quête:b tracks

A new chapter for CREDO begins with Stefan Weise`s eight track album "The Tales We Tell Our Children" on its new sublabel CREDO.WHITE. Following the classic longplayer tradition of vinyl records these eight tracks on pure white vinyl deliver a facette of the CREDO sound being indicated by some single EP or album contributions already in the past, but now coming into full effect by this outstanding work of italy-born, germany-raised and meanwhile U.S. based Stefan Weise who made his name in the Dubtechno cosmos with his definition of deep, chordish and atmospheric technomusic. the rough playtime of around 20 minutes per side guarantees club-compatibility going hand in hand with extended listening pleasure for the living-room based turntable- and vinyl lovers.

The 13th Voodoo Down release is the sophomore EP by label co-founder Sean Phillips aka 12 x 12. The follow-up to 2014's Kobayashi Maru, this four-track EP is the culmination of honed process and techniques over the past several years to produce a more organic groove-based style of techno. Mostly the work of a sampler and some analog synths, the tracks range from warm broken-beat atmospheres to digital sequences.

A-Sim, born Simon Hamelin, is a fresh electronic music producer from France. His productions wind up somewhere between UK bass, electro and techno with a focus on the rivalry between the dark and sweet side of all textures coming from electronic instruments. He released stuffs on R&S, Eddy Larkin and Rawax.

Ghost of Skye glides between lost innocence and joyful tears. It shines like a blurring star, like the glowing glass of your last drink on a late night.
My Opinion (even if you don't care) is the rotating, meditative call to prayer pumped on detroit electro steroids. Take my hand and dive into oblivion.
Unpeaceful Mind re ects our apocalyptic erra. The neverstopping dark and anxious pressure of society. The need of relief. Of escape. Of freedom.

All tracks mastered by Pole at Scape Mastering in Berlin.

LP,180, 2018 REISSUE - REMASTERED FROM ORIGINAL TAPES, CAREFULLY REPRODUCED ORIGINAL ART

Released in the same year as Synthesis over on KPM, 1974's Synthesizer and Percussion is its essential companion piece. 'This record features the many distinctive sounds of the ARP Synthesizer plus percussion in various moods and tempos' is the even more underwhelming than usual library record sales pitch for
Alan Hawkshaw and Brian Bennett's second collection of what is basically minimal G-funk, with overtones of primitive acid house. This is ridiculously good.
This is one of Hawkshaw and Bennett's wilder joints and aeons ahead of its time.
Bennett's tough drums provide the underpinnings for the prominent bass, keys and bubbling synths high up in the mix, alongside Hawkshaw's deranged clavinet-funk-rock. There are heavenly break loops galore.
Opener "Mon Amour" is ultra-smooth funk, all inter-weaving melodic lines whilst the seminal "Oddball" is an incredible hard electro strut with a knocking break.
"Mile High Swinger" is a tranquil Spaghetti Western whistling theme over double tempo rhythmic movement and the pulsating "Auto Pilot" has a percussive groove elevated by electric piano and synthesizer. Check "Driving Force', 'Home Run' and "Pacesetter" for electroid prog-funk dripped in acid squelch.
All fve fnal tracks are beatless synth workouts, because they can.
As with all ten re-issues, the audio for Synthesizer and Percussion comes from the original analogue tapes and has been remastered for vinyl by Be With regular Simon Francis. We've taken the same care with the sleeves, handing the reproduction duties over to Richard Robinson, the current custodian of KPM's brand identity.

After a long time in the works, Mothball Record is proud to present a lost album from legendary Italian wave band: Ruins.

Hailing from Venice, Ruins are one of the pioneering artists of the Italian new wave scene beginning in the late seventies: an explosion of new and exciting art, music and film.

The tracks on 'New Record' were taken from the self-distributed, tape only release from 1983 'Side Roads'.
This album was timed directly before their most well-known releases in contemporary times, the 'Fire / Crime' 12' and the eponymous 4 track EP on Black Square.

Taken from the original master tapes and selected by Ruins themselves, the album should be listened as a whole to gain the full experience, but immediate 'must-hear' tracks are 'I Don't Know', 'I Love You' and 'Last Night DJ Killed My Wife' featuring early use of Roland TB303.

At times unsettling, beautiful, violent, harmonious, these songs will finally get the audience and exposure they deserve 35 years later.

After a five year release hiatus, in 2018 Yura Khlop is putting out music under his SE62 alias again. "Jazzed EP" is the second release in the SAFT X series and the Kiev based producer has delivered a class record.

The A-side opening track; "Swing Tool" is built around more jazzed out samples than the other tracks. SE62 cleverly plays original notes together with a hazy sample that serves as the core element. "Jazzed EP" will be available through all specialized retailers in the autumn of 2018. On A2 we find "July". Again a very dance floor oriented record with taints of emotion. The very present chord and bassline dominate the tracks structure until at one point; a beautiful sample is introduced. Positive sounds for lovers of classic deep house.

The title track "Jazzed" is a signature piece of thumping deep house, using swinging MPC style drums and an evolving digital piano riff. This together with some submerged sounding sample shots, create a dance floor worthy ambiance. After "Jazzed", we find "Pitch Black", a sample-heavy jam that is based around a set of characteristic drums. A swinging chord and an infectious chord progression do the trick on this true dance floor record.

We are pleased to present you the second EP of the infernal duo INTERNACIONAL ELECTRICAL RHYTHMS formed of Trikk and Mathias Schober. Let's dive right in and start with "Azaka" and it's live recorded percussions. This track just builds and builds until it falls back into that irresistible and sexy main groove. It reminds a bit of old DJ Gregory tracks - just 10 BPM less. Some would even say it is epic, we wouldn't argue though. Anyways, it serves the dance floor well and proved it many times in the past.
The second track "Kosanba" keeps the EP in balance. "Kosanba" sounds more like a Sci-Fi movie soundtrack at first listen. A basic rhythm built around a modular sequence, upright piano, washed out guitars and an eerie spacey melody with tons of reverb form a track that still works in a club context, yet it's definitely one of those tracks for the right moments as it sets a different tone for sure. Bruno and Mathias sure continue what they've started so well last year with their INTERNACIONAL ELECTRICAL RHYTHMS disguise.

Few producers can capture atmospheres and moods like Heinrich Dressel. The Minimal Rome boss left jaws on the floor with his first appearance on Bordello A Parigi, The House of the Rising Synth demonstrating the breadth of this Italian musician's sound. Now Dressel returns, this time with a full eight tracks for Lost in the Woodland. In this analogue forest anything is possible. From the whimsical resonance of the title piece, a sonic pathway through a verdant soundscape is laid. Gentle melodies caress and embrace before the road bends into shadows filled with dramatic twists and unseen dangers. Romantic moments are juxtaposed by triumphal chords and daring drums signalling immediate panic or outright victory. This is a woodland of divergent emotions, one where sounds give way to feelings and where Heinrich Dressel is the piper leading his followers through what can only be described as an unforgettable journey.

Impish Presents: Occulti Music Xi Album Feat. Zero T, Fd, Dave Owen, Roy Green & Protone, Humanature, Cutworks And More.

Occulti Music Returns With An Anniversary Album Compiled By Head Honcho Impish That Features 13 Tracks By Label Friends Zero T, Roygreen, Humanature And Others Of Which 4 Are Featured On The Vinyl Release. We Believe The Album Truly Showcases What The Label Is About: A Combination Of Deep But Musical Sounds.

Available On 12" Vinyl + Full Album Download Code.

Xaturate aka Fred Sinister Souls's Hardcore alias back on PRSPCT's XTRM imprint with a stomping hard as nails 6 track EP (4 on vinyl and 2 digi bonuses]!

2 solo tracks, 1 remix and 3 collabs with Dolphin, Detest & eDub make this one bad motherloving piece of work.

Xaturate hitting harder then that abusive spouse of yours on this one. Only difference is that this is a beating you actually DO need in your life. Get some!

'Snakedressed' is the fourth studio album by most active Dirk Ivens's incarnation. It was released in 1997 by Daft Records and had once again the collaboration of Ivan Iusco of Minus Habens Records and Nightmare Lodge fame. A well produced and arranged work with the usual noise infused, yet dance oriented tracks full of harsh bass lines overlayed with intricately woven and noisy synth patches. An album that catapulted Dive as a cult act and one of the strongest influences for lot of artists. For the first time available on vinyl record with all original tracks plus some extras from 1996 including songs from the split EP's with Kirlian Camera and Controlled Bleeding and a couple of tracks from the compilation '2/3' (Hands Productions).

The New Hozier EP titled 'Nina Cried Power' is available in a limited edition LP format.

The EP includes five brand new tracks written and performed by Hozier.

The journey continues... deeper into the unknown universe, stretching the seams of time and space.

The maiden voyage for this new label out of Birmingham was a success. The second release is a collaborative effort from Nicky B (Simple Elements/HOG) and fellow Brummie, Anthony Ellis - working together as Koheziv Mindz.

The tracks are the result of years of tuning in to the sounds seeping out of the speakers in choice local clubs and buying the latest imports on vinyl from Europe, Chicago and Detroit.

The day-to-day living in Birmingham has certainly etched into their creative consciousness, the hustle, bustle and alien like chorus of a vibrant environment resonates through their work, from a city that never sleeps.

Emotive, incredibly lush and shot through with the kind of romanticism displayed in the work of second generation Detroit pioneers Kenny Larkin and Carl Craig. This is a glimpse through a keyhole, a snapshot of two producers taking steps into a bigger world, a whole galaxy.

There are two remixers on board, hand picked to see how the artists would interpret the originals - Darren Nye (Firescope/polarity) and Mihail P (Verdant Recordings/Distant Worlds)- both artists add weight to their already impressive back catalogue of work and display why they are hot and tipped for the top.

