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2026 Repress

The undisputed star of 2021, Sweely has provided 4 staples from his inimitable live set, now in DJ-ready form.

The second chapter from Alfabet Records unfolds in two movements: Bread&Butter and Jay Tripwire — a dialogue between emerging form and decades of refinement, where minimal structures drift through groove and time.

“Estonian cultural theoretic Tõnis Kahu once said that Black Metal is men seeking for masculinity while their bodies lack the capacity to catch up and are lagging behind. In the age of microplastics and low-testosterone, Tapetud Rott is asking for ancestral guidance from George Michael. Each day with the growing pains of maturity they can only dream about living somewhere so happy-go-lucky and tranquill as the city that once provided the suitable breeding ground for giving birth to such an agressive and theatrical expression that could mark its cadaverous polar opposite. The mask they now so falsely wear is one seeking for Vitamin D inside the heart of a deceased Rat.”

Limited Black 7-inch Vinyl

Music by Robert Nikolajev & Mikk Madisson
Recorded in Tallinn

Mastered By The Bastard

The fifth installment in Roots Run Deep comes from the album, No Happiness Without Sadness. “Run Dem Mouth” was originally released in 2023 on Ruff Neck Records / Ruff Neck HiFi.

The vinyl release includes the version on the B side.

Roots Run Deep is a sub-label by Aloha Got Soul featuring reggae music from Hawaii.

Flashcore & Speedcore – Serygraphied sleeves – 300 limited & numbered.

with 2 tunes from NO-TEK 20.

"K8A a.k.a. Kaethe Hostetter is a New York–based violinist. composer, and bandleader, whose work grew out of eleven years living and collaborating in Ethiopia. As a founding member of Debo Band and QWANQWA, Hostetter has been performing Ethiopian music for over two decades, and her solo debut, Woradj Alle, builds on this legacy by reimagining Ethiopian songs through live-looped violin and electronics.
"The album unfolds as a hypnotic, ritual-like performance that expands the instrument into an immersive sonic landscape, that refracts Ethiopian classics through dub, psych rock, and avant improvisation. It is not fusion, but transmission - music that blurs memory, place, and time.
"This collection of musical vignettes is based on my time in Ethiopia, the place I called home for 11 years", Kaethe explains. "The phrase 'Woradj Alle' is one of the first colloquial expressions I learned upon arriving in Addis Ababa, used on public transportation, simply meaning 'let me off right around here'. In choosing this name, I invite you to join me on the rickety minibus journey through my time in Ethiopia, and step off 'the bus' into scenarios, atmospheres, and soundscapes that describe moments I experienced, people I met, and other lasting impressions, striking and mundane."

Legofunk Records has returned with “Super Disco Edits”, continuing its signatureapproach of breathing new life into vintage grooves. This release fits right into the label’s niche: carefully crafted edits of classic disco and funk tracks, often extending breaks, enhancing rhythm sections, and making them more DJ-friendly while preserving the soul of the originals. Legofunk has built a reputation among collectors and selectors for digging deep and delivering versions that feel both nostalgic and fresh.

"In 1910, the illustrator George Herriman created the Krazy Kat comic strip. Ignatz, a vicious mouse, was Krazy Kat’s arch enemy, and his favourite pastime was to throw bricks at Krazy Kat’s head (who misinterpreted the mouse’s actions as declarations of love)
"Ignatz is the alter-ego of Belgian musician Bram Devens. Since 2005, he has released around 20 albums accompanied by guitar, in LP, CD or cassette formats, on labels such as (K-RAA-K)³, Ultra Eczema, Fonal, Mortaux vaches, Okraïna, among others. Ignatz has toured all over the world: Belgium, Germany, the Netherlands, France, Great Britain, Italy, Finland, Greece, Switzerland, Portugal, Lithuania, the United States, Japan, etc.
"Since the beginning of his journey as a singer-songwriter, Ignatz has played wonderfully and mysteriously with the combination of the similar and the unfamiliar, between the repetition and permanent reinvention with slight shift in accents... Now For two decades, when discovering his new songs, whether on record or in concert, his expressive and sonic universe can be recognized in seconds, and at the same time, he surprises every time. This is clearly also the case with ‘I Don't Know’, an album for which (after the cassette ‘Coffee, No Cigarettes’, Taping Policies 2017) he trades his guitar for the piano.
"In the mid-2010s, Ignatz inherited the family piano. As a self-taught musician, he explored the instrument and gave a piano concert in the small Flemish town of Geel, which was filmed by Jef Mertens (who also released the aforementioned cassette) and attended by Beata Szparagowska and Philippe Delvosalle from the label By the Bluest of Seas. After some years, it was in his home in Landen that Bram Devens recorded this haunted piano album, which is unlike any other piano record."

