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Pure Devotion, benannt nach der gleichnamigen Live-Reihe von 2024, markiert einen weiteren Entwicklungsschritt für Overmono. Hinter dem Projekt stehen die Brüder Tom und Ed Russell, die bereits seit Jahren in der britischen Elektronikszene aktiv sind - sowohl gemeinsam als auch über ihre Solo-Projekte Tessela und Truss. Diese Erfahrungen aus dem UK-Underground bilden die Grundlage ihres Sounds bis heute. Das Album vereint bewusst Unschärfen, technische Imperfektion und zufällige Momente mit einer klaren künstlerischen Haltung. Über elf Tracks hinweg erweitern Overmono ihren Produktionsansatz und greifen dabei auf ungewöhnliche Mittel zurück: analoge Synthesizer aus den 70er- und 80er-Jahren, alte Lautsprechersysteme oder experimentelle Klangbearbeitung. Das Ergebnis wirkt kontrolliert, organisch und immer treibend. Auch die Vocals tragen zur Atmosphäre bei - unter anderem von John Joseph Holt, Kindora und Ruthven. Insgesamt legt Pure Devotion den Fokus stärker auf Emotionalität und Klangtiefe als auf reine Funktionalität im Clubkontext. Das Projekt entwickelte sich aus einer Neujustierung ihrer Live-Show und gewann parallel zu ihren Touraktivitäten an Form. Nach dem Erfolg ihres Debütalbums Good Lies (2023), welches ihnen größere Aufmerksamkeit und internationale Auftritte einbrachte, spielten Overmono zahlreiche Festivals und eigene Shows, darunter Glastonbury und Alexandra Palace in London. Während dieser Phase entstand neue Musik, die später in Rückzugsorten wie Spanien und Island weiter ausgearbeitet wurde. Die Single "Lockup" steht exemplarisch für die Herangehensweise des Duos: direkte, rhythmisch präsente Strukturen treffen auf zurückhaltendere, emotionale Elemente. Pure Devotion wirkt damit weniger wie ein Bruch als vielmehr wie eine konsequente Weiterentwicklung - geprägt von Erfahrung, Neugier und dem Anspruch, den eigenen Ansatz weiter auszuloten. Overmono sind eine neue Größe in der internationalen Club-Kultur.

2026 Repress

NC4K, based in Kyoto, presents the third installment of their vinyl-only series. This four-track EP features House and Breakbeats tracks exclusively produced by artists residing in the Kansai region.

Expect raw, impactful drums and skillful sample manipulation designed to deliver a jolt of energy to the dance floor.

This disparate collection of material formed Kold Funk Vol. 1, showcasing The Surfers’ sweeping palette developed through 15 years of playing music. Igor Zhukovsky, the band’s frontman, himself selected the tracks. Enjoy your trip to the enchanting world of The Soul Surfers! TSS are the ground-breakers and a vivid example of how authentic world-class groove may be produced anywhere — what matters is the right feeling and the concept.

*repress*

The prolific Lord Of The Isles (aka Scotland's Neil McDonald) has had a string of stunning 12's over the past few years on labels such as Permanent Vacation, Unthank, Shevchenko, Mule and of course his four track 'Year Of The City EP' on Phonica, which was widely acclaimed upon its release in 2012.

This time LOTI presents two long-form tracks, each a mini-masterpiece in itself. The 10 minute plus 'Greane' bursts into life after an intro of kicks and white noise hi-hats. It continues to slowly build, with pitch-bent synth lines and a pulsing bass-line making way for a melacholic shift in mood. Truly original stuff!

On the flip, a swirl of synthetic strings introduces 'Gigha', in a manner that brings to mind Rhythm
Is Rhythm's legendary 'Kao-Tic Harmony', before the drums and infectious acid-line join in. Over the 8 minutes they continue to interweave and play off each other to dazzling effect.

Artwork by Jack Featherstone, the designer of a number of sleeves for Border Community (including the highly praised campaign behind James Holden's 'The Inheritors', its singles and live visuals), Electric Minds, Warm and of course, Phonica.

With his distinctive touch for melody and texture, "Thunder EP" opens a portal to a new world, both vibrant and underground. Split into two parts, the A-side burns with a groovy house and breakbeat energy, while the B-side shines with deep, progressive and electronic soundscapes.

With its powerful vocals reminiscent of Bicep and a melody that brings a breath of fresh air, the opening track of the EP "Thunder" has all the makings of a future anthem. It perfectly sets the tone with its raw breakbeat energy and rolling textures

Right after, the A2 "You've Got The Feeling" offers a subtle blend of softness and groove. True to Houseum’s deep and sunny DNA, the track revolves around an effective classic piano house hook and a captivating soul vocal that instantly sticks in your head.

Closing the A-side, "Space Jam" shifts into more atmospheric territories with floating vocals and airy synth pads, moving the dancefloor toward a deeper, more mental vibe.

On the flip side, the hypnotic bassline of the B1 "Bullet Train" sets the pace immediately. The track nods to 90s progressive house through its structure while offering distinctive deep tech and dub techno sounds.