Submerge your mind into the rich celestial tapestry of sound, safe in the knowledge you're among good company.

The new album from Danish electronic trio System is a special kind of collaborative effort with piano magician Nils Frahm. His purpose-built improvisations on synth, organ and piano served as source material for the members of System (Thomas Knak, Anders Remmer & Jesper Skaaning), who merged his warm acoustic tones with their minimalist digitalism and set out to translate their distinctive clicks 'n' cuts electronics into vivid soundscapes. Over two years in the making, the resulting nine tracks are as sonically intriguing as they are touching. Ranging from the mellow bliss of the title track to echoes of 90's and 2000's electronica and ambient sequences frequented by mesmerizing movements and sounds. The blending of piano and digital tones and noises into emotive pieces might instantly recall the work of Alva Noto and Ryuichi Sakamoto, though System and Frahm come to quite different results.

Thomas Knak met Nils Frahm at one of his concerts in Copenhagen. They stayed in touch, exchanging thoughts and ideas. Two years later, Anders Remmer was also introduced to Nils. From then serious ideas for a collaboration formed. As Nils was a fan of System's self-titled debut album (released in 2002 via Pole's Scape label) their talks centred around Dub and minimalism, elements that constitute most of System's music as well as their side and solo projects. This in mind, System began producing sketches and brought them to Nils´ Durton Studio in Berlin in December 2015, where they recorded ten hours of him playing keys and effects to their drafts. Back in Copenhagen, they decided to change direction. - As Nils had told us about his fascination with our debut album, we tried to rediscover this minimal clicks 'n' cuts era. But hearing Nils playing to our rhythmic beds, we felt the need to scrap those beats and instead head in a more cinematic direction.'

So they started building new pieces from the Durton recordings, maintaining some of the minimal and static quality while new layers of synth sounds and noises created a richer and more organic quality compared to older System albums. The solo projects of Thomas (Opiate), Anders (Dub Tractor) and Jesper (Acustic) always relied on steady beats or rhythmic material, so the productions of 'Plus' with their focus on acoustic and melodic elements, ambient layers and cinematic moods, sees them pushing forward into new areas.

This way, the trio avoided copying what they had already done years ago, when they built a reputation as Denmark's prime originators within electronic music in the 90's and 2000's. 'Plus' is a triumphant example of collaborative experimentation and may be the dawn of a new era for System: - For us it was really satisfying to focus more on actual sound rather than rhythmic aspects. There is a lot of potential in this field, so it would only be natural for us to pursue this, maybe as a series of collaborations with other people who's music we admire.'

For the third chapter of Refined Productions Aleksandra Grünholz aka We Will Fail delivers her third full length album entitled Dancing on her recently launched label with Jakub Mikolajczyk, head of MonotypeRec label and MonotypePressings. Here she tells the story:

'Taking a break from rationality, my first thoughts about the theme of this album were about the night, when our sight is limited and thoughts are corrupted by fatigue. I don't dance anymore, I don't party, I don't let myself go. Some time ago that part of life slipped away from me. This album is like silently entering into a place you shouldn't be in. A lot of rave inspired sounds were used on the album, dreamy pads, arpeggios, simple melodic structures; but this album is not easy and simple.

As head of a graphic design studio in Warsaw, last year was very hard for me, the amount of work started to overwhelm me; I started to feel stupid and possessed by the work, this is how the tracks 'Very Urgent' and 'Economic Maladies' were born. While the track 'Reason' is about losing rationality and how easy it is to do.

'Put Your Hands Up in the Air' encompasses the rave. It's also a kind of question, can music itself tell a story Very often in EDM or trance music there is a story and I like to call it catharsis. A moment, when the beat slows down and melody/pads become solo. I tried to extract this moment, without adding drops and aggressive rhythms.

'So Who's the Man' is about regaining the power, slowly but consequently. This album is a about feeling bold, monstrous and strong. Like looking insolently into someones eyes. You have to be patient with this one, because it builds up slowly. If you listen only for a fragment you miss the whole idea.

'Beasts from the East' was inspired by the thought of being a small peace loving person in a chaotic world that is dominated by stupidity.

The track '2018' epitomises the rave, but more complicated. Each of the layers are a but simplistic and could construct a dance track, but as there are so many sounds simultaneously, it can become disturbing in the perfect way.

'Diving in Plastic' was fit for the last track, I didn't want the album to have a perfect conclusion, I wanted to leave the listener hanging and ready for more.'

The title track NEPTUN is filled with creaky, deep dub elements while the Exercise One remix of LEISEWEISE surprises with crispy sounds and an odd but beautiful ending. Both tracks showcase the artist talents: straight-forward technoid beats and lovely melodic structures.
As a part of Berlins after-hours club and art space SISYPHOS, the label SISYPHON is a platformfor musicians / producers and combines the hedonistic wild-life of the club and the impulsive sets of its resident and guest Djs. SISYPHOS reflects the DIY principles and alternative lifestyles of the owners, team members and artists who created and continue to re-invent the club.

The infamously velvet tones of Jon Lucien get a much welcomed official remastered, reissue - with the original 'Rashida' 7' e.p., that contained four of Lucien's tracks, now split into two 7's for a louder, more refined pressing of each song.

First up, 'Lady Love', with it's bossa nova inspired style, drawing every last drop of emotion from Lucien's infamously voluptuous voice. Once dubbed by Herbie Hancock as 'the man with the golden throat', it's easy to see why - Lucien's rich baritone evoking dreams of summer sunsets, glistening blue seas whilst wrapping you up in a blanket of warmth and tenderness that few can rival.

On the B side - 'Love Everlasting', another of Jon Lucien's bossa nova leaning tracks, swells with jazz flutes, plucked acoustic guitars and a soul drenched string section to compliment Lucien's beautifully calming tones.

With the original Rashida 7' exchanging hands for over £150 on Discogs, here's a chance to get Jon Lucien's golden-throated voice in the collection without raiding the savings.

The seventh volume of Drumcode's annual A-Sides compilation hits with no less than 10 debuts for the label, with Charlotte de Witte, ANNA, B.Traits and Scuba's SCB project, among the collection of topline artists to release their maiden productions on the imprint.

Over two decades into its lifespan, Drumcode keeps evolving and excelling, pushing techno forward while remaining wholly respectful of its roots. This reputation for progression was further fuelled this summer with its inaugural festival at the NDSM Docklands in Amsterdam, featuring a long list of heavyweights including Nicole Moudaber, Joseph Capriati, Amelie Lens and Ida Engberg, among others.

As ever, the A-Sides compilation provides a timely opportunity to showcase the full range of its sonic repertoire, with Adam Beyer scrupulously selecting unreleased tracks that have taken prime position in his sets over recent months.

Formidable duo Dense & Pika kick off part 5 with their powerful composition 'Lemur' renowned for their standout studio output they consistently conjure up a unique take on their distinct sound. Tastemaker's favourite Jel Ford makes a welcome return to the fold as he ushers in techno rhythms with bustling breaks with his track 'Nightshade'.

On the B side resident DJ of the infamous GZG parties in Holland, Man With No Shadow supplies his rave infused twisted cut 'Manilla', where his warped bass combines with shattering breaks & heavy weight drums.

Lastly, Locomatica & Blaukoma present 'Unfold' a brooding techno workout with crisp drum programming that features a euphoric vocal bursting with emotion. Set to cement these two producers as acts to keep your eye on in the near future.

Skyence Ist Nach Seinem Seinem Debütalbum "untrodden Soil" Zurück Auf Modularfield. "companion" Bildet Die Logische Weiterentwicklung In Einer Symbiose Aus Cineastischen Soundwelten, Dichten Atmosphären Und Gebrochenen Beats. 5 Tracks In Form Einer Schwarzen 12" Vinyl. Eine Reise Durch Raum Und Zeit Auf Der Suche Nach Künstlicher Und Natürlicher Schönheit.

Oberman Knocks makes a welcome return to aperture records since his last release Dilankex in 2014, which featured an outstanding 17 minute remix from autechre.
Working on other projects during this time seems to have charged his creativity and Knocks now propels himself back into the fold for his third album Trilate Shift with cleaner, more polished production and a change of direction which should certainly see his appeal rise across a wider audience.
Last year Knocks produced the soundtrack to The Red Tree, an award winning documentary film from Still films (New York/Dublin) and in 2016 he was commissioned by The Lowry in Salford to produce a sound installation, 30 Days of The Smiths, forming part of their Week 53 festival, a version of which was also performed live.
Trilate Shift sees Knocks serve up fourteen lustrous tracks of proficiency and divergent ingenuity encompassing interjections of disembodied vocals, setting the scene for a distinctive musical trajectory.

Nach Seinem Ausverkauften Konzert Im Berghain Veröffentlicht Ross Tones Aka Throwing Snow, Eine Hälfte Des Electro-goth-duos Snow Ghosts, Mit "loma" Seine Bis Dato Facettenreichste Und Kompetenteste Arbeit. Die 8 Tracks Einer Vierteiligen Digitalen Serie Erscheinen Erstmals Auf Vinyl, Erweitert Um Den Neuen 11-minütigen Extended Remix Der Brooklyner Transgender-künstlerin Octa Octa (100% Silk, Running Back, Honey Soundsystem). Cd Und 2lp Auf Gelbem Und Grünem 180g Vinyl.

London based hardware specialist no data available joins the null+void family with a four track EP of rugged, playful and effective electro driven tracks for the rave - ending in a blissful introspective 7am moment with title track the night.

Acid fans will have already heard nda's work alongside Matt Whitehead on Jerome Hill's much respected Super Rhythm Trax imprint under various pseudonyms. It's his live sets that have been winning on the dancefloor though, as much as his studio work - 100% improvised and raucously executed - this year they've brought the fire at Berlin's Greissmuehle and London's Corsica Studios.

