quête:at war

Genres
Tout
Various - Passing Currents

Passing Currents aims to stand out from the predictable by offering a deeply human touch in its music. This five-tracker backs that up by melding academic expertise with dancefloor intuition and the A-side features txted by Phil Moffa remixed by Yamaha DSP coder okpk after they met during doctoral studies, they flip technical mastery into bass-driven energy while Atrevido' fuses California warmth with analogue electro, Josh Dahlberg's rediscovered 2009 electro gem, 'Ass On The Floor', still bangs and Detroit's Kevin Reynolds delivers hypnotic grooves before Hazmat Live pushes boundaries with a sound rooted in soulful, experimental innovation.

En stock

Disponible en stock et prêt pour l'expédition

17,23
CRISTIAN VARELA - SUPRACONSCIENCE

Regal launches Backspin Records with a first seismic release by Cristian Varela. With the Supraconscience EP, Varela delivers a masterclass in groove-driven intensity, further defining Backspin's mission to resurrect and reimagine the pulse of early2000s techno.



The EP plays like a coded message from another dimension. With uncompromising tribal rhythms, the tracks draw from the same well as the classic vinyl cuts that shaped Backspin's sonic ethos: groovy, loop-driven, bass-heavy and packed with percussive punch. J0T4 kicks off with punchy low-end pressure and epic synth melodies, while J0T5 goes deeper, layering syncopated trippy percussion with eerie atmospheres. Next up is Exegon, a tightly wound, loop-heavy storm of shuffled rhythms and distorted stabs - hypnotic, functional and built for peak-time intensity with its melancholic hook. Closing track J0T7 brings a warped, rolling energy that ties the EP together in true Hardgroove spirit.

As Backspin gathers momentum, Supraconscience proves that this isn't just about nostalgia. It's about pushing the timeless power of groove into new realms, led by legends like Cristian Varela who helped write the blueprint in the first place.

En stock

Disponible en stock et prêt pour l'expédition

12,40
Kronert - DRIVE IT LIKE YOU STOLE IT

With no compromises on sound quality and an exclusive pressing designed for true vinyl enthusiasts, KRONERT002 is more than just a record—it's a collectible statement of artistry and innovation. Don’t miss your chance to own a piece of this journey.

Pushing sonic exploration even further, KRONERT002 embodies the raw essence of underground house music, capturing its energy, groove, and timeless appeal. This limited Coloured Splatter/Split vinyl is more than just a record—it’s a statement, a collector’s piece for those who live and breathe the rhythm.

Kronert crafts a hypnotic blend of rolling basslines, shuffled drum patterns, and atmospheric pads, seamlessly fusing classic house elements with a forward-thinking approach. The EP’s warm textures and intricate grooves ensure its versatility—whether igniting peak-time dance floors or setting the tone for deep, late-night sessions.

En stock

Disponible en stock et prêt pour l'expédition

11,72
Daryl Systems & Mr Fantasy - Sensazione Elettronica

Daryl Systems: The Wall Street Investor Turned Synth Maestro_
Daryl Systems, a former Wall Street stockbroker, found his true calling in music after a successful career in finance. Born and raised in the heart of New York City, Daryl made his fortune in the high-stakes world of stocks during the booming 90s. By the mid-90s, he had amassed significant wealth, allowing him to retire early and turn his attention to his lifelong passion: music.
Daryl relocated to Sweden, a country known for its rich history of electronic music, and began amassing a vast collection of vintage synthesizers. Inspired by the analog sounds of 70s and 80s synth music, Daryl became deeply immersed in the world of electronic production, creating lush, nostalgic melodies with a modern edge. His music blends the warmth of classic synths with innovative soundscapes, capturing a sense of retro-futurism.
Daryl's work is rooted in the tradition of vintage synth music, drawing influences from early electronic pioneers, while adding his own contemporary twist. He quickly gained a reputation within the underground scene for his impeccable taste in synthesizers and his ability to weave intricate, atmospheric tracks. His unique background and sound have made him a sought-after producer within the global electronic music community.

Mr. Fantasy: The Latin Italo Lover and Synth Collector
Mr. Fantasy is a true embodiment of the Italo disco movement, with a deep love for the genre and a keen passion for synthesizers. Hailing from Latin origins, Mr. Fantasy’s music is a vibrant tribute to the golden era of 80s Italo disco, blending nostalgic melodies with rich, rhythmic layers. With a particular obsession for collecting vintage synthesizers, Mr. Fantasy's music brings the analog warmth of the past into the present, creating a captivating blend of melodic hooks and captivating synths.
He grew up listening to the Italo disco classics, developing a fascination for the genre's distinctive sound, which he now incorporates into his music. Mr. Fantasy’s tracks are filled with pulsating beats, dreamy synths, and smooth basslines, all influenced by the golden age of Italian disco and electronic music.
His passion for synthesizers is matched only by his dedication to creating the perfect track. By blending his Latin roots with the shimmering sounds of Italo disco and the energy of modern electronic dance music, Mr. Fantasy has carved a niche for himself in the underground electronic scene.

The Collaboration: "Sensazione Elettronica" EP
In a highly anticipated collaboration, Daryl Systems and Mr. Fantasy have teamed up to release a new EP for the Italian record label Maledetta Discoteca. This collaboration brings together their shared love for vintage synthesizers, the Italo disco influence, and a passion for deep, atmospheric electronics.
Sensazione Elettronica features four electrifying tracks that blend retro vibes with fresh, forward-thinking production. Drawing from their unique backgrounds—Daryl's transition from the world of finance to full-time music production, and Mr. Fantasy’s deep connection to Italo disco—they have created a sound that is both nostalgic and innovative.
The EP showcases their mastery of classic synthesizers, with catchy melodies, driving basslines, and smooth, atmospheric textures that transport listeners to a world of neon-lit discos and timeless electronic rhythms. It’s an exhilarating project that marks the beginning of an exciting new chapter in both of their musical journeys.

En stock

Disponible en stock et prêt pour l'expédition

18,91
FREDDIE GIBBS & MADLIB - BANDANA

FREDDIE GIBBS & MADLIB

BANDANA

12inch19075934921
Columbia
07.05.2025

Freddie Gibbs and Madlib release their new album, Bandana, via Keep Cool/RCA Records and MadlibInvazion/ESGN. The album includes previous releases "Flat Tummy Tea," "Crime Pays," and "Giannis" featuring Anderson. Paak. The album is the pair's follow up to their 2014 critically-acclaimed debut Piñata, and includes additional features from Pusha T, Killer Mike, YasiinBey, and Black Thought.

The duo's seamless collaboration juxtaposes two giant talents: Madlib,the prolific producer with a record collection spanning all genres and eras, an adept sampler, peer to the late J Dilla (his collaborator on Champion Sound and his musical soulmate), foil for DOOM, hip hop's Charlie Parker, with whom he created the landmark album Madvillainy. Freddie Gibbs, the gravel-voiced braggadocios rapper, a vocal athlete, a star-on-the-rise knocked off course who refused to give up and has since offered some of the most compelling rap music in the past ten years.



On Piñata, Madlib offered Gibbs, then a gritty street rapper from Gary, Indiana, a chance to expand his captivating storytelling, giving him the dramatic backgrounds for his brutally-honest, soul-scraping lyrics. As a pair, Freddie and Madlib exude a natural chemistry and craft an alchemical music, appealing to everyone on the hip-hop spectrum.



Freddie Gibbs and Madlib are also set to play a string of shows in the U.S. and Europe this summer, which kicked off earlier this week with a sold-out, two-night residency at The Roxy in Los Angeles. They're set to play at MoMa PS1's Warm Up series in New York, Paredes De Coura Festival in Portugal, and Made in America in Philadelphia later this summer before heading off to Europe again in the Fall. Additional dates to follow soon.

En stock

Disponible en stock et prêt pour l'expédition

28,53
Faris Pashion - Milano Edizione Spring-Summer '25

DJ Support: Harvey, Artwork, Horse Meat DiscoLights, camera, Faris Pashion action!The elusive house and disco rework label is making a comeback for the first time since Autumn/Winter '21. This time presenting a new strut for the warmer seasons, 'Milano Edizione Spring-Summer ‘25,' is a two-track EP featuring fresh Italo disco and house tracks that are perfect for the catwalk, whether on the dancefloor or at Milan Fashion Week, darling.

En stock

Disponible en stock et prêt pour l'expédition

14,71
Mance - Atmos101

Mance

Atmos101

12inchINSTINCT31
Instinct
06.05.2025

Burnski's agenda-setting garage label Instinct is back with killer new beats from Mance. 'Atmos101' gets things underway with sparking melodies zipping about the stereo field over chunky drums and with a filthy bassline. There is more of a throwback feel to the dusty drum loops of 'Stone Cold, Baby' complete with great vocal samples and spiralling pads. 'All Night' shows another look again with dry, stripped-back beats and big hits under warped synth stabs and more brain-melting bass. 'I Can't Help It' shuts down with silky pads work and soulful vocals.

En stock

Disponible en stock et prêt pour l'expédition

14,50
Roi - Arise Ep

Roi

Arise Ep

12inchNSA011
No Static / Automatic
06.05.2025

No Static / Automatic kick off their 2025 schedule with a new release from a lynch pin of Northern Spain’s electronic music community as Fanzine’s Roi joins the roster with a relentless EP of raw, rave-drenched Electro built for sweat-soaked warehouse floors. Giving us a real feel for how Roi channels the untamed spirit of A Coruña’s rugged landscape, Arise EP is powered by kicking and deep sub-bass and pure raw, untamed energy.

A co-founder of Spain’s much respected Fanzine collective, these tracks were originally written for his live set at the 2023 festival edition. Known for pulling from a wide range of influences, Roi works through a dynamic range of hard-punching rhythms on Arise, ending with a crescendo of dense melodies in closing track Spite.

En stock

Disponible en stock et prêt pour l'expédition

20,38
O_U_T_R_E_N_O_I_R - Insane Ghosts

O_U_T_R_E_N_O_I_R

Insane Ghosts

12inchHUBLO002LP
HUBLOTONE
06.05.2025

Marie-Pierre Rixain and David Fenech form an unexpected and captivating duo, pushing the boundaries of alternative music. Together, they embark on an unclassifiable sonic journey, blending industrial downtempo, steady kicks, cold percussion, field recordings, and electric guitar feedback. Their music, often dark, carries flashes of warmth inspired by British dub—like an imaginary collaboration between The Bug and This Heat. At times, it echoes the world of La Perversita by Hector Zazou & Co.



Their debut album, Insane Ghosts, due out in spring 2025 on the Parisian label Hublotone, was recorded in 2024 in the intimate privacy of the bedroom. Mixed by David Fenech, it also benefits from the participation of Alexandre Berly (La Mverte) on the track ‘Toi en Moi’, adding a sub and experimental touch. The mastering was handled by the legendary Noel Summerville, whose sonic signature graces iconic albums by The Clash, My Bloody Valentine, Kraftwerk, Aphex Twin, and Nick Cave and the Bad Seeds.



The album cover features a striking work by French photographer and filmmaker Antoine d’Agata (Magnum Photos). His poetic and abstract image adds another layer to Insane Ghosts, a project already shaping up to be a must-have for fans of introspective, dark and cold music. Like if Lost in Highway from David Lynch had a new soundtrack.

En stock

Disponible en stock et prêt pour l'expédition

21,64
Domino Vibes - Underground EP

"Underground EP" is an immersive dub experience from Domino Vibes. It's the third release from theyoung but promising romanian label, that stays true to its groovy dub-techno sound.

Especially tailored for the clubgoer, the opener "Soirée Privée" is an odissey into
monotonal synth themes played in a echo chamber, a pumping kick accompanied by syncopatedperccussion accents lost in delay reflections.The whole rhythmic construction drives the dance forward to a hypnotic state that finally locks in an endless loop.

"Night Drive" is recorded with a playful wit, using synth pads with rich chord harmonics all packaged with a rolling beat that drives the dancer to a realm of happiness. A must have for the DJs from the romanian underground scene, "Get Real" is the true banger of the release that will fill any Floor. It is an uncompromising crowd pleaser, with a punching kick, thick bass lines and rich synth chords ready to impress any clubgoer and guaranteed to lead you in a memorable epic state at the peak of afters. The ending act "Warmness Inc." is constructed around a solid groove, a relentless beat, a deep bass line, and a warm synth theme that carries you to an euphoric state of mind.

En stock

Disponible en stock et prêt pour l'expédition

9,45
Aural Imbalance - Light Curve

Aural Imbalance

Light Curve

12inchSPTL037
Spatial
24.04.2025

A1 - Tidal Realm

Opening with the kind of finely-honed, sumptuous ambience we know and love Aural Imbalance for, Tidal Realm slowly reveals its welcoming arc with filtered breakbeats and a captivating off-beat string melody before analogue amen breaks are expertly chopped and sliced at will for our listening pleasure. Further melodic charm is added as the soothing ambient backdrops rise like a calming mist, blanketing the scene in style.

A2 - Tears Of An Angel

Subdued breaks sleepily laze during the intro to Tears Of An Angel, gently roused to movement by a sombre backdrop of delicate pads and high pitched ambient textures. Once in full swing, the old-school breakbeats nestle perfectly over a deep, earthy 808 bassline while the atmosphere develops continually through a melodic, ethereal landscape crafted with a trademark understated panache.

B1 - Surface Area

Readying for the unexpected, a suitably eerie ambient intro to Surface Area sees Aural Imbalance flex his versatility once more as a stunningly crafted break pattern suddenly takes center stage and immediately whisks the listener on a journey to lands afar. Micro melodies and inimitable pads add depth but make no mistake - these breaks are sublime, and will inspire both the listener and the dancefloor in equal measure.

B2 - Warm Embrace

Closing out the EP we have Warm Embrace, which opens with the sounds of playful fireflies in the twilight, emitting their soft glow through the washes of inexplicably radiant FX. Old school breaks soon enter the mix, constructed with aplomb over a bed of deep, classic 808 bass perfect for the occasion. The breakdown introduces a deliciously delicate melody, adding further depth to the track perfectly before the breaks and nightlife resume their frolics.

Words by Chris Hayes (Spatial / Red Mist)

En stock

Disponible en stock et prêt pour l'expédition

14,71
Ayane Shino - RIVER THE TIMBRE OF GUITAR #2 REI HARAKAMI  (LP)

Liner Notes by Martyn Pepperell

A collection of ten hypnotic guitar renditions that dive deeply into the traditional compositional musicality that underpins Harakami’s hallucinatory beatscapes before reconsidering them under a fresh, innovative and engaging new light. River: The Timbre of Guitar #2 Rei Harakami signals a new level of awareness and understanding of both Rei Harakami’s significance and Ayane Shino’s undeniable talent.

VITAL SALES POINTS:

In 1996 Tokyo-based label Sublime Records received a cassette demo from Rei Harakami, a 26-year-old Japanese experimental filmmaker, and musician. Within one year Harakami’s debut LP ‘Unrest’ was released. As the 21st century dawned, Harakami was becoming a critically acclaimed figure, and there was a feeling in Japan that Harakami would be an inevitable successor to such luminaries as Haruomi Hosono and Ryuichi Sakamoto. Sadly Harakami passed away at age 40 in 2011, leaving behind a musical legacy that seemed to deserve more recognition. A fitting tribute now comes from the incredibly gifted classical guitarist Ayane Shino. Continuing her album series ‘The Timbre of Guitar’ (the inaugural release of which was ‘Sakura’ - a cover album of Susumu Yokota's seminal album, released through the Swiss label, Mental Groove Records in 2021), she now presents ‘River ???? : The Timbre of Guitar #2 Rei Harakami’. Ayane has reworked some of Harakami’s standout tracks into an album of tranquil yet complex compositions helping to build a new level of awareness and understanding of Rei Harakami’s significance. A collection of ten hypnotic guitar renditions that dive deeply into the traditional compositional musicality that underpins Harakami’s hallucinatory beatscapes before reconsidering them under a fresh, innovative and engaging new light.

In the years that followed Harakami’s untimely passing, Sublime Records continued to sign and support new artists emerging from Japan’s rich and fertile electronic music scene. This eventually led to a meeting with gifted classical guitarist Ayane Shino in 2020. Although a new name within electronica, Shino’s classical resume is impeccable. She has performed with a range of prestigious orchestras in concert halls and at music festivals across Japan, Europe, and South America while playing classical guitar for numerous animations, movies and television commercials and holding various educational roles. These days, she also hosts the Tokyo Harmonics radio show, which is syndicated through Hyogo prefecture’s Ashiya Radio and TJS Radio in Los Angeles.

During her time completing a masters at Tokyo’s University of the Arts, Shino became fascinated by Brian Eno, Aphex Twin, Oneohtrix Point Never, Steve Reich, and, closer to home, Harakami and Susumu Yokota. ”I found myself in an environment where I was surrounded by fellow students who produced computer music, live electronics, and installations,” she explains. Following her meeting with Sublime, Hideoki Amano, the producer and owner of Musicmine, the parent company of the label, asked Shino if she would be open to transcribing and recording an album of covers of the late, great composer, producer and DJ Susumu Yokota’s music in incorporate into then-upcoming events commemorating the 5th anniversary of his death and reissues of his past works. “Yokota made music with the Roland TB-303 bass synthesizer and samplers, not in a way like a conventional instrumentalist, so I was aware it might be more of a challenge for her,” Amano explains. Fittingly, Shino was up for his suggestion, leading to ‘Sakura: The Timbre Of Guitars #1 Susumu Yokota’. Song by song, Sakura highlighted Shino’s free-flowing playing and prowess at translating electronic music into classical guitar shapes.
After considering Harakami’s background as an instrumentalist, Amano felt revisiting his catalogue should be the next step for Shino. Well-versed in how often classical versions of electronic music tend to fall flat, he asked her to examine Harakami’s songs closely, select the musical phrases suitable for guitar and create arrangements that would sound interesting to music listeners with a deep engagement with ambient, techno and electronica. In Harakami’s discography, Shino discovered “a sense of simplicity, warmth, moisture and a floating sensation.” “I was gripped by his songs, which had an array of sounds that gave me a sense of mystery but also coexisted with a sense of familiarity,” she explained. Moving beyond his official releases, Shino began digging through YouTube to find live recordings, radio appearances and obscure outtakes. Within her mind’s eye, imagining playing his songs on guitar was effortless. On her approach to the album, Ayane explains: “For this album, I succeeded in spinning some exquisite, silk thread like delicate tones, interwoven with human warmth, gentleness and simplicity. And I was also able to rework Rei Harakami's distinctive sound with a floating feel to it and transform it into a very classical guitar sound. I hope many people will be able to receive this group of sounds that I created in this album that I played with all my heart.” A record of limitless innate beauty, ‘River ???? : The Timbre of Guitar #2 Rei Harakami’ is a delicate and thoughtful body of work. A true masterclass in deconstruction and subsequent rebuilding, and an eternal lesson in how the art that we leave behind can outlive us all.

En stock

Disponible en stock et prêt pour l'expédition

22,27
Mha Iri - Neon Storm

Mha Iri

Neon Storm

12inchDC321
Drumcode
23.04.2025

Scottish techno thunderbolt Mha Iri returns to Adam Beyer’s Drumcode with her explosive new futurist three tracker EP ‘Neon Storm’. A Drumcode veteran warrior, Mha Iri boasts standout bestselling tracks on DC’s debut Elevate compilation, A-Sides Vol. 12 (‘Bell’), her debut EP ‘The Unexpected’ and 2024’s ‘Bombay’ EP. A YOZE remix of ‘Bell’ also featured on Elevate Vol II.

Now ‘Neon Storm’ launches another rip-roaring year for the Edinburgh artist, following early 2025 shows at fabric and Gashouder for Awakenings New Year, and an incredible 2024: an Australian tour inc. Carl Cox’s Eat The Beat festival alongside Lilly Palmer and Chris Liebing; her EP debut for PIAS Électronique supported by Mixmag, Clash, DJ Mag, Jaguar/BBC Dance; plus releases on Filth on Acid and TRICK.

‘Neon Storm’: the title track juxtaposes rampaging techno beats of pure primitive power, with futurist dystopian elements – fuzzy hoover growls and stabs, doppler builds, and an unsettling robot girl’s vocal riffs. A mysterious operatic choir surprisingly dovetails with the resulting soundscape as the dark sounds become increasingly ominous.

‘Moving Machines’ keeps up the energy with galloping techno, metallic stabs and a chopped melody with a 90s vibe as a rising doppler siren you can feel in your teeth spans a gargantuan breakdown… another shot of dance dynamite.

‘No Return’: similarly powerful, its resistless onslaught of thudding beats, bass snarls and regiments of rattling hi-hats herald spacey FX and an alien-like melodic vocal, alongside a suitably almost-Scottish-influenced melody.

'Neon Storm' is an apt description to this colourful yet chaotic set of tracks that have been making serious impact in my sets across the last months of touring. I wanted to create an EP that represented my energy but drew from the best Drumcode groove style and I’ve been so happy to watch how they go down in Adam’s peak time sets too.’

En stock

Disponible en stock et prêt pour l'expédition

14,24
INDEX FOR WORKING MUSIK - WHICH DIRECTION GOES THE BEAM

In this post Sounds world, the boundaries of Post Punk have not only broadened but splintered. And over the course of (now) four releases, Index For Working Musik have seen to using the sprawling boundaries to great effect, flexing a polyglot of styles to convey the language of the moment. On Which Direction Goes The Beam, the murky, distant ambience that was 2023's Indexé has been fleshed out, incorporating everything from the Brian Aldiss laced, ground lightning shudder of Dome, to the chamber-like arrangements of This Kind Of Punishment. There's even a candle flickering in the window for Think Fellers Union Local 282 that warmed these ears. And if you're a fan of the great Dutch band, Trespassers W (who isn't?), the collective consciousness IFWM enunciates on here is a similar testament of a band growing more sure footed in the pursuit of not only knowing all the ways in, but carving a few of their own on the way out. And it's discerning releases like Which Direction Goes The Beam that keep us in the hunt. Long may they forge. - Tom Lax. RIYL: Brian Jonestown Massacre, Velvet Underground, TOY, John Cale, Wire, Dome

En stock

Disponible en stock et prêt pour l'expédition

18,45
Various - Echo Scapes. Clutch

MixCult Records is glad to introduce its new release, deeply curated various artists compilation that will take one journeying through resonant realms within Deep and Dub Techno. It boasts a lineup that features renowned artists such as Kirill Matveev, Genning, TM Shuffle, and Nicolas Barnes. Now this record offers four compelling tracks with rich sonic textures and emotive depths, characteristic of the genre.

A1: Eric Louis - Voice Memo Original: The first track, "Voice Memo" by Eric Louis, is purely an introspective personal record. Soft pulsations of the bass weave in and out of haunting melodic vocal samples to create an atmosphere that is strong and enduring.

A2: Kirill Matveev - Never Losing That Track Genning Remix: The second offering is Kirill Matveev's "Never Losing That Track", remixed with the masterly touch of Genning. The track builds on the core of the original with added layers of rhythm and heavenly synths soaring above the driving beat. It raises the energy a notch without losing the sophistication, with melodic elements perfectly laced into pulsating basslines. A track that makes the listener immerse themselves in the song: upbeat, yet wistful, so that listeners can get lost within the depth of the sound. The track is designed for those who love to dance at sunrise.

B1: TM Shuffle – Artist by the time the B-side gets underway, TM Shuffle brings the past to the present via "Artist", a rock-solid track now pressed on vinyla gain with some of the very best of strong dub techno sound which we love when mood-setters take over the dancefloors. This track invites introspection, drawing listeners into its depths as they explore the nuances of sound that define the dub techno genre.

B2: Nicolas Barnes - Outro: The "Outro" by Nicolas Barnes is a reflective, ambient conclusion to the journey. This track wraps up the listener in a soothing embrace of lush soundscapes with soft melodies. It's a meditation of the experience, with the stillness of quieted moments ringing deep. The spacious nature of the composition invites listeners into their reflection of this auditory voyage they've just embarked upon. Outro" - demurely deep, summing up the release and leaving its memory in a head long after it really fades. For sure, one of those tracks you do not want to forget while performing a warm-up set.

Every track represents a different exploration of sound, all combined to tell one story that resonates deep and with elegance. The vinyl release of the album is a must-have for any lover of immersive music, as it will invite listeners to get lost within captivating soundscapes.

collecting

Order now. Collecting orders for repress.

14,24

Last In: 13 months ago
ANNELEEN BOEHME - EUNOIA LP

Anneleen Boehme

EUNOIA LP

12inchWERF271LP
DE W.E.R.F.
16.04.2025

Anneleen Boehme is a prominent figure in the Belgian jazz scene, known for her work as a double bassist across various projects.
Her virtuosity on the double bass was already evident in LABtrio, and her skill as both a composer and bandleader was showcased in Grand Picture Palace. Now, in her solo work, we experience Anneleen's genuine vulnerability, as she explores the deep connection with her ever-present companion: the double bass. Her music is a balm for the soul, and her playing is deeply moving, leaving no listener unaffected.

In this solo project, Anneleen Boehme pushes the boundaries of the double bass, striving to transcend them in all their forms. She places particular emphasis on the instrument's acoustic sound, subtly highlighting its rich, resonant voice. The music that warms her heart is at the core of this exploration: both her original compositions written specifically for the double bass, as well as solo arrangements of existing works and improvisations. Her passion for both jazz and classical music is beautifully expressed throughout. This is an embrace of the double bass, its deep tones, and pure musicality.

Eunoia is Anneleen Boehme's debut solo album, set for release on April 18th, 2025, and it is a dedication to herself.
"I wrote a story about who I am, about the path I've walked so far. About how the mind can drive you mad and how, amidst it all, you can find peace. I hope it will offer you the same. Sadness, joy, and comfort for your soul."

The double bass has the unique ability to convey our most melancholic emotions, and this album is no exception. Yet, its warm tones also offer a sense of healing and comfort. In most tracks, the double bass stands alone in its simple elegance, but in Fuga Ante Proelium, Anneleen's voice joins her instrument, adding a new layer to the musical experience.

En stock

Disponible en stock et prêt pour l'expédition

21,43
RED PIG FLOWER - PRACTICE LOVE LP 2x12"

Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?

En stock

Disponible en stock et prêt pour l'expédition

25,84
Club Of Jacks - Always EP

The fledgling Jackpot Recordings label is back with a second serving up club-ready goodness with Club of Jacks at the helm. There is a healthy dose of classic elements to these tunes - 90s vocals, deepness, soul - not least the opener 'Always' with its diva wails and balmy pads draped over nice silky drums with a majestic piano breakdown. 'Gorgon Dub' is a fat bottom house cut with mid-tempo drums and rigid percussion atop a dark bassline throb. 'Think Of You' is a warm and breezy one with loved-up pads and r&b vocal chops and 'Soundboy' gets more naughty with some garage-inspired drums and bass primed to pump the party.

En stock

Disponible en stock et prêt pour l'expédition

13,40
Various - GANGSTER MUSIC VOL.3 LP 2x12"
 
30
également disponible

Cassette[13,87 €]


**Gangster Music Vol.3: The Most Gangster Music Trilogy of All Time Comes to a Triumphant Close**

Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before.

Gangster Doodles himself puts it best:
"It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”

Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.

This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.

From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.

As always, the cover art is a vital piece of the puzzle. This time, Bootleg Garfield & Friends take center stage, bringing the same playful irreverence that has defined Gangster Doodles’ artwork for years. Fans are encouraged to engage, remix, and make the cover their own, staying true to the spirit of interactive creativity that has always fueled the series.

After years of meticulous curation, countless DMs, emails, and behind-the-scenes wrangling, Gangster Music Vol.3 is here to complete the trilogy in legendary fashion. Expect boundary-pushing beats, next-level lyricism, and a lineup that celebrates hip-hop in all its many forms.

“Thanks to everyone who’s actively supported and continues to tap-in. Believe & trust when I say I've got more dope stuff cookin’. STAY TUNED!! GANGSTER DOODLES 4EVER. 1LUV."

Gangster Music Vol.3 is out April 7th on All City. Stay tuned, stay tapped in, and get ready for the most gangster music experience yet.

