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Hailing from Athens, Georgia, Now It’s Overhead is the acclaimed indie rock band fronted by Andy LeMaster. Emerging in the early 2000s alongside the era-defining Saddle Creek scene, LeMaster collaborated with artists including Conor Oberst (Bright Eyes), Michael Stipe (R.E.M.), Orenda Fink (Azure Ray), and Maria Taylor (Azure Ray).

During this period, Now It’s Overhead released three acclaimed full-length albums: Now It’s Overhead (2001), Fall Back Open (2004), and Dark Light Daybreak (2006). Available on vinyl for the first time, these long-awaited editions are essential for listeners and collectors exploring the indie rock landscape of the early 2000s. All three albums have been newly remastered by Andy LeMaster—musician, songwriter, engineer, producer, and visual artist.

The Associated Press described Now It’s Overhead as “a unique brand of organic and synthetic dark pop—made possible by LeMaster’s studio prowess—that remains distinctive even when Conor Oberst and Michael Stipe briefly stop by.”

Accompanying these reissues, Now It’s Overhead is also releasing new music for the first time in nearly twenty years. The five-song EP, in the beginning, arrives digitally on September 18, 2026.

This is the first full-length release from South Korea"s beloved pansori psych-pop band available worldwide. The release follows an extremely successful and eventful year for LEENALCHI. They had their first-ever North American tour, opening for Japanese Breakfast at Stern Grove, sessions at KCRW and (rumor has it) KEXP, and in the fall, they"ll be on the East Coast, including opening for Geese at Forest Hills on the very same date this record comes out. LEENALCHI is led by the great composer Jang Young-Gyu, who has undoubtedly scored all your favorite Korean horror movies, including The Wailing, Train To Busan, and the Good, The Bad, The Weird. Sugungga sounds like animals talking to each other over tripped-out bass lines. It gets its name from the old Korean folk tale about a clever and loyal turtle who tries to lure a rabbit underwater and into the lair of a Dragon King who has come down with an illness that can only be cured by the rabbit"s liver. What is the fate of the rabbit? This fall, you will find out.

Originally released by Umor Rex on cassette in 2015, NK012 documents the first-ever musical meeting of Berlin-based musicians Aidan Baker (Nadja, Canada), Andrea Belfi (Italy), and Erik Skodvin (Svarte Greiner / Deaf Center, Norway). Now, more than a decade later, the album is available on vinyl for the first time, newly remastered for the format by Rafael Anton Irisarri. This marks the third release in a series of four special, limited reissues to be released in 2026 to mark the 20th anniversary of Umor Rex.

Recorded with nothing more than a stereo microphone placed in the middle of the room, NK012 captures the trio in their first session together, with the simple intention of improvising. Instrumentation builds in gradual crescendos, shifting textures between passages as looped incarnations of earlier motifs accumulate into all-consuming drones. The five pieces that make up NK012 already set the foundations for the trio’s subsequent work. Across the album, guitars, an array of effects pedals, percussion, and synthesizers merge into a raw and highly intuitive sound world. Vibrant and intense, the pieces move freely between forms and genres, driven by the immediacy of live performance and spontaneous composition.

The eponymous debut EP by London-based dreampop duo deary. The six-track release is available on 12" vinyl, CD with five additional bonus tracks/remixes and digitally. Their debut single 'Fairground', which came out at the end of January, was an instant classic. A mix of shoegaze beauty and trip-hop beats, it was amazing to see people falling in love with it in real time as it gained airplay around the world, a remix by Saint Etienne and hit number one on the Official Charts' vinyl singles chart. The EP includes the follow-up, the deliciously dark 'Beauty In All Blue Satin', and third single 'Sleepsong', plus three more tracks. The CD format adds a cover of Pretenders' "2000 Miles", the Saint Etienne "Fairground" remix and three more versions of that track (a.o. Live and Extended).

Originally released in 1992, FM by Freddie McGregor brings together recordings made between 1977 and 1982 for Earl "Chinna" Smith"s High Times label. The album features backing from the Soul Syndicate and includes the tracks "Natural Collie," "Revolutionist," "Mission Impossible," "Strange Things," "Mark Of The Beast," "Sergeant Brown," "Leave Yah" and "Love Ballad." This reissue is presented in the original artwork, remastered for vinyl, and is available on cyan vinyl LP and CD formats.

Marking their first new material of 2026, Alien Chicks are back with a glorious new EP 'Toys Taken At Birth' - available on CD as well as gloriously limited glow in the dark vinyl (strictly limited to 500 copies ever in this version), with recent standout Live EP 'Live At The Windmill' included on the B Side 'Toys Taken at Birth' is about the injustice that leaves some people with everything and some with nothing. Power doesn't present itself cleanly; it leaks through spectacle and symbolism - flags appearing overnight on high streets, headlines flipping within hours, slogans that feel less like belief and more like control tactics nobody agreed to. Even everyday life starts to feel slightly repurposed, like familiar things have been quietly reassigned for a different agenda.

