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Various - Tropes

Various

Tropes

exclBLIS002
Blackinstock
24.02.2026

VA – BLIS002 is a four-track sonic journey into the heart of mood-driven dub techno, curated by BLACKINSTOCK with a focus on emotional depth, spatial exploration, and stripped-back intensity. Featuring contributions from Noosa Sound System, Mac Rattana, and Chain Selector, this EP weaves together atmospheric yet rhythmically commanding cuts—perfect for immersive listening and nuanced set-building.

A1. Noosa Sound System – Trope (Build 2) opens the record with melancholic elegance, where dub textures are sculpted with warmth and restraint, setting the tone for inward reflection. A2. Noosa Sound System – Allways Rains follows with a shadowy, slow-burning progression—equal parts heavy and hypnotic, layered with raw emotional weight that feels both intimate and expansive.

Flipping to the B-side, B1. Mac Rattana – Om introduces a more buoyant, acid-tinged energy. Its pulsing low end and fluid motion give it a meditative yet tactile quality—inviting movement while maintaining a contemplative core. Closing the EP, B2. Chain Selector – Techno Dub delivers a deep, cavernous excursion—dark, refined, and uncompromising in atmosphere. With its textured delays and mounting pressure, it stands as a statement piece for those who crave depth over flash.

At once bouncy, raw, and emotionally resonant, BLIS002 is crafted for listeners who embrace dub techno as a language of feeling and form. Deep, suspenseful, and sonically purposeful—this is a release designed not only for the club, but also for the introspective spaces between.

BLACKINSTOCK is a division of MixCult Records

Limited edition

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15,55
NATHAN HAINES - THE SOFT CHAOS

The Soft Chaos captures the essence of music “in the moment “ - the interaction of three musicians within the improvisation. It embodies the true spirit and essence of “jazz” - music created spontaneously, yet within the boundaries of an art form that has influenced the sound of modern music and many genres for nearly a century.

A collaborative, improvisational, and free-form trio project led, produced, and mixed by Nathan Haines with Joe Kaptein (keyboards) and Elijah Whyte (drums), recorded in just one day at Auckland Lab Studios.

The Soft Chaos showcases live, in-the-moment, top-quality musicianship with a vintage vibe reminiscent of classic 1970s experimental jazz rock, but with a modern jazz-house aesthetic, featuring live human lead drums and synthesisers rather than programmed beats.

Сделать предзаказ02.10.2026

он должен быть опубликован на 02.10.2026

20,38
KAITLYN AURELIA SMITH - 'RUIN : IT”S NOT JUST MUSIC LP

Across the past decade, KAS has established herself as a unique voice in experimental electronic music, a composer and synthesist whose work dissolves the boundaries between ambient electronica, contemporary classical, composition, and immersive sound design. Her new album “Ruin: It’s Not Just Music” arrives with a distinctive gravitational pull. The record moves with greater physical force, placing rhythm and impact at the centre of its architecture, revealing a more confrontational and embodied dimension of KAS’s musical language.
The first single “Ruin” arrives May 22nd, with the full album released October 2nd via SOMEONE SPECIAL the new label co-founded by KAS.
Where much of KAS’s earlier work explored harmonic environments, the forthcoming album is built around tension and release. Inspired by the sound of drum and bass, breakbeats fracture through dense fields of synthesis, percussive patterns and her signature melodic fragments – motions that feel closer to the kinetic language of club music than the meditative spaces often associated with her past catalogue. The result is a body of work that feels both recognisably hers and newly charged, music that moves through the body as insistently as it engages the mind.
For listeners who first encountered KAS through the glowing synthesis of “Ears” (2016) or the intricate experimental pop of “The Kid” (2017), this direction may feel initially surprising, yet the shift has been quietly unfolding across the past several years. KAS’s practice has steadily expanded beyond the expectations placed upon experimental electronic artists, moving between orchestral composition, audiovisual installations, film scoring, and large-scale commissions while retaining the unmistakable sonic signature that defines her work.
The 2022 albums “I Could Be Your Dog / I Could Be Your Moon” (2022) and “Let’s Turn It Into Sound” (2022) explored a deeply immersive approach to composition, expanded her reputation and instinct for constructing detailed sonic ecosystems while continuing to blur the lines between experimental electronics and contemporary pop structures. KAS’s most recent output has continued to widen that field including the rhythm oriented electronic album “Gush” (2025) and her return to more orchestral roots with “Thoughts on the Future” (2025). Together these releases underscored the breadth of her practice.
Her prolific collaborators and creative partners have ranged from Patti Smith and Suzanne Ciani to Danny Elfman, Tycho, Glass Beams, RY X, Caribou, Four Tet, Reggie Watts, and Max Richter, while her compositions have appeared in projects with Apple, Chanel, Meow Wolf, the BBC Orchestra, and major film and television productions.
On “Ruin: It’s Not Just Music”, that vocabulary becomes more kinetic than ever before. The record draws energy from jungle, drum and bass, and dance-floor focused electronic music while retaining the intricate synthesis and tonal curiosity that have defined KAS’s work from the beginning. The result is a record that feels equally at home within club culture, contemporary composition, and the experimental spaces that have long championed her artistry.
On May 27th KAS will present a major performance at London’s Barbican Centre alongside the London Contemporary Orchestra, marking the ten-year anniversary of her landmark album Ears. The evening will trace the arc of her creative evolution while also introducing material from the new album.