En stock

Disponible en stock et prêt pour l'expédition

22,90
Martinou - Linked (2x12")

Martinou

Linked (2x12")

2x12inchBARN114
Studio Barnhus
11.04.2025

Swedish artist Martinou crafts deeply immersive electronic music, seamlessly balancing weight and delicacy. His productions oscillate between hypnotic intensity and introspective warmth, always evoking a visceral response on the dancefloor.
After releasing on acclaimed labels like Nous’klaer, Turbo Recordings, and Mule Musiq, the Malmö-based producer now makes his long-awaited debut on Stockholm’s Studio Barnhus. His Linked EP showcases six meticulously layered compositions, where intricate rhythms intertwine with luminous melodies – ethereal synths drifting in and out of the grooves, shaping an atmosphere that’s both expansive and deeply personal.
With Linked, Martinou further refines his signature approach, crafting music that feels at once free-flowing and deliberate. It’s a record that invites deep listening yet remains primed for the floor – a testament to the Malmö maestro's knack for blurring the lines between club functionality and sonic storytelling.

En stock

Disponible en stock et prêt pour l'expédition

20,59
Various - Make love, dark-browed

The album from an association of Ukrainian artists called Noneside brought musicians and painters together under the famous words of the writer Taras Shevchenko and his poem "Make love, o dark-browed ones..". The painting by contemporary figurative artist Iryna Maksymova frames the trance and tech house music of such performers as Shjva (Warning, Terra Magica, Viscera), Lostlojic (Secret Feta, Infinite Pleasure, Deeptrax), Saturated Color (Neptune Discs, Nerang), Peshka (Visionquest, Re.Face, Banoffee Pies) and Yevhenii Loi. Mastered by Taras Bril, also typefaces of Ivan Tsanko-Khlibovych used in design. First of all, this is the music of love and unity, wherever you are - at home in the kitchen or on the big festival dance floor - common feelings will unite you and spin you in a crazy rhythm, and will make you understand that we are not strangers. Together we dance for a better future!

En stock

Disponible en stock et prêt pour l'expédition

13,24
Alex Arnout presents Black Logic - Pull Up EP

Alex ArnoutpresentsBlack Logic

Pull Up EP

12inchHTRE010
HARD TIMES
10.04.2025

Hard Times proudly welcomes a new release from an artist deeply connected to the label’s storied past. Alex Arnout presents BLACK LOGIC with their debut EP, ‘Pull Up’, a project born from passion, collaboration, and a return to House music's soulful roots

Hailing from West Yorkshire, Arnout spent his formative years on the Hard Times dancefloors, absorbing the beats and vibes that would later shape his own productions. His journey with the label reignited when he was invited to remix Michael Watford’s classic 'Love Change Over' and Steve Silk Hurley’s fresh hit 'All I Need'. Now, he returns with something truly special

“Black Logic was born out of the pandemic,” says Arnout. “I wanted to move away from drum machines and synths, getting back to sampling jazz and the deep house sounds of the ‘90s - taking inspiration from artists like Bugs in the Attic, Jazzanova, and Ernest Saint Laurent.

What began as a solo project soon evolved into a collective effort. Bassist and guitarist Alan Riggs, a former member of Delta 5, joined the sessions, bringing warmth and groove to the productions. Vocalists Tempo O’Neil, Anthony Beckford, Mariana Orsho, and Sophie Barker added their distinct voices, completing the vision.

The ‘Pull Up’ EP is the first of a debut double-header from Black Logic, delivering five stunning tracks that blend jazzy keys, deep grooves, and rich, soulful vocals. From the warm basslines to the celestial closing moments, this EP is a statement of intent - a wonderfully fresh, yet nostalgic take on deep house from a collective of masterful musicians.

En stock

Disponible en stock et prêt pour l'expédition

16,60
Royal House - Can You Party?

Royal House

Can You Party?

12inchWAR2706Y
Idlers
09.04.2025

Classic 1988 'early' house LP reissued on yellow vinyl for the first time for RSD 2025. Made by Royal House aka Todd Terry, the legendary producer & DJ from New York who was a staple for house music and produced under many different aliases throughout his time such as Black Riot, CLS, D'Effect, Dred Stock, Frontline, Frozen Inc., Gypsymen, Hardhouse, House Of Gypsies, Limelife, and amongst many others, Masters At Work (Before he gifted the name to Louie Vega & Kenny Dope). Everybody who was into house and it’s culture in 1988 owned this record, now you have the chance to own this on yellow vinyl for the first time. 'Can you Party' is still played on national radio stations and one of the staples in rave and it’s scenes. Remastered for 2025 in the original 'PAID' designed sleeve but now in transparent yellow vinyl for RSD. Limited edition.

En stock

Disponible en stock et prêt pour l'expédition

24,79
CC:DISCO! - Touch The Vibe EP

CC:DISCO!

Touch The Vibe EP

12inchMIAMIDADDY004
Miami Daddy
09.04.2025

The five-track ‘Touch The Vibe’ EP is the latest gem in the evergreen treasure trove of music from Australia’s CC:DISCO!. 'Feel It Peak' opens the release with two escapist minutes of slow-burning, gentle synth waves and Spanish guitar before 'Touch The Vibe' then takes off on warm analogue house drums with sugary chords and a classic bassline that bounces along at an infectious pace. Toronto-born DJ, producer and vocalist Jennifer Loveless also returns in fine form, providing heady spoken word vocals that wash over both cuts in an intoxicating fashion.

On the flip, 'Like This' is another absorbing and cinematic synth interlude while 'Me Gusta Is Dead (Period Pain Mix)' brings heavy late-night vibes with its punchy steel drums, fizzing pads and crunchy chords that make for a wild ride. Last but not least is the epic closer 'Yes Papi (Miami Daddy Theme)’, a glorious blend of prog, trance and techno with a 90s throwback feel featuring Loveless’ hushed vocals that showcases CC’s expert command of lower tempo, pumping grooves of the highest calibre.

Fresh off performances at Glastonbury and Love International, plus her debut Essential Mix for BBC Radio 1, it’s safe to say CC:DISCO!’s trajectory as an artist has risen to new heights in 2024. The Lisbon-based DJ, producer, radio host, and curator added a new string to her bow at the end of last year with the launch of her Miami Daddy imprint, which garnered critical acclaim from the likes of Resident Advisor, DJ Mag, and BBC Radio 1.

CC:DISCO! ‘Yes Papi (Miami Daddy Theme)’ and ‘Touch The Vibe’ drop via Miami Daddy on 21st September and 24th October, respectively, with the full EP releasing on 22nd November 2024.

En stock

Disponible en stock et prêt pour l'expédition

17,61
Kaz James - Rocker In The Disco / Dance Her Right

DJ Support: Pete Tong, Adam Beyer, Black Coffee, Demi Riquisimo, Nic Fanciulli, Tronik Youth, Duke Dumont, Argy, Phantoms

A techy double A slice of house from label head Kaz James thats been doing the rounds with some heavy hitting DJ piers. Both tracks have been staple part of Kaz's sets at Art Basel, Desa Kitsuné Bali, Burning Man, Brooklyn Mirage, Pacha Ibiza, Koko London, Mayan Warrior Tulum, his Mykonos residency Alamagou and beyond.

The release follows 'Sun is Shining' which was supported by the likes of Keinemusik, Black Coffee, and Pete Tong as Essential New Tune.

En stock

Disponible en stock et prêt pour l'expédition

14,50
X-Plode - First Of Many / Watch This Go

At the start of the 1980’s X-Plode’s dad had a second-hand colour TV business in Bolton, Lancashire where he would buy, sell, repair and trade TVs. He would come back home with all kinds of things he had traded for a TV but the most memorable, to a 10 year old kid at that time, were the keyboards. He use to watch his dad play songs from the 1960’s on these keyboards and when his dad had gone out, Lee X-Plode would sneak on them and start messing about, experimenting with the drum programs and fiddling with the buttons, trying out ideas. He had to move fast though because these keyboards didn’t stay in the house for long as his dad would trade them again for something else; one time that was an old analogue echo chamber, which Lee also messed about with when his dad was out. That echo chamber was a revelation to Lee and opened up the possibilities of what was possible with sound. So by the time Lee was 16, he decided he wanted his own keyboard and started saving. When his 17th birthday came around he had saved up £200 and visited his local Argos where he bought himself a Yamaha PSS 680, an FM synthesizer with memory banks and a basic drum machine incorporated. ‘It was shit quality like, but I didn’t mind. I just wanted it for the programmable drum machine, the synth and the memory banks that came with it” Lee recalls. The year was 1987 and by this time in Lee’s life he was into reggae and hip hop, the latter he first embraced in 1983 by the way of breakdancing and listening to electro, so all he wanted to do when he got his gear was make reggae and electro sounding beats. Recalling his youth and the fun he had with the echo chamber, the next edition to his home set up was to acquire one of those, which he did via a mate of his. But by the time he got his minimal set up sorted in 1988, his musical tastes had changed. House music had landed here in UK and this was Lee’s new passion, so from that point on wards he started experimenting, trying to nail a decent house groove. ‘I wanted 808 sounds, but I didn’t know what one was!’ Lee explains.

Around late 1990 or early 1991, Lee started to improve upon his set up, purchasing an Atari STE, a Cheetah MS6 , a 6 voice polyphonic/multi-timbre analogue rack mounted synth that linked up to his Yamaha – “It wasn’t a great bit of kit, I kept getting electric shocks from it. Eventually it just blew up!” Lee had acquired a cracked copy of Cubase on floppy disk from his local computer game shop but struggled with it. “It was so complicated to understand and took me ages to get used to it. I was stoned a lot back then and I just couldn’t concentrate on anything for long” Lee laughs, continuing “I also picked up a 4 channel sampler/sequencer which plugged into the side of the Atari and that’s when I first started sampling, I think this would have been late 1991. I had the Simon Harris ‘Breaks, Beats and Scratches’ vinyl that he put out on Music for Life which were a godsend back then. I was also sampling a lot from cassette tapes, especially reggae. I would also record the Stu Allan show on Key 103FM, one of the main stations broadcasting out of Manchester. He would do a 3 hour show with hip hop and house, and then hardcore house came along. Eventually he dropped the hip hop altogether and it was just house and hardcore. I recorded the shows onto cassette most weeks and started to learn more about how house and hardcore was put together by listening to those shows.”

En stock

Disponible en stock et prêt pour l'expédition

16,18
DJ PYTHON - I WAS PUT ON THIS EARTH

** club fire from DJ Python

“i was put on this earth”, his first solo music since 2022, and debut on XL
Recordings.

On “i was put on this earth”, DJ Python - aka Brian Piñeyro - gently forays into uncharted territory as a singer, producer,
and collaborator; an evolution all the more impressive in light of his groundbreaking musical projects to date like Mas
Amble, Angel, and Club Sentimientos Vol 2. While splitting his time between New York and London, Python has teamed
up with a diverse set of collaborators including South London rapper Jawnino, Honduran-born powerhouse Isabella
Lovestory, unclassifiable songwriter Organ Tapes, and NYC mainstay Physical Therapy. Across the five-track EP,
Python shares bold solo songs alongside these intriguing collaborations. The project retains the captivating melodies,
atmospheric textures, and rhythmic innovation that defined Python's earlier recordings while building on and shaping these
signature elements into ambitious and addictive new songs.
The first look at the EP comes in the form of “Besos Robados”. Isabella Lovestory lends an insouciant yet insistent vocal
to this sublime downtempo lovers' reggaeton track that's been a fan-favourite since appearing on Python's epic BBC
Radio 1’s Essential Mix.

On ‘i was put on this earth’, DJ Python says “to whom it may concern…
its too beautiful to embrace change and to challenge urself to find something meaningful in it... i love my friends and
love is deep :') i want them to know that always... but sometimes i get busy and overwhelmed n im not the best at
saying how i feel always... just want to sit around and talk and feel understood together w someone who you like or u
find interesting.. thats the best :) and if the day is nice or if the day is not nice but ur inside and its cozy.. thats too
wicked. and ur making a soup and eating it together... just with the stuff in the kitchen.. dont even go out to get
ingredients.. no need to follow a recipe.. cause ur grandma taught u to cook w the "sazon" (cooking by tasting w as u
go on adding diff ingredients and spices.. no recipes. .. u can only really cook if u can freestyle in the kitchen she said)..
and then u think about how ur grandma taught u that.. and your w someone in the kitchen making something together..
and then u taste it and it warms u up and ur like damn this is fire.. thats what this and i think maybe what "its all"
about... thank u for taking time to read this and i hope you enjoy the album…
kiss u…
Brian”

En stock

Disponible en stock et prêt pour l'expédition

13,03
Views - Kyoto Love EP

Repress! Limited to 100 Copies


Garage Hermétique, returns with a new EP of music from Views, presenting the ‘Kyoto Love’ EP. An alias of Atilla Fidan - producer & live performer, founder of the Berlin label Tape Archive, and also known for releases as Waitress/ASWA - each of the four tracks hits a naturalistic groove driven by vintage Chicago-esque rhythms and warm, acidic tones.

On opening and title-track ‘Kyoto Love’, charming bird song flourishes into a rubbery bassline. ‘Go Well (Part 2)’ embarks on a similar tip, before loosening up into a soaring, somewhat new-age atmosphere, while never sacrificing it’s watertight drums.

On the flip, ‘Kimura’ and ‘Systems (Last Mix)’ move in deeper directions still; The former is a sparkling, detailed cut that rolls out nocturnal dance floor depth, while the latter rounds off the release with transcendent choral breaks.

En stock

Disponible en stock et prêt pour l'expédition

11,56
Sebastian Sandmann - Onslaught

Sebastian Sandmann, from Elsteraue in Germany, has been DJing and producing since 1999, honing his skills in clubs and gigs such as the ‘Endstation’ event series in the Leipzig Distillery which resulted in him being picked up by the renowned Leveltrauma booking agency where his obvious talent flourished leading to residencies at the Sky Club, Leipzig and the Tube Club, Merseburg. Sebastian’s music repertoire covers many genres inc. multiple forms of techno, house, hardcore and DnB which has culminated in releases on some insane German labels including “Rage & Error”, “Leveltrauma” and “PsychoDevils Records”.

Continuing with the ‘Limited As Fuck’ series of releases, on our fiercely independent techno label based in
Scotland, we’re getting more extreme than we’ve ever been before with an absolute ‘Onslaught’ of speaker
punishment grade screaming techno. This is Sebastian Sandmann’s first ever solo vinyl release and it‘s utterly lethal. Featuring four aggressive crushin’ tracks to get all them imprisoned clubbers marching
to its accelerated beat. This aint dance music, this is stomp music, and you best not pound on down in front of
anyone when it’s spinning or you’re gonna get trampled on, mark our RIOTous words.

The full digital release also features one bonus brain mashin’ track so you can dive even deeper into your own infernal techno psyche.

WARNING: ONCE THE RIOT SENTINEL APPEARS YOU MUST OBEY ……………. OR ELSE

Credits:

Written by Sebastian Sandmann
Mastered by Joe Farr
Artwork by Nomad

En stock

Disponible en stock et prêt pour l'expédition

12,40
Minuit Machine - Queendom

Minuit Machine

Queendom

12inchSR0026LPCLR
Synth Religion
24.03.2025

QUEENDOM is an album that marks a new era for the project while staying true to the essence of Minuit Machine. Produced under the SYNTH RELIGION label, this opus immerses us in Amandine's introspective realm, oscillating between darkness and light, between doubt and self-conquest. While retaining the emotional DNA of previous productions, QUEENDOM stands out with a more pop-oriented touch, featuring tracks where Amandine sings in French for the first time.

The first single, "HOLD ME," is a powerful pop anthem addressed to the queer community, celebrating the freedom to be oneself and breaking free from societal and patriarchal norms. This track is a true empowerment statement, with striking electro beats supporting a strong message of emancipation and pride.

"Créatures," a collaboration between RAUMM and Minuit Machine, is a modern fairy tale—a timeless love story that could take place in any era. This salvific love, rarely seen today, embodies a poignant depth and beauty.

Continuing the journey, "Cent Fois"—a French-written track—takes us into a techno-pop universe with nostalgic yet hopeful undertones. This song perfectly reflects Minuit Machine's evolution toward a more radiant approach while staying faithful to its dark heritage.

"Party People," on the other hand, is a return to roots with dark wave/italo sounds. This hypnotic and haunting track questions identity in an increasingly robotic society, where individuals are forced to conform to imposed norms. This exploration of the individual versus the collective lies at the core of Minuit Machine's DNA.

"Mes Souvenirs," created in collaboration with Rebeka Warrior, dives intimately into the memories of Amandine and Rebeka. Together, they reveal fragments of their past—precious and vibrant memories that resonate through powerful and melancholic electro sounds.

Finally, the eponymous track "Queendom" invites us to plunge into the depths of Amandine's world—a universe that is both tormented and icy, yet resilient. Supported by a slow and captivating rhythm, this track is designed to grip and haunt the listener, like an incantation.

QUEENDOM is a bold and hybrid work where each track reflects a pursuit of sincerity and artistic reinvention while maintaining the ability to express emotions through rhythms that are both danceable and introspective. The album showcases Minuit Machine's artistic maturity, establishing itself as a must-listen in the darkwave and electronic pop scene.

Amandine entrusted the artistic direction of this album to Manon Dupeyrat, a brilliant young artist who crafted a bespoke universe perfectly aligned with the produced tracks. The album cover, both intimate and anachronistic, invites listeners into Amandine's private world through her bedroom, revealing what she wishes to share.

En stock

Disponible en stock et prêt pour l'expédition

24,58
Tumblack - Tumblack LP

Tumblack

Tumblack LP

12inchBEWITH167LP
Be With Records
21.03.2025

There's iconic. Then there's *iconic*.

A MASSIVE speaker-smashing release, decades overdue. It's been bootlegged - shamefully so, many times over the years - but finally we present the first ever officially licensed reissue of this truly special Afro-disco-not-disco LP from 1979. A favourite of Harvey, Antal, Young Marco and, er, every great DJ to ever play deep records ever, basically. It's not hard to see - or, indeed, *feel* why.

Gem after gem of relentless, irresistibly funky gold, it's an incredibly revelatory album with endlessly complex drum patterns and basslines to dive into, throughout. Truly, this is uniquely FIRE music, unlike anything else you've ever heard, based on Gwo ka music from the gorgeous islands of Guadeloupe and Martinique. A thrilling synthesis of primal, hypnotic drums - the most tribal of percussive elements high in the mix throughout - with the loping synth pyrotechnics of, amongst a whole host of other greats, Wally Badarou and bass power of disco funk don Sauveur Mallia (Arpadys, Spatial & Co.)

Originally released on the seminal French label Barclay, you'd be hard pressed to even find an original copy in nice condition anywhere, let alone for a reasonable price, so it's high time an officially licensed, remastered reissue came around. It's just the latest in a long line of Be With reissues where the music sounds like the - drop-dead dazzling - cover. This here is a true drum attack. BUY ON SIGHT!

Tumblack was a short-lived project, produced and arranged by electronic wizard Yves Hayat and it can certainly be regarded as one of the first examples of Zouk, mixing powerful disco-funk arrangements with Gwo ka, traditional music from Guadeloupe. Gwo ka is an Antillean Creole term for "big drum". You can say that again! It refers to both a family of hand drums and the music played with them, which is a major part of Guadeloupean folk music.Whilst the first side is credited to the exceptional Tumblack band, the flip is given over to "Tumblack & Friends". These weren't just any old friends. Oh no, they were the absolute cream of the French scene (think Arpadys, Voyage, Le Club, Giant, CCPP, Synthesis, Swing Family) such as Sauveur Mallia, Wally Badarou, Marc Chantereau on percussion, Slim Pezin on guitar and Jean-Paul Batailley and Pierre Alain-Dahan handling drum duties.

The urgent, frantic "Fracas" gets things moving straight away with a cavalcade of drums and percussive funk before giving way to the stratospheric "Invocation", one of the album's many, many highlights. It's effectively one long heavenly drum break, a really hard, raw, tribal drum workout without a whole lot else going on - and all the better for it! One to make you sweat, no question. Up next, "Jubilé" is announced with a bellowing accapella voice, chanting the titular name before the heaviest of kicks smashes out your system and lulls you into an absolute state of bliss for nearly 6 minutes. Whoooooosh! Rounding out the sensational A-Side, "Vaudou" is a scratchy, funky patterned drum workout which - yep, yet again - absolutely slays your neck muscles, making them snap and contract in extraordinary fashion. TURN IT UP!

Ushering in the B-Side, the brief, fidgety, African chant-funk of "Parlement" segues seamlessly, beautifully into "Waka", an overwhelmingly rich gem of percussive funk. You do not want this to end, once it hits its stride. For maximum heavenly drum pleasure, you'd need to go a long way than the moment "Waka" feels like it's fading out before it kick-drum-blend into the mighty "Caraïba (Intro)". It's just staggeringly good. It's a minute-long layered drum prelude to the gigantic track which follows. Indeed, "Caraïba" is arguably the best loved and most well-known cut off the LP. And with good reason...featuring that Mallia bass, warm Rhodes and clavs, synth magic, memorably alto sax lines and, of course, tribal chanting.

Another mighty super-ahead-of-its-time classic, the bouncing bass heavy synth funk of "Chunga Funk" deploys Mallia and Wally Badarou (on Mini Moog) exceptionally well. I mean, come on, that bassline is just ridiculous. Try not to move to this one. This extraordinary record closes out with the more traditional Gwo ka sounds of "Bateau La Passé", the tribal chorus making the hairs on the back of your neck stand up.

Tumblack really is a gorgeous late-70s disco-not-disco essential. It's an absolute MONSTER that will completely blow you away; and, yes, it's as compelling and trance-inducing as the cover. The audio for Tumblack has been carefully remastered by Be With regular Simon Francis, ensuring it sounds better than ever. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at Record Industry in Holland. The cover of Tumblack is so iconic and we sought special permission from original artist Hélène Majera to recreate this at Be With HQ. It absolutely zings off the print and serves as the perfect finishing touch to this long overdue re-issue.

En stock

Disponible en stock et prêt pour l'expédition

26,85
Kassian - Channels

Kassian

Channels

12inchK7447LP
!K7 Records
21.03.2025

With their debut album Channels on !K7 Records, Kassian (Joe Danvers-McCabe and Warren Cummings) have come full circle, focusing on the warmer, sample-based, and house-inspired sonics that brought them together. Kassian periodically revisited these initial pieces throughout the last five years until they felt able to journey deeper, using their rapidly developing craft and refined production techniques to build a debut album that momentarily steps away from some of their more club-focused excursions. “As we were writing, we realized that all the tracks had the unique potential to tell a story,” reflects Cummings, with Channels leading the listener through a series of different atmospheres and emotional terrains.

Essential to Channels is Kassian’s focus on time’s ability to reorient human perspective. Kassian worked on the album over an extended period, with instrumentation, field recordings, and percussion first constructed and then subsequently stripped away and refined.

Channels contains their early love of tube warm, sample based sounds and live instrumentation as the foundation for this album. The working process for these rippling pieces used both sequenced workflow and improvisational arrangement, live instrumentation inspired by an array of deeper emotional content. Both members of Kassian experienced great personal loss during the period of making this album, and a tenderness is felt throughout the record.

This record is an earthy thing, its naturalistic track names evoking recognisable and cyclically familiar moments, Kassian have provided a map for the listener at the forefronts of their minds. Channels features Ezra Collective’s Joe Armon-Jones on keys, and Timothy Kraemer on cello distilling this body of work into a deep stream between the organic and improvised, and the sequenced and planned.

En stock

Disponible en stock et prêt pour l'expédition

22,90
Dot - The Setting Of The Sunrise EP

Depthful is the new label runs by Dotan Bibi aka Dot - dedicated to the exploration of the vibrant and immersive worlds of house and techno music. strive to unearth tracks that resonate with both the mind and body, creating an auditory experience that transports listeners to a deeper state of being. You can expect releases from Dot himself and close friends who share the same style & vision.

first release comes from label owner Dot :

A1.'The Setting Of The Sunrise' opens with an ethereal atmosphere, inviting listeners into a world where time seems to stretch and bend striking a perfect balance that encourages movement on the dance floor while also inviting moments of reflection. Along with the vocal pieces that are scattered throughout the section and create a lovely flow.

A2.'That Place' is a vibrant house track that radiates energy and warmth from the very first beat. The pulsating bassline sets a solid foundation, driving the rhythm forward with an infectious groove that invites movement.
From the outset, the track features lush synth chords that create a euphoric atmosphere, transporting listeners to a sun-soaked dance floor.

B1.'Past And Future' is a captivating deep duby track that immerses listeners in a rich, atmospheric soundscape. From the very beginning, the track unfolds slowly, enveloping you in its lush textures and resonant basslines and small pieces of vocals that connect amazingly with the atmosphere of the track. deep, hypnotic rhythms that create a sense of space and time, inviting introspection and exploration.

B2.'Hide & Seek is the closing track of the EP and is a mesmerizing breakbeat deep track that masterfully weaves intricate rhythms with atmospheric soundscapes. From the first beat, listeners are drawn into a world where playful breaks and deep basslines create an engaging and dynamic listening experience.“Hide & Seek” is a standout track that perfectly highlighting Dot’s innovative approach. It’s ideal for both the dance floor and intimate listening sessions.

En stock

Disponible en stock et prêt pour l'expédition

11,72
CLIPPING. - DEAD CHANNEL SKY LP 2x12"

Clipping.

DEAD CHANNEL SKY LP 2x12"

2x12inchSP1575LPX
Sub Pop
14.03.2025

Because of their mix of hellified gangster shit and progressive compositions, I once jokingly called Clipping "Deathrow Tull." Well, it's not a joke anymore. While Clipping's last few projects have been record-long concepts like classic prog rock, their cyberpunk-infused new album Dead Channel Sky is mixtape-like, a carefully curated collection in which every track is a love letter to a possible present. It sounds crisp and classic at the same time. When something strikes us as retrospective and futuristic at the same time, it's a reminder of how slipshod our present moment truly is. Juxtaposing high-tech, corporate command-and-control systems (the "cyber") with the lo-fi, D.I.Y. underground (the "punk"), cyberpunk proper starts in 1982 and ends in 1999, from Blade Runner to The Matrix. Concurrently, hip-hop matured, went through its Golden Era, then melted into further forms: it went from from Fab 5 Freddy to Public Enemy to Missy Elliott. While other genres flirted with it, hip-hop was fickle and fey. Rap and rock birthed mutant offspring maligned by most, and hip-hop's relations with electronica rarely fared any better. What if someone explicitly merged hip-hop and cyberpunk - those twin suns of the '80s and '90s - into one set and sound? After all, both movements are the result of hacking the haunted leftovers of a war-torn culture that's long since moved on. On Dead Channel Sky, Clipping texture-map the twin histories of hip-hop and cyberpunk onto an alternate present where Rammellzee and Bambaataa are the superheroes of old; where Cybotron and Mantronix are the reigning legends; where Egyptian Lover and Freestyle are debated endlessly, and Ultramag and Public Enemy are the undeniable forefathers; where the lost movements of 1980s and the 1990s are still happening: rave, trip-hop, hip-house, acid house, drum & bass, big beat-the detritus of a different timeline, the survivors of armed audio warfare. Clipping are no strangers to sci-fi: two of their records were nominated for Hugo Awards (one of science fiction's top literary prizes), and a novella spun-off from their music was nominated for a third. On Dead Channel Sky, Clipping's co-conspirators include everyone from the guitarist Nels Cline, to their labelmates Cartel Madras, rapper/actor Tia Nomore, and wordsmith Aesop Rock. Diggs is known for intricate lyrics and rapid-fire rapping, and the tracks that Snipes and Hutson build in the background are no less complex. All of the above serves to give us a glimpse of an adjacent possible present, where hip-hop and cyberpunk are one culture. Binary stars are often perceived as one object when viewed with the naked eye. Like those twin sun systems, it'll take some special equipment and some discerning attention to pull the stars apart on this record. As Diggs barks on the fire-starting "Change the Channel": Everything is very important!