Now repressed on limited edition Venus Pink vinyl – 300 copies for the world Give your retinas a workout A supergroup of sorts - Fat White Family’s Lias Saoudi, Trashmouth Records’ Luke and Liam May, and Quinn Whalley of Paranoid London and Warmduscher - Decius have travelled the earth liberating people from banality since the release of Vol. I. They’ve revealed to all those they’ve encountered just what was missing in their lives: pump without borders, pump without reason - absolute pump. Decius live sets at Berghain’s 19th birthday celebrations, Block 9’s NYC Downlow at Glastonbury and Opium Club in Vilnius have set pulses racing, and they count the likes of Dixon, 2manydjs, Honey Dijon, Mochakk, Or:La, Iggy Pop and Depeche Mode as fans. Now they offer up Decius Vol. II (Splendour & Obedience). It throbs with an almost impossible sense of potential, and expands on the lexicon of molten desire. The sound has moved into new territories, with tastes of house, disco and techno, all with an underlying base note of acid on tracks such as the slippery night cruise intensity of ‘Birth of A Smirk’, where Colonel Abrams gets his nipples tortured. ‘Queen of 14th St’ is all watersports and Cybotron force from Detroit via Deptford. ‘Walking In The Heat’ struts like a sunburnt and horny Kraftwerk, while ‘Ghent’ is purest uncut ’88 acid. Vol. II is the art of seduction in damp rooms painted black. Keep hydrated from whatever source is available. Be your own pleasure centre. Vol. II is veritable selection box of booty bumps and illegal highs made at night for the night and beyond. This is music that takes pride in its walk of shame.

2026 Repress

Symmetry is proud to announce the arrival of Solid State Vol. 1 - a special vinyl release from Break. Due to popular demand, we’ve compiled four standout tracks, including some fan favourites that until now were only available digitally.

The EP brings together a serious collection: Release Me, which hit number 1 on Beatport; Overstayed, Symmetry’s highest selling tune on Bandcamp; alongside two more heavyweight cuts, All You Gotta Do and Zodiac.

Pressed and presented in physical form, Solid State Vol. 1 is both a collector’s piece and a must-have for DJs - and this time it’s something you can hold in your hands.

Satoshi Tomiie Is Back on Phonogramme With "12b-Dub Pt. 2," the Second Volume of the Acclaimed Ep Series by Legendary Producer Satoshi Tomiie. This 4-Track Ep Continues to Explore Tomiie's Deep and Innovative Soundscapes, Making It an Essential Addition to Any Electronic Music Collection. Available on a Limited Edition Marbled 12'' Vinyl, "12b-Dub Pt. 2" Promises to Deliver a Unique Auditory Experience With Its Rich Textures and Masterful Production. Don't Miss Out on This Exclusive Release From Phonogramme, Showcasing Satoshi Tomiie's Enduring Influence in the World of Electronic Music....

BRUTAL TRUTH's 1996 Relapse debut Mini-Album, a genre-defining moment of experimental Grindcore and Metal. Now fully remastered by Brad Boatright and available on vinyl for the first time in 30 years!

BRUTAL TRUTH's defining 1997 album is one of Grindcore's most essential releases! Now fully remastered by Brad Boatright and available on vinyl for the first time in more than 20 years! "From startling exercises in savage brevity to disorientating psych-rock squalls, it’s grind with no brakes, no safety net and absolutely no fear." - Metal Hammer

Abramelin’s self-titled 1995 debut is a landmark in the Australian Death Metal scene, featuring some of the heaviest riffs ever recorded Down Under and deranged lyrics brimming with unbridled brutality and violence! Australian Death Metal for the most part has been really solid. Abramelin does nothing to deter from that thought and “Abramelin” is known by many death metal fans as a classic. These Aussies laid forth a chunk of brutal death metal in 1995. Around that time, the established sound of the Florida scene and even in other areas such as Sweden had begun to morph into something else as bands attempted to prevent stagnation. One such new avenue of creativity was to simply get heavier, louder, and more punishing, and by those standards Abramelin’s self-titled debut delivers on every level. Now available again on CD and vinyl, this long overdue re-issue brings back a true underground classic from one of Australia’s most overlooked Death Metal bands.

