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2026 Repress

If ever an album could transport you to the hazy sunshine and imagined halcyon paradise of Southern California in the mid-1980s, could capture the early evening warmth of hanging at an inclusive boogie jam as it approaches “magic hour” in Santa Ana or Anaheim, then it’s Vaughan Mason and Butch Dayo’s Feel My Love. A brilliantly produced deep slung, low rider funk classic originally released on Salsoul in 1983. It’s a masterpiece of “funk love music”.

Yes, this is indeed a perfectly formed five track “mini LP” of unparalleled heat, but there’s one song here that, above the rest, represents Orange County boogie-funk. A straight killer beloved by all that have had the pleasure of moving to it. A track that can fill up a dance floor within seconds of its starting. That song is the eternal title track, “Feel My Love”.

This is a work of art that made people fall in love with the funk. It transcends the limitations of genre. “Feel My Love”’s deceptive simplicity makes it perfect to drop during a house set, a classic funk party or at a west coast rap jam. It’s sexy, deeply emotional, melancholic, hopeful, passionate and just radiates so, so much raw energy. This is music.

The rest of the record is hardly filler though. Opener “Oh, Love” is a dizzying, emotional slow jam. With heaven-sent vocals riding gorgeous, sweeping keys that alternate between sweet twinkling lines and funk-fuelled stabbing. It’s sensational. A rollerskating jam named “Rollalong Songs” is an ultra-swish piece of dance floor dynamite. Its slick drums, staccato piano and neck snapping claps underscore Dayo’s buoyant vocals. It’s essentially “Bounce, Rock, Skate, Roll Part II”.

The flip begins with “Party On The Corner”. Smoother than silk vocals, day-glo synths, a bubbling bassline and guitar licks that surely received the Prince seal of approval. It’s another example of how Vaughan Mason and Butch Dayo flirt with perfection so routinely. The most majestic closer, the kaleidoscopic, cow-bell-assisted synth-funk heater “You Can Do It” is a proto-rap groover that truly smokes.

This prized LP is a stone cold jam and finding original copies on vinyl at affordable prices has been tough for years. Mastered brilliantly by Simon Francis, cut by Pete Norman and with lovingly reproduced artwork, this fresh Be With reissue ensures this legendary LP now sounds, looks and feels as sensational as it should.

Crypt of the Wizard is proud to make available two legendary underground albums by Slutet on vinyl and digital formats.
Slutet originated in Uppsala well over a decade ago, first emerging as a loose idea around 2010. The original cluster of strangely like minded individuals - Dingir, Ryttersson, J.P., Sviatopolk, were equally set on starting a cult as they were a band, the former emerging as a loose collective known as The End Commune, while the latter eventually began rehearsing together as Slutet on September 1, 2013.
From this constellation three notorious demo tapes sprung which were self-released in very limited numbers, and only available by trading bodily fluids, blood, and/or hair for the cassettes. “A very loose guess but we made probably around 20-30 hand-drawn/custom demo tapes of the first three releases. We got blood and hair from many places, actually the very first offering was from INDONESIA. Slovakia, Germany, USA, Argentina, Norway, Canada, Finland followed.... if my memory serves..... hazy years indeed”
J.P. left early 2015. Later that year, after trying the band as a bass-drum-vocals outfit for a while, Fjalar joined on guitar. This is the classic constellation. Dingir, Ryttersson, Fjalar, Sviatopolk. The same troupe playing to this very day.
Following on from the compilation Slutet began work on their next offering entitled Jihad. While the departure of J.P. left them temporarily without a guitarist, a chance meeting with Fjalar at a rave ushered in a new era for the band. “I met the drummer and the bass player at a psytrance rave in the forest. I didn’t have any band and I wanted to play music and I saw this fucking weirdo with long dreads and a Hellhammer shirt and I just went up to talk to him”.
After Fjalar joined the rather chaotic fray, songwriting duties were spread out more broadly and Jihad was rehearsed and recorded in a haze. First released as a cassette by Manifest Of Hate Creations, and later on vinyl in an edition of 100 by Goatowarex the release quickly sold out and became as legendary, and as incredibly difficult to obtain as the previous releases. “It has got some psychedelic improvs, some very unorthodox and quite genius vocal work, some electronic undertones, some noisy ambience, a message of existentialism; all this wrapped up in some sloppy but very authentic and intense black metal-ish music.”
“After the vinyl compilation was out (early 2015) we felt probably a bit directionless, and, having parted ways with a befriended and talented guitar player, we felt maybe a bit morally weakened to continue. First, for a year almost, we toiled on without the 6-strings and rehearsed quite lengthy material for a proposed upcoming LP. However, that material never surfaced. Then we got a new guitar player (Fjalar) and created and recorded this mess”.
It is with great pride that we make these albums available to a general audience and in a wider pressing without need for bloodshed.

2026 Repress

Brazilian producer 'Bungle' returns to Thirtyone Records with his sophomore EP for the renowned British outlet for all things drum & Bass. Doc Scott curates the label closely and has selected four Bungle cuts that all have that same prolific vibe to them.

''Cocooned EP'' opens up with the sublime and dark title song. 'Cocooned' revolves around a savvy bass cut and Bungle's signature big drums. 'Distance' is a special piece with a gigantic pad at the centre of the song.

The big and jazzy hats are compilmenting the rhythm nicely while splashes of FX are cleverly being used throughout.
'Eclipse' is a nervous electronic cut with a thumping feel to it. Tech sounds, distortion and ethereal sounds are moulded to a buldging piece of dancefloor music. On the last position of the 'Cocooned EP' tracklist we find 'Impulse'. This track stands for: huge drums, deep bass sounds and a very ominous atmosphere

There’s classics and there’s CLASSICS.

