Search:b legend

A Floor-Killer Cover by a UK Soul/Jazz Unit Now on 7-Inch!

The legendary mellow break classic Lowrell - "Mellow Mellow Right On" and the female free-soul masterpiece Gloria Scott - "(A Case Of) Too Much Love Makin'" are now available as covers on their first-ever 7-inch release. Formed in 1993, Paprika Soul is a unit led by Alan Barnes and Andrew Spiller, leaving their mark on the UK soul/jazz scene. Side A features a stunning cover of Lowrell's "Mellow Mellow Right On" (1979), with Christine Glen Cousee and Tim Whitnal delivering a smooth rendition titled "Mellow Mellow." Side B brings a soulful cover of the timeless masterpiece Gloria Scott's "(A Case Of) Too Much Love Makin'"(1974) performed passionately by Jacqui Hicks. This 7-inch is a must-have, guaranteed to set the dance floor alight on both sides!

NAD aka Dan Tyler of the legendary Idjut Boys arrives at Duca with a bouncing 4 track of obscurities, all wrapped in a sheen of echo and reverb.

The Idjuts’ have released on a myriad of labels, including Noid, U Star and Smalltown Supersound, being one of the originators of the 90s edits revival, DJing the globe including to almost cult-status in Japan, as well as remixing the likes of DJ Harvey, Brian Ferry and Dimitri From Paris

A master of editing, Dan’s move to Oslo has seen him step out solo to remix the likes of Todd Terje (Olson), Mudd (Claremont 56) and King Sporty (Emotional Rescue) and not forgetting running the Record Mission edits label with old friend Nick The Record.

Das Wordy hits with a bump, the gastarbeiter NAD rockin’ like Tom Tom Club on Stasi steroids.

La nouvelle musique of Histoire De Cul sweeps the catwalk, sweeping past Le Palace queue, hitting Cuevas’ dancefloor to “effet sensuel”.

Rocking out is NAD’s nature, Kropps Smack a body with a mind of its own, come down, come all night…boody language.

Release The Pigeon is a smooth ride home, the music nomad, the gypsy man, one of these days he’ll settle down.

Yer yer yer ahhh yer.

EVERYBODY LOVES THE SUNSHINE is more than a classic. It is “THE” summer anthem, one of the most covered and sampled Soul tunes by Roy Ayers and the Ubiquity family. This vinyl re-release has been eagerly awaited by music lovers worldwide. This version was originally recorded as a cover version, produced by Soulciety Records for their label band project named The Soulsociety. The performance was recorded with the original songwriter and producer of the song, Mr. legendary vibes controller and Soul superstar Roy Ayers. This recording follows the original 70s feel and instrumentation of the 1976 version, but this time also features Roy Ayers prominently on lead vocals.

Another big difference compared to all other versions by Roy and Ramp is the fact that this version is arranged and produced as a midtempo track. It will fit perfectly into any DJs set with a focus on Soul, Funk or Hip Hop. For the first time ever, this classic is now available on a SEDSOULCIETY RECORDINGS 7” vinyl with full cover artwork, including the previously unreleased instrumental version on the flip side with added extra vibes by the master himself.

Suburban Base Records Presents: SUBBASE SAMPLER – 2 x Vinyl Album First Time Ever as a Vinyl Release!

Originally released in 1997 as a CD-only compilation, Subbase Sampler is finally available on double vinyl for the first time ever! This iconic collection captures the energy and evolution of the jungle and drum & bass scene, featuring a heavyweight lineup of genre pioneers.

The reissued album includes classic tracks from legends like Remarc, Mampi Swift, Dream Team (Bizzy B & Pugwash), Pascal, and Intalex presents The X (Mark XTC)—bringing together the unmistakable sound of Suburban Base during the golden era of Drum & Bass.

This long-awaited vinyl edition is a must-have for collectors and fans alike, delivering timeless cuts that shaped the underground. For the first time, the album will also be available digitally to stream and download—bringing these essential tracks to a new generation.

Don’t miss your chance to own a piece of Suburban Base history!