Life Creates Itself is the new album by Bill Baird, releasing September 25th, 2026 on Royal Oakie Records. After years of restless wandering that took him from the Bay Area to India to Abbey Road and back again, Baird has returned home to San Antonio, Texas. Inspired by Lone Star legends Doug Sahm and Roky Erickson, the album inhabits a world where outsider country, avant-garde pop, and psychedelic folk dissolve into one.


Produced by longtime collaborator Jasper Leach (Tony Molina, Color Green) and mastered by indie-rock legend KRAMER (Galaxie 500, Daniel Johnston, Will Oldham), Life Creates Itself was recorded at Sear Sound in New York City in a single remarkable day — fitting for an album as indebted to Arthur Russell and Captain Beefheart as it is to Sir Douglas Quintet and Townes Van Zandt. The sessions brought together a constellation of collaborators around Baird and Leach, including Pedrum Siadatian (Allah-Las, PAINT), Phil Carluzzo, Austin Day, Oliver O'Haver, Jordan Johns, Michael Vattuone, Clara Kennedy, and Carluzzo’s dog Ernie.


Lead single "Yanaguana" — the original Payaya name for San Antonio, meaning either "land of many waters" or simply "where I am right now" — serves as a thesis statement for the album, a restless soul reckoning with what it means to finally come home. Meanwhile, "Karma Loan" is a fuzzy, sprawling psych track that spilled out of Baird during a deep immersion in Bach that features cello by Clara Kennedy and closes with a sound collage of spiritual gurus hawking easy paths to enlightenment. Then there's "Horse Moon" — built around pedal steel that shimmers like rays of moonlight, drifting through vignettes from a late night walk across New York City, with Pedrum Siadatian's lead guitar lending the whole thing an unhurried, dreaming quality. The night they tracked it, Baird climbed to the roof of Sear Sound and watched a full moon wash the city in a warm glow.


Baird has never sounded more at home, and Life Creates Itself may be his most cohesive record yet – a songwriter record through and through that stands apart from the rest of his discography. Royal Oakie Records is proud to release Life Creates Itself on September 25th, 2026, available on vinyl LP, CD, and digital download/streaming worldwide.

Hypnos , a new collection of his own mesmerising compositions, enchants us with sublime, atmospheric guitar intricacies beautifully constructed over soul- drenched hammond sound-beds. "With Hypnos , I wanted to create something paired back and super simple. These pieces were initially written as etudes for solo guitar, and they reflect the wide range of influences found in the music I love to listen to. A life spent listening to Django Reinhardt and Philip Glass! The inclusion of the Hammond organ came from a desire to pair the nylon- string guitar with an instrument you don't usually hear alongside it. For me, the Hammond evokes gospel and the classic organ trios of Wes Montgomery - it's a soulful, funk sonic and very spiritual. It was a real blessing to have Nathaniel Ledwidge play Hammond on the record and to showcase the softer side of this iconic instrument. Hypnos is the Greek god of sleep, the father of Morpheus, the god of dreams. Is the music dreamy and hypnotic, a brief slumberous escape from the madness out there? I hope so." - Robin Katz It's available as a limited- pressing 180g vinyl 'Gearbox Cut' LP and gatefold CD digi sleeve with obi strip & photo insert.

A reggae cover of the classic track by Pharoah Sanders and War is being released on 7"!

Two legendary reggae covers from the album 『Drag'N Fly』, released in 2024 by the popular French reggae band The Dynamics, are now available on 7-inch vinyl!!

"You've Got To Have Freedom"is a bold reggae arrangement of the iconic track by spiritual jazz master Pharoah Sanders. It’s a standout cover with a powerful, dubby texture that really grabs you. The B-side features a reggae cover of"Low Rider,"the signature song released in 1975 by the legendary funk band War. With both sides sounding absolutely fantastic, this is an absolute must-have!

A superb Japanese lovers’ cover of Minnie Riperton’s classic track is now available on 7"!

SISTER KAYA, who has released numerous tracks as a reggae singer, covers Minnie Riperton’s classic ‘Lovin’ You’! The A-side features a ‘Lovers’ version sung with heart-warming Japanese lyrics, whilst the B-side includes a bossa nova version with the original lyrics. Built upon a romantic reggae rhythm, this superb track features SISTER KAYA’s powerful and warm vocals that truly resonate. A must-have for all reggae fans!

»Pipe Dreams II & III« presents two new, side-long organ works by Mary Jane Leach, extending the sonic investigations of her 1989 landmark »Pipe Dreams«. Recorded in Ghent and Cologne, the two side-long pieces use shifting stops, resonance and beating tones to turn the pipe organ into a vivid, physical field of sound.

