Cerca:assembler

Electro bass cyperpunks from down under, Assembler Code & Jensen Interceptor, team up again for "NRG LVLS" on TRUST. Four heavy-duty tracks might overclock neural interfaces with drilling synths, twitchy funk and high-pressure electro rhythms. Welcome to the Sprawl...

2023 Repress

The ever-potent duo returns to Mechatronica with a fistful of murky electro bangers, following up on their Vapour Waves EP released on the Berlin label last year. Watch your bins!

Repress

Assembler Code - We've Felt This One Coming For A Minute Now. After An Unstoppable Run Of Releases Along Side Jensen Interceptor On Labels Such As Cultivated Electronics, Private Persons & Boysnoize Records, Ac Is Finally Flying Solo With This 4 Track Electro Assault Masterpiece 'mental Escape'.

Plugging Into The Title Track 'mental Escape', It's A Rugged Machine Driven Work Out Through Idm & Industrial Landscapes Formulated To Present His Vision Of Futuristic Electro Whilst Still Providing All The Nostalgic Rother & Drexcyian Nods We All Love.

Now That The Tone Has Been Set, 'simulant' Follows Suit. Entering The Celestial Sphere Via Some Haunting Sci-fi Strings, We're Slapped In The Face With Slamming Percussion Followed By A Relentless Acidic Modulated Baseline That Takes Us From One Planet To The Next At Light Speed.

The Journey Wouldn't Be Complete With Out His Old Partner In Crime Jensen Interceptor Coming On Board For A Ride. 'type 2' Is A Classic Case Of Past Meets Present. Scrapyard Industrial Groove Ready To Split Speakers At Your Next Warehouse Party Married With A Selection Of Classic Alpha Sounds To Keep All The Purists In Check.

The Thunder Continues To The Very End. If You're A Tape Saturation Fiend Begging For Your Next 808 Crack Hit, Prepare To Have Your Back Bent In Half With Euphoria As Soon As 'hal's Machine Tool' Is Injected Into Your Ears. In Short, 4 Minutes & 44 Seconds Of Hard Nasty Robotic Electro Booty Sweat.

Yen Tech’s second album is fully eye-popping cyber-theatrical medieval deconstructed nu-metal. Like Amnesia Scanner banging out Slipknot covers with Siri and Arvo Pärt in a distant space prison.
‘Assembler’ is a bizarre record, even for SVBKVLT. Yen Tech’s debut “Mobis” was a future-facing hi-tech part rap deconstruction, all blitzed trap and vaporwave shimmer. “Assembler” is completely different proposal, addressing the post-COVID world with growling anxiety and lavish, multidimensional digital fireworks.
Hoarse semi-human vocals are meticulously painted over hydraulic, machine-gun kicks, drunken synth drones and simulated choirs. Techpilled harpsichord chimes burp and resonate over swirling, supernatural soundscapes, while alien chatter butts heads with disembodied artificial voices. “Herd immunity,” a voice echoes on ‘Leech’, as unsettling drones build through clouds of white noise.
Yen Tech takes Amnesia Scanner’s dystopian deconstructed airlock club template and debones it to fit the actual dystopia of 2021. Jarring, fanged and packed with sneering nu-metal adjacent attitude, “Assembler” sounds as awkward and genre-allergic as an algorithmic playlist. It’s an uneasy listening experience that’s both familiar (‘Extinction Game’ is almost chart-ready future pop) and defiant all at once.

Ten years after it was first released, the eponymous debut EP by M.O.O.N gets a re-release in the much sought-after picture sleeve alongside the follow-up collections, Particles EP and Day/Night EP.

The EP has found fans in DJs such as Andrew Weatherall, Peggy Gou, and Jacques Renault, whilst the appearance of all four tracks on the soundtrack for cult game Hotline Miami the EP ensured a cult following, racking up millions of plays on streaming sites.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

2026 Repress

Ten years after it was first released, the eponymous debut EP by M.O.O.N gets a re-release in the much sought-after picture sleeve alongside the follow-up collections, Particles EP and Day/Night EP.

The EP has found fans in DJs such as Andrew Weatherall, Peggy Gou, and Jacques Renault, whilst the appearance of all four tracks on the soundtrack for cult game Hotline Miami the EP ensured a cult following, racking up millions of plays on streaming sites.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

Repress
2x12" Clear vinyl
This new album is the product of a 2 year process. The LP reflects what I love about the diversity of drum & bass and all its sub genres as well as what I enjoy playing at clubs and festivals.