Roberta Flack & Donny Hathaway’s BACK TOGETHER AGAIN is truly a masterpiece.

The James Mtume and Reggie Lucas penned gem is timeless - as proved by this sumptuous remake by the unlikely pairing of Sarah Jane Morris (ex The Communards) and velvet voiced Italian growler Mario Biondo.

Unlikely yes, but the result is an instant Modern Soul classic snapped up for worldwide exclusive 7” vinyl release by
ANORAX. The duet, catchy and guaranteed to make you smile, brings back memories of Lisa Stansfield sparring with Barry White (Mario really does sound like the great man).

The sound of yesterday made for today with a touch of House prodding along a happy reincarnation of one of Soul Music’s most glorious moments.

Alex Nut returns with The Heat, a four-track EP that further explores the fertile ground between House, Soul, Broken Beat and Jazz. As co-founder and curator of Eglo Records, his productions have always reflected the same ethos that has defined his label: music unconcerned with genre boundaries, rooted instead in groove, feeling, history and culture. The Heat EP showcases his unmistakable musical palette, featuring collaborations with two of contemporary soul’s most distinctive voices: Allysha Joy and Steve Spacek. Title track The Heat finds Australian vocalist Allysha Joy at the centre of the record. Floating over skipping, broken, drum programming, warm analogue textures and deep low-end pressure. Opening the EP is Bright, Alex’s collaboration with the inimitable Steve Spacek, first unveiled earlier this year, here it’s joined by a brand new Re-FreQ Mix, flipping the original into an acid-soaked club workout, all bubbling 303 lines, swinging percussion and late-night bump. Closing the EP is Duck Duck, the original sketch that would eventually become Bright. Featuring long-time collaborator Sam Croweon Rhodes and piano. It’s a beautifully loose, deep, jazzy, House-infused piece that captures the spirit of the session before the song took its final shape.

Alpha’s Trip continues its vinyl journey with the Day Tripper EP from French producer - Framboisier. The title track sets the tone with rolling rhythms, E-MU basslines, and subtle UK garage inflections, while ‘Body Double’ leans into deeper territory through understated grooves. ‘Kessel Drive’ pushes forward with late-night energy, blending progressive and tech house influences into a stripped-back but effective club tool.

Throughout the EP, nostalgic vocal fragments and warm pads meet punchy low-end pressure, creating a sound that feels both timeless and contemporary. Designed for intimate dancefloors and peak-time moments alike, Day Tripper showcases Framboisier’s ability to fuse character and functionality. Closing the release, Alpha’s Trip founder A for Alpha delivers an exclusive remix, reshaping the original around a driving, seductive bassline and her signature atmospheric pads, while maintaining the groove-focused energy that runs throughout the EP. A versatile package that moves effortlessly between warm-up sets, intimate dancefloors, and late night moments, Day Tripper is a record built for selectors who value depth, movement, and timeless house music.

Bernardo Pinheiro and Joutro Mundo seek to make a connection between house music and their native Brazilian traditions on this new EP for Banana Gold. Pinheiro brings over two decades of experience and Mundo is the founder of Onda Boa, so these two have serious chops and it shows. 'Viva Liberdade' is a hands-in-the-air piano house tune with Portuguese vocals but a sense of nagging melancholy that adds a distinct edge. 'Salve Salve' is chunky, bubbly and bass house with a lively vibe and 'Eu Amo A Vida' closes with some soft acid and a playful touch of Euro energy. A fine cross-pollination of styles.

Solid Groove founder Aubrey returns with a definitive EP that throws it back to the 90s with a collection of tracks from his Cheap Knob Gags label that he headed up with Josh Brent aka Schatrax. 'At The Crack Of Dawn (1999) Knob 5' is hot, humid, muscular house with tight synth loops and dusty layers of texture, then 'Bell Ringer (1999) Knob 5' slows it down with a more pensive and dubby groove. Flipping it once more, 'Does He Rent It Out (1995) Knob 1' is a speedy and tightly coiled rhythm with techno synths, tribal percussion and nods to free-tekno. 'Getting Your Palm Read (1995) Knob 5' is an unhinged and manic tool for the freaks and true to the ADHD nature of this EP, 'Manhole (1999) Knob 6' then slows into jazzy loops before 'Manhood 1996 Knob 2' takes off at full throttle once more. Wonderfully mad.

Filth’s returns from the golden era, bringing renewed attention to Daniel Poli’s and Paul Stubbs longstanding contribution to UK underground house. Originally released on Suspect Package in 2002, and now getting a new lease of life due to popular demand.

Voodoo brings that background into focus. Nag Kirinde handles the title-track remix, while “Dancin’” earned a place on Terry Francis’s fabric 02. “Whispas Dub” completes the original release. Back in circulation more than two decades later, the record offers a direct connection to the Swag Studios chapter of a producer, engineer and label owner’s wider history in underground music.

Mit FATHERS präsentiert sich ein außergewöhnliches neues Kollektiv aus Produzent Kenny Beats, Keyboarder Kiefer, Bassist CARRTOONS und Drummer Nate Smith. Auf ihrem selbstbetitelten Blue-NoteDebüt verbinden sie die Offenheit des Jazz mit Hip-Hop, Funk, Soul und elektronischen Einflüssen zu einem
ebenso virtuosen wie zugänglichen Sound. Entstanden aus einer Zusammenarbeit beim Montreal Jazz Festival 2023 und weiterentwickelt auf gemeinsamen Tourneen durch die USA und Japan, lebt FATHERS
von der kreativen Chemie seiner Mitglieder. Das Ergebnis sind acht Songs voller präziser Grooves, starker
Melodien und geschmackvoller Arrangements, die musikalische Raffnesse mit unmittelbarer Zugänglichkeit
verbinden.

