Cerca:bassed on

Terrestrial Funk presents a piece of Detroit history. Born and raised in Motor City, Karl Fultz knew at the age of twelve that he wanted to be the most talented and successful DJ in the world. In 1999 he released on Juan Atkins’ Metroplex under the alias People Mover and in 2000 he released as Black Electric on Puzzlebox. Inspired by British synth-pop duo Eurythmics, Fultz says Black Electric was a way to get more women involved in the techno movement. Together alongside vocalists Tiffany Elliott, Kim Glover & Talena Fultz, Black Electric brought sex appeal to the scene. Their first and only release stays in demand and has become inaccessible until now. Terrestrial Funk’s reissue provides two fresh cuts on the new 12”; ‘Purple’ a chugging Detroit acid track describing soul modification to enhance intimacy and a proper bassed out club mix of the nasty electro sex song ‘Work That’, which was only featured as an acapella on the original release. The release also features updated mixes of both the title track and the half-time anthem 'Come To Me' alongside the original y2k mix of 'Colors'. Black Electric stands as a testament to turn of the millennia Detroit and the city’s undying devotion to expand our connection to music.

Limited to 200 pieces. Each record comes on heavy 180g vinyl, handnumbered and with an exclusive art print inside. Launching both his debut record and the very first release on brand-new label Tennis Is Good, Justus Rokah kicks things off with the Disco Fizz EP.

The title track blends soul, funk and disco into a sparkling groove – a Motowninspired homage to Sektmate, evoking rooftop sunsets and live jam vibes straight out of the ’70s. Warm, musical, and made to get you vibing.

On the flip, Tennis Is Good (the duo of Justus Rokah & Flemming Bassedow) strip things down for the floor: a raw, driving house rework with pumping bassline, grinding kick and Detroit-tinged chords. Pure underground energy designed for peak-time moments. A strong first statement from Rokah – bridging soul, disco and house in his very own style.

In the mid 90s, deep within London’s underground scene, Matt Hodgson (7th Voyage) and Laurant Webb (Housey Doingz) created an acid record that slowly became a cult favourite, highly sought after by DJs and vinyl collectors. A seamless fusion of raw acid techno energy and house infused groove.

These standout tracks are driven by sharp, meticulously programmed
drums and massive 303 basslines. Each track unfolds as a raw, evolving journey, balancing tension and release with hypnotic precision. It’s the raw signature sound of the time, still as exciting today

Recorded at Swag Studios Croydon in 1996 and initially released on
Surreal, this record quickly became a treasured rarity. Now, it’s back with a notable reissue as part of the Pariter collection.

We are proud to present to you our next dnb-themed vinyl release, which comes with two absolutely fantastic deep-bassed and crisp-beated rollers. In the case of this record, we can speak of a small Polish invasion, as both tracks have been written and produced by two Polish supertalents - Mortem, who has been making big waves in the dnb industry for some time already, and Harland - an established Warsaw-based event promoter and DJ, and a now-upcoming producer, teaming up with Mortem on the flipside. Starting off with Mortem's 'Proximity', you'll surely appreciate his trademark to-the-point drumwork and clear basslines, adorned with intriguing vocal inserts and growling synths. 'The Same', with its quick-paced hi-hats, riveting synthetic melody, and spacious bassline, is surely more dancefloor-oriented, but still fits the deeper side of dnb perfectly, making this record as a whole a very welcome addition to the Absys family.