When »Pipe Dreams« was issued on vinyl for the first time by Blume in 2017, it was effectively the first time many of us encountered Mary Jane Leach’s music, finally placing her work in its proper historical context amid the searching Downtown milieu of Julius Eastman, Arthur Russell, Arnold Dreyblatt, Ellen Fullman, Philip Corner, Daniel Goode, and Peter Zummo. Leach collaborated with most of these artists at one point or another, either in Downtown Ensemble or as a guest on their records.

Now »Pipe Dreams II« and »Pipe Dreams III« arrive, recorded in 2023 and 2024 at Miry Concertzaal in Ghent, Belgium, and Kunst-Station Sankt Peter in Cologne, respectively.

»When I was a young child, my family lived next door to a church, where my mother was the organist. I spent many hours lying on the floor of the sanctuary listening to the music, letting the sound of the organ envelop me. I also liked to play the piano loudly with the pedal down, producing clouds of sound, much to my family’s annoyance. These two organ pieces explore some of my earliest musical interests and aesthetics.

In 1989, I lived in a tower attached to St Peter’s Church in Cologne, where I had access to its organ. It had two sets of pipes, front and back, which could create antiphonal effects. I spent countless hours exploring the possibilities of all the permutations of notes, space, and the resulting sound phenomena. I wrote »Pipe Dreams« for that organ. Fast forward to 2023, when I was asked to create a piece for organ for a concert at the Miry Concertzaal in Ghent, Belgium: »Pipe Dreams II«. I had a few days to familiarise myself with the organ, its available stops, and the layout of the console. I choreographed stop changes for a volunteer, as I couldn’t reach them myself. Some amazing sounds began to happen, and at one point the sound was so visceral that I felt as though I were taming a wild beast.

»Pipe Dreams III« was performed in 2024 on the organ that I had spent so much time playing in 1989–90. One big difference, though, was that the console was totally new and computerised. Having access to the organ for only a few hours before the concert, I decided that I did not have enough time to feel comfortable with the console and should not attempt to recreate the piece I had written in 1989. I would instead use the same sequence of stops and perform an improvised piece. I loved the sounds that were being created, and I was having so much fun that at one point I even started to laugh quietly. I began to visualise the beating notes as if they were atoms, opening them up to expose their innards, with the beating, higher-pitched notes — neutrons and protons — shimmering at the top, and the lower notes — the electrons — throbbing away at the bottom. I was playing notes not so much for their pitch value, but for how they affected the notes and sound phenomena already being played. Instead of a time signature, I timed the entries by listening to the beating patterns, waiting for the right moment to enter. And no, I wasn’t hallucinating.«

Mary Jane Leach, 2026

Trance music fans, get ready to experience Push’s iconic anthem “Universal Nation” like never before with this exclusive 2 x 12" vinyl release repress.

Strictly limited to 500 copies worldwide, this special edition features a unique Inside Out cut pressed on stunning Starlight vinyl — black with striking coloured speckles, giving every copy its own distinctive look.

Featuring an array of incredible remixes, including Airwave’s Vocal Theatrical Version, James Harcourt’s remix, Gai Barone’s remix, and DJ Ghost & Danny C’s remix, this release is a must-have for any Push and trance collector.

Presented in it's original modern remastered artwork and pressed in the exclusive Starlight colour, this highly limited release offers a fresh way to rediscover the magic of “Universal Nation.”

Only 500 copies available — once they’re gone, they’re gone.

harly Lownoise x Tommy Chaos x Lipstick – I’m A Raver

Now available on vinyl!

Pure rave nostalgia meets new hardcore energy.

These legends unite for a massive hardcore anthem pressed on wax.

Collectors, DJs, and ravers: this one’s built for your turntable.

Brilliant Experimental album by the Merzbow co-founder, recorded in 1989 - with sticker and insert

The clear vinyl version is only available in the limited 99 copies boxset "artefAKTs from the Early Japanese Experimental Noise Music Scene

Early Japan TechNoise at its best, recorded in 1984.
For fans of early Esplendor Geometrico and alike.

The clear vinyl version is only available in the limited 99 copies boxset "artefAKTs from the Early Japanese Experimental Noise Music Scene

One of the most rare and classic Experimental Japanoise albums, recorded in 1981

The clear vinyl version is only available in the limited 99 copies boxset “artefAKTs from the Early Japanese Experimental Noise Music Scene”

The Bronx rapper Tim Dog released his 1991 debut Penicillin on Wax to a hostile audience. Ever a king of controversy, he made a million enemies with his provocative single "Fuck Compton," a shameless attention ploy dissing N.W.A., DJ Quik, and America's entire Pacific Coast. Penicillin on Wax contains more of the same, as Tim trashes everybody from Kwame to Michel'le to Eddie Murphy. The lyrical insults were arguably the opening salvo in what would later become the East Coast versus West Coast hip hop conflict.