It was crucial to me that this new chapter was a step up in content, sound design and song writing which influenced the decision to include only solo material and even master it myself.

Manifest is Mefjus 2.0 Martin

Pressed on 2 x 12 coloured gatefold vinyl
Comes with a download card for the full album in 320 kbps MP3.

Artwork and typography by Rutger Prins / Regime
Logo by Philipp Meindl-Grausam

2024 Repress

Zeta Reticula makes his Censor debut with Star’s Wobble EP. The A side starts with the EP title track with rushing leads, arps and a distinct energy that ZR is known for, all held together with electronic clangs and atmospheres adding tension to the mix.

Next is Planet’s surface which has a murkier and tougher sound, jumping between broken beats and 4/4 electro territory in sections that creates a twisting, turning wormhole straight to the galaxy from which it was made. Unaided Eye is the final track of the A with a deeper and more drum focused mix intertwined with tripped out pads and fx.

On the flip, Sync 24 & Alex Jann take care of the title track remix adding a rushing bass, claustrophobic edits, builds and impacts that the pair are known for respectively. Francois Dillinger brings the B-Side to a close with a sparse stripped back electro sound adding almost a down-tempo alternative to Zeta Reticula’s original.

This is Censor’s 5th vinyl release following on from London Modular Alliance, Assembler Code and Alex Jann.

Mastered by Alden Tyrell
All tracks Uroš Umek
Remix P by Sync 24 & Alex Jann (Star’s Wobble Remix) // Francois Dillinger (Planet’s Surface Remix)

Repress.

DARK VEKTOR is the new signing for the Madrid label INDUSTRIAS MEKANIKAS, a very consolidated artist within the Spanish ELECTRO scene and very well known internationally.

SIEGA LAS CADENAS, is the name with which the Catalan artist, presents this new work, a title that undoubtedly carries a very direct message about the times of repression and bias of freedoms that we came today.

This new work presents 6 tracks, three original tracks of DARK VEKTOR, along with three remixes, of the hand of some of giants of the international ELECTRO scene.

ASSEMBLER CODE, COSMIC FORCE and CESTRIAN, are in charge of finishing off this incredible reference, full of pure power in each beat, demolishing bass, and hypnotic sequences and above all a message of vindication that is the common thread of the whole EP.

After 27 years, The Implant (aka Arno Peeters/Sp@sms) retruns to Phoq U, with four weird and wonderful tracks, including a Assembler Code remix.

Waajeed’s 2022 long player, Memoirs of Hi-Tech Jazz, was an aural love letter to his hometown of Detroit; an amalgam of the city’s history, coalescing the personal, political and, of course, musical past.

From the Motown soul assembly line to J Dilla’s musically dense Hip-Hop to The Stooges’ proto-Punk to the birth of Techno, the music of the Motor City has spread across the globe inspiring countless artists who in turn went on to create their own forms and genres.

Emulating this movement and transmutation, the Memoirs of Hi-Tech Jazz Remixes 12” sees artists from three continents repurpose elements from across the LP, transforming them into productions stamped with their own trademark styles whilst retaining the spirit of each original:

the UK’s Mark Broom loops sections of Right Now while speeding up the BPM for a classic UK-style techno remix; Ghana-born Yazzus takes on The Ballad of Robert O’Bryant adding a surprising number of twists and turns for a five-and-a-half-minute piece; Australians Jensen Interceptor and Assembler Code close the 12” out with their take on the album’s title and opening track neatly closing the loop, bringing us full circle to the start of the LP.

The release of Memoirs...remixes add another facet to the immensely heartfelt tribute to Detroit from one of its most talented citizens and a true milestone in the Tresor catalogue.

Mathis Ruffing & Tamila bring serious heat to International Chrome's second 12" of 2023. Three original tracks of breakbeat & electro featuring the bi-lingual vocal stylings of Miss Tamila on one side, and two fire remixes by Sinistarr, and DJ Fucks Himself taking things up and up on the flip.

As you'd expect from a label run by Jensen Interceptor and Assembler Code, this is 100% dancefloor stuff with serious sonic heft.