2026 Repress

Chicago deep house pioneer Merwyn “Merle” Sanders needs no introduction to true heads.As one half of the legendary Virgo Four (alongside Eric Lewis) and under a slew of aliases, Merwyn helped shape the sound of late ’80s deep and acid house. Their records, now considered foundational, continue to echo across dancefloors and DJ sets worldwide.In the late ’90s, after years of trying to release more material through Trax Records, Merwyn took matters into his own hands. He self-produced his first 12” under the Merle alias — a record that sadly flew under the radar at the time, with most copies eventually destroyed. But one track survived and thrived: “Fannie Likes 2 Dance.” What started as a quiet release became an underground classic, highly sought after by DJs and collectors alike.

Now, Still Music and Jerome Derradji proudly present the full reissue of this cult favorite — featuring the two original mixes along with a never-before-heard unreleased remix by Merle himself.

This special edition comes housed in a full sleeve, complete with a detailed backstory written by Jerome Derradji about the track’s origins and legacy. A true slice of Chicago house history, back where it belongs — on wax.

Punctuality presents its ninth release, Night Time, a potent four-tracker from Irish born, Berlin based producer New Members. Positioned on the spriitzzier end of the label’s canon, the record is a refined exercise in restraint, channeling classic, deep leaning house through a starry eyed, nocturnal lens.

The arrangements are unrushed and uncrowded, with each track built from a small selection of elements deployed for maximum impact. Evoking the deep cuts of early Balance and Global Underground mixes, the EP deftly weaves golden era progressive influences with neoteric production aesthetics. The result is polished, punctual tech house for late nights that stretch seamlessly into the morning light.

Title track Night Time carries a closing track sensibility: cute, catchy vocals glide over bubbling synths, blossoming pad washes, and jazzy chord stabs, recalling the finest Canadian Riviera house releases of the late 2010s: Total eyes closed on the dancefloor energy. Whisper In the Dark comes in trackier and toolier, with a rolling bassline resplendent with attitude and key changes, while trance and euro referencing stabs add a subtle touch of euphoria to the late night feel of the track.

Wishing Well maintains the afterhours feel with subtle atmospherics, gentle pads, and dubbed out acid wiggles, while chopped vocals and a pulsing low end push the groove forward. Hovering between genres, the result is a sleek, highly playable track for savvy selectors. The EP rounds off with Jealousy, a moodier affair with a dub techno feel that maintains the restraint New Members demonstrates throughout the release. Echoed whispers, delayed stabs, and a barely audible sub meld with delicate pad work and beguiling FX to striking effect. The piece as a whole is a luscious meditation on the hours after dark before light arrives.

As the EP suggests, this is once again not to be slept on. More A grade material from Punctuality HQ.

glob deejay enters with ‘glob’. Presented on NAFF as a suite of naive club and dancefloor cuts engineered to take you to the otro lado.

glob deejay is the new club form from Stone Burletson, who has adopted the moniker after previous downtempo dealings under his government name. A globular shape now takes hold as a vehicle for Stone’s love of minimal house and ambient techno.

The first 12” from the Rosario-based label Under.Time comes courtesy of T.G.O.N, the duo formed by Fakk and Luciasensacional.

