical territory with an innovative, Moog-based sound.
Inspired by the groundbreaking work of synth pioneer Malcolm Cecil, “The Garden Suite” marries electronic textures with the richness of orchestral sound. Drawing from a vast range of influences, including the works of Benjamin Britten and Fredrick Delius, Hershkovits and Dor meticulously composed each track, layering Moog synthesizer melodies to emulate various instruments from the orchestra - from French horn to percussion, guitar, brass, and woodwinds. The result is a sound that is lush yet light, deeply textured yet not dense.
“The Garden Suite” marks a significant evolution in the partnership between Hershkovits and Dor, with their new compositions shifting from the rhythmic focus of “Four Petals” to a more texture-driven approach. The album showcases their ability to create genre-defying soundscapes, blending Daniel’s rhythmic system, “The Flower,” with lush, ambient layers of sound created on the Moog.
Nitai Hershkovits, known for his extensive work in jazz and classical music, began his musical journey as a clarinetist before transitioning to piano at the age of 15. His early passion for improvisation and jazz earned him several jazz competition awards in Tel Aviv. Nitai’s career highlights include his fiveyear tenure with the Avishai Cohen Trio, and his numerous projects as a solo artist, including work with ECM and his band Apifera.
Daniel Dor, a drummer and multi-instrumentalist, was born into a family of musicians in Tel Aviv. He began exploring rhythm at the age of 10, building his first drum set out of household objects. His innovative rhythmic method, “The Flower”, gained attention with his debut solo piano album, “Four Petals”, which led to his collaboration with Hershkovits. Daniel has performed with notable artists such as NOA, Avishai Cohen, and Chano Dominguez, and regularly lectures on rhythmic symmetry and music.
With “The Garden Suite”, Hershkovits and Dor offer a unique listening experience that challenges traditional genre boundaries. Their seamless fusion of rhythm, melody, and texture creates a soundscape that is as experimental as it is captivating.

Following a four-year hiatus from solo releases, the British musician Matt Karmil returns with the soft-focus gentle beauty and subtly stealthy beats of new LP, ‘No Going Back’.

With inspired moments of creation happening incrementally, the album came together amidst a busy mixing/remixing/ mastering/co-production schedule. Artists who’ve enlisted his^multiple skills includes Bicep, Underworld, Mall Grab, Jayda G, DJ Koze, Neneh Cherry, Sofia Kourtesis, DJ Fett Burger, Matias Aguayo and Carmen Villain.

Feeling the benefits of this new approach, ‘No Going Back’ is the strongest expression of Matt's artistic vision to date, honing the spectrum of styles for which he’s renowned, all smudged together by a warm, gauzy haze. The microhouse anthem ‘SFP’ is followed by the broken tech science of ‘No Going Back’, the spectral dub techno spookiness of ‘Old Haunts’ and the sublime misty shimmer of ‘The Last Time’.

Further switching things up is the oddball dancefloor experimentalism of ‘Still Something There,’ the washed-out electroid balm of ‘Things Really Happen’, and the epic dark ambient closer ’15 mins’.

Teatro Del Metapresente is the debut album by La Nuit Je Mens, a duo hailing from the Parisian suburbs and southern Italy. Now based in Rome, the two artists have crafted a striking sound that merges their DIY ethos with raw, unfiltered energy.

Driven by synthetic, minimalist rhythms created on a fleet of analog machines, the seven tracks pay homage to the sound of the '80s – yet entirely forward-looking and embracing the dancefloor modernity.

Blending genres such as EBM, synth-pop and minimal-cold-wave, paired with French vocals, the album delves into themes of underground activities, the slow decay of the club scene and the depths of emotional yearning.

Released on the Berlin-Basel-based label Reach Another System, Teatro Del Metapresente follows the previously released 7” and reinforces the duo's own sound and unique identity.