Finally, "Haag" wraps up the record with a subtle blend of IDM, ambient, and dub techno, a sound aesthetic that might remind a certain In Limbo EP released on Houseum's sub-label, Ellipse Records. It acts as the perfect closing track, inviting the listener to wind down and float away after the intensity of the previous tracks.

“Wavebreaker” is a magnificent post-punk and minimal wave album originally self-released in 2024 by Orus Boris — a brilliant work that unquestionably deserved a proper vinyl edition for both its musical depth and outstanding technical quality. Built around a truly exceptional production, “Wavebreaker” moves in line with the finest contemporary wave sounds while constantly expanding its own universe. The album never feels nostalgic or predictable. Instead, it reshapes its influences into something fluid, sharp, and deeply personal, refusing to remain confined to a single language. Alongside its minimal wave foundations, the record introduces subtle incursions into darker electronic territories such as dark electro aesthetics, making each track feel unexpected and constantly evolving. Melancholy collides with tension, elegance with aggression, precision with emotional weight. The result is an immersive and surprising listening experience from beginning to end—a remarkable work that confirms Orus Boris as one of the most exciting and essential voices to follow within the new wave underground. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Proto Exotica notches its third release with The Infinite Hum EP , the debut project from Melbourne producer Mateo Torres Rodriguez under his new alias: Cerro.

Cerro is a personal and transportive collection of recordings owed to four months in Colombia, where Mateo returned to the neighbourhood he grew up in. On a table in his childhood home, he set up a modest travelling studio with a small collection of analogue hardware. At times, he'd pack individual pieces of
gear to travels within his travels, working without a fixed room or routine.

And so from a drum machine, a monophonic synth, a polyphonic synth, a laptop, and a pair of headphones (but no speakers) came five tracks of dub-inflected house and cosy Balearica.

The EP opens with 'The Bright Side' , dub bass, warm analogue pads, housey tempo. 'Unending Journey' slows things down, its deep low-end holding space beneath a synth that drifts in and
out.

'Power Of The Small' brings a dreamy house melody alongside a dubbed-out analogue lead, the filter opening and closing as the track breathes. On the B-side, Andras remixes 'The Bright Side' , keeping the bounce and weaving a jazzy lo-fi Rhodes solo through it. The EP closes with 'Indubitably' , dubbed-out vocal samples and floating pads settling into a downtempo Balearic lilt.

FELT wade deeper into the murky waters of contemporary Scandinavian electroacoustic music following the recent reissue of Johan Wieth’s Health & Safety project on sub-label LEFT and established gems from the likes of Civilistjävel!

Gintė Preisaitė, a Lithuanian artist and graduate of Copenhagen’s Rhythmic Music Conservatory, reveals her first solo release under her own name, following a collaborative effort with Toshimaru Nakamura in 2025 and a number of cassettes as “Baraboro”. The deliberately genre-blurring sound Preisaitė deploys works with composed pop vignettes, sustained drones, FX manipulations and guttural bursts of noise. Sparse piano movements, sample-laden psychedelia and moments of big beat/trip-hop rhythms gel with crowd noise, close mic’d intimacy and experimental percussion with a focus on instrumental timbres and extended techniques.

With a background in composing for large ensembles, Preisaitė's multi-instrumental approach is evident across the eight tracks, moments of dense concrète-style sound collages anchored by the human voice never being far away. She laments on fantasy, absurdity and relationships as a cast of players contribute string, brass, accordion, and guitar parts. Passages move from delicate acoustic folk motifs through to wide-eyed, cut-and-paste glitch electronics and spectral melodic riffs, making the album an unorthodox and welcome addition to Denmark's current world-class music scene.

After a string of amazing releases on labels like Straight Up Breakbeat and Silent Force, the jungle brothers from Finland Aeon Four make their debut on 3AM Eternal. They delivered 3 tracks that are Melodic, beautiful while still maintaining 100% dancefloor energy, switching between melancholic, soulful, subdued to ruff and full on amen choppage.

Four explosive tracks, three powerhouse artists, one essential wax. Experience the ultimate Afro-Funk-Disco fusion—strictly vinyl, purely devastating, only via Bud Records.

V/A - Teurastamo Electronic 2026 is the debut release on the new Teurastamo Electronic label, born out of the first edition of the free open-air event of the same name, set to take over the courtyard of the historic Teurastamo meatpacking district in Helsinki, Finland.

The event and its label are produced together by local record label Alakulttuuritalo and the Puristamo vinyl pressing plant, bringing together local and international electronic live acts and vinyl-only DJs. The first 12" TE001 collects four exclusive tracks from artists performing at the event, spanning Berlin and Helsinki.

Carmen Electro opens with the industrial pulse of "Osaka FX", followed by the live, hypnotic deep roller "Uima" from Jesse Ukkonen. On the flip, Cesar Merveille and Ossios settle into the dubbed-out groove of "You know" before Köppö closes the record with "Niitty", a driving, stripped-back cut laced with his saxophone. Limited vinyl-only release packaged in screen-printed kraft sleeves.