Ukrainian label Muscut celebrates its anniversary - Muscut X (10) Test Pressign II - is the tenth record in a row. The first release was published in 2012 on 7 inches and was called simply Test Pressing. Like six years ago, the current vinyl is a compilation of Muscut's 'residents', as well as new friends of the label. Test Pressing II is 12 inches on which there are exactly ten tracks. Both sides are significantly different in color of mood. Party A starts with dub-drone sketches of key figures of the Odessa underground - Wildstyle Crew and Bryozone. Then we hear the mantra-like M2 - the work of the creative union of Nicola Ratti, Mads Emil Nielsen together with Nikolaenko. The Canadian sound-artist Mark Templeton continues the line of rhythmic textures crowned with unhurried percussion - it is in all senses of Soft Education at number four. The first part is completed by an exquisite curtsy from the Andrew Pekler label frequenter called Underwater Nocturne as a soundtrack for the perfect tea ceremony.

The second side confidently sets a completely different compilation rhythm from the very start - the tribal tribal dance from the Berlin project Native Instrument instantly introduces into a trance. It is followed by a warm, enveloping minimal synth track from the Ukrainian trio Nisantashi Primary School. The middle of the second side is decorated with the pensive house-ballad of St. Petersburg producer Fadeev known as AEM Rhythm Cascade. Another Russian settled next to him - Muscovite Oleg Buyanov, aka OL, with a massive broken dub Nutmeg. The final composition consists of burning afrosint motifs from luminary Odessan Vakula.

The latest release on Arma comes from Dutch legend and devoutly deviant underground operator Ruud Lekx, aka Rude 66. With a legacy that reaches back to the early 90s and the rough and ready Dutch electro sound of Bunker Records and The Hague, he's maintained a distinctly non-conformist approach that touches on acid, Italo, techno and more besides, all finished with the punky attitude that sets him and peers like Unit Moebius and I-F apart.

The tracks gathered together on The Witch Trials EP come from throughout Lekx's career. As the artist himself says, 'tracks from wildly different eras and sessions suddenly can combine to form one coherent EP. It's almost like the A-side tracks were waiting for 20 years to be combined with the B-side tracks.'

The overriding theme that binds together these timeless machine excursions is that of medieval witch trials - a global phenomenon that peaked in the 15-1600's. Considering the suspicion, propaganda and mass moral panic involved in this strange curio of distant history, Lekx points to the parallels with the current age, 'of political polarization and fake news accusations flying all over.' The EP title is also a tribute to two records close to his heart: The Fall's Live At The Witch Trials, and the one-off Witch Trials project by members of the Dead Kennedys, Adrian Borland and Christian Lunch.

'Werewolves & Poisoners' and 'The Crusade Against Idolatry' are both archive tracks from the 1994-5 period when Lekx made his first albums for Bunker Records. The first track's charging arps, rugged kicks, nagging acid lines and discordant paranoia all speak to that trailblazing period, while 'The Crusade...' revels in canny programming of interwoven synth lines feeding into an unhinged, psychedelic rampage that reflects the righteous fervour and spiritual confusion of the EP concept.

'The Absence Of Diabolism' opens up the B-side with a different tone, having been produced in 2016 and demonstrating the deeper acid undulations Lekx has become known for in more recent years. Still delivered via the same trusted tools he was using in the 90s, the sound feels like an extension of the Rude 66 vision rather than a separate entity. 'Envious Are All The People, Witches Watch At Every Gate,' a cut from the late 90s, closes the EP out in a spacious, snarling exploration of broken acid electro laden with cinematic sweeps of synthesizer and a constant sense of unresolved tension.



Across these four tracks, Lekx displays the scope of his craft as Rude 66 while also proving that timeless music can make sense in any context, and that the threads of inspiration in an artist's journey can be followed, explored and even resolved 20 years later, when you least expect it

I Conceived 'darkly' In 2015 As A Piano Album. I Was Fascinated By This Instrument And Couldn't Think About Electronic Music At All. I Spent A Lot Of Time In Front Of The Instrument Before My Fingers Could Play What Was Needed. And At Some Point, I Got A Few Solo Piano Tracks, But They Sounded Very Raw And Unfinished. Almost At The Same Time, I Was Getting Back Into Experiments With Electronic Music And Focussed More On Recording Piano In An Electronic Context. Paying More Attention To Different Textures And Multilayeredness. I Was Working On Soundtracks For Films By Noir Films And This Helped Me Finish Two Compositions, Which Later Determined One Of The Directions Of The Album And Served As A Bridge Between The Solo Piano Compositions I Recorded At The Beginning, And The New Electronic Tracks. At The Beginning Of 2018, I Got Back To The First Solo Piano Tracks To Give Them A Finished Form, Adding The Missing Elements That I Could Not Hear Three Years Earlier. I Wanted To Make A Piano Album, But I Got The Album Which Was Formed By Itself And Became A Result Of My Experiences, Worries, And Events Of My Life That Occurred During These Few Years. I Dedicate This Work To A Human, Which Shares This Life With Me, Supports Me And Believes In Me Like Nobody Else! I Dedicate It To My Wife.

"darkly" Comes Out On Limited, Double, Grey Vinyl (including Download Code)

LMYE first came to light in 2016 on Funkineven's Apron imprint with the LMYE EP, which quickly became a regular fixture at the London label's infamous parties and bbqs as well as with house DJs worldwide. Since then the pair have been relatively quiet, only appearing once on record, with a release for Bristol's Idle Hands in 2016.

The paucity of their output though belies a busy production schedule behind the scenes. Tracks from those sessions have surfaced occasionally in the sets of DJs like Shanti Celeste and Ben UFO but they have never seen the light of day on a full release until now.

As you would expect from their first releases, the self-titled LP treads a line between classic house and UK garage with a nod here and there to boogie and Latin freestyle, genres which have inspired their production techniques.

From barnstorming new jack house cut 'The Gift' to the classic UK funky sound of 'Hypnotized', LMYE have selected only the most weighty numbers at their disposal, with the aim of offering an LP that will catch the ear of those at every end of the house spectrum.

That's not to say that this is an LP of dancefloor-only cuts though. 'Long Island at Night', which features Bristol's Typesun and Adam Davies live in session, shows the softer, more musical side of LMYE's output. Meanwhile 'XTC Rising' is a uk garage cut with a classic edge which nevertheless still feels modern and up to date in its outlook.

In short, 'LMYE' collects the highlights of a number of years' work, with the aim of finding a home in the boxes of the most discerning and listeners for years to come.

Another sure shot double sider out the Now-Again catalogue, until now both tracks were album only and both pure club killers. I smashed these back in the day; I remember listening to it from Jazzman Geralds collection and was blown away. I went right out and found the LPs which took a little time even then when there were fewer people after them. A couple of years after that 'Kashmere' was dropped on funky 16 corners comp Egon put together, and the cat was out the bag. Anyway back to the music, for those who don't know, Conrad O. Johnson of Kashmere High School, Houston Texas, created the Kashmere Stage Band turning it into one of the most fierce unbeatable high school bands in the national championships, the recordings here are my two favorites out of many. Don't miss out on the 2011 Documentary Thunder Soul which reunites the band with Conrad O. Johnson over 30 years down the line.

Foul & Sunk is proud to present 'Morello', a cathartic EP from upcoming producer star D.Y.A. As an university educated jazz drummer the concept of improvisation and aspiration for that one special musical moment is surely no secret to D.Y.A. So both tracks 'Morello' and 'Cosy' are melodic groovers with the extra portion of soul. Beside this there are Johannes Albert and Shan on remixing duties. Albert is taking it to a deeper level, while Shan delivers a 9 min. monster remix with his emotional melodies and deep grooves.

About D.Y.A
City: Berlin (DE)
Labels: SOLIDE / Foul & Sunk
Growing up in a family where D.Y.A was surrounded by all kinds of different music led
to the mindset of appreciating each genre as equally important and eventually got him
to draw inspiration from all kinds of music. As an university educated jazz drummer the
concept of improvisation and aspiration for that one special musical moment is surely no
secret to D.Y.A.

While being Berlin based and a founding member of - SOLIDE', a label and collective he
runs along with fellow producers Kalyma and MYNY, translating these rather complex
concepts from jazz into house music, wether we are talking about production or DJ Sets,
has been one of D.Y.A´s main goals. Looking back to a relatively young discography, this
summers forthcoming EP´s on Solide and Foul & Sunk, with remix guests like Johannes
Albert, Panthera Krause or Shan, will fall in nicely to showcase D.Y.A's influences and his
quest for a special musical moment.

Friendship. Gratitude. Music Passion. Turbo Recordings is proud to present the feel-good story of the year with the debut release from Tiga & The Martinez Brothers.

"This is a true labour of love,' says Tiga. 'Two of the most refreshingly positive figures in dance music teaming with me, the heartless cynic with a heart of gold. Positivity and actual quality: the best of both worlds."

Tiga was originally meant to produce tracks for the DJ duo, but the sessions soon evolved into a full-fledged collaboration. The three men manned the studio in psychic unison, laying real-time drum programming and minimal storytelling over a techno foundation to create a truly dynamic dynamic. The result is some of the best work of their careers.

'Chris and Steve brought a deep knowledge of house music and DJ energy-flow, while I left my deep hatred of live studio jam sessions at the door," adds Tiga. 'These tracks are tougher, funkier and weirder than 99.3% of contemporary dance music, and it's all because we were brave enough to get sincere and real."

The material was written and recorded over the course of two sessions at Montreal's Lost Star Studios, a haven for vintage gear and laid-back vibes right out of your most casual dreams. It was easily the most fun anyone's had in a studio since 2014.

"You can keep your VIP laminates and hot flavors of the moment,' concludes Tiga. 'I'm here to tell you that there's nothing cooler than the magic of friendship.'