Ein echter Meilenstein der elektronischen Musik kehrt zurück:
Der Laserdance-Klassiker von 1994 ist endlich wieder als CD und Vinyl erhältlich. Fans von Spacesynth und klassischem Electronic Dance dürfen sich auf die Wiederveröffentlichung eines Albums freuen, das bis heute Kultstatus genießt. Laserdance gelten weltweit als die Pioniere des Spacesynth-Genres und prägten mit ihren futuristischen Soundlandschaften, treibenden Sequenzen und unverwechselbaren Synthesizer-Melodien eine ganze Generation elektronischer Musik. Mit ihrem einzigartigen Mix aus Italo Disco, Space-Electro und atmosphärischen Sci-FiKlängen setzten sie bereits in den 80er- und 90er-Jahren neue Maßstäbe.

Das ursprünglich 1994 veröffentlichte Album begeistert noch heute mit energiegeladenen Tracks, epischen Arrangements und dem typischen galaktischen Laserdance-Sound, der Fans rund um den Globus fasziniert. Die Neuauflage erscheint sowohl auf CD als auch auf hochwertigem Vinyl und bringt diesen elektronischen Klassiker zurück in jede gut sortierte Sammlung.

Since launching two years ago, Craig White has used the Mister Bear label as a vehicle for quality, musically expansive deep house from a handful of established artists. Chief among these is Chicago great Vick Lavender, who here once more joins forces with trusted multi-instrumentalist Justin Dillard (and on side B, Will Jackson) for a pair of cuts fronted by honeyed vocalist Brian 'Smokey' Williams. A-side 'Experimental' is particularly special, with Williams seemingly improvising atop a chunky, bass-heavy organic house groove marked out by funky Clavinet licks, Ron Trent style percussion, spacey synths and rich organ chords. The collective goes deeper, smoother and even more intricate on flip-side 'Love Times', which is presented in both full vocal and instrumental forms.

"BIG PINK- A pink house seated in the sun of Overlook Mountain in West Saugerties, New York. Big Pink bore this music and these songs along its way. It's the first witness of this album that's been thought and composed right there in its walls."

Mit „Golden Chart Hits Of The 80s & 90s Vol. 6“ erscheint die nächste Ausgabe der beliebten Vinyl-Serie und bringt erneut die größten Pop- und Dance-Hits zweier legendärer Jahrzehnte auf den Plattenteller. Die neue Compilation vereint internationale Chart-Klassiker und echte Kultsongs der 80er und 90er Jahre in einer hochwertigen Vinyl-Edition.

Mit dabei sind unter anderem Hits von Ace Of Base, Soft Cell, The Rainbirds, Corey Hart und Kim Wilde. Die Zusammenstellung bietet eine perfekte Mischung aus New Wave, Synth-Pop, Dance und Pop-Rock – ideal für Sammler, Vinyl-Liebhaber und Fans unvergesslicher Radiohits.

Die „Golden Chart Hits“-Reihe von ZYX Music steht seit Jahren für nostalgische Musikmomente und sorgfältig kuratierte Hit-Compilations auf Vinyl. Vol. 6 setzt diese Erfolgsgeschichte konsequent fort und liefert den perfekten Soundtrack für jede 80s- & 90s-Party.

For decades, dancers, collectors, and fellow selectors have asked Beppe Loda the same question: "Where do you find these records?” The answer remains classified. What we do know is that few figures in dance music have spent as much time digging, discovering, and championing forgotten sounds as the Italian maestro. Long before algorithms, reissue campaigns, and online marketplaces made obscurity accessible, Beppe was uncovering hidden treasures and introducing them to adventurous dance floors. His influence stretches from the legendary Typhoon club to the present day, inspiring generations of DJs, collectors, and cosmic music devotees along the way. Italian Spaghetti Disco Freak Vol. 5 offers four more clues. Drawn from Beppe's vast archive and lovingly retooled for modern-day disco freaks, these edits are a reminder that the best dance floors are built on surprise. Strange records become anthems, forgotten melodies become obsessions, and once again Beppe proves that nobody keeps dancers guessing quite like he does. By now, the evidence is overwhelming. Beppe's well of Italian disco appears to be bottomless. Every time it seems impossible that another forgotten gem could emerge, the maestro somehow uncovers another one. The mystery continues. In Beppe ci fidiamo.

The latest edition of 'Downtownsounds Classics' arrives from Dublin disco messers Fatty Fatty, just in time for the summer sunshine !

Fully licensed and cut loud on 12 inch vinyl the way God (aka Walter Gibbons) intended, it sees in-house producers Pablo and Shoey take on two choice cuts from the legendary Salsoul label.

Salsoul was the very first label to release a commercially available 12 inch remix - the aforementioned Gibbons and his 9 minute extension of Double Exposure's '10 Per Cent'. They would go on to issue a raft of underground disco classics with mixes by the legendary likes of Larry Levan, Tom Moulton and Shep Pettibone. Having robbed the famous 'Baker-Harris-Young' rhythm section from Philadelphia Records, they defined the disco sound in the second half of the 1970's and kept roaring well into the next decade.