Mat Fink with his first solo EP, on new label, Funky Soul Creations, delivering driving bass-lines and jazzy melodics. 4 tracks telling stories of diversity and funkiness with touches of Detroit and Chicago energy. From a DJ for a DJ, the versatility of the release is for any environment whether peak-time in the club, at the afters, or just a Sunday afternoon listening. A Side opens with the title track, a raw funky tribal groove with an off-the-top one take vocal that was never written nor planned. That’s followed by a ‘Peace of Deep’, an early morning deep house mood that intensifies and inspires the sun to rise over the horizon. B Side is where the release becomes darker and quirky. The first track offers a hypnotic bass-line with deep textures and rolling percussion lines. The track is set in the environment of the long club night, managing the intensity and progressions.

The final track of the release is a cocktail party for the forest animals. Futuristic folk

A legend returns as the alias of scene stalwart DJ Levi and Curvature co-creator Ghosts of MIDI unleashes an EP of seismic tracks backed with remixes from ASC and Aural Imbalance. A1 - Iron Dinosaurs Opening a fine Curvature debut for the label’s very own Dan Azimuth, Iron Dinosaurs is an epic piece of atmospheric goodness introduced with a long, elegant intro of synths and luscious female vocals. Before long, classy, energetic metallic breaks kick in, set to an immensely memorable key melody and a room-filling bassline, creating a breathtakingly fluid and captivating piece. A2 - Iron Dinosaurs (ASC remix) Taking an incredibly evocative track and lacing it with sprinkles of ASC goodness to create a true gem is the order of the day here, as the heart of the original courses through an ominous intro, quickly beset by fine analogue amens that hit hard for the dancefloor, while allowing the soul of the piece to breathe, syncing in harmony with the distinctive vocal samples and swirling synthwork that colour the atmosphere so perfectly. B1 - Deadly Dimensions A DJ-friendly intro of hi hats gradually ushers in epic, bassy melodies gliding through serene vocals and airy pads, before the drop reveals exquisite breaks with just the slightest hint of an apache in there. Very danceable, the breaks are chopped and diced at will, driving a determined pace for another superbly epic, ethereal piece of atmospheric drum & bass from one of the OG’s of the scene. B2 - Deadly Dimensions (Aural Imbalance remix) The EP closes with a real treat - this is as close as an example you’ll hear to a match made in heaven as the eerily epic production of Ghosts of Midi collides with the inimitable ambient mastery of Aural Imbalance. Intersecting the thoughtful vibes of the original, this remix sees playful old school breaks jostle with swathes of fluid synthwork and delicate pads, creating a unified expression of atmospheric purity.

After the succesfull reissue of Ulysses, we dove into his vault , bringing back 4 tracks from the heyday of Electroclash. Never released before, this is a blink into the past showcasing his versatile yet full of character productions.

Limited to 200 copies

We’re delighted to be working with London based deep house label, To The Rocks

Presenting the Visions of love EP from Lucas Moinet, a Paris-born producer with his roots planted firmly in the soul of house music. Through projects like Keraw, Groove Boys Project and Projecture, he’s built a catalogue that doesn’t chase trends, it’s going straight back to the source. Chicago, Detroit, New York. Four tracks. Deep, soulful, deliberate. Made by someone who clearly loves and lives the culture.

Devianza, leading artist and owner of the label, returns to production by launching a new series of single-sided vinyl releases, each featuring only two tracks. The first instalment is a sonic catharsis rising from the very depths of a generous land, abundant with new seeds ready to sprout.

‘Le Piante di Elena’ is a dreamlike homage to a primordial world — untouched, pure, and still fertile. A tribute to a newborn bearer of the most radical values of a necessary humanism: a call to return to nature in its most spiritual and purest form. Devianza appears to be evolving into a higher, more spiritual dimension, where spirituality itself becomes the guiding force behind his musical production.

The single side opens with ‘Betullae’, a hypnotic ride between deep and leftfield, characteristic of Devianza’s sound, but this time enriched with an Indian tonal and modal flavour. Forest landscapes are traced by piano motifs that evoke interstellar journeys among endless birch trees.

‘Sunflower Sunset’ continues the hypnotic drift with a melodic crescendo that conjures the image of a sunflower field bathed in the warm glow of a summer sunset without wind. Here, where everything stands still yet everything is, this eight-minute piece becomes proof of the rarefaction of time — an instant that, though fleeting, feels infinite.

For fans of: Donato Dozzy, Voices From The Lake, Luigi Tozzi, Claudio PRC.
Related labels: Spazio Disponibile, Hypnus, Semantica, Silent Season.

The Mighty Diamonds are one of the most famous vocal groups to come out of the Jamaican Reggae scene.
Their perfect harmonies ride over the wholesome and Garveyite influenced lyrics to such great effect that they will always evoke memories of that time and place, but also like all great music never seems to date.

The Mighty Diamonds consist of Donald ‘Tappy’ Shaw (lead vocals) Fitzroy ‘Bunny’ Simpson and Lloyd ‘Judge’ Ferguson providing those fantastic harmonies.
They began their recording career working with producers Stranger Cole and Rupie Edwards but found their breakthrough success with producer Joseph ‘Joe Joe’ Hookim at the legendary Channel One Studios recording ‘Hey Girl’ and covering two foreign tunes namely ‘Country Living’ (The Stylistics) and ‘Stoned Out of Mind’ (The Chi-lites) which suited their vocal styles perfectly.