There's no doubt that Penicillin On Wax remains one of the true hardcore hip hop classics and one of many landmarks in sounds from the Bronx. Produced by probably the best hip hop producers of the early 90s, the Ultramagnetic MC's, this album contains some of the most energetic tracks you'll ever hear. Guest appearances on the mic from Kool Keith and Ced-Gee also enhance the LP.

Penicillin On Wax is available on black vinyl and includes an insert.

On July 20, 1993, Los Angeles hip-hop legends Cypress Hill unleashed their sophomore opus Black Sunday on the unsuspecting masses. The record changed rap music with its dark undercurrent, Latin inflection, no-holds-barred storytelling, and the inimitable interplay between B-Real and Sen Dog cast over psychedelically spun rap soundscapes courtesy of DJ Muggs.

Now to mark the 30th anniversary, two new remixes are available for fans on 12” black vinyl; “Insane in the Brain” from the esteemed DJ/Producer Statik Selektah, and “Hits From The Bong” crafted by the album’s original producer himself, DJ Muggs.

Children of Zeus return with their third studio album ‘As The World Burns…’

Five years on from their highly-acclaimed sophomore album ‘Balance’, Manchester’s kings of hip hop soul, Tyler Daley and Konny Kon, bring us a brand new 16-track opus.

Sonically the duo continue their story where they left off; crafting an amalgamation of street soul, alternative r&b and boom bap hip hop, with a sprinkle of flavours taken from their original multi-genre pirate radio influences, and a dash of forward-thinking new sounds, ensuring all tracks are destined to become future classics.

The features are sparing but powerful, enlisting the talents of revered UK rapper Knucks (‘Before We Drown’), Colorado-native Young Old Soul (‘Dopamine’), MCR family K S R (‘Do You Want To Get High’, & Australian/Mauritian up & comer Anieszka (‘Water & Vibes’).

As with previous projects, this album is largely produced by the duo themselves, though there are guest productions from previous collaborators too, including Grammy Award-winner Beat Butcha, Grammy-nominated Teo, and broken beat pioneer K15, along with an assortment of new players making moves in the underground neo-soul & beats circuit.

Conceptually, this project continues on with the story to date. An eternal search for sunsets and soulfood, as a respite to the anxieties of the modern world; personally, professionally and globally. Assertive swagger is matched with brutal but sincere candidity. As ever, it encapsulates the rough with the smooth, with reflections on where they’ve been, where they’re at and where they’re headed. There’s no preaching to be found here; just an acceptance of things as they are, an embrace of the environment and people they were nurtured by, and a celebration of some of the finer things in life; slow jams, weed & rum, water & vibes. Raps for listeners, blunt heads, fly ladies and prisoners. All packaged together as another perfect sonic love letter to sound system culture. 50 minutes of big people music.

Since the release of their anthemic debut single ‘Still Standing’ a decade ago, to the subsequent EP ‘The Story So Far’, and their critically-lauded debut album ‘Travel Light’, the duo have received numerous accolades, including nominations for AIM Awards & Worldwide Awards both, along with tons of ‘Album of the Year’ nods care of Clash Magazine, Bandcamp, Complex, Wordplay and many more. This along with huge swathes of support from DJs, radio stations, press outlets, tastemakers, luminaries & fellow artists across the globe.

Children of Zeus have performed sessions for COLORS, Soulection (Apple Music), DJ AG, Boiler Room, BBC 6 Music and at the infamous Maida Vale studios for BBC 1Xtra as well as touring across Europe, Australia and South Africa. This is in addition to collaborating & touring with Mercury Award Winner’s Ezra Collective, including a Wembley Arena show. Other collaborations over the years have included Shy FX, Juls, Goldie, Black Milk, Kofi Stone and the late great Lenzman.

From the Broke ’n’ English / Hoodman-era, to the present day, Children of Zeus have been omnipresent in the fabric of British black music. Proud ambassadors of Manchester music, and of UK soul, it really is “Zeus to the world”.

Children of Zeus have been adorned with plenty of flowers over their career. The unbridled quality and poignance of the music and the message on display throughout this project will see the algorithmic needle move some more. It’s undoubtedly set to be a Zeus Summer. As the world burns…

Available on all digital platforms and physical formats, Friday September 4th 2026.







t 07: Do You Want To Get High? (feat. K S R ) - Children of Zeus03:26







t 07: Do You Want To Get High? (feat. [ K S R ]) - Children of Zeus03:26







[t] 07: Do You Want To Get High? (feat. [ K S R ]) - Children of Zeus03:26







[g] B3 | Do You Want To Get High? (feat [ K S R ]) - Children of Zeus03:26

Chicago was a hotbed for talent in the 1970s (well, it always has been and always will be, to be honest) and one of the groups to emerge at that time was Heaven & Earth, a vital soul vocal collective. They released four high-quality albums and this one, 'I Can't Seem To Forget You', was the first on Clarence Johnson's G.E.C. Label. It is packed with super sweet vocals and Dwight Dukes' lush falsetto and has never before been reissued. This version from the good folks at P-VINE has an extra bonus cut 'Promises,' which has previously only been available as a single from 1975.

