quête:bb soul

BB Soul are the official Boogie Back productions and remix team,
founded by bassist and producer Ernie Mckone, and multi
instrumentalist Toby Baker.
They are already responsible for many successful remixes from artists such as Kindred & The Family Soul, Paul Johnson, Agape Soul, The O’Jays and many more.
Under the name BB Soul they are producing Original Soul Dance
music for Boogie Back Records, this time on their latest release ‘Make
It Alright’. The Single features the wonderful Laura Jackson, known for her work with the band Cool Million.

* Hospital Records present their latest compilation 'Fast Soul Music' - a welcomed lesson in the art of soul-inspired drum & bass of the high-speed variety. After nineteen years spent building upon it's lounge-core esthetic their extensive library of smooth-rolling sounds is at the ready, now it's time to get retrospective.

* From the work of thirty artists, a carefully selected forty-six tracks highlight the quintessential sounds of soul music in the Hospital Records back catalogue. Not only effortlessly blending classics from Hospital mainstays London Elektricity, High Contrast, Danny Byrd, Nu:Tone, S.P.Y and Logistics but also showcasing the fresh wave of talent that's reached our ears in recent years. The work of Fred V & Grafix, Hugh Hardie, Keeno, Etherwood, Anile, Tokyo Prose and Technimatic showcasing just how prominent soul music is in drum & bass today.

* Accompanying this two-CD collectors item is a perfectly polished mix by longstanding practitioner and newest member of the Hospital A+R team, Nu:Tone. With over two hours of soul-inspired sounds that effortlessly create the ideal soundtrack for any daydream-filled afternoon.

* With a nod back to London Elektricity's '03 classic 'Fast Soul Music' and a look forward to the fresh influx of talent passing through, Hospital Record's latest compilation provides any drum & bass fan with a chance to rediscover those once forgotten gems and dust off the cobwebs from their favourite nostalgia-fuelling drum & bass anthems.

* Digital Marketing: Youtube upload schedule for music and video content on Hospital Records YouTube channel - (260k subscribers), cross promotion exclusive mix upload with UKF Youtube channel.

* Press / Promotion: Comprehensive campaign in-house serving all UK music and dance titles as well as national, regional and student press - Mixmag, DJ, Trap, Notion, Music Week, Future Music, Time Out, Metro, London Evening Standard, The Guardian, The Independent, Dazed + Confused, Vice, The Wire, The Fly, Vice Magazine, Clash. Kmag (interview), D&BA (interview). UKF Website and Youtube Channel. Reddit AMA, FACT Mag TV interview.

* Radio / Internet: Comprehensive in house campain from Hospital Records. BBC Radio1 & 1Xtra support from Mistajam, Friction, B Traits, Annie Mac, Andi Durrant (Kiss), Eddy Temple-Morris (X-FM), DJ Hype (Kiss), D&BA TV Takeover, Rinse FM Hospital Records Show, Hospital Podcast Hospital Records Podcast USA series, Kmag Podcast, Ministry of Sound Podcast. D&BA Podcast, Hospital records Website, Hospital Facebook (262K Likes), Twitter (64K Followers), Soundcloud (48k followers), YouTube (238k subscribers), Hospital Records Mailing List (53k Subscribers)






aG CD 1-7 | Logistics feat. Nightshade and Sarah Callander 'Crystal Skies'
















DISC 2

G.A.M.O. (Gods Against Man's Oppression) recounts events leading to Napoleon Da Legend transformation after being bestowed a metal helmet, which is a weapon against our modern dystopia. The album features a blend of soulful and dystopic grit featuring the likes of Vinnie Paz, Goretex, General Steele, Skyzoo, Passport Rav, Nejma Nefertiti, Innocent?, SKAM2?, Eloh Kush, CF, Dontique and more. It has production from Dub Sonata, Maitre D, Homage Beats, Passport Rav Proffeny and Napoleon Da Legend. The result is 23 tracks that blend retro-sci fi "Noir Wave" and modern Boom Bap. It features an exclusive 2 page comic illustrated by UK's Dan Lish. Limited to 300 copies only.

The debut vinyl release for Toronto’s hottest new 45s label, Baller Beats! BB-001 brings the perfect blend of dance floor ready cuts and drum-heavy, timeless soul. Suckaside breathes new life into a nostalgic Hip Hop classic with chunky breaks for the dance floor & DJ Goce revamps a highly underrated soul gem with his massive drums and larger than life sound. Don’t sleep on this limited first press!

Side A) Classic Hip Hop Bizness from the UK’s edit due, Suckaside. Retro vibes with punchy breaks and a loud press - Dance floor ready cut for your crates!

Side B) Goce does this OG soul sample justice in a big way! Massive drums, a huge string section, and the true original songwriter and vocal performance from a classic song. Later covered by a famous Motown group, this original recording didn't get it’s fair play... until now! An incredible tribute to the OG artist!

‘Black Butterfly’ is Brooklyn Funk Essentials eighth studio album and includes the bands recent hits ‘Never Give Up’, ‘Bust The Bus Stop’ and ‘Life During Wartime’. Playlisted on BBC Radio 2 and Jazz FM and supported by Craig Charles and Cerys Matthews at 6 Music as well as many stations across Europe and the Americas. The album was produced and co-written by bassist Lati Kronlund and features Alison Limerick, Ebba Åsman and Desmond Foster on vocals.

Kronlund and Limerick have been enjoying the recent renewed interest in ‘Where Love Lives’. Kronlund wrote and produced it for Limerick in 1990, it was remixed by Frankie Knuckles and David Morales and became a club classic and was featured in this year’s John Lewis Christmas TV Ad. Arthur Baker heard the original in a club in 1991 that he contacted Kronlund about working together and they then formed Brooklyn Funk Essentials.

Since then, Brooklyn Funk Essentials have built a devoted international following and notched up over 100 million streams. Fusing Soul, Hip Hop, Spoken Word, Jazz, Latin, and, of course,
Funk, the band’s journey began experimenting with drum machines and loops in Baker’s Shakedown Sound Studio in Jersey City—hunting for that perfect beat. The early recordings featured greats such as Maceo Parker, Lenny Pickett, Tower of Power Horns, Michigan & Smiley, and Dizzy Gillespie, leading to the acclaimed debut ‘Cool & Steady & Easy’ (1994). Fast-forward to April 2024, when Kronlund reunited with Baker in Miami, rediscovering recordings featuring percussion prodigy Bashiri Johnson, which inspired new creative sparks for the next chapter of Brooklyn Funk Essentials.

Compiled by Argentinian Djs and producers Ric Piccolo and Ariel Harari, Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is an emotional archive made up of music that never belonged to a single, unified scene, but shared a common spirit: a desire to experiment, to make people dance, to break away from dominant genres. The compilation, issued as a 22 track bonanza on double vinyl, also represents a tangible history of musical resistance to the dark days of the Far-Right authoritarian, fascist and military oppression that blighted Argentina and its people throughout the 1970s and into the early 1980s. Featuring tracks originally self-released on small record labels and emerging from underground studio sessions and composed and recorded against a backdrop of the monitoring of 'subversive' music by the authorities, Danza Secreta is testament to the underground spirit of resistance in a blend of Soul, Funk and Disco with distinctive Argentinian signatures. Ric Piccolo and Ariel Harari are renowned Djs and producers from Buenos Aries who share their time and DJ appearances between clubs in their homeland and those in Berlin, Barcelona, Zurich, Vienna and Paris focusing on playing Disco, Italo House and Rare Grooves with leftfield vibes. Danza Secreta: Lost and Hidden Grooves From Argentina (1970-1980) is released as a digital download and and as a gatefold sleeve, double vinyl LP with all tracks remastered at the Grammy nominated The Carvery. It also comes with a bi-lingual booklet and liner notes that serve as a written history of this magnificent music of dance floor resistance.