Elkka’s deep intuition is the unifying thread throughout Cardiff-born DJ and producer’s illustrious career. Vibrant releases for Local Action, Ninja Tune and her own label and party, femme culture, have marked her as an unstoppable force within the London underground.

This recognition metabolised when she was awarded BBC’s prestigious Essential Mix of the Year in 2021, spotlighting her radiant blend of classic house, breakbeat and experimental electronica to the world over.

As the next curator of DJ-Kicks, Elkka is voyaging through rave euphoria. “This is a really special moment for me because DJ-Kicks has been a formative part of my musical education,” she says.

An intoxicating journey through Chicago house and disco, leftfield techno, UK bass and electro-punk, Elkka conjures up an atmosphere that is as primed for the club as it is the listener’s interior world.

VE ABOULKHEIR - 22/12/2017 GUILIN SYNTHETIC DAYDREAM (2021)

22/12/2017 Guilin Synthetic Daydream is a perceptual trap. Inspired by an experience of intense perceptive disorientation while crossing a market in China, Eve Aboulkheir reinstantiates, in the field of sounds, the swirling and anamorphic universe of thwarted perceptions, surrounding multitudes and shifted sensations. She thus constructs a dreamlike and artificial universe, suspended and hyperactive, which is both an electronic vortex sucking us in and a mechanical ballet developing its arabesques around us, caught and fascinated by these volutes of sound that fracture like a kaleidoscope in which our eyes-ears are immersed. 22/12/2017 Guilin Synthetic Daydream approaches the musical form in the most direct way possible, i.e. through its effects and its empire on our sensorium.

(fr) 22/12/2017 Guilin Synthetic Daydream est un piège à perception. S’inspirant justement d’une expérience de désorientation perceptive intense lors de la traversée d’un marché, en Chine, Eve Aboulkheir réinstancie, dans le champ sonore, l’univers tourbillonnant et anamorphique des perceptions déjouées, des multitudes environnantes, des sensations décalibrées. Elle construit ainsi un univers onirique et artificiel, suspendu et hyperactif, à la fois vortex électronique nous aspirant et ballet mécanique développant ses arabesques autour de nous, piégés et fascinés par ces volutes de sons qui se fractalisent comme un kaléidoscope dans lequel sont plongés nos yeux-oreilles. 22/12/2017 Guilin Synthetic Daydream aborde la forme musicale de la manière la plus directe qui soit, c’est-à-dire à travers ses effets et son empire sur notre sensorium.

LASSE MARHAUG - HOW TO AVOID ANTS (2020)

Using concrète techniques to collect, transform and assemble sounds of various origins (sounds of tree branches, leaves, but also guitars or synthesizers), Lasse Marhaug elaborates a dense and subterranean work, which unfolds through the multiple dimensions induced by the great diversity of its sound material. There is a labyrinthine feeling in this work, a feeling that is better understood when the inspiration for the title of the piece How to avoid ants is revealed, a very practical and then poetic undertaking, that of avoiding the anthills lining the path to the forest camp in the kindergarten to which his little girl, who was then frightened of insects, was going. It is such an activity of circumvention, diversion and byways that Lasse Marhaug uses to create an exploratory and evasive music.

(fr) Utilisant les techniques concrètes pour collecter, transformer et assembler des sons d’origines variés (sons de branches, de feuillages, mais aussi de guitares ou de synthétiseurs), Lasse Marhaug élabore une œuvre dense et souterraine, qui se déploie au travers des multiples dimensions induites par la grande diversité du matériau sonore. Il y a un sentiment labyrinthique dans cette œuvre, sentiment qu’on comprend mieux lorsque se dévoile l’inspiration du titre de la pièce How to avoid ants, entreprise très pratique et devenue poétique, celle d’éviter les fourmilières jalonnant le chemin vers le camp forestier du jardin d’enfant dans lequel se rendait sa petite fille, alors effrayée par les insectes. C’est une telle activité de contournement, de déroute et de chemins de traverse qu’emprunte Lasse Marhaug pour créer une musique exploratoire et évasive.

The third EP from cult producer M.O.O.N finally gets a vinyl release rounding off a triple-release month alongside the represses of the eponymous debut EP and Particles EP.

A more brooding offering finds M.O.O.N exploring a deep house avenue with three tracks themed around ideas of driving through the city at twilight.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

The long-requested repress of M.O.O.N's second EP hits stores this month along with the eponymous debut and Day/Night EPs.