Originally released in 1973 by New York-born soul singer Melvin Bliss, 'Synthetic Substitution' was never meant to change music. A B-side to his single 'Reward', it quietly slipped out on Sunburst Records i and then, years later, exploded.

With 'Funky Drummer' sticksman Bernard Purdie's drums at its core, it became one of the most sampled tracks in hip-hop history, forming the rhythmic backbone of cuts by De La Soul, Mobb Deep, LL Cool J, Justin Bieber and hundreds more. This new release gives the track its due, with a sharp remaster and a respectful rework from Just Blaze. The original still hits hard i a slinky, minimal soul groove with impeccable swing and eerie vocal calm. On the flip, the 'Just Blaze Take 6 Master Mix' lifts that legendary break into widescreen, looping and layering it with warmth and flair. It's not flashy, just smart i honouring the DNA while letting it breathe. It's a fresh pressing of a foundational beat, and a timely reminder of how deep hip-hop's roots run. Whether you're crate-digging or just craving drums with history, this is as vital as it gets.

A Must-Hear for Reggae Fans! Legendary Hits Revived in Exquisite Covers ? Now Available on Limited Edition 7-Inch Vinyl!

From the hugely popular compilation series by UK's renowned reggae label Smart Move Records and its producer/creator Lee Francis, comes another remarkable 7-inch vinyl featuring two stunning tracks!

Side A features a soulful reggae cover of Foreigner's iconic 1979 hit "I Want to Know What Love Is", performed by the incredibly talented Jamaican singer Tessanne Chin. This timeless track, reintroduced to a new generation by Mariah Carey's 2009 revival, is beautifully reimagined with a heartfelt reggae twist.

Side B includes a captivating reggae rendition of Mary J. Blige's 2009 hit "I Am", brought to life by rising star Jordaine Bailey, whose smooth and soulful vocals add a unique charm to the original. The result is a refreshing nd laid-back reggae sound that stands out.

Perfect for reggae lovers, R&B fans, and anyone who appreciates acoustic brilliance, this exceptional release is a must-have for your collection.

Don't miss out ? this limited-edition vinyl won't last long!

COOL HAND FLEX - MELODY MADNESS

BLADERUNNER / OUTRAGE / RONI SIZE REMIXES AND REMASTERED ORIGINAL

Suburban Base returns with a heavyweight release, delivering fresh remixes of the classic Melody Madness by Cool Hand Flex, reimagined by two of the most respected names in the scene—Bladerunner and Outrage.

Bladerunner brings his signature rolling basslines and crisp production to the track, delivering a modern take while staying true to the original’s deep jungle roots. On the flip, Outrage delivers the AWOL Remix, a tribute to the legendary club night, channeling the raw energy of those iconic sessions with rugged breakbeats and deep, atmospheric textures.

This double A-side includes the highly valued Original Version and the much sought after Roni Size Remix from 1995, the release bridges the old and the new, paying homage to a foundational anthem while pushing the sound forward.

IZIPHO SOUL is thrilled to release two star studded jazzy soul winners - back to back on a 7” picture sleeve single - MON CHER AMOUR b/w YOUR LOVE KEPT CALLING MY NAME.

‘Mon Cher Amour’ is a sensational new song, featuring top vocal smooth-jazz recording artist Maysa and the legendary Bobby Lyle on piano. Known for his selective collaborations, Bobby Lyle was thrilled to join Shaun on this project after hearing the captivating track.

The B Side ‘Your Love Kept Calling My Name’ from last year again features Maysa, Stokley and also Jeff Lorber, Patrick Lamb and Maurizio Metalli. This sexy soulful jazz ballad anchored by Shaun LaBelle’s soulful yet funky synthesiser bass and bass guitar chops that make the melodic hook lines and groove undeniable! It secured a spot in the Billboard Top 20 for two months in a row and hit number 1 in the U.K Soul Chart. Attached compressed 64 kbps MP3s and artworks

The undisputed, inimitable techno pioneer of Finland, Kim Rapatti, returns with an EP of his trademark dark, soulful and raw sound. IÄTI marks his solo debut for Cold Blow and we couldn't be prouder to present this new music from the legend.