En stock

Disponible en stock et prêt pour l'expédition

28,53
WHATEVER THE WEATHER - WHATEVER THE WEATHER II

Mit einer bemerkenswerten Reihe von Veröffentlichungen in kaum einem halben Jahrzehnt hat Loraine James aus London ihre künstlerische Identität durch eine Mischung aus raffinierten Kompositionen, düsteren Experimenten und unvorhersehbaren, komplizierten elektronischen Programmen geschaffen. Während die unter ihrem Namen auf Hyperdub veröffentlichten Titel zu IDM-beeinflussten, vokallastigen Kollaborationen tendieren, reserviert James ihr bei Ghostly International unter Vertrag stehendes Alias Whatever The Weather für einen Blick nach innen, der die angeborene "emotionale Temperatur" und die Umgebung erforscht (was sich in den gradbasierten Titeln der Tracks zeigt). Ihr zweites Album ist im Vergleich zu seinem Vorgänger deutlich wärmer, was durch den Wechsel vom arktischen Coverfoto von LP1 zu den Wüstengefilden von LP2 deutlich wird. Beiden Alben gemeinsam ist die Mastering-Arbeit von Josh Eustis (alias Telefon Tel Aviv), der James' Komplexität ein feines Ohr leiht, um ein auffallend dreidimensionales Klangerlebnis zu schaffen. Von hypnotischen Atmosphären über gesprenkelte Rhythmen bis hin zu verarbeiteten Collagen aus tagebuchartigen Feldaufnahmen - "Whatever The Weather II" ist eine überzeugende Verbindung organischer und menschlicher Elemente von einem der einfallsreichsten Talente der elektronischen Musik. Die Leadsingle und der Schlusstrack der neuen LP von Whatever The Weather (Loraine James), "12°C", driftet von belebten Räumen in einen konkreten Groove und verwebt Melodie und Textur zu einer wahrhaft ungewöhnlichen, seelenbewegenden Fülle. In den letzten Momenten gesellen sich eine träge Akustikgitarre und ein sanfter, mit den Fingern getippter Beat zu ihrer in der Tonhöhe verschobenen Stimme. "Whatever The Weather II" ist voll von solchen Passagen, in denen die formale Gestaltung wie ein Film im Negativ erscheint und Konventionen mit Witz, Intelligenz und Geschick umgestoßen werden.

En stock

Disponible en stock et prêt pour l'expédition

23,49
Milio - Invisible Lands (club reworks)

Cultured Dutch producer Milio returns to his home label to retool his last album Invisible Lands with the dance floor in mind. This new and club-ready 12" arrives via Atomnation on March 14th 2025 and shows a superb new side to the artist.

Invisible Lands was another marked artistic evolution for VIAVIA label head Millio who employed all new skills to translate the fantasies of his childhood into an immersive long player. As ever it was coloured by his love of hardware and brimmed with life because of his on-the-fly approach to production. Now, four of those lush originals get reimagined for different moments in the club.

These are four deep, stylish club cuts full of the sort of warm emotions that make a lasting impression.

En stock

Disponible en stock et prêt pour l'expédition

14,71
Workforce - Nothing Iz Sacred LP 2x12"

‘Nothing Iz Sacred’ is a statement, a collection of tracks that resist the pull of the fleeting, throwaway nature of today’s music scene. In an age where everything is often stripped down, consumed, and discarded, this 8-track LP stands as both a nudge and a reminder—a poke at the culture that surrounds it - it isn’t here to blend quietly into the background, nor to satisfy the urge for quick hits and shallow thrills.

Each track on the LP is woven with the sounds and textures Workforce has become known for, yet there’s a rawness here—a willingness to push boundaries, to blur the edges of genre and style. The LP is a blend of the familiar and the experimental, where thoughtful moments meet jagged beats, and where soulful undertones collide with darker layers. It’s a space that resists easy categorization, daring listeners to explore without expectation, to find meaning in the spaces between the sounds. This isn’t a record designed for the disposable playlists of tomorrow; it’s for those who know that music can mean more, and who understand that it is meant to live with us, to grow, and to shape the communities around it. This record isn’t about the chase for the next hit or the endless scroll; it’s for the ones who value artistry, who find culture in the smallest details, who want something real to hold onto.

‘Nothing Iz Sacred’ is brought to life with the voices and musicality of some incredible collaborators. Tyler Daley’s unmistakable warmth, Bobbie Johnson’s sharp lyricism, Tamara Blessa’s haunting soul, Leroy Horns’ textured brass, and Ed Zuccollo’s nuanced piano work all carve their own paths through the record. Together, they amplify the album's heartbeat, adding layers of richness and depth.

En stock

Disponible en stock et prêt pour l'expédition

26,85
Secret Echoes - Particles

Mexican supergroup Secret Echoes unveil their second Crosstown release, Particles
Riding the momentum from their Crosstown Rebels debut back in September, the trio returns on 14th March 2025, backed by a driving remix from Greek DJ/producer Angelos.

Consisting of Estefani Brolo, Diego Cevallos, and Marco Balcazar, three standout talents from Mexico’s rich electronic landscape, Secret Echoes continue to carve their unique sonic identity on Crosstown Rebels with their new single, ‘Particles’. A hypnotic, deep-grooving record, ‘Particles’ channels a fusion of melody and atmosphere, weaving together Brolo’s ethereal vocals with wonky synth lines and rolling percussion. The track seamlessly transitions between immersive listening and peak-time play and showcases the trio’s masterful ability to craft compelling, forward-thinking productions.

On the B-side, Greek DJ and producer Angelos steps up on remix duties. A Grammy winner for his collaboration with Black Coffee, his discography includes standout releases on Saved Records, Higher Ground, and Connected, as well as Crosstown Rebels’ sister label, Rebellion. Bringing a wealth of experience and a refined touch, his rework adds depth and drive to the original, layering pulsating rhythms and warm, emotive melodies to create a tunnelling remix primed for dancefloors worldwide. Following the success of their debut single, ‘Bring My Beat Back’ ‘Particles’ offers another glimpse into their forthcoming LP, reaffirming the trio’s position as a unique force within Mexico’s electronic scene and beyond.

En stock

Disponible en stock et prêt pour l'expédition

13,24
The Other People Place Ft. Mystic Tribe A.i. - Sunday Night Live At The Laptop Cafe

Collecting orders for 2024 Repress

One of the two The Other People Place releases (the Warp full length and this 12). Drexciyan involvement in this classic release is obvious. One of the deepest and intense tracks with such a warm positive vibe. Flipside contains a track by Mystic Tribe. (not very mystical of course for those who know the history of Detroit techno. Unique track from a unique project... and there are not many projects with Tribe in its name. Their release on Retroactive is one Detroit techno collector items). One of those records that get you through the day. Classic!!!
Re-issue on the Clone Aqualung Series with new artwork.

En stock

Disponible en stock et prêt pour l'expédition

14,08
Jimi Tenor & Cold Diamond & Mink - Summer Of Synesthesia
 
2
également disponible

Transparent Vinyl[10,71 €]


The single release from Jimi Tenor's second thematic album on Timmion Records offers two very different moods. "Summer of Synesthesia" takes us back to those dreamy summer days, a natural overpour of sensations mixing together, sounds becoming colors before turning into flavors. Synthesizers grow into delicate layers over Cold Diamond & Mink's rhythm, and when your heart can hardly bear the beauty of it all, Tenor's soft lyric places the cherry on top. "Tsicroxe" on the flipside couldn't be more different, kicking into gear with a demonic organ arpeggio that sounds like you've just been dropped into a Dario Argento scene. Even though the familiar funk from Cold Diamond & Mink eases the dread a bit, when Tenor busts in with the eerie flute solo, the ritual closes in on its conclusion.

The contents of the backwards vocal bits at the end shall be saved for your turntable so make sure to rewind that track, selector! Also Available From Jimi Tenor & Cold Diamond & Mink: Is There Love In Outer Space? 7", Gaia Sunset 7", Is There Love In Outer Space? LP / CD. The single takes listeners on a sonic journey: “Summer of Synesthesia” flows with warm, dreamlike beauty, while “Tsicroxe” dives into intense, mysterious depths, showcasing Tenor’s dynamic range. Blending synth layers with Cold Diamond & Mink’s classic funk rhythms, both tracks bring elements of 70s soundtrack-style tension and ethereal soul, appealing to fans of both cosmic grooves and suspenseful soundscapes. Tenor’s layered synthesizers, haunting flute, and even backward vocal elements add a captivating texture, making “Summer of Synesthesia” b/w “Tsicroxe” a must-have for fans of genre-blending, atmospheric music.

En stock

Disponible en stock et prêt pour l'expédition

10,04
Lofi Girl Presents - Chillhood Memories LP 2x12"

Lofi Girlpresents

Chillhood Memories LP 2x12"

2x12inchLOFICOMP07LP
Lofi Records
10.03.2025
 
31

Embrace the golden tranquility of summer with Childhood Memories! Let yourself be enchanted by a compilation where each note softly whispers warmth, inviting the essence of summer to dance freely. Envision yourself nestled in a cozy treehouse, surrounded by lush greenery, basking in the warm sunlight as guitar melodies fill the air. Whether you're lost in a captivating book or sharing laughter with cherished friends, allow these laid-back tunes to become the soundtrack to your summer bliss.

En stock

Disponible en stock et prêt pour l'expédition

34,03
Edictum - A Cosmic Scale

The album’s title deftly gestures to the sheer vastness of astronomical dimensions, while simultaneously capturing the musical breadth within, where the eight planets are imagined as the eight notes of an octave. The work draws inspiration not only from earlier compositions —most notably Gustav Holst’s The Planets—but also from the rich astronomical and cultural contexts surrounding these celestial bodies. Here, the focus transcends direct citation of melodic motifs, instead embracing an intriguing conceptual approach on a meta level, unfolding in a series of vividly contrasting soundscapes. These contrasts shape a sweeping sonic journey, one that fully embraces the album format with both arms, inviting the listener to venture into realms both strange and wondrous, feeling the immensity of the interstellar space that lies between them. Contrast, after all, is the brushstroke that enriches our world.

Embarking on an auditory voyage, "Astral Guide" establishes the sonic framework that propels us into the boundless expanses of the cosmos. Its ethereal tones evoke the vastness of space, crafting a mood ripe for exploration within the realms of sci-fi. The subsequent tracks unfold like constellations, weaving a rich tapestry of sound that seamlessly marries cinematic soundscapes with pulsating, club-oriented rhythms. This album invites listeners to traverse its immersive landscapes, whether nestled in the comfort of home or dancing under the starlit sky, each note a guide through the transcendent experience of a nocturnal journey.

"Solar Flares" draws its inspiration from the awe-inspiring expanse of solar phenomena, capturing the majestic power of the sun as it reaches into the cosmos. This track resonates with the idea that energy, while vital, can also be a force of destruction when unleashed with overwhelming intensity. The composition beautifully mirrors the sun’s duality, where brilliance and devastation coexist, inviting listeners to reflect on the delicate balance between creation and annihilation. Through its rich textures and dynamic shifts, "Solar Flares" serves as both a homage to the celestial and a poignant reminder of nature's formidable power.

"Mercury – The Winged Messenger" embodies a meticulously crafted soundscape where artistry meets astronomy. The tempo of 173.6 BPM, derived from precise astronomical data, propels the composition into a vibrant realm that resonates with cosmic energy. Synthwave sound design intertwines seamlessly with the fluid rhythms of Drum’n’Bass, imbuing the piece with an uplifting dynamism that evokes the ethereal grace of Mercury itself. In this sonic exploration, listeners are invited to ascend on wings of sound, navigating the celestial tapestry of the universe with each invigorating beat.

"Venus, The Bringer of Peace" strikes a decidedly cozy note, presenting a poignant contrast to the more tempestuous themes often found in cosmic narratives. This composition evokes a nostalgic vision of an optimistic era, one in which humanity transcended borders and embraced the infinite possibilities of space exploration, where no destination felt too distant. The dense, languid atmosphere envelops the listener, creating a tangible sense of serenity that unfolds gradually, allowing for a meditative journey through sound. Each note serves as an invitation to linger in this tranquil embrace, reflecting on the harmonious potential of our collective aspirations and the beauty of connection in a vast universe.

The central theme of „Gaia, The Bringer of Life“ —originally not part of the planetary cycle— is the profound enabler of life on Earth. The arrangement delicately mirrors the slow, tentative unfolding of this potential, marked by an initially sparse orchestration that gradually builds in momentum. This progression crescendos, embodying the explosive dynamism of the Cambrian burst of life, ultimately culminating in a euphoric fanfare—a triumphant, celebratory flourish echoing life’s victorious emergence.

"Blue Moon" unfolds as a contemplative reverie on the tranquil clarity of a night sky, now seldom glimpsed in its natural purity, unclouded by the relentless haze of urban light. The listener is drawn into the vast embrace of the star-strewn firmament, a journey that sways between euphoric awe at nature’s sublime beauty and a profound melancholy for its fragile and imperiled state. Musically, this duality finds expression in the delicate interplay of modal mixtures, while an ever-shifting triplet groove, poised at the intersection of Outrun and melodic house, lends a pulse that is both nostalgic and forward-looking—echoing the beauty and transience of a world on the brink.

Rather than replicating the original composition of „Mars, The Bringer of War“, this interpretation seeks to evoke its profound, foreboding atmosphere. Cyberpunk emerges here as an ideal genre, channeling the dark, relentless march synonymous with Mars, the ancient god of war. The piece reverberates with intensity, as distorted vocalizations rise, embodying the anguish and visceral torment that shadow war’s violent crescendo. This auditory descent into conflict captures the relentless pulse of warfare, where sound itself becomes an embodiment of suffering and fury.

Majestically, "Jupiter, the Bringer of Jollity" emerges on the celestial stage, sweeping away the somber tones with its radiant vigor. Drawing inspiration from the triumphant strains of the original, and borrowing a melodic motif in the refrain, the piece expresses joy and buoyancy through a shift to a major key and the lilting sway of a danceable 12/8 meter. Spirited and exuberant, it leaps boldly from major to minor and back again, playfully shifting time signatures to capture a mood of unbridled festivity and jollity.

Here, a more conciliatory concept is chosen than in the original inspiration. „Saturn“ aligns with the number six, being the sixth planet from the Sun and bearing the iconic hexagonal pattern at its northern pole. What, then, could be more fitting than to render this piece in a 6/8 time signature? The arrangement unfolds with a multifaceted richness, mirroring the countless stones and ice fragments that form the foundations of Saturn’s majestic rings.

„Uranus“ adopts the theme of a light-footed, dancing instrumentation, giving the impression of perpetual motion, never quite settling. This musical choice harmonizes with the planet’s own orbit, as it spins with breathtaking velocity, teetering and swaying, seemingly unable to attain rest or stability.

The chill and vastness of the cosmos find expression in „Neptune, The Mystic“. At its core, an electronic soundscape envelops a classical arrangement, its unreachability intensified by an ethereal, otherworldly choir. Hovering at the outermost boundaries of the solar system, where warmth is but a distant memory, the composition lingers in a slow, contemplative tempo, evoking a realm where space for speculation stretches wide and silence reigns supreme.

Though Pluto may have lost its planetary status, and its companion Charon never achieved one, this shift in classification subtly aligns with the cosmic scale invoked here—one that mirrors the musical tradition of an eight-note sequence. Fittingly, the album closes with „Kuiper Belt“, a composition emblematic of the turbulence and vitality of countless smaller

celestial bodies that, though diminutive, find their rightful place within the vast architecture of the solar system.

They say nature is the greatest composer, shaping the universe with a symphony of chaos and order, beauty and danger. It is this duality that fuels the artistic vision of Edictum—a producer who, armed with a doctorate in chemistry, delves as deeply into the mysteries of molecules as he does into the depths of sound. In the tension between the vastness of the cosmos and the microscopic processes that dictate life’s rhythm, Edictum creates sonic landscapes that dissolve the boundaries between science and art.

His music is a story of contrasts—a sonic tale where the raw forces of nature clash with the intricate structures of human culture. Opposites intertwine to form a harmonious whole: the primal rhythms of the earth meet the celestial melodies of the cosmos, the rigid laws of physics blend with the boundless freedom of art. Edictum explores these polarities with meticulous devotion, each composition an expedition into uncharted soundscapes—a quest to give voice to the unfathomable.

With over 20 years immersed in the realms of electronic music, Edictum has honed a keen sense for rhythm and movement. His driving beats compel both body and mind into a hypnotic flow. Yet beyond the pulse of dance lies a complex framework of conceptual thought. Today, his creative focus revolves around holistic album projects—self-contained worlds with overarching narratives that embrace contrast and complexity. Each track stands alone as a fragment of the whole, but together, they weave a cohesive tapestry, much like the chapters of a novel that guide the listener on an emotional and sonic journey.

Edictum’s distinctive musical signature has earned him international recognition. With over 150 releases, many on prestigious platforms like the iconic *NewRetroWave* label, and collaborations with artists such as Jan Johnston, Azumi Inoue, Powernerd, and Turbo Knight, he has solidified his place in the global electronic music scene. His latest work, *A Cosmic Scale*, marks his seventh vinyl album and is released under his own label, *Echoes of Expanse*. The label’s name is no coincidence—it captures the essence of his art: echoes of infinity, the vibrations of the universe distilled into a singular sonic experience that carries the listener ever further into the boundless expanse of sound and space.

En stock

Disponible en stock et prêt pour l'expédition

22,90
Gunjack - Bleach LP

Gunjack

Bleach LP

12inchHOJ001
House of Jack
07.03.2025

How many artists can boast that their music is played by Aphex Twin, Richie Hawtin and Surgeon alike? Celebrating 25 years of the Gunjack project, the launch of the HOUSE OF JACK imprint is here with a 6 track LP on 180 gram vinyl and mastered by Simon at The Exchange. Featuring new and never before heard versions of Gunjack classics, plus a remix of Ritual48 by Japanese techno icon DJ Shufflemaster, this record is an essential ride down a futuristic lane carved out by the Jack himself ... from relentless and funky, to deep and spacey, and all stops between, over the course of six tracks the album showcases a diversity found only in the hands of mastery and dedication. Commemorating 25 years of Gunjack and tipping off the 3rd season of the House of Jack show on youtube, this is a limited edition, colored 200gr 6 track LP - full of must have tunes for any serious DJ or collector of quality electronic music.

En stock

Disponible en stock et prêt pour l'expédition

12,56
MUTUAL ATTRACTION & PRIVATE PRESS - ZIEMIA 003

On the third Ziemia release, Private Press invites their long-time friend Piotr Baranowski, known as Mutual Attraction. Piotr is a veteran of the local Warsaw scene, recently channeling his talent through a combination of jazz and house music. The musical inspirations and absolute joy of studio time shared by Piotr, Jan and Adam (Private Press) form a solid foundation for this compilation.

The first side of the record is dedicated to a signature corroded dub sound, infused with an emphasis on rolling bass and heavily delayed stabs. While A1 is an old-school-leaning take on fast, straightforward techno, A2 is a minimalistic definition of a tool track, executed with metallic chords and a frosty atmosphere.

The situation changes dramatically on the other side, bringing warmer and more uplifting vibes, yet it still maintains the energy as all the artists focus on a moodier, more laid-back sound. Mutual Attraction brings his skills, laying down the smoothest melodies and chords, while Private Press dubs out the sounds to their limits. This collaboration offers a beautiful contrast between the functional roots of club music and more storytelling melodies cut from a late evening jam. It’s all held together by classic house grooves, bridging the familiar sounds of Chicago and Berlin in these two collaborative tracks.

Everything is perfectly finalised by on-point mastering by Wouter Brandenburg and the atmospheric artwork on the label. This record offers a great, cohesive atmosphere from top to bottom.

En stock

Disponible en stock et prêt pour l'expédition

12,56
Mono Junk - Loving Your Mind

Mono Junk

Loving Your Mind

12inchBLOW21
Cold Blow
05.03.2025

Kim Rapatti, aka Mono Junk, is a key figure in Finnish techno, known for his deep, hardware-driven sound. A firm believer in analogue synthesis, he has been shaping raw and hypnotic club tracks since the early '90s, drawing inspiration from Detroit pioneers like Derrick May and Juan Atkins. His releases have appeared on his own imprint, DUM Records, as well as Skudge, Forbidden Planet, and most recently, Cold Blow—earning him a dedicated following among DJs and collectors.

Recorded in Turku in 2002 using the Korg Minikorg 700s, Loving Your Mind showcases Mono Junk's signature stripped-down grooves and live hardware improvisation—an essential pick for anyone seeking an authentic slice of early-2000s machine funk. Alongside the title track is Gamma, a previously unheard production that was commissioned as an exclusive for a highly regarded mix series, further cementing Mono Junk's status as a trusted name in underground techno. Built around a percussive groove, a deep electro-funk bassline, and a four-to-the-floor pulse, the track unfolds in an atmospheric haze, balancing dancefloor functionality with hypnotic depth.

The B-side features remixes from Katerina and Sansibar, two of Finland's most notable international breakthroughs in recent years, known for their modern yet timeless club productions that nod to classic techno and house.

Katerina, a versatile DJ and producer with releases on Rekids, Running Back, and Cómeme, transforms Loving Your Mind into a high-energy techno duet, layering her own vocals over the original vocal track, with her infectious synth lead as the icing on the cake.

Sansibar, one of the fastest-rising names in the underground with releases on Kalahari Oyster Cult, WARNING, and Émotsiya, delivers a darker, four-to-the-floor rework—bringing a sinister edge while maintaining the raw energy of classic machine funk.

En stock

Disponible en stock et prêt pour l'expédition

14,71
Guido & Maurizio De Angelis - Squadra Antifurto LP

Here at Four Flies, we kind of feel we need a bigger word than 'proud', this time, to present, in collaboration with Beat Records, the first-ever release of the original soundtrack written in 1976 by Guido & Maurizio De Angelis for the legendary Squadra Antifurto, the second chapter of the comedy-infused crime saga directed by Bruno Corbucci and starring Tomas Milian as the iconic Italian Police Marshal Nico Giraldi.

The excitement in this case is nothing short of gigantic, difficult to rein in for those who, like ourselves, grew up adoring the character played by Milian as one of our cult heroes, and dreaming that the soundtracks of the first three films in the saga – the only ones composed by the De Angelis brothers – would one day be released.

Since the launch of our label, Squadra Antifurto has been at the top of the list of film scores we most wanted to release. Until a few months ago, this dream of ours seemed destined to remain just that, so strong was the conviction in all of us that the master tapes were definitively lost, that they had forever vanished into thin air. That's why their recovery, made possible by Maurizio De Angelis himself and the persistence of our friends at Beat Records, is an extraordinary feat.

Nearly 50 years after it was first heard in cinemas, the soundtrack penned by the De Angelis brothers is resurrected in its entirety and can finally shine its incredible power all over us.

Beautifully seeping through this score – like many others composed by the golden duo in the 1970s – are elements from the Italian, and especially Roman, folk tradition, for instance in the warm, heartfelt ballad sung by Alberto Griso, "E nun ce voio sta," which first plays in the opening credit sequence and is then reprised in various forms throughout the film, culminating with the soul-stirring orchestral version that closes the album's tracklist.

But as in any Italian crime film worthy of that name, a different soundscapetakes centre stage: it's the music that accompanies the countless scenes of tension, action, and pursuit that punctuate the film, and which has made us fall madly in love with this score.

The main theme is a prog-funk joyride, drawing inspiration from the traditional tarantella but elevated to irresistible energy thanks to a rock orchestration featuring psychedelic flutes, wild percussion, distorted electric guitars, piano chords, and various feedback and delay effects.

The resulting groove is just mind-blowing, and we almost can't believe it's finally available on a record, completely remastered for vinyl.

We really couldn't be prouder, and dedicate this release to all passionate fans of Italian crime films, the De Angelis brothers, and Tomas Milian aka Nico Giraldi.

Available starting April 12th on standard black vinyl and limited coloured vinyl (transparent amber, limited to 300 copies).

En stock

Disponible en stock et prêt pour l'expédition

33,19
The Worm - On the Move

The Worm

On the Move

12inchDC09
Deep Club
04.03.2025

Emerging from the depths of the Minneapolis underground scene, The Worm is one of the best underground techno duos in the US, composed of midwest stalwarts Naughty Wood and Heckadecimal. Naughty Wood brings decades of experience, including collaborations on Traxx’s esteemed Chicago imprint Nation. The machine wizard known as Hecka- decimal boasts a deep catalog with releases spanning Always Human Tapes and Great Circles. In early 2016, the mysteri- ous tape-duplicator Ryan Wurst received some demos, which soon became The Worm, a very rare and limited cassette on Always Human Tapes. In April of that year, The Worm flew to Denver to perform live at a basement rave co-hosted by Deep Club and Always Human Tapes, at which Traxx also delivered a DJ set. The Worm’s sound was minted in Ryan Scannura’s brain.

Fast forward 8 years, and Ryan S. saw it time for two absolutely mental tracks from the AHT cassette to finally be pressed to wax, together with two other cuts. The A-side kicks off with “12 Days Of Squirm,” a deep, pulsating acid earworm that builds in intensity. “LISA” could almost be an outtake from a lost Nation session. The tune melds haunting melodies with a demented beat, sure to scare off most casual diggers. Deep Club presents two new-old tracks on side B. “808 Verb Talk” is a slimy, wiggly mix in the vein of 12 Days. Finally, “Pytch1” brings the energy down in an extended, slow-burning closer. Eight years and two Ryans later, this collection is finally ready for turntables in living rooms and foggy basements around the world. Only for the most devoted midwest techno warriors!

En stock

Disponible en stock et prêt pour l'expédition

13,40
AXKAN + DUELLIST - Chronicles of Conflict

Limited edition vinyl 12” of 100 copies
Omen Recordings delivers another uncompromising slab of contemporary techno warfare with a split EP from Duellist and Axkan, two sonic insurgents armed with raw industrial aggression and unrelenting rhythmic brutality. A fusion of contemporary hardness and forward-thinking sound design, ‘Chronicles of Conflict’ is a war cry for the underground. No safe zones. No surrender. Just pure unrelenting techno at its most merciless.

Duellist takes command of side A by launching a full-scale assault of distorted kicks, razor-sharp percussion and eerie atmospherics that coil through the mix like barbed wire. His relentless 4x4 barrage grinds through the low end with mechanical force, setting the stage for absolute dance floor devastation.

The B side has Axkan counter-attacking with his signature modular chaos that pulses, shifts and writhes through layers of grinding sonic warfare. Gnarled textures and punishing basslines carve a hypnotic path through the abyss, delivering a masterclass in raw industrial techno.

En stock

Disponible en stock et prêt pour l'expédition

15,92
Ivan Conti - Poison Fruit LP

From an artist in their seventies, you probably wouldn’t expect to hear an album like this. But Brazilian drumming legend Ivan ‘Mamão’ Conti has been experimenting and innovating for the last half a century. As one third of cult Rio jazz-funk trio Azymuth, Mamão was at the root of the group’s ‘samba doido’ (crazy samba) philosophy, which warped the traditional samba compass with jazz influences and space age electronics. Even with his lesser known jovem guardua group The Youngsters, Mamão was experimenting with tapes and delays to create unique, ahead-of-its-time sounds, way back in the sixties. More recently Mamão recorded an album with hip-hop royalty Madlib under the shared moniker ‘Jackson Conti’.

With his first album in over twenty years, and the first to be released on vinyl since his 1984 classic The Human Factor, Mamão shares his zany carioca character across eleven tracks of rootsy electronic samba and tripped out jazz, beats and dance music. Featuring Alex Malheiros and Kiko Continentino on a number of tracks, the Azymuth lifeblood runs deep, but venturing into the modern discotheque (as Mamão would call it), Poison Fruit also experiments with sounds more commonly associated with house and techno, with the help of London based producer Daniel Maunick (aka Dokta Venom).

Take a bite of Mamão’s psychoactive Papaya and join the maestro on a weird and wonderful stroll through the Brazilian jungle.

United by a love for the music of Mamão and Azymuth, the CD and digital edition also feature the previously released remixes and dubs from some of today’s most forward-thinking producers with a penchant for percussion, including IG Culture, the 22a crew, Max Graef and Glenn Astro.