The release unfolds across four tracks, moving between techno, electro and synthpop. Built around pressure and movement, the record evokes the streets of their hometown after dark, carrying a sense of drama, speed and latent intensity.

2026 Repress !

Black Label #36 is introducing Mladen Solomun to the Compost Black Label Crew. Solomun who was born in the heart of Bosnia, grew up and still lives in Hamburg. Beside his residency at "Uebel & Gefaehrlich" he is the host of Club "DIY" in his chosen hometown Hamburg since five years now. With his first releases on labels such as Diynamic Music, Sonar Kollektiv, Liebe*Detail and Steve Bug's Dessous Label his tracks were played and charted by DJs like Gabriel Ananda, DJ T., Tobi Neumann, Martin Landsky, Laurent Garnier, Tiger Stripes just to name a few.

For his Black Label debut Solomun has built three very deep and organic tracks.

For the last three years, Pomplamoose has shared the making of ‘Photogénique’, a lush and groovy French bossa-pop album produced by Jeremy Most (Emily King), Jack Conte and Philip Etherington (Lizzy McAlpine)

It’s a romantic, playful and deeply nostalgic coming-of-age story steeped in Dawn’s childhood memories of France and Belgium. Collaborations include legendary jazz organist Larry Goldings and French singer songwriter Laura Cahen.

Charlotte de Witte announces three brand new tracks in the form of her richly resonant EP ‘Amor’, out April 30th on her KNTXT imprint. The vinyl will include an additional Instrumental Mix of her track ‘O Movimento’.

The world's number one techno artist recently celebrated her 15th career anniversary with two monumental Flanders Expo 23k capacity performances, her long-awaited debut album (plus a new Deluxe Edition), and press support from Vogue, Grammy Museum, BBC 6 Music, DJ Mag (with cover), Mixmag, Rolling Stone, Billboard, Zane Lowe, Clash, Flood Magazine (cover).

‘Amor’ EP: each track features the breathy, full-toned vocals and Portuguese lyrics of CERES. The Brazilian singer, DJ & producer favours techno with tasty slices of UKG. Add to that, subtle motifs link the three tracks, giving the impression they form a suite. ‘This EP is inspired by my love for Portugal and Brazil, the countries, the people, the food, the culture. Made with lots of amor.’ - Charlotte de Witte

Title track ‘Amor’ (feat. CERES) delivers a galloping beat starred with spacey FX, as a hoover siren builds tension and CERES begins her rhyming chant. A sprinkle of acid becomes a sulphuric tidal wave. Next, ‘Sem Ar’ (feat. CERES): ‘Airless’; frantic rattling percussion overlays the fast beat to breakbeat-adjacent. CERES’ resonant voice is showcased in an acapella breakdown before her soulful voice becomes an acid robot’s, sharp and penetrating. Finally, ‘O Movimento’ (feat. CERES); ‘Movement/motion’, speeding beat with hi-hat backbeat duels with CERES’ voice, now sounding almost breathless, before acid filters in as the track builds.

With "Jamaican (Bam Bam)," HUGEL and SOLTO breathe new life into Sister Nancy's iconic anthem - a bold, rhythm-charged reinterpretation built for the modern dancefloor. It grips from the first beat: dynamic drumming, crisp claps, and a bassline that rolls deep with sway and sensuality. Layers tighten and unfold, teasing the body as electronic tinctures flicker beneath, building lift and slow, simmering tension. Through it all, Sister Nancy's voice cuts steady and alive, grounding the track in its roots while driving it forward. The energy keeps rising vibrant, climactic, and free. "Jamaican (Bam Bam)" smolders from within, a kinetic force that turns motion into release.

Artwork by Rachael D’Alessandro. Words by Marie Floro. Executive Producer Mimmo Falcone. Distribution by Muting The Noise.