Rafael Cohen’s Spanish-language solo project Las Palabras gives the D.C. punk scene veteran and member of dance-rock group !!! (Chk Chk Chk), the words to reveal himself as a Latin alternative artist and what he calls “a cautious believer”. Fe, Faith his second Las Palabras album, and first on the Barcelona label La Castanya, “deals with what it means to have faith, what it means to have doubts, and what it means to stay open to the idea that something untouchable and unknowable may exist”.
Written and produced by Cohen in his home studio in Brooklyn and mixed by Black Pumas guitarist Adrian Quesada, Fe builds on nylon-string guitar and electric bass with live drums and synthesizers in songs that embrace elements of 70s Brazilian funk and an amalgam of beats from hip hop to bachata, interspersed with contemplative ballads on which Cohen’s voice and guitar can be quiet enough to hear the rumble of a bus going by in the background.
“Fe” is colored by musical influences that include those Brazilian grooves, but also shades of Sade, Sounds of Blackness and eighties electro funk group Zapp. The arrangements spotlight the rhythm section, with drums played by Chris Egan (!!!, Solange, Blood Orange) and featuring Alberto Lopez (LCD Soundsystem, Stanley Clarke) on percussion. Cohen credits Adrian Quesada for the album’s warm, worn-in tone: “He made the beats sound a lot bigger and gave it an ’80s hip hop feel. He really understood the references and brought his background in Latin music to it”

Rafael Cohen’s Spanish-language solo project Las Palabras gives the D.C. punk scene veteran and member of dance-rock group !!! (Chk Chk Chk), the words to reveal himself as a Latin alternative artist and what he calls “a cautious believer”. Fe, Faith his second Las Palabras album, and first on the Barcelona label La Castanya, “deals with what it means to have faith, what it means to have doubts, and what it means to stay open to the idea that something untouchable and unknowable may exist”.
Written and produced by Cohen in his home studio in Brooklyn and mixed by Black Pumas guitarist Adrian Quesada, Fe builds on nylon-string guitar and electric bass with live drums and synthesizers in songs that embrace elements of 70s Brazilian funk and an amalgam of beats from hip hop to bachata, interspersed with contemplative ballads on which Cohen’s voice and guitar can be quiet enough to hear the rumble of a bus going by in the background.
“Fe” is colored by musical influences that include those Brazilian grooves, but also shades of Sade, Sounds of Blackness and eighties electro funk group Zapp. The arrangements spotlight the rhythm section, with drums played by Chris Egan (!!!, Solange, Blood Orange) and featuring Alberto Lopez (LCD Soundsystem, Stanley Clarke) on percussion. Cohen credits Adrian Quesada for the album’s warm, worn-in tone: “He made the beats sound a lot bigger and gave it an ’80s hip hop feel. He really understood the references and brought his background in Latin music to it”

In der Hoffnung, Sun Konkurrenz zu machen, startete Meteor 1952 vielversprechend mit dem in Chicago aufgenommenen R&B-Hit 'I Believe' von Elmore James. Ein zweiter Hit, diesmal im Country-Bereich, 'Daydreamin' von Bud Deckelman Ende 1954, verlieh Meteor jedoch neues Leben und weckte Lesters Interesse an Aufnahmen von Rockabilly-Künstlern, insbesondere jetzt, da der Newcomer Elvis Presley bei Sun seinen Durchbruch hatte. Meteor's Studio war dazu da, seine Geheimnisse zu bewahren, und darin lag die Magie. Niemand wurde jemals bezahlt und niemand wurde zu einer zweiten Session eingeladen. Irgendwann im Sommer 1957 machte Lester Bihari das Licht aus, schloss ab und ging, ohne sich die Mühe zu machen, die Master und irgendwelche Unterlagen mitzunehmen, und machte das Label mit dieser letzten Drehung des Schlüssels zum Mythos. Die unfreiwillige Wahrheit von Meteor Rockabilly ist: Man ließ die Musik für sich selbst sprechen, ungeschönt und frei von kommerziellen Zwängen. Exquisit gemastert aus den besten verfügbaren Quellen und attraktiv verpackt, ist 'Bop Baby Bop - Meteor Rockabilly' ein wichtiges Zeugnis des Nachkriegs-Amerika. Auf Black Vinyl!