En stock

Disponible en stock et prêt pour l'expédition

23,11
Sascha Funke - Germina Speeder

Sascha Funke

Germina Speeder

12inchKOM497
Kompakt
28.02.2025

ascha Funke is creating a long overdue monument to an almost forgotten cultural artefact of the GDR: the ‘Germina Speeder’ was the only skateboard made in East Germany before reunification and was launched in 1986. It was produced by VEB Schokoladen-Verarbeitungsmaschinen (a state-owned chocolate processing machine factory) in Wernigerode and was therefore affectionately known as the ‘chocolate board’. However, it was hardly suitable for actual skateboarding due to technical inadequacies. It is not known whether Sascha himself owned such a board, but the tracks on the ‘Germina Speeder’ EP definitely roll better than the original. The opener ‘Blaupunkt’ breathes the euphoric spirit of the legendary Berlin club ‘E-Werk’, while the title track would have been more at home at the ‘Dubmission’ parties in the Turbine. Sascha leaves the 90s behind with radiant positivism; ‘Bo Knows’ sounds more like a 2000s open air at Café Schönbrunn. The EP closes with ‘Mastermind’, a high-octane psy-proghouse banger that, like all four tracks, quotes the past but still has both feet on today’s dance floors. Or rather, is dancing. 4:1 for love!

Sascha Funke setzt einem nahezu vergessenen Kulturgut der DDR ein längst überfälliges Denkmal: Der “Germina Speeder” war vor der Wende das einzige in Ostdeutschland hergestellte Skateboard und kam im Jahre 1986 auf den Markt. Es war ein Erzeugnis des VEB Schokoladen-Verarbeitungsmaschinen aus Wernigerode und wurde daher liebevoll auch als “Schoko-Board” bezeichnet. Zum eigentlichen Skateboardfahren war es allerdings aufgrund von technischen Unzulänglichkeiten kaum zu gebrauchen. Ob Sascha selbst ein solches Board besaß ist nicht überliefert, aber die Tracks auf der “Germina Speeder” EP rollen allemal besser als das Original. Der Opener “Blaupunkt” atmet den euphorischen Geist des legendären Berliner Clubs “E-Werk”, während der Titeltrack eher bei den “Dubmission” Parties in der Turbine gelaufen wäre. Mit strahlendem Positivismus verlässt Sascha die 90er; “Bo Knows” klingt eher nach einem 2000er Open Air am Café Schönbrunn im Volkspark Friedrichshain. Die EP schließt mit “Mastermind”, einem hochoktanigen Psy-Proghouse Knaller, der wie alle vier Tracks zwar das Vergangene zitiert, aber dennoch mit beiden Füßen auf den Tanzflächen von heute steht. Beziehungsweise tanzt. 4:1 für die Liebe!

En stock

Disponible en stock et prêt pour l'expédition

11,72
Various - Double Copy Sampler

2025 Repress

Running Back’s Double Copy subsidiary for house music history returns with four musical masterpieces from Chicago, London and an international cast from Italy on its first various artist sampler.
Originally released on Roy Davis Jr.’s Undaground Therapy outlet, Destination Heaven by the enigmatic Earth Boys project delivers a piece of cloud-nine-deep-house that was a staple at Frankfurt’s Wild Pitch Club and during the early days of its successor Robert Johnson. Produced by Cloudy Eyes and Cole Brooks, we unfortunately have never heard from the duo again. Luckily, Family of Few have been a little bit more productive. Also known as Mind Readers, Kevin Elliot and Billy ‚Jack“ Williams produced some of the more tender moments on Detroits 430 West label. Intervoles is amongst the most peculiar and catchy tracks that slow-burning dance floors can hope for.
The flip side turns the attention to the conclusions that Europe drew from its US-role-models. Released in 1992 on Rena Records with the involvement of New York’s JoVonn (a distinct genius of deep grooves himself), the keyboard skills of Pierre Audetat and the production work of I. Betti, M. Clemente and W. Brown, Dummy Head is one of a kind. Swirly echoes, dubby textures and a heavy bass line mate on the Edit Mix of I Have Been Wanting You to create one of the very first examples of fully formed dub-house.
Similar pioneering properties can be ascribed to the work of Rob Mello. We don’t have enough room here to list all his merits, but rest assured that the UK’s house scene wouldn’t be the same without him (Luxury Service Records, Classic et al). Under the Karim guise, Mello delivered a unique stroke of genius. Distilling the essence of deep house, while looking far into the future, In My Mind is many things at once: broken beat, electro, house with embracing chords, and – if you will – a warm-up banger. and does, what all the tracks in here do: turning heads then, turning heads now. Hardcore Deep House!

En stock

Disponible en stock et prêt pour l'expédition

11,72
Babyshambles - Shotters Nation LP

Babyshambles

Shotters Nation LP

12inch5021732358677
Warner UK
25.02.2025

"The acclaimed 2007 album reissued on 1LP clear vinyl. Taken from the original 2007 masters when Pete Doherty was at the pinnacle of his creative powers, ‘Shotter’s Nation’ followed in the footsteps 'Down In Albion’, the band’s debut album, and Doherty’s first album outside of his first band - the era-defining Libertines. Both were met with commercial and critical acclaim, breaking into the top 10 of the album charts.

‘Shotter’s Nation’ is unmistakably Doherty. Melodic, stark, catchy, raw, brilliantly unique - his music has always created an unflappable loyalty from his many fans, remaining timeless, yet still sending a nostalgic excitement through its listeners. The album also features four songs co-written by Doherty’s then-girlfriend Kate Moss who also regularly performed live with them.

The approach to the recording and release of the album was an escape from Doherty’s previous methods. Stephen Street (The Smiths, Blur, Morrissey, The Cranberries) took over producer duties from The Clash's Mick Jones, and it was and his first album released by a major label, Parlophone."

En stock

Disponible en stock et prêt pour l'expédition

27,69
bad lsd trips - ultrafest

Bad Lsd Trips

ultrafest

12inchENMB-17
enmossed
24.02.2025

Oversized custom cut LP jackets (13” / 33.02 cm width)
Silkscreened with bespoke iridescent citrus green ink by Mark Rice
Short story by Natalia Zuluaga

Flexi 7”:
steaming mescaline (extended mix by bad lsd trips)
Citrus green metallic foil stamp
Pressed in full stereo
Edition of 150

I.

bad lsd trips is the collaborative duo of makers doris dana and domingo castillo flores. Respectively the two have fostered practices that have sprawled out through various approaches and, whether in the lanes of the musical or the contemporary arts, the phenomenology of the social and inclusive prevails. On ultrafest, this motif continues through the psychedelia of its eight time-defying recordings, welcoming the listener into an open temporal architecture of the stereo field as a signifier of environment. It is worth noting that the group began collaborating in Miami, Florida with longer form improvisations recorded to a stereo cassette deck. In these recordings, the paved geographical sprawl and oceanic view permeated the approach to amassing long swaths of sound material. Listening back on that work at the time of this writing, each track feels as though one is walking into an active space, arriving to an event already in full swing and finding your place inside of it. On ultrafest (this album) something different occurs. The space and events are built around you as you move through the record.

II.

The name of the album is ultrafest, which should effectively provoke your mind's eye the imagery of young people dancing, salivating, grinding, and imbibing chemical compounds to the perversely formalized musical genres of “Electronic Dance Music” and latter-era Dubstep often heard in European Uber rides and energy drink commercials. A far distance from the icy and machinic reverie of Techno’s finest rave eras or the notable historical contributions of Miami’s cerebral producers to IDM’s global output, ultrafest is a libidinal catharsis as festival scaled to a multinational corporation of hedonistic excess. The festival has been a hallmark of Miami cultural industry production and optical enticement for tourism, purportedly bringing in nearly a billion dollars in revenue to the city since 2012. Scores of documentation exist wherein this decadent escapism leaves the concertgoer, usually in some neon garment on a near nude body potentially adorned with fluffy faux fur leg warmers, facing a comedown from the combination of volume, sun, dehydration, and methylenedioxy-methylamphetamine. This MDMA experience characterizes an aspect of the way bad lsd trips employs vocals and pitch on this album. The detached, high octaved longing of a high pitched vocal is decoupled from its typical auditory body of song. High-pass clicks and pops touch the (h)air on the back of the neck, promising goosebumps and teasing towards euphoric rushes of dopamine, yet also exist decoupled from the body of song. As the dopamine depletes and the sun imposes itself, Miami’s downtown of skeleton real estate is your company as you meander towards your parked vehicle to rest your fatigued senses, elevated heart rate, and quench the need for air conditioning on your skin. The immediacy of bombastic social immersion to architectural alienation palpable here.

III...

- Nick Klein

En stock

Disponible en stock et prêt pour l'expédition

32,35
Various - Silky Layers EP

Various

Silky Layers EP

12inchPAGER015
Pager Records
21.02.2025

Sound the alarm, we’re back! PAGER15 is our first VA since 2020, and it’s a special one— dropping soon with four tracks, four unique voices, and enough groove to shake your neighbor’s picture frames off the wall!

First up, our homeboy Phil Evans, aka "the coach” aka daddy cool, with Chocolate Funk. Imagine warm pads, crispy drums, and a bassline so addictive it should come with a warning. Add his signature offbeat stabs and a swing smoother than the creamy drizzle on kimchi fries, and you’ve got a groove that lingers long after the needle lifts.

Fresh blood incoming! Wavelength Infinity marks the Pager debut of the Parisians Aline Umber & Maxime dB, and they’re making waves. Deep, undulating basslines meet shimmering pads in a hypnotic blend of rhythm and texture. It’s a groove-roller that pulls you in faster than a free drink at the bar.

Flip it over, and California Sunshine Boy Rocky delivers debut number two with Aquatic Maneuvers. Flowing pads and bubbling percussion weave together a lush, evolving soundscape. Organic and intricate, it shifts like underwater currents, with each layer wrapping around you like the warm embrace of an after-hours vibe you never want to end!

And then there’s the Gude-Launebär himself—Markus Sommer, aka Frau Hommer, answering the eternal question: Does it Funk? Spoiler: absolutely. Rolling basslines, sharp percussion, and cheeky melodic twists come together. This is Hommer energy at its peak!

You know the drill: Either you grab it while it’s hot, or you’ll be left watching it spin on someone else’s deck. PAGER15 is calling—don’t let it go to voicemail!

En stock

Disponible en stock et prêt pour l'expédition

12,82
Various - Eine Aufnahme voller widerlicher Verderbtheit  LP 3x12"
 
22

Throughout the 1980s, Michael Antener, born and raised in Bern, Switzerland, initiated an array of sonic endeavours in the realm of industrial, dark, aggressive music. Of his times as a post-apocalyptic hunter, he says today: I found a musical niche where I could express myself, along with other people who were not afraid of dark themes. It would have been hard to sing about love in my music, so I included sounds and cries of pain taken from horror movies.

It was a fortunate coincidence to come across one of his self released records, the 1986 EP Strangler of the Swamp, which marked the beginning of our quest to find this all but forgotten musician whose work seemed nowhere to be found. Eventually, we got in touch with Michael, who is still living in Bern, and began the process of searching through all his surviving musical and visual material.

The triple vinyl release is all about documenting Michael Anteners adventures during that intense 1980s period. We tried our best to select the most interesting material from his two earliest projects, The Strangler of the Swamp and Bande Berne Crematoire, comprising materials from vinyl records, cassettes, and live recordings, some of it unreleased. The release also includes a deep dive into Michaels visual archive of posters, photos, and sleeve artworks.

The disjointed, tumultuous body of work presented here marks the testament of a fringe musician who was disruptive and confrontational, keen to shock and alarm people (much to our liking), and who could easily have been lost in oblivion.

En stock

Disponible en stock et prêt pour l'expédition

28,36
Alexi Tuomarila - Departing the Wasteland

Departing the Wasteland, the new album by Finnish pianist and composer Alexi Tuomarila, marks the beginning of a new creativeflowering for him and also 20 years of playing with the trio that’s at the heart of the album: Mats Eilertsen on bass and OlaviLouhivuori on drums. Portuguese guitarist Andre Fernandes and guest players add richness and texture to the trio sound whichincorporates electronics and synthesised moods and tones.For more than 15 years Alexi Tuomarila has been quietly building a considerable reputation as one of the finest pianists of hisgeneration in Europe. In 2003 he signed with Warner Jazz France, releasing the album ‘02’ ’, which brought him worldwideattention and critical acclaim. He shared the stage with some of the biggest names in jazz, his international career and talent fastdeveloping when, without warning, Warner Jazz ditched their jazz and classical department. He then worked for a decade withPolish trumpeter legend Tomasz Stanko, playing piano on the acclaimed album Dark Eyes for ECM Records, and collaborated withhis current drummer Olavi Louhivuori (Oddarrang) with whom he continues to record for Edition.Alexi Tuomarila has three highly successful albums on Edition, Seven Hills (2014), Kingdom (2017) & Sphere (2019).

En stock

Disponible en stock et prêt pour l'expédition

25,17
CESARIA EVORA - CAFÉ ATLANTICO

Cesaria Evora

CAFÉ ATLANTICO

2x12inchMOVLPG1003
Music On Vinyl
19.02.2025

A native of the island nation of Cape Verde, Cesaria Evora was known as the country’s foremost practitioner of the morna, a combination of West African percussion with Portuguese fados, Brazilian modinhas, and British sea shanties. After a short singing career in the 1970’s, she returned in the late ‘80s with a string of fine albums.

Her 1999 album Café Atlantico (a reference to her home where she frequently entertained guests) is a much-acclaimed masterpiece, finding Cesaria Evora venturing into more Latin American musical landscapes, as opposed to Portuguese, which dominated her previous albums. Evora draws from traditional Cuban and Brazilian music to mesmerizing effect. The music is heart-breaking and nostalgic, warm and tragic all at once.

Café Atlantico is available as a limited edition of 1000 numbered copies on gold coloured vinyl, housed in a gatefold sleeve.

En stock

Disponible en stock et prêt pour l'expédition

39,08
Zolaa. - In Woodland

Zolaa.

In Woodland

12inchHPNHS007
Hypnohouse
14.02.2025

In Woodland is a journey through the duality of solace and survival, marking the artist’s first solo EP since the war in Ukraine began. This five-track release delves into the tension between finding peace and enduring conflict.

At its heart, In Woodland is a tribute to the forest—a sanctuary of strength and reflection, offering escape from life’s chaos. Yet, the title also evokes the woodland camouflage pattern, symbolizing how war leaves an indelible mark on identity.

The EP oscillates between quiet introspection and raw confrontation, blending delicate melodies with haunting textures. Deeply personal and cathartic, it reflects resilience and reminds us of the sanctuaries—both physical and artistic—that sustain us through the darkest times.

En stock

Disponible en stock et prêt pour l'expédition

13,24
Chalo & Vell - Made from Moss Vol. 2

Chalo & Vell return with Made From Moss Volume 2, marking the next step in their collaborative EP series. This four-track of club rollers explores a range of styles and tempos, each track anchored by distinctive rhythms and textures aimed squarely at the dancefloor.

Bangkok, despite being a bustling metropolis, boasts a music scene that feels as intimate and vibrant as those found in smaller European cities. It’s a place where local creatives from various disciplines come together, leaving their artistic imprint across the city. This collaborative energy resonates through Boiled Wonderland’s catalog, which features artists like DOTT, Sarayu, and Chalo—pioneers of Thailand’s burgeoning underground music movement. Both DOTT and Sarayu are co-founders of the record store and label More Rice Records, while Chalo plays a pivotal role as the mastering engineer at Thailand’s pressing plant, Resurrecc. It’s here that the Made From Moss project took root.

While Boiled Wonderland continues to champion eclectic and boundary-pushing music, its sonic direction has evolved to embrace a more dancefloor-oriented approach. This shift reflects the label’s immersion in Bangkok’s electrifying club culture and the inspiration drawn from the city’s warm, sunlit atmosphere.

The Made From Moss series emerged from a creative dialogue between Chalo and label founder Vell. Moss, with its simplicity yet dynamic nature, became the symbolic foundation for a series focused on rhythmically driven, danceable tracks. This vision also sparked the creation of Mosspit events and welcomed MetalMetal as a core contributor.

Chalo’s opener, Feeling, weaves house-inflected vocals with acid synth lines, building a steady groove that carries effortlessly to the finish. Tolerance Break follows, layering dynamic snares, tight breaks, and basslines that pulse with energy. On the B-side, Vell leads with The Ship Rolls Through, a euphoric roller balanced by flickering sound effects that keep the track grounded. Back To Normality closes the EP, leaning into progressive tones with bouncing bass lines that sizzle toward a breaking point, bringing the EP to a close.

The record is already receiving support from the likes of: Ploy, Mixtress, Raresh, Space Dimension Controller, Jennifer Cardini, Answer Code Request and many more.

En stock

Disponible en stock et prêt pour l'expédition

13,66
THE RAH BAND - MESSAGES FROM THE STARS

Reissue of the 1983's classic Messages From The Stars by British Electronic Funk outfit, The Rah Band.

Released in 1983, "Messages From The Stars" by The RAH Band—AKA multi-instrumentalist and producer Richard Anthony Hewson—emerged as a modest club hit, peaking at number 42 on the UK charts. Four decades later, the song has been rediscovered and revered as a cult classic, transcending time and generations. This reissue celebrates The RAH Band’s pioneering sound and the track’s unexpected rise from obscurity to international acclaim, largely thanks to devoted selectors and fans who never let it fade away.

Created on a Roland SH5 synthesizer in Hewson’s home studio, the track’s iconic vocals, spontaneously delivered with playful innocence by Hewson’s then-wife Liz, proved to be a masterstroke, with her warm, conversational tone giving the track an authentic charm. The interstellar lyrics, cosmic synth-line and funky bassline combined are addictively catchy, undoubtedly contributing to the track's success as a crossover boogie-funk classic.

The RAH Band’s resurgence owes much to DJs like DāM-FunK and Martin Iveson (Atjazz), who introduced "Messages" to new audiences in the ‘90s and ‘00s. DāM-FunK recalls discovering the track in the late '90s and making it the centrepiece of his sets, with crowds demanding repeat plays during his iconic Funkmosphere nights in Los Angeles. Fast-forward to 2019, “Messages” was selected as the opening track on pop superstar Frank Ocean’s ‘Blonded’ radio show and playlist, fuelling the track's viral explosion on TikTok in 2020 and sparking a relentless, enduring internet popularity that continues to this day.

Hewson, now in his eighties and residing quietly near the Sussex coast, continues to create music every day in his garage-turned-studio, using the original vintage gear that once brought "Messages From The Stars" to life. Enjoy this slice of space-disco history, where messages from the past have made their way to the present.

Hello, Do you read me?
I have a message
A message from the stars

En stock

Disponible en stock et prêt pour l'expédition

15,92
Marvin - Sweet Analog Memories EP

Quinoa Cuts proudly presents its 4th release: Marvin's 'Sweet Analog Memories' EP

This record is a sonic journey that bridges past and present, blending nostalgic analog warmth with a modern edge. A message that resonates loud and clear as you dive into both sides of this vinyl opus.

Side A opens with two tracks that deliver a lush, analog-driven soundscape, evocative of the iconic synth-wave movement of the ‘80s. These compositions are delicately interwoven with electro-inspired nuances, creating a bittersweet atmosphere that dances between melancholy and romance. It’s music that strikes deep emotional chords while transporting you to a dreamlike, neon-lit past.

Side B takes a darker turn, shifting the narrative entirely. While the golden-era analog textures remain present, these tracks explore a more progressive, shadowy, and haunting realm. They generate an intense sense of entropy, awakening the psyche and stirring emotions in unexpected ways. This side is a deep dive into a more introspective and visceral space, one that challenges the listener to confront their inner world.

Marvin’s EP is a record that demands to be felt as much as it is heard. Whether you’re a synth-wave enthusiast, an electro explorer, or simply a lover of forward-thinking electronic music, this release will resonate with you.

En stock

Disponible en stock et prêt pour l'expédition

12,56
Phase Fatale - Scanning Backwards LP 2x12"

Scanning Backwards, Phase Fatale’s second full-length album originally released on Berghain’s in-house label Ostgut Ton in 2020 is now reissued via his label BITE on limited edition pink marble vinyl after being long sold out and sought after. Using the connection between weaponized sound and psychological manipulation as a conceptual foundation, Hayden Payne explores the ways in which music – and sub frequencies in particular – are used to influence thinking and to synchronize emotions and behavior: from military technology to sound systems and the physicality and sexuality of queer techno culture.

Known for his innovative post-punk takes of dance music as featured on EPs for unterton and Ostgut Ton, the Berghain resident draws on his background as both a guitarist and sound engineer to create a heady mix of broken rhythms, noise-, and shoegaze-inflected techno, often at slower tempos. The result is music with space and pace to expand, highlighting the intense rushes of frequencies found in both sonic warfare and functional dance music. Over eight tracks named after a combination of historical and fictional narratives from literature and science fiction, Payne’s rhythmic excursions explore different manifestations of sound as power – specifically within the context of seeing Berghain as an instrument itself. This is also reflected in the album artwork, taken from an early flyer for the SNAX party series and an obvious ode to the fetishization of power dynamics.

In his own words: “All tracks on the album, no matter the style, were tailored to sound a certain way in Berghain – something I figured out through years of dancing in the middle of the floor, DJing as a resident and investigating what frequencies really penetrate the body. This includes speech and high-frequency, brain-penetrating instrumentation and drilling textures that I had not utilized so often before, but which I think also have an effect on thought and memory. It’s especially true in a space where gay and fetish roots combine with music in unexpected ways, almost in a cultish manner. A musical and physical deprogramming and reprogramming, psychic driving and de-patterning, the erasing and replacing of memories.”

Ultimately, Scanning Backwards surveys not only the manipulative properties of electronic music (mantras, loops, subliminal messages) but also how rhythm facilitates both moving and thinking in synchrony; a pulse of coordinated sound- and brainwaves.

En stock

Disponible en stock et prêt pour l'expédition

27,69
Jackson Mathod - Studio Natives, Vol. 1

1. Watermelon Man
This track version actually came from an improvisation that Allesandro IIona (Keys) made on a live show at RonnieScott's at the start of the year. I think we were were having some issues with one of the monitors on stage and it juststarted making this beeping sound. Then I remember Alleh just came in with that piano riffat the start and the rest was history. This one of thefirst tracks we recorded for the EP and I'm super pleased with how this one turned out. Afterseeing Herbie Hancock live for thefirst time the year before, this felt like the perfect tribute to him!

2. Mandible
The majority of the writing on this album was done at my studio space in Hither Green, where I am every tuesday! I usethis space to record but mainly a space to develop my art. So this EP all came from a few sessions there. We all haveour own creative things going on so it was really great to collaborate as a band and trash out some ideas we had.Mandible is one of my favourite tracks on the EP. It's very simple but leaves us a lot of space to explore some more freeimprovisation. I think in some of my previous recorded music I was more focused on creating well crafted music withgreat melodies and harmony. Whereas here there's a bit more focus on playing as a group and being more explorative inimprovisation. We also didn't have a melody for this track until a week before the recording! Sometimes it just takes awhile tofind that melody or it might just pop into your head one day.

3. Slum
This is a tune that was actually written by myself in 2017/18. Round about that time, I had been playing at a jam night ata warehouse unit in Limehouse called Unit 31. The night was ran by Pianist Raffy Bushman and Drummer Sam Michnikand was focused on hiphop and Jazz fusion. We would usually play a set of instrumental music before it opened up forvocalists and other instrumentalists to come and jam. It was a great place to try out new ideas, so I wrote this tune for itbut we never recorded it. It was really nice to revisit this tune and get it recorded properly at 'That SoundStudios' (Seven Sisters). This track is all about dynamics and a slow build throughout. Descending to more chaos at theend!

4. Red Pistachio
For thefirst two sessions we wrote with a different bass player to Edmondo Cicchetti who is on the recordings. A greatbass player and friend of mine Tom Driessler. This track started kinda exactly how it starts on the record, with that basshook. I'm very influenced by Christian Scott Atunde Adjuah and his melodic writing. Particularly on his album 'StretchMusic'. So this felt really inspired by that album. The chords don't really move around too much until the solo sectionwhere it becomes more like a blues. Then Allesandro get's a bit more loose at the end with the descending sequence.

5. Jerome arrived Late
Quite simply we started writing this tune before Jerome (Drums) arrived late. In the recording session we were a bitundecided about what to do in the solo section. We tried out a few different options before we eventually landed onfeaturing Gabriele Pribetti on Sax. I'm really into his solo on this as it's rhythmically and dynamically really exciting. As Imixed the record it was also a great solo to mess with and run through lots of different plug-ins. There's some weirddelays and phasing going on that and I added some octaves too in places.

En stock

Disponible en stock et prêt pour l'expédition

24,16
New Order - Low Life Definitive Edition (Boxset)

New Order are delighted to announce the release of the definitive edition of their 1985 studio album Low-Life. The collection includes an LP (180g), x2CDs, x2DVDs, a book and features unreleased rare material across the different formats and new sleeve designs.

CD 2 contains previously unreleased mixes and alternative versions, including Love Vigilantes and Sub-Culture instrumentals, Sooner Than You Think Full Length Unedited. The two DVDs include an unreleased performance from The Manhattan Club, Belgium and rarely seen footage from Rotterdam Arena (Netherlands), International Centre (Toronto, Canada) and a BBC filmed Whistle Test at The Hacienda, 1985.

The 180g vinyl LP will be wrapped in its original ‘heavyweight tracing paper’, designed by Peter Saville. In addition the CD will also be wrapped in the same way for the first time ever. Also included in the set is a beautifully presented hardback book featuring rare photos and a new interview with all band members.

Marketing to promote the release include:
• National press and radio promo campaign – reviews, features, and interviews TBC.
• Organic and promoted content from the New Order official socials and Warner Music owned socials.
• Promotion of singles pre-release with BBC 6 Music support.
• Far-reaching online advertising campaign.


LP 180g Vinyl
Side one
1. Love Vigilantes
2. The Perfect Kiss
3. This Time of Night
4. Sunrise
Side two
1. Elegia
2. Sooner Than You Think
3. Sub-Culture
4. Face Up CD1
1. Love Vigilantes
2. The Perfect Kiss
3. This Time Of Night
4. Sunrise
5. Elegia
6. Sooner Than You Think
7. Sub-Culture
8. Face Up

CD2: Extras
1. Love Vigilantes - TV Pitch Instrumental Edit (mono)
2. The Perfect Kiss - Writing Session Recording
3. Untitled no. 1 - Writing Session Recording
4. Sunrise - Instrumental Rough Mix **
5. Elegia - Full Length Version *
6. Sooner Than You Think – Album Session Unedited Version
7. Sub-Culture - Album Session Early Instrumental Version
8. Face Up - Writing Session Recording
9. Let's Go – Album Session Instrumental
10. Untitled no. 2 - Writing Session Recording
11. Sunrise - Writing Session Recording
12. Love Vigilantes - Writing Session Recording
13. Sooner Than You Think - Writing Session Recording
14. Skullcrusher – Demo

All tracks previously unreleased except * and ** (previously unreleased on CD and Digital)

DVD1
Live in Tokyo
The Koseinenkin Hall, Tokyo, Japan 1985

1. Confusion
2. Love Vigilantes
3. We All Stand
4. As It Is When It Was
5. Sub-Culture
6. Face Up
7. Sunrise
8. This Time Of Night
9. Blue Monday

Live in Rotterdam
The Rotterdam Arena, Netherlands 1985

10. As It Is When It Was
11. Everything's Gone Green*
12. Sub-Culture*
13. Ceremony*
14. Let's Go*
15. This Time Of Night*
16. The Village
17. The Perfect Kiss*
18. Age Of Consent*
19. Sunrise
20. Temptation*
21. Face Up*

Live in Manchester
Whistle Test, The Hacienda 1985

22. As It Is When It Was
23. Sunrise
24. Face Up - Restored version using available footage from The Hacienda Dec ‘85 and July ‘85.
DVD2
Live in Leuven
The Manhattan Club, Leuven, Belgium 1985

1. Let's Go*
2. The Perfect Kiss*
3. Age Of Consent*
4. State Of The Nation*
5. As It Is When It Was*
6. The Village*
7. Sub-Culture*
8. Atmosphere*
9. Blue Monday*

Bonus Tracks
10. Thieves Like Us*
11. Temptation*
12. Confusion - Restored version from damaged tape with mixing desk audio.*

Live in Toronto
Filmed by Paul Boyd
The International Centre, Toronto, Canada 1985

13. Elegia*
14. Sub-Culture*
15. The Village*
16. Sunrise*
17. We All Stand
18. As It Is When It Was*
19. Love Vigilantes*
20. 586*
21. Age Of Consent
22. Temptation
23. Ceremony*
24. The Perfect Kiss*

The Perfect Film
Rehearsal Room, Cheetham Hill, Manchester 1985

25. The Perfect Kiss

*unreleased

En stock

Disponible en stock et prêt pour l'expédition

168,03
Howie Lee - At The Drolma Wesel-Ling Monastery

Beijing-based artist/producer Howie Lee interprets Tibetan Buddhist chants on his new album 'At The Drolma Wesel-Ling Monastery', the follow up to 2021's critically acclaimed 'Birdy Island'.