PPP: a whirlwind new link-up between contemporary club heartthrobs Piezo, DJ Plead and DJ Python. A trio of the best in the game come together for a new collaborative project on Facta and K-LONE’s Wisdom Teeth imprint.

The project was recorded gradually over a two year period at Piezo’s studio in Milan. Initial sketches were written when Python came to stay for a few days in late 2023. Later, when Plead travelled through the city, he stopped by to add his own contributions - and the record grew incrementally and organically from there across multiple visits.

The initial MO was to workshop a warped take on early 00s minimal and tech house - but at a certain point the record took on a life and soul of its own, spreading out in a number of disparate yet interconnected creative directions: from the peak-time euphoria/melancholia of ‘Wisco’ through to the shoegazed minimal of ‘Plz’, via proggy psychedelia (‘Bborn Again’), glitched Perlon reconstructions (‘Pez’) and downbeat downtempo (‘Coni’).

At points you can clearly hear their individual voices break through: be it Python’s whale-song melodies on ‘Coni’, Plead’s frenetic hand drums on ‘Wisco’, or Piezo’s sound-design freakouts on ‘Pez’. At other points the joins are harder to find as the record takes on a unique voice far beyond the sum of its parts.

Limitierte Neuauflage des Debütalbums von Smoove & Turrell: "Antique Soul" aus 2009. Roh und retro, eine zeitlose Kombination aus Live-Instrumentierung und modernster Technologie. Fetter Funk, erstklassige Beats & Breaks, Northern Soul und mitreißende 1960er-Jams – mit Einflüssen von Mark Ronson, dem soulliebenden Modfather Paul Weller und dem frühen, erzählerischen Bowie aus der Zeit von "London Boys", vermischt mit den Breakbeats der letzten Jahrzehnte. Liner Notes von Funk-Kenner Craig Charles (BBC Radio 6).

Nilüfer Yanya has built a reputation as one of the UK’s mostdistinctive and compelling voices, seamlessly blending indie rock,soul and jazz into a sound uniquely her own. She released her third studio album, ‘My Method Actor’, onSeptember 13th, 2024, via Ninja Tune. The album receivedwidespread critical acclaim, earning the No. 13 spot on Pitchfork’s listof The 50 Best Albums Of 2024. Now, she releases her highly anticipated our-track EP, ‘DancingShoes’, co-written with her frequent collaborator Wilma Archer. Run of UK / EU festivals this summer including Glastonbury on theWest Holts stage (recorded and broadcasted via BBC 6 Music),Green Man, All Points East, Primavera a la Ciutat, Best Kept Secret,Way Out West and Oya Festival. Supporting Alex G on his US tour, and Lorde (90K cap) on her arenatour, with stop offs at the 02 Arena, Utilita Arena and OVO Hydro,plus Michael Kiwanuka in Istanbul for a one-off show (8K cap). Nilüfer Yanya has previously opened for Adele, The xx and Mitski, aswell as selling out her own headlining shows across Europe,Australia, Japan and the US. Previous collaborators include Sampha, King Krule, Nick Hakim,Bullion, Dave Okumu, and more. For fans of Arlo Parks, King Krule, Sharon Van Etten, Helado Negro,Sudan Archives.  “It’s a neat, cohesive body of work, one that stretches past theboundaries of her prior album.” - NME
“Over a lo-fi drum machine and eerie guitar figures, ‘Cold Heart’ floatsabout like ‘In Rainbows’-era Radiohead, while ‘Where To Look’’satmosphere is eventually punctured by sonic implosion.”- TheGuardian
“Colored with the London singer-songwriter’s signature smoky voiceand searing guitar riffs” - Pitchfork

DJ Support: &ME, Adam Port, Oliver El-Khatib (OVO Sounds), Moblack, Antdot, Maxi Meraki, Sam Divine, Shimza, Benji B (BBC), SARZ, Kilimanjaro, Boddhi Satva, Jeremiah Asiamah (BBC), The Pete Tong (BBC), Méle, Kid Fonque, Black Coffee, DJEFF, Kitty Amor, Enoo Napa, Fiona Kraft

Sondela Recordings returns with Sondela Selects Vol. 2, a special 12” showcasing four of the label’s most defining moments. From FKA Mash & Sio’s soulful ‘Bumblebee’ to Thakzin’s groundbreaking ‘The Magnificent Dance’, which birthed the global 3Step movement, this package is steeped in history. Henrik Schwarz’s remix of Mike Steva & Stevo Atambire’s ‘Destiny Song’ and Sammi Ferrer & Chaleee’s peak-time cut ‘Champagne’ round off a collection that cements Sondela’s role in shaping Afro-inspired electronic music.

Cheeba’s Reggae Sound Boys are unloading the bass bins again with another two slices of funky reggae beats for the dance, in their second release on ECR

VOICE OF THE VOODOO - Emerges through a haze of psychedelic dub sounds into a big break beat laden skank. Organ riffs are chopped up over the funky reggae guitar rhythm and the big bass grooves. With vocals and JA deejay scats coming in and out of the mix. This has been waiting for release for a while and the dubplate has been hammered all round the country the last 12 months or more !

SAY IT LOUD - The flip side is equally club friendly with a hard hitting combination of beats and rhythms - coming on like Jah Shaka playing a soundclash at Wigan Casino - when it explodes into a big soul-stomping piano loop and heavy Hammond flourishes. The vocals riff on the JB “Black & Proud” theme, with a dancehall flava to create a party vibe just right for the summer BBQs

Foundations Records brings you their hotly anticipated third release from Sonar's Ghost on Rinse Out EP - a bold four-tracker of breakbeat jungle, atmospheric jungle and jungle-tekno.

Sonar's Ghost

Starting out DJing in the peak hardcore era of 1992, Dominic Stanton rose as a post-hip-hop and ragga kid, cutting his teeth at free parties across the Shires. Drawn into the new directions of hardcore and jungle, he earned early gigs at the legendary Sanctuary, Milton Keynes, performing as Dom-unique.

Learning the art of beat-chopping on the Amiga 500, Dom landed his first release on Reinforced Records in 1995 and continued releasing into the 2000s as Static Imprints and Sonar Circle. Inspired by Dego and the evolving trajectory of 4hero, Dom began moving into more unexplored territory, producing eclectic, soulful beats under the name Domu.

After a brief hiatus, Sonar's Ghost was born - an outlet to explore the years Sonar Circle missed, from 1991 to 1995. Creating alternate journeys through that era, Sonar's Ghost reimagines the original sound palette using original sources, new blends of beats, and a lifetime of musical influence. For Dom, Sonar's Ghost is his happy place.

The Foundations release blends the eras and directions Dom loves most - from '93 bouncy darkside through to '03 drum funk - with authentic drums and samples integral to the vibe.