Сделать предзаказ02.10.2026

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21,64
WAY DYNAMIC - MASSIVE SHOE

WAY DYNAMIC

MASSIVE SHOE

12inchJAGLPC1503
JAGJAGUWAR
02.10.2026
  • 1: People Settle Down
  • 2: I Was The Dancer
  • 3: In Review
  • 4: Miffed It
  • 5: Mercy Town
  • 6: My Visit (To Hell)
  • 7: The Others
  • 8: Hurricane
  • 9: Ibiza
  • 10: They Said
  • 11: Evening Star

Way Dynamic, das Soloprojekt von Dylan Young aus Melbourne, veröffentlicht international ,Massive Shoe" - sein drittes Album, das verspielt und zurückhaltend, strahlend und facettenreich ist. ,Massive Shoe" ist minimalistischer Folk-Pop, Art-Rock und Barock-Pop, produziert und größtenteils eingespielt von Young, der nebenbei bei Melbournes beliebten Bands Cool Sounds und Good Morning spielt und als Schlagzeuger bei Snowy Band und Kankawa Nagarra mitgewirkt hat. Es ist verlockend, diese Songs nur mit denen vergangener Zeiten zu vergleichen - Youngs Falsett, sein Gespür für Harmonien und die komplexen Arrangements wirken alle zeitlos. Aber es gibt eine Sensibilität, eine Wortwahl, die sich zutiefst zeitgemäß anfühlt: Es ist bezeichnend, dass Katie Crutchfield von Waxahatchee ,Miffed It" als ihren ,Lieblingssong seit SEHR langer Zeit" bezeichnete, und Katie, MJ Lenderman, This is Lorelei und Black Country New Road haben alle Way Dynamic auf Tour mitgenommen, während Sir Elton John sagte, er könne einfach nicht aufhören, ,Ibiza" zu hören. Youngs Songs scheuen weder Sentimentalität noch Albernheit: In jedem beliebigen Song könnte er einen Flug ins All vorschlagen oder ernsthaft eine Missverständigung beklagen. "Can we walk and talk as well?", fragt er in ,I Was the Dancer", und wir nehmen die Einladung sofort an.

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23,49
Thomas Schumacher - Tainted Schall (2K21 Revisit)

Thomas Schumacher’s “Schall" is a landmark Techno track that has pushed the boundaries since it’s original release in 1995. A remix by the man himself turned the underground cult track into a chart phenomen, something unseen up until then. The story continued when Thomas’ created a special mash-up of “Schall” and Soft Cell’s “Tainted Love to celebrate his first DJ set at the legendary Fusion Festival in 2016, which ended up becoming one of the most saught after mash-ups. We are excited to present the 2021 version of “Tainted Schall" by Thomas Schumacher.

