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Three years on from the release of the critically acclaimed debut album, Undergrass, Mushrooms Project return to Leng with a two-track taster or their forthcoming follow-up full-length.
In the intervening years, Giorgio Giri and Marco Lentano have hardly been slacking, further exploring their unique blend of glistening Balearica, dubbed- out disco, Italian Afro-cosmic and psychedelic nu-disco via EPs for Horn Wax, Uber and Hell Yeah! Recordings. Their latest two-track missive is undoubtedly amongst the Italian duo's strongest work to date. The A-side boasts 'Dirty Bolas', an effortlessly summery groover destined to soundtrack sultry evenings and sun-baked afternoons. Its' rolling, percussive funk groove and undulating electric bassline keep the action moving, but it's the tumbling guitar solos, toasty
keys, humid electronics and atmospheric feld recordings that catch the ear. Flip the 12' for 'Sunset Ballad', a near ten-minute epic that more than lives up to its' name. Soft, delay-laden acoustic guitar passages and yearning electric piano fourishes set the tone, before the Parma-based production duo
gradually ups the pressure via a shuffing groove, whispering acid lines and quietly bubbling synthesizers. It's undeniably rich and life affrming, but best appreciated while lying fat on your back.
Dirty Bolas will be featured on the duo's second album, which is slated for release in the fnal quarter of 2016. For now, you'll have to make do with these two slices of seductive, sun-bright brilliance.

Real name Fernando Cappelletti, the Rosario native's early releases arrived on AirDrop Records, followed by appearances on Esperanza before launching

Savor Music alongside Jorge Savoretti in 2011. Since then the label has hosted the likes of Felipe Valenzuela, Martinez, Kastil, Marcman and Franco Cinelli whilst garnering a reputation as one of Argentina's key purveyors of house and techno.


The album's subterranean aesthetics are present from the beginning, with mesmerising tape echoes in 'The Real', deep pads in 'Trb' and the rhythmic energy of 'Rainforest'. 'Geibi' then demonstrates intricate pops and glitches before 'In Amour' settles for a compelling groove. 'Flavor' is then a percussive number with a hypnotizing appeal until 'Faiser' concludes the album with a punchy, dancefloor driven workout.

Our latest Looking for Mushrooms' EP comes to us from a collaboration between long time Dirt Crew resident Tigerskin and gifted jazz pianist and composer Grambow. We first heard from Grambow when his fluid key stylings featured on Tigerskin's Faint' in 2015. The title track is a suspenseful and moody journey, lead by live double bass from feature artist Das Eb". Building in intensity with Tigerskin's warm production and steady percussive instrumentation until Grambow's live lead on a gritty synth growls in over the top. A true modern electronic classic as far as we are concernred. Tsukiji' is a playful deep house groover. Balmy tuned percussion and shaken highs roll along under the light hearted piano which cruises along throughout the whole tropically touched endeavour. This track has Party' written all over it! Octocat' is a tougher italo disco tainted work out, tightly programmed live and analogue percussive elements push along, while wailing keys lick over a tenacious grunting bass. You can really taste and feel the long studio sessions the guys had to compose this great track. It is so much more than generic dance music. Red Fox' is a divine culmination of the pair's compositional prowess and dance music knowhow. A cinematic and spirited house track that glides and glistens via delicate piano, plucky percussive riffs, bright strings and woodwinds. We are very honoured to release this outstanding musical release by Tigerskin and Grambow.

British art-rock band No-Man (Tim Bownes & Stewen Wilson w Mick Karn, Richard Barbieri, Steve Jansen, Ben Coleman) recorded Heaven Taste in the studio sessions in summer 1992. It got first released as a complete 21 mins version on Painting Paradise EP on One Little Indian (1993). The track drew attention in the rising ambient techno scene and got played by DJs like Mixmaster Morris.

The track fuses ambient techno with art rock and features a distinctive fretless bass solo by Mick Karn.

This super sound 45rpm 12" features a Steven Wilson edited 11.21 mins version of the original and on B-side Jimi Tenor's rearrange with some solos with flute and keyboard.