Here's the support on radio:

- Makossa (Radio FM4 Vienna)
- Distant Planet (Infrared FM)
- Sun People (Sub FM)
- Alex Ruder (KEXP Seattle)
- Haus of Beats (Txapa Irratia)
- Haus of Beats (Txapa Irratia)
- Tom Ravenscroft (Rinse FM)
- Jon1st (Subtle Radio)
- Martha (NTS / BBC R1)
- Harper (Czworka Polskie Radio)
- Gremlinz (89.5FM Toronto)
- N-Type (Rinse FM)
- Michelle (NTS)
- Mathieu Schreyer (KCRW, LA)
- Darkerthanwax (The Lot Radio)
- Bevin Campbell (PBSFM Aus)
- Errol Anderson (NTS)
- Ian (94.9 CHRW)
- OPR8 (Sub FM)
- Tramma (Noods)
- Carlos Contreras (Tilos Radio Budapest)
- Jay Scarlett (BR Puls Munich)
- DJ Tuco (91.90FM Prague)
- Ed2000 (Cashmere / The Face)
- Vinyl Junkie (Eruption Radio)
- Klaus Fiehe (1WDR)
- Benji B (BBC 1Xtra)

2025 Repress

Chlar returns to his Primal Instinct label with 'Modern Survival'

Following the widely praised Funk Assault (Chlar & Alarico) 'Minimum One Post A Week' EP, which kicked off the Primal Instinct label last summer and won the support of the likes of Rodhad, Tasha, and Luke Slater, as well as routine plays from Sarah Story on BBC Radio 1, Chlar now returns to his imprint with solo venture 'Modern Survival'. While the first Primal Instinct release saw references to artist urges and behaviours on social media, this next instalment explores a modern recontextualisation of humanity's hierarchy of needs in yet another high-concept EP.

First up, 'Internet Soulmate' boasts a crunchy bassline as its drum work chugs along the track playfully. The groove twists and turns before the hypnotic and tribal 'Supermarket Hunting' continues with sounds of nature, loopy rhythm and syncopated bleeps.

On the B-side's 'Body Control Officer', human-made grooves intertwine with machine-like thrum, synths whirring and zapping, while 'Competitive Influencing' takes off with rolling percussion, subtle whistles and distorted vocal one-shots. Closing out another stellar offering from the Primal Instinct frontman, Chlar brings the dark 'Scout My Algorithm', a brooding slow-burner offset by smooth arpeggio snippets and warped slices of digital noise.

"In an era where technology entwines our everyday existence, where the virtual realm shapes our interactions, and where the pursuit of influence takes centre stage comes an EP that delves deep into the modern tapestry of human existence. 'Modern Survival' is not merely a collection of songs and visual clips, but a poignant reflection on the intricate dance between our primal instincts and the brave new world we navigate today. The EP invites listeners on a journey of self-discovery and reflection, prompting them to ponder the fundamental essence of our existence in an environment of fast-paced technological evolution." - Chlar

It’s True What They Say is the debut EP from Edinburgh-based, husband-and-wife duo Sarah/Shaun (pronounced simply Sarah Shaun), aka Sarah and Shaun McLachlan (pronounced “McLochlin”).

“Sarah and I both have a love for nostalgia,” explains Shaun. “We watched that amazing old 80’s Sci-Fi, (John) Carpenter movie, Starman, a few months back. Myself and my brother David used to watch it all the time. We must have been, roughly, 5-7 at the time. I remember loving the movie but the end, you know, with the beautiful, atmospheric, synth ending, I love that particular moment the most - best part of the movie, you know, when he goes home… It’s heartbreaking but stunning, all the same. It’s the music that moves you most… It did when I was 5 and it still does to this day. It must have had some form of a (much deeper) impact on me.”

The duo narrates stories across themes of love, hope, family, friends, dreams and sadness - the good that comes with the bad in everyday life, not just on a personal scale but within a community as well.

“Starbed is the first song I have ever written and just came out of the blue really, with Shaun playing a melody and me singing along,” says Sarah. “It’s simple and just about two people in love. Love songs are always the best songs, after all… Music has been a big part of my life from a young age. I was unwillingly dragged to piano and violin lessons, which I’m thankful for now! I’d say the first band I really became obsessed with growing up were the Beatles, and on the back of that a lot of 60s music and fashion. From then on, I had a love for music.”

“Shaun definitely opened my ears to a lot of sounds and got me thinking about soundtracks and all the noises that can be made,” she goes on. “We love just spending time experimenting in the house with instruments, pedals etc and Ali is a real magician to work with, too…”

The recordings took place over the summers of 2022 and 2023, with fellow Delta Mainline member Ali Chisholm (aka Jaguar Eyes) plus long-term friend and collaborator Gavin King. Further collaboration then came via the ‘net from the (international) likes of Chris Dixie Darley (Father John Misty), Darren Coghill (Neon Waltz) and Daniel Land (The Modern Painters), among others (see a full list of credits below).

Both Sarah and Shaun have a love for uber-soundtrack producers such as Hanz Zimmer, Max Richter, Cliff Martinez plus live acts such as Beach House, Spiritualized, M83, Suicide, Moby and OMD (to name a few). Shaun also credits the work of Kyle Dixon & Michael Stein (from Survive) on the Stranger Things score… “Even a moment in a movie, whether it be just 30 seconds during a particular scene, it grips you,” he says. But there’s something much deeper at play as well. “Music is a healer,” he goes on, “and I write from my own perspective but more so for others. Once I've done my bit, it doesn't belong to me any longer. It belongs to whoever wants it or needs it.”

The result is a cinematic, synth-wavey, dream poppy and downright beguilingly beautiful body of work. And they’re just getting started…

REVIEWS/RADIO/FEEDBACK:

“Starbed is folky, flavoured by pedal steel, cello, and brass. Dust Tears, in stark contrast, is a mini synth-pop rave epic. Part Bicep. Part Human League. Keep Your Eyes Closed summons a mood that’s romantic, but also dark and potentially doomed – like David Lynch’s Twin Peaks meets Cliff Martinez’s Drive score. My pick though is It’s True What They Say, whose interwoven jangle and picking recalls New Order’s more introspective moments (Love Vigilantes, Love Less… ). Drums crashing, cathartic. Guitar raising dramatic arcs. Its chorus a rush, like a reprise of Pains Of Being Pure Of Heart’s ‘Higher Than The Stars’.” BAN BAN TON TON
"Dust Tears sees them sharing vocal duties over a synth foundation reminiscent of Moby’s Go - Artist Of The Week” THE SCOTSMAN
"Woozy pop" NEMONE (Mary Anne Hobbs Morning Show, BBC 6Music)
"Nice one, very David Lynch meets Euro dream pop" YOUTH (Killing Joke, Paul McCartney, U2, The Orb, Spiritualized etc)
"Music sounds killer! Real emotion” DAVID HOLMES
"I’m enjoying it” TIM BRINKHURST aka LONDON (IKLAN, Young Fathers, Callum Easter)
“Oh, this is lovely!” SEAN JOHNSTON (A Love From Outer Space)
"It’s totally my cup of tea with milk and biscuit" BRENT RADEMAKER (Beachwood Sparks/GospelBeach)
"Beautiful, ecstatic electronica! Short and to the point" KEVIN BALES (Spiritualized, Julian Cope, Soulsavers, BE)
"Makes me wanna sit in the sun and sip an Arnold Palmer" CHRIS DIXIE DARLEY (Father John Misty)
“Really beautiful - Cocteau Twins / Spiritualized vibes but has its own thing going on, too - worth checking out!” JULIAN CORRIE (Franz Ferdinand, Miaoux Miaoux)
‘Sounded nice on a sunny day, makes me think of Twin Peaks, nice moods’ EAMON HAMILTON (Sea Power)
"Dealing in nostalgia, no bad thing at all, great to play that (Dust Tears) for you” RODDY HART (BBC Radio Scotland)
“I'll give the vocal tracks a spin before the release." VIC GALLOWAY (BBC Radio Scotland)
"Rather good!" IAIN ANDERSON (BBC Radio Scotland)

CREDITS:

Lyrics, Guitars, Keys, Synths, Drums, Drum Programming, Percussion, Mandolin, Glockenspiel: Shaun McLachlan
Lyrics, Vocals, Keys by Sarah McLachlan
Guitars, Synths, String Arrangements, Drum Programming, Engineering: Jaguar Eyes Percussion/Drums/Effects, Fire Extinguisher: Darren Coghill (Neon Waltz)
Guitars by Daniel Land
Slide Guitar by Chris Dixie Darley (Father John Misty)
Brass by Bruce Michie
Keys, pre-production & engineering on “It’s true what they say”: Gavin King
All produced by Jaguar Eyes and Shaun McLachlan and then mixed at Glasgow’s Chem19 Studios by David McCaulay (From Scotland With Love, Rick Redbeard, BBC TV’s Attenborough and The Mammoth Graveyard score).
Artwork: Jamie Walman (Fourteen Admirals)

MORE INFO:

Although Shaun released a pair of solo singles (When We Dance and Give Your Love To Me) during Lockdown, he will be better known to many via his work as the multi-instrumentalist in Edinburgh band Delta Mainline. With two albums released to date, Oh! Enlightened and Bel Avenir, both rapturously received by fans and critics alike, Delta Mainline have developed an international, cult following. Oh Enlightened (2013) achieved widespread critical acclaim on release, earning the band comparisons to Arcade Fire and Echo & The Bunnymen, while 2019’s Bel Avenir pulled in references to The Flaming Lips, Pink Floyd, David Bowie and krautrock. A third DM album is currently being mixed and due for release later this year…

In the last two years, Barry Can’t Swim has released two albums – When Will We Land? and Loner. The debut was nominated for a Mercury Music Prize, winning 2024’s Best Dance Act on BBC Radio 1 and being nominated for Best Dance Act at the BRIT Awards in the same year. The latest album, 2025’s Loner, hit the top ten in the UK charts and was number one in the dance charts. This summer, Barry Can’t Swim cemented his position as one of the most singular new voices in electronic music with a gangbusting performance as a headliner at All Points East in London’s Victoria Park, building on his back-to-back performance with Bonobo at Coachella in 2024. Barry’s Late Night Tales mix brings together disparate styles and forms them into a coherent narrative. The powerful house tracks, like Lance DeSardi’s ‘Power of Suggestion’ and Daniel Avery’s remix of Factory Floor, intertwine with the abstract grooves of Freddie Da Stupid or Ronald Langestraat’s leftfield reading of Boz Scaggs’ ’70s smash ‘Lowdown’. There are exclusive tracks from Barry Can’t Swim himself (in the form of new single ‘Chala’ and an exclusive edit of Superpitcher’s ‘Yves’) and from friends and contemporaries, like Ninja Tune labelmate O’Flynn. Leaving aside the obvious quality of the mix, with its serpentine twists and dramatic turns, you can tell Josh is a fan of this series by bringing in his own personal poet, the brilliant Seamus, for the spoken word section right at the end. He’s a one-man Late Night Tales programmer.

DJ Amir takes another deep dive into the back catalogue of Detroit's legendary Strata Records to curate a 2nd volume in his Strata Records – The Sound of Detroit compilations. Whereas volume one took in the soulful edge of the Strata canon this volume, as Amir says, 'leans into the label's groovier, funkier edges whilst still celebrating its bold, avant-garde spirit.' DJ Amir's relationship to the Strata label has resulted in the release of the long lost Charles Mingus live 'Jazz in Detroit' box set released on BBE Music along with re-issues from The Lyman Woodard Organisation and re-imaginings of Strata's genre defying music by Berlin based DJ and producer collective, Jazzanova as well as remixes from Kai Alce, Wajeed, Henrik Schwarz, re.decay and DJ Amir himself and, of course, volume one of The Sound of Detroit. Featuring music from The Soulmates, Fito Foster, Keith Boone & Janice Coombs and The Contemporary Jazz Quintet amongst others, The Sound of Detroit volume 2 absolutely exemplifies the importance of Strata Records in the history of innovative Black music as well as its place in the cultural landscape of Detroit as a powerhouse city for art and music. Released by BBE Music in collaboration with 180 Proof Records as a triple vinyl LP and high res. digital download DJ Amir presents Strata – The Sound of Detroit volume 2 really is a gem of a compilation to grace any serious music head's record collection.

Boogie Back Records proudly reissues BBR008 on 7-inch vinyl — a timeless slice of soulful innovation from Max Beesley, whose deep roots in the UK’s acid jazz and soul scene have influenced generations of musicians and listeners alike. A multi-instrumentalist, composer, and producer, Beesley has collaborated with some of the most iconic artists of our time — Stevie Wonder, Chaka Khan, Earth, Wind & Fire, James Brown, Incognito, Jamiroquai, and many more — contributing his signature touch on drums, percussion, keyboards, and vibraphone.

Originally released as part of Boogie Back’s 12” series, BBR008 captures Beesley’s unmistakable sound: rich harmonies, heavy grooves, and that soulful energy that bridges classic street soul and contemporary jazz-funk. This 7” reissue distills the essence of his acclaimed Boogie Back Records impacting era — a period defined by vibrant musicianship and cosmic jazz grooves ready for both the dancefloor and the deep listener. These two tracks showcase the full range of Beesley’s musical vision. “Night Daze” rides a hypnotic groove of cosmic Rhodes chords, tight percussion, and lush vibraphone lines, creating a cinematic, late-night atmosphere. On the flip, “Painful Truth” features the unmistakable voice of Omar, one of the UK’s most iconic soul vocalists — delivering a deep, heartfelt performance over Beesley’s rich, jazz-funk arrangements. This is another special and exclusive 45/7“ release via Soulkitchen Distribution…

Denver Cuss presents her first 7" single release and her debut with UK independent label LRK Records.

'Crossed My Mind' backed with 'You Don't Get It' is out on streaming services on the 30 January, with the 7" out on the 27th February. It follows her 2024 album 'Leaving Me', which was described as "a nostalgic masterpiece" - Sommer Zeit magazine, earning a feature in Rolling Stone Germany, and a series digital singles, which have been played on the Craig Charles Funk & Soul Show on BB6 Music as well as Noble & Heath's Soho Radio show.

Denver is an Irish, London-based musician and producer, who makes classic R&B and Soul-influenced music, having graduated as the prize-winning jazz vocalist from the London College Of Music. She has since stepped into a world of live and session singing, alongside her solo project, delving deep into girl-group harmony, Northern Soul and classic Rhythm and Blues.

For this release, she captures the essence of '60s record-making, working with collaborator/producer PM Warson and engineer Ed Deegan at the all-analogue Gizzard Recording in East London. Backed by some of London's finest young musicians, she cut her vocal live, bypassing the trend for layered productions and imitation, in favour of a direct, live and soulful approach, direct to tape. The result is two of the most authentic '60s Pop/Soul sides you're likely to hear this year

EP2 Limited 2 x 12" Vinyl & Digital Release The second digital and vinyl EP from Brian Jackson and Masters At Work’s highly anticipated ‘Now More Than Ever’ project is a masterclass in soulful innovation, musical legacy, and collaborative excellence. Carefully curated and expertly packaged for true fans, this release brings together extended versions and rare cuts that were simply too expansive, deep, and powerful to fit on the forthcoming triple LP — but far too important not to be heard. The double pack also includes the title track off the forthcoming album ‘Now More Than Ever’, a brand-new, never-before-heard track birthed organically during the energy and creative momentum of the recording sessions. It stands as a testament to the spontaneous brilliance of Jackson, MAW and their collaborators, capturing a moment of pure musical inspiration. The EP features seven tracks, including reimagined and extended versions of classics such as Kenlou Cult Classic ‘Moonshine’, Jackson and Heron’s ‘Lady Day and John Coltrane’, and ‘Home Is Where the Hatred Is’, plus a deep focus on ‘Racetrack in France’ — first recorded by Brian Jackson and Gil Scott-Heron in 1977 for their landmark Bridges album. Highlights include: The MAW (Masters at Work) Live Mix of ‘Moonshine’, featuring former Midnight Band/Amnesia Express multi-instrumentalist Carl Cornwell on saxophone. A sprawling 12" version of ‘Home Is Where the Hatred Is’ — a jazz-fuelled dancefloor reinterpretation blending political fire with sonic elegance. The 12” version of ‘Lady Day and John Coltrane’, featuring Rahsaan Patterson’s soulful vocal performance set against a lush, cinematic arrangement. A masterful reworking of ‘Racetrack in France’ featuring legends Josh Milan, J. Ivy, and Moodymann, each bringing their distinct voice and flavour to this seminal piece. The instrumental version is also included in this 2 x 12” EP. Whether you're a long-time devotee of Brian Jackson and Gil Scott-Heron’s influential catalogue, a DJ or collector chasing rare wax, or a new listener drawn to future-leaning soul and jazz, Now More Than Ever ‘EP Two’ is an essential release — a bridge between the past, present, and the music still to come.