The vocal group also cut tracks with other famous producers of the time Joe Gibbs ,Gussie Clarke and Mr.Tappa Zukie of which we focus this release on.On listening, these tunes work perfectly with harmonies weaving together and lifting the songs to another level.
The group also leave some room for a history lesson in the shape of ‘Morgan the Pirate’ and the thought provoking ‘Do You Want to Spend Your Time Wasting Time’.
Well waste no more and enjoy this set by one of Jamaica’s finest vocal groups….

Detroit producer and DJ Kyle Hall joins forces with New Zealand drummer, producer, and current Fat Freddy's Drop drummer Cory Champion for a new collaborative 12-inch on Wild Oats Music, featuring the tracks "Acuna De Mar" and "Steppin'".

Hall and Champion first met in Auckland in 2016 while Kyle was touring Australia and New Zealand. They stayed in touch over the years, with Champion regularly sharing music from his Borrowed CS and Clear Path Ensemble projects—records that Hall quickly became a fan of and frequently included in his DJ sets.

When Hall returned to Australia last November, Champion had relocated to Melbourne. The two seized the opportunity to spend time together in the studio at Dune Castle, where their shared musical language naturally evolved into these two recordings.

Rooted in a mutual appreciation for jazz, deep house tradition, rich chord voicings, and rhythmic syncopation, "Acuna De Mar" and "Steppin'" capture the organic chemistry between two artists whose paths have crossed over nearly a decade. The result is a warm, groove-driven release that reflects both Hall's Detroit sensibility and Champion's distinctive rhythmic approach.

Tyler, The Creator made a deliberate swerve away from the dense, personal Chromakopia with 2025's Don't Tap The Glass, which much more chases brevity and fun over concept. Across a brisk 28 minutes, he leans into rough-edged, danceable grooves that recall the rowdier Cherry Bomb era, from the House of Pain-esque opener to the Off The Wall-style disco bliss of 'Ring Ring Ring' and the r&b 'Sucka Free,' which could well be his catchiest vocal turn since IGOR. Despite Tyler's insistence there's no deep concept here, the tracks flow together with real cohesion across a playful but tightly sequenced ride.

Younger Brother Live, with Shpongle and The Orb at Troxy, London 9th May

Twisted Records is thrilled to announce the release of the long-awaited fourth album by Younger Brother: Mutually Assured Distraction.
The first full-length release by the fabled electronica project in a decade features nine sumptuous tracks that each embody the project’s intoxicating fusion of profoundly human sonorities and etheric electronic soundscapes.

The title is a subversive reframing of the Cold War doctrine “Mutually Assured Destruction,” pointing to a world currently frozen not by the geopolitical threat of a Nuclear Winter but by a Digital Summer of mindless overstimulation. Mutually Assured Distraction is a sonic salve for the pervasive numbness induced by an emotionally disconnective artificiality that seeks to pacify with counterfeit happiness; the album offers an antidote to mundane superficiality with nine musical masterpieces that convey the depth of human experience and authentic creative expression.

The progression of track titles symbolically represents the arc of this soulful journey through an evocative auditory landscape of moods, harmonies, and textures, progressing from the haunting opening “I Belong to Nowhere” to the penultimate “Home In This World” before arriving at the concluding “Endless Drift.”

The synthesised musical mastery of renegade musicians Simon Posford and Benji Vaughan is complemented by the contributions of some supremely skilful musicians, with beguiling vocals by MiraBelle Rose and Jay Marsh and the rich cello of Rena Jones. With poignant lyrics that speak to the universal human condition in a world where voices are amplified yet so many feel unheard,
Mutually Assured Distraction provides, through its fusion of electronic and real-world music- making, an example of how technology can pair harmoniously with our humanity - an energetic homecoming as the music draws us away from the unconscious scroll into an open field where we can embody our essential nature.

The album stands as both a reflection of our times and a timeless reminder that beneath the noise, a deeper presence continually exists, waiting to be felt, heard, and expressed.

The evolution of Andreas Tilliander's moniker TM404 has reached its third stage. The first TM404 album was a heavily self-restricted concept album, live recorded with classic Roland machines. The subsequent album had a more playful vibe, shaped by Tilliander's extensive live touring. This third TM404 album on Kontra-Musik simply tells the story of what he's been up to since. The third part of a musical diary, initiated in 2013. The TM404 venture might have started out as a dreamy acid dub project, more suited for the chill-out than the main floor. But by popular demand Tillander found himself touring big clubs around the globe and the TM404 sound adapted organically. As a result, the album features tracks like Vactro and Rymdeko: fast paced acidic techno tracks in the same vein as classic Plus 8 releases, but with more space echo. Much more. But never fear, fans of the classic warm and bubbling TM404 sound. You'll certainly get yours as well. A substantial portion of this album was recorded in a studio flat in Berlin as part of an artist residency. For obvious reasons, Tilliander could only bring a small portion of his studio gear to this German sanctuary. As a consequence, this album has a more stripped down vibe than its predecessors, which creates more space for Tilliander's glowing melodies. The last track on the album, a loving homage to Kontra-Musik's label boss, is a sublime example. And for the Instagram generation, here's the short version: The album is called Syra. That translates to Acid. You're welcome.