Recorded over two weeks at Drolma Wesel-Ling Monastery in the mountains of north-eastern Tibet, Beijing-based multi-disciplinary artist/producer, Howie Lee combines Tibetan Vajrayana Buddhist singing with Kode9-channeling bass/footwork science, glitched-out hyper-rhythms and sampled Chinese-Tibetan instrumentation for his latest album on Mais Um.

Invited to contribute and interpret chant recordings from the sound archive of monastery founder and master, Tuga Rinpoche's self-built recording studio, Howie Lee connects parallels in electronic music, deep meditation and devotional chanting to present eight reconstructed, IDM-warpedVajrayanamantras, journaling the beginnings of his journey into buddhism, and to continue Lee's career-long threading of ancient, cross-generational practice, modern Chinese history and experimental club-futurism.

En stock

Disponible en stock et prêt pour l'expédition

23,49
Waveratio 618 - Bramosia Delle Cose Vietate EP

Overthink Records - 010 Waveratio 618 - “Bramosia delle cose vietate” (4-Track EP) The 10th release on Overthink Records marks a pivotal moment, delivered by Italian producer Waveratio 618. Following his standout contribution to the label’s Split Series, he returns with a thrilling 4-track EP that blurs the lines between Techno and EBM. Crafted entirely from live jam sessions, this EP exudes raw energy and unfiltered creativity. Each track captures the immediacy and spontaneity of these jams, translating hardware explorations into music brimming with tension and drive. Waveratio 618’s intricate interplay of analog warmth and digital waveforms results in a collection equally suited for shadowy dancefloors and introspective listening. A defining release for both the artist and Overthink Records. Gear Used: Yocto Composer, Kawai R-50, Erica Synth Bass Drum, SH-09, Alpha Juno, Cs2x, Blofeld, BitBox Micro, Td3-Mo.

En stock

Disponible en stock et prêt pour l'expédition

11,98
Cornell Campbell - Change Your Ways

Poor Man’s Friend Records is proud to present a brand new 7” featuring the legendary Cornell Campbell. This 45 delivers a powerful message from The Gorgon, a prolific artist whose recording career spans over 60 years. First recording for the venerable Coxone Dodd at Studio one, Mr Campbell has built a cult following with his trademark Falsetto voice. Equally adept at writing beautiful love songs as he is deep spiritual roots cuts, It's fair to say many of his works have become Iconic milestones in the evolution of the genre. In the year 2025 Cornell Campbell warns us of the pitfalls of living our life in an egotistical way, “ Just try sweeping up your backyard, before you find fault with people's yard.” A searing condemnation of those that judge others based on their wealth, this mid seventies style roots production was cut by the Poor Man’s Friend Rhythm section at their studio in Bristol. The B side dub was masterfully orchestrated by label stalwart Yakka, whilst the horns were played by Cornerstone Horn section.



This one is super limited, only 300 copies have been printed.

En stock

Disponible en stock et prêt pour l'expédition

14,24
The Orb - Okie Dokie It's The Orb On Kom LP 2x12"

“Okie Dokie It´s The Orb On Kompakt“ is already the 13th album of one of Britian's most prized cult bands. We feel it's better that way, because the music of The Orb only has an intensive effect when taken in as a long playing full length. And it proves with this lovingly conjured collection of songs brought together like a collage. The first half of Okie Dokie showcase The Orb´s love for minimal Techno and Schaffel/Shuffle as it is so obviously present in the foreground, while the second half is only reserved to the classic Orb-ish ancestral domain. There are wonderful guest appearances by Schneider TM and Kompakt´s ambient-guru Ulf Lohmann. As many of you know, there is so much history about The Orb you could write a book. Since Jimmy Cauty and Alex Paterson, in the flush of euphoria invented Chill Out and Ambient House in the first summer of love 1988, an incredible amount of things have occurred. The following timeline should give you a rough idea. - Alex Paterson gives up his job as roadie for Killing Joke. - “A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld” is not only the record with the longest title of the world, but it also marks the departure into the new sonic worlds of post-Rave Ambient. - While Cauty goes different ways with The KLF, The Orb re-form themselves and have a big hit with Little Fluffy Clouds in 1990. - The debut album “The Orb´s Adventures Beyond The Ultraworld“ hits the Top 30 in England. - The Orb produce “Higher Than the Sun“ for Primal Scream. - The Orb perform “Blue Room“ as chess-playing aliens at Top Of The Pops. Everything goes. - “Blue Room“ clocking in at 39:58 minutes goes into music-history as the longest time for a chart single ever. - The Orb achieve great success in Glastonbury '92 + '93. - The Copenhagen double concert “to the sunrise and sunset” is eternalized on record: “Live 93“ - Previously a floating member of The Orb, Thomas Felmann becomes a fix member in 1997 - No joke: Robbie Williams takes part of The Orb for a short time. The collaboration “I started A Joke“ is released on a benefit compilation - After 2002 The Orb found with Kompakt a new ambient-loving partner and release a row of singles and play live, as the trimmed-down version as Le Petit Orb. And one more for the extra hush-hush: The Orbs first album “A Huge Ever Growing Pulsating Brain...” was actually a Kompakt release. You can check it out. Besides the actual label Wau! Mr. Modo you can read... Kompakt Discos. Ha!!
Mit „Okie Dokie It´s The Orb On Kompakt“ liegt nun das circa 13. Album der britischen Kultband vor. Das ist gut so, denn The Orb's Musik wirkt eigentlich erst im Longplay-Format so richtig intensiv. Die Stücke sind, wie man das von ihnen kennt, liebevoll collagenhaft miteinander verwoben. In der ersten Hälfte tritt The Orb's Liebe zu Minimaltechno und Schaffel in den Vordergrund, während die zweite Hälfte ausschliesslich der Orbschen Ur-Domäne Ambient vorbehalten ist. Es gibt wunderbare Gastauftritte, wie etwa Schneider TM und Kompakt's Ambient-Guru Ulf Lohmann. Zur Geschichte von The Orb könnte man ganze Bücher schreiben, denn seit Jimmy Cauty und Alex Paterson im Rausch der Euphorie des ersten Summer of Love anno 1988 Chill Out und Ambient House erfunden haben ist viel passiert. Extrem viel. Die folgende Auflistung soll einen ungefähren Eindruck davon vermitteln. -Paterson hängt seinen Job als Roadie für Killing Joke an den Nagel -„A Huge Ever Growing Pulsating Brain That Rules From The Centre Of The Ultraworld“ ist nicht nur bis dato die Platte mit dem längsten Titel der Welt sondern markiert den Aufbruch in die neuen sonischen Welten des Post-Rave Ambient. - Während Cauty mit The KLF andere Wege geht, reformieren sich The Orb und landen 1990 mit “Little Fluffy Clouds“ einen Riesenhit. -Das Albumdebut “The Orb's Adventures Beyond The Ultraworld“ geht Top30 in England -The Orb produzieren „Higher Than The Sun“ für Primal Scream -The Orb performen „Blue Room“ als schachspielende Aliens verkleidet bei Top Of The Pops. Alles geht. -“Blue Room“ geht mit 39.58 Minuten als längste Chart-Single ever in die Musikgeschichte ein - The Orb legen 92 + 93 Glastonbury flach - Ein Copenhagener Doppelkonzert zum Sonnenauf- und Untergang wird auf Platte verewigt: „Live 93“ - Bisheriges „floating member“ Thomas Fehlmann wird 1997 festes Mitglied - Ohne Scheiss: Robbie Williams wird für kurze Zeit The Orb-Bestandteil. Die Kollaboration „I Started A Joke“ erscheint auf einer Benefiz-Kompilation. - Ab 2002 finden The Orb mit Kompakt einen neuen ambientverliebten Partner und veröffentlichen eine Reihe wunderbarer Maxis und treten live, vornehmlich in abgespeckter Form als Le Petit Orb in aller Herren Länder auf. Ein kleiner Treppenwitz am Rande für Erbsenzähler : Schon The Orb's erste Platte („A Huge Ever Growing Pulsating Brain...“) war eigentlich eine Kompakt-Veröffentlichung. Ihr könnt nachschauen. Neben dem eigentlichen Label Wau! Mr. Modo stand nämlich folgendes ...Kompakt Discos. Ha!

En stock

Disponible en stock et prêt pour l'expédition

23,49
Various - Crosstown Rebels present SPIRITS VII (2x12")

Damian Lazarus uncovers ‘SPIRITS VII’, the seventh chapter of Crosstown Rebels’ visionary annual compilation series. The eight-track package sees the Crosstown Rebels founder curate another stellar lineup of emerging and established talent for the latest instalment of the ongoing highly acclaimed series.

Since its debut in 2017, Damian Lazarus’ SPIRITS series has become a definitive platform for rising stars and established talent pushing cutting-edge sounds, consistently setting the tone for the year ahead. With the release of ‘SPIRITS VII’ this February, Crosstown Rebels continues its tradition of curating groundbreaking talent, delivering an impressive collection of tracks from both new and returning names. Building on the momentum of previous volumes, the eight-tracker offers an expertly crafted selection of deep grooves, hypnotic rhythms, and forward-thinking productions - providing a glimpse into the future of house and techno while staying true to the genre’s roots.

Opening the release, US-based duo Lisbona Sisters present ‘OK GURL’, a trippy and warping track with their original vocals that sets an otherworldly tone. Next, Netherlands-based SHARE follows releases on Mobilee and Abracadabra with ‘Oh Please…’, an acid-led cut with hooky vocals from Def Eff that leave a lasting impression. Next, Bonafique, part of the Maccabi House family, infuse ‘Desperadio’ with signature Middle Eastern influences and organic, rhythmic drums, while Dino Lenny delivers ‘I Have Sampled Father’, a playful yet off-kilter cut loaded with a kaleidoscope of diverse elements balanced by captivating grooves.

The journey continues with Upercent’s ‘Where Are You’, a dynamic composition characterised by soaring synths, sharp drums, and heavy bass licks. Collaborating on ‘Le Tourbillon’, Timo Maas & Inámo craft a hypnotic blend of grooves and sweeping melodies, perfect for late-hour moments. Recorded in his Ibiza studio, John Monkman energises the collection with ‘Colours’, a track brimming with intricate synth work, standout vocals, and dynamic sound design, before Enamour closes with ‘Jackpot’, a dreamy and hazy masterpiece featuring colourful sonics and enchanting soundscapes.

With its distinct ability to uncover hidden gems and elevate them to global recognition, Crosstown Rebels remains a leading force, and this latest edition of SPIRITS proves precisely why it remains at the forefront of the global electronic scene as one of its most vital imprints.

En stock

Disponible en stock et prêt pour l'expédition

25,63
Mary Halvorson - Cloudward LP

Mary Halvorson

Cloudward LP

12inch0075597902334
NONESUCH
28.01.2025

‘One of the finest jazz guitarists of her generation, Halvorson is possessed of a questing, restless spirit.’ – Jazzwise

‘With an album of string quartet music as strong as this one, she is worthy of as much renown in the classical field as she holds in the jazz community.’ – New York Times

‘One of America’s finest guitarists. Halvorson’s musicianship is open-minded, demanding and richly engaging.’ – Uncut

Nonesuch Records releases Cloudward by Brooklyn-based guitarist, composer, and MacArthur fellow Mary Halvorson on January 19. The album features eight new compositions by Halvorson, performed with her sextet Amaryllis, the improvisatory band that performed on her critically praised 2022 albums Amaryllis and Belladonna comprising Halvorson, Patricia Brennan (vibraphone), Nick Dunston (bass), Tomas Fujiwara (drums), Jacob Garchik (trombone), and Adam O’Farrill (trumpet). Labelmate Laurie Anderson also is featured on the album track ‘Incarnadine’. Halvorson and Amaryllis will tour internationally following the release of the new album, including January dates in Europe, as well as at the Big Ears Festival as part of Nonesuch’s 60th anniversary celebration.

Halvorson says, “All of the music on Amaryllis was written in 2020, during the thick of the pandemic, in one of the more bizarre time periods I’ve experienced in my life. While composing for Amaryllis, I expanded upon certain musical concepts I’d developed in my life up until that point—the ones that felt fruitful—and left others behind, hitting the reset button and attempting to build from scratch. Two years later, after the release of the first album, I was still writing music for Amaryllis.

“All the music on Cloudward was written in 2022, mostly in the fall and winter, when things started moving forward. Life felt like a creaky machine starting up again,” she continues. “Air travel, however chaotic, had resumed, and we were once again cloudward. Performances and tours and recordings were happening after a long hiatus and with a renewed sense of gratitude. This band, for me, was quite simply working, both musically and personally, and the main thing I felt while writing the music was optimism.”

The Guardian said Halvorson’s 2022 double release “shows how far this single-minded original has come, and affords a glimpse of how far she may go. Both sessions confirm how years of jaggedly lyrical solo and ensemble improvising and a quirkily subversive affection for mainstream music have now nurtured a composer of unpredictable but warmly expressive character… These are new landmarks in Halvorson’s already inimitable discography.” Pitchfork said, “Amaryllis and Belladonna are distinct statements; one could hear either album on its own without a sense that something is missing. But they are most powerful when taken together, like a landscape and its reflection in rippling water.”

Halvorson has released a series of critically acclaimed albums, from Dragon’s Head (2008), her trio debut featuring bassist John Hébert and drummer Ches Smith, expanding to a quintet with trumpeter Jonathan Finlayson and alto saxophonist Jon Irabagon on Saturn Sings (2010) and Bending Bridges (2012), a septet with tenor saxophonist Ingrid Laubrock and trombonist Jacob Garchik on Illusionary Sea (2014), and finally an octet with pedal steel guitarist Susan Alcorn on Away With You (2016). She also released the solo recording Meltframe (2015), and most recently debuted Code Girl (2018, 2020), a new ensemble featuring vocalist Amirtha Kidambi (singing Halvorson’s own lyrics), trumpeter Adam O’Farrill, saxophonist and vocalist María Grand, bassist Michael Formanek, and drummer Tomas Fujiwara.

One of New York City’s most in-demand guitarists, over the past decade Halvorson has worked with such diverse musicians as Tim Berne, Anthony Braxton, Taylor Ho Bynum, John Dieterich, Trevor Dunn, Bill Frisell, Ingrid Laubrock, Jason Moran, Joe Morris, Tom Rainey, Jessica Pavone, Tomeka Reid, Marc Ribot, and John Zorn. She is also part of several collaborative projects, most notably the longstanding trio Thumbscrew with Michael Formanek on bass and Tomas Fujiwara on drums.

En stock

Disponible en stock et prêt pour l'expédition

33,57
La Pointe - Umbra

La Pointe

Umbra

12inchSTM005A
Secret Teachings
28.01.2025

La Pointe debut on Damian Lazarus’ Secret Teachings with ‘Umbra’, featuring remixes from Nathan Fake and Jonny Rock. The experimental label opens its 2025 schedule on 24th January with the Geneva-based trio’s warping original backed by a pair of late-hours remixes from two of the best in the scene.

Emerging from a confluence of rave culture and artistic mastery, La Pointe make an impressive label debut on Damian Lazarus’ Secret Teachings imprint with the enigmatic ‘Umbra’. The release, set for 24th January, is accompanied by stellar remixes from revered producer Nathan Fake and the ever-versatile Jonny Rock, delivering a sonic journey that transcends the ordinary. La Pointe, a trio formed by Geneva-based techno pioneers Crowdpleaser and Entlet alongside New York City’s Jonny Sender, represents a fusion of cultural and musical legacies. Rooted in the dynamic after-hours scenes of Geneva and New York’s underground club culture, the trio creates music that is both innovative and steeped in tradition. Their studio, located in an old factory by the meeting point of the Rhone and Arve rivers, lends its name—and its industrial inspiration—to their project.

The original mix of ‘Umbra’ is a hypnotic exploration of light and shadow, blending atmospheric melodies with deep, pulsating rhythms—a testament to their ability to craft soundscapes that resonate emotionally and physically. Nathan Fake’s remix ventures into intricate, textural layers, marrying ethereal tones with electronic intensity. Jonny Rock injects a raw, off-kilter groove and late-hours energy into his reinterpretation, blending his eclectic influences from disco, funk, house, and beyond. The genesis of La Pointe is as captivating as its sound. Crowdpleaser and Entlet are celebrated architects of Geneva’s rave scene, running the legendary after-hours party The Shark for over a decade and hosting luminaries like Alexander Robotnik, Boo Williams, and Sonja Moonear. Jonny Sender, a stalwart of New York’s downtown music revolution in the 80s to 00s and bass player of post-punk band KONK, brought his unique perspective honed in venues like Mudd Club to the trio when he moved to France. This debut appearance on Secret Teachings is not just a collection of influences but a narrative woven from decades of underground culture and musical exploration - making it a perfect fit for Lazarus’ label as he continues to champion boundary-pushing artistry, curveball signings and inspired remix curation.

En stock

Disponible en stock et prêt pour l'expédition

13,66
THE WAILERS - Back Out / Can't You See

Jamwax Records proudly presents this historic reissue, featuring two timeless tracks from The Wailers’ legendary album The Best of The Wailers: "Can't You See" and "Back Out". While these songs have long been cherished as classics, this marks the first time they have ever been available on a 7-inch vinyl single. Even though some books about Bob Marley & The Wailers list them as having been released on 7-inch, I have never seen a copy for sale.

Produced by the visionary Leslie Kong with co-producer Warwick Lyn, the album captures The Wailers at their soulful, raw best. These songs predate the group’s later partnership with Lee Perry and Island Records, offering a purer, more unembellished sound. The harmonies are flawless, the arrangements simple yet deeply powerful, and the performances utterly timeless. "Back Out" highlights Bob Marley's unmistakable voice, brimming with the confidence and charisma that would later make him a global icon. Bunny Wailer and Peter Tosh's harmonies add depth to a track that perfectly embodies the spirit of early reggae. "Can't You See" showcases Peter Tosh on lead vocals, supported by the sublime harmonies of Bob Marley and Bunny Wailer.
These recordings, crafted with a four-track setup and featuring some of Jamaica’s finest musicians—including Mickey ‘Boo’ Richards on drums, Jackie Jackson on bass, and Winston Wright on organ—are testament to a moment in time when reggae was still raw, revolutionary, and evolving.

Recorded at Dynamic Sounds Studios (Kingston, Jamaica), from 29th April until 19th May 1970.
Originally released on August 9th of 1971 by Beverley's Records, 135 b Orange Street, Kingston, Jamaica, West Indies.

En stock

Disponible en stock et prêt pour l'expédition

11,98
Leba Hibbert - Into The Lights

Leba Hibbert

Into The Lights

12inchTAXI-HPLP001
Taxi Records
24.01.2025

The time has arrived for the release of the long awaited EP by LEBA, with the prolific title - Into The Lights.

Carefully and thoughtfully crafted over two years, the legendary record producer of High Power Music, General Lee, teamed up with the magnificent Legends Sly and Robbie, to produce the daughter of legendary Jamaican Icon Toots Hibbert: LEBA.

This LP features 7 songs including a feature from Jamaican Portland deejay Blackout JA, on track "No one loves you like me", which was released in 2021. These songs carry you on a musical journey of time and space, on a dub and reggae background, which soothes the ears of its listeners, and gets them grooving to the bassline of the late Robbie Shakespeare OD and Sly Dunbar OD and Taxi Gang.

The songs paint a picture through conscious words and messages, heavy and spacey instrumentation, recorded & mixed at One Pop Recording Studio Kingston Jamaica by Rorey Baker. An atmosphere that will surely transport its listeners into the calm and relaxing space of reggae and dub music.

En stock

Disponible en stock et prêt pour l'expédition

25,17
Setenta - Apollo Solar Drive LP

10, 9, 8, 7, 6… the countdown to blastoff has started! Paris-based band Setenta is preparing for their upcoming 20th anniversary by releasing their sixth album, Apollo Solar Drive. The record is poised to be their best yet and is the culmination of an odyssey of artistic discovery. Setenta has been constantly striving for illumination through the years, yet also exploring the dark side of the human condition along the way. As the band describes it, this record is an Afro-Latin retro-futurist tribute to the sun. If their previous album, Materia Negra, launched the Setenta space shuttle crew into the void of “dark” matter and black holes, they now change course and valiantly approach the sun at full warp speed, taking us from darkness into the light. Miraculously, Setenta manage to bring some of the rhythmic and harmonic material they’ve explored on Earth with them, yet boldly dare to go where no one has gone before, challenging themselves to take their music, and their audience, to uncharted dimensions and new realms of existence.

In keeping with the themes of Materia Negra, FIP (Radio France) selection in 2020, Setenta’s sixth mission to explore “the great beyond” of “inner space” is aptly titled Apollo Solar Drive, emphasizing the band’s turning to the life-giving light of the sun for inspiration while playfully echoing the title of Eddie Palmieri’s Latin funk and social commentary masterpiece, Harlem River Drive. The overall vibe is warm and positive, propelled by the dual energy thrusters of funky, fierce beats and deceptively complex arrangements, yet going down smooth in the best sense of the word, like your favorite tropical cocktail or classic jazz dance fusion record of the 1970s. Of course this delicious treat is served with a special Setenta flavor all its own.

This time around, Apollo Solar Drive celebrates the trajectory of the band’s unique interstellar journey by deploying a resolutely jazzy, “funkadelic” angle to their beloved Afro-Latin music. Setenta’s band members tell their truths as a collective, with an emphasis on instrumental sections, focusing on the interweaving of multiple keyboards and guitars, while condensing the vocals to group choruses, as opposed to the solo voices of the past. The overall approach is more futuristic in its conception and realization, from the arrangements to the sonic engineering, although the rhythmic base still remains rooted in Afro-Cuban traditions as well as those of other Caribbean nations.

Pablo E. Yglesias (DJ Bongohead) of Peace & Rhythm (USA)

En stock

Disponible en stock et prêt pour l'expédition

20,80
Ulrich Troyer - Transit Tribe MC (TAPE)

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. Mystica Tribe is the musical alias of Tokyo-based dub/techno producer Taka (Takafumi) Noda. He collaborated with Vienna's own Vegetable Orchestra on 2020's "Transplants (Mystica Tribe Version)". After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, vibraphone, marimba, djembe, contra-alto clarinet, melodica, Farfisa - all bound together by organic live-drums and dub effects.

Liner notes by Steve Barker

En stock

Disponible en stock et prêt pour l'expédition

14,92
KOMPROMAT - PLДYING / PRДYING

After four years of solo festival appearances, the duo formed by Rebeka Warrior and Vitalic is making a grand comeback!

The release of the new album is planed on january 24 and a European and French tour, including a sold out show at the Olympia (Paris) in April 2025 and at Zénith Paris - La Villette on November 5th, 2025.

En stock

Disponible en stock et prêt pour l'expédition

28,15
Ilario Liburni - Tivoli

Ilario Liburni

Tivoli

exclADAM015
Adams Bite
17.01.2025

Title-cut ‘Tivoli’ opens and sets the tone with twitchy acid lines, murky dub swells, skippy percussion and eerie textural atmospherics. ‘Agree’ follows and shifts gears into deep house realms courtesy of a bright organ hook,

swirling pad lines, tension building strings and oscillating bass drones, all underpinned by a crisp rhythm section.

‘Wonderful Transmission’ kicks off the b-side next with a electro tinged feel, fusing robotic voices and squelchy bass flutters with saturated drums and haunting resonant synth leads. Last up to conclude the EP is ‘Haunted’,

an apt title for the eerie, intricately textured composition featuring heavily processed voices, warbling bass notes and robust drums.

En stock

Disponible en stock et prêt pour l'expédition

13,40
Zopelar - Horizonte EP

Nomada Records welcomes proudly one of the greatests and finest south america producers; Based in SAO PAULO (BRAZIL); Pedro Zopelar has built a distinguished reputation as a producer in the electronic worldwide scene under his alterego “ZOPELAR” and parallel projects such as “MY GIRLFRIEND” “SPHYNX” and “L’HOMME STATUE”. He has released and edited music on big labels such as APRON, TARTALET RECORDS, SOUL CLAP RECORDS, MOTHER TONGHE, ROYAL OAK, SELVA DISCOS, AXE TRAXX, TECHNO HOUSE CONNOISSEURS and many others.


“HORIZONTE EP” is a five track release where We can enjoy is unique synth funk and deep disco boogie soulful house sound. The A-SIDE starts with “HORIZONTE” an uplifting house track with a flowing chord progression, lush pads and addictive bleep melodies. “LET IT LIVE” is a heavyweight deep House track which is ready to smash dancefloors with its meaningful saxophone solo. On the flip ZOPELAR opens with “PURE HEART” a melancholic and deep synth jazzy house track which is perfect for closing or starting a set at 6 AM. The B-Side Closes with “VENUS” and “SERENA FEAT. PR.A.DO” two surreal balearic summer house tracks where We can experience the musical richness and warmth from zopelar’s compositions

collecting

Order now. Collecting orders for repress.

12,56

Last In: 17 months ago
Suicide AFTR 7 - Soft Geometry

Suicide Aftr 7

Soft Geometry

12inchRUNAS01
Runas
15.01.2025

Suicide AFTR 7 is a musical partnership forged across two continents. This cross-Atlantic collaboration was founded in Barcelona by New York’s Neud Photo and London’s Antic.Distributed by Runas, a new label also based in Barcelona. New beat and Proto-Wave influences permeate the 12”.

Lean, mean, and evocative, "Soft Geometry" sets the stage with its blend of classic analogue textures and a sound palette that evokes the darker, more hypnotic side of electronic music. Throaty samples whisper through a synthesizer smoke, sodden bass lines throb against scaling crystalline chords.

The standout track, "Interplay", is an instant classic. Lyrics are distant, words ring, “Distant shadows," as snapping snares and warming pulses pull the listener closer drawing you deeper into its hypnotic world. Across the four offerings, a brooding dance floor looms; a
shadowy square of bodies shrouded in fog, pierced by strobe. This track will stick with you long after the music fades, a perfect blend of light and shade. It's the undeniable dancefloor moment on the EP, forever playful, forever bumpin.

"Last Word" pulses with a cold, hypnotic groove, driven by a deep 808 groove that'll get you moving. Think hypnotic rhythms, driving basslines, and a touch of electro grit. Slow, ethereal strings and shimmering synth stabs create an atmosphere of tension, punctuated
by film noir samples.

A sinister seam runs through the entire EP, coming to the surface for “Blind Spot.” Terse percussive patterns and eclipsed synthlines are stalked by vocals stripped of emotion, the mantra of “We are your enemy” encircling to a close.

En stock

Disponible en stock et prêt pour l'expédition

12,56
Slim Media Player - Quicksand

"Slim Media Player returns to Pacific Rhythm with a wonderfully original EP, Quicksand, his first new material since 2016's Rhythms Of The Pacific Volume 3. The EP is the product of Slim Media Player & DJ D.DEE culling through 20+ hours of live jams recorded in Vancouver at Deep Blue Studios from 2016 to 2018.

The EP opens with the records namesake Quicksand, a playful piece of peak-time material that's quirky, uplifting, and dare we say a touch heart-warming. Mouthfeel comes through swinging but plays a touch more koi than the opener, serving as an effective tension-builder on the dancefloor that builds into a thoughtful groover with some light at the end of tunnel.

On the b-side S.M.P explores deeper territory with Memory Bias (Nostalgia Mix), an aquatic roller blanketed with warmth and a contemplative aire that stretches for nearly 9 minutes. The EP fades out with the gentle drift of Tschüs, a warm swaddle that will quell your anxieties and affirm that there are indeed some things that are right in this world, this track being one of them."

En stock

Disponible en stock et prêt pour l'expédition

10,04
SHDW & Obscure Shape - Poetic Justice EP

2025 Repress

SHDW & Obscure Shape offer up their first EP on new imprint Mutual Rytm as they drop five fresh and expansive techno cuts across their 'Poetic Justice' EP.