The new mixes pay explicit tribute to two hugely formative influences on the Fatty fellas - The A extends the mysterious and wondrously wonky Big Bear edit of Bunny Sigler's 'By The Way You Dance'. Back in the day, these cosmic under-the-counter 12s helped show the Fatties how to disco real right, and they've stood the test of time wonderfully. This one has been at the front of Pablo's bag for longer than he cares to remember, and now the rest of the world can enjoy it, with some extra Pablo and Shoey disco magic thrown in for good measure...

Speaking of cosmic, the flip sees the lads turn in a stripped-back, ever-building mix of First Choice 'Hold Your Horses'. Having first heard this played by the Cosmic King himself, Danielle Baldelli, they found themselves let down by the commercially available mix. Through the disco haze, and with some subtle stemming, several outer-space whooshes and a string/vocal climax to die for, they've tried to recreate the way they heard Baldelli play it...

With the classic Salsoul artwork also present and correct, this is a love letter to perhaps the most important label in dance music history, with music that still sounds amazing five decades on... Don't sleep!

"Al Festa's musical genius was revealed at the age of 14 when was released ''Starway to Escher'' with the Italian prog rock band Bauhaus (1974). His talent continued with "Miss Manhattan" by Metropole Al Festa, Francesco Puccioni (aka Mike Francis), Claudio Giorgi, Sharon Russell vocalist), his very first disco-music song in 1981. Over his career - a dozen movie soundtracks and hundreds music videos - his involvement in the Italo-Disco scene of the early 1980s is noteworthy. Undoubtedly, his contribution to Kristal (himself Al Festa, with Anne Dattner and Max Liofredi) remains most memorable. "Ete Super" was written with Helene Chauvin, a close friend of the now legendary Jeanne Mas. Helene attempted success as Abilene with "Tout Tout Tout Mais Pas Ca" arranged by another Italo-disco legend, Pierluigi Giombini (1987). Returning to Kristal, what convinced Claudio Casalini - one of Al Festa's best friends - to create this vinyl reissue was not only the memory of this talented artist, who passed away prematurely, but also the track "Fallin'" on the B-side, which embodies all the composer's post-Romanticism, a song rich of emotional and sensitivity, with intimate and often dramatic tones. When you are about to purchase Kristal, keep this excellent B-side in mind. You will not regret the choice."

Mike Gordon's debut album as Mk.gee, "Two Star & the Dream Police," is a groundbreaking fusion of pop, rock, and soul. Hailing from New Jersey, the 26-year-old musician redefines familiar genres with his unique approach to sound, incorporating unconventional tones, tempos, and textures. His distorted guitar riffs and soulful vocals, reminiscent of Prince, cut through murky, experimental mixes, creating a captivating sonic landscape that refuses to conform to traditional boundaries.

Despite his experimental tendencies, Gordon demonstrates a mastery of melody, crafting intricate and engaging pop songs from seemingly chaotic compositions. "Two Star" is both innovative and accessible, offering a fresh take on contemporary music while retaining a timeless quality.

While Gordon has been releasing EPs and mixtapes since 2017, it was his collaboration with Dijon on the latter's debut album, "Absolutely," that introduced him to a wider audience in 2021. Their dynamic live performances, characterized by Gordon's frenetic guitar playing and Dijon's charismatic stage presence, exemplify the creative synergy between the two artists. Dijon credits Gordon with pushing him to new creative heights, infusing his music with a newfound rhythm and freedom. "Absolutely" marked a significant evolution for Dijon's sound, with Gordon's influence recognized as invaluable to the project's success.

A &meless disco classic meets modern house energy as Hamilton Bohannon returns with a brand new
reimagining of “Let’s Start The Dance”, featuring the unmistakable touch of interna&onal house icon Joe T
Vannelli. This special release blends the original groove and soul of Bohannon’s legendary sound with
ontemporary club produc&on, delivering a powerful package for DJs and dancefloors worldwide. Alongside
the main Joe T Vannelli Remix, the release also includes a Classic Mix that stays closer to the spirit of the
original version and a New Corve7e old school mix. A perfect fusion of disco heritage and house music
culture, created for true lovers of groove, rhythm and &meless dance music.

Box Set w/ Hand-stamped LP, 36 page riso-printed book, Riso-printed fold-out poster, Stickers

"Phantom Seance Ballett is a boombox orchestra, Nō mimes, Vicky’s protection spells, Detlef’s psychic shuffles, a smoke machine, a strobe light chamber, painting, Margit Carstensen’s chiffre, Susie Greene’s insults, Schleim, Ebichu’s echoes and Anna Oppermann’s limbo."

Thus we welcome Lena Willikens & Sarah Szczesny's ethereal Phantom Kino Ballett project to Utter with 'Phantom Seance Ballett', an unusually tangible manifestation of what has become an on-going series of live performances and installations that incorporate sound, video, costume, still imagery and beyond. The themes explored weave in and out of grasp, touching on the otherworldly and mysterious, on hypnotic rites and ceremonies, on the fetishisation of cultural tropes and curios.

While carefully documented, these happenings had not been distilled or presented in a cohesive format until now. Of course, an attempt to harness and package such an experience required an imaginative leap beyond the traditional 'record-in-sleeve' approach and Lena and Sarah have overseen every aspect of this remarkable collection themselves.

Working with designer Till Sperrle, Lena and Sarah have conjured up a fold-out box containing an LP, a riso-printed credits poster detailing the samples and snippets collaged into the sound, a 36 page book with imagery from various shows and an essay by Thomas Vorreyer plus sticker pack. The limited 50 copy artist edition contains an additional 10 special riso-prints within an artist stamped hand-numbered box. For all, the LP contains twenty hidden locked grooves cut into the run-out on each side presenting snippets from the artists' archive.