Palace return with their most open-hearted collection yet, 'Ox', out September 18th. The announcement of the new album arrives alongside the release of its latest single, ‘Dream On’. Palace’s fifth album, Ox, finds beauty and wisdom in the most human of revelations: watching a child encounter music for the first time, feeling overcome by gratitude, or sensing that the possibilities ahead are endless The album arrives as Palace continue to thrive as an independent act. What began in 2016 as Palace Presents, a monthly takeover at The George Tavern in London, has evolved into a worldwide community. This autumn, the band will embark on a major North American run, following a sold-out homecoming show at London’s iconic Somerset House this summer. 'Ox' will be available on CD and in four LP formats including 180g heavyweight black vinyl from the official store and a black cherry vinyl available from independent record stores.

2026 Repress

To be far ahead of your time sometimes means that you have to wait a while for the right moment to be understood. The visionary approach of multi-instrumentalist Johnny Lamas led him to experiment with a world of hybrid jazz-funk, ambient and electronic sounds while keeping the rhythms of Venezuelan traditional music alive. From 1993 to today, small recognition has grown into true admiration for this so specific sound and his "Danza Cósmica" masterpiece.

TrueClass Records are pleased to present as their second release a complete restoration of this gem, beautifully remastered and redesigned, making it available now for the first time in fine audio quality on vinyl and digital formats.

Freddie McGregor's Showcase album, released in 1981 and known in the UK as Lover's Rock Showcase Jamaica Style, marked a pivotal moment in the singer's career. Prior to this, McGregor had enjoyed only modest success, though his work, crafted with various producers, had consistently showcased a talented artist with an authentic voice.

A major turning point came in 1979 when he teamed up with producer Winston "Niney" Holness to create the acclaimed 'Mr. McGregor' album. That record significantly boosted his profile. On this record Roots and Romance are in perfect harmony as Niney's Dub magic meets McGregor's spin on classic soul, just as the title promises.

Lover's Rock Showcase Jamaica Style is available as limited numbered edition of 750 copies on orange vinyl.

Whirr and Luster have been orbiting each other for years, bound by a shared language of glide guitar, buried vocals, and volume as emotion. A through line that’s only deepened by Nick Bassett’s hand in producing and mixing the majority of Luster’s previously recorded output. The Whirr & Luster Split pairs one of American shoegaze's most storied bands with one of its most vital new voices across four new songs. Out on 12" EP, CD EP, and digital via Freewhirl Records. Splits are sacred territory for Whirr. More than a decade after the band helped define the modern heavy-shoegaze landscape, the Bay Area five-piece returns with its first new material in years. “Spiral Again” opens the record in classic Whirr fashion: an avalanche of guitar wrapped around a lyric about losing yourself in someone else’s gravity — spiraling, intertwining, coming down together. “Wish I Could Give You The World” follows, one of the most openly romantic songs the band has ever recorded, all wildfire imagery and dizzy devotion, desire rendered at full volume. Produced by Whirr and Zac Montez, both tracks find the band in signature form: enormous yet tender. On the flip side, Los Angeles' Luster continue their run as the standouts of the new shoegaze generation. Formed with the intent of pushing the genre forward rather than reenacting it, Luster fold electronic pulse and '90s texture into walls of glider guitar, and the two contributions here find the band in peak form. "Against the World" is a love song as a locked door — it's you and me, us against the world — claustrophobic and comforting in the same breath. "Forever" closes the record in a haze of doomed-romance repetition, a mantra of do you feel it now dissolving into the knowledge that nothing lasts. Also produced with Zac Montez, the songs make the case plainly: Luster aren't students of the form. They're peers. Taken together, the four songs read like a conversation. About distance, obsession, and the ache of never being able to give someone enough — carried across two coasts and two generations of a genre that refuses to fade. Loud, longing, and gone too soon: the Whirr & Luster Split, out September 18th. Whirr and Luster celebrate the release and cement the collaboration with two shows — the only U.S. Whirr performances of 2026, with no shows planned beyond them. Each night features a unique set built from rarities and live debuts, alongside exclusive vinyl variants and merchandise available only in that room, on that night: 9/18 — Los Angeles, CA @ The Wiltern 9/20 — New York, NY @ Brooklyn Paramount Two nights, two coasts, and no telling if there’s a next time — for the songs, the pairing, or the band itself.