The Confidence of Knowing by Talib Kweli and J Rawls offers a quintessential hip-hop experience that honors the genre’s classic roots. This album marks the duo’s first collaboration since Rawls produced “Brown Skin Lady” on the influential Mos Def and Talib Kweli are Blackstar album, a hip-hop landmark from 25 years ago.

With this release, Kweli and Rawls showcase their artistic growth and maturity, blending masterful lyrics with authentic boom-bap beats to take listeners on a journey through hip-hop’s soul. Tracks like the introspective “Breath, Eyes, Memory,” the nostalgic “Turnstyle,” and the homage to the Native Tongues in “Native Sons” exemplify their dedication to preserving hip-hop’s essence.

Featuring an impressive lineup of guests—including Jimetta Rose, Blu, DJ Rhettmatic, TriState, Coast Contra, Buckshot, Skyzoo, Planet Asia, Phil Da Agony, IDK, Middle Child, Georgia Anne Muldrow, Diani, Solene, and NIKO IS—the album celebrates the depth and diversity of hip-hop culture.

Da Beatminerz defined the dark, gritty sound of underground Hip-Hop in the '90s. Formed in 1992 by brothers Walter “Mr. Walt” and Ewart “DJ Evil Dee” Dewgarde, the production duo pioneered Hip-Hop's brooding vibes, a tonal shift that came with the release of Black Moon's classic debut album Enta Da Stage. As producers of the seminal 1993 project in its entirety, Da Beatminerz set a precedent for hardcore Hip-Hop.

Their sample-heavy, gutter tracks laced with heavy basslines, and hard kicks and snares helped reshape the music genre. Da Beatminerz continued to refine their distinct sound and identity with countless classic records for other artists and two albums of their own (2001’s Brace 4 Impak and 2004’s Fully Loaded w/ Statik) over the course of their illustrious 30-year career.

Stifled Creativity is the duo’s first full-length album in 20 years.

“We started working on this album in 2009... We had one focus and the focus was to stick to our core sound. We just wanted to bring back our traditional way of attempting a classic album. Everybody has their own type of hip hop that they love. Well, this is ours.” - Mr. Walt













m Adore HER (feat. Keith Murray)



q It’s All 4 U [REPRISE] (feat. Halley Hiatt & AZ)













[m] Adore [HER] (feat. Keith Murray)



[q] It’s All 4 U [REPRISE] (feat. Halley Hiatt & AZ)













[m] Adore [HER] (feat. Keith Murray)



[q] It’s All 4 U [REPRISE] (feat. Halley Hiatt & AZ)

This album is a gritty yet sophisticated journey through life’s harsh realities and ultimate triumphs. Hailing from two vastly different worlds, Fashawn and Little Vic bring unique stories and sounds that blend the raw with the refined. Fashawn, raised amidst the gangs and struggles of Fresno, California, brings an unapologetic realism to his verses, detailing the roads that took him from survival to success. Meanwhile, Little Vic’s roots trace back to Long Island, New York, where he grew up with the influence of the Orena family’s notorious reputation. Known for his lyricism and mastery of the MPC, Vic’s production is the perfect companion to Fashawn’s storytelling, layering gritty boom bap beats with live instruments that add richness and texture.

The theme of the album is like a fine dining experience—a nod to elegance—while peeling back the layers to reveal the raw, often darker realities simmering behind the scenes. Little Vic’s production flexes between hard-hitting rhythms and delicate, soulful sounds, creating a soundscape that mirrors the rags-to-riches journey both artists represent.

Brought together on the East Coast by executive producer Ricky Grey, Fashawn and Little Vic spent an intense week creating this project, crafting a work that feels as alive and textured as the streets that shaped them. Each track is an experience, serving up an unfiltered taste of both struggle and success, designed to leave listeners both stirred and inspired.

Mutant, in partnership with Hollywood Records and 20th Century Studios, is proud to present the premiere physical release of Benjamin Wallfisch’s score to ALIEN: ROMULUS.