QND Philosophy starts with a new project from veteran cosmic disco originator Daniele Baldelli and his long time partner in crime Marco Dionigi . The two Gents will take us into a spaced out galaxy of sounds. So Sit Back , Fasten your seat belts and enjoy the trip .... SALES POINTS: Daniele Baldelli (Baia Degli Angeli/Cosmic) Considered worldwide as a truly innovator for his 'cosmic style trademark' a mix of African music, disco, psychedelic rock, krautrock and dub, often played at the wrong speed, he's a very active dj and respected artist. Marco Dionigi Resident DJ of top italian club Alterego since '89. Besides being the Mastermind and founder of Quantistic Division/QND Philosophy labels. He is a popular dj and and experienced producer KEY RELEASES ' Baldelli & Dionigi Cosmic Disco !' Cosmic Rock!!!' (Eskimo Recordings) ' Baldelli & Dionigi The Units Remix High Pressure Days' (Opilec Music) ' Baldelli & Dionigi Adaptors The Music of Richard Bone' CD (Prismatikone Records/Word And Sound) ' Baldelli & Dionigi Phil Manzanera Caracas - Mental Remix ' ( LN/CC Recordings) ' Baldelli & Dionigi Museum Of Love Remixes (DFA Records)

he second time around: fred p aka fp-oner is back on mule musiq with another record that demonstrates the many cosmic qualities of his deeper shade of soul.
it is the second part of a trilogy that features his detailed sonic landscapes that are full of mystery and power. while his last fp-oner album 5' was leaning more to the jazzier, relaxed and atmospherically side of his artistically deep house expressions, the runner-up grinds even deeper into spherical worlds that enhance deep meditative highs.
they are not made for club use only. in fact all eleven compositions work also massively without big speakers. again the new york city native that is working on his very own music for almost 20 years produced a journey inwards that is compelling, mesmerising and enchanting.
you find cosmic dust in it as well as dark entropies, percussive power, sweet seducing melodies and rolling bass power that shakes your inner and outer profoundly. the tracks are listening to names like awakening co creator', alternate reality' or adjusted perception' and the album title 6' stands for a meaning,
that fp-oner describes like this: 6 represents the number of man and his or her limitations, weakness and imperfections.
this body of work examines and looks towards one awakening. adapting to a new way of being creating an alternative and reaping a higher state of mind and being. enhanced by love and serenity, satisfaction and joy.'
all tunes are produced around the world, as he is a guy who never stops feeling in sound. that is why he caries his studio around to get up in the middle of the night or right in the morning after a sweaty party to transfer his emotions directly into sound. the result is massively powerful music with slow, intimate passages for treacly melodies, stirring synth-lines and little rhythmical quaintness.
an almost lyrical house journey that works like a musical sculpture in which organic machine grooves float along keys on air. the evolution of the each track is impeccable and their power grows with any new listening session. fp-oner himself characterizes his art like that: 'my music is designed to enhance deep meditative, or altered states, to allow the listener to personally connect to the creator of all that exists in the universe.
my music style is to first create a foundation using cyclic, polyrhythmic music, then build several layers of improvised leads and rhythms that allows you to transcend time and space... we have memories of past lives that reverberate in our hearts like echoes from ancient caves'.
there is nothing more to add, except that those who do not know fp-oner so far should know that he danced in his younger years in legendary new york city clubs like the red zone, sound factory or tunnel to dj sets of larger-than-life selectors like david morales, frankie knuckles or danny tenaglia.
during those nights he learned that sometimes less is more. and that he should rather listen to your heart and soul, then to the susurrus of the music market. most of the eps and albums that he produced under his other monikers like fred p or black jazz consortium have been released via his very own label soul people music, which exists since more then ten years.
as fred p he also dropped 12inches on jus-ed's underground quality imprint as well as on toshiya kawasaki's mule musiq label. for the latter he now is working on a trilogy under the fp-oner alias. this little paper introduces the second part of it. the final one will hit your heart and soul in an unwritten future. whatever circumstances of life will be around by then: you can be sure that fp-oner will transfigure them into a dynamic emotional and spiritual terrain.

Igor Jadranin takes no prisoners with the ttle track of his EP - the monumental 'Boulevardd'. This slice of dirty and distorted techno jazz leads you into a very dark place flled with relentless piano breaks punctuated by an unnerving single note string.
'Hero' is beautfully crafed with a staggered beat covered by a layer of synths on par with jazz fusion
great, Ronnie Foster. A killer break down leads you back into the deceptvely simple beats. For those that like their beats broken, the Mr J's mix of 'Middle Proves' tcks all the boxes. Vocoder
interplays teamed with synth, efects and chopped vocals.
Mr Beedle steps up to the plate with his 'North Street' mix of 'Middle Proves' aided and abeted by Darren Morris and Jo Wallace on producton dutes. Mr Morris's keyboard skills come to the fore with some lush, jazz tnged piano and the vocal interludes pay homage to the infuence of UK Garage legend
Todd Edwards.