Children, the one and only instrumental song that breaks all the rules, created by Robert Miles. The netherlands producers Tinlicker signed the new remix of Children.

Bio:
Tinlicker are Utrecht based duo Micha Heyboer and Jordi van Achthoven who have been crafting their computerized soul together since 2013. Before joining forces, they individually honed their skills as part of world renowned drum 'n bass act Black Sun Empire (Heyboer) and as producer, songwriter and music editor for many artists (Van Achthoven). Their previous experience was apparent from day one of their collaborative project, resulting in an impressive
string of highly mature and deeply emotive tracks. Since starting working together they’ve quickly become a household name in the world of electronic dance music previously releasing on Armada,
mau5trap, Anjunafamily and Astralwerks. They have released their first full length album 'This Is Not Our Universe' last fall and released their remix album this past spring from the likes of Dosem, Joris Delacroix and Grum.

Melody Of the Soul proudly presents its 10th vinyl release, featuring a stunning lineup of collaborations and solo works.

The A-side opens with the beautiful collaboration “Meera” by M.O.S., Serious Dancers, and Alexandra Savvidi, followed by a solo piece from Serious Dancers titled “Serenity.”

On the B-side, the journey continues with “Dikanda,” a powerful collaboration between Ranta, M.O.S., and Miroshin, before closing with a standout solo track by Ranta, “White Avadon.”

A carefully curated release that celebrates collaboration, atmosphere, and individual artistry across all four tracks.

For the very first time, the energy of So W'Happy Festival is captured on vinyl with the So W'Happy – Vinyl Sampler 2025.

Produced in collaboration with Babaorum Records, this release brings together a selection of the festival's most iconic anthems, including the official So W'Happy Festival anthems from 2022 to 2025.

Featuring tracks by Frontliner, Rayzen, DRS, Sandy Warez, Unsyn, D-Charged, JNXD and Carola, the sampler reflects the evolution of the festival through the artists and productions that have helped shape its identity. From euphoric hardstyle melodies to uncompromising hardcore and uptempo energy, every track captures the passion, intensity and atmosphere that define the So W'Happy experience.

More than just a compilation, this first vinyl edition celebrates the music that has become the soundtrack of one of Belgium's leading harder styles festivals.

French

Pour la toute première fois, l'univers du So W'Happy Festival est immortalisé sur vinyle avec le So W'Happy – Vinyl Sampler 2025.

Réalisée en partenariat avec Babaorum Records, cette sortie réunit une sélection des hymnes les plus emblématiques du festival, dont les anthems officiels des éditions 2022 à 2025.

Avec des titres de Frontliner, Rayzen, DRS, Sandy Warez, Unsyn, D-Charged, JNXD et Carola, cette compilation retrace l'évolution du festival à travers les artistes et les productions qui ont forgé son

identité. Des mélodies hardstyle aux sonorités hardcore et uptempo les plus explosives, chaque morceau retranscrit l'énergie, la passion et l'ambiance qui font aujourd'hui du So W'Happy un rendez-vous incontournable de la scène hard music.

Bien plus qu'une simple compilation, ce premier vinyle célèbre la musique qui accompagne l'histoire d'un festival devenu une référence de la scène harder styles en Belgique

Following the success of its debut vinyl release, So W'Happy Festival returns with the So W'Happy – Vinyl Sampler 2026, once again in collaboration with Babaorum Records.

Bringing together an explosive selection of artists from across the harder styles spectrum, this new edition perfectly captures the intensity and diversity that define the festival. Featuring tracks by The Dark Horror, Chicago Zone, Binum, K-Style, Jumpkiller, DJ HS, DJ Adolphe, DJ Furax, Pat B, G Sayz and many more, the sampler delivers everything from hardstyle and jump to hardcore and uptempo.

The release also includes The Dark Horror's Official So W'Happy Festival Anthem 2025, alongside exclusive reinterpretations and festival favourites, including Hysta's explosive remix of the timeless classic The Age Of Love.

Powerful kicks, unforgettable melodies and uncompromising energy make this vinyl a true reflection of the So W'Happy experience. Whether you're reliving unforgettable moments from the festival or discovering its unique atmosphere for the first time, the So W'Happy – Vinyl Sampler 2026 brings the spirit of the harder styles straight to your turntable.

French

Après le succès de son premier vinyle, le So W'Happy Festival poursuit l'aventure avec le So W'Happy – Vinyl Sampler 2026, une nouvelle fois réalisé en partenariat avec Babaorum Records.

Cette nouvelle édition rassemble une sélection explosive d'artistes emblématiques des harder styles et reflète toute la richesse musicale du festival. Avec des titres de The Dark Horror, Chicago Zone, Binum, K-Style, Jumpkiller, DJ HS, DJ Adolphe, DJ Furax, Pat B, G Sayz et bien d'autres, cette compilation navigue entre hardstyle, jump, hardcore et uptempo avec la même énergie qui anime les scènes du So W'Happy.