The first of these pieces - 'Identikit Arkaden Seance' - took place on the 2nd of October 2019 at NAK Neuer Aachener Kunstverein and is a live recording. This performance was part of their exhibition "Chambers of Phantom Kino Ballett", where they showed new video works and displayed the now infamous costumes and slippers worn by Lena, Sarah and a rotating cast of guest phantoms.

At this performance, the seven performers carried boomboxes playing individual audio tracks inside and outside the Kunstverein, while Viktoria Wehrmeister and Detlef Weinrich improvised music alongside the phantoms' moving soundtracks of sonic snippets, poetry, field recordings and soundscapes.

The second piece - 'Studio Chamber Seance' - contains diverse audio tracks of performances that were held by Willikens and Szczesny in collaboration with Wehrmeister and Weinrich. It has been deconstructed and rearranged with additional sound material from the Lena Willikens & Sarah Szczesny archive, then edited and mixed by Lena and Sarah in Amsterdam and Cologne last year. Additional music by Detlef Weinrich and Viktoria Wehrmeister features throughout, recorded live in Aachen 2019 and Frankfurt 2020.

Mastered by Gordon Pohl. Transfer, additional mastering & lacquer cut by Helmut Erler at D&M.

Obscura Pulse I marks the start of a new label series delving into contemporary pulsating sounds of underground wave-infused music. Selected tracks of previously unreleased material or available on vinyl for the first time.

The first edition moves through the realms of European wave music, with support from German EBM act XTR Human, Dutch/Romanian synthpunk act Badtime, Italian darkwave/post-punk duo Schonwald, German Age O.P.F., Dutch darkwave queen Camy Huot, Austrian minimal synth duo Mitra Mitra, Dutch minimal wave act Raderkraft, Belarusian goth/coldwave act Tout Debord, Dutch synthwave wizard Adam Tristar and Croatian minimal synth maestro Neon Lies.

Explore the shadow frequencies of the underground pulse: from the hard hitting warehouse EBM energy in opener “Sledgehammer” by XTR Human (remixed by Dancing Plague). The analog machinery mastered by Raderkraft in future minimal wave classic “Virtual Reality Check” or Adam Tristar exploring cinematic synth landscapes balancing between retro futurism and dark club momentum in “Goosebumps”. On the flipside, Schonwald’s “Starless” bolts menacingly on gritty drones, metallic drum programming and rumbling bass lines. Mitra Mitra crafts suspense in the elegantly synth-driven soundscape “The Lure of the Naïve” and Neon Lies closes the circle with moody synthwave melancholy in “Heavens”

How time flies when we’re talking truly classic House Music.

Incredibly it is 35 years since the epic BREAK OF DAWN was released. Track creator Geoff Hibbert had released the much loved A PLACE CALLED BLISS by CYCLONE on Network before coming up with the stunning BOD.
It was decided that a change of artist I/D away from Techno/Bleep influenced Cyclone was required and RHYTHM ON THE LOOSE was born.

Network came up with an initial limited edition 12” press on their One After D label to tie in with the Rave zeitgeist of 1991, to help kickstart a buzz on the track. Once this was ignited the “ suitcase at the door “ gem was properly released on the main Network label.

Acclaimed as an instant classic both in the UK and USA - where Network label mate Kevin Saunderson was an enthusiastic early advocate - BREAK OF DAWN is one of the tracks that truly shaped and defined the House Music explosion. Since then it has matured like fine wine.

To celebrate the 35th anniversary Network invited M.A.S.C (Mark Archer and Shadow Child) to come up with a remix that befits the as good as it gets status of the mighty BOD. They duly obliged..it’s a gem.

First copies of the remix are on a unique ADVANCE DJ COPY label with the track on both a and b sides.

An instant do you know the score collectors item …1991 to 2026 35th Anniversary Remix 12.

Lemakuhlar (Stijn Verheyden & Tobias Van Eeckhout)

pressure control’s second release comes from the hands of Shift label-head Phase O’Matic.

Following seismic hits on Libertine, Exarde, EYA, New Fair Tracks and Chandelle, our boy wonder crashes into the pressure control spotlight with a deadly five-tracker primed for the floor.

Touching all corners of what we know and love – you can run, but you can’t hide.

Available for pre-order now via One Eye Witness.

All music by Jules Von Daniken
Pressing and distribution by One Eye Witness
Design by Al Robertson
Mastering by Marco Pellegrino

A collection of hit songs released at the time of the TV anime "Dragon Ball", including rare insert songs, has been reissued on clear orange vinyl. This is a truly one-star ball (Yishinchu) disc!

A collection of hit songs that also includes the opening theme song "Makafushigi Adventure!" and ending theme song "Romantic Ageruyo" released in 1986. The "Son Goku Song" is sung by Masako Nozawa, the voice actor for Son Goku, the main character of Dragon Ball, and the "Wolf Hurricane" is sung by Toru Furuya, Yamcha's voice actor, Hyuma Hoshi from Star of the Giants, and Amuro Ray from Mobile Suit Gundam. Contains a total of 10 songs, including "Mutenroushi no Oshie" song by Kohei Miyauchi, the voice actor of Master Roshi! A must-have for Dragon Ball fans!

The ultimate soundtrack of the summer is here: Mixatissimo, a 10-track vinyl-only mixed dance compilation bridging nostalgic ’80s sunshine vibes with modern Italo and indie-dance energy.