From the sci-fi heart-melter, "Dust", to the wonky bleep of "Plus Four", this is the sound of an artist hitting new heights and finding a rhythm that will become a signature sound.

All tracks have been remastered by Brendan Zacharias aka Assembler Code giving the EP a new level of punch in the club and on home hi-fi.

2023 Repress

Avoidant Records present a special 12" vinyl sampler taken from the Various Artists compilation, "Defend Your Planet"

• DELUXE HEAVYWEIGHT SLEEVE WITH SPOT-VARNISH AND ALTERNATIVE ARTWORK
• INCLUDING INSERT WITH LINER NOTES
• PVC PROTECTIVE SLEEVE
• 1994 BANK HEIST MOVIE PRODUCED BY ROGER AVARY & QUENTIN TARANTINO
• SCORE BY TOMANDANDY (THE HILLS HAVE EYES, THE STRANGERS)
• AVAILABLE ON VINYL FOR THE FIRST TIME
• LIMITED EDITION OF 2000 INDIVIDUALLY NUMBERED COPIES ON FLAMING COLOURED VINYL

Killing Zoe is a 1994 crime / bank heist film written, directed and produced by Roger Avary and co-produced by Quentin Tarantino. Killing Zoe follows the story of a safe cracker named Zed who returns to France to aid an old friend in performing a doomed bank heist. The film was labeled by acclaimed film critic Roger Ebert as “Generation X’s first bank caper movie”. After the production of Killing Zoe, Avary and Tarantino continued their collaboration and produced both the iconic award winning movie Pulp Fiction and several radio dialogues in Reservoir Dogs.

The score to Killing Zoe was produced by Tomandandy, aka Thomas Hajdu and Andy Milburn. This duo is best known for their horror scores like The Hills Have Eyes and The Strangers amongst others and many collaborations with great artists such as Lou Reed, David Byrne, U2 and Laurie Anderson.

Killing Zoe is available on vinyl for the first time as a limited edition of 2000 individually numbered copies on flaming coloured vinyl and includes an insert with liner notes.

• DELUXE HEAVYWEIGHT SLEEVE WITH SPOT-VARNISH AND ALTERNATIVE ARTWORK
• INCLUDING INSERT WITH LINER NOTES
• PVC PROTECTIVE SLEEVE
• 1994 BANK HEIST MOVIE PRODUCED BY ROGER AVARY & QUENTIN TARANTINO
• SCORE BY TOMANDANDY (THE HILLS HAVE EYES, THE STRANGERS)
• AVAILABLE ON VINYL FOR THE FIRST TIME

Killing Zoe is a 1994 crime / bank heist film written, directed and produced by Roger Avary and co-produced by Quentin Tarantino. Killing Zoe follows the story of a safe cracker named Zed who returns to France to aid an old friend in performing a doomed bank heist. The film was labeled by acclaimed film critic Roger Ebert as “Generation X’s first bank caper movie”. After the production of Killing Zoe, Avary and Tarantino continued their collaboration and produced both the iconic award winning movie Pulp Fiction and several radio dialogues in Reservoir Dogs.

The score to Killing Zoe was produced by Tomandandy, aka Thomas Hajdu and Andy Milburn. This duo is best known for their horror scores like The Hills Have Eyes and The Strangers amongst others and many collaborations with great artists such as Lou Reed, David Byrne, U2 and Laurie Anderson.

Killing Zoe is available on vinyl for the first time as a limited edition of 2000 individually numbered copies on flaming coloured vinyl and includes an insert with liner notes.