When Pouya dropped The South Got Something To Say in the summer of 2019, it wasn’t just a title—it was a definitive statement of growth. Nodding to André 3000’s iconic 1995 Source Awards declaration, the Miami pioneer used his third studio album to prove that his raw, independent formula had mutated into something deeper, more mature, and entirely unmatched in the underground rap landscape. Now, for the first time since its digital release, this pivotal moment in Florida hip-hop history is finally available on wax, offering listeners something tangible they have been anticipating for years.

The South Got Something To Say captures Pouya at a lyrical and sonic turning point. While maintaining the blistering flows, heavy bass, and visceral Florida energy that initially put him on the map, the album opens the door to intense themes of mortality, legacy, and the heavy toll of independent success. It bridges the gap between the frantic energy of the SoundCloud era and a mastery of songwriting, offering fans a remarkably transparent look into the mind of an artist surviving the very chaos that birthed him. Standouts like "Cruisin' in the MIA" and "Florida Thang" showcase his signature rapid-fire delivery, perfectly balancing the record's darker, more introspective moments.

The sonic diversity of the project is anchored by a stellar lineup of collaborators who push Pouya into new creative territory. He enlists Three 6 Mafia royalty Juicy J alongside heavy-hitting underground peers like Ghostemane and City Morgue, while seamlessly pivoting into the melodic, hazy soundscapes of indie-pop artist Cuco and longtime producer Rocci on tracks like "Talk to Me Before I Die" and "Mood Swing Misery." This striking balance of aggressive phonk and melodic vulnerability solidifies the album as a cohesive, genre-bending journey rather than a mere collection of singles.

For years, vinyl collectors and die-hard fans have begged for this underground masterpiece to be immortalized on wax. This first-ever vinyl pressing delivers the booming low-ends and intricate, therapeutic bars exactly how they were meant to be experienced. From the opening nostalgic chords to the final fading beats, this release stands as an essential artifact of the modern underground rap movement, finally giving a landmark Southern album the premium physical presentation it deserves.

Over the course of 2026, jazz piano trio Okonski (Steve Okonski on keys, Durand Jones and the Indications bandmate Aaron Frazer on drums, and bassist Michael Isvara “Ish” Montgomery) have been trickling out a wide variety of singles to keep fans at bay ahead of the highly anticipated 2027 LP3. The tracks offer a variety of influences, and include collaborations with the likes of Saxophonist Cochemea and harpist Rachel Kitchlew. To conclude this series of singles, Colemine records has pressed up a limited number of cassettes including all the newest tracks and a few bonus live tunes. The group's regarded EP 'Trio Session Demos' have been added to the flip of the cassette, the first time these hip-hop inspired early cuts have been available physically.
At the top of 2025, Okonski released their sophomore LP 'Entrance Music' to wide acclaim. The spiritual jazz record received praise from Rolling Stone, BBC, Billboard, KEXP, countless others and has streamed over 10 million times. The trio recently completed a sold out LA show and embark on their first UK/EU tour this fall. There is much more to come from Okonski in the coming years.

"Emergence of Shadow" (Mint Condition Records / Self Distribuzione)—the new album by Davide
Ghidoni, produced by Gianluca Pighi—is arriving: its digital release is set for Friday, September 11,
while the vinyl will be available starting Friday, September 18.
A trumpeter with a career marked by international collaborations, Ghidoni here signs his most
personal project to date. It is a predominantly instrumental record in which the trumpet becomes a
voice, a narrative, and an emotion. The only vocal track is "Come On Closer," performed by Heidi
Vogel (The Cinematic Orchestra), creating a moment of suspension and intensity within the project.
Davide Ghidoni’s passion for music and the trumpet was born in his childhood around the age of ten,
fueled also by Western films and Ennio Morricone’s soundtracks: those melodies, where the trumpet
played a central role in the duels of The Good, the Bad and the Ugly, deeply shaped the artist's
imagination and sound.
Ghidoni has always maintained an open and curious approach, letting himself be inspired by different
genres, artists, and musical cultures. His projects naturally coexist with influences ranging from rock
to soul, jazz to blues, and other languages that have left a mark on his path. Rather than identifying
with a single genre, he prefers to view music as a guiding thread capable of uniting different styles
through emotion, sensitivity, and respect for artistic identity.
"Emergence of Shadow" represents a new chapter in his journey. After numerous collaborations with
various artists, the musician felt the urge to undertake a completely his own project, giving shape to
ideas he had nurtured for a long time.
The record is inspired by the 1970s soul, rock, and blues sounds, but the goal is not to faithfully
reproduce or imitate those genres: the atmospheres, themes, and arrangements recall that sonic
world, yet are reinterpreted through a personal and original sensibility. The trumpet remains the
primary narrative element, supported by meticulous arrangements and a solid rhythm section that
enhance its character and expressive intensity.
Alongside the sounds that distinguish his path, the album also explores deeper emotional
dimensions. Some tracks are fluid and atmospheric, born from the desire to recount vibrations
without rigid schemes, letting melodies and dynamics guide the listener on an inner journey. The aim
is to offer an engaging listening experience in which music communicates directly, beyond words.
The album encapsulates everything Davide Ghidoni wanted to express and fully represents his
artistic identity: a timeless instrument to communicate emotions and engage in dialogue with different
musical traditions, always keeping the pursuit of musical quality and sharing with the public at its
core.