IÄTI is what techno can be when breathing humanity and soul into every inch of it. The EP has lineages to Mono Junk's 2019 album Vanished, moving between deep swirling stompers, emotional compositions and raw, uninhibited electro.

Alongside his own DUM Records established in 92, Kim has over the years released music on labels such as Heckmann's Trope, Skudge White, Forbidden Planet, Rat Life, Plug Research and Stilleben. His breakthrough in the early 90s was ushered in by tracks Monotone Fantastique and Channel B. The latter became a techno classic spotted in mixes and compilations by Richie Hawtin, Marcell Dettmann and others.

Early works and first release from Bastian on legendary Acid Orange Sublabel Tanjobi Records from Berlin. Has become more increasingly hard to find the past couple of years since it's been rediscovered by a new generation of DJ's. Perfectly executed tracks in the same vein as Khan and the Cologne posse. If you know you know!!

Long out of print, limited 3000 run to mark the 10 Year Anniversary, clear vinyl on gold laminated sleeve. Featuring 96 F**ckries, Integrity, Don't @ Me & Man Don't Care. With production ranging from Deeco, to Preditah, to the deep bass of Toronto with the sounds of Tommy Kruise. Featuring the boys from Boy Better Know, Giggs, Big Narstie and the legend D Double E.

‘New Music for the 6 String Guitar’ is the 7th studio album from Radnorshire based guitarist Toby Hay. His debut in 2017 ‘The Gathering’, and 2018’s, ‘The Longest Day’, were both nominated for the Welsh Music Prize. This new album is a follow up to 2019’s ‘New Music For The 12 String Guitar’. Since then, he has released two collaborative albums, 2023’s self-titled ‘Jim Ghedi & Toby Hay’ released on the legendary Topic label, and 2024’s ‘After a Pause’, with Aidan Thorne, released on his own, Cambrian Records.

Like it’s 12 string predecessor, the concept for the new record was dreamt up by state51. The idea was to ask Roger Bucknall of Fylde guitars to build a new custom instrument specifically for a guitarist to write and record music for.

The ‘Curlew’ custom 6 string is made from Macassar ebony and light-coloured cedar and is set up to play in Toby’s unique tunings. The album was recorded over three days in the Wood Room at Real World Studios. All tracks are live performances with no overdubs.

“It is a beautiful studio, my brother Tim engineered the session. It is a very honest album, just me, in a room, one guitar, a mixture of compositions and improvisations. We were invited to watch the football with Peter Gabriel and a few of his friends on the final evening, a memorable experience!”

The natural world is a recurring theme across these 12 tracks, with inspiration ranging from Hay’s time working for the Radnorshire Wildlife Trust, to his recent Masters in Music & The Environment from the University of the Highlands and Islands. Inspiration also comes from Hay’s connection to his local landscape, his home in the Cambrian Mountains, and his sheep dog Bear. But ultimately this is an album that explores the relationship between musician and instrument.

With the guitar being built by Roger Bucknall, the album mixed by Tchad Blake, and the photography by Julian Broad, this album is full of talented contributions from masters in their fields.

Library of the Occult Records unviels ‘Music to Accompany the Poems of Edgar Allan Poe’ a haunting double LP that threads the legendary poet’s dark romanticism through the minds of some of the most evocative contemporary electronic artists.
The Library’s ever-expanding circle now united as the Library of the Occult Electronic Orchestra, bring their own haunted visions to Poe’s bleak and beautiful world. Ivan The Tolerable stretches krautrock pulses and experimental noise into something hypnotic and strange, while The Heartwood Institute channels vintage occult nostalgia. Sermons by the Devil drapes everything in a ritualistic haze and Klaus Morlock, ever the maestro of unease, paints in slow-moving shadows, melancholic, cinematic, and tinged with the surreal. It’s a record for twilight listening, flickering candles, and the spaces between.