Le vinyle comprend notamment l'Official So W'Happy Festival Anthem signé The Dark Horror, ainsi que plusieurs morceaux incontournables et des relectures marquantes, dont le puissant remix de The Age Of Love par Hysta, véritable rencontre entre un classique intemporel et la nouvelle génération des harder styles.

Entre kicks ravageurs, mélodies fédératrices et énergie sans compromis, ce nouveau sampler retranscrit toute la puissance et l'atmosphère du So W'Happy Festival. Une sortie incontournable pour prolonger l'expérience du festival et retrouver chez soi l'esprit unique du So W'Happy.

Younger Brother Live, with Shpongle and The Orb at Troxy, London 9th May

Twisted Records is thrilled to announce the release of the long-awaited fourth album by Younger Brother: Mutually Assured Distraction.
The first full-length release by the fabled electronica project in a decade features nine sumptuous tracks that each embody the project’s intoxicating fusion of profoundly human sonorities and etheric electronic soundscapes.

The title is a subversive reframing of the Cold War doctrine “Mutually Assured Destruction,” pointing to a world currently frozen not by the geopolitical threat of a Nuclear Winter but by a Digital Summer of mindless overstimulation. Mutually Assured Distraction is a sonic salve for the pervasive numbness induced by an emotionally disconnective artificiality that seeks to pacify with counterfeit happiness; the album offers an antidote to mundane superficiality with nine musical masterpieces that convey the depth of human experience and authentic creative expression.

The progression of track titles symbolically represents the arc of this soulful journey through an evocative auditory landscape of moods, harmonies, and textures, progressing from the haunting opening “I Belong to Nowhere” to the penultimate “Home In This World” before arriving at the concluding “Endless Drift.”

The synthesised musical mastery of renegade musicians Simon Posford and Benji Vaughan is complemented by the contributions of some supremely skilful musicians, with beguiling vocals by MiraBelle Rose and Jay Marsh and the rich cello of Rena Jones. With poignant lyrics that speak to the universal human condition in a world where voices are amplified yet so many feel unheard,
Mutually Assured Distraction provides, through its fusion of electronic and real-world music- making, an example of how technology can pair harmoniously with our humanity - an energetic homecoming as the music draws us away from the unconscious scroll into an open field where we can embody our essential nature.

The album stands as both a reflection of our times and a timeless reminder that beneath the noise, a deeper presence continually exists, waiting to be felt, heard, and expressed.

Following years of quietly refining her craft, Dilemma now returns with her debut album A River Without Banks, landing this August on Spearhead Records.

Known for her effortlessly deep and soulful approach to drum & bass, Dilemma has become a respected name among listeners who favour atmosphere, musicality and understated emotion over quick trends. A River Without Banks feels like the culmination of that journey, a rich and carefully crafted body of work that moves between warm liquid rollers, deeper late-night textures and moments of genuine introspection.

The album showcases Dilemma’s versatility without ever losing the unmistakable character that has made her music so recognisable. Tracks like “You Do It To Me” capture her signature laid-back soul, while collaborations including “Watch” with BCee and “Days To Come” featuring In:Most & Lauren Archer bring a cinematic and emotional depth to the project. Elsewhere, cuts like “Usurper” and “Vibe Check” reveal a heavier, more stripped-back edge while still remaining rooted firmly in groove and feeling.

Rather than chasing peak-time moments, A River Without Banks unfolds patiently and naturally, rewarding repeat listens and drawing inspiration from across the spectrum of soulful drum & bass culture. There’s a timeless quality to the album, music designed to stay with you long after the final track fades, whether heard in solitary moments or shared across packed rooms and late-night systems.

Released via BCee’s Spearhead Records, A River Without Banks continues the label’s long-standing tradition of championing thoughtful, emotionally rich drum & bass while further cementing Dilemma’s place as one of the scene’s most quietly consistent producers.

This expanded version of the Ringer EP (2008) has been remastered by Kieran Hebden with two tracks added from the same era. The vinyl was cut by Matt Colton.
Includes a booklet of unpublished photographs taken by Jason Evans for the original release.

Consummate selector DJ Sundae returns to Efficient Space with Nothing Ever Was, an immaculate compendium of phantom independent melancholia spanning '60s/'70s village green folk, outsider shoegaze and new millennium domestic pop. Each recording an emotional exorcism, Sundae breathes oxygen into music that was barely there in its own time, made in quiet places and crawl spaces, shared only with a precious few via private presses, hobby labels and now-decaying CD-Rs.

Free of any prescribed epoch, continent, scene or rarity, Noughties homemade indie pop opens both sides with the 4-track wonders of The Motifs and Betelmire, unlinked contemporaries finding their place alongside Andrew Jay's Crazy Horse rust, the regional-garage adolescence of Pauline Scribner and the anaesthetised Mancunian guitar-poetry of the late Quigley.

The remaining coordinates zigzag between the UK and US. Folk wayfarers John Strang & Valentine Lewis Lloyd, Virgin Insanity, Kusudo & Worth and Penny Wager's spartan Garden of Eden acoustica find their mirror in Empress and Slumber's close-quarters indie pangs. Chicago power pop fixture Phil Angotti is caught at his most tender, while Teri Rini takes the final bow with her universe-stopping hotel lounge torch song.