Part II of the collaboration is set for release on The Martinez Brothers' Cuttin' Headz label under the name The Martinez Brothers & Tiga, an inspiring nod to the importance of fairness in project credits

The very talented Mr. John Daly delivers four master class House tracks for Couldn't Care More. 'It's All Around You' and 'One Four Tee' let deepness and passion rule in full swing while 'Rescue' rides smoothly on a huge bass line. And 'Stay Close' is nothing but a fascinating groove. Inspired and timeless vibes by John Daly, if you have a floor to fill this record comes handy for sure.

The 8th record from Muzik & Friendz sees Pat Lezizmo joined by a few especially picked artists.

People who have their own take on Electronic Music and typify the sound the label is pushing.

The Obdurate Session EP brings in Al Bradley, Replika, Dsitb and Harry Light for four different trips on this.

Al Bradley takes us on an atmospheric and 80's tinged dreamstate workout with his Move A Little Closer, a refined production as we have come to expect. Pat & Dsitb keep things strictly deep with their Sea Cake cut. A sampler workout with a close groove that keeps things bubbling. Harry Lights Basement Dub brings a bit more heft to this heavy collection of tracks, pure driving House music whilst finishing the EP Replika's sample based slice of classic House On the Spot warms things up a tad, pitting washed out melody against a funked up groove.

To sign off 2018, Malka Tuti are releasing a mega 4- tracker ep by Khida, in collaboration with their old time friend from back home Mihai Balabas. The 4 different tracks were written over the past few years, slowly plotted produced and perfected, each in its own 'twisted' direction. There are no dancefloor killers here, but instead 4 very unique voyages, experimental sonic excursions in time and space. It was the track Chloe that caught our attention, back in 2015. It's not a typical Khidja track, but the musicality and the composition in it reminded us of lost balearic moments. It made us reminisce on summery Sunday mornings back when life was still a bit more innocent, and naive. Out of our infatuation with that track came the idea of 'sitting on it' until the right tracks will be ready, and here we are, more than 3 years later.

Beyond the Pub is a collection of tracks for the after hours. From drunken treks to the filthy kebab shop to outer body experiences in the icy wonderlands, Cosmic Pint Glass tells the stories that happened after leaving the Social House.

In Vol 1. Mark du Mosch adds tension, FRAK takes you on that boozy journey to the Kebab Shop, Julian G reflects on the beauty of a frozen wonderland and Lie of the Land takes you on a introspective acid journey. Trip!

NYC's Disco powerhouse West End Records should need no intro. The home of too-numerous-to-list club classics for over 30+ years is still impacting today on what we know to be club culture. The label started by one Mel Cheren (RIP) with assistance from Larry Levan and more way back in 1976 is still held in such high regard today with it's catalogue constantly being played, rediscovered, reinterpreted and loved by waves and waves of new fans and admirers.

From the West End vaults we are pleased to present Ednah Holt's 'Serious, Sirius Space Party', a thundering, slo-mo, bass-heavy slab of NYC electronic funk that will sound familiar to those who paid close attention to what the maestro Larry Levan was doing in his sacred booth at the Garage in 1981, or to those who tuned in to peep what the master Afrika Islam was doing on his now semi-religious, hip-hop blueprint 'Zulu Beat Show' on WHBI. That's right, you can guarantee if those 2 guys were playing your record in the city at the same time then you had an underground 'hit' on your hands. The fact that it crossed over from the discotheques to the streets and back again speaks of the appeal of this super heavyweight jam, the legendary team up of Kenton 'Kenix' Nix, Larry himself on the mix, and former Ritchie Family vocalist Ednah Holt makes for some heady listening. One for the after hours dancers, B-Boys and B-Girls and lovers of the downtempo workout. A true and essential NYC classic.

All tracks featured re-mastered, re-pressed and re-released with the permission of and in conjunction with West End Records, New York City / BMG.

Vinyl Only

New Release By Revolt! Featuring Four Tracks By Athens Based Eclectic Producer G.u.s. Late-90s Inspired Personal Experience Stands Out With Its Groovy Baseline, Raw Patterns And Melodic Parts, While Complexity Gives A Modern Twist To The A Side With Fast Tempo, Classic Houzy Pads And Electric Chords. B1 Side Has The Taste Of Detroit, With Melodic Midnight In Mars, Which Has A Tech House Character And Was Recorded In A Live Jam. B2 Breakbeat Rat Run Finishes The Release With Groovy Hypnotic Sounds, Synths And Pitched Hi-hats. Vinyl Only.

Sonnenstadt - We've Been Hiding To Long - Album »in The Depth
Of A Undiscovered Tonal Cosmos, Hidden Beyond The Obstacle
Of Lunar Dust: We've Been Hiding To Long.« Leipzigs Downbeat
Gem »sonnenstadt« Sprinkles Nine Tracks Of Its ¡rst Full Length
Album On A Lovely Tape. Good To Have In A Cozy Mood. First
Release On Newly Founded Label »unforced«.

Animals On Psychedelics retruns with a split EP, and it's a family affair with Release from previous artists who have Featured on the first 3 release and also the new addition of BPMF.

All 4 tracks are very different, but all fit nicely with the realms of the Animals On Psychedelics sound. A2 is an old track from Invisible Menders that is finally getting to see the light off day.
On the B-Side it's a slightly less dance floor tripped out affair From Mmemphis & Miro sundayMuiq.

Dokutoku four is here courtesy of Guillaume & the Coutu Dumonts. The Yuzo Kosho Do EP is a three tracker featuring a sound that's always intriguing but equally difficult to define. All three tracks are intricately rhythmic and very much indicative of the Montreal-based producer at his most emphatic.

Tensal returns for a third release on Kynant Records, 'Industrialsociety'. He explores brokenbeat and atmospheric techno over four diverse tracks: the off-kilter rhythm of 'Intermixture', two straighter, driving cuts and the melodic, IDM-leaning 'Truebano'.

Compiled by cratediggers Loud E & The Wild, Discophilia Beligica' is a collection of next-door-disco and local spacemusic from Belgium 1975-1987. The tracks on this delightfully obscure collection are from ordinary folk. Most have day jobs. Yet as musicians, they go as far out as possible in to the disco universe and back again.

This Modern Day is a dry, somber, hopeless statement. Kinder aus Asbest releases is first EP on Lux Rec and delivers five ghostly tracks, the perfect description of his world. The title track is a revised version of old material, the remaining four are made specifically for this EP

Rebels Conspiracy, Is Focusing On Hard Grooving, Raw, Distorted, Psychedelic/acid, Supersonic Techno Aims To Release Music From A Circle Of Talented New Producers That I've Been Supporting, And Myself.
Accompanying The Original Tracks By Remixes Of More Affirmed Artists. For The First Release Of The Label My Solo Ep: 'rescue From Abuses', Made By Two Original Mixes (cage 21 And The Battle), Alongside Remixes, From Two Artists I Admire And Follow Since Long Time: Blush Response And Makaton

Life is simple. Sometimes you have some big idea, then you produce good music staff and this process needs no cooperation at all. It happens especially if your name is Jacek Sienkiewicz. Then You just make your very own EP with you original mixes only. Thi s is it, so simple.

What can you expect this time
You know, as usual on IDO label, carefully crafted, superior sound quality and music that every techno junkie can't miss.
How can we describe the music Is it this time a deep space journey or just long travel to land of ice and rocks Well. Maybe we'll leave all synesthetic experiences to you...

Some things, however, can be predicted. If you're familiar with Jacek's creations, listening the tracks from this EP will make on you at lest two impressions. First of all, you'll be charmed because you'll find the music here for which you love Jacek so much. Then another tracks and the second impression that will make you say out loud "Wow this is really Jacek's music". So, boys ang girls, isn't it a double win situation And for the end of this story we have a short advice related to experiencing this EP. Just play whole EP once and then... do it again.

Following a first vinyl appearance on You And Your Hippie Friends' 'A Very Nice Combinado Volume Dos' (YAYHF 03) earlier this year, Mexican producer PAULOR aka Paulo Rodriguez gets ready for his first solo outing with Hippie Dance's sister label.

Curated by Rebolledo, the imprint has established an impressive talent pool within only three releases, including both veteran and upcoming talent such as Sebastien Bouchet, El Güero, Zombies In Miami, Beyou, Roman Flügel and more. It's a testament to the label's chiselled vision that an idiosyncratic and diverse group such as this is able to sustain individual approaches to electronic music while weaving a coherent sonic tapestry from all its ingredients, the whole quite organically being more than the sum of its parts.

Now, it's up to PAULOR to flesh out his own sound cosmos on You And Your Hippie Dance's latest 12' drop, presenting a concoction of salt-caked beats, riffing guitars and flexing bass that evokes a sense for space and untouched, psychedelic landscapes not unlike Rebolledo's very own desert funk vignettes. After 'La Race' (his contribution to 'A Very Nice Combinado Volume Dos') and the 'Discótico Desértico' remix for Rebolledo's 'Mondo Re-Alterado' (HIPPIE DANCE 10 LP) started making the rounds in tastemaker DJ sets, PAULOR caught a major moment of inspiration while performing at Monterrey's TOPAZDeluxe - which lead to the husky, hypnotic cut PAULOR'S BLUES, pièce de résistance and headstone in one, as it set the scene and also birthed enough follow-up tracks to naturally grow into a cohesive, full-blown EP.

From echo-drenched, beatless opener NEBLINA to the percussion-infused intrigue of DELIRIO EN CARRETERA, the athletic pop minimalism of AMIGOS or the slow burn of brooding mystery shuffle LUCES CALLING, PAULOR creates a unique, atmospheric sound panorama that excites minds and bodies alike. Adorned with a starry night sky, the record's cover artwork couldn't be more fitting - it's a dominant musical vista in PAULOR's work, whose vantage point is not necessarily a specific place (although all tracks were recorded in Xalapa), but a feeling of exquisite duality: the feeling of being lost between the stars, lonely and connected at the same time, a speck of dust and the center of the universe.