In Italy, during the 1980s, there was an absolute ritual that marked the beginning of summer: the release of those mixed dance compilations with glittering, futuristic covers. They weren’t just records; they were the very definition of sun, sea and tan lines. It was precisely holding one of those vinyls in his hands – the first one he ever bought – that sparked the musical passion of Italian DJ and producer Hey Cabrera!

Today, that perfect circle closes with Mixatissimo, a project that takes that nostalgic inspiration and transports it straight into the modern era.

Released as an exclusive vinyl-only edition by Universo Segundo and powered by Bordello A Parigi, the compilation packs 10 bangers oscillating between modern Italo, indie-dance and electronics, featuring some of the hottest names on the contemporary scene.

Exclusive special edits have been crafted for every single track, locking the groove into a fixed BPM for each side: 122 BPM on Side A and 125 BPM on Side B. Thanks to smooth transitions featuring drums-only sections, the record flows as a continuous stream for the listener, while simultaneously serving as the perfect tool for DJs who want to mix the individual tracks.

A meticulously calibrated selection, designed as much to make the dancefloor explode late at night as to keep the rhythm high in the most sophisticated listening bars.

The soundtrack to your summer is ready.
What are you waiting for?

Klasse Wrecks' 62nd release duly soundtracks our current dystopian and surreal surroundings with the debut record from brand new project Comply (made up of Onirik and JJ Martinez). Indebted to past sounds of EBM, dark acid and rave ghosts lost in the mist the record shines over 4 tracks, proving that when all else is lost theres always music. It's a heads down affair but still with eyes focused firmly on the prize.

After a wildly busy and successful first year in operation, CLOSE PROXIMITY announce ”House of Hades EP” on Belters 4U.
This is their most accomplished EP yet, that is a tribute to the artists of the 90s electronic scene who’s music continues to inspire today.
Jam packed with all things trance, progressive and euphoric…the EP is isnpired by the duos biggest influence…Underworld.
2026 is off to a flyer for those London lads CLOSE PROXIMITY.

Always lurking amidst the underground Porto music scene is Spitbender, the most stable moniker of the ever-morphing Francisco Antão. Spin gathers a collection of tracks that demonstrate his experimentalism & coy sonic precision. Spitbender takes cues from Jungle & Hip Hop producers to create his own unique blend of Downtempo. What becomes clear throughout the album is the attention to detail: it is infused as much by Industrial's red-line spectra as it is by the dubplate logic of the Darkside Continuum, yet it does so at its own tripped out speed.

Spin begins with the laid-back but constantly shifting 'Global Overgroove'. Its breakbeat science moves in & out of DSP glitch-work & dub reflections. When its slinky bassline melody arrives, a certain dread sets in.

'Weyward Fold' drops into a driving, hard-edged chug, threaded with snippets of Malcolm X's disobedient pedagogy. The momentum carries into 'Headnod Doctor', where the bass distortion thickens & the cymbal circuit is overloaded, landing somewhere between Hip‑Hop grit & metal weight.

Side A ends with the downtempo roller 'Dogs and Moles (Skylurk Mix)'. The familiar break drifts into new territory, pulled along & wrapped in a slap-back echo. A quirky melody cuts through the haze, giving the track a fresh tilt. The mulch of the track forms a steady, unhurried pulse.

Spitbender's spacious atmospherics & groove-focused approach comes further into focus on 'Nothing Here But the Recordings'. Creating his own chapter in the book of Trip Hop, his minimalist touch is laid out in full.

'Force the Hand Ov Chance' pulls Boom Bap gently into dub mechanics, letting space do the heavy lifting. Its simplicity hides a deep pocket.

Returning to broken-up distortion, 'Mirrors of Flesh (Dub Mix)' finds Spitbender using the mixer as an instrument to push & pull the heavy drums of Benjamin Brejon of Méchanosphere alongside the voice of Rui intoning the title phrase.

Sitting between the album's two poles, 'Out Take Dub' fuses the clipped‑obsession timbres of Spin's heavier moments with its blissed out flow. Feedback & distortion are welcomed & drawn long.

In the end, Spin hits like a fully formed statement—lean, focused, & unmistakably Spitbender. Every track pushes its own angle, but together they land with a clarity that feels earned. It's a sharp marker in his trajectory, & it leaves a charge in the air.

SCHWARM (Martinou Remix)
Martinou reshapes SCHWARM into fluid sound currents and a glowing, hypnotic arpeggio. Intimate yet euphoric, it's a slow-burning dream. He and Harald Björk first connected through Myspace in 2008. Martinou has since released on Nous'klaer and Mule Musiq, among others.

SCHWARM (Sniper Mode Remix)
Gregor Tresher revives Sniper Mode with sharp 808 electro - minimal, deep, precise. After meeting Björk via Cocoon, the link continued through Break New Soil.

ALUCO (Revisited)
Björk reworks his Cocoon Recordings release into a deeper, more spacious trance journey. A staple in his live sets and championed by Ida Engberg and John Digweed, it returns stripped, atmospheric and hypnotic.

ALUCO (AD Remix)
AD is the deeper alias of Alexi Delano, a key figure since the SVEK era. His version drifts through nocturnal Stockholm - dubby, cold, immersive.