A deeper, more personal exploration of Sky Girl's sentimental songwriting, Sundae found himself amassing a cache of tracks too undeniable to remain confined to his anonymous mixtapes for TTT, P.A.M. and Good Morning Tapes, or bi-monthly hour on NTS Radio. Again his emotional sorcery draws together an unlikely cast, their unwritten narrative assembled from fragmented memories of past lives left behind by future horse trainers, ketamine therapists and Fab Four cover band careerists.

With not a second squandered across 1LP, it took a village to bring this new companion into being, with David Bergot's forensic audio restoration, dreamlike imagery from Matthieu Crozier, Ivan Liechti's elegant design and a perceptive foreword by kindred spirit Jessica Pratt.

Oscar-nominated composer Max Richter's new album While The Flood Rages, drawn from Richter's latest collaboration with choreographer Wayne McGregor, MaddAddam, inspired by Margaret Atwood's trilogy.

Across 15 tracks split into three acts, Richter blends orchestral writing, electronics, processed field recordings, choir and piano to create an immersive sonic journey.

Themes of ecological collapse, technological acceleration and resilience run throughout, with recurring piano motifs providing moments of reflection amid dense, cinematic soundscapes.

Samson A.K returns to his Ideal State imprint with a new double-header, Myrrh / Spare
Me, featuring remixes from Krikor and Beau Wanzer.
Two originals, two interventions. Krikor takes one side, Beau Wanzer takes the other. Four
tracks with varying degrees of damage.
Limited hand-stamped white label.
Mastered by Miles Whittaker.

Visteria ist das Projekt der Warschauer Musikerin Hönorata – Gitarren, Bass, Gesang und Produktion liegen in den Händen einer Frau, deren Einflüsse von Female-Fronted US-Metal bis zu frühem britischen Hardcore der Marke G.B.H. oder Broken Bones reicht. „Ich habe jahrelang zu Bands wie Détente, Chastain oder Znöwhite mitgeschrien und dabei versucht, meine eigene Stimme zu entwickeln“, sagt sie. „Détente war dabei ein besonders wichtiger Einfluss auf den Sound, den ich anstrebe.“
Das selbstbetitelte Debüt-Demo erschien Ende 2024 zunächst bei Godz Ov War Productions und war in der ersten Kassettenauflage nahezu sofort vergriffen – eine zweite folgte, mit demselben Ergebnis. „Visteria“ bietet vier Tracks plus Intro in 15 Minuten: kompakte, furiose Statements, getragen von rohem Riffing und Hönoratas intensivem Schreigesang.
Die Ästhetik — Leder, Nieten, Antikreuze — ist genauso prägnant wie die Musik, und Hönorata zieht keine Trennlinie dazwischen. „Das Erscheinungsbild eines Künstlers ist die visuelle Erweiterung seiner Musik, seiner Botschaft, seiner Haltung und Persönlichkeit. Image und Musik sind untrennbar verbunden.“ Als High Roller Records sie nach dem Black Silesia Festival kontaktierte, war sie überrascht: „Ich konnte es wirklich kaum fassen.“ Die Neuauflage als 12“ Mini-LP und CD gibt nun all denjenigen, die das Tape verpasst haben, die Gelegenheit, ihr Versäumnis nachzuholen.

A key name from the golden era of French Touch, The Buffalo Bunch return to the spotlight with a selection of some of their most essential cuts, including their highly sought-after remix of Phoenix’s “If I Ever Feel Better” — a track that has become increasingly elusive on vinyl over the years.


Also featured is We In Music’s “Grandlife”, a cult early-2000s gem born from the same creative circle. Built on addictive disco-funk loops and straight-to-the-floor energy, it sits perfectly alongside The Buffalo Bunch’s signature productions.


Filtered house, disco, funk and raw groove collide throughout the compilation, capturing the unmistakable sound of a duo whose records have become firm favourites among DJs and collectors.


More than twenty-five years after their first releases, TMS Records brings these tracks back into circulation with a vinyl edition made for the dancefloor, the record bag and a new generation digging deeper into the French Touch legacy.

For this second volume of UK ELECTRONICS, we’ve once again selected, here at Delodio, some of our favourite tracks from Mindscan Tapes, an English DIY label active from 1988 to 1994, run by Robert Maycock, a young Englishman with an extraordinary ear.. Its Beatronic and UK Electronics compilations brought together electro, early techno, ambient, experimental, house and industrial music at a time when most labels stayed within clearly defined genres.

Here at Delodio, we are amazed by the contrast between the quality of these cassettes and the label’s extremely underground nature: its best-selling title has barely sold 30 copies.

More than a compilation, the album is a tribute to the artists involved, Robert’s artistic vision, and the pre-internet DIY culture that connected music obsessives through mail, flyers and home-copied cassettes.

A snapshot of an era when a young Englishman spent his dole money bringing unheard music into the world.