Back by popular demand, Shawn Ward's sought-after Forward Motions EP returns on vinyl, giving collectors and DJs another chance to secure a modern deep house favourite.

A respected figure in underground house for more than two decades, Ward has developed a distinctive sound built on warmth, musicality and understated sophistication. Forward Motions EP continues that tradition with four impeccably produced cuts that balance dancefloor energy with timeless listening appeal.

With original copies becoming increasingly difficult to find, this long-awaited repress makes an essential release available once again for a new generation of listeners, while giving longtime fans the opportunity to replace worn copies or finally complete the collection.

The follow up to her UK number 1 album This Is How Tomorrow Moves, the stark and striking fourth album by beabadoobee is named for the electricity towers that dot every major artery in the world—the strong, spindly structures that reminded Beatrice Laus of her connection to friends and family at home while she was staring down extreme disconnection and isolation on tour over the past few years.

The title can also be read as an allusion to Laus’ spiky, forceful new sound—the waves of distortion that crash and shatter across this record’s 14 songs mirroring the intense crackle you hear when walking under power lines. The pylon is also a fitting symbol for an album that reckons with the repetitive anxieties of your mid-twenties: What if I’m always going to be this way? What if life is just pylon after pylon on the road?

The album’s first single is available to stream and buy from today: “Sun Has Set” introduces Pylon as, in essence, a set of songs that began as diary entries, words that Laus thought she’d never be able to say out loud. “A lot of the songs on this record are things I wish I could have said to someone,” she says. “This song has this petty tunnel vision—it’s like, I hate you. You’re gonna stay here and listen to how much I hate you. Because I never got to say that.” The single comes accompanied by a striking first person video directed by Bea’s partner and longtime visual collaborator Jake Erland.


Ever a devotee of pure rock music—both as something to be cherished and something to be played with—Laus casts these feelings in songs that touch on classic grunge, midwest emo and ‘90s radio rock, zeroing in on a sound that is both harsher and more direct than any of her previous records. She says the music she’s loved has “always been an influence” on her music, and so for B4 she went straight to the source. A fair few of Beabadoobee’s composite influences contributed to Pylon, a fact that speaks to the goodwill and respect Laus has amassed over the course of her relatively brief career.

Hayley Williams sings on “Nothing to Prove,” a deeply anthemic indie-rock song about getting your power back from fairweather friends who just want a bit of your success. The moody “Powerlines” features a verse from Turnstile singer Brendan Yates, a master of matching vocal force with emotional nuance. Elsewhere, you’ll find contributions from Pinegrove’s Evan Stephens Hall, Deftones’ Chino Moreno, and Title Fight’s Shane Moran, as well as, on “Write Me A Letter”, production work from Laus’ longtime friends and collaborators Matty Healy and George Daniel of The 1975.

Beabadoobee will debut songs from the record on the Powerlines Tour, her first ever arena shows and biggest tour to date, taking in shows across North America, the UK and Europe this autumn-winter. The Powerlines Tour kicks off 1 October and includes stops at Madison Square Garden, The Kia Forum, The O2 and more (full routing below). Support comes from Wisp in the US, Canada and UK and Violet Grohl in France, The Netherlands, Belgium and Germany.





Born in the Philippines and raised in London, Beatrice Laus emerged as a British alternative music icon across three acclaimed albums and five EPs. She has garnered multiple BRIT Award and BBC Sound Of nominations, and won NME’s Radar award, whilst amassing over 10 billion streams worldwide and more than 12 million followers across her social channels.

This Is How Tomorrow Moves became her first record to reach number 1 on the UK Official Album Chart in 2024, following her Top 10 albums Fake It Flowers (which reached number 8) in 2020 and 2022’s Beatopia (#4). Earlier this year, beabadoobee released the one-off single ‘‘All I Did Was Dream Of You,” teaming up with Grammy-nominated best New Artist The Marías, the result of a longtime mutual creative admiration between María Zardoya and Bea.