After a long summer break, Signatune is back strong! SGTLTD06 is another outstanding VA composed of 4 banging tracks. A1 starts off with Lucianno Villarreal's 'A200', a happy and bouncy bass-filled tune, perfect for getting things going, followed by 'Joints' by FRINJ, a steadier and trippy micro house tool. Only Slave Nation's housey and groovy 'Douce Folie', an absolute sexy bomb starts the B-side with style, and Lex & The Longtail's 'Birth Cntr' finalized the EP in beauty. Out soon!

Debut physical release from Scottish newcomer Andrew Greens AKA Ash Is. Hailing from Edinburgh and at the heart of club culture in his city, he is running parties and sharing stages with the likes of Baltra, Bwana, and other forward thinking international artists. This release comes packed with 3 affecting club tracks, each serving a different purpose. Ash Is fuses elements of rave, house, techno, and electronica to serve up moments of euphoria & tenderness. Fluttering arpeggios, dusty breaks, warm pads & feeling laden melodies often feature, capturing a sense of post-club emotion. These are three heavy hitting cuts that truly carve out a lane of his own.

Bruce - Aka Larry Mccarthy - Is Set To Release His Debut Album Sonder Somatic This October On Uk Imprint Hessle Audio. The Album Packs 11 Singular Uk Club Tracks That Evoke A Distinctly Emotive And Dense Energy, Channelling Detailed Sound Designs, Tangled Textures And Club Anthems For 2018 And Beyond.

The Record Is Deeply Varied In Styles, Ideas And Tempos, From The Tight Rhythmic Groove Of Album Opener 'elo' To The Weaponised Onslaught Of Ominous Club Cuts 'what' And 'cacao' - Through Drifting, Meditative Techno And The Skeletal Sound Design Of 'ore' And 'baychimo.' Each Track Shifts The Tonal Mood In Subtle And Distinct Ways, Whilst Retaining A Consistent Icy Sound Palette Infused With Colour And Human Warmth.

The Shapeshifting Hessle Audio Imprint Is Run By Pearson Sound, Ben Ufo And Pangaea. For Over Ten Years, Through Their Combined Tastes They Have Continued To Unravel And Explore The Edges Of Sounds And Ideas From The Wider Dance Music Scene, Across The Boundaries Of The Functional And The Experimental, With Consistently Innovative Results. As A Long Time Follower Of The Label, Bruce Wanted To Craft An Album That Continues Their Singular Attitude And Approach, Incorporating Vibes From Uk Soundsystem Music As Well As Music From His Home Town Of Bristol.

"from Being A Fan Of Their Work From The Very Beginning, It's Not Only The Music They Have Released That Has Informed My Taste/work, But Also The Journey They Have Formed Through The Application Of Their Attitude And Approach." - Bruce

Much Of Sonder Somatic Was Shaped By Bruce's Own Understanding Of Club Culture As A Whole, And Predominantly His Personal Relationship With It Both Professionally And Recreationally. The Album Was Partly Written As An Attempt To Capture That Rare Transformative Feeling That Can Cause You To Fully Lose Yourself In A Club Space, Disconnecting From Your Immediate Environment For A Short Time.

Sonder Somatic Follows Eps For Timedance, Livity Sound, Idle Hands And Hemlock, And Comes 4 Years After His Debut Ep 'not Stochastic' For Hessle Audio. The Album Pushes The Boundaries Of What Club Music Can Be Whilst Expertly Refining His Work As Both A Club Producer And An Experimental Sound Designer. With A Unique Sense Of Flair That Sets Him Apart, Sonder Somatic Is Set To Raise Bruce's Profile Across All Corners Of The Dance World.

Jack Black and Kyle Glass release a 6 part series of animated videos, with one being released each Friday from September 28th. Each episode was hand drawn by Jack Black and every character voiced by Black/Glass. This new 21 track album is released by Columbia Records to accompany the animated videos and all tracks feature across the series. Formats are a single translucent green LP (initial pressing) and standard CD. Produced by John Spiker and features Dave Grohl on drums. Satellite TV ads. Online/social media activity. Ads, features and reviews across all press. Video plays across MTV/Vevo. Radio support across Kerrang and other rock music specialist shows. Poster campaign and database mailout.

We head into the final quarter of the year with a very
welcome return to First Word from London producer,
musician, engineer and DJ, Eric Lau. Following on
from his acclaimed early 2017 album, 'Examples',
we proudly present the second volume - another
delectable 28-track beats opus.
'Examples Volume Two' is Eric's fourth
instrumental album, and ably continues where he
left off with an assortment of sonics, ranging through
hip hop, jazz, funk, soul & Brazilian beats. An
elaborate sketchpad of ideas and grooves, this again
gives a taste of the genius production skills of 'The
Commissioner', Mr. Lau.
A mixdown perfectionist, his services have been
drafted into service on a number of albums over the
past few years, including Yussef Kamaal's 'Black
Focus', Mansur Brown's 'Shiroi', The Playlist's
'Chasing Goosebumps', DJ Jazzy Jeff's 'M3',
Masego's 'Lady Lady', and Kaidi Tatham's 'It's A
World Before You', released on First Word recently.
It's through these recent collaborations that we have
a few unique ingredients peppered through this
project, the track 'Jeff's Piano' is based on a sample
taken from Eric's iPhone, capturing a moment when
Kaidi was teaching Masego a few chords at Jeff's
studio. Both integral players to the Playlist Retreat,
Eric and Kaidi have also provided remix duties for
Moonchild, Omar and Leon Ware, and Kaidi Kat also
lends his key playing talents to a few tracks here.
Eric has also worked as a producer for artists like
Oddisee, Guilty Simpson, Dego, Tawiah, Rahel and
Fatima, whilst his DJ skills have seen him tour the
globe with luminaries such as Erykah Badu, Robert
Glasper and Questlove. He's received props over the
years from tastemakers across the world, including
Rich Medina, 9th Wonder, Bobbito, Dam Funk, Phonte, Gilles Peterson, James Poyser (The Roots) and Ali Shaheed
Muhammad (A Tribe Called Quest).

30 Years Ago This Month (nov 1988) Humanoid - Stakker Humanoid Was The Uks No.1 Song In The Dance Charts - It Would Stay No.1 For 5 Weeks Also Charting In The Uk Top 20 At No.17.

Now Regarded As An Acid House Classic Anthem And Hailed As The First Real Uk Acid House Track To Break The Uk Top 20.

Humanoid Music From 1988 Was Also Used In Stakker Eurotechno - Now Housed In The Museum Of Modern Art (new York) And Sighted As A Major Influence On Early Aphex Twin Music / Reflex

To Celebrate Humanoid (brian Dougans Fsol) Has Reworked The Original Into A 2018 Breaks Monster With Two Equally Killer Tracks On The B Side Skatter And Blunt 

Original Futuristic Uk Acid House Music Circa 1988 :) 

With Not A Single Cry Of 'acieeeeed!' One Record, Humanoid's Stakker Humanoid, Has
Blown Apart The Uk House Music Scene. It's The Most Uncompromisingly Acid Track To Be
Produced So Far In This Country.

Hospital Records proudly presents the debut long-player from the illusive and ingenious Mitekiss. Flirting with an array of drum & bass styles, 'Crate Six Seven' inhabits the deeper realms of liquid-jazz, soul and ambient jungle across 14 tracks.

FANTASTIC TWINS, the solo artist formerly known as The Twins, has always carried an air of transmutability - not only in a name creating its own hall of mirrors, but also in a constantly fluctuating sound, from the first spoken word interludes recorded as The Truly Fantastic Dessagne Twins From Saint-Etienne (for the Pachanga Boys' infamous 'We Are Really Sorry' album) to myth-building solo releases on Hippie Dance and Optimo Music, as well as style-bending remixes for La Mverte Vs Capablanca, Moscoman and - most recently - fellow Hippie Dancer Rebolledo.

Following the echo-drenched 'Holiday' on 'A Very Nice Combinado Volume Dos', the project from Julienne Dessagne has embarked on yet another transforming journey, leading to the latest outing with the well-suited title THE NEW YOU. Its four tracks prove Dessagne's ongoing commitment to an open sound aesthetic that works the techno blueprint from the inside out, mutating from foreboding, post-industrial landscape to dazed interzone opera in a heartbeat.

Uncanny rave polaroids from last night's ill-memorized peak floor flash up on opener SHAKE IT's mental screen, while follow-up HEY tries to herd its nervously rushing percussion to no - albeit banging - avail. The title track slowly implodes in reverse, pitting Dessagne's obsessing, molting vocals against a stubbornly no-wave-ish synth bassline and octave-hopping freeform keyboards blown to gaseous smithereens. Post-punk closer TIME SCIENCE kicks into motion with a confused diary entry turned subconscious commentary - while the psych guitar gently weeps all over the neatly arranged furniture. Welcome back, newcomers!

DFA release Crooked Man's new album, 'Crooked House'.
Speaking about the album's lead track, 'Take It All Away',
Crooked Man says: 'It's about not being suffocated under the
mountains of useless crap that Mammon shits into every
crevice of modern life... quite possibly the world's only anti
consumerist disco song.'
The elusive Crooked Man returns to DFA with 'Crooked House'
LP, a maximalist take on electronic and house music that picks
up where 2016's self-titled album left off. Teaming up again
with Michael Somerset Ward (Clock DVA) and David Lewin
(Bleep & Booster) in the studio, Richard Barratt crafts a
comprehensive journey of hi-fi house belters with more sinister
electro-pop mixed in for good measure.
The album is influenced by two historic epicentres of electronic
music: Sheffield UK, where Richard has had an illustrious
career in a mix of legendary groups like Funky Worm, Sweet
Exorcist and The All Seeing I; and the NYC Loft-era disco
sound, where extended grooves were layered with peaktime
choruses.
Richard's diverse collaborations and intensely prolific
discography have now led him to records as lush and
sophisticated as 'Crooked House'. Considering the rarity of a
live Crooked Man performance or DJ set, it's a testament to his
hyper-creativity that these tracks are able to reach new heights
in a club setting. With support from disco historian Bill Brewster
and NTS resident Ross Allen, it's clear that 'Crooked House'
brings a timeless vitality to the current landscape of dance
music and continues an exciting new chapter in Crooked Man's
career.
LP format includes digital download code.