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10,88
Coatshek - Sound Bath

Coatshek

Sound Bath

12inchDE-349
Dark Entries
23.02.2026

Dark Entries returns to the steam room with Coatshek’s Sound Bath. For their SoundBaths series, now-defunct poppers brand Double Scorpio commissioned artists to make mixes for an imaginary queer bathhouse. When asked to contribute, San Francisco-based artist Coatshek aka Sheki Cicelsky took the opportunity to create original compositions. The resulting album, Sound Bath, serves as a masterclass in slow and sultry ambient techno. Taking inspiration from Pink Floyd, Manuel Göttsching’s E2-E4, and his friend’s DJ mixes (particularly Nick Moss and Matthew Paul’s for “Por Detroit”), Coatshek landed on 107 bpm as the optimal speed for sauna sex. With just a few synths, his Telecaster, and “lots of delays, reverb, and weed,” he sculpted stunning cuts like the effortlessly grooving “Softest” and the psych-laced “Triple Virgo.” The cover for Sound Bath was designed by Coatshek’s fiancé Nate Sprecher, and features photographs by Luke Kraman taken at The Ever Afters campout. The album also includes an insert featuring the Double Scorpio SoundBaths series artwork by Blake Wright. Equally hypnogogic and sexually supercharged, Sound Bath situates the bathhouse as a liminal dreamspace of unbounded erotic potentiality.

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19,75
Jacopo Buda - Early Morning

""Early Morning"" is the result of an intimate, personal experience within Mexican territories. It unfolds as an open-ended narrative, suspended in vast and indefinite environments where sound merges with the landscape.
Trumpet and electric keyboard act as the central forces within the composition, guiding its emotional core. Around them, additional elements are woven in through subtle interventions-reinforcing, dissolving, and reshaping the piece. The result is a form rich in suspense, positioned between electroacoustics and contemporary experimental music, maintaining a strong focus on timbre, spatial perception, and the relationship between acoustic sources and real-time processing. Jacopo Buda (born in 1994) is a trumpeter, composer, and sound artist. In addition to his work as a musician, he is an artistic director for experimental music festivals within the Italian underground scene and has been the co-curator, alongside Demetrio Cecchitelli, of The Cave hosted by Casa Madiba (Rimini) since 2021.

Сделать предзаказ05.10.2026

он должен быть опубликован на 05.10.2026

15,55
ENERGY 52 - Café Del Mar Remixes

2026 Repress

Next year the iconic anthem Cafe Del Mar will celebrate its 30th anniversary, a landmark that will be celebrated with a series of brand new remixes alongside the finest existing remixes in specially remastered versions.
Launching the series of vinyl releases in September is a remastered vinyl-only release of the original mix, as well as the best-known version of this classic track, the iconic Three ‘N One Remix.
Nearly 30 years ago, Paul M aka DJ Kid Paul recording as Energy 52 unleashed a record onto an unsuspecting public that would go on to define club culture for an entire generation of dance music enthusiasts. Named as an homage to the legendary Ibiza sunset spot, Café Del Mar broke down boundaries between the underground and
the mainstream, charting in the UK singles charts on three separate occasions and named as the “best tune ever” by Mixmag at the start of the new millennium. In terms of cultural and emotional impact in dance music, it’s hard to find a record that comes close.
Café Del Mar has come to represent the most euphoric and hedonistic pleasures of dancefloors - in Ibiza and all around the world - and has been remixed by some of the biggest names in the industry. Now, 30 years after its original release, Superstition Records will be putting out a new series of releases, with brand new remixes as well as remastered versions of some of the many remixes from across the last three decades. The vinyl-only remastered version of the original and Three ‘N One mixes will launch the series, with further details about the rest of the series announced in the coming weeks.

In 2021 Paul Van Dyk’s Café Del Mar remixes launched a series of vinyl and digital re-issues on the Superstition Records imprint after an almost 20 years hiatus. From 1993 until 2003 Superstition Records was a groundbreaking Techno, Tech-House and Trance Label and released some of the biggest and most revered records of the early German electronic scene.