Kevin Arnemann and Daan Kemp's Taped Artifact label clocks up its fourth release with a three track offering from Outlaw Rec boss and key part of the Italian Serendipity club, namely Matthew Oh. Matthew has previously released on his own label and others like Side Off, and eloquently marries dub, techno and house into smooth and sensuous sonic landscapes. The opening track 'Psycho Hub' is an atmospheric and spacious roller with dubbed out drums and pads, coupled with incendiary hi hats urging you along. 'Shroud' is seven minutes of slick and spaced out deep techno with liquid synths and clacking hits all racing along and making for a frictionless groove that sucks you right in. Finally, 'Get in the Fridge' slows the tempo down and becomes an even more widescreen and roomy roller with suspensory pads, smeared synths and aqueous sonic details that make you feel like you are floating in sound.

25 years old, born, raised and based in Berlin, but all at home in the club. Nitam's debut Retold EP (U-TON 06) already set the tone in 2015, and here we are three catalogue numbers and 14 months later with his second 12 release on Unterton taking a similar line as his debut four-tracker did: new varied sonic themes with an overall fresh sound. Although still being young of age, Nitam outlines once again his interest in dance music from the late 80s and early 90s, presenting himself schooled by classic Detroit House as well as Chicago Acid House, but all without limiting himself to a restricted pallet of styles or catering towards musical expectations.

A1 starts off gently with Keen Insight' and its almost romantic, dreamy and hazy vibe - a mellow, melody-driven and emotional listening piece in the vein of Nitam's initial track Retold'. The following Perception' on A2 is a more functional and club-enabled cut, taking shape with an Acid-informed bassline, moaning syth pads plus claps and percussion here and there.

The flipside begins with Influx' featuring a springy, muffled yet muscular kick alongside a rising synth line. What at first feels like a tool track soon evolves into a more complex song format once the sustained string and oscillating melody kick in. The EP is rounded off by the eponymous Cancellate' and its almost Dubstep-like, placid rhythm progression and drive while being dominated by ceremonial synth pads and wraithlike keyboard speckles.

U-TON 09 once again shows the versatility of Nitam as a producer, a talent that is also being reflected by his ever-increasing interest in DJing.

Nearly a year after his acclaimed debut EP, 'Every Inch of You', a musical project meant as an ode to the memory of a once great man, his Grandfather, the enigmatic, Rosas Nievas, steps up to the plate with a sophomore outing for Scissor and Thread, Going Away Soon' On the A-side, the bombastic opener, wastes no time getting its feet moving with charged up percussion, guitar licks, and playful sampling with a clear ode to the likes of Matthew Herbert. Nearly Lost You, Though' sees Rosas Nievas pair up with the singer Poppy Roberts on an emotional house jam primed for a peak time lovers rave . A rock steady kick and shuffling percussion are the anchor, as smooth pads and ethereal, hypnotic vocal snips swirl around the listener before the singer's voice emerges forward with a heartfelt, soulful ode. The b-side takes things down several notches with the funky and loose, Roses are Dead, Violets are Blue,' a hypnotic rhythm cycle flanked by a powerful bass line a reverb-laden piano and a sax ensemble emerging as we are lead with eyes closed on a euphoric early morning dance ritual. The closer, Edge of Keys", continues the shuffling rhythmic patterning of the latter track, but couples with a loose form Rhodes piano, finishing off the EP on a gentle tone, as if coming to terms with loss, bittersweet and full of joy.

The BTRAX records label is back after few years off, and we are sure that new EP will not disappointed you. We are very proud to put out 1 stunning track made by one of the label artist : Camille Rodriguez from Paris - France.Electronic music drives his life for over 10 years now, he has developed his own style incorporating all his influences. He is passionate about the live, and create that way with synthesizers, sequencers, BAR and samplers... He likes pushing himself sweating behind his machines, improvising at every moment, keeping control of every sound in order to play more intuitively, getting a better communication with the crowd...
'Andalusian 2.0' comes in two guises, the Original Mix which delivers some perfect techno keys and claps over its stomping techno beat, giving it live performance style flavor. The Traumer Remix takes it into darker warehouse territory but still retains the warmth and groove. Kaine's Remix delivering some tough dub techno workouts that still have just the right amount of funk and groove.