In their third collaboration, the shared project between Merzbow and Pedro Vian shifts towards less confrontational and more introspective terrain. Bardo Thödol, released as an LP, draws on The Tibetan Book of the Dead not so much as an explicit narrative framework but as a conceptual resonance: a passage, a suspension between states.
Where Inside Richard Serra Sculptures and The Wheel of Mani foregrounded a relatively defined dialectic between Vian’s environmental restraint and Masami Akita’s impulsive, textural excess, that friction here appears to dissolve in favour of a more homogeneous mass. Noise, far from its most abrasive edge, is reconfigured as a continuous field — dense yet permeable.
Within this flow, melodic structures emerge without assertion, surfacing almost incidentally as by-products of the accumulation of frequencies itself. The result is less a reconciliation of languages than a blurring of their boundaries: a space in which intensity is internalised and the radical gesture folds into a more sustained, contemplative mode of listening.

Die internationale Rocksensation The Hives, die beste Liveband der Welt und immer noch eure neue Lieblingsband, hat wieder einmal, schneller als erwartet, ein neues Werk geschaffen, wie man es noch nie gehört hat und wahrscheinlich auch nie wieder hören wird. Ihr siebtes Album 'The Hives Forever Forever The Hives' erscheint am 29. August auf dem ehrwürdigen Label Play It Again Sam. Ein neues Album voller Energie, Freude, Wut und Leben! Jeder einzelne Song eine Single, jede einzelne Single ein Hit, jeder Hit ein Volltreffer mitten ins Gesicht. Diese neue Meisterwerk entstand unter der Leitung des langjährigen Kollaborateurs Pelle Gunnerfeldt in Stockholm. Mike D von den legendären Beastie Boys ist als Gast vertreten und auch Josh Homme (Queens Of The Stone Age) stand mit Rat und Tat zur Seite.

The Hives, bestehend aus Howlin’ Pelle, Chris Dangerous, The Johan And Only, Nicholaus Arson und Vigilante Carlstroem, haben sich in über dreißig Jahren in die Annalen der Rockgeschichte eingeschrieben. Dank ihrer Erfolge füllten sie große Stadien und teilten die Bühne mit so monumentalen Acts wie AC/DC und den Rolling Stones. Die BBC bezeichnete sie als „Naturgewalt“, und der Rolling Stone kürte ihr Album 'Veni Vidi Vicious' zu einem der 100 besten Alben des Jahrzehnts. Mit Millionen verkaufter Alben, Platin-Auszeichnungen und zahlreichen Preisen - Grammys, MTV Awards, NME Awards - gelten sie als Titanen der Musikwelt. Oder wie Joe Strummer es gesagt hat: The Hives haben den Rock ’n’ Roll gerettet!

Lambrini Girls kündigen am 15. Januar ihr mit Spannung erwartetes zweites Album „NO REFUNDS“ an. Ihr Debütalbum „Who Let The Dogs Out“ schaffte es in die Top 20 der britischen Charts, wurde von Magazinen wie Kerrang! und NME auf den Titelseiten vorgestellt, sorgte weltweit für ausverkaufte Tourneen und löste einen regelrechten Hype in den sozialen Medien aus. „No Refunds“ ist düsterer, direkter und radikaler. „BANG BANG BANG“ eröffnet die Kampagne mit voller Wucht: scharf, schnell und explosiv.

Lambrini Girls sind ein Punk-Duo aus Brighton, das Musik über all das macht, worüber deine beschissene Regierung, deine beschissenen Chefs und deine beschissenen Männer lieber nicht reden würden. Phoebe Lunny (Gesang, Gitarre) und Selin Macieira-Boşgelmez (Bass) stehen ganz in der Tradition des Riot Grrrl – roh, laut, witzig und wütend. Ihre Songs über sexuelle Übergriffe, Queerness, Sparpolitik, Rassismus und toxische Beziehungen werden mit einer chaotischen Live-Energie vorgetragen, die Veranstaltungsorte in Moshpits und Fremde in Gemeinschaften verwandelt. Ihr Debütalbum „Who Let The Dogs Out“ (City Slang Records, Januar 2025) war eine der meistgelobten Platten des Jahres: eine Metacritic-Bewertung von 83, was auf „allgemeine Begeisterung“ hindeutet, ein Einstieg auf Platz 16 der britischen Albumcharts, Rough Trades „Album des Monats“ und Platz 12 in Kerrang!s Liste der 50 besten Alben des Jahres 2025. NME kürte es zu einem der 20 besten Debütalben des Jahres. Die Band zierte die Titelseiten von Notion, Kerrang!, Paste, New Noise und Variety und erntete Lob von Größen wie Kathleen Hanna, Sleater-Kinney und Peaches, die ihren Hit „Cuntology 101“ remixten. “ Im Anschluss an das Album folgten mehrere ausverkaufte Headliner-Tourneen durch Europa, Großbritannien und Nordamerika, bei denen sie das O2 Forum Kentish Town ausverkauften und sich einen Auftritt beim Coachella sicherten, bevor sich Frontfrau Phoebe Lunny mitten auf der Tournee in Australien eine Halswirbelfraktur und eine Hirnverletzung zuzog. Die US-Termine wurden verschoben. Und dann neu angesetzt. Eine Reihe von Festivalauftritten wurde angekündigt. Ein Auftritt als Vorgruppe von Bikini Kill in New York wurde hinzugefügt. Das ist nicht die Ruhe vor dem Sturm … Die Lambrini Girls sind schon mittendrin, und sie werden gerade erst richtig loslegen.

Lambrini Girls kündigen am 15. Januar ihr mit Spannung erwartetes zweites Album „NO REFUNDS“ an. Ihr Debütalbum „Who Let The Dogs Out“ schaffte es in die Top 20 der britischen Charts, wurde von Magazinen wie Kerrang! und NME auf den Titelseiten vorgestellt, sorgte weltweit für ausverkaufte Tourneen und löste einen regelrechten Hype in den sozialen Medien aus. „No Refunds“ ist düsterer, direkter und radikaler. „BANG BANG BANG“ eröffnet die Kampagne mit voller Wucht: scharf, schnell und explosiv.