A duo that has ascended to become leading names within today's techno landscape, SHDW & Obscure Shape continue to grow and evolve while shaping their own unique sound fusing classic influences with a modern touch. Their latest project saw the birth of Mutual Rytm - a new imprint launched in early 2022 set to showcase a deep dive into the duo's musical roots via their own productions alongside material from the label's close family of likeminded artists. Following the label's opening multi-artist VA and the first solo EP from Berlin's Lars Huismann, June welcomes the first solo instalment from the label founders themselves as they ready a killer five-tracker set to make an impact.

A1 'Turbulence' sets the pace as the duo delve into nimble rhythms which ebb and flow effortlessly to reveal a hypnotic slice of modern techno permeated with classic, old school cues, while 'Pulse' takes up a darker aesthetic, keeping the energy high as metallic drum licks guide driving sub-bass and resonant stabs. On the Bside, title cut 'Poetic Justice' balances warping vocals with swinging percs amongst a layered, drum-laden kinetic
workout, exemplifying the duo's drive for combining and contrasting various shades of techno. Next up, 'Set It Off' welcomes the introduction of expansive melodies to offer an entrancing late-night cut, before turning to the unhurried grooves, salient hats and sweeping atmospherics of 'Killing Me Softly'.

Digital bonus 'Before Sunset' once again delves into lighter, breezy territories while keeping the classic rolling
techno touches throughout, shaping up the package with a powerful yet agile closing production.

En stock

Disponible en stock et prêt pour l'expédition

11,56
Norken - Our Memories Of Winter LP 2x12"

Nearly two decades after it was first released, Norken’s sleek cult classic album ‘Our Memories Of Winter’ is being reissued on vinyl via Hydrogen Dukebox on 6th December 2024.

With its unique sonic blueprint of early 2000s electronica, ‘Our Memories Of Winter’ is a record that is at once both deeply reminiscent of a particular era and place, yet remains a timeless invocation of Norken’s idiosyncratic palette of minimal, techno, house and British IDM.

This vinyl reissue presents all 12 tracks from the original release, with the inclusion of 'Df23' and 'Flirt' making this the first time that ‘Our Memories Of Winter’ is available on vinyl with the complete album tracklisting.

Norken is one of the many pseudonyms of Lee Norris, a producer who is considered by those in the know as one of the unsung heroes of UK electronica. With a slew of releases throughout the years as Man-Q-Neon, Nacht Plank, Norken, Tone Language and Metamatics, this reissue shines a light on his soulful, immersive output under the Norken name.

As Norris explains, “The release of ‘Our Memories Of Winter’ has a nostalgic, warm feeling for me. I made his album in a garden shed with a wood burner, an Atari computer and a few synths in the depths of an English winter. I still had the thought process of making emotional style techno that would warm any soul on a cold day.”

First released in 2005, ‘Our Memories Of Winter’ carries the echoes of electronic luminaries such as the Detroit ambient techno of John Beltran, through to the immersive atmospherics of Biosphere and the innovative IDM of fellow British outfits Autechre and The Black Dog. Yet as Norken, Norris retains a distinctive musical voice that has continued to deepen in stature over the years since the album’s initial release.

Opening with the brief intro cut ‘Fern 2’, the album slides into the dreamlike groove of ‘Memories’, where rich, resonant chords wrap around cool, galactic-sounding synths and a compelling bass undertow.

On ‘It Might Have Been Rain’, that signature bass texture again propels a luxuriant mid-tempo rhythm, while Norken layers in hypnotic washes of string-like synths, gentle electronic pulses and the brief murmur of a vocal, across seven-plus immersive minutes.

Vocal textures, often subtly looped and distorted, also add a distinctive depth and personality to tracks like ‘Eastern Soul’ and ‘Here’. Throughout the album, there’s a feeling of intricate microcosms unfurling, as Norken coaxes a myriad of contemplative moods and emotions from his machines.

Whether shaping the smooth, lulling ambient gauze of ‘Ty Canol’, or letting the kaleidoscopic, dancefloor-leaning drive of ‘Audic Strable’ loose like a coiled spring, ‘Our Memories Of Winter’ presents the singular voice of an artist whose innovative contribution to UK electronic music has only become heightened with the passing of time.

En stock

Disponible en stock et prêt pour l'expédition

33,40
Michael Wycoff - Looking Up To You / Tell Me Why

Since 1982 'Looking Up To You' has become one of the signature tracks of the modern soul world and played out regularly at events to this day. It is co-written by Leon Ware with Zane Grey (of Grey & Hanks) and produced by Webster Lewis, all giants in this music genre. The song has also been much sampled, most notably by Zhane (Hey Mr. DJ), Ortega Cartel (Miami Vice), Yusher (Gorodskie Uzory) and three this year alone by Skule Toyama (To You), Jericho Jackson (Seventeen) and Saint Duck (Bamboo). This 7' version has also become more in demand, as too the B side 'Tell Me Why', both condensed to four minutes. Michael Wycoff was from Los Angeles and worked with Stevie Wonder on 'Songs In The Key of Life' prior to his three albums for RCA

En stock

Disponible en stock et prêt pour l'expédition

15,55
Jack Keo - Bigger EP

Jack Keo

Bigger EP

exclLKDNV09
Locked In
20.12.2024

After a stream of constant quality, locked in records returns once again this time with uk based Jack keo who finally unleashes ‘Bigger’ ep. After videos circulating of raresh and Ricardo hammering most of the ep in one of there legendary b2b sets at fabrics birthday and other big names spinning it throughout the summer of 24’ it’s been highly anticipated by those in the know.

The record starts with the stunningly crafted ‘bigger’ with a lovely mix of subtle electronics and warm pads. A2 ‘ode to e’ is a breaks piece of dreamy tones and vocal patterns. On the heavy and darker b side the naughty bass of ‘quartet’ heads b1. Built for an attack on the floor with its vocoder driven rhythm. For the b2, One of raresh’s weapons of 2024 ‘bra sett’ its ever changing and switching layers is an energy boost to any dance floor!

En stock

Disponible en stock et prêt pour l'expédition

10,04
THE NATIONAL - ROME LP 2x12"

The National

ROME LP 2x12"

2x12inchADLPE40801
4AD/BEGGARS Group
18.12.2024

The National veröffentlichen mit "Rome" am 13. Dezember ein komplettes Live-Album mit 21 Tracks auf Doppel-Vinyl, als Doppel-CD und natürlich digital.

Das Konzert wurde am 3. Juni 2024 in Italien live (ohne Overdubs) aufgenommen wurde. Das Doppelalbum, welches von Peter Katis, einem langjährigen Begleiter der Band, abgemischt wurde, spannt einen Bogen über die mehr als 20 Jahre der Karriere von The National und zeigt, wie jeder Song auf der Bühne sein ganz eigenes und neues Leben entfaltet hat. Man muss diese Band live gesehen haben, die mittlerweile Stadien und große Arenen füllt. Warum das so ist, hört man auf "Rome". Aufgenommen in dem architektonisch beeindruckenden und nach dem berühmten italienischen Filmkomponisten benannten Veranstaltungsort "Parco Della Musica Ennio Morricone", zeigt die 21-Track-LP schillernde Versionen großer Songs wie "Bloodbuzz Ohio", "Don"t Swallow the Cap", "I Need My Girl", "The System Only Dreams in Total Darkness", "England" und "Fake Empire" - so wie Live-Interpretationen neuerer Tracks wie "Eucalyptus", "New Order T-Shirt", "Tropic Morning News" und "Smoke Detector". Die Band ändert ihre Setlist von Abend zu Abend, spielt Klassiker aus zwei Jahrzehnten und kombiniert diese mit Tracks aus den letzten Alben - kein Konzert ist wie das andere und beschert den Zuschauern jedes Mal im wahrsten Sinne ein einzigartiges Erlebnis. "Rome" ist geprägt von Raritäten wie dem Show-Opener "Runaway", "Lemonworld", "The Geese of Beverly Road", "Lit Up" und einer Tour-de-Force-Paarung von "Humiliation" vom von der Kritik gefeierten Album "Trouble Will Find Me" mit "Murder Me Rachael" von dem früheren Album "Sad Songs For Dirty Lovers". Als Zugabe gibt es in Rom die Wahlkampfhymne "Mr. November", "Terrible Love" von High Violet und das abschließende Fan-Singalong "Vanderlyle Crybaby Geeks". In ihrer Live-Kritik bezeichnete der Guardian The National als "eine die Ära definierende Band auf dem Höhepunkt ihrer Kräfte... als dieses atemberaubende zweieinhalbstündige Epos zu einer gemeinschaftlichen Katharsis wird". Auch der Rolling Stone UK schrieb: "Es ist klar, dass die Band...ihren Platz an der Spitze seit einem Jahrzehnt verdient hat.... Eine Show, die einfach euphorisch ist und die Band auf einem neuen Höhepunkt sieht." Das Doppel-Livealbum "Rome" ist das Zeugnis dafür.

En stock

Disponible en stock et prêt pour l'expédition

35,92
Emissive - Wave Science

Fresh and direct from Toronto, Pacific Rhythm is pleased to welcome Emissive (aka Evan Vincent) for a solo cruise on the label. While Vincent has appeared on the label twice as part of house music duo Active Surplus (alongside Ian Syrett), this new EP entitled Wave Science sees the young musician push his sound into warmer and more melodic waters.

Vincent says the new tracks pay tribute to the Black American roots of electronic music; a historical fact the producer says is an ongoing source of motivation and inspiration in his work.

Indeed, this new four-tracker sees Emissive bring in a pinch of futuristic boogie and cosmic funk to his dancefloor recipe—versatile flavours that should go down quite well at a variety of Dance Opportunities in the very near future! All of the tunes were composed and mixed at Vincent’s home studio in Canada’s largest city, with the tracks getting a warm, Hi-Fi mixdown via Syrett’s Nagra IV reel-to-reel. Tech talk aside, Vincent says he wanted to avoid over-analyzing the production and instead summon the spirits of dance, love and seasonal warmth.

Or as the artist himself says: “Less thinking, more feeling.” Check it out and we’re sure you’ll agree his approach paid off!

En stock

Disponible en stock et prêt pour l'expédition

13,07
Stoi - No Drugs

Stoi

No Drugs

12inchSBTL028
Subtil
13.12.2024

Subtil Records welcomes newcomer Stoi to the imprint to release his second EP, "No Drugs". This understated (yet powerful) three-track EP embodies Stoi’s signature style — minimalistic arrangements, hypnotic grooves and immersive soundscapes — blurring the lines between dancefloor energy and reflective listening.

"No Drugs (featuring Pae)" (A1), the first track of the EP, clocks at a whooping 10:45 minutes and is a genuine exercise of trance-inducing music. Here, Stoi crafts minimal pulsing beats and intricate modular rhythms, on top of a morphing, massively visceral bass, constantly roaring through the entire track — purpusely making you feel like you are in some kind of altered state of mind. On the B-side, "Ro Id (featuring Cclah)" (B1) brings fresh rhythmic complexity to the EP. Deeply melodic melodies, rich textures and subtle progressions embody a minimalistic charm that unfolds with each beat, making it the most warm and contemplative track on display. The last track of the EP, "Latibulate" (B2), sees Stoi further showcasing his allure for barebones, minimal arrangements where the groove is locked and relentless. And between the wonky bleeps, dissonant melodies and sneaky basslines, there's an undeniably eerie vibe that, through repetition, manages to catch you.

Perfectly suited for both club dancefloors or deep listening sessions, "No Drugs" by Stoi radiates the subtle power that defines minimal techno at its finest, and an essential addition to the Subtil Records catalog.

En stock

Disponible en stock et prêt pour l'expédition

13,66
Phyllis Hyman - You Know How to Love Me (Long Version) / Living Inside Your Love

American soulstress Phyllis Hyman gets two of her much loved anthems officially reissued on 180g vinyl.

"You Know How To Love Me" is a 7 and a half minute lesson in love. It's got that full bodied production of this golden era - layering strings seamlessly with a busty brass section and a flute line that even the most hardened can't help but smile at. Couple this with Phyllis' sultry yet powerful vocals bolstered by a backing group containing, amongst others, the mighty Gwen Guthrie.

On the flip, "Living Inside Your Love" hits you with a soul jam, heavy on the funk - complete with hands in the air chorus. Just as perfect to close out a set, as it is to warm up the floor.

Two essential tracks for any soul & disco aficionado!

En stock

Disponible en stock et prêt pour l'expédition

14,50
RekaB - Random Fragments EP

Rekab

Random Fragments EP

12inchYRE-054
Yore
13.12.2024

ReKaB drops another strong four-track EP, rooted firmly in the Detroit sound with a nod to the soulful techno styles that shaped the UK underground in the 90s. His second EP for Cologne's YORE Records. The production, as always, is spot on—sharp, detailed, and endlessly listenable. While the tracks carry the weight of tradition, they’re not stuck in it. There’s a fresh, forward-facing energy here that keeps things exciting.

My Inspiration opens with classic metallic strings and a tight, robotic square bass that locks you in straight away. Just when you think you know where it’s going, the vocal drops—a bold touch that shifts the track into more human territory, giving it an emotional pull without losing its edge.

Soul Brother is a late-night cruiser. Rhodes chords, rolling bass, and lush strings set the scene for a proper cityscape vibe. It’s smooth, it’s warm, and it glides effortlessly, all while keeping enough groove to move.

Future Times kicks things up a gear with more tempo and bite. Acidic basslines and a writhing lead sit alongside deep chords, making it equal parts hypnotic and urgent. It’s the kind of track that turns heads in the club—direct and effective without being predictable.

Wrapping it up, Random Fragments pulls things back into a more reflective, dubby space. The layers are rich but restrained, with chirps and analogue echoes drifting through a hazy atmosphere. It’s introspective but not sleepy, the perfect comedown to round off the EP.

ReKaB’s consistency is something else—each release feels like it’s levelling up, pushing his sound forward without losing its roots. This EP is no different. It’s a tight package of ideas, all executed with precision and style. One for the heads, no question.

En stock

Disponible en stock et prêt pour l'expédition

15,08
Dinky - Hold me Tight

Dinky

Hold me Tight

12inchRCM019C
RHYTHM CULT
11.12.2024

Rhythm Cult's unstoppable momentum continues after achieving consecutive

number-one positions across online and physical platforms. RCM019, their most

recent release, welcomes the incredibly gifted Chilian producer Dinky into the fold.

Dinky's hypnotic blend of deep house, strong techno, and precise minimalism has

earned her a residency at the famed Panorama Bar, in Berlin confirming her position

as a unique voice in the electronic industry.



The EP kicks off with the soulful and uplifting "Come Hold Me," a futuristic house

anthem that effortlessly fuses tribal rhythms with intricate stuttering synth patterns.



Dinky provides the unmistakable and irresistible vocal hook that suggest this will be

a summer anthem in the making. "She's Got Nowhere To Go" follows, riding on an

insistent one-note bass line and yet more addictive vocal snips, complemented by

disco stabs that complete the party vibe. Dinky's skilful use of stuttering glitches and

inventive sample manipulation showcases her love for minimal detail and angular

funk.



Finally, dOP turn in not one but two remixes of their unique and unconventional take

on house and techno. First, their reinterpretation of "Come Hold Me" takes us on a

journey to the deeper realms of house, riding on a low-slung acidic bass groove

while enveloping the listener in waves of lush synths, perfect material for warming up

dancefloors or setting the mood for the early hours. Then they wrap “She’s Got



Nowhere To Go’ around an elastic bass and dosed with warped synth lines to create

an irresistibly explosive dancefloor weapon.



The EP exudes sophistication, weaving intricate futuristic house sounds that are

imprinted with the influences of Balearic, acid, and deep house. These heaters are

undoubtedly set to light up dancefloors throughout the summer season. With this

exciting collaboration, Rhythm Cult further cements its position as one of the

industry's most cutting-edge labels, and Dinky's addition adds a distinctive

dimension to their roster.



Prepare to find yourself absorbed by this exceptional release from two forces

shaping the future of electronic music.

En stock

Disponible en stock et prêt pour l'expédition

13,66
Wolfgang Voigt - Earquake 1995 LP  2x12"

It is the year 1995 and it’s summer, the second extremely hot summer after 1994, and the asphalt on Gladbacher Straße in Cologne is glowing. Ravers in much too wide and much too colorful clothes doze off in the glaring midday heat. These are the last days of the legendary Delirium record store, a socio-cultural biotope that would later become KOMPAKT. In June 1995, the store moved deeper into the Belgian Quarter, to Brabanter Straße 42 near Friesenplatz.

Wolfgang Voigt liked to wear too-big sunglasses even back then, just as he already had the master plan for the next few years, the new store, the renaming to KOMPAKT, and the upcoming takeover of the musical world order by minimal techno in his head. On less sunny days, the musician Wolfgang Voigt was tinkering with his very own label Profan, a new sound, new pseudonyms and masquerades. His alter ego Mike Ink had grown tired, another self, one of many, was now pushing forward to become the next torch in the storm.

By early 1995, the first Grungerman EP, "Hout," had been released on Profan. A nucleus of ambient loops that already announced the sonic aesthetics of GAS, stoic rhythmic structures that would shape the coming decade of minimal house and techno, and an all-encompassing gloom and heaviness that didn't want to fit at all with the gaudy reality of the nineties between Loveparade, Mayday and VIVA House TV. This probably most hedonistic decade of the 20th century had celebrated, besides techno, above all a rough guitar music called Grunge, coined and immortalized by a depressive, hyperactive and narcoleptic young man with matted blond hair who had taken his own life a year before. In no other track has Wolfgang Voigt packed these inner and outer contradictions of his art as well as of the mid-nineties more ingeniously than in "In Tyrannis". From wall to wall there are four steps.

"Klang" by Wolfgang Voigt originally comes from the first and only GAS EP on Profan, "Modern", from the spring of 1995 and is one of the most beautiful exhibits of Voigt's sound of those years, which relentlessly runs its course somewhere between glistening sunrises on Ecstasy and bad drugs in the dark Liquid Sky Cologne. With "Hocker DJ 1" and "Hocker DJ 2" there are two more musical references to this myth-enshrouded place in Kyffhäuserstraße, where for a few years the entire, so-called Sound Of Cologne had literally settled down.


Wir schreiben das Jahr 1995. Es ist Sommer, der zweite extrem heiße Sommer nach 1994, und der Asphalt auf der Gladbacher Straße in Köln glüht. Raver in viel zu weiten und viel zu bunten Klamotten dösen ihren Rausch aus in der grellen Mittagshitze. Es sind die letzten Tage des legendären Delirium Plattenladens, eines soziokulturellen Biotops, aus dem später die Firma Kompakt hervorgehen sollte. Im Juni 1995 erfolgte der Umzug tiefer hinein ins Belgische Viertel, in die Brabanter Straße 42 in der Nähe des Friesenplatz.

Wolfgang Voigt trug schon damals gerne zu große Sonnenbrillen, so wie er bereits den Masterplan für die nächsten Jahre, den neuen Laden, die Umbenennung in KOMPAKT sowie die anstehende Übernahme der musikalischen Weltordnung durch Minimal Techno im Kopf hatte. An weniger sonnigen Tagen tüftelte der Musiker Wolfgang Voigt an seinem ureigenen Label Profan, an einem neuen Sound, neuen Pseudonymen und Maskeraden. Sein Alter Ego Mike Ink war müde geworden, ein anderes Ich, eines von vielen, drängte nun nach vorne, um die nächste Fackel im Sturm zu werden.

Anfang 1995 war die erste Grungerman EP “Hout” auf Profan erschienen. Ein Nukleus aus ambienten Loops, die bereits die klangliche Ästhetik von GAS ankündigten, stoischen rhythmischen Strukturen, die das kommende Jahrzehnt Minimal House und Techno prägen sollten, sowie einer allumfassenden Düsternis und Schwere, die so gar nicht zur knallbunten Realität der Neunziger Jahre zwischen Loveparade, Mayday und VIVA House TV passen wollte. Dieses wohl hedonistischste Jahrzehnt des 20. Jahrhunderts hatte neben Techno vor allem eine raue Gitarrenmusik namens Grunge gefeiert, geprägt und unsterblich gemacht von einem depressiven, hyperaktiven und an Narkolepsie leidenden jungen Mann mit verfilzten blonden Haaren, der sich ein Jahr zuvor das Leben genommen hatte. In keinem anderen Track hat Wolfgang Voigt diese inneren und äußeren Widersprüche seiner Kunst wie auch dieser Zeit Mitte der Neunziger genialistischer verpackt als in “In Tyrannis”. Von Wand zu Wand sind es vier Schritte.

“Klang” von Wolfgang Voigt stammt ursprünglich von der ersten und einzigen GAS EP auf Profan, “Modern”, aus dem Frühling 1995 und ist eines der schönsten Exponate des Voigtschen Sounds dieser Jahre; ein Track, der irgendwo zwischen gleisenden Sonnenaufgängen auf Ecstasy und schlechten Drogen im dunklen Liquid Sky Cologne unerbittlich seine Bahnen zieht. Mit “Hocker DJ 1” und “Hocker DJ 2” finden sich zwei weitere musikalische Referenzen an diesen mythenumrankten Ort in der Kyffhäuserstraße, an dem sich für einige Jahre der gesamte sogenannte Sound Of Cologne im wahrsten Sinne des Wortes niedergelassen hatte.

En stock

Disponible en stock et prêt pour l'expédition

22,48
Jolly Stewart - Ragga Muffin Soldier 7"

“Raggamuffin Soldier” was recorded at Channel One Recording Studio in 1983 with Soldgie as engineer and a rhythm track played by Jolly Stewart and Daniel “Axeman” Thompson. Growing up in the Waterhouse neighborhood of Kingston, Jolly Stewart obviously developed this singing style and gave us a killer early digital dancehall missile with pure conscious lyrics “Raggamuffin soldier, big ina your area...me no deal with badness, me nah deal inna war, me is a raggamuffin soldier...mi raggamuffin ina foreign, raggamuffin sit down pon di riddim...how you know the raggamuffin? Me no wear no gold chain, me no wear no gold ring...”. “Raggamuffin Soldier” was produced by Fitzroy Peterkin who also produced the digital lover tune "Angie".
The Waterhouse style is a particular style of singing that emerged in the late seventies and early eighties within the Jamaican reggae scene. The Waterhouse style is commonly described as a plaintive, groaning and fluctuating vocal style, often nasal and strident, characteristics that will give it a sound that is distinct from the rest of the reggae singers. The commonly recognized founders of the Waterhouse style are the singers Michael "Mykal" Rose, Junior Reid and Don Carlos. The name derives from the famous neighborhood of the same name in Kingston, the capital of Jamaica, the place where the three pioneers were born and emerged. The Waterhouse style influenced many dancehall reggae artists of the eightiesvsuch as Tenor Saw, Half Pint, Nitty Gritty, Anthony Red Rose, King Kong, Yami Bolo, Andrew Bees...
Vincent Stewart aka “Jolly Man” is a reggae singer from Kingston 11, born december 16 1960 at Hunts Bay Lane, 4 Miles, Jamaica. Jolly started singing at age 13, he was placed in an approve School for 3 years and at the age of 16 he was released.
He started his musical career in the late 70's with Ossie Thomas, Phllip Morgan and Tristan Palmer from Black Solidarity label. Jolly Stewart recorded his first song entitled "Money Pyaka" on the classic "Pretty Looks" riddim which was recorded for Oswald Thomas on Ganja Farm label and released in 1979. Tristan Palmer who has another tune "Disappointed Lover" on the same riddim backed by The Soul Syndicate made the link with Jolly Stewart because he liked his style of song writting.
Jolly Stewart wrote three songs for Black Solidarity label: "Collie Man", "Bad Minded" and "Symbol Of Justice". All three tracks were covered by Triston Palmer. As a song writter, Jolly Stewart is behind Yami Bolo's hit on Stalag riddim “When A Man Is In Love” released on Winston Riley's label Techniques.
Jolly Stewart then decided to move on with his singjay career. He ventured to Tuff Gong studio where he met two producers. One was Prince Jazzbo from Ujama label, and the other was John John who owned the Bun Fi Bun label. He recorded "Praise jah" for Ujama and "Poverty Rush" for Bun Fi Bun. Still not satisfied with how his career was heading, he moved on to Lannaman's Preparatory School. There he learned to play guitar from a man named Fred McMurray aka Faf and Donald Jackson. Later he learned to play the keyboards by watching other musicians.
In the late 80's and early 90's, Jolly Stewart recorded many songs for various labels such as “Do Me Like So” for Bunny Gemini's label “Bun Gem Records” in 1987, “Late Last Night” and “War” for producer Zelma Rust and his label Myotta Ruff.
He also recorded for Augustus Pablo on his label Rockers International just before he died in the late 90's but we never heard about this release so probably Addis Pablo have it on old master tapes in the Rockers International archives....only Jah knows!

En stock

Disponible en stock et prêt pour l'expédition

13,03
Cuddling Monsters - Cuddling Monsters_CM Vol. 02
 
4
également disponible

Vol.1[11,35 €]

Vol.3[13,24 €]


Arriving on a limited 200-copy translucent orange vinyl, 'Dark REM' on Cuddling Monsters’ second release on Mask Records is a hunched-over and direct dub techno cut with forceful drums and deft percussion, adding texture next to warm, sustained pads.

There's a real sense of urgency in this most frictionless groove, which means it cannot fail to cast a spell on the dance floor. The fantastic 'Event Horizon' is then infused with the aura of deep space - sustained chords with a cosmic edge add vast scale to the well-programmed deep techno drums. 'Monster Talk' is a mid-tempo dub track with underlapping drums and rattling, rusted chords that disappear to infinity. It's cavernous and evocative, with myriad little details occupying the mind. 'Temporal Aura' is another standout sound that blends deep techno, dub, and minimal into a serene soundtrack that encourages inward reflection while driving onwards through the cosmos.

Mask Records founder ZentaSkai and his creative partner Laura Merino Allue are Berlin mainstays helping shape the underground. Cuddling Monsters is a new project that debuted on the label in March. It is all about crafting music with analogue instruments, which they believe "offer distinctive sonic qualities, creative constraints, and genuine sound reproduction”. They explore Detroit-infused house, dub techno and minimal soundscapes with raw edges and a great sense of atmosphere. Cuddling Monsters'

En stock

Disponible en stock et prêt pour l'expédition

12,56
DIMITRI VEGAS - VINYL ONLY (LIVE AT TOMORROWLAND) LP 2x12"
 
21

(2LP gatefold vinyl, 21 unmixed tracks) Dimitri Vegas, half of the world-renowned DJ duo & brother pair Dimitri Vegas & Like Mike, went “solo” at Tomorrowland last summer. He played an exceptional 'vinyl only' set there. It was greatly enjoyed, which is why Mostiko and Smash The House have teamed up and immortalized this historic set.

En stock

Disponible en stock et prêt pour l'expédition

22,48
Vitamin X - Age Of Paranoia

Vitamin X

Age Of Paranoia

12inchLORD252LP
Southern Lord
03.12.2024

 Age Of Paranoia, the latest chapter in the band's lineage, was recorded by Igor Wouters at ARC Studios in Amsterdam, and includes several special guest guitar solos by J. Mascis (Dinosaur Jr., Witch) and Bubba Dupree (Void, Soundgarden, Dave Grohl's Probot, Brant Bjork).  

Age Of Paranoia offers sixteen volatile tracks, packed into a succinct, white-knuckled twenty-eight minutes. The album surges with rapid-fire punk angst, replete with ripping rock leads and raised-fist, group-chanting anthems.

To complete the recording, the cover artwork is created by Marald (Baroness, Kylesa, High On Fire). See cover artwork, track listing and live dates below.
 