Ark & Pit Spector continue their inspired journey with an extended EP full of groovy jams and absorbing rhythms for Hold Youth. The Frenchmen have formed a potent alliance with a series of expertly-crafted, high-quality releases dropping over the last couple of years. On this new EP they go deeper into their sound explorations with five original works and a remix from their Parisian buddy and Hold Youth member, Le Loup. First up, we go into bumping jazzy territory with 'Chauffage Central', a mesmerising cut with swirling pads, soulful vocal clips and a jaunty b-line. Straight up after that, Hold Youth rudeboy Le Loup gives 'Chauffage Central' a funky little rework, throwing live sounding percussion, Nubian vocal clips, trumpet parps and a pumping bassline into the mix which gives a totally different identity. The final track on side A, is a cheeky teaser called 'Petite Ondée'. Rolling out for just under two minutes the track has a muffled, jazz-esque feel to it with a warm rolling bassline and bright, sparkling piano keys.

On the flip we kick off with 'Air Conditionelle', a lush, retro feeling with those oh-so-familiar heavy-hitting eighties snare licks. The bassline takes you to a New York City street and the whole atmosphere is that of an old school NYC neighbourhood, while a spoken-word sample adds a human touch just before the track comes to an end. 'Sub Tropical' goes a little leftfield with an unusual combination of sounds in tandem with a pulsating low end, occasional sax licks and punchy percussion to give it plenty of energy. 'Averse Et Contre Tous' closes out the EP with a slothish ride into the sunset - Ark and Pit Spector show their experimental side presenting an odd union between blues samples, gruff electronic sounds and piano keys.

Another triumphant effort from Ark and Pit Spector, in fact, some of the finest work to date. Make sure you check it out!

The Keyboard Mashers release their 7th Edition as with the last 6 its a mixed bag taking in Spacey Disco,whacked out dubby Chanson and a tripped out to tribute to the mysterious Kendo Nagaski ,don of the 70s and early 80s uk wrestlers.

Two generations of Italian music history come together on this split 7. Milan meets Rome, Fred Ventura meets Alessandro Adriani. For this occasion Adriani and Ventura covered the 82' evergreen 'Changing' by Bill Bruce. The perfect combination to pay homage to this monumental piece of music. On the flip side Fred's early 80's new wave band State Of Art got the remix treatment by Alessandro's moniker Newclear Waves. Another unique match of these two key figures preserving the 80's underground sound of Italy.

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The first Late Night Tales release of 2016 is a very special project by Sasha.

Imagine listening to music inspired by Frahm, Richter and Steve Reich, but made by one of the UK's leading house and techno DJs. Away from the hubbub of the club, the craziness of Ibiza, there's a contemplative side to everybody. Forget the beats and the sweat and the billowing anthems; this quiet, undulating, at times pastoral piece is less about songs and anthems and more about texture and atmosphere. 'Scene Delete' is a side of Sasha you've never heard before. I love post-minimalist modern classical, I love to listen to something completely different that's quite hypnotic as well. It almost purges the system.

About three years ago, my collaborators David Gardner and ThermalBear and I wrote a song called 'Bring On The Night'. I sent it to Ultraista and within a few days she sent it back with this amazing vocal on, with Nigel Goodrich playing keyboards. We tried to do club mixes but we just couldn't get it right. So it sat there doing nothing.

Tracks like this kept building up, until finally last summer my frustration boiled over. We'd made so many tunes that I couldn't remember the names of half of them: What was that thing with a bass sound and a string line It drove me mental. At the same time as we were logging these tracks, I was listening to the Jon Hopkins' Late Night Tales and I thought a lot of the music we'd been working on was in the same vibe. So I sent the music over to Late Night Tales and they really liked it.

Initially, I thought we'd just do a Late Night Tales compilation with maybe a few pieces of my own music. But as we went through everything we'd worked on in the last two years, we realised we had about 50 pieces of music. So we started editing and compiling: 'Scene Delete' is the end result.' - Sasha, January 2016

Think of 'Scene Delete' as somewhere between a mix album, an artist album and a gentle stroll through the soundtrack in your mind. Make sure you switch off the lights before you enter.

repressed !