Enough pop princesses! Vanja Sky is the real deal—a blues-rock gunslinger with a fiery voice and a striking new album full of modern classics. The Croatian-born guitarist first made waves during the Blues Caravan 2018 with her acclaimed debut album Bad Penny, praised by critics as a powerful entry that revitalized the scene. Inspired by legends like Rory Gallagher, Albert King, and Stevie Ray Vaughan, Sky left her hometown of Buzet and her job as a pastry chef to immerse herself in the music scene of Zagreb. Despite the challenges of coming from a region rarely noticed by the music industry, her talent quickly gained attention. Supported by Thomas Ruf of Ruf Records, she broke through with Bad Penny and impressed audiences alongside Mike Zito and Bernard Allison on the Blues Caravan tour.

The Sky"s Gone Out was released in October 1982 by Beggars Banquet. It featured a cover version of Brian Eno"s "Third Uncle" and a rerecording of "Spirit". The album became the band"s greatest commercial success, peaking at No. 3 on the UK Album Charts.

In eine Szene, die häufig von Schein und Dunkelheit dominiert ist, schickten die DESCENDENTS ab Mitte der 80er eine Portion dreckigen Humor, Songs über die junge Liebe und das junge Leben, unverschämt eingängigen Hooks, eine koffein-befeuerte Rhythmusgruppe und natürlich dem legendären Milo am Gesang. Es gab wieder Spaß im Punk. Das erstmals 2004 veröffentlichte Album ,Cool to Be You" zeigte, dass man erwachsen werden und einen ,richtigen" Job machen kann und trotzdem schneller und lauter spielt, als die nachgerückten Kids, die halb so alt sind wie man selbst. Es festigte ihr Vermächtnis als die Band, die den Pop" in den Punk brachte, ohne dabei die Punk-Kante zu verlieren. "Luckily, the only thing that has changed about the band is their switching of record labels from Epitaph to Fat Wreck Chords. Milo Aukerman, Bill Stevenson, Karl Alvarez, and Stephen Egerton continue to spit out hook-laden pop-punk with the energy and humor they have been known for since the early '80s. Like the Ramones before them, the Descendents' overall sound tends to be interchangeable, in the best possible way, with previous efforts. Why mess with a good thing? For instance, among these 14 tracks, "Nothing With You" can be compared to "Clean Sheets," while "Cool to Be You" and "Mass Nerder" are anthems à la "I'm Not a Loser" and "I Don't Want to Grow Up." - Zurück auf schwarzem und limitiertem farbigem Vinyl! Das entscheidenen Verkaufsargument: Jeder liebt die DESCENDENTS! Richtige Annahme, oder?

In eine Szene, die häufig von Schein und Dunkelheit dominiert ist, schickten die DESCENDENTS ab Mitte der 80er eine Portion dreckigen Humor, Songs über die junge Liebe und das junge Leben, unverschämt eingängigen Hooks, eine koffein-befeuerte Rhythmusgruppe und natürlich dem legendären Milo am Gesang. Es gab wieder Spaß im Punk. Das erstmals 2004 veröffentlichte Album ,Cool to Be You" zeigte, dass man erwachsen werden und einen ,richtigen" Job machen kann und trotzdem schneller und lauter spielt, als die nachgerückten Kids, die halb so alt sind wie man selbst. Es festigte ihr Vermächtnis als die Band, die den Pop" in den Punk brachte, ohne dabei die Punk-Kante zu verlieren. "Luckily, the only thing that has changed about the band is their switching of record labels from Epitaph to Fat Wreck Chords. Milo Aukerman, Bill Stevenson, Karl Alvarez, and Stephen Egerton continue to spit out hook-laden pop-punk with the energy and humor they have been known for since the early '80s. Like the Ramones before them, the Descendents' overall sound tends to be interchangeable, in the best possible way, with previous efforts. Why mess with a good thing? For instance, among these 14 tracks, "Nothing With You" can be compared to "Clean Sheets," while "Cool to Be You" and "Mass Nerder" are anthems à la "I'm Not a Loser" and "I Don't Want to Grow Up." - allmusic.com Zurück auf schwarzem und limitiertem farbigem Vinyl! Das entscheidenen Verkaufsargument: Jeder liebt die DESCENDENTS! Richtige Annahme, oder?