Born from a desire to explore her background in film composing to create a music film, Hannah Holland’s upcoming album 'Last Exit On Bethnal’ is set for release via PRAH Recordings on 18th July. Together with director Lydia Garnett, the multi-faceted London producer shaped ideas born out of images the pair weren’t finding in film, inspired by queer icon filmmakers like Kenneth Anger and Derek Jarman. “We wanted to craft something unapologetically for dykes: a poetic, surreal exploration of dyke power and sexuality set in a fantasy underworld,” explains Holland. Once the film was shot, she channelled its stunning imagery and the energy of the cast into making the record. Seductive and bass-driven, its nine tracks merge sleazy guitars with 707 machine drums, beautiful evolving arps, and surreal moments of Lynchian dreaminess and Aphex Twin-inspired atmospherics. "It was a really amazing collaborative experience and coming together of a community to make something totally unique….and hot!” she continues. The first single ‘Biker’ features a filthy synth hook atop Hannah’s signature bass-guitar, perfectly capturing the raw and sexy energy of the album and its visual centrepiece. You can listen to it here. The film will be screened at a one-off club night at London’s ICA on 11th April in association with Culture Divided, Somesuch and Bala Project.

Hannah Holland has played a pivotal role in London’s alternative and queer London club scene since the mid-noughties. Rooted deeply in London’s fertile musical community, musical exploration and the transcendent potential of dancefloor have always been her biggest inspiration. Her recent delve into experimental theatre, film and TV scores has proved a future further artistic voyage to explore her creative vision. Holland first arrived on dancefloors sharing electro-tinged techno, with equal inspiration taken from the sounds of DnB and jungle heard at legendary parties such as Metalheadz, which she had frequented in her early teens. Having already been “borrowing” (and perhaps never since returning) Kraftwerk, Grace Jones and Talking Heads records from her parents, the influence of this metropolitan musical soup ensured that Holland emerged on the decks with a unique musical character and diverse taste, hallmarks of her sound that she has not lost since. This has been reinforced with trusted residencies at iconic parties such as Trailer Trash, Adonis, Glastonbury’s NYC Downlow, or undertaking far-reaching marathon sets at Berlin’s Panorama Bar. In 2006 Hannah started Batty Bass with vocalist Mama. Immediately a roadblock party and then a record label with releases from Josh Caffe and The Carry Nation sitting in its discography, Batty Bass explores the disparate strains of electro, acid, techno and house. Hannah also released her own music on the label including the ever-anthemic Paris’ Acid Ball.

A steady stream of releases have followed on Shall Not Fade, Super Rhythm Trax, Crosstown Rebels, Classic, Nervous, as well as remixes for Blessed Madonna ft. Kylie Minogue, Planningtorock, The Knife and Goldfrapp among others. Hannah also finds the time to play bass in several bands including Black Gold Buffalo whose debut album she also co-wrote. Her much-anticipated debut album, Tectonic, came out on PRAH Recordings in 2021, with a second on the way. Hannah’s latest venture into the world of film scores have included queer icon Bruce LaBruce’s ‘The Visitor,’ Channel 4 series Adult Material and award-winning indie feature Electrician.

Hannah Holland continues to push the boundaries of electronic and live music, telling stories and carving her own path in the deeper frequencies.

Un auténtico monstruo si hablamos de discos privados USA de hard–rock 70s. Bolder Damn provenían de Florida y editaron esta barbaridad en 1971. Potente y crudo sonido con devastadora guitarra ultra–distorsionada, apabullante sección rítmica y poderosa voz. En la onda de Sabbath, Blue Cheer, MC5, Pentagram, Sainte Anthony’s Fyre...Descubierto por el legendario sello Rockadelic en los 90, "Mourning" se ha convertido en estos últimos años en un disco de culto para amantes del hard–rock oscuro y proto–doom.
Después de años descatalogado, presentamos la reedición definitiva: arte original, sonido remasterizado e insert de 4 páginas con notas y entrevista a uno de los músicos.