The fourteenth release on Early Morning brings Roy Rosenfeld back to the label for the first time since its second. The two years in between have not had a quiet stretch in them: new singles every few months across 2025 and 2026, and a touring year running from Mexico City and New York through Paris, Barcelona, Ibiza and Amsterdam to Montreal, Santiago and Buenos Aires. He is back in New York on the day this record goes global, and in Amsterdam for ADE later the same month. What arrives here is two long-form pieces, 15 minutes and 15 seconds together, both built on patience and both written for rooms where there is time to stretch out.
New Life takes its time. A full minute passes in suspended texture before the groove arrives, and when it does it carries the weight of everything that was withheld. The track moves in patient cycles, stepping away briefly at its midpoint before opening into an extended central passage where the rhythm withdraws and the harmony is left exposed. The return is the payoff, and Rosenfeld holds it to the final bar rather than letting it fade.
Seven Three Eight begins where New Life arrives. It is in motion from the first bar, with no preamble and no easing in. The low end breathes in long swells beneath a top layer that keeps shifting, and two breakdowns punctuate the arc without ever surrendering the momentum. It closes at full stride, running the seven minutes and thirty-eight seconds its title names.
Two tracks, near identical in length and opposite in approach. EARLY014 is a record about pacing, and about a producer who trusts the long form to do the work.

Persona proudly presents its debut release, introducing Nae – a trusted friend, dedicated producer and creative force behind the new label. Nae delivers with his deep and immersive production style, providing a powerful blend of driving bassline and crystalline drums, all the while delving into his signature atmospheric sound.

These tracks are carefully crafted to captivate the dance floor, delivering bursts of pulsating intensity, as well as more intimate, reflective moments. With four tracks and four different flavours, this EP is designed to fit seamlessly into your record bag. With only 300 copies available, this limited first release of Persona’s debut is not one to miss. Grab it while you can

A vast pulse from a distant past gets lost in incantations from the future. Ascending divine harmonies are reminiscent of specters of forgotten dreams. Followed by a trance like state of mind all spirits are transferred to arcane items and form evocative rhythms for evocative rituals. New imprint by Rupert Marnie exploring the atmospheric and minimal sides of techno. The first release features two extended hypnotic cuts built from acid influenced basslines, ethereal pads and constantly shifting sound structures for late hour dancefloors. Both sides end in locked grooves to keep the beat going. All tracks written and produced by Matthias Schubert Additional Mixing Bendrik Grossterlinden Mastered by Isabel Schröer at Olo Mastering and cut at Scape Mastering Berlin Artwork by Martha Jokier

Limited to 200 copies.

Curió Curió came to flight by chance. Two artists, Rio-born, Austria-based singer and actress Luiza Monteiro and German producer Dustin Braun, had separately reached a fork in their journeys. An opportune encounter soon blossomed into an uplifting, heartfelt Brazilian MPB-groove project shaped by psychedelic disco and studio experimentation. In their own words Curió Curió’s sonic vision “is not straight disco, not straight samba, not strictly old-school but inspired by all of them, creating something contemporary but still nostalgic”.

A modern fusion influenced as much by Gal Costa and Jorge Ben Jor as Say She She and Bala Desejo, their sound deftly plots a course all of its own. A celebration of freedom, movement, love and life, intertwined with introspective moments of reflection. Treating tradition as something alive, migratory and unresolved, the album is not simply bound by a shared love of Brazilian music, but by a deeper question that runs through every track; where does one belong when home becomes plural? As a Brazilian living in Europe, Luiza's lyrics explore themes of identity, culture, and existence. The tracks move between cities and emotional registers without settling, tracing a sense of identity that shifts rather than resolves. Songs like ‘Amor Doente’ and ‘Mar sem Dar Pé’ circle around relationships that resist clarity, while ‘Menina Passarinho’ captures the fear and necessity of committing to music as a path. For Luiza, deepening her commitment to music alongside years in theatre was both inevitable and difficult. Braun’s production follows a similar logic. Initial ideas were often built without obvious reference points, only later incorporating rhythmic and vocal elements that hint at Brazil without reproducing it. Analogue techniques, tape, ribbon microphones and live ensemble recording bring a tactile quality that reflects the duo’s interest in process as much as outcome. Highlights include ‘Bem Querer’, built on an authentic samba street vibe with a super-catchy sing-along chorus, and ‘Vem pra Casa’ with its cosmic-tinged Brazilian boogie flavour. The album closes with ‘A Cor do Meu Sonho’, a quiet act of insistence. A refusal to shrink in unfamiliar environments, and a belief in the strength of difference. It is less a conclusion than a continuation, leaving the central question open. “I started to understand that I can belong to many places at once”, Luiza reflects. “And that can be something to embrace”. Lyrics from the song ‘Raiz’ translate in English to “I value a burning sun and the cold in the air. Constant change is my companion”. With Curió Curió, that idea is lived through sound, story and collaboration. A debut that feels both searching and assured, grounded in heritage yet shaped by distance.

2026 Repress


Finally, it's time to get these classic tunes out on vinyl for the very first time. The support from DJs has been off the charts, and the list is long - including Carl Cox, Dave Clarke, Ben Sims, Kolsch, Deadmau5, Armin van Buuren, Lilly Palmer, Radio Slave and Laurent Garnier, just to name a few. The support spans a wide spectrum, from DJs with very different musical profiles - yet they all play these tracks. Proud to bring SWAY back on vinyl!