In the last two years, Barry Can’t Swim has released two albums – When Will We Land? and Loner. The debut was nominated for a Mercury Music Prize, winning 2024’s Best Dance Act on BBC Radio 1 and being nominated for Best Dance Act at the BRIT Awards in the same year. The latest album, 2025’s Loner, hit the top ten in the UK charts and was number one in the dance charts. This summer, Barry Can’t Swim cemented his position as one of the most singular new voices in electronic music with a gangbusting performance as a headliner at All Points East in London’s Victoria Park, building on his back-to-back performance with Bonobo at Coachella in 2024. Barry’s Late Night Tales mix brings together disparate styles and forms them into a coherent narrative. The powerful house tracks, like Lance DeSardi’s ‘Power of Suggestion’ and Daniel Avery’s remix of Factory Floor, intertwine with the abstract grooves of Freddie Da Stupid or Ronald Langestraat’s leftfield reading of Boz Scaggs’ ’70s smash ‘Lowdown’. There are exclusive tracks from Barry Can’t Swim himself (in the form of new single ‘Chala’ and an exclusive edit of Superpitcher’s ‘Yves’) and from friends and contemporaries, like Ninja Tune labelmate O’Flynn. Leaving aside the obvious quality of the mix, with its serpentine twists and dramatic turns, you can tell Josh is a fan of this series by bringing in his own personal poet, the brilliant Seamus, for the spoken word section right at the end. He’s a one-man Late Night Tales programmer.

In the last two years, Barry Can’t Swim has released two albums – When Will We Land? and Loner. The debut was nominated for a Mercury Music Prize, winning 2024’s Best Dance Act on BBC Radio 1 and being nominated for Best Dance Act at the BRIT Awards in the same year. The latest album, 2025’s Loner, hit the top ten in the UK charts and was number one in the dance charts. This summer, Barry Can’t Swim cemented his position as one of the most singular new voices in electronic music with a gangbusting performance as a headliner at All Points East in London’s Victoria Park, building on his back-to-back performance with Bonobo at Coachella in 2024. Barry’s Late Night Tales mix brings together disparate styles and forms them into a coherent narrative. The powerful house tracks, like Lance DeSardi’s ‘Power of Suggestion’ and Daniel Avery’s remix of Factory Floor, intertwine with the abstract grooves of Freddie Da Stupid or Ronald Langestraat’s leftfield reading of Boz Scaggs’ ’70s smash ‘Lowdown’. There are exclusive tracks from Barry Can’t Swim himself (in the form of new single ‘Chala’ and an exclusive edit of Superpitcher’s ‘Yves’) and from friends and contemporaries, like Ninja Tune labelmate O’Flynn. Leaving aside the obvious quality of the mix, with its serpentine twists and dramatic turns, you can tell Josh is a fan of this series by bringing in his own personal poet, the brilliant Seamus, for the spoken word section right at the end. He’s a one-man Late Night Tales programmer.

Born Bad Records knew exactly what it was doing when it signed this Nantes-based trio, whose sharply defined sound and raw authenticity stand out. With Rage Blossom, Île de Garde unveils an EP charged with palpable tension, somewhere between dark pop and psycho-wave. A catalogue of modern misdeeds, a David Lynch-like backdrop where Sylvia Plath’s poetry might cross paths with the controlled excesses of Fever Ray.



The EP opens with “Fear The Sun,” its Mike Oldfield-esque soundscapes plunging us into an apocalyptic and unsettling world. “Homicide Volontaire” follows with meticulous narration, a technical exercise evoking the anger and defiant lucidity of a Virginie Despentes. The hallucinatory hit “To Death” snaps like an anthem to collective dancing in the face of the inevitable. Since we’re going to die, let’s dance! On the B-side, “Ageless Woman” weaves together a half-mythological, half-mysterious text, carried by haunting backing vocals. “Birthday Girl,” featuring Kuntessa, radiates an ironic and joyful riot-grrrl energy, an uninhibited celebration of women’s liberation. Finally, “Boy,” a small post-punk jewel, closes the EP with an ending as surprising as it is delicate.

The group’s genius also lies in the complementarity of its musicians. Morgane Poulain anchors the drums with a dynamic that is both subtle and narrative, airy yet jagged. Cécile Aurégan, the architect behind a multitude of synths, builds powerful sonic landscapes, layer upon layer. Klara Coudrais, the band’s poetic figurehead, elevates her texts with a rich and plural vocal palette, giving life to several characters who vibrate with intensity. The band’s writing, hovering between darkness and light, echoes a kind of visceral poetry, exploring the seasons of the soul with authenticity and force.



With this EP, Île de Garde establishes itself as a band to watch closely, capable of translating on stage both the raw energy and the fine craftsmanship that define their music. An immersive journey, full of tension, urgency, beauty, and electric flashes.



Île de Garde, a Nantes-based trio with sharply drawn sonic contours and raw authenticity, unleashes its full arsenal on Rage Blossom, an EP radiating palpable tension between dark pop and psycho-wave. A catalogue of modern misdeeds, a David Lynch-like setting where Sylvia Plath’s poetry would meet the controlled excesses of Fever Ray. An immersive journey of tension, urgency, beauty, and electric sparks.

Opening track “Fear The Sun” plunges us into an apocalyptic and unsettling landscape. “Homicide Volontaire” continues with meticulous storytelling, a crime vignette evoking anger and the fierce lucidity summoned by a situation with no way out. The hallucinatory trance of “To Death” snaps like an anthem to collective dance in the face of the inevitable. Since we are going to die, let’s dance! “Ageless Woman” blends a half-mythological, half-mysterious text, carried by hypnotic backing vocals. “Birthday Girl,” featuring Kuntessa, releases an ironic and joyful riot-grrrl spirit, an uninhibited celebration of feminine liberation. Finally, “Boy,” a small post-punk case study, closes the EP with a simple, sensitive truth.



The three musicians propel and relay one another in this breathless race. Morgane Poulain drives the drums with a dynamic that is both subtle and narrative, airy yet staccato. Cécile Aurégan, architect of multiple synths, builds powerful sonic landscapes, layer after layer. Klara Coudrais, the storyteller, elevates her texts with a rich and multifaceted vocal palette, giving life to all their characters, both mythical and ordinary. The band’s writing, between darkness and light, proclaims a visceral poetry, exploring the seasons of the soul with authenticity and strength.