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11,72
9 Hours Ahead - Smooth Sailing EP

Duality Trax welcomes the newly formed 9 Hours Ahead to the label with their debut release, complete with a remix from progressive royalty Bliss Inc. Landing in early 2026, Smooth Sailing traces a blissed-out sonic journey from the combined minds of San Francisco’s Namastrange and Amsterdam’s Breeze. Their cross-continental connection threads throughout the EP, with subtle nods to the vast ocean that separates them. The title track opens the release with a gentle drift: airy synths, angelic pads, and tribal percussion guiding listeners steadily out to sea. Meridian Space picks up the momentum, driven by a pulsating, everexpanding bassline. Namastrange’s whispered vocals weave between swelling orchestral pads, before the track mutates into a mind-bending acid line - perfect for a heads-down, eyes-closed dancefloor moment.

The B-side turns up theenergy with Transatlantic Dreams, a dancefloor-minded cut that nods to the golden era of San Francisco progressive and the Hardkiss legacy. Lush piano melodies, breakbeat interludes, rave stabs, and glimmering gated vocals collide in a warm, nostalgic swirl. Closing the EP, Bliss Inc. delivers a psy-tinged reinterpretation of Meridian Space - a dark, brooding acid workout that pulls the original into deeper, murkier waters.

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11,72
CIRO VITIELLO - NOTES FROM THE AIR

CIRO VITIELLO

NOTES FROM THE AIR

12inchSTRLP-120
Stroom
20.02.2026

"Recorded in Naples historic recording studio Auditorium Novecento ‘notes from the air’ is the second Ciro Vitiello full-lenght album, that turns around the ambiguous figure of the seagull, a coastal apparition both ridiculous and divine, foolish and sacred, graceful in flight yet uneasy on land, something that knows more than it shows, carrying both wonder and threat in its gaze.

The album breathes through that tension, the desire to fly and the fear of falling, the suspicion of having already crashed somewhere unseen.
Wind, creaking ropes, invisible currents: these become signals from another uncoding state, reminders that air can be both home and haunting. The record lingers in suspension. Each track feels like a fragment carried by wind, a message blurred, a memory misplaced, something approaching meaning but never arriving.

The record drifts between orchestral gestures and dream-pop/post-rock shadows, guided by Ciro Vitiello’s fascination with shoegaze textures and cinematic atmospheres, and features contributions by Heith, Renato Grieco, Stefano Costanzo, Caraluce and Daniel Kinzelman. Vocal features include Martyna Basta, Heith and Antonina Nowacka, alongside Ciro’s own voice."

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23,11
Daniele Baldelli & Jolly Mare - Flusso Uno

Daniele Baldelli and Jolly Mare come together for a record that feels less like a collaboration and more like a shared state of mind. Flusso Uno moves through Afro-cosmic kraut-inflected psychedelia and cinematic electronics with a natural, unforced flow, where rhythm, texture and narrative all pull in the same direction.
Rather than referencing the past, the EP treats it as a living language. The longform, ritualistic percussion of early cosmic dance culture meets the hypnotic motorik pulse of krautrock and the more structured, sample-driven tribalism that followed in later decades. What ties it all together is a deep sense of atmosphere and intention: music that feels physical, emotional and quietly transportive.
“We particularly focused on ritual percussions, hypnotic grooves and suspended atmospheres, trying to blend musical anthropology, auteur electronics and narrative instinct.”
Dhol Parade opens the journey like a slow-burning procession, drums circling and expanding as if guiding the listener into another space. With Icari the perspective lifts, melodic lines drifting and tilting, constantly searching for balance between gravity and flight. Huldufolk pulls everything back into a shadowy, nocturnal zone, where textures feel half-real, half-imagined.
Finally, Viaggio Tascabile loses the record in a quietly reflective way, a compact voyage that sums up the EP’s philosophy: small in scale, deep in meaning. Flusso Uno is not about nostalgia or revivalism. It is about taking the spirit of cosmic culture and letting it breathe in the present, where storytelling, dancefloor intuition and sonic exploration still meet. A record made for open ears, open minds and long nights.