During the course of his career, the legendary creator of Afrobeat Fela Kuti used his music to lament social injustices and political corruption in his native Nigeria. His music, a compelling blend of American funk and West African highlife, often locked into spellbinding grooves that seemed to go on forever. Yet that was the point: to fall deep into the rhythm and dance away the hardship. While this impacted Nigeria and the entire world, it also affected Fela’s son Femi and his son Made, both of whom carry his legacy as torchbearers for change. On February 5th 2021, Partisan Records, home to Fela’s catalog, will release two albums from Femi and Made — both very much in the tradition of Fela’s music, but with different scopes. Femi’s album, Stop The Hate, radiates the unique Afrobeat sound that he has forged throughout his long career, affirming the sharply political conviction that his father would’ve claimed in the 1960s, ‘70s and ‘80s. Made’s album, For(e)ward, is a modern and progressive freedom manifesto, pushing boundaries of the subgenre even further. Made also performs every instrument on the album. Together they will be packaged into a double album called Legacy + that, when taken as a whole, bolsters the rich musical heritage of the Kuti name. Yet this isn’t just about honoring Fela, it’s also personal for Femi and Made, a father and son with deep creative synergy. Most importantly, the project finds these men coming together in the name of family. “This is probably the most important part of my life right now,” Femi says. “I’m happy because he’s not copying me. He has found his voice. What other joy could a father want than to experience this in his lifetime?”

Alec Attari, a Turkish producer with a deep-rooted passion for minimal wave, EBM, and the most underground strains of Italo disco, makes a bold debut on our label with his extraordinary EP, « 1982 ». The title itself gives a knowing nod to the cult classic by Miss Kittin & The Hacker, and the release pays tribute to that landmark era when emerging technologies began producing both mainstream and underground hits later immortalized by pioneers like Ron Hardy at the Music Box and Frankie Knuckles at the Power Plant. The crown jewel of this record is an exceptional remix by Italian legend Alexander Robotnick. This version alone justifies acquiring the record, as it echoes the spirit of his classic "Problèmes d'Amour" with a mysterious, sinuous, and hypnotic vibe. Leading Side A is this striking track, aptly titled "Visage." Following it is "Time Machine," an electrifying nod to EBM and techno in the style of another icon, The Hacker. On A3, the original version of "Visage" brings its own serpentine elegance. Side B opens with "Visage" (Vondkreistan Remix), a track that recalls Ron Hardy's classic sets with a more electro, wave-tinged feel. Then, "Wave" brings to mind the finest era of Grenoble's Goodlife label, while "1982" closes the release with a powerful finale. This record glides between influences, from Legowelt and Alden Tyrell to Dopplereffekt, Random Factor, DMX Krew, and Anthony Rother. A true masterpiece from start to finish.

At Home of The Good Groove Records HQ, we are absolutely delighted to present our second release - a pair of sublime tracks making their long-awaited debut on 7-inch vinyl.
Jamaican music legend Beres Hammond has captivated audiences for over 40 years with his soulful voice and heartfelt lyrics, earning him the title “King of Lovers Rock”, with a loyal global fan base. Influenced by the American soul and jazz records his father collected – featuring icons like Otis Redding and Sam Cooke – as well as the rich sounds of ska and rocksteady, Beres crafted a sound that remains timeless.
For this release, we return to Beres’ 1976 debut album, Soul Reggae – an exceptional record that never quite received the full recognition it deserved. A masterful blend of soulful tones and reggae rhythms, the album is a testament to Beres’ artistry and the genius of his collaborator, Willie Lindo.
Lindo, a legendary reggae guitarist and producer, played a crucial role in shaping the Soul Reggae album. Beyond his impeccable musicianship, he took on multiple roles – writer, arranger, producer, and owner of the Water Lily record label, on which the album was first released. His contribution to these two tracks cannot be overstated.
The Tracks
Side A – “Don’t Wait Too Long”
An upbeat, soulful groove that will appeal to listeners across the black music genres. The track boasts a beautifully arranged melody, with Beres’ warm, feel-good vocals and rich harmonies carrying the song effortlessly. A certainty to get the dance floor vibing.
Side B – “You Don’t Have to Lie”
Lowering the tempo slightly but delivering the same soulful quality, this track brings a heartfelt vocal performance filled with depth and emotion. A timeless piece that speaks to the complexities of love and relationships.