Laseech, a Croatian producer and Cosada label owner with releases on BBE, Lumberjacks In Hell, Red Ember Records, and Forbidden Dance, is continuing a string of excellent releases with Rising Soul. Known for his dedication to house music, Laseech has built an international reputation through collaborations and remixes with some of the genre's most respected architects, including Ron Trent, Patrice Scott, Javonntte, and Dego. "Rising Soul is actually one of the first tracks I did back in 2017 while I was heavily into sampling. I was jamming with my MPC1000, and Rising Soul came up. I never thought that it would become such an effective song that works on the dancefloor every time." Laseech explains. Kez YM, a highly respected Japanese producer and DJ, has been a key figure in the global house music scene for almost two decades. Originally from Chiba and now based in Berlin, his unique approach to house music has led to releases on esteemed labels such as City Fly, Faces Records, Yore, and 4Lux. When describing his version of the track, Kez simply stated: "VIBES." Well, no one will argue with that. The last version comes from Cycle Records' founder Jan Kincl, a prominent Croatian music producer and DJ with releases on labels like BBE, Far Out, Sonar Kollektiv, and Get Physical. "I've been playing Andrej's original for years. He undoubtedly made some good stuff recently, but this one remains among my firm favourites from him. Kez delivered a beautiful version that took it further towards jazz territory, so I decided to make a version that would bridge those two." Jan explains. "I knew we could build a very good record around Rising Soul, with versions that would give DJs different options for different moments during the party. I guess we did a good job because some of the early supporters include DJs from all over the place - Laurent Garnier, Alex Barck from Jazzanova, Marcel Dettmann, Alex Nut (Eglo), Sasse, Chicago's K' Alexi Shelby, Lakuti, Ian Friday and Truncate, among others.

Two decades into his winding voyage through music, culture and creativity, Tom Trago has become part of the densely woven fabric of the Dutch electronic scene - a producer, DJ, label owner, collaborator, remixer, radio host and DJ's DJ who is renowned not only for his impressive productivity, but also the genuine depth and variety of his work. While it was Trago's distinctive DJ sets that once grabbed headlines - he famously held residencies at renowned Amsterdam institutions Trouw and De School, and for a decade spent much of his time jetting between some of the most renowned clubs in Europe - in recent years Tom has cut down on appearances. Today, he chooses to be far more selective about where (and when) he DJs or performs live, often working with a handful of cherished venues and festivals while ensuring that his travels are sustainable and inspiring. Instead of the grind of touring and hedonistic night-time activity, Trago has chosen to focus on music-making, alongside semi-regular forays into radio broadcasting (NTS, Radio Radio, BBC Radio and EchoBox). He now spends most of his days producing and remixing at his new SR-3 studio in Alkmaar and his seaside home-come-studio in Bergen aan Zee. As part of these lifestyle and career changes, Trago took time to look deeper, not only inside himself, but also for musical inspiration. Tom has always loved, and devoted time to, digging into a wide variety of production styles, using this inspiration to develop a trademark personal production style, but in recent years he has taken it even further. Fuelled by a desire to challenge himself, Tom consistently tries new things in the studio while channeling all he's learned during a career that has moved forwards at breakneck speed. Since making his debut in 2006, Trago has released six critically acclaimed albums (two of which, the eclectic, beat-focused, career-spanning, Patta-released archive dive, 18, and the dancefloor excursion, Trembala, appeared in 2022); extensively worked with Dutch electronic music institutions Rush Hour and Dekmantel; collaborated with countless friends and contemporaries (Charlie Soul Clap, Awanto 3, Maxi Mill, Steffi, San Proper, Seth Troxler, and BokBok included); remixed artists including New Order, Carl Craig, Cassius, Tiga and Erol Alkan, and championed a swathe of fellow Dutch producers via the Voyage Direct label he founded in 2009. In 2025 Tom returns to legendary Dutch label Magnetron Music, home to Fatima Yamaha, DMX Krew, Legowelt, Staygold and many other, to release his Magnus Opus; Ignorance.

ECHOES OF SOUL FEAT. SHELLY NELSON — “MY PEOPLE / THE ONE THING” The debut release from Boogie Back Dance — the new spin-off label of Boogie Back Records — delivers a deep and heartfelt journey through rhythm and soul. “Echoes of Soul” brings together the warmth of classic street soul with the energy of soulful house and the groove of neo boogie.

Side A, “My People,” is a dancefloor statement — a call to unity and movement, blending lush keys, vibrant basslines, and uplifting vocals that honor the spirit of community and togetherness.

Side B, “The One Thing,” dives deeper into the groove — a smooth, late-night cut layered with emotion, subtle percussion, and timeless soul sensibilities. With BBD001, Boogie Back Dance sets the tone for a new era of soulful club music — one rooted in authenticity, crafted for the heads and the heart alike.

Renowned for his rich, soulful voice and heartfelt songwriting, Wellington, New Zealand's Louis Baker blends neo-soul, R&B, and folk into a sound that feels both timeless and fresh. His single "Keep On" is an uplifting anthem of perseverance, now reimagined by a hand-picked selection of acclaimed producers, each bringing their unique touch to the track.

Delfonic: Berlin's Delfonic is a digger's digger - a selector, DJ, and producer with an encyclopedic ear for groove. Fresh from delivering stunning Roy Ayers edits for BBE Music, he brings his soulful touch to "Keep On", crafting a warm, deep, and floor-friendly rework.

Larse: German DJ and producer Larse has released on acclaimed labels such as Defected, Glitterbox, and Noir Music, earning a global reputation for timeless, emotive house. His remix of "Keep On" channels the smooth, sultry elegance of UK soul icon Sade's '80s sound - lush, classy, and built for late-night listening.

Gush Collective: The legendary German 2-step producers Gush Collective are masters of soulful, shuffling rhythms. Their remix of "Keep On" blends classic UK garage swing with uplifting melodies, delivering a dancefloor-ready cut that radiates joy and energy.

DJ Philippa: Originally from New Zealand and now based in Berlin, DJ Philippa has built a strong following for her uplifting, groove-rich house sets and productions. With releases on Freerange Records, SlothBoogie, and Local Talk, she's known for her deep musicality and impeccable feel for the dancefloor. Her remix of "Keep On" injects warm basslines, shimmering keys, and irresistible rhythmic flow.

The Éthiopiques series returns! Essential archive recordings from an extremely fruitful period in Ethiopian music.

Before “Swinging Addis” took over the world, there was Moussié Nerses Nalbandian — the Armenian-born composer who shaped modern Ethiopian music. Mentor, arranger, and pioneer, he laid the foundations of Ethio-jazz.

This Éthiopiques volume revives his forgotten legacy, recorded live by Either/ Orchestra First issue ever with new exclusive photos and in depth liner 8-page insert.

“Ethiopian jazzmen are the best musicians that we have seen so far in Africa.
They really are promising handlers of jazz instruments.”

Wilbur De Paris
(1959, after a concert in Addis Ababa)

አዲስ፡ዘመን። *Addis zèmèn* **A new era.**
The time is the mid-1950s and early 1960s, just before "Swinging Addis" bloomed – or rather boomed – onto the scene. Brass instruments are still dominant, but the advent of the electric guitar, and the very first electronic organs, are just around the corner. Rock’n'Roll, R’n’B, Soul and the Twist have not yet barged their way in. Addis Ababa is steeped in the big band atmosphere of the post-war era, with Glenn Miller's *In the* *Mood* as its world-wide theme song, neck and neck with the Latin craze that was in vogue at the same period. Life has become enjoyable once again, with the return of peace after the terrible Italian Fascist invasion of Ethiopia (1935-1941). The redeployment of modern music is part and parcel of the postwar reconstruction. *Addis zèmèn* – a new era – is the watchword of the postwar period, just as it was all across war-torn Europe.
The generation who were the young parents of baby boomers** were the first to enjoy this musical renaissance, before the baby boomers themselves took over and forever super-charged the soundtrack of the final days of imperial reign. Music is Ethiopia's most popular art form, and very often serves as the best barometer for the upsurge of energy that is critical for reconstruction. Whether it be jazz in Saint-Germain-des-Prés or the *zazous* who revolutionised both jazz and French *chanson* after the *Libération*, be it Madrid's post-Franco Movida, or Dada, the Surrealists and *les années folles* that followed World War I, the periods just after mourning and hardship always give rise to brighter and more tuneful tomorrows. Addis Ababa, as the country's capital, and the epicentre of change, was no exception to this vital rule.