Dubstep veteran Sukh Knight kicks off his brand new DAKU imprint in style with an EP featuring much sought after tracks by himself and a remix by Dubstep O.G Kromestar. All 3 tracks have gained much support over the past year by many dj's including Mala, Coki, N-Type, Hatcha, Kromestar, Chefal, Sleeper and many more.

The EP starts with the sci-fi sample laced dubby roller 'Moonrunner' which takes you on a journey through the galaxies, before going to the flipside for Sukh's trademark Bollywood influenced dancefloor smasher 'Paid Off' and ending with Kromestar's hypnotising 'Dark Of The Moon' remix of 'Moonrunner'. DAKU001 is essential in your record collection with all 3 tracks guaranteed to cause destruction on soundsystems and dancefloors. Prepare yourself for many more exciting releases from this brand new label.

Next on the DDQ series, Sébastien Michel, best known as UVB, presents his Elements of Joy alias where the French producer explores post punk, industrial and wave influences across 4 rugged tracks. First released as a cassette on his own Body Theory label and now remastered for vinyl on a limited edition of 300 copies.

BCee & Villem take on 2 of the finest cuts from Jonny L's 'In A Jungle' album. It's always difficult tacking a remix from such a legend of the scene as Jonny L, but these tracks demonstrate that it can be done.

Eighties Ladies comprise Denie Corbett, Marva Hicks, Susan Beaubian, Sylvia Striplin and Vivian Prince. They recorded one album with Uno Melodic Records, a label created and run by the legendary Roy Ayers at the height of his career. The group are best known for 'Turned On To You', one of the most iconic 'rare groove' tracks from the early 80s. It was sampled numerous time in the 90s, most notably by A Tribe Called Quest ('Buttter-Hip Hop Mix'), and more recently bu Nujabes featuring C.L. smooth ('Sky Is Falling'). This 7' is an exclusive edit of the 12' version, while the instrumental version of 'Ladies of The Eighties' appears here on 7' for the first time.

Redsonja Records presents: Reference number 17, 'Mercury', a 3 track EP, on Digital and Vinyl signed by two internationally renowned English artists, highly acclaimed on the global electronic scene. We are talking about none other than Mark Broom and Silicon Scally (Carl Finlow).

Mark Broom delivers the goods with 2 original tracks exclusively for Redsonja Records.
'Mercury' is techno in its purest form, a beautiful groove delineated by an accompanying string meandering synthetically along the track from start to finish, at times broken up by Broom's generous use of delay and reverberating claps, making the track compact and ready for the dance floor. Whereas a darker and more complex techno sound, alive with trademark Broom percussion, identifying with the current techno club scene can be heard spilling out of his second track '77S3'

Carl Finlow also presents us with a little gem of a track, surprising us once again, this time with an electro remix of 'Mercury' in true Silicon Scally style. The resources he puts to use define him as a serious producer, successfully maintaining significance and groove whilst distorting the soundscape by overlaying the sinister rhythm with captivating fettles and shapes of sound, the end result being literally extraordinary.

This EP makes for a must have in any techno sympathiser's collection, as RS17 is an all round excellent and authentic production, made with lots of care and attention.

After a release on I Love Acid and some heavy electro on X0X Records Type-303 delivers a definite acid techno rave anthem that will rip up the dancefloor. You could easily imagine this sort of madness coming from the early 90's acid labels, but in 2018 these kind of tracks are becoming a rare species. On the B-side Finnish HYV is taking the command and remixing the original track into more of a Chicago style jackin' acid (and adding sh**loads of TR-707, but still keeping the track as pumping and mayhem as the original. Limited and numbered edition of 200, after that it's gone, no represses, no digital, so you know what to do!

In 1990, raising their voices over the sound of Neuropolitique's 'Mind you don't trip' Sebastian S. and Mike DMA (Direct Memory Access) met, breaking the ice by swapping opinions on LFO and 808 State. They later went on to create the first live configuration of BWP Experiments (Bad Woofer Posse Experiments, for more info see basicmoves), and produced dozens of tracks together which, for the most part, were live takes and remain unreleased. Only
a few made it out into the world, and to this day have stayed well under the (discogs) radar:
Our Techno Theory' was put out on an 8-tracker cassette by Research and Development,
while only two productions 'Escape' and 'Pay your taxes' were pressed on vinyl for the same
imprint. Now Sebastian S. (aka Caustic 14) returns to the label with two previously unreleased tracks
found in his personal archive. 'Excalibur' was produced in tandem with Mike during the last
session the pair ever did in Sebastian's studio (Z'ha'dum) in 1996. It's a vibrant hommage to
their common passion outside of music: Sci-fi. This track refers specifically to the series Babylon
5 , which was a revolution in the genre, and the first tv series to outdo Star Trek (the intergalactic
reference since the early 1960's). The idea of being 'united against darkness' was key to the
series, and the motto remained essential for Sebastian, Mike and Deg's music productions,
collaborations, live shows and dj sets. The influence of what had been a passion since
childhood can be felt in their sound: unconsciously they had dreamt up the soundtrack to their
own space journey. The second track 'Cliffhanger', a solo production by Sebastian S., is a dig from several years
earlier (1994). The Detroit influence is strong here, yet the signature Caustic 14 "space opera"
melodies hold their ground and shine out.
We are very proud to propel this Belgian electronic music heritage out into the world.

In memory of Matt Cogger.

walrus & islas , September 2018.

Tracks from Aural Imbalance's Propagation Of Light album versioned and rendered for wax.

Just Breathe gets spotlighted on the A-side with two remixes. First up, Maps Of Hyperspace grafts his brand of dubby ambience to Simon's instrumentation for trippy chill house goodness. Off Land strips back the beats and ups the ambient bandwidth on his version to close out the side.

The B-side kicks off with Soul Solution, one of Mr. Huxtable's trademark lusicous atmospheric house tracks. Adriano Mirabile brings his techy production stylest o the desk on Fall Of Stars to wrap things.

Optimo Music is delighted to release the new album from Lia Mice, Australian-born but UK-residing DJ, producer and instrument designer.

Here's a few words from Lia - "When I moved to London in 2015, many things changed at once - I started going to more techno and electro nights, I changed my live-set setup, and I had access to a fully-equipped recording studio through my music masters programme. At the same time I was reading a lot of books on time travel, not just science fiction but also psychology and neuroscience - like how the human brain perceives time from moment to moment, how we can experience overlapping time, and how we interact with our past and future through memory and imagination. 'The Sampler As A Time Machine' is the result of all these new influences coming together. The tracks were developed out of ongoing studio experiments interpreting these different ideas of time travel by using samplers and tape to re-sample and manipulate original music performed by me on various instruments including my voice."

Please meet the young production duo of Davin Coady and Geoff Foley known as 'Between Ourselves' from Water-ford/Ireland, one of the Irish key cities for the more deeper flavours of underground House-music. They have previously released on labels such as Republik and Galaktika. Their offering is comprised of 2 tracks. The first track 'Red Mist' is a melodic driven tune with an epic monster-break that hur-tles the listener to an uplifting climax. The 2nd Track 'Guidance' hits the spot with a catchy bassline in the break, the 'hook' of the tune. None other than Berlin based Ruede Hagelstein created a remix for 'Red Mist'. Indeed he is a man for those special tunes that will always stay on your mind. He stripped down the original to its bare essence keeping the epic feel - a dirty dark masterpiece. Andre Lodemanns edit of 'Red Mist' pushes the floor potential to the max with his customized drum sounds.

Electro master Dez Williams joins the Discos Atónicos camp for the label's 4th installment and delivers 5 dystopian cuts infused with his signature sound - crunchy bass lines, spaced out drama, alien funk and a touch of acid. Strongly recommended!

Hailing from the north of England, he is no stranger to the global electronic music scene yet prefers to stick to the underground and stay true to his own artistic and creative spirit.
Dez started releasing in the early 00's and has tracks on such labels as SCSI-AV, Cheap, Bass Agenda, Earwiggle, Killekill, Mechatronica, Bedouin, Shipwrec, New Flesh as well as his own imprint Elektronik Religion.

Adam X returns to his imprint Sonic Groove with his first album in four years, a 56 minute excursion into EBM and Cyberdelic Industrial Techno titled RECON MISSION. The mission begins with beat driven hypnotic electronics that invoke paranormal illusions of Easter island mythology and Bermuda Triangle disappearances. Climbing forward the album crosses the line into harder industrial territories, conjuring visions of New York City's dystopian past and CIA shadow government experiments.

Adam's own voice adorns tracks such as "Never Ending Quest", "Modular Bodies" and the title track "Recon Mission", while manipulated dialogue samples take the stage on "Tales Of Mystery', 'Search & Retrieval' & 'Delusions Of Paranoia'. Subtle, whispered statements creep in and infect the listener's ear, guiding them deeper into mental oppression. This album is not for the faint of heart, and its meticulously detailed production stands as a testament to Adam X's enduring career in techno. Adam has survived the ups and downs of the industry while continually raising the bar for production value and sound design. RECON MISSION is a triumph, ahead of the curve of modern industrial techno. This is not a throwback, this is Future EBM.