At Home of The Good Groove, we are incredibly honoured to bring these two remarkable tracks to 7-inch vinyl for the very first time.
A huge thank you to Beres Hammond for his incredible music and to Willie Lindo, who has worked closely with us to make this release possible.

Deathchain’s early albums reissued on vinyl for the first time in May via Svart Records Finnish death-thrashing maniacs Deathchain’s debut and sophomore albums will be available on vinyl for the first time ever on May 30th, 2025 via Svart Records. Deathchain, hailing from the city of Kuopio, was formed in 2001 from the remains of Winterwolf when the band’s guitarist Corpse moved from the countryside to the city to kick things off, and they continue their illustrious and wild axe wielding path to this day. DEADMEAT DISCIPLES (2003) and DEATHRASH ASSAULT (2005) were originally released by Dynamic Arts Records only on CD. The debut gained a lot of great reviews in Europe, paving the way for the band’s substantial touring around Central Europe, Netherlands, and Belgium. The sophomore album DEATHRASH ASSAULT, which ended in the 18th place on the Official Finnish Album Chart, unleashed Deathchain on the Hellhoundz of Doom and Thrash -tour with Candlemass and Destruction, playing live shows in thirteen countries across Europe. The Japanese version of the album was later released on CD in 2006, featuring a bonus cover track of Slayer’s Black Magic. Corpse comments the reissues: ”It's been over two decades since we recorded our first two albums, and finally they will be unleashed to haunt in the format that is closest to our hearts. Both of these albums were recorded in Kuopio at Studio Perkele, which was the beating heart of the underground back then. We were young and handsome alcohol fueled bastards aiming to make music that is fast, furious, and riff driven. The legendary Valhalla metal bar scene was our home and starting point, and surely you can hear the echoes of North Sawonian madness within these albums. Those times were full of insanely good times, and we did our best to catch the spirit of the old school within our music. Finally with the help of Svart Records we are proud to present you these buried gems of death thrashing metal.” DEATHRASH ASSAULT is available on Svart exclusive black & white marble vinyl, limited natural vinyl, and classic black vinyl. Includes Slayer's Black Magic cover as a bonus track.

Deathchain’s early albums reissued on vinyl for the first time in May via Svart Records Finnish death-thrashing maniacs Deathchain’s debut and sophomore albums will be available on vinyl for the first time ever on May 30th, 2025 via Svart Records. Deathchain, hailing from the city of Kuopio, was formed in 2001 from the remains of Winterwolf when the band’s guitarist Corpse moved from the countryside to the city to kick things off, and they continue their illustrious and wild axe wielding path to this day. DEADMEAT DISCIPLES (2003) and DEATHRASH ASSAULT (2005) were originally released by Dynamic Arts Records only on CD. The debut gained a lot of great reviews in Europe, paving the way for the band’s substantial touring around Central Europe, Netherlands, and Belgium. The sophomore album DEATHRASH ASSAULT, which ended in the 18th place on the Official Finnish Album Chart, unleashed Deathchain on the Hellhoundz of Doom and Thrash -tour with Candlemass and Destruction, playing live shows in thirteen countries across Europe. The Japanese version of the album was later released on CD in 2006, featuring a bonus cover track of Slayer’s Black Magic. Corpse comments the reissues: ”It's been over two decades since we recorded our first two albums, and finally they will be unleashed to haunt in the format that is closest to our hearts. Both of these albums were recorded in Kuopio at Studio Perkele, which was the beating heart of the underground back then. We were young and handsome alcohol fueled bastards aiming to make music that is fast, furious, and riff driven. The legendary Valhalla metal bar scene was our home and starting point, and surely you can hear the echoes of North Sawonian madness within these albums. Those times were full of insanely good times, and we did our best to catch the spirit of the old school within our music. Finally with the help of Svart Records we are proud to present you these buried gems of death thrashing metal.” DEATHRASH ASSAULT is available on Svart exclusive black & white marble vinyl, limited natural vinyl, and classic black vinyl. Includes Slayer's Black Magic cover as a bonus track.