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13,24
Karnivool - IN VERSES LP 2x12"

Karnivool

IN VERSES LP 2x12"

2x12inch19802977441
Inside OutMusic
19.02.2026

Der australische Progressive-Rock-Gigant Karnivool kehrt mit "IN VERSES" endlich zurück. Das Album ist der Nachfolger ihres weltweit gefeierten und in Australien auf Platz 1 der Charts gelandeten Albums "Asymmetry". Das vierte Album der Band ließ so lange auf sich warten, dass es fast schon legendär ist. Nach einigen Fehlstarts und einem langen, heißen Sommer im Studio in Perth ist es nun endlich da. In Zusammenarbeit mit ihrem gleichgesinnten Produzenten Forrester Savell (Sound Awake, Themata) hat die Band ein musikalisches Meisterwerk geschaffen, das sich frisch anfühlt und gleichzeitig auf ihren beliebten Backkatalog Bezug nimmt. "IN VERSES" erweitert den Umfang ihrer weitläufigen Klanglandschaften und schafft es dennoch, Momente zu kreieren, die nur Karnivool-Songs so beflügeln können. Damit beweist das Album eindeutig, dass es Dinge gibt, auf die es sich zu warten lohnt.

Karnivool haben weltweit über 300.000 Alben verkauft und sind an den meisten Orten aufgetreten, an denen sie spielen wollten. Sie sind eine feste Größe auf europäischen Festivals wie Download, Rock am Ring, Hellfest und Copenhell sowie an weit entfernten Orten wie Südafrika, Indien, Dubai und natürlich Australien.

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27,69
Ile de Garde - Rage Blossom

Born Bad Records knew exactly what it was doing when it signed this Nantes-based trio, whose sharply defined sound and raw authenticity stand out. With Rage Blossom, Île de Garde unveils an EP charged with palpable tension, somewhere between dark pop and psycho-wave. A catalogue of modern misdeeds, a David Lynch-like backdrop where Sylvia Plath’s poetry might cross paths with the controlled excesses of Fever Ray.



The EP opens with “Fear The Sun,” its Mike Oldfield-esque soundscapes plunging us into an apocalyptic and unsettling world. “Homicide Volontaire” follows with meticulous narration, a technical exercise evoking the anger and defiant lucidity of a Virginie Despentes. The hallucinatory hit “To Death” snaps like an anthem to collective dancing in the face of the inevitable. Since we’re going to die, let’s dance! On the B-side, “Ageless Woman” weaves together a half-mythological, half-mysterious text, carried by haunting backing vocals. “Birthday Girl,” featuring Kuntessa, radiates an ironic and joyful riot-grrrl energy, an uninhibited celebration of women’s liberation. Finally, “Boy,” a small post-punk jewel, closes the EP with an ending as surprising as it is delicate.

The group’s genius also lies in the complementarity of its musicians. Morgane Poulain anchors the drums with a dynamic that is both subtle and narrative, airy yet jagged. Cécile Aurégan, the architect behind a multitude of synths, builds powerful sonic landscapes, layer upon layer. Klara Coudrais, the band’s poetic figurehead, elevates her texts with a rich and plural vocal palette, giving life to several characters who vibrate with intensity. The band’s writing, hovering between darkness and light, echoes a kind of visceral poetry, exploring the seasons of the soul with authenticity and force.



With this EP, Île de Garde establishes itself as a band to watch closely, capable of translating on stage both the raw energy and the fine craftsmanship that define their music. An immersive journey, full of tension, urgency, beauty, and electric flashes.



Île de Garde, a Nantes-based trio with sharply drawn sonic contours and raw authenticity, unleashes its full arsenal on Rage Blossom, an EP radiating palpable tension between dark pop and psycho-wave. A catalogue of modern misdeeds, a David Lynch-like setting where Sylvia Plath’s poetry would meet the controlled excesses of Fever Ray. An immersive journey of tension, urgency, beauty, and electric sparks.