**Two generations of Nalbandian musicians**
Nersès Nalbandian belonged to a family of Armenian exiles, who had moved to Ethiopia in the mid-1920s. The uncle Kevork arrived along with the fabled "*Arba Lidjotch*", the** "*40 Kids*", young Armenian orphans and musicians that the Ras Tafari had recruited when he visited Jerusalem in 1924, intending to turn their brass band into the official imperial band. If Kevork Nalbandian was the one who first opened the way of modernism, pushing innovation so far as to invent musical theatre, it was his nephew Nersès who would go on to become, from the 1940s and until his death in 1977, a pivotal figure of modern Ethiopian music and of the heights it. Going all the way back to the 1950s. Nothing less. And it is Nersès who is largely to thank for the brassy colours that so greatly contributed to the international renown of Ethiopian groove. While the younger generations today venture timidly into the genealogy of their country's modern music, often losing their way amidst a distinctly xenophobic historiographical complacency, many survivors of the imperial period are still around to bear witness and pay tribute to the essential role that "Moussié Nersès" played in the rise of Abyssinia's musical modernity.
Given the year of his birth (15 March 1915), no one knows for sure if Nersès Nalbandian was born in Aintab, today Gaziantep (Turkiye/former Ottoman Empire) or on the other side of the border in Alep, Syria... What is certain is that his family, like the entire Armenian community, was amongst the victims of the genocide perpetrated by the Turks. Alep, the place of safety – today in ruins.
Before Nersès then, there was uncle Kevork (1887-1963). For a quarter of a century, he was a whirlwind of activity in music teaching and theatrical innovation. *Guèbrè Mariam le Gondaré* (የጎንደሬ ገብረ ማርያም አጥቶ ማግኘት, 1926 EC=1934) is his most famous creation. This play included "ten Ethiopian songs" — a totally innovative approach. According to his autobiographical notes, preserved by the Nalbandian family, Kevork indicates that he composed some 50 such pieces over the course of his career. This shows just how much he understood, very early on, the critical importance of song as Ethiopia's crowning artistic form. Indeed, for Ethiopian listeners, the most important thing is the lyrics, with all their multifarious mischief, far more than a strong melody, sophisticated arrangements or even an exceptional voice. (This is also why Ethiopians by and large, and beginning with the artists and producers themselves, believed for a long time — and wrongly — that their music could not possibly be exported, and could never win over audiences abroad, who did not speak the country's languages).

Last but not least, one of Kevork's major contributions remains composing Ethiopia's first national anthem – with lyrics by Yoftahé Negussié.
Nersès Nalbandian moved to Ethiopia at the end of the 1930s, at the behest of his ground-breaking uncle. Proficient in many instruments (pretty much everything but the drums), conductor, choir director, composer, arranger, adapter, creator, piano tuner, purveyor of rented pianos,... he was above all an energetic and influential teacher. From 1946 onwards, thanks to Kevork's connexion, Nersès was appointed musical director of the Addis Ababa Municipality Band. In just a few years, Nersès transformed it into the first truly modern ensemble, thanks to the quality of his teaching, his choice of repertoire, and the sophistication of his arrangements. It was this group that would go on to become the orchestra of the Haile Selassie Theatre shortly after its inauguration in 1955, which was a major celebration of the Emperor's jubilee, marking the 25th anniversary of his on-again-off-again reign.

At some point or other in his long career, Nersès Nalbandian had a hand in the creation of just about every institutional band (Municipality Band, Police Orchestra, Imperial Bodyguard Band, Army Band, Yared Music School…), but it was with the Haile Selassie Theatre – today the National Theatre – that his abilities were most on display, up until his death in 1977. To this must be added the development of choral singing in Ethiopia, hitherto unknown, and a sort of secret garden dedicated to the memory of Armenian sacred music, and brought together in two thick, unpublished volumes. Shortly before his death (November 13, 1977), he was appointed to lead the impressive Ethiopian delegation at Festac in Lagos, Nigeria (January-February 1977).

His status as a stateless foreigner regularly excluded him from the most senior positions, in spite of the respect he commanded (and commands to this day) from the musicians of his era. Naturally gifted and largely self-taught, Nerses was tirelessly curious about new musical developments, drawing inspiration from the very first imported records, and especially from listening intensely to the musical programmes broadcast over short-wave radio – BBC *First*. A prolific composer and arranger, he was constantly mindful of formalising and integrating Ethiopian parameters (specific “musical modes”, pentatonic scale, and the dominance of ternary rhythms) into his “modernisation” of the musical culture, rather than trying to over-westernise it. It even seems very probable that *Moussié* Nerses made a decisive contribution to the development of tighter music-teaching methods, in order to revitalise musical education during this period of prodigious cultural ferment. Flying in the face of all the historiographical and musicological evidence, it is taken as sacrosanct dogma that the four musical modes or chords officially recognised today, the *qǝñǝt* or *qiñit* (ቅኝት), are every bit as millennial as Ethiopia itself. It would appear however that some streamlining of these chords actually took place in around 1960. It was only from this time onward that music teaching was structured around these four fundamental musical modes and chords: *Ambassel*, *Bati*, *Tezeta* and *Antchi Hoyé*. A historical and musical “details” that is, apparently, difficult to swallow, especially if that should honour a *foreigner*. Modern Ethiopian music has Nersès to thank for many of its standards and, to this day, it is not unusual for the National Radio to broadcast thunderous oldies that bear unmistakable traces of his outrageously groovy touch.

The 12th release on ALIM Music, Brazilian singer-songwriter Rogê delivers a radiant and rhythmically rich reinterpretation of Talking Heads’ “Road to Nowhere,” setting the tone for BBE's Naive Melodies - a bold and visionary tribute to the music of Talking Heads, reinterpreted through the lens of Black musical innovation. Curated by Drew McFadden - the creative mind behind BBE’s acclaimed Modern Love (David Bowie tribute album) releasing this October via BBE Music. Now based in Los Angeles, Rogê, a Latin Grammy nominee and longtime torchbearer of Rio’s samba-soul vanguard - reimagines the Talking Heads classic as a soulful samba jam, infused with earthy guitar, syncopated percussion, and his signature smoky, magnetic vocals. Where the original rides on quirky tension, Rogê’s version flows with saudade and sway, steeped in the Afro-Brazilian traditions that have defined his sound for over a decade.

Produced by Tommy Brenneck (Amy Winehouse, Mark Ronson, Cuco, Charles Bradley, The Budos Band), the track carries a raw, analog warmth that nods to classic MPB (Música Popular Brasileira) and the golden age of 1970s samba-rock, while subtly weaving in the existential overtones of the song’s lyrics. Rogê's “Road to Nowhere” captures the essence of Naive Melodies: a reimagining of Talking Heads’ catalog through the rhythmic and cultural lens of the global Black music traditions that helped shape it. From samba and funk to soul, dub and jazz, the album brings together forward-thinking artists from across the diaspora to revisit, reinterpret, and revive the sounds that have always lived in the band’s DNA.