It is hard to overstate just how successful, on every level, ALIEN: ROMULUS and its score are at returning longtime fans to the world Ridley Scott, Dan O'Bannon, Jerry Goldsmith (and so many other brilliant artists) created back in 1979. But spend just a few minutes with Benjamin Wallfisch's masterful score, and you can feel the attention to detail in the craft of every choice.

Doing the impossible task of bridging the gap between sequels and prequels, Wallfisch takes the dissonant, atonal and truly horrifying soundscapes that Goldsmith defined the genre with and makes peace with the melodies and monsters of subsequent films - all while making his own voice heard throughout, creating a truly remarkable piece of film music.

This limited edition physical release features liner notes by director Fede Álvarez and original artwork by illustrator Kilian Eng, continuing his ongoing ALIEN soundtrack series and is pressed on 2x 140gm black vinyl.

Makhunik Records is thrilled to announce the much anticipated second vinyl only release from the talented DJ, producer, and live performer, Generali Minerali. Known for his distinctive blend of raw electro/break sounds and techno, Generali Minerali has established himself as a prominent figure in the electronic music scene with a string of successful releases on esteemed record labels. With a discography that includes 8 EPs, 1 LP, and numerous contributions to various VA compilations, Generali Minerali brings a wealth of experience and expertise to his music. His productions are characterized by their immersive textures and dynamic rhythms, drawing inspiration from a wide range of electronic dance music genres such as Techno, Electro, Break, and Acid. As a crew member and resident artist of the TES Club, Generali Minerali has solidified his place as a driving force in the electronic music community, captivating audiences with his unparalleled live performances and DJ sets that span a diverse spectrum of sounds and vibes. The upcoming release, Dance In Factory EP, invites listeners to embark on a sonic journey through the depths of the mind. Each track on the EP, from the mesmerizing K Driver to the introspective Phase In Head, is a testament to Generali Mineralis skillful production and innovative approach to sound design. The concept behind Dance In Factory reflects the interconnected nature of humanity, where we are all integral parts of a larger whole, dancing to the rhythms of life. Through tracks like River and Transformer Fox, Generali Minerali invites listeners to explore the depths of their consciousness and experience a world of boundless creativity and imagination.

All the music in the world is at your fingertips, and it's up to you to set the vibe_ So, what should we listen to? If you're having trouble deciding, turn on the radio. It's the perfect place to discover something new, or jam along to a tried-and-true station that'll never let you down.Tune In is due out 11/1/2024 via Chiefdom Records. The second of three installments in the Terrestrial Radio series, it's a carefully curated collection of instrumental fusion, designed to serve as the perfect radio mix for fans of jazz, hip hop, funk, soul, reggae and beyond. It's the latest release from Cincinnati based executive producer Doctor Bionic (Jason Grimez). As a DJ, producer, and former member of 90s rap group MOOD, Grimez' musical career revolves around hip hop. He's always preferred to sample songs from the late 60s and early 70s because of the authentic tone. "Growing up collecting and sampling records was an education, whether we realized it or not," he explained. Grimez records and produces music using analog gear to emulate the instrumentals that he's always loved as he works with some of the best musicians in the Cincinnati area to bring his ideas to life. Among others, Jonathan Luck Spaulding and Josh "Mojo" Cole made several appearances on guitar throughout the record. Every Doctor Bionic release is accompanied by a unique, thought-provoking album cover. For Tune In, Grimez worked with Refael Idan Suissa, a painter and digital artist based in Israel.Next time you're looking for some new instrumental tunes to set the tone, you can count on the growing catalog from Doctor Bionic. Tune In is available everywhere on 11/1/24.

Iconic UK punk band X-Ray Spex co-founder Lora Logic was unexpectedly ousted before the recording of their debut album 'Germ Free Adolescents' in 1977. Undeterred, Lora went on to form and front the post-punk band Essential Logic. With trademark angular sax lines and her unmistakable vocal stylings, she went on to create some of the most liberating and exciting music of the early post-punk era, not only as Essential Logic, but also as a solo artist. 'Beat Rhythm News (Waddle Ya Play?)' is the band's debut studio album. Originally released in December 1979 on the Rough Trade Records label, whose founder Geoff Travis provided enthusiastic encouragement. The album reached number 11 in the UK Indie chart. Lora's solo album 'Pedigree Charm' followed in 1982. Lora and Poly Styrene would later reform X-Ray Spex for the band's sophomore and final studio album 'Conscious Consumer' in 1995. Essential Logic returned from an extended hiatus in 2022 with the 5 x LP boxset 'Logically Yours', including the new studio album 'Land of Kali', co-produced by Lora and Youth (Killing Joke), followed by 2024's remix album thereof - 'Rekalibrated', which enlisted the talents of an ambitious and diverse set, including Grammy Award winner - Dave Audé, Rave-pop legend - Adamski and Scottish Kandy-poppers - bis, amongst others on remixer duties. This 45th Anniversary 'Deluxe' edition compiles the original studio album together with a bonus album containing the complete Essential Logic studio recordings from 1978 - 1983, including the iconic Cells Records debut single 'Aerosol Burns' (1978), the 'Wake Up' EP (1979), included here for the first time on any physical release since its original pressing, together with the non-album b-side 'Flora Force' and 3 post album Rough Trade Records single releases: 'Eugene' (1980), 1981's 'Music Is A Better Noise' and 'Fanfare In The Garden', and their respective b-sides. Repackaged in a high gloss accented, spot varnished sleeve, on 2 x black and white splatter vinyl, foiler stickered, with inner-sleeves including full lyrics and new sleeve notes by Lora. This release also marks the long overdue and highly championed CD debut of the original album and bonus tracks. Following their recent UK tour with fellow punk legends Penetration, featuring Pauline Murray, in November 2024, Essential Logic show no signs of stopping or slowing down as they plan extensive live celebrations of the album throughout 2025 as well as the recording and release of their next studio album. Press Quotes : "Lora's voice is always doing the right, thrilling things...she frets and somersaults in such an intoxicating way" - NME // "A stunning record that remains a benchmark of the punk era" - AllMusic // "Beat Rhythm News suggests an impromptu brainstorming session between Kate Bush, Talking Heads and Captain Beefheart" - Louder Sound // "An intelligent and fluid benchmark for any band willing to dabble in both punk and dance music at the same time" - PopMatters

Jazz Funk duo Zaimie is poised to take the music scene by storm with the release of two highly anticipated remixes. The fresh reimaginings of Zaimie's hit tracks—“Smash N Grab,” remixed by the talented Bluey of Incognito, and “Wildfire,” remixed by the acclaimed DJ and Producer Al Kent—are set to captivate audiences and keep dance floors alive.
“Smash N Grab,” known for its infectious beat and vibrant horns, receives a brilliant touch from Bluey, infusing the remix with groovy melodies, soulful undertones and a thumping bassline that are sure to make it a standout track of the season. Meanwhile, Al Kent’s remix of “Wildfire” enhances the song's already captivating essence, transforming it into a disco-infused anthem that encourages listeners to let loose and revel in the moment.
These exclusive remixes will be released on a limited AA side VINYL ONLY run through Splash Music Productions, making them a must-have for collectors and enthusiasts alike. Each track showcases Zaimie's artistry and innovation, promising to bring a fresh dose of excitement to their discography.

Herman Brood's 1984 album The Brood is a high-energy blend of rock, blues, and punk that highlights the Dutch musician's distinctive style and charisma. Known for his rebellious image and raw, gritty vocals, Brood created The Brood with his band, Wild Romance, infusing it with sharp guitar riffs and a pulsating rhythm section. Standout tracks like "Tattoo Song" and "My Girl" reflect Brood's signature combination of edgy rock and blues influences, capturing his unfiltered approach to music and life. The album is a testament to Brood’s influence on the Dutch rock scene, delivering a mix of introspective lyrics and high-powered performances. The Brood remains a fan favorite, offering an authentic glimpse into the world of Herman Brood and his unique artistry. For fans of classic rock and punk, The Brood is essential listening. The Brood is a 40th anniversary edition on light green coloured vinyl.

On FORGIVENESS, SLIM0 sets the scene with a scream tearing apart the silence. “Stars! I’m Coming!” introduces the Danish/Montegrinian/Iranian trio's debut album in mere 1:11 mins; it’s disruptive, energetic, almost scornful. The stage is filled with a multitude of characters at high pace, but are we witnessing a comedy or a tragedy? The opening soon gives way to a much gloomier mood throughout, revealing a full body of work conveyed through personal takes on classic rock tropes with SLIM0 as the omniscient narrator.

FORGIVENESS came to life through long live session jams and recordings melted into their rawest essence by the enigmatic artist and producer Aase Nielsen, who has closely collaborated with the group in forming their first full length release. Urgency, noise and desire characterise the musical and artistic expression on the record, where hardcore rock lives side by side with pop cultural references. On previous releases, SLIM0 have drawn upon choir, alternative indie, prog rock and grunge (EPs ‘sol i øjet’ and ‘lifespan’ as well as multiple singles). FORGIVENESS sees them cultivating all of these elements while stepping into an even meaner space, and which better place to go to for this than the world of punk, rock, doom.

The music for KRANETUDE, a performance by Florentina Holzinger that premiered in Berlin in June 2023, was composed by Katharina Ernst & Schne. The record documents and commemorates this unique performative étude, while also showcasing the autonomy of the musical composition. The powerful composition for four drums and electronics, a collaboration between the artist and drummer Katharina Ernst and Schne, Florentina Holzinger's longtime musical partner, forms the sonic foundation of this unique choreography. On Berlin's Müggelsee, eight performers and a crane merge on the water to create a performance where mechanical precision and organic movement meet. Complex rhythmic structures guide the movement, creating a fascinating interplay between sound and action. Recorded live at the Leisure & Pleasure Festival, on the 29th of June 2023 at Müggelsee, Berlin. Katharina Ernst: Prepared Drumkit, Cymbals, Snare Schne: Electronics, Synthesizers, Live Processing Stina Fors: Gongs, Stones, Cymbals, Tamtam, Snare Shiau-Shiuan Hung: Gran Cassa, Snare, Marimba Judith Schwarz: Prepared Drumkit, Cymbals, Snare Nettie Nüganen: Rigged Thunder Sheet Sibylle Fischer: Conductor

Rock and Roll Hall of Fame Member Little Richard is a musical institution. The Architect Of Rock ’n’ Roll’s 1970 return. Pressed on opaque pink vinyl. Mastered by Grammy®-winning engineer Michael Graves. Lacquers cut by Jeff Powell at Take Out Vinyl/Sam Phillips Recording Service in Memphis. Packaging contains liner notes from Bill Dahl. Some successful recording artists are lucky to enjoy a lengthy career and perhaps one successful comeback after their popularity wanes over time. Rock ’n’ roll pioneer and absolute legend, Little Richard, achieved several. In the ’50s he racked up a non-stop string of smashes for Specialty Records with producer Bumps Blackwell like the blistering cuts, “Tutti Frutti,” “Long Tall Sally,” and “Rip It Up.” The Georgia Peach was deemed too uninhibited and unpredictable for TV variety shows to present to the nation, but the records were undeniable hits. He was clearly, an artist far ahead of the culture and times. Little Richard returned in 1970 with The Rill Thing and instead of sticking around his adopted home of Los Angeles, Richard set out for Rick Hall’s FAME Recording Studios in Muscle Shoals, Alabama to record the album for Reprise, joined by Bumps, who was now his manager. The opening track, “Freedom Blues,” was released in April of 1970 and hit #28 on the charts. The second cut, “Greenwood Mississippi,” was also released as a single in August and also made a Billboard appearance. The marathon title track (running a whopping 10 minutes and 20 seconds) was an intense funk jam that was captured in one take. The album also featured covers of tunes by The Beatles and Hank Williams—it was a different sound by far than the savagely rocking attack he’d ridden to fame like a rocket at Specialty close to a decade and- a-half earlier, but it was every bit as effective. The Rill Thing bore the slogan “The Little Richard Sound” on its labels. “He was at his peak with his vocals on there,” says guitarist Travis Wammack admiringly. “He was just singing his booty off!” The Rill Thing is back as a 12" long player, and pressed on opaque pink vinyl with a printed inner sleeve that includes liner notes by Bill Dahl.