Opening track “Fear The Sun” plunges us into an apocalyptic and unsettling landscape. “Homicide Volontaire” continues with meticulous storytelling, a crime vignette evoking anger and the fierce lucidity summoned by a situation with no way out. The hallucinatory trance of “To Death” snaps like an anthem to collective dance in the face of the inevitable. Since we are going to die, let’s dance! “Ageless Woman” blends a half-mythological, half-mysterious text, carried by hypnotic backing vocals. “Birthday Girl,” featuring Kuntessa, releases an ironic and joyful riot-grrrl spirit, an uninhibited celebration of feminine liberation. Finally, “Boy,” a small post-punk case study, closes the EP with a simple, sensitive truth.



The three musicians propel and relay one another in this breathless race. Morgane Poulain drives the drums with a dynamic that is both subtle and narrative, airy yet staccato. Cécile Aurégan, architect of multiple synths, builds powerful sonic landscapes, layer after layer. Klara Coudrais, the storyteller, elevates her texts with a rich and multifaceted vocal palette, giving life to all their characters, both mythical and ordinary. The band’s writing, between darkness and light, proclaims a visceral poetry, exploring the seasons of the soul with authenticity and strength.

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17,02
Kareem Ali - Renewal LP

Arizona-based producer Kareem Ali returns with Renewal, his second EP on the French label Noire & Blanche, a luminous blend of deep house, jazz, and Afrofuturism that captures both personal and collective transformation. Praised by Rolling Stone, Pitchfork, and Boiler Room for his visionary sound, Ali continues to expand the language of modern electronic music with a project rooted in emotion, movement, and hope.

Across five tracks, Feel Everything All At Once, On My Heart, Procession, Wake Up My People, and Want, Kareem Ali invites listeners to experience the full spectrum of feeling. Opening with the warm, jazz-infused pulse of Feel Everything All At Once, the EP unfolds into the hypnotic rhythms of Procession and the heartfelt refrain of On My Heart. The soaring horns and urgent groove of Wake Up My People capture the project’s spirit of resilience, before closing on Want, a meditative reflection on desire and renewal.

Drawing inspiration from Sun Ra, Miles Davis, and Underground Resistance, Kareem Ali continues his pursuit of what he calls Future Black Music — a sound that merges the spiritual depth of jazz with the cosmic potential of electronic music. With Renewal, he offers not just an EP, but a vision: music as liberation, rebirth, and awakening.

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19,96
Cheise - Land Of Dreams EP

Cheise

Land Of Dreams EP

exclAIMED008
Aimed
18.02.2026

After their previous Italian stop with Palmiz, the eighth release on the Ukrainian Aimed label comes straight from its co-founder, Cheise.

4-tracker Land Of Dreams EP is infused with the warmth of an Indian summer (like on “I Have A Dream”) and the energy that is enough to warm you even on the coldest winter days (like on “Land Of Fantasy”).

There’s so much “Energy” at the B-side, that you actually will need to “Get Up” to listen to it in full.

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11,72
Tapper Zukie - Earth Running

Earth Running, originally released in 1979 on the Tappa's Stars label, can be considered the Jamaican's toaster's maturity album. Lyrics here are rooted in the "ghetto life" as always. A work with an international flavour: On Side B, two convincing dance tracks, the anthemic funkfest "Freak" and "One More Chance", often championed by DJs in the following years. A work that explored new territories, a mandatory re-issue for all authentic reggae lovers.

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25,17
Atom Tm - Ich Bin Meine Maschine