'One of the best and most important hardcore bands today" - PROFANE EXISTENCE
 
''Excellent and addictive, gathering the best of punk and metal: one part hardcore punk, another Motörhead'' - METAL ADVISOR
 
'the supreme thrash band in all of current rock 'n' roll'' - MAXIMUM ROCKNROLL

En stock

Disponible en stock et prêt pour l'expédition

16,18
Schlammpeitziger - Meine Unterkunft ist die Unvernunft LP

Schlammpeiziger, who had previously only been known to us for his top hits and T-shirts, burst upon us like a wild boar in search of affection in the middle of the coronavirus lockdown. He nested in our fully vaccinated home, drank our Eversbusch, ate from our plates, slept in our bed (wait - wrong fairy tale) and repeatedly urged us to organise egg runs with his testicles (after some contortions, we gave up trying). Childish faecal humour, far-fetched obs(t)enities, juicing, a desire to dissolve, composting of thoughts. In excesses of lack of concentration, the chains of associations curled and meandered like Jo's famous curlicue drawings. Every evening, after we had forcibly levered him out of our flat, he would ‘walk’ home to put together very unique , dreamy pieces. In the blissful brainfog of those days, for example, ‘Handicapfalter’ was created, for which the congenial °Bär° made our flat into the corresponding video. Among other quirks of the little gut-breather, we were fascinated to observe his phobia of literature and books. Just hold a printed page in front of his face for a few seconds and he writhes on the floor crying. A level of phobia that only my own laughable disgust and fear of writing myself can compete with. Jo shudders at the thought of reading sentences that build on each other in a meaningful way, and I shudder at the thought of having to write them down because I have something ‘to say’. A certain affinity cannot be denied. We are much, much more pleased by snatched-up, misunderstood or misheard snippets, hollow but unforgettable phrases, the diamond stoner humour of our ancestors. ‘From one turn/ I stop/ to walk on/ in all directions’ (as it murmurs in “Selten Gesehenes”), describes the process quite nicely. After all, Jo is ahead of me in that he can simply break off every tedious sentence and let it fade into music. Back to the essentials. It's five to 12 for the Schlammpeitzger (scientifically Misgurnus). The shy goby is under threat from climate change, so perhaps this vinyl is the last expression of life of the specimen that we have been allowed to look after sporadically since the lockdown phase of the corona epidemic. And it's turned out pretty. Even the aesthetically gutted like me and my beloved husband can THINK about sex when they see these sublime, silvery fart bubbles! It's tender as a fart. Make love!!!!!

Schamlose Dubtöse: Do you have words. Do you have sounds. Impertinently harmless piano tinkling turns into tugging zounds of increasing severity. It is not dubbed (would be unethical) but dubbed. Sounds dubby, as you can imagine. (Instrumental)

Loch ohne Licht: Possibly vaguely misogynistic. Could also be that there was simply no light in the hole. The sparse snippet of lyrics (‘du biss mir och esu e Loch ohne Licht’) sounds like one of those stroppy Cologne replicas whose anti-charm is hard to resist. Buzzing and grooving.

Selten Gesehenes: Casual. Confident. Soft. Fragrant. Thoughtful but lively.

The Arabian Vietmanese (instrumental) is probably the food we trust in the case of the munchies we get when we watch other people smoking weed. Transcendental and psychedelic states casually permeate the humdrum of everyday life. Klar Knuspermarsch: Marches and floats at the same time. Klebt Runner: Soundtrack to the cult film of the same name. Tyrrell Corporation loosens up. Ungenutzte Sätze: Stinks somehow, because there is dangerous proximity to comprehensible and then also critical statements here. Instead, the sinister electronic cheapness of Carpenter soundtracks can be heard. Parzipan: Actually, the time of origin was not so roaringly funny and simple, but for Jo it was also a gruelling, slow letting go of his brother. Here he sends him off with a gentle nudge into the vastness of a hopefully happy beyond.

Clara Drechsler

Schlammpeiziger, der uns bislang nur durch seine Top-Hits und seine T-Shirts bekannt gewesen war, brach mitten im Corona-Lockdown über uns herein wie ein wilder Eber auf der Suche nach Zuwendung. Er nistete sich in unserem durchgeimpften Zuhause ein, trank unseren Eversbusch, aß von unseren Tellerchen, schlief in unserem Bettchen (Moment - falsches Märchen) drängte uns wiederholt dazu, mit seinen Hoden Eierlauf zu veranstalten (nach Verrenkungen gaben wir den Versuch auf). Kindischer Fäkalhumor, weit hergeholte Obs(t)zönitäten, Entsaftung, Auflösungswunsch, Gedankenkompostierung. In Exzessen der Konzentrationsschwäche ringelten, kringelten und schlängelten sich die Assoziationsketten wie bei Jos berühmten Kringel-Schlängel-Zeichnungen. Jeden Abend, nachdem wir ihn gewaltsam aus unserer Wohnung gehebelt hatten, „ging“ er dann heim, um dort sehr eigene, verträumte Stücke zusammenzubasteln. Im seligen Brainfog dieser Tage entstand z.B. „Handicapfalter“, für das der kongeniale °Bär° aus unserer Wohnung das entsprechende Video machte. Neben anderen Marotten des kleinen Darmatmers beobachteten wir fasziniert seine Literatur- bzw. Bücherphobie. Halt ihm nur sekundenlang eine bedruckte Seite vors Gesicht, und er windet sich weinend am Boden. Ein Grad an Phobizität, mit dem sich nur meine eigene lachhafte Abscheu und Angst vor dem Selberschreiben messen kann. Jo schaudert beim Gedanken, sinnvoll aufeinander aufbauende Sätze lesen, mir wiederum beim Gedanken, sie hinschreiben zu müssen, weil ich irgendetwas „zu sagen“ habe. Eine gewisse Verwandtschaft ist nicht zu leugnen. Viel, viel mehr freuen uns aufgeschnappte, falsch verstandene oder misshörte Fetzen, hohle, aber unvergessliche Phrasen, der diamantene Kifferhumor unserer Vorfahren. „Aus einer Drehung/bleibe ich stehen/ um in alle Richtungen/weiter zu gehen“ (wie es in „Selten Gesehenes“ raunt), beschreibt den Prozess schon ganz schön. Immerhin hat Jo mir voraus, dass er jeden leidigen Satz einfach abbrechen und in Musik ausplempern lassen darf. Zurück zum Wesentlichen. Es ist fünf vor 12 für den Schlammpeitziger (wissenschaftlich Misgurnus). Die scheue Grundel ist von Klimawandel bedroht, vielleicht haltet ihr mit diesem Vinyl also die letzte Lebensäußerung des Exemplars in Händen, das wir seit der Lockdownphase der Corona-Epidemie sporadisch betreuen durften. Und die ist hübsch geworden. Selbst aus ästhetischer Erwägungen Entdarmte wie ich und mein geliebter Mann, können bei diesen sublimen, silberhellen Pupsbläschen DENNOCH an Sex denken! It´s zart as a fart. Make love!!!!!

Schamlose Dubtöse: Hast du Worte. Hast du Töne. Impertinent harmloses Klavierplätschern geht über in ziepende Zounds von zunehmender Strenge. Es wird nicht domptiert (wäre unethisch) sondern dubtiert. Klingt dubtig, wie ihr euch vorstellen könnt. (Instrumental)

Loch ohne Licht. Möglicherweise vage misogyn. Könnte auch sein, dass im Loch einfach kein Licht war. Das sparsame Textfetzchen („du biss mir och esu e Loch ohne Licht“) klingt nach einer jener pampigen kölschen Repliken, deren Anticharme man sich schwer entziehen kann. Schwirrt und groovt.

Selten Gesehenes: Lässig. Souverän. Softig. Duftig. Nachdenklich aber beschwingt.

Beim Arabischen Vietmanesen (Instrumental) gibt es wahrscheinlich die Speise unseres Vertrauens im Falle der Munchies, die wir kriegen, wenn wir anderen Leuten beim Kiffen zusehen. Transzendentale und psychedelische Zustände durchziehen beiläufig den schnöden Alltag. Klar Knuspermarsch: Marschiert und schwebt zugleich.

Klebt Runner: Soundtrack zum gleichnamigen Kultfilm. Tyrrell Corporation macht sich locker. Ungenutzte Sätze: Stinks irgendwie, weil hier gefährliche Nähe zu nachvollziehbarer und dann auch noch kritischer Aussage gegeben ist. Dafür klingt die sinistre elektronische Billigkeit von Carpenter-Soundtracks an.

Parzipan: Eigentlich war die Entstehungszeit gar nicht so brüllend lustig und einfach, sondern für Jo auch ein zermürbendes, langsames Loslassen des Bruders. Hier schickt er ihn mit sanftem Schubs hinaus in die Weiten eines hoffentlich schönen Jenseits.

Clara Drechsler
Downloads

En stock

Disponible en stock et prêt pour l'expédition

21,05
MISTO KAY - WHAT MAKES YOU DANCE

Misto Kay is a rising artist/producer from Amsterdam aiming to combine jazz elements and electronics into a sonic listening pleasure. His first appearances were on the Super-Sonic Jazz compilation and on Mo Wrights' 'things2proof' EP with a feature and a remix. Being a multi-instrumentalist, with a focus on jazz piano, you will find playful and melodic elements join forces with surprising rhythms in his music. His broad musical interest is clearly expressed in his productions, given that they can vary heavily in mood, tempo, and genre. House, broken beat are at the core of this debut solo release, but soulful hip-hop grooves are present as well.

En stock

Disponible en stock et prêt pour l'expédition

16,77
Rites Of Passage - Rites Of Passage

Prepare to embark on an immersive sonic journey with Rites of Passage, the self titled debut album from the enigmatic duo Atiq and dreadmaul.

Released on vinyl and digital, this album delivers an overwhelming and hypnotic interpretation of the age-old concept of transformation and initiation.
With each track, the listener is invited to delve deep into an otherworldly soundscape where mysticism and archaic rituals blend seamlessly with the pulse of modern electronic music.

Crafted with meticulous attention to detail, Rites of Passage transports you to a pre civilization era, incorporating organic elements like bone flutes, haunting throat singing, and shamanic invocations.
These sounds are woven into the fabric of intricate electronic arrangements, creating a unique atmosphere that feels timeless yet contemporary a delicate balance between the ancient and the modern.

This concept album is not just a collection of tracks its an experience, a ceremonial rite that transcends the listener from one state of mind to another.
The vinyl format, with its warmth and physicality, only heightens the immersion, making it an essential addition for collectors and audiophiles alike.

Whether youre a fan of experimental music or simply seeking something transformative, Rites of Passage delivers an unforgettable journey through sound.
A ritual in itself, this album truly earns its name.
Dont miss your chance to own a piece of this alchemy Rites of Passage on vinyl is a musthave for those ready to enter a new sonic dimension.

En stock

Disponible en stock et prêt pour l'expédition

11,56
Roberto Musci - Goodbye Monsters

Roberto Musci

Goodbye Monsters

12inchSOAVE32
SOAVE
29.11.2024

Roberto Musci, born in Milan in 1956, studied guitar, music and electronic instruments. From 1974 to 1985 he traveled the world studying African, Indian, Arabic and Oriental music, recording ethnic music “in the field,” studying and collecting ethnic musical instruments from all over the world. His self-produced debut album, “The Loa of Music,” is a seminal work of staggering originality and extraordinary beauty in which field recordings, musique concrète, electronics, synthesis and instrumentation are interwoven, drawing on the countless musics from around the world that he has recorded. The subsequent “Water messages on desert sand,” composed with Giovanni Venosta, was nominated for a Grammy in the UK in 1987. In the 1980s and 1990s he broadcast ethnic and electronic-experimental music from Rai and Radio Popolare radio stations. He has also composed and played music for videos, commercials, dance, poetry, theater, composed soundtracks and accompanied silent films live. From 1980 to the present, he has played with many Italian and European musicians: Giovanni Venosta, Claudio Gabbiani, Walter Prati, Giorgio Magnanensi, Massimo Cavallaro, Massimo Mariani, Moni Ovadia, Roberto Zorzi, Chris Cutler, Jon Rose David Moss, Steve Piccolo, Elliott Sharp, Keith Tippett and the Third Ear Band.

The theme of travel, ethnicities and mysticism are a pivotal point in this new album of his as well, demonstrating once again how music needs absolutely no sharp lines of demarcation. The music is one.

It goes from the search for deep meanings in a time spent in a Hindu monastery (Ashram) listening to mantras and studying Buddhist philosophy (The Principle Of Things) to space explorations and human settlements on the Moon or Mars wondering how man will live and what he will bring to the new worlds imagining that Sufism, an Islamic mystical religion, will accompany him in the discovery of new worlds (Derviches On Mars). In Goodbye Monsters, harmony and peace are sought. Memories Of A Piano Player is a tribute to Keith Tippett, a great pianist (King Crimson , Centipede, Mujician) with whom he played in several concerts and with whom I spent evenings talking about music, food and Italian wine. Quantum State focuses on how quantum mechanics is creating a revolution in the way of thinking and dividing reality into infinite Parallel Worlds. Panthalassa is the vast ocean that surrounded Pangea and blends South American marimba music and traditional Chinese music. Burn The Shadows is a tribute to the fascinating Indonesian shadow theater, from the stories told and the atmosphere created during the long plays told in the sacred Indian texts of Ramayana or Mahabharata. Shadows are also more or less pleasant memories to which one is attached, and to burn them is still to move on with one's life.

Torajan Funeral Chant: The Toraja are a people living in Sulawesi (Indonesia) who have a special worship of the dead. Funerals are festivals that last several days, the corpses are protected by Tau-Tau (small dolls that watch over cemeteries), and over the years, they exhume the corpses of their relatives and keep them in their homes with them for a time to remember them.

The experimentation goes all the way to modern Artificial Intelligence that 'interrogated' to create something new by inserting conflicting inputs joins them together but nonsensically creating interesting insights; hence A.I. In Confusion. Pangea, named after the continent that contained all the land that emerged between 540 and 200 million years ago, in the Paleozoic and Mesozoic periods, imagined as inhabited by man without divisions created by borders, wars, religions or ethnic groups, is also a tribute to Steve Reich, one of the fathers and a great musician of minimal music. Prophecies, a reading of sacred texts and religious songs from evangelical sects in the United States filtered into granular synthesis with percussion music from South India, closes.

En stock

Disponible en stock et prêt pour l'expédition

27,69
Mihail P - Multitudes

Mihail P

Multitudes

exclANCPT012
Analog Concept
28.11.2024

Analog Concept Records presents the ‘Multitudes Ep’ from Macedonia's techno maestro and prolific DJ, Mihail P.

In these 4 tracks are a fine mix of atmosphere, intricate electro and techno drum foundation, with warm hues of melody that seep smoothly into the imagination. It's old school minimal approach creates max quality in feelings like that of its early 90s Detroit and UK style ancestry, while never losing touch of the future in its sonic impression on imagery.

A detour into classic Chicago sound is here as well, check the lush acid house hybrid remix of “East At Dawn” from the fine talent of Gilbert…Pure and confident with moods spanning sunlit electro combinations to melodic trips of introspective acid techno sensation, “Multitudes” by Mihail P is choice for mind and body stimulating destinations.

En stock

Disponible en stock et prêt pour l'expédition

10,88
Ana Frango Eletrico - Little Electric Chicken Heart LP

Here at Mr Bongo we have been inundated with people asking us to reissue this release. Ana Frango Elétrico's petit cult classic masterpiece 'Little Electric Chicken Heart' from 2019, which was only ever released on vinyl and CD in Brazil and Japan, has fast become a collector's item.

Well received by fans, DJs, and reviewers on release, The Needle Drop expressed "Ana Frango Elétrico's authentically vintage fusion of chamber pop, rock, samba and jazz is a real blast!" listing it as one of its Top 50 Albums of 2019. The album's reputation has been slowly building ever since, gaining a Latin Grammy nomination in 2020, and now solidly cementing itself as a gem of contemporary Brazilian music.

Across the albums nine tracks, Ana blends elements and influences from MPB, Tropicália, indie rock, punk and pop, forging them together with a sumptuous dose of her signature style. The finesse of 'Saudade' kicks off the LP, one of Ana's most known tracks to a non-Brazilian audience. A sublime opener, beginning with a spellbinding piano solo before transcending into a beautiful dream-laden slice of warmth, complete with luscious jazzy horns and deft vocal delivery. ‘Promessa e previsões’ follows, the only track on the album not to be written by Ana, instead being penned by Chico França. It’s a swelling and sweeping twilight groover, building and breaking across absorbing peaks.

Other highlights on the album include the anthemic 'Chocolate', which was a firm favourite with a packed sing-along crowd when we heard Ana perform it live. Elsewhere, 'Se No Cinema' hits with its quirky allure, charm and catchy melodies before transforming into a carnival spirit.

Tapping into the richness of Brazil’s new wave of musical energy, the album also includes a heavyweight lineup of collaborations with artists such as Dora Morelenbaum (Bala Desejo), Tim Bernardes, Antonio Neves and Guilherme Lirio to name but a few.

A short, sweet and refreshing record, that leaves nothing to waste, marrying playful ideas with poignant themes. 'Little Electric Chicken Heart' is a future classic and will beguile fans of ‘70s Brazilian recordings, Gal Costa, Mac DeMarco, Stereolab, Superorganism, Caetano Veloso and more.

En stock

Disponible en stock et prêt pour l'expédition

28,53
MAURIZIO E DANDOLO - NATALE IN TANGENZIALE

Repress!

“Natale in tangenziale” (“Christmas on the highway”) – available in all digital stores and in 7” format – marks an extraordinary tribute to the timeless Italo Disco style and captures the charm of an Italian Christmas, almost like in a dystopian “cinepanettone” (the stereotypical Italian, Christmas-themed, comedy movie).

The record is a creation by Maurizio & Dandolo, and represents the debut of Mirella Records, a label founded by Cosimo Mandorino, already known for several projects in the italo and electronic styles on specialized labels such as Best Record, Slow Motion Records, Disco Segreta, Bordello A Parigi.

“Natale in tangenziale” will instantly transport you into an Italian Christmas atmosphere, with captivating synthesizers and engaging rhythms. The voices perfectly capture the warmth and joy of the holidays.

The original song is accompanied by a breathtaking remix curated by Whodamanny.The remixer’s unique touch on the special dub version present on the B side adds further rhythmic elements that make it perfect for the dancefloor.

A 45 rpm single from an alternative 1983, to be enjoyed during the holidays; a gift for music lovers and a celebration of Italianness. You can’t help but dance and sing to the rhythm of music, a characteristic that unites two such fundamental aspects of Italian culture.

Merry Christmas on the highway!

En stock

Disponible en stock et prêt pour l'expédition

13,87
Parsley Sound - Parsley Sounds (LP)

Parsley Sounds was the glorious debut album for Mo Wax by Parsley Sound. The album was one of the iconic label’s final releases before it closed in 2003 and locating a clean copy has been extremely tricky of late, unless you're flush enough to drop 150 notes on it. Mercifully, the Be With reissue, put together with invaluable assistance from the group, should remedy this situation. It's a lo-fi, bass-heavy, blunted beat treat, warped with heat haze and dreamy soft-psych and has been criminally under-heard for far too long.

As with most cult-like records, Parsley Sounds has many influential fans, far and wide. From Four Tet and Caribou to NTS's modern day breakfast hero Flo Dill, its reputation has only grown in stature. At the time, the notoriously hard-to-please Pitchfork garlanded it with a scarcely achievable 8.8 whilst, just recently, the Numero Group's Rob Sevier described it as a "visionary bit of proto-Salvia Palth (or Steve Lacy)" via a Ghostly International missive.

Parsley Sound comprised super-talented duo Preston Mead and Dan Sargassa. They released an early single (the perfect "Twilight Mushrooms", featured here) on Warp Records as Slum, before signing to Mo Wax. Hidden behind a wall of sound - fuzzy layers of beats, bleeps and symphonic synths - they were convinced they made mainstream pop music. And, in many respects, Parsley Sounds really is a beautiful pop album. It overflows with memorable, gorgeous melodies and inspired songcraft. As the contemporaneous Pitchfork review correctly had it: "Parsley Sounds is one of those rare records that manage to sound modest while frequently pushing the sonic envelope."

Killer opener "Ease Yourself And Glide" is a thing of aching, soft-psych, wonky beat-beauty. A melodic masterpiece, part Crosby, Stills & Nash, part proto-Koushik, it presents a melancholy falsetto, surging bass and blunted lead guitar. As it climaxes, gorgeous strings are ushered in to see us out. Sublime. "Twilight Mushrooms" is up next and it's an acid-drenched, strung-out acoustic-led campfire wonder. Amid layers of tape-hiss and beautiful, sun-dappled strings, its understated vocal track provides a haze of wistful innocence.

The breezy "Spring's Near" is a krautrock-inspired chiming instrumental of heavenly excellence, its warm, skipping, motorik groove and dreamy synths completely infectious. Another total highlight, the technicolour "Yo Yo" initially presents itself as a more abstract, bleepy offering but as it organically swells into ever more beautiful places, with the addition of a choppy insistent drum loop, flute bursts, horns and sweeping strings, it puts one in mind of early Manitoba and Four Tet releases. Shimmering, blissed-out greatness.

The celestial harmonies and glistening harps of the wonderfully beatless, serenely sullen "Ocean House" are very much in conversation with late-60s meditative psych whilst, closing out Side A, the jaw-dropping, lushly experimental effort "Find The Heat" comes on like Arthur Russell meets Brian Wilson. Yep, *that* good.

Side B opens with the warped, bleepy "Stevie", a brief but beautifully wonky, soulful and intricate instrumental. The more upfront vocals that propel the fuzzy "Platonic Rate" have a refreshing swagger to them, the heavy bass and neck-snapping in-the-red beats too much for any system to deal with whilst the guitars and strings have a sweeping, cinematic feel which just beguiles. The slow, urbane soul of "Candlemice" will stop you in your tracks, no matter what you're doing. It carries a delicate sadness, as does much of the album in that classic "down lifting" style we so love here at Be With.

The fuzzing, buzzing "Templechurchmansions" is a searing, soulful dubwise detonation. Heavily stoned with slow-burning jazzy snatches and a tense, moody atmosphere, it's a Tricky-adjacent gem. The album rounds out brilliantly with the ominous instrumental "Neon Breeze" before giving way to the propulsive, almost incongruous punk-funk / disco-dub of secret "untitled" track "Caution", a scratchy, smacked-out groove-fuelled workout with a female vocal dripping with 'tude. Just sensational.

Under the watchful eye - and attentive ears! - of Parsley Sound themselves, the audio for Parsley Sounds has been carefully mastered by Be With regular Simon Francis, with a few much needed tweaks here and there, according to the artist's wishes. Cicely Balston's expert skills have made sure nothing is lost in the cut whilst the records have been pressed to the highest possible standard at the always stellar Record Industry in Holland.

Preston and Dan always thought the colours on the first vinyl pressing looked a bit "washed out" vis-a-vis the original artwork which was way more vibrant. We feel we've got it popping back to the original intention with the restoration work here at Be With HQ. So with the audio and artwork now approaching completeness after 20 years, this long overdue re-issue could be considered its definitive vinyl release.

En stock

Disponible en stock et prêt pour l'expédition

24,16
Jonas Orbiting - Future Objectives EP

Jonas Orbiting presents his second EP on Immersive Patterns, featuring four tracks that show meticulous attention to detail and a deep passion for sound design. Each piece offers a unique exploration of techno’s diverse shades, intricately woven with dub influences that resonate throughout.

Field Duty surges with unrelenting energy, blending deep dub textures with shifting rhythms. Its hypnotic groove pulses forward, creating tension with fractured beats and atmospheric layers while maintaining an immersive, driving intensity.
Lighthouse unfolds with a slow-burning groove, intertwining syncopated basslines and dubby textures into a warm, evolving soundscape with a nod to Disco. As soft pads rise and the bass deepens, it evokes the calm and glow of early morning light.
Anger Management advances with a heavy sub-bassline and intricate, evolving rhythms. Sci-fi sweeps and zaps create an otherworldly tension, while a shifting alien organ motif and dynamic percussions introduce captivating variations throughout the track.
Pressurized drives with a chunky rhythm and playful unpredictability, embodying a strong sci-fi vibe. Evolving, abstract synth arpeggios weave through the layered textures, creating an energetic atmosphere that pulses with intensity.

En stock

Disponible en stock et prêt pour l'expédition

13,87
ZOiD - ZOiD Vs Musicians Vol 2

Zoid

ZOiD Vs Musicians Vol 2

12inchZTXLP001
Zoitrax
22.11.2024

Musician and Zoitrax record label owner ZOiD, also known as Daniel Jacobson, announces the release of his sixth album, ZOiD Vs Musicians Vol 2.

Featuring thirteen tracks digitally, seven of which will be released on a 12” purple marbled translucent vinyl album distributed by Rubadub, ZOiD Vs Musicians Vol 2 will be available in record shops and on all streaming services and Bandcamp starting Friday, 22 November 2024.

ZOiD Vs Musicians Vol 2 is an electronic music album showcasing ZOiD's global collaborations with jazz musicians, creating a unique form of electronic jazz. Notably, his work with jazz drummer and brother Matthew Jacobson shines on the first single “Fit In Tree” debuting on September 13. Building on this momentum, the second single, "Module Bone, " featuring jazz trombonist Colm O'Hara, will be released on September 27, followed by the third single, "ZVSW, " featuring saxophonist Steve Welsh, on October 11. A special REMIX EP by Kirk De Giorgio, Sunken Foal, Americhord, and TR-One will be out on October 25.
Expanding the album's diverse sound, ZOiD collaborated with Dublin vocalist, composer, and jazz improvisation specialist Jenna Harris on “ZVJH” and with Niwel Tsumbu, a Cork-based Congolese guitaristwho tours with Rhiannon Giddens on “ZVNT.”

ZOiD Vs Musicians Vol 2 is further enriched by the talents of Shane O’Donovan (H-Ci), who combines electronic and jazz elements, Australian saxophonist Daniel Rorke, US-based free improviser Catherine Sikora, Galwegian multi-instrumentalist Matthew Berrill, Dublin saxophonist Matthew Halpin (flute), and trumpeter Bill Blackmore, a key figure in Dublin's jazz scene.

ZOiD released his debut album, ZOiD Vs The Jazz Musicians of Ireland Vol. 1, in 2007. Production of ZOiD Vs Musicians Vol 2 began soon after, taking nearly 17 years. For Vol. 2, some musicians recorded their parts independently, while others recorded in Arad Studio with Les Keye and ZOiD's Dublin studio.

The album artwork is by New York-based artist Shane Ingersoll. The front cover displays black-and- white illustrations of Dublin in the year 2116, a city at war centred around a bold purple "ZOiD" logo, with the title "ZOiD Vs Musicians Vol 2" on the upper left. On the back cover is a 12-panel comic book story (originally written by ZOiD using stick figures) and a glowing robotic hand.

En stock

Disponible en stock et prêt pour l'expédition

21,81
Christopher Lawrenz - Double Tree EP

After a terrific first release by AlleyOP aka Atree & Hagel, Tutto Bene welcomes Christopher Lawrenz for the imprint's second release. "Double Tree EP" features three original works by Christopher and a remix by seasoned veterans and Berlin underground sound wizards Foehn & Jerome. The result is a package of funk-infused dancefloor-ready tunes that nicely follow up Tutto Bene's debut while further expanding its vision.

Double Tree EP kicks off with "Double Tree" (A1), a minimal, groove-focused track laced with dub elements and a quirky tech-house edge. Shifting basslines, off-kilter percussion, and playful vocal samples create a lively vibe, perfect for peak-hour energy. Foehn & Jerome’s remix (A2) reimagines the track as a deep house groover, with smooth, sophisticated melodies layered over an understated bassline, adding both depth and elegance. On the B-side, "Tutto Bene" (B1) delves into more experimental territory with syncopated rhythms and robotic textures, combining off-beat percussion and modulated sounds for a distinctive, driving rhythm. "Quarantäne" B2 rounds off the EP with its warm, organic feel, layering deep melodies and gentle vocal samples for a lush, deeply hypnotic track perfectly suited for the early morning sets.

With Double Tree EP, Christopher Lawrenz showcases his versatility as a producer, delivering a set of tracks that range from peak-hour energy to chilled, introspective vibes. Tutto Bene's second release reaffirms its commitment to fresh, underground sounds.