First Ep (of four) announcing the forthcoming Orlando Voorn COLLECTED double CD that will showcase what we believe is the best from the Dutch producer in his early days. This EP focuses on the housier side of Orlando Voorn and gather on one slice of wax 4 useful classic tracks for the djs.
Orlando Voorn, the artist:
He who started in the late 80's as a successful DMC DJ in The Netherlands, mixing electro and hip-hop tracks, established thenafter an historic musical connection between Amsterdam and Detroit. Orlando Voorn's unique signature of early productions, analog tweaks, funky beats and cosmic chords, quickly attracted the attention of the like of Juan Atkins and Kevin Saunderson, for which he produced game changing classic tracks like "Game One (as Infiniti)" and "Fix (as Flash)" in the early 90's only to continue to do so until today on numerous labels (R&S, Fragile, Nightvision...) and under various aliases (Playboy, Ghetto Brothers, Format...).
Musique Pour La Danse, the serie:
COLLECTED is about... collecting definitive and inestimably valuable works by key dance producers from the past and digging with them classics, hard-to-find and unreleased gems from their vaults to bring them back for your sole and only pleasure. Stay tuned for more house music and beyond.

Chicago based 'Chris Gray' has appeared on multiple releases throughout the 90s and the new millennium. While some of his most appreciated works have been published through his own imprint Deep4Life, for the next PULP release, Chris gets deep and melodious with some funked out synths whilst maintaining that lush deep atmosphere that has proven to be his signature mode.
FF-Fear is the emotive opener for the 12inch. A vast amount of cosmic goodness can be found throughout. PULP usual suspect 'DaRand Land' offers a spellbinding remix which takes one into deep territories through it's repetitive and lush composition.
FF-Freedom is the flipside opener, and another Chris Gray original. Again, a melodic trip to places unknown is offered.
FF-Fantasia is a more firm approach to the Chris Gray sound. Interesting key changes which show the compositional capabilities of the artist appear throughout. A very interesting break takes one back to the very essence of house music.

After the killer club versions of Bella Ciao, Leo Mas & Fabrice team up with Italian ambient master Gigi Masin to deliver the already legendary Laguna Mix.

As you probably know Gigi has worked on the label with Tempelhof (watch out for their sophomore album Tsuki...), has made albums as Gaussian Curve (with Young Marco and Johnny Nash) and has worked on many great modern classical albums.

His version is super slow, littered with emotive piano chords and breezy ambient atmospheres that make it perfect for sunsets.

Also on this 12", Leo and Fabrice combine once more for an On Air Remix that is invitingly sparse and gentle sways to and fro with gorgeous trumpets, twinkling keys and a slowly, blissfully building sense of Balearic tension.

Consider this a warning - tearing out of 2015 on the gale of our compilation with the legendary duo of Jeroen Search and Dimi Angeli´s carrying us on their winds into 2016, Chronicle steps into the eye of the hurricane for its second release this year, by the mighty Mike Storm. A xture in the Dutch techno scene since the late '90s, it was when Michael de Winde moved to hardware live sets that he found his true inspiration, continuing to this day
to use only analogue equipment in his restless search for techno perfection. Consistently released since 2012, initially on Subsist, a label notable for
early work of SHXCXCHCXSH and Stanislav Tolkachev, he then moved on
to respected underground sources such as Ars Mechanica, Orbis Records, and Belief System, where he released his 2014 album 'Pulsars'. Supported by Mills, A&S, Arnaud Le Texier, Tadeo, Antigone, and others, we are proud to give Mike Storm the twelfth entry in the series with 'Where the WolvesCome From'.

It begins 'At Certain Points', channeling the jazzy mid-2000s Mills of his most abstract era with subtle string swells, cosmic bleep patterns and equally subtle Detroit-style percussion lls. 'The Day We See' moves into morning, with its complex, melodic bass gures and shimmering strings taking
the nocturnal intro into morning following a tense lead line that enters.
Again referencing Detroit but falling closer to the dystopian feelings of contemporary Terrence Dixon, 'New Light' is an exercise in tension between taught drum lines, dissonant keyboards, and a metallic sequence pattern. Stripping down for the hunt, the title track stalks more aggressively, razor- sharp hats and growling bass accelerating as the predator closes in on its prey, an eerie forest wind bringing terror in its path until the final struggle.