RASTER MEDIA 30 YEARS ANNIVERSARY EDITION REPRESS / 180 G VINYL
Ich bin meine Maschine features remixes by Boys Noize, Function and AtomTM himself.
to underline this tryptic statement (and to demonstrate the diversity) of one of atom™'s compositions that appeared on his 2013 'HD' album, raster-noton now releases a vinyl ep featuring remixes by boys noize, function and atom™ himself. 'ich bin meine maschine', in an elaborate manner, illustrates uwe schmidt´s main musical concern - the exploration of electronics in pop music. inspired by a statement of the cybernetician heinz von foerster, atom™ constructed/generated a message that is playing around with a widely-cited kraftwerk quotation, turning 'ich bin eine maschine' into 'ich bin meine maschine' (i am my machine). besides the album version of 'ich bin meine machine,' the ep features some dominantly techno infuenced versions that perfectly connect the pop attitude of 'HD' with dancefoor functionality. the boys noize remix shows off alexander ridha´s deft skills for translating atom™´s futuristic pop into his own rough and driving electronic language. on the other hand, atom™'s 'linear remix' breaks down the original structure of the song and turns it into a reduced and much straighter, forward looking composition. function - one of techno's true underground heroes - provides a remix that is breathing the air of solid and hypnotic club music, in which just the essential elements are streamlined and ondensed into perfection. all 3 remixers adapt the track to their particular universe. by doing so, they prepare the 12' vinyl for its fnal destination - the club.

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15,92
ASYMETRIC80 - FRENETIC HABITS EP
 
4
также имеющийся в продаже

Ohne Cover[16,77 €]


There is a breaking point where the mind yields and the body takes command. This is precisely the territory of Frenetic Habits EP.

Asymetric80 lands at INDUSTRIAS MEKANIKAS with an unapologetic statement: a direct immersion into the aesthetics of collapse and extreme habits. The work places you in the center of a post-apocalyptic scenario, where survival no longer relies on calm, but on your ability to endure mechanical tension.

The sound is built upon solidity and saturation. You won’t find fragility here, but rather an architecture of EBM, New Beat, and Industrial Techno designed to dominate any sound system that dares to play it.

Side A establishes the hierarchy with Frenetic Habits. Far from linear, the track unfolds a broken, demolishing rhythm, generating a devastating sonic pressure that completely envelops you. It is a piece of constant drive, an armored machine advancing over the very ground you stand on. It is followed by Exile and Unmasked, which shifts the strategy towards depth: a hypnotic immersion where industrial textures densify, creating a dark atmosphere that traps you with no escape.

On Side B, Bleak materializes the heaviness of the environment. A slow-burning, corrosive track with deep bass, which you can feel advancing with the force of concrete. To close, Dementia releases the accumulated tension with overflowing kinetic energy; a final outburst of controlled aggression that closes the cycle with maximum intensity.

Frenetic Habits EP is a record of ironclad textures and terminal atmosphere. A work that documents not defeat, but the brute force needed to remain standing when everything around has come crashing down.

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16,77
Rob Winstone - sifting through heaven

Accepting the darkness can be a liberating experience. Realising, and struggling with just who we are and what world we live in requires it. By further complicating the fractured sense of beauty found on his droning 2022 release, ‘I dreamt we found a way’, Bristol-based composer, Rob Winstone creates a language that encapsulates the lifelong reach for our own personal heavens, along with the darkness and fear on which those foundations are built.

Winstone’s instrumental palette continues to reach out far from behind his keyboards, however the sound of ‘sifting through heaven’ is stripped back and pared down, putting melody front and centre. 'postcards and loose tea', a love song written for Winstone’s partner during a period coming to terms with health difficulties had previously self-released with heavy spectral and granular manipulation from the artist. Here Winstone re-presents the original: “the stripped back recording I made in my old damp and cold studio that was in a building that has since been demolished”. It reflects the composer’s own journey, doing away with veils and histrionics, and embracing emotional bliss wherever it can be found, warts and all. Even the rumbling dark ambience of ’hospital corridor’ - where distant chimings, groans, and droplets synthesized from field recordings made nervously in a hospital waiting for test results coalesce - harbours a sacred-seeming beauty and aseptic warmth within its very bleak sense of dread.

There’s no better way to describe Winstone’s method than ‘sifting through heaven’. The hymnal organ chords, sketched out acoustic guitar phrases, scattering drum thuds, and meditative field recordings may flit between tenebrous to incandescent, but his focus is always on the embrace of love; “a view of life that embraces positive growth, yet doesn't deny immense suffering,” as he puts it. The album is bookended by two of Winstone’s most outright peaceful moments, summarising his core message: 'in spite of it all...' '...love finds a way'.

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11,35
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