Mario Biondi is a singer and composer, born in Catania, Italy. In 1988 he had an important opportunity as support act to Ray Charles' Italian dates. His love for soul music helped shape his particular vocal styling that takes its cue from great vocalists like Lou Rawls, Al Jarreau and Isacc Hayes. His first big break came in 2004 with the original release of the single "This Is What You Are". Originally planned for release only in Japan, the cool and irresistible song gets noticed by European radio.

Well-known DJ, Norman Jay begins to feature the song on his BBC1 show playlist and Mario's incredible voice crosses the European continent ahead of the artist himself. His album "If shot up the charts and went triple - platinum. 'This Is What You Are' is one of the most important and iconic Italian jazz vocal tracks of the last decade

Tokyo producer Yusuke Iguchi aka RGL makes his long-form debut with Touzan, an album that expands on the soulful, groove-rich sound introduced on his inaugural EPs for Breaker Breaker.

Named after the Kawagoe Tōzan fabric woven by Iguchi’s mother and featured on the artwork, the record weaves together house, hip-hop and jazz-tinged textures into RGL’s most distinctive statement yet - a deeply crafted vision of modern Japanese house music.

JESUS LOVES SKYLAX #1 A divine transmission from the underground. For this first volume of our new JESUS LOVES SKYLAX series — an homage to the one and only Todd Edwards — we’ve gathered a celestial selection of true believers. UK legend Tom Carruthers sets the tone with '2 You' — raw, jacking machine soul echoing the stripped-down euphoria of ’86 warehouse sessions. Byron The Aquarius follows with 'Aquarius Voyage', a spiritual jazz-funk odyssey that fuses Alabama roots with Detroit depth. Floorfillers’ original anthem 'Sting The Floor' gets a rapturous rework from Omri Smadar, injecting ecstatic peak-time energy into the mix. On the flip, the mysterious duo X & Ivy rise high with two heavyweight cuts — “Ground Floor” and “Frankincense” — maximum house for discerning dancefloors, already championed on BBC Radio 1 and signed to Life & Death. Finally, our beloved Italian craftsman Alessio Collina closes with “Winter Sea,” a deep, emotional glide through timeless house textures.Vinyl only. No digital. No surrender. JLS01 – a message of faith, groove, and uncompromising love. ✝ JESUS LOVES SKYLAX ✝.

Recloose’s ‘Dust’ returns to the spotlight on The Remedy Project, with the remaster of the original joined by remixes from Natasha Diggs, Aroop Roy and a never before available accapella.

First championed by Gilles Peterson on BBC Radio 1 in the noughties, ‘Dust’ is now a cult favourite as it effortlessly bridged genres and soundtracked dancefloors across the globe. The track’s warm groove, featuring Joe Dukie’s unmistakable vocals and Recloose’s signature production, cemented it as an underground classic; Dallas Tamaira, occasionally releasing under the alias Joe Dukie, is best known as the lead singer of New Zealand band Fat Freddy’s Drop.

A pioneering figure in the Detroit electronic scene, Recloose (aka Matt Chicoine) first broke through in the late 90s with support from techno legend Carl Craig, releasing on Planet E and later building deep ties with New Zealand’s fertile soul and jazz community. His music fuses house, funk, and broken beat with a distinct warmth and musicality that have made him a trusted name across generations of selectors.

To mark its 20th anniversary, ‘Dust’ is renewed with a package of remixes from some of the scene’s finest tastemakers. Natasha Diggs injects her soulful New York finesse, while Aroop Roy brings his global dancefloor touch. With the two new remixes sitting alongside the both the original record and the accapella, ‘Dust’ is ready to gain a new generation of fans.

The Toxic Funk series keeps the dancefloors moving, and for Volume 17 we welcome back the ever-funky duo Suckasidewith a pair of groove-heavy gems pressed on 7" vinyl. DJ B-Side and Sucka Timmy once again show their mastery of blending classic soul, funk, and RnB flavors with breakbeat punch.

The A-side, Hot Pants I Just Wanna Love You (112 BPM), is pure sunshine soul on wax – bright and upbeat with crisp breakbeats, silky vocal chops, and infectious horn stabs. Its warm groove and steady energy make it the perfect opener for a DJ set or a surefire way to lift any crowd.

On the flip, Dang Lazy (SuckaSide 45 Edit) kicks things up a notch with a faster, more driving funk workout. The bassline struts, the drums snap, and playful vocal snippets dance over the top, all tied together with Suckaside's tight, polished production. It's a party starter with a cheeky edge – perfect for when the floor is already buzzing and you want to take it higher.

Die Cinematic-Funk-Visionäre The Diasonics liefern mit ihrem neuen Album ,Ornithology", das am 3. Oktober über Record Kicks veröffentlicht wird, ein weiteres solides Set aus östlich angehauchtem Psychedelic, Cinematic und Disco-Funk. Nach ihrem 2022 von der Kritik gefeierten Debütalbum ,Origin of Forms", das von PopMatters zum Library Music Album of the Year gekürt wurde, kehren die in Moskau ansässigen Instrumentalisten The Diasonics mit ,Ornithology" zurück, einem zweiten Album, das ihre klanglichen Grenzen erweitert und gleichzeitig ihrem unverwechselbaren Stil treu bleibt. Aufgenommen in ihrem eigens errichteten Studio 23, das sich in einer umgebauten Lampenfabrik aus der Sowjet-Ära befindet, ist das Album das Ergebnis von zwei Jahren intensiver kreativer Erkundungen und Experimente. Mit ihrer ganz eigenen Mischung aus cineastischem Funk, östlich angehauchten Melodien, instrumentalem Hip-Hop und analogem Soul haben sich The Diasonics einen einzigartigen Platz in der globalen Funkszene geschaffen. ,Ornithology" markiert ein neues Kapitel: Inspiriert von wiederkehrenden Vogelmotiven in ihrer Umgebung, von Zügen und Bahnhöfen bis hin zu lokaler Folklore und den Schreien der Vögel, die über ihrem Studio kreisen, kanalisiert die Platte Ideen von Bewegung und Freiheit, sowohl thematisch als auch musikalisch. ,Das Thema Vögel und Ornithologie ergab sich ganz von selbst - wir fingen einfach an, überall um uns herum vogelähnliche Namen zu bemerken: Züge und Bahnhöfe, Geschäfte, Orte, Nachnamen von Menschen, Bücher und Filme", sagt die Band. "Wir besorgten uns ein paar alte Synthesizer und stimmten die Oszillatoren, während wir den Schreien der Möwen lauschten, die um die Fabrik flogen, in der sich unser Studio befand. Die Ideen von Flug, Freiheit und Raum wurden zentral für die Musik des neuen Albums." Klanglich gehören zu den wesentlichen Merkmalen von Ornithology nicht nur die Synthesizer, sondern auch Diana Grebs hypnotischer Gesang, der sich nahtlos in die Klangpalette einfügt und dem instrumentalen Funk Leben und Seele einhaucht. ,In unserer Vorstellung balancieren wir wie Vögel zwischen der Erde und dem Himmel und haben versucht, unsere eigene musikalische Sprache innerhalb des Konzepts der Ornithologie zu erschaffen, die den Wunsch eines jeden Menschen widerspiegelt, den Vögeln näher zu kommen und frei zu schweben, jenseits von physischen oder mentalen Grenzen." Die 2019 gegründete vierköpfige Band, bestehend aus Daniil Lutsenko (E-Gitarre), Kamil Gazizov (Keyboards), Maksim Brusov (Bass) und Anton Moskvin (Schlagzeug & Perkussion), erlangte durch eine Reihe von begehrten 45er-Scheiben auf Mocambo Records und Funk Night Records schