Suche:ash

50th Anniversary Re-Edition - Includes Original Releasesheet Inlay - Original Release: 1972 - 2021 Re-Cut carefully overseen by Manuel Göttsching

We proudly announce the authorised 50th Anniversary Edition 2021 of the 1972 Original release , one of the most important German Krautrock albums in a 2021 Re-Cut carefully overseen by Manuel Göttsching himself. As for the info we refer to Julian Cope´s review in his “Krautrocksampler” Book, Publisher : Head Heritage (1 Oct. 1995) : “Beware of Schwingungen!” That should be the large sticker on the front of all copies of this record. For it is dangerous to be casually introduced to something that is life-changing, as I found out to my cost when first listening to this record. It all starts fairly simply and without any cause for alarm - “Look at Your Sun” begins with a Doorsy lone groover guitar begins a pedestrian blues, beautiful. Then the most crushed voice, a cross between Johnny Rotten and Tiny Tim, preaches its way into the proceeds. God, it is beautiful - John L. repeats over and over, “We are all one, we are all one”, until a howling fuzztone solo guitar blows the whole onechord “Signed D.C.” ringing-cymbals torture to an end. And then the most far out track of all begins. This is called “Flower Must Die” and it is a free-rock giant that transcends everything else in its field (there are no contenders.) As I’ve written before, PIL sounds like this. John L. was John Lydon in a previous incarnation. After a slow weird build, a frantic streamlined one-chord mantra kicks in and it’s like the Stooges’ Funhouse period but in a Righteous Vision Zone that fucks them right off.

Liverpudlian Andy Ash is no stanger to the scene. Improving his production skills over many years, Andy has an impressive list of labels he released on: Stillove4music, Delusions of Grandeur, Dessous or Foto Recordings just to name but a few. After two compialtion tracks for Quintessentials, it’s time for his first full release! The „Lightbulb EP“ starts with „Lightbulb transaction“, a straight floating club track just perfect for these summer nights. The b-side goes deeper, focusing on slower beats yet keeping the „summer vibe“. Andy Ash is not only a master when it comes to the perfect blend of House, Disco and Techno, he is also a very talented painter, as you can see on his artwork! Hats off for the music and the design Andy!

The Ember, The Ash is 鬼 from Unreqvited’s post blackened death metal project that explores the heavier, darker, deeper and weirder sides of the DSBM genre. "Throughout all of Unreqvited’s manifestations, 鬼’s roots in post-hardcore ring out in the form of bright, building riff-walls that welcome the dawn of a new day. More of a DSBM artist through his general emotional intensity that escapes the prison of despair, Unreqvited becomes a candle in the depths of darkness. Surely, there needs to be a place to store overwrought feelings in order to arrive at a place of hope, and that’s where The Ember, The Ash comes in. 鬼 has added the new band to his list of rock and metal ventures, and it is arguably the gloomiest yet. While his songwriting still very much mimics the building of a staircase, it is one that aims steadily downward to the pits instead of upwards to the heavens." - INVISIBLE ORANGES

- 180 GRAM AUDIOPHILE VINYL
- FIRST PRESSING OF 750 NUMBERED COPIES ON
ORANGE VINYL

Fronted by ace drummer Sly Dunbar and his venerable sideman, bassist Robbie Shakespeare, The Revolutionaries were a conglomeration of many of reggae's finest studio musicians. At the time of recording Black Ash Dub, the group were in their prime, boasting a stellar line-up that included the fanes Riddim Twins
alongside such luminaries as Ansel Collins on organ, Bingy Bunny on guitar, Gladstone Anderson on piano.

The LP provides ample evidence of their talents, harnessed by leading producer Jah Thomas, with revered dub masters, Prince Jammy and Scientist, mixing the
killer selection.

Originally released in 1980 and featuring 2 major club hits in Marijuana' and Cocaine', Black Ash Dub is today widely heralded as one of the finest dub collections of the era and considered an essential addition to the collections of all serious fans of the genre.

Available in a limited first pressing on 'Trojan' orange vinyl!

The first release from Certain Sound is a collaborative effort, the result being two stellar tracks from the dynamic duo; Producer, DJ and label owner Barry Manalog, with MC and all-round wordsmith Ash The Author.

Side A, Cloud Riders, is a light and poetic number. The production oozes those jazz stylings reminiscent of that classic Hip Hop vibe, something to nod your head to on a late night. Ash's lyrical content is hopeful, and dream filled, rising above the clouds like Superman with his Lois Lane. Smooth as butter, the production and vocals go together effortlessly.

Side B, Extraterrestrial, completely flips the script! Whilst side A had us riding through the clouds, Side B completely blasts off and takes us out of this world! The production is gargantuan, heavy drums, haunting samples, it hits you like a slap in the face! Ash comes in on exactly the same tip, a relentless barrage of wordplay and punchlines. Venomous, but still with that slice of wit we've come to love him for, Ash's hunger really comes through on this track! To top it off, we have some seriously ferocious cuts from veteran turntablist DJ Chud, from the legendary Steel Devils crew.



DJ/Radio Support
All City Show/ with interview, Blatantly Blunt, Disorda, Fatp, Realness Radio, 1XTRA, Hatter Saturday Sauce, Boot Records show, Chud on KANE FM, Cypher Lounge Show, BBC Intoducing,Trackside Burners, DJ Madhandz Itch FM, Captain Co, Brick Celly, Hellfire Corner, Deejay Random, Jazz T, DJ Format, Soup (J5), DJ Madhandz.

Anna von Hausswolff is a Swedish singer, pianist, organist and songwriter. This album consists of ORGAN SONGS INSPIRED BY SACRO BOSCO/PARCO DEI MOSTRI

Mirror Glaze Lavish” is Marc’s latest effort in trying to depict his cynical and disillusioned view of the present-day music scene, seen through a sonic magnifier that emphasizes its greatest controversies, by juxtaposing different electronic languages as a challenge to the current levelling artistic trends. The artist personality is nullified, standardized to a state of placid non-critical thinking. Everyday’s emptiness emerges as the structure of reality and only the cracks in it still lead to life. “Great souls suffer in silence”, once said Friedrich Schiller, but what if silence becomes an audible, danceable image? As if all these electro cuts, differently permeated with a balanced mix of playful darkness, were populated by eerie animals that cannot find peace with their habitat and keep dancing relentlessly until the very end of their miserable existence. Seen in this context, each of Marc’s tracks must be interpreted as an irreverent and poignant act of self-assertion vis-à-vis his contemporaries. Morah’s reinterpretation of “Celexxa” adds value to the original track, taking us for a dirty ride on a psycho-electro-charged rollercoaster.

One of the Italian soul-mod tracks that every DJ has always dreamed of having on 7-inch! Taken from GLI ANGELI DEL 2000 OST by Mario Molino, ASH is an ace uptempo dancefloor burner, provided by a great brass section, and sung by the fabulous Edda Dell'Orso.

On the flip-side is GLI ANGELI DEL 2000 - a lysergic Italian version of Pierre Henry's retro-futuristic "Psyché Rock" anthem, featuring bells, fat bass lines, wah wah guitar, and electronic effects. Limited Edition 300 of copies. Don't sleep!

Andy Ash has been quietly sneaking out seriously good analogue-driven electronic music on some of the best underground labels for over a decade.

The Liverpool-based producer, DJ and visual artist (the artwork for this re- lease is Andy’s own oil on canvas) has graced the likes of Chicago’s Stilove4music, NYC’s On The Prowl, Sydney’s People Must Jam and has remixed Fantastic Man for Detroit label Kolour LTD amongst many others.

The bottom line is that he’s definitely one of the UK’s unsung heroes when it comes to deep, raw, Chicago and Detroit-influenced house music and we’re proud to welcome him to Delusions Of Grandeur with an amazing three tracker entitled the Bottleneck EP.

The title track opens with snappy hats, flappy congas and sloppy baseline all sitting perfectly in the mix and with a looseness that is much harder to achieve that it may seem. A simple synth melody doubles up the bassline while an extra square wave lead adds that little extra hook without distracting us from the bouncing groove. With Bottleneck, less is definitely more.

Flipping over we have Hump, an altogether darker affair with a twisting acid line joining distorted 808 drums and tripped-out snippets of spoken word coming in and out of focus. The low-slung bumpy groove and spacey synth parts make this a compelling warehouse track which will draw everyone into it’s seductive confines.

Closing the release we have Actual Price, a shuffling, deep groover with rumbling low end and machine-like analogue synth part skipping around the crunchy beats. A cerebral yet punchy and dynamic closer to an excellent release!

The fifth issue of Blacksilk sees the return of label head Marc Ash. Following the debut of his one-project moniker Plovdiv in 2016, a tape EP on Clan Destine and appearances on labels such Helena Hauff's 'Return to Disorder', he now comes forth with a work that reveals a deeper side of his obscure and multifaceted vision of electronic music.

Rejecting any fixed musical categorization, the listener is left free to decide how to deal with these compositions, each one exploring different areas of Marc's approach to existence through seductively articulated synth lines.

A work of self-reflection and a stark celebration of controversial times of uncertainty and doubt.

Deadpan vocals extracted from Godard films, eerie Teutonic fairytales and Marc's own deconstructed voice take the listener by the hand on a rollercoaster of anxiety and active resignation to the absurd post-everything age in which we live.

Silent Servant's reinterpretation of 'Take your Judgments' crowns the EP with a shadowy march built on repetitive sequences, abruptly waking us up from the sinister dream and leaving a sweet yet sour taste in our mouths.

Debut physical release from Scottish newcomer Andrew Greens AKA Ash Is. Hailing from Edinburgh and at the heart of club culture in his city, he is running parties and sharing stages with the likes of Baltra, Bwana, and other forward thinking international artists. This release comes packed with 3 affecting club tracks, each serving a different purpose. Ash Is fuses elements of rave, house, techno, and electronica to serve up moments of euphoria & tenderness. Fluttering arpeggios, dusty breaks, warm pads & feeling laden melodies often feature, capturing a sense of post-club emotion. These are three heavy hitting cuts that truly carve out a lane of his own.

Bangers and Ash is back. The rough & ready series of records that spawned the wider Styles Upon Styles imprint has always challenged artists (Clay Wilson, Certain Creatures, Best Available Technology to name a few) to work their sonics for both the club (Bangers) and the clouds (Ash), now welcoming Contakt to the family in 2018. A native of Michigan and a long-time resident of Brooklyn, Contakt cofounded the boundary-pushing club night TURRBOTAXr with previous releases on Argot, Icee Hot and "Second Shift" and "Detritus" feature on the Ash side with a spacious wash of atmospheric analog synth constructs, while "Shut Off Notice" and "NDO" are Bangers that divebomb deep into classic Detroit techno. Each record has been screen-printed, stamped and stickered by Contakt and SUS, with mixing by Phil Moffa and mastering by Josh Bonati."

The electronic pioneer and founding father of synthpop, Gary Numan, celebrates his 40th anniversary as recording artist. During these 40 years, Numan's impact made itself felt; his dark, paranoid vision, theatrically icy alien persona, and clinical, robotic sound were echoed strongly in the work of many goth rock, wave and industrial artists

Wave Tension Records invited 7 contemporary dark wave, gothic and dreampop artists to honour their inspirator with an exclusive tribute. The album opens with Agent Side Grinder's nostalgic analogue rendition of 'I'm an Agent', followed by Ash Code's fresh sounding fast paced post-punk/dark wave version of 'Down In The Park'. Shad Shadows turn 'Metal' into a whispering heated darkwave track. On the last track of side A, Box & The Twins create warm and dreamy soundscapes in their version of 'Complex'. SUIR opens side B with a hypnotic psychedelic slowed down art-punk version of 'Cars'. Synths Versus Me turns Numan's monster hit 'Are Friends Electric' into a fresh synthpop & EBM take with Art of Noise-esque vocals. The album's closing track is a gothic rock rendition of 'My Name Is Ruin' by Swedish rockers Then Comes Silence, which encourages you to sing along

About 160 BPM 3-tracker... A side goes long, very long acid mental... B side has a first tune for pleasure, a realy great one with a solid ambiance and a great feeling... Last track is a good one too : solid and heavy like an Obscur record production.

Solar Phenomena continues a high quality and high rate of releases after EP's from the likes of STL and Fluxion with a new one from Mystica Tribe - the musical alias of Tokyo-based producer, Taka Noda. Here he draws on everything from dub, soul, bass music, rhythm and blues and will always freak you out with his unusual sounds.

This excellently absorbing EP starts with Love Is All Right, a fusion of Asian percussion and reggae drums that is high tempo and funky. The bright steelpan sounds offset the razor sharp percussion and make for a sunny dub that will get any crowd going. The same fusion vibes continues but in more blissed out and slow motion fashion on 'Lawn Track', the beautiful cosmic psyche-out that is 'Ash' and supple space journey that is 'Voyage' with its intoxicating melodies and loose, tumbling percussion. This is unusual but essential music from an exclusive talent.

A Fortuna-selected compilation for Tel-Aviv restaurant "The Brothers". Only available locally except for a few limited export copies. Fortuna describe this compilation as "A set of ten killer tunes we licensed especially for the restaurant. One-off tracks from the golden Jaffa, dancefloor certified bangers, and all-time personal favorites!"

more talking all that jazz, more high aiming music by fumio itabashi: mule musiq is ready to release another record by the legendary japanese jazz pianist, born in ashikaga, tochigi in the year 1949.
this time his first solo record ever: the heavy jazzing 'nature', which has never been reissued on vinyl since its birth in 1979. it has been recorded at nippon columbia 1st studio, tokyo from march 13 to 15 in the year of its release.
it features itabashi making feverish love with the piano and sharing the studio with the great bass players hideaki mochizuki and koichi yamazaki, drummers kenichi kameyama and ryojiro furusawa, soprano saxophonist yoshio otomo and vibraphone wizard hiroshi hatsuyama.
they all joined him to perform his very own songs, composed by itabashi himself and produced by ryonosuke honmura, who also produced japanese jazz heroes like saxophonist keizo inoue during his career.
but enough background information. what counts is sound. it is fresh, propulsive, twitchy and melodi-ous from the first to the last tone. sometimes the instrumentalists play a classic solo in an overall deep modal jazz atmosphere that seems to be made for cats that love the good old stars and inventors - from john coltrane to mile davis, from thelonious monk to art blakey.
'nature' also shows how deep itabashi studied the history of the genre, while keeping his very own vision of jazz alive. the man that made his professional debut as a member of the sadao watanabe quintet in 1971 and that also was a member of the elvin jones jazz machine world tour from 1985 to 1987, plays the piano in all tempos: nervous high-flying quick, deeply blue blues style slow.
besides the traditional jazz flavours, you get a feeling of mind-expanding spiritual jazz, that grand mas-ters like pharaoh sanders or gary bartz turned into a sacred music genre. a master-class record in ravishing big city jazz music, adventurous, sometimes meditative, sometimes faster than the speed of light, always grooving with a bright, pure-toned sensibility and deeply soulful melodic imaginations.
it extends the jazz history with a fine balance between tradition and innovation. and it stays infectious all the time while sounding surprisingly fresh due to a lot of thrilling musical spontaneity that touches profoundly even though all notes have been written down by fumio itabashi before he and his combat-ants entered the studio.
and maybe that's the mystery of these timeless five at times epic recordings: all notes been written on paper but each musician had the freedom to dance with them in his very own unique way. so, turn the volume loud and get ready to be steamrolled by fumio itabashi's 'nature', an inebriant album that is talking all that jazz deeply!

Max Cooper is releasing an EP of remixes by friends and other artists he admires, on a DJ friendly 12" vinyl with 6 remixes.

It takes the LP from an incredible home listening experience and onto the dance floor. On the 12" will be the remixes from Vessels, Rival Consoles, Tom Hodge, Kimyan Law, Christian Loffler and Ash Koosha.

In November last year Max Cooper released EMERGENCE , an epic, operatic, amalgamation between audio-visual show, scientific research project, art installation and IDM record. EMERGENCE is the story of the development of the universe, the way in which, very complex things like human beings were created from the immaterial by the action of simple laws.

The record sleeve and inner sleeve were designed by Wolfgang Tillmans.