En stock

Disponible en stock et prêt pour l'expédition

13,66
Fritz Kalkbrenner - Third Place LP 2x12"

Zweifelsfrei prägt Fritz Kalkbrenner den Sound einer ganzen Generation und bringt Dancefloors weltweit zum Beben. Nun kehrt er mit seinem neuesten Album Third Place zurück, welches zweifellos eines der ambitioniertesten und künstlerisch anspruchsvollsten Werke seiner Karriere ist. Mit Third Place nimmt Fritz Kalkbrenner seine Zuhörer mit auf eine tief immersive Reise, die die Schnittpunkte von Musik, Gemeinschaft und Selbstfindung feiert. Das Album schafft eine perfekte Balance zwischen euphorischen Höhepunkten und introspektiven Momenten. Inspiriert vom soziologischen Konzept des „Third Place“ – Orte, an denen Kreativität und Gemeinschaft aufleben – verkörpert das Album die Freiheit und emotionale Befreiung, die man in Clubs und Räumen der Gemeinschaft findet. Im Mittelpunkt des Albums stehen mehrere bereits vorab veröffentlichte Singles. ”Into the Night” hat bereits mit seinen erhebenden Chicago-House-Akkorden und dynamischen Grooves die Dancefloors weltweit erobert. Der Track fängt die Euphorie der Clubkultur perfekt ein und kombiniert Fritz Kalkbrenners gefühlvolle Stimme mit einem unwiderstehlichen Groove. Ebenso beeindruckend ist ”The Telepath”, das nostalgische Warehouse-Vibes mit treibenden Breakbeats verbindet und die energiegeladenen Live-Sets von Fritz Kalkbrenner widerspiegelt

En stock

Disponible en stock et prêt pour l'expédition

30,88
Ulrich Troyer - TRANSIT TRIBE

Ulrich Troyer has been producing music now solidly for over twenty years within a largely genre free framework, but whilst navigating forms such as avant-garde, techno, leftfield, field recording, electronica, glitch and ambient it is the aesthetics of dub that guide his creative direction. Not really recognisable in an orthodox form as remixed versions of roots reggae songs but in the way sonics are manipulated with space, the application and layering of delay, reverb and echo that fixes his output well within the scope of what might be called futurist dub.

The nearest comparisons to his new album TRANSIT TRIBE can only be established by a synthesis of some of the more adventurous explorations in modern music such as African Head Charge, Jon Hassell, Pole (Stefan Betke), Bill Laswell or even Miles Davis; featuring a diverse selection of artists and friends not only from Vienna and environs but also from around the world, sounds are not so much fused but allowed to float along the continuous flowing tide of warm waves of bass.

Rather than to allow the names of Ulrich Troyer's collaborators be merely listed in the album credits, what they bring to this joyful affair needs to be outlined, albeit briefly: Co-producer credits go to Osman Murat Ertel from Istanbul, who employed a variation on the old foolproof Nick Lowe method for checking out the impact quality of his own sound productions by playing tracks through his car sound system speakers!

Murat is a member of the electro-psych-folk group Baba Zula where he plays electric saz, oscillators and theremin and played a key part in the creative development of the album. Mamadou Diabate, the balafon master originally from Burkina Faso and now resident in Vienna, has developed his own unique technique of playing solos that replicate the sound of three instruments playing in unison; however the multi-talented Mamadou is engaged here on singing and playing the talking drum. From South Tyrol Reinhilde Gamper is a member of the experimental trio Greifer who are bringing the sound of the zither into the twenty-first century using new playing techniques and electronic gadgets. Susanna Gartmayer is an Austrian composer and bass clarinetist specialising in improv and multimedia sound research. Diggory Kenrick has been engaged with creating new dub fusions and also re-energising classic rocksteady and roots reggae classics, renowned for his interventions on flute. Didi Kern is an electronic dance musician and drummer from Vienna with a focus on free improvised music. Hamidou Koita, a singer and multi-instrumentalist, is from a traditional Griot family in Burkina Faso but now resident in Vienna and a regular musical partner of Mamadou Diabate playing drums and calabash. Austrian Lukas Lauermann is both a studio and live musician playing cello, also working on electronic sound design and writing string arrangements. He has recorded extensively and appeared on stage with both Mark Lanegan and Hans-Joachim Roedelius. Martin Mallaun is a Tyrol-born specialist in both the development of the zither in modern music and also as a researcher in the effects of climate change on the vegetation of Alpine ecosystems. After studying classical percussion Flip Philipp is now a jazz vibraphone player and member of the Vienna Symphony Orchestra. Wolfgang Pfistermüller is a member of the Vienna Trombone Quartet and the developer of the incredible bass-trombone Aurora with its uniquely warm and resonant sound. Roger Robinson is a renowned British poet, winner of many contemporary poetry prizes and member of the experimental music group King Midas Sound. Kwame Yeboah is a Ghanaian born UK based keyboard wizard who tours regularly with Yusuf / Cat Stevens, Ms. Dynamite and Pat Thomas.

So contained on the album is an astonishing mix of musicians and instruments: sounds of cowbells recorded in the South Tyrolean alps processed by modular synthesizers and heavy analogue bass synths combined with instruments such as zither, bass-zither, electro saz, flute, talking drum, trombone, cello, marimba, djembe, contra-alto clarinet, Farfisa - all bound together by organic live-drums and dub effects.

En stock

Disponible en stock et prêt pour l'expédition

23,49
Gosha Martynov & Natasha Sinyakova - Imena Rek (LP)

Following a fallow 2023, a rejuvenated Growing Bin return to your turntable with this sublime collaborative LP from Gosha Martynov & Natasha Sinyakova. On their first foray into the physical, the duo expand the spectral ambience and medicated breaks of their earlier work with lithe touches of organic jazz and Cafe Del Mar cool, creating a complex assemblage of dreamy downbeat and emotive electronica that's entirely easy on the ears.

Opener "Pozhaluysta" seduces with smart syncopation and beguiling melody, its flute and fretwork finding ample space to slip around Natasha's voice, equal parts Cocteau operatics and jazz-club coquette, in an expression of a want beyond words. The mood shifting "Osvobodi Menia" sees the solemn, snaking sound of a sampled duduk drift into an optimism of airy pads and escapist mantra, suspended in reverb until the end of time. "Ya Tebia Zhdala" began life as a break-led experiment, gradually evolving into a romantic and naive sketch rich with splashes of piano and dynamic chorus pads. Naturalist hymn "O Dereve" weaves a dark and intimate tale from the point of view of a veteran tree as its buzzsaw guitar loops blossom into multilayered vocals full of emotion.

Awash with sonar sweeps, sumptuous pads and rolling subs, the titular "Imena Rek" channels post-rave bliss into the hypnagogic anthem the contemporary IDM-ographic have been searching for. Infectious hooks and spaced out pads ride the breakbeat rhythm for a dreamy experimental pop banger from another planet. The sombre sway of "Rany", filtered through the fog of a broken cassette recorder, trance djembe and unpredictable bass tones rivals the finest Motion Ward or In:dex releases for crepuscular charm, while "Smeshno" sees serrated drones sink into a slinking rhythm, playing counterpoint to the tender chords and yearning vocals.

"Iskra" closes out the chiasmus with a return to the organic experience of the opener, the flute and acoustic guitar augmented with nuanced hand percussion and a music box refrain. Listening to this album is like a midnight walk through an ancient forest - an experience which both scares and tempts you at the same time. From touching damp moss to feeling the thick fog with your body and watching mushrooms glow in the dark, 'Imena Rek' guides you through the terrain.

Flawlessly arranged and executed, this LP alludes to a long lineage of innovative downbeat, feels absolutely essential in the present and pushes the trip hop revivalists towards a fascinating future - Gosha Martynov & Natasha Sinyakova have created a timeless piece of music,
but what else do you expect from the Bin?

En stock

Disponible en stock et prêt pour l'expédition

21,81
Warmduscher - Too Cold To Hold LP

Comprised of Clams Baker Jr., Benjamin Romans Hopcraft, Adam J. Harmer, Marley Mackey, Quinn Whalley, and Bleu Ottis Wright, Too Cold To Hold is undoubtedly their best and most ambitious album to date. Taking on board the repetitive and polyrhythmic grooves of gqom (an alluring South African take on house music), adding in a dash of hip hop flavours and even jazz, and then harnessing that to their punk-funk, disco pogo, it’s a spellbinding mix. The album is produced by the band’s Ben Romans Hopcraft alongside Jamie Neville.

Talking about the first track to be taken from the album, ‘Fashion Week’, which is a joyous account of fashion’s die-hard fans rather than the more visible arrivistes or dilettantes, Clams said: “Those that will do anything to become that thing. That creation. And live it. It’s real artistry when you don’t have the means and you’re doing it. You’re hustling to get on the guest list, you get in, you’re done up by means that you can’t really afford, whatever you do… It’s a celebration of people who will do whatever to look good and feel good and step above wherever they are in their own minds.”

With a reputation as one of the most exciting and mesmerising live bands out there right now, they have also today announced both details of a very special ‘Fashion Week’ launch show at London’s Lexington on 10th July and a run of U.K. / EU dates to coincide with the album release in November – the dates include their biggest London headline show to date at The Troxy. The full list of dates, which is as follows:

En stock

Disponible en stock et prêt pour l'expédition

25,17
Los Suruba - +33 Vinyl EP

Los Suruba

+33 Vinyl EP

exclNAZCA034V
Nazca
15.11.2024

Spanish duo Los Suruba have done it all over the last 25 years, captivating dancers with their blend of House, Minimal, Electro, psychedelic, and deep vibes.

They have established their own network of record labels, with almost 250 releases, Nazca being the latest addition. They’ve also released music on labels like Crosstown Rebels, Diynamic, and Get Physical and have been remixed by international artists such as Solomun, Adriatique, Clarian, and Okain. They describe their music as "Memories of the Future," the motto of their brand Nazca.

As DJs, they’ve performed at the world’s best clubs and festivals, bringing their unique sound across the globe, holding residencies from Ibiza to London, and creating countless underground hits.

They are in top form once again with this latest journeying EP, where Los Suruba and their label Nazca return to vinyl releases, featuring two new remixers for this vinyl edition of the ‘+33 EP’.

Innovative opener 'Dial Banger' is a wonky house sound with wet claps and a gurgling bassline that gets ever more wild. It's a playful cut that teases and pleases in equal measure as the low-slung grooves, string stabs, and unhinged leads keep dancers locked.

'Elegancia La de Francia' is a more experimental house affair with eerie synth leads and freaky filtered vocals, making a dark and menacing atmosphere.
Warm melodies infuse the track with soul and make it perfect for the late-night hours.

First remixer Cristina Lazic launched her own label La Zic, earlier this year. It's a platform that looks to uplift and mentor exceptional female talents next to the Italian's own blend of minimal, deep and tech house sounds. Her fantastic take on 'Elegancia la de Francia' is stylish and stripped back with supple minimal drums and the muted synth sounds bubbling away over punchy kicks.

Romanian artist BRYZ has a refined minimal sound that has established him in the European scene over the last decade. He deals in intricate melodies, pulsating rhythms, and atmospheric textures on labels like Storytellers and Esente Records.

His version of 'Elegancia la de Francia' is silky and deft, with sustained pads locking you into a trance while gurgling bass and trippy melodic motifs add great detail to the rolling minimal house grooves.

collecting

Order now. Collecting orders for repress.

14,92

Last In: 18 months ago
COIL - QUEENS OF THE CIRCULATING LIBRARY LP

Queens Of The Circulating Library stands alongside Time Machines and Nurse With Wound's Soliloquy For Lilith as a post-industrial pinnacle of sensory-warping long-form drone.

Crafted by the distilled duo of Thighpaulsandra and John Balance, the 49-minute piece unfurls in swirling, cyclical waves, tidal as much as textural, channeling the spirit of levitational minimalism pioneered by La Monte Young. Touted as the first part in "a continually mutating series of circulating musickal compositions" upon its initial release in 2000, the album remains a compelling case study in Coil's exceptional capacity for mutation and extremes. The theatrical introductory monologue delivered by Thighpaulsandra's mother - a career opera singer, in her 80's at the time of recording - sets the stage for a grandiose ascension. Written by Balance, the text is declamatory but dreamlike, refracted through megaphone echo: "Return the book of knowledge / Return the marble index / File under "Paradox" / The forest is a college, each tree a university." As her voice fades, the lulling synthetic infinity deepens, congealing into transient crests of volume and haze, like slow-motion surf misting in moonlight. Thighpaulsandra describes their aesthetic intention as a "bliss out," static but shape-shifting, an amniotic drift towards an eternal vanishing point. A supreme sonic embodiment of the slogan on the sleeve of Time Machines, two years prior: "Persistence is all."

En stock

Disponible en stock et prêt pour l'expédition

27,69
Rapha - Midnight Dancer LP

Dalmata Daniels third LP comes from Rapha, marking his return to the label after contributing to its split and compilation series. Known for bold acid treatments and dark, futuristic tones, Rapha takes his craft to new heights on Midnight Dancer, which also features remixes by CT Kidobo and PRZ. The album opens with I Win U Win, pulling listeners into an adventure of pulsing basslines and cosmic, minimal electro. CT Kidobos remix then twists it into a darker, seductive French-inspired club sound. The third track, ...And Them, continues the journey of the opener with mechanical beats and textured soundscapes, while Alien Dance highlights Raphas signature sharp, distinct style leaving a strong mark on the deep electro club scene.

On the flip side, Midnight Dancer plunges into a hypnotic realm of haunting echoes and distorted rhythms, with heavy basslines reverberating through the darkest corners of the mind. PRZs remix of the title track retains the original groove but adds a cleaner, equally impulsive electro edge perfect for the club. The albums final tracks, Lost Start and Galactico, round off the journey with shimmering electro patterns and eerie, alien soundscapes, leaving an unforgettable impression.

In Midnight Dancer, Rapha showcases his ability to blend industrial grit with cosmic melodies, delivering hard-hitting electro suited for both club play and immersive listening at home or on a night ride. Be warned DDLP03 is limited to 150 copies, housed in a Studio Jetski designed jacket with a digital download card and shrink wrap.

En stock

Disponible en stock et prêt pour l'expédition

22,14
Ashley Henry - Who We Are LP 2x12"

Ashley Henry

Who We Are LP 2x12"

2x12inchBLV8641LP
Naive
07.11.2024

Ashley Henry präsentiert mit diesem Album eine spirituelle Jazzreise, die Hingabe, kollektive Träume und den Kampf um Freiheit vereint. Mit gefeierten Künstlern wie Judi Jackson und Aja Monet ist diese Platte eine kraftvolle Hymne an unsere Zeit, die Nina Simones Erbe widerspiegelt und gleichzeitig Inspiration am Puls der Stadt London und im kollektiven Träumen findet. Gelobt von globalen Medien ist Ashley Henry mit seinem charakteristischen Klavierspiel und seinen beruhigenden Gesangsklängen auf dem besten Weg, einer der einflussreichsten Jazz-Acts in Europa zu werden.

Auf 'Who We Are' arbeitet Henry mit einer Vielzahl zeitgenössischer Künstler zusammen, darunter die Grammy-nominierte Dichterin und Texterin Aja Monet, der Grammy-nominierte Trompeter Theo Croker, die Sängerin Judi Jackson und der Londoner Hip-Hop-Künstler MAK. Henrys lebendige Ausdrucksformen der Jazzkultur wirken ebenso schön wie bedeutungsvoll. Henrys tief verwurzelte Einflüsse und seine visionäre Überzeugung machen ihn zu einem der aufregendsten, neuen Londoner Musiker. Seit er mit Christine & The Queens weltweit auf Tournee war und Loyle Carner in ganz Großbritannien unterstützte, hat Henry viel Lob von den Kritikern bekommen. Unter anderem von The Guardian, Evening Standard, Clash und Wonderland.

Das wunderbare Album erscheint auf Naïve als Gatefold 2LP-Set und CD!

En stock

Disponible en stock et prêt pour l'expédition

23,32
Bios Contrast feat. Nilotpal Das - Red River MC (TAPE)

Kolkata-based musician Nilotpal Das aka Bios Contrast's new album 'Red River', arrives as a narrative sequel to his 'Dragon Rising' LP on Hong Kong DIY label Mouhoi. The concept behind the record is a speculative historical drama and myth taking place during the deadly Kalinga War in the Mauryan Empire of India.

Following his intensive 24-hour harmonium drone compositions, Das's 'Red River' uses recordings of Bell 407, a civil utility helicopter as the main body of the record together with a 47-year-old harmonium, field recordings at Chandraketugarh, custom built woodwind prototype instruments together with guitar, violin & vocal improvisations.

En stock

Disponible en stock et prêt pour l'expédition

14,92
Awen Ensemble - Cadair Idris LP

Awen Ensemble

Cadair Idris LP

12inchNSLP0058
New Soil
05.11.2024

"Cadair Idris is one of the Southernly peaks of Eryri (Snowdonia). It sits magnificently at the head of the Tal-y-Llyn pass, and above Dolgellau to the North, with its craggy slopes rising above the tree-line towards the mystical clouds that so o�ften shroud its summit. This mountain is rich with mythology and legend; meaning 'Chair of Idris', it takes its name from the mythical giant king 'Idris Gawr' who was once said to sit atop the mountain and marvel at the heavens. The lake found at the centre of the seat is said to be bottomless, and the surrounding slopes to be the hunting grounds of the Welsh king of the underworld, Gwyn ap Nudd and his Cŵn Annwn. But one of the most intriguing legends owes its existence to the great bardic heritage of Wales. This legend comes as a warning to any wandering soul that might find themselves upon the mountain's slopes at night, for anyone that spends the night on the mountain will come down either a madman or a poet.’"

Cadair Idris by Awen Ensemble, released 12 April 2024, includes the following tracks: "UNSETTLED", "IONAWR", "IF I FALL", "UPON LEAVING THE DREAM" and more.

This version of Cadair Idris comes as a 1xLP.

En stock

Disponible en stock et prêt pour l'expédition

23,11
E L U C I D - REVELATOR

E L U C I D

REVELATOR

12inchFP1847-6
Fat Possum
04.11.2024
  • A1: World Is Dog
  • A2: Cctv (Feat Creature)
  • A3: Yottabyte
  • A4: Bad Pollen (Feat Billy Woods)
  • A5: Slum Of A Disregard
  • A6: Rfid
  • A7: Instant Transfer (Feat Billy Woods)
  • A8: Ikebana
  • B1: In The Shadow Of If
  • B2: Skp
  • B3: Hushpuppies
  • B4: 14 4 (Feat. Skech185)
  • B5: Voice 2 Skull
  • B6: Xolo
  • B7: Zigzagzig
également disponible

Black Vinyl[35,08 €]


We’re teaming up with ELUCID and Fat Possum for a limited edition of 300 copies of a Rush Hour black ice coloured edition.

E L U C I D, one half of the illustrious duo Armand Hammer, is here with the full-length follow-up to 'I Told Bessie'. Further experiments in the sonic, expanding on the 'live' side of music paired with the embracing of chaos. Something you haven't heard, or not so for a very long time. E L U C I D is here to reveal the bleakness of reality.



---------------------------------------------------------------------------------

''There is never time in the future in which we will work out our salvation. The challenge is in the moment; the time is always now.''
James Baldwin

A raw, crackling urgency runs through rapper-producer ELUCID’s new album REVELATOR like an underground power line. There is no space here for sepia-toned reminiscences or indulgent self-mythologizing. Intellectual rabbit holes have been filled in with concrete and rebar ; there is nowhere to hide and no off ramp from the audio Autobahn that ELUCID has fashioned—a renegade Robert Moses with gold fronts, bulldozing the homes of the powerful and the complicit. REVELATOR brims with the energy of now, with a refusal to look away. Carpe diem in a murder one mask.

Born in Jamaica, Queens, ELUCID has been on the cutting edge of New York’s underground scene since the mid-2000s. From the beginning, he has defied both convention and expectation. He ran with Okayplayer darlings Tanya Morgan, but his own music eschewed their throwback charm for glitchy noise experiments and bass-swamped culture jamming. His 2016 debut studio project Save Yourself (re-released in a deluxe edition last year) announced him in earnest. But in recent years, his Armand Hammer releases with partner-in-crime billy woods have received significant attention and acclaim. Serving as a followup to his last solo album—2022’s comparatively balmy I Told Bessie—ELUCID hoped to “re-distinguish” himself with REVELATOR, setting himself apart amidst the increasing attention around the music he and his friends are making together.

For ELUCID, this meant setting bold new challenges for himself. One of these was diving further into live instrumentation than ever before—”getting my Quincy Jones on,” as he puts it. The testing ground for this approach was Armand Hammer’s most recent project, 2023’s We Buy Diabetic Test Strips’ Möbius strip soundscapes, warmed with instrumental flourishes and skin-shedding beat progressions. With REVELATOR, though, ELUCID strove to create an atmosphere of chaos, embracing experimental electronics and atonal sample bursts. He worked on much of the album with co-producer Jon Nellen, who comes from a background in avant-garde and Indian classical music. “I wanted to get as freaky as I could at this moment. I wanted people to hear things, maybe for the first time, or in a way they haven’t for a long while,” the rapper explains.

ELUCID arrived at the studio with a collection of noise sources: non-referential samples, glitches and noises. Together he, Nellen, and others created forms out of them and, as ELUCID recalls, “just started playing drums with it.” Their fried, distorted sound was directly inspired by Miles Davis at his most uncompromising—specifically, the tone-clustering funk track “Rated X” from his 1974 double LP Get Up With It. At times, the pairing of rap with avant-fusion sounds also brings Emergency! from The Tony Williams Lifetime to mind, perhaps in an alternate timeline where the late drummer was listening to Ice Cube’s AmeriKKKa’s Most Wanted.

“The World is Dog,” REVELATOR’s lead single, functions as the album’s aesthetic thesis statement. Like the Davis track, the textures are punishing, the tonality is in free-fall, and the driving breakbeat of a groove cuts in and out unceremoniously. Avant-jazz bassist Luke Stewart, who appears throughout the record, holds the whole thing together just long enough for ELUCID to tightwalk over the beat. This tension is exactly where REVELATOR sets itself apart; in a time of drumless loops, and safe soul samples, this is a high-wire act with no safety net. Similarly, the song announces the themes of the album within just a few phrases, evoking the way societies accept and adjust to new levels of debasement and brutality while suffocating under the weight of history: “Can’t clock the kill, all a mystery/Forced past will eating everyone eventually/The world is dog.”

Many of the songs on REVELATOR grapple obliquely with dissolution and disenfranchisement in America and across the world—the grim realities of our domestic sociopolitical climate and our involvement in foreign conflicts. “Much of my artistic and political sensibility comes from the Black arts movement here in New York,” ELUCID explains. “Recognizing the interconnected global struggles against oppression, artists and thinkers created works and actions in solidarity with freedom movements in South Africa and Palestine.” ELUCID cites intellectuals like Amiri Baraka, Kwame Nkrumah, Audre Lorde, Sonia Sanchez, and Nikki Giovanni among his heroes. (One track on the album is specifically inspired by Lorde’s work, “SKP,” citing the scholar’s paper “Uses of the Erotic: The Erotic As Power.”) Songs like REVELATOR’s insistent closer “ZIGZAGZIG,” find ELUCID applying up-to-the-minute messaging, making explicit reference to the conflict in Gaza: “Feed a war machine…from river to sea, in lieu of peace.”

Despite ELUCID’s preference for cacophonous system overload here, the rapper also provides moments of respite. Recorded at The Alchemist’s Los Angeles studio, the laid-back, wheezing “INSTANT TRANSFER” is a collaboration with billy woods, which crystallizes their shared sense of creative determination. “With much momentum behind us and even more on the horizon, I knew a purpose, and that every step was ordered to that purpose,” ELUCID said of the experience. Meanwhile, the jittery “HUSHPUPPIES” is a playful anomaly on the track list, providing a snapshot of ELUCID watching his grandparents in the kitchen while preparing for Friday night fish fry dinners.

“Love still rules over on this side,” ELUCID says. ”I’m raising a family. We are making meaning and finding joy in the midst of all the fucked up-ness of everything around us because the alternative is cowardice and slow death. We remain rooted. We celebrate our people and our wins. Struggle is necessary.”

“IKEBANA” is one of ELUCID’s strongest statements of purpose on the record, blending the record’s heaviest themes with its most hopeful sentiments. supported by a shoutalong refrain and an urgent prog-funk groove. Breaking away from images of dissolution and crumbling societal systems that populate REVELATOR, ELUCID notes that the only way to navigate life’s bleakest landscapes is to cling to love and believe in those around you—to look forward toward something better that may or may not be possible. For the rapper, one of the album’s most trenchant lines comes during a centerpiece of a beat drop: “Being alive/I must look up.”

“The lyric ‘being alive I must look up’ is important especially in the context of this album. Much of the album imagery is harsh and reflects the actual doom some of us experience. But still I/we exist,” ELUCID explains.

Every artist is, in one way or another, the product of their time, bound by life’s leaden gravity to operate within the space of that which is already known. But there are some who are able to shake free of these ties, to shape the culture as it unfolds, to make the present their own.
Revelation, as a concept, points to the scales falling from people’s eyes—something that has been hiding in plain sight becoming clear. “The revelator relates to things that have been talked about, things that have been forecasted,” ELUCID adds. “And now they’re really here, and everyone sees it. And there’s no escaping.” REVELATOR plays out with the unmitigated power of those storms, laying waste to any genre conventions in pursuit of a certain physicality. Here, ELUCID develops a wholly distinctive musical language to explore our fractured modernity.

REVELATOR's packaging was designed by longtime Armand Hammer / Backwoodz art director, Alexander Richter.

En stock

Disponible en stock et prêt pour l'expédition

35,25
JUNIOR ROY - RUN DI SESSION / TALKING YARDIE

Double A-sided lost & found Maffi 7" from 2013, with vocal cuts by Junior Roy and Lord Sassafrass.

Built from the DNA of Sleng Teng, the Heidi Riddim flips the scripts on this most classic of classics by taking it to the black keys, in a minor key style and fashion. With its thick deadly bass line at the fore, Heidi has been specifically engineered to kill tin pan sounds and discombobulate Babylonians.

On the A side, with Run Di Session, the then 16 year-old Parisian phenomenon Junior Roy demonstrates his distinctive vocal style, bearing uncanny similarities to the likes of Little Kirk and Yami Bolo at their prime. On the flip, the veteran thoroughbred Lord Sassafrass gallops across the riddim with the same panache that saw him rule dancehalls across Jamaica in the 1980s.

This is the second of the two Heidi Riddim 7"s, following up the now hard to find Speng Bond cut and the raw Dub version.

En stock

Disponible en stock et prêt pour l'expédition

11,13
Delta Rain Dance - Music For Autumn LP

Glenn Astro leans into the twilight months of 2024 with a new album from his Delta Rain Dance project. Divining fourth world sensibilities from his restlessly curious studio workflow, Astro weaves a mesmerising tapestry of sound on Music For Autumn which treads the line between horizontal meditation and head- nodding, backroom-ready groove.

Amongst his constellation of myriad aliases, Delta Rain Dance spells out the inspiration Astro takes from fourth world pioneer Jon Hassell. The project first surfaced with a string of tapes, LPs and digital releases around 2018, all carried on a label of the same name to keep Delta Rain Dance enclosed in its own space
independent of Astro's many other musical endeavours.

"I’m really into the world building aspect in science fiction and fantasy," says Astro. "This is my way of creating worlds and spaces that co-exist next to each other. Sometimes they collide but mostly they exist peacefully next to each other or pursue some form of cultural exchange by collaborating with each other."

There's a strong sense of balance and cohesion throughout Music For Autumn, as organic percussion and instrumentation wraps around delicate synthesis and patient drum machine pulses so naturally it's hard to spot the joins. The sound has plenty of room to stretch out, from the mantra-like chimes and rattles of the album opener 'Green Light Fade' to the luxury funk of 'Mmmh, Nice' (featuring fellow Tartelet alumni Nelson of the East). At times the electronic elements seem to entirely dissolve, not least behind the loping strings and tumbledown percussion of 'Second Sleep', while achingly beautiful closer 'Plucked' centres on the fluttering movement and expression Astro elicits from his modular setup.

True to the project's influences, a consistent ambiguous mood lingers in the air over Music For Autumn somewhere between far- flung mystery and comforting familiarity, reliably calm but equally contemplative. It's an odyssey of serenity with enough nuance to make you really think, perfect for the days getting shorter, leaves crunching underfoot and the last fading rays of warmth from the sun.

En stock

Disponible en stock et prêt pour l'expédition

22,27
Articles par page:
N/ABPM
Vinyl