The Equatoguinean Norberto de Nöah established in Madrid in the early 80s, where he became a firebrand of African culture in the vibrant Movida. In 1988 he self-released his first solo album, a blend of homeland sounds —modern and traditional— with new synth and drum machine touches. The vanished album finally gets its well-deserved reissue.

Edition of 500 albums on vinyl (Bandcamp download code included) - Original artwork with new 14 pages insert and poster

In the mid-1980s, the European media, music industry and public became increasingly interested in African music. This was a period of international success for King Sunny Adé, Salif Keita, Youssou N’Dour, Ray Lema, Touré Kunda, etc. Spain, with its own particular conditions, wasn’t oblivious to the phenomenon and the Equatoguinean Norberto de Nöah may be its best exponent.

Norberto moved in the early eighties from his hometown in the island Fernando Po (now known as Bioko) to its former colonial capital, Madrid. While studying dramatic arts, he created and led the band Nohkis, made up of African and Spanish musicians. In 1985 they released the maxi-single “Mujer española” / “África, ¿dónde está tu gloria?”, and the song “El loco”, was released on a compilation LP called Esto es increíble, both on the label Lollipop. According to the journalist Patricia Godes, they were first artists to record an African music record in Spain. It received positive reviews and a great impact on the most independent side of Madrid’s La Movida movement. Very soon afterwards, Nohkis’ band split up.

Afterwards, Norberto would concentrate on his solo career, and Norberto de Nöah and The Böhöbé Spirits Müsic was released in 1988, definitely a solo album. Norberto created his own label, Kilimandjaro Productions, and composed, arranged and produced all the songs of the LP. Moreover, he sang and played all the instruments: a vast selection of organic instruments, a Yamaha RX-5 drum machine and a Roland D-50 synthesizer.

In the album he exposed his deepest roots, updating the lexicon of traditional Bubi music, the musician’s ethnic group, a compendium of ceremonial melodies that ancient troubadours composed for the court. Doing so he showed new possibilities to one of the oldest ethnic groups in the world. Besides all this, he was also inspired by American music such as funk, R&B, Latin American music and also by a wide range of African and Caribbean rhythms.

Mixing the traditional and the avant-garde in a spontaneous and natural way, the music contained in the record’s grooves flows freely and takes you to places full of magic and mystery, while still transmitting new and exciting sensations. Even more, according to the Equatoguinean musician and writer Baron Ya Búk-Lu based in Madrid, the album’s sound was “the perfect combination of all characteristics that defined the Equatoguinean Afropop music made in Madrid during the 1980s”, a story that still needs to be told in all its depth and intensity!

Following the release of two LPs and several singles, the activity of Norberto de Nöah and Kilimandjaro Productions (and the subsequent Bananas Podridas) ceased. Nevertheless, Norberto’s links to music continued, as a promoter and DJ in Madrid’s nightlife.

Norberto de Nöah contributed greatly to changing Spain’s musical landscape, breaking barriers and mental frameworks. He was the first to make contemporary and popular Guinean music known to the Spanish public.

The repercussions in the African market of a Spanish (and Bube) speaking African musical project, where English and French dominate, was very difficult. In addition, the passage of time and changes in phonographic formats have diluted the memory of Norberto's legacy. Now it’s time to reverse the situation and break all the outdated frontiers!

Norberto de Nöah and The Böhöbé Spirits Müsic, as every important music piece, was at the same time part of a universal phenomenon of recognition of African music and a very personal project, based on the artist’s nostalgic and heartfelt need to show and homage his ethnic group, the Bubis. In this process he also refreshed his hometown music legacy, giving it a new air and opening the door to lots of other great Equatoguinean artists coming afterwards, as well as being an inspiration for many musicians in Spain.