Following on from the three highly-acclaimed CoOp Presents 'Selectors Assemble' compilation EPs from the past year, it's now time to focus on some of the individual talents from the ever-evolving movement. As the international foundation grows, we invite aboard the extremely talented Neue Grafik into the fold.

French producer, instrumentalist and DJ, Neue Grafik, has been building a strong rep for himself over the past few years, releasing records previously on labels such as Rhythm Section, 22a and Wolf Music. His sound is a hybrid of jazz, house, broken beat and hip hop, all with his unique geographical flavours of African ethnicity, Parisian roots and a love for London thrown into the mix.

So to the music - two brand new tracks, 'I Miss Something' and 'Bed Stuy's Mood', complete with remixes from EVM128, Danvers, Xtra Bruk and NameBrandSound (aka label bosses IG Culture & Alex Phountzi) respectively, making this one essential package for the bruk soldiers and beyond.

In Neue Grafik's words...

"I remember the first time I was at a CoOp party and met IG - I just said something like "unbelievable party, well done! Thank you, man". I didn't expect to be a part of this brilliant family a few months after that; it's totally insane to think about it now.

I began to hang properly with the CoOp fam during a DJ session at The Flex in East London. I was so happy to live in this moment; surrounded by these talented performers, artists and producers, excitedly talking about unreleased music on everyone's USB sticks.

This EP is a personal vision of the broken beat scene and my love for that. A meeting with artists who build my own taste, with friends keeping the same vibrancy and desire for this music. 'I Miss Something' and 'Bed Stuy's Mood' are two tracks dedicated to Porte Des Lilas (Paris), and Bedford-Stuyvesant (New York). One was made in my house, the other on holiday. These two tracks, as well as the remixes from the Selectors Assemble crew, represent a real and deep friendship."

More essential music from the CoOp Presents camp, available on limited vinyl and all digital services. Don't sleep.

Double LP on heavyweight 180 gram audiophile black vinyl in a wide spined sleeve with new artwork layout. Re-mastered by John Rivers at Woodbine Studios especially for vinyl release. Includes a bonus track not on the CD version and new artwork design. Never has a record been so aptly titled, or so perfectly descriptive of a band's particular vision of the universe. For all that, the original appearance of Taking Drugs was in fact a bootleg on the semi-legendary/semi-notorious Father Yod imprint in 1990, later supplemented with contemporary outtakes and cuts for the Bomp reissue in 1994 and one further song for the Space Age version in 2000. The original seven tracks, dated January 1986 and the first recordings to feature Pete Bain on bass, are collectively known as the Northampton Demos, understandably named for the recording location in a studio outside said English city. Both Sonic and Pierce have been on record as long preferring these takes to the eventual versions that surfaced for the most part on Sound of Confusion. Certainly it's a fine set of performances, showing a definite step toward the more familiar sound of the group and away from the rougher takes on For All the Fucked Up Children of the World. "The Sound of Confusion," aka "Walkin' With Jesus," rips along with fierce energy, Pierce's singing and the rampaging, primitive wail and rumble of the band just wonderful. "Losing Touch With My Mind" takes things to an even higher level, a huge wallop of feedback and beat (Natty Brooker's drumming in particular delivers just what the doctor ordered), Pierce delivering the lines with a flat, cutting drawl. On the slightly lighter tip, "Come Down Easy" is more or less fully in place (aside from singing about it being 1986!), possessing a more upfront but less vocally distinct feel than the Perfect Prescription take. The tracks that surfaced on the later reissues come from a variety of different sessions, including the original take on "Feel So Good" and a good live version of "Things'll Never Be the Same," one of several cuts featuring Brooker's drumming replacement Rosco.

2nd Reissue
Fredfades & Ivan Ave's debut release
This time on black vinyl
300 copies
For fans of J Dilla, MNDSGN, Madlib, Yogisoul

Contains 17 tracks produced by Fredfades using the SP-1200 and MPC 2000XL. The A-side is all vocal tracks by the Norwegian lyrical genius Ivan Ave who is widely known for his projects with MNDSGN (Stones Throw). The B-side is a mesh of Fredfades instrumentals.

Georgia Anne Muldrow returns with a modern soul classic in the
making - 'Overload', via Flying Lotus's Brainfeeder record label.
An incredibly talented vocalist, songwriter and producer,
Georgia Anne Muldrow effortlessly spans jazz, soul and hip hop
and, during her 12 year career, has collaborated with Madlib,
Erykah Badu, Dev Hynes aka Blood Orange, Bilal and Robert
Glasper.
'Overload' was executively produced by Flying Lotus, Aloe Blacc
and Dudley Perkins.
For fans of NxWorries, Erykah Badu, The Internet, Madlib.
Notable collaborations on 'Overload' include Dudley Perkins,
Shana Jenson, Moods, Lustbass and Mike & Keys (50 Cent,
Nipsey Hussle, Snoop Dogg, G-Eazy), who contribute
production to four tracks including the sleek, anthemic title
track alongside Khalil (Dr Dre).
CD digipack. LP pressed on 180g heavyweight black vinyl in an
artworked innersleeve housed in a 3mm spined outer sleeve
with digital download card included.
Artwork by Martin Norwood (Nice Dreams Studio). Layout by
Adam Stover.
'No one sings a heavy love song like Georgia Anne Muldrow' -
Pitchfork Best New Track
'Beautifully poised between classic 90s R&B and something
strange, disorientating and psychedelic.' - The Guardian

Before Jimi Hendrix became an international phenomenon, he struggled to earn a living as an itinerant sideman for many rhythm & blues acts. Hendrix can be heard on recordings by Little Richard, the Isley Brothers, Don Covay and many others. This single presents one of his most unusual sessions as an unheralded sideman while the other was only recently discovered and never before released.

Hendrix recorded both tracks in 1966 during separate sessions as a session musician for Ed Chalpin & PPX Enterprises, Inc. 'Suey' was originally the flip side of 'As The Clouds Drift By,' a single by the voluptuous B-movie actress Jayne Mansfield. Licensed to several European labels just weeks after Mansfield died in an automobile accident on June 29, 1967, Mansfield US recording rights were held by a different label so this recording has never before been issued in the US. Ricky Mason was a young vocalist championed by Chalpin, and 'I Need You Every Day' is a pleasant surprise. This previously unreleased, uptempo shouter also features Hendrix on guitar.

Our third Platinum release of the year comes from Finnish breakbeat veteran Fanu who's conjured up a fusion of classic breaks and brutal basslines across 2 vinyl tracks and 2 further digital bonus offerings. An EP full of experimentation that constantly strays from the norm, this is a release that celebrates the combination of Fanu's great efforts and unique methods bringing about impeccable results.

Mickey Pearce is back in business with 'One Hundred Smiles', a new album of swaggering UK club music experimentations, and a new label Box Of Toys.

His first album, 'Michael' (2016), saw him exploring new territory; crafting a strange and melancholic landscape of beatless textures and leftfield house and techno. Approached with a fresh perspective, 'One Hundred Smiles' slows the tempo and ups the collaboration.

'The last record was a reflection of my situation around that time. This one is like stepping out from under a cloud. It's about the joy of collaboration; meeting and working with new people. It's also about the ambiguity of smiles, and the complicated relationships we form.'

The album features appearances from rising UK talent Poté, Taiwanese vocalist Meuko Meuko and Greek electronic pioneer Lena Platonos.

'Poté is a crazy talent. We've done a bunch of sessions and made a load of tracks, two of which ended up here and one of which is going on his next record.

Meuko Meuko is an artist from Taiwan. We communicate entirely via Instagram. She'd send me translations of the lyrics in Instagram messages, but I'm still not sure if I've chopped them into any sort of sense. The instrumental was called 'Slime', and she misread that intentionally or unintentionally to mean 'smile' and sent me all these crazy lines about 'your lovely smile' and it was just perfect. I love her.

Lena Platonos is a legend, and someone I was honoured to work with. The day she told me she had been playing and enjoying the record around her friends was a good day.'

'One Hundred Smiles' is the first release on his own label Box Of Toys. The label is named the same as his 2017-2018 radio show series, which featured the album's guests as well as Randomer, Machine Woman, Airhead, The Maghreban and Object Blue.

'One Hundred Smiles' is released on LP and digital via Box Of Toys on 2nd November 2018.

The debut release from new Scottish producer North Sea Dialect, Local Guide is a dense musical world made of uneasy ambience, shimmering distortion, subdued rhythm and propulsive melody.

Buried in its soundscapes are the echoes and surrealness of alienated life - expectant youth, distant voices and broken folklore. It's industrialised music tied together with found sound, adrenaline fuelled synthesis and the depths of late night solitude. Conceived during a move from Glasgow across Scotland and composed in isolation, a blistering sense of reality creeps through the recordings.

Local Guide is accompanied by three videos for the tracks Mossy Cyphol, Subarctic Baltasound and Gloup. The short films are haunted and illuminated by the serenity of rural freedom, the power of the sea, and the collapse of industry.

Released on the Music For Nations label. In the wake of their triumphant Bloodstock Festival headlining show this Summer, the kings of viking metal return with a live album/documentary film. This will be followed by a brand new album in spring 2019. Recorded live from 2017's headlining show at the Summer Breeze Festival in Germany. Tracks include 'Raise Your Horns' and 'A Dream That Cannot Be', where they are joined on stage by heavy metal legend Doro. The documentary covers the band's 25 year career in great detail and is essential viewing for fans of the band old and new. The band will be in market for promo around the release. There will also be a premier of the documentary at a central London cinema with a Q&A with the band and director. Specialist promo/marketing activity across all media outlets.