Lambrini Girls sind ein Punk-Duo aus Brighton, das Musik über all das macht, worüber deine beschissene Regierung, deine beschissenen Chefs und deine beschissenen Männer lieber nicht reden würden. Phoebe Lunny (Gesang, Gitarre) und Selin Macieira-Boşgelmez (Bass) stehen ganz in der Tradition des Riot Grrrl – roh, laut, witzig und wütend. Ihre Songs über sexuelle Übergriffe, Queerness, Sparpolitik, Rassismus und toxische Beziehungen werden mit einer chaotischen Live-Energie vorgetragen, die Veranstaltungsorte in Moshpits und Fremde in Gemeinschaften verwandelt. Ihr Debütalbum „Who Let The Dogs Out“ (City Slang Records, Januar 2025) war eine der meistgelobten Platten des Jahres: eine Metacritic-Bewertung von 83, was auf „allgemeine Begeisterung“ hindeutet, ein Einstieg auf Platz 16 der britischen Albumcharts, Rough Trades „Album des Monats“ und Platz 12 in Kerrang!s Liste der 50 besten Alben des Jahres 2025. NME kürte es zu einem der 20 besten Debütalben des Jahres. Die Band zierte die Titelseiten von Notion, Kerrang!, Paste, New Noise und Variety und erntete Lob von Größen wie Kathleen Hanna, Sleater-Kinney und Peaches, die ihren Hit „Cuntology 101“ remixten. “ Im Anschluss an das Album folgten mehrere ausverkaufte Headliner-Tourneen durch Europa, Großbritannien und Nordamerika, bei denen sie das O2 Forum Kentish Town ausverkauften und sich einen Auftritt beim Coachella sicherten, bevor sich Frontfrau Phoebe Lunny mitten auf der Tournee in Australien eine Halswirbelfraktur und eine Hirnverletzung zuzog. Die US-Termine wurden verschoben. Und dann neu angesetzt. Eine Reihe von Festivalauftritten wurde angekündigt. Ein Auftritt als Vorgruppe von Bikini Kill in New York wurde hinzugefügt. Das ist nicht die Ruhe vor dem Sturm … Die Lambrini Girls sind schon mittendrin, und sie werden gerade erst richtig loslegen.

This is a remixes album of DJ Funny and Bojvck's album, *Horse To Horse*. Two Korean artists remixed two tracks from the album respectively; the track "Different W/M" was handled by deung, an ambiguous and mysterious artist collective, and features excellent experimental electronic sounds. The B-side was handled by L-like, one of Korea's most talented producers and DJs, and is impressive for its witty percussion and effects. It is a remixes album where you can experience a fresh vibe, as the remixes were performed by artists who play music different from the original tracks.

Luca Lozano returns with “Bop (Rad Feeling)”, Released on Southern Fried Records, the track channels Lozano’s love for classic UK club culture through punchy drums, elastic basslines, and infectious vocal hooks that feel equal parts playful and euphoric.

With this release, Luca Lozano once again showcases his ability to blur the lines between retro futurism and contemporary dance music, delivering a track that feels both familiar and fresh.

It's the solo debut that confirmed Q-Tip could flourish well beyond the formidable confines of A Tribe Called Quest: Amplified. The signs had been there for years, of course, though this was the first time his instinct for jazz-inflected grooves and immaculately sculpted production stood entirely on its own, embracing a more radio-facing disposition and preserving the musicality that had long distinguished his work. 'Breathe And Stop' and the irrepressible 'Vivrant Thing' became the obvious calling cards, then 'Higher' and the Busta Rhymes-assisted 'N.T.' show just how effortlessly Q-Tip could reconcile crossover appeal with genuine artistic finesse.

Very very very pleased to be able to put this release out, as so many of these Phineus II tracks have been mainstays in my sets for a number of years & it feels good to finally have them out for everyone else to be able to hear and enjoy.

To me, these tunes fully represent the unique sound and style that only he can capture in his music. It was hard to narrow the track pool down to a 4 track EP, so it had to be expanded to an 8 track release, featuring some of my favourite tunes of his, some of which have been unreleased for close to a decade!

Big up to Phineus II for his one of a kind production skills & ideas & to Kid Lib for his archiving of these tunes & for allowing me to release some of these tracks, as some of them were marked for release on his label Green Bay Wax.

Four cuts destined to take you on an Adventure In Paradise. No additives, just raw records spliced, diced, and processed through the blender to better feed the dancefloor and DJs alike.

A1 - If you’re asking yourself if something can be chuggy at 128 bpm then you’re in the right place. Disco-stomping belter ploughing its way down the M20 searching for the port, then the south of France and finally Freddie’s bedroom. Don’t forget the stops for a breather.

A2 - Four films?? That’s about as insane as this edit; a swaggering, mop-topped and dubbed-out groover boasting a ph-fat flamenco freakout at its klymaxxx. Would Harvey play it? Dunno, but the bootleg variety definitely already does.

B1 - Shades of Rimini as the pianos set over another rubbery bassline and the Adriatic Sea arpeggiates its ocean spray all over the gaffe. If this ain’t heaven, we’re not sure what is.

B2 - Nothing like a lashing of nutritious Italo-dance slop to carb-o-load the dancefloor at its peak. Just watch as the crowd devours this Ragú of musical flavours, with elements of Disco, New Wave, Acid House and Jazz all thrown in the pot.