The next release on Cultivated Electronics Ltd shines a light on some of the fresh talent emerging from within the Electro scene across this double-vinyl 12" which will be pressed on balck and colour vinyl editions. IMOGEN has enjoyed a whirlwind rise, and her reputation as one of the most talented newcomers is well recognised. Her discography includes releases on Earwiggle, Shared Meanings and fabric where she is also a resident DJ, and presents a monthly radio show on NTS. She opens the compilation with the tough beats and twisted melodies of 'Anatta'. ARMEC (Robbie Mecrow) is an Electro and Acid producer from Manchester who has already impressed with releases on Nebulae, Echocentric, Further Electronix and most notably 20/20 Vision. His beat-led track 'Acute' delivers a serious punch with plenty of sub-bass. Russia's SERGEY TIMOSHOV is the promoter and resident DJ at Warehouse, held weekly at the Propaganda club in Moscow. Here he utilises that experience in fine style for his club-ready 'Electro Beats 1'. UK artists OBSERV and CYPHON collaborated on their debut EP for Gunfinger Food last year, but here they deliver 1 track apiece. Obzerv brings pure destruction on his tumultuous track 'Octro'. While Cyphon, known for his live hardware sets, supporting artists like Assembler Code, Radioactive Man and Afrodeutsche, plus releases on International Chrome and Blind Allies brings dark phunk to 'Nightmare'. KHALILIAN is probably best known as one half of US duo Joonam (with Elon Admony) who have been self-releasing on their Balagan label for the last few years. 'Valda' pitches things down with Detroit-esque chords and a deep, subterranean atmosphere. TOM FAZAK is a 21 year old DJ/Producer from Cardiff now based in Bristol. Better known as a DJ, he's spent the past 9 year collecting records and garnering inspiration from all aspects of dance music. For the last 3 years he's focused on production and draws on cosmic influences for his contribution, 'Weightless'. LINDSAY GREEN is one half of Co-Accused, long-standing residents of Glasgow's prolific underground club scene via their club nights in Paisley's Club 69 and the launch of their Co-Accused Records label in 2021. Going solo for the closing track, 'Creepin' bridges to gaps between Electro, Techno and Acid.

The battle against the plague has raged hard for over a year. Around the globe, dancefloors are empty, layers of dust and broken bottles strewn across them…the glowsticks have long faded to black. But the Cologne mothership KOMPAKT has managed to prevail, bringing inspiration and hope through the message of music to a decaying humanity.

The Reawakening is finally in sight. It is only fitting that New York’s Steve Moore (of Zombi, Gianni Rossi and Lovelock fame) makes his return to KOMPAKT now with this foursome. Especially as his last release for us, “Frame Digging” (KOM 415) directly preceded the start of the pandemic.

AUTO SEQUENCE START – the time arrived for us to press the reset button. The cycle has completed.

Der Kampf gegen die Seuche tobt nun bereits seit über einem Jahr. Rund um den Globus sind die Tanzflächen leer, Schichten von Staub haben sich darüber gelegt, zerbrochenen Flaschen liegen herum ... auch die Leuchtstäbe sind längst erloschen. Doch das Kölner Mutterschiff KOMPAKT hört nicht auf, der darbenden Menschheit Inspiration und Hoffnung durch die Botschaft der Musik zu bringen.

Das Wiedererwachen ist in Sichtweite. Umso passender, dass der New Yorker Steve Moore (bekannt durch Zombi, Gianni Rossi und Lovelock) nun mit dieser 4 Track Maxi sein KOMPAKT-Comeback feiert. Denn seine letzte Veröffentlichung für uns, "Frame Digging" (KOM 415), war direkt vor Beginn der Pandemie erschienen.

AUTO SEQUENCE START - die Zeit ist gekommen, den Reset-Knopf zu drücken. Der Kreis schließt sich.

Alex Jann returns to Dance Trax after last year’s intense electro workout alongside Assembler Code. Here he fly’s solo showcasing his broad style of electro futurism - inspired by authentic machine funk, Jann re-imagines classic sounds for modern times. Marco Bernadi on flight deck reporting for remix duties - Stay alert!

DJ Support
Nightwave “really digging this and will play in isolation streams lol cant choose a fav tracks, love them all and heavy Bernardi rmx” 5/5
Martyn Bootyspoon “Don't come around is a jam” 5/5
Solid Blake “top!” 5/5
tiga “downloading for tiga, thanks” 4/5
Fear-E “Excellent stuff!” 5/5
Paul Woolford/ Special Request “Y E S Cybernetic Memory bangs, gonna throw it in the mix on my Radio 1 show, can you send me a WAV please? T H A N K Y O U” 5/5
Horse Meat Disco “Love this” 4/5
Extrawelt “Dope!” 5/5
Martelo “this is super wavey.. into it!” 5/5
Len Faki “great vibe - love it!” 5/5
Âme “thanks” 3/5
Mr Beatnick “inward energy is perfect for my NTS show”
Ben UFO “thanks” 4/5
Mosca “Marco always hits that sweet spot of offness” 3/5
anja schneider “THX for the music” 4/5
Barely Legal “Hard” 5/5