After a break of 6 years, Atlanta based electronic musician, producer and sound designer Richard Devine returns with a new album 'SortLave' on Venetian Snares' Timesig imprint. Recorded between 2016 and 2017 using Richard's custom built Eurorack modular system and two Nord G2 Modular units, SortLave features 12 tracks of intricate electronica that ranges from abrasive percussive experiments such as 'Revsic' to 'Astra's dazzling juxtaposition of sounds and onto the radiant ambience of the album's closer 'Takara'.

Talking about the album's genesis Devine explains 'I've been using modular synthesizers since I was 17, but have never written complete tracks using these newer systems. This was my first experiment to see if it would be possible and I probably spent about 5 years building up the systems that I used on this album.' 'I wanted the record to sound very different to my previous works which had been more cold, digital, clinical even, and had all been made using computers. The aim here was the complete opposite, to create something that felt very organic, detailed, spacious, big and warm and just as importantly, a record that you could put on and play all the way through that flowed in a seamless way.' This new approach was to prove fruitful and enabled Devine to create music in an entirely new way. 'I really wanted to break free from timeline-based music creation and do things with my hands on the fly,' he explains. 'So the tracks are more like captured snapshot performances where I could experiment and play around with the idea of probability-based sequencing for every patch, string multiple sequencers together that would feed other sequencers to come up with interesting rhythms and melodies. It was really fun coming up with new sounds this way too, I felt like I created several I haven't heard before with this album. Some of the tracks on the album were complete accidents and evolved from something that happened spontaneously. In the end I feel this is one of the best records I have released to date, so I'm very excited to share it with the world.'

Making his debut in 1995, Devine's releases for labels including Schematic, Warp Records and Detroit Underground have established him as one of the leading figures within the electronica community. In addition to his musical productions, Devine has enjoyed a lengthy and successful career in sound design, developing patches for many of the world's leading music technology businesses and working with companies such as Google and Nike.

This EP showcases a wider style than previous Myriadd EPs, and the tracks here are a mixture of dancefloor focused tracks and the more etherial, emotive style that listeners associate with this artist. Astral Journeys is a building dancefloor track that combines deep bass and a bubbling acid line to maximum effect. A second acid track, Excursions, combines solid 909 beats, a bubbling Washing Machine style synth line and a sailing acid line. Title track, Oceans, and City Of Quartz are more Detroit influenced, with a more icy atmosphere than the other tracks, perhaps recalling early UK bleep techno tracks. Cosmos is classic Myriadd style, combining cosmic string solos and Chicago style percussive stabs over a solid bassline.

In just a year of existence, Chloé's Lumière Noire has brought emerging artists and promising newcomers together - and this first compilation of 13 brand new tracks expands the roster, exposing the label's eclectic vision in full daylight. When Chloé talks about her label, she puts forward the fundamental values that informed her own musical journey, her trust in her own musical taste - and, of course, the predominance of human relationships: 'I followed
my bliss and only commissioned tracks from artists that I respect and whose music I love. That to me is Lumière Noire's musical palette.' With this 13- track, unmixed compilation, Chloé makes a case for a label aesthetic that is based in open-mindedness. Familiar, elemental Lumière Noire artists are represented, as are new faces, producing a kind of group photo presaging what's next for the fledgling label. Lyon's Markus Gibb leads the track listing with Kuru with a deep chiaroscuro matching the label's ethos, followed by other mainstays Il Est Vilaine's Farenheit 451, which evokes Ray Bradbury's retro-dystopic angst with the
band's usual electro-pop elegance. Sutja Gutierrez, who released in debut EP, The Legend of Time on Lumière Noire in April, pursues his electro Shamanism with the ceremonial Allodoxaphobia, while Iñigo Vontier (whose EP Aluxes came out on the label in late 2017) brings his C O N T R A project
online with track Taurus, a further development in voodoo house. Elsewhere, Suuns lead singer Ben Shemie, who lent his fascinating art-rock croon to Recall, a single from Chloé's Endless Revisions LP, contributes A Million Kinds, a synthy, psych-pop debut that is as brilliant as it is surprising. On to the freshman class: Dutch producer Drvg Cvltvre (who gets personal kudos
from Chloé with each new 12') brings the uncompromising dark electro of his hypnotic and claustrophobic Last Rites. Jonathan Fitoussi's airy, minimalistic Cercles Polaires brings the respite of his recent Versatile Espaces Timbrés LP (a collaboration with Clemens Hourrières): 'I met him at Xavier Veilhan's
Studio Venezia at the Venice Biennale. He's a great guy, and his universe is unique,' says Chloé. Benedikt Frey's deep techno track Iaon, is on par with his smash 2017 album, Artificial, out on ESP Institute. First-timers are also part of the recruits: Bajram Bili with the ten cerebral minutes of Restart, Théo Muller with the ultra-deep Douce Transe, and Lumi, a Basque band that fuses
electronic sounds with acoustic instruments, brings the ompilation to a close with a track commissioned by Chloé. These audacious choices are anchored down with the likes of Permanent Vacation pioneer Lauer's hooky, 80s-infused Pythor ('Just like him, I was a resident of the Robert Johnson, and he was a guest of mine at one of my Lumière Noire nights at the Rex. He is one of these people whose music I highly appreciate'); Aergeworc & Franck Agrario, half of English duo Swayzak David Brown's project, weaves an ethno* mood into Grace's techno. Bringing together different generations, genres, and styles That may not necessarily be Chloé's MO. She invokes a more arbitrary, personal logic: 'I like to mix of-the-moment tracks and more timeless one, but the rule is above all 'do I love this or not'. That was my ethos when I started Lumière Noire.' In that way, the label is definitely in keeping with its time

Strut Present An Exclusive New Compilation Curated By Optimo's Jd Twitch, 'kreaturen Der Nacht', Bringing Together Classics, Rarities And Oddities From Germany's Original Post-punk And Diy Scene. 1979 To 1984 Was An Era Of Particular Artistic Upheaval In Germany As Strong Subculture Scenes Formed In Many German Cities. Emphasis Was Placed On Expression Rather Than Technical Perfection, Artistic Impact Rather Than Skill. Diy Self-organisation Prevailed With The Establishment Of Small Record Labels And Independently Produced Records And Cassettes. Bands Experimented Across Genres And Consciously Abandoned The English-speaking Mainstream With German Band Names And Lyrics. 'although We Had A Small Underground
Scene, It Was Very Vibrant,' Explains Gudrun Gut Of Malaria! 'bands Like Die Haut, My Frst Band Mania D., Malaria!... We Organised Gigs Ourselves Or Friends Would Open A Gallery And
Have Bands Playing. We Hung Around Together In A Handful Of Clubs Like Risiko Or Dschungel And Went To Gigs At So36. West Germany Had Other Regional Scenes Too: Düsseldorf And
Köln Around Der Plan And The Ata Tak Label And There Was The Hamburg Side With Abwärts. Germany Didn't Have A Real Music Industry Like The Us Or England Back Then.'
This New Collection Is A Personal Selection From Jd Twitch, Built Over Years Of Playing The Tracks In Club Sets. 'it Is Not Designed To Tell A Defnitive Story Of What Was Going On In
Germany In This Era,' He Explains. 'rather, It Is Simply An Arbitrary Collection Of Records I Adore From A Specifc Era With A Specifc Attitude That Hopefully Together Sum Up Some
Of The Musical Undercurrents In Germany At That Time.'
The Package Features A Host Of Rare And Unseen Photos From The Period Along With Extensive Interviews With Artists Including Beate Bartel (mania D.), Christoph Dreher (die Haut),
Michael Hirsch (p1/e) And Thomas Voburka (weltklang). All Tracks Are Remastered By The Carvery With Artwork By Optimo's In-house Design Man Andrew Beltran.

We_r house strikes back with a 4 track EP by London's new talent Revivis. After contributing tracks to VAs on several labels this is now his first solo EP featuring 4 original tracks by him for any time of the night.

Fringe Society Should Be A Familiar Name To Anyone Who Has Visited One Of Our Recent Wrong Era Parties. Channeling The Same Slick Electronic-funkiness Of His Dj Sets Into Four Tracks Of Wildly Different Music For Wrong Era's Vinyl Imprint, This Is A Record For All Occasions That Takes In Dreamy Cosmic-psychedelia, Chugging Dance-workouts And Explosive Peak-time Bangers.

Debuting in 2014, DJ BEATATTACK has constantly been a highly-rated rookie on the Japanese scene. Using his huge vinyl collection, he takes samples from his records then magically cooks them to build up a beat with his buddy, MPC, which is a bit like making Sushi. DJ BEATATTACK has released 4 7-inch vinyls since he debuted in 2014, helping to build his reputation.



The 5th 7-inch is 'MASTERPLAN'. Side-A brings the true groove of what real hiphop fans nodded their heads to with a combination of addictively thick drum programings with smooth base lines and horn samples throughout.

'MUCHO GUSTO', Side-B, was first released as one of the tracks from DJ Beatattack's debut CD album, 'FUNDAMENTAL ELEMENTS'.

However, with huge demand for a 7-inch from fans, it's been decided to press it on the 7. Salsa based sampling makes you feel like you are somewhere in the Caribbean islands and urges you to want to dance to it's funky sound

It's not the fall that hurts, it's when you hit the ground - that's what - Failing Upwards' is all about. On Lehult's fourteenth release Lucky Charms breaks away from 4-to-the-floor territory to deliver a fun trip through skippy drum workouts and jazzy warmth. Spread out across the full A-Side is 'Einbahnstraßen-Sound". Heard first on the Lehult Worldwide FM Special last year, this highly requested tune finally sees the light of day in all its trippy, warm, analogue glory. 'Oase' takes things a notch deeper by layering lush synths, swarming melodies and ski field recordings over a laid back electro-groove. 'Rex Dubius' translates the vibe of the first two tracks into a more straightforward, dubby groove - not without the skipping beats and the warm counterparts, though.

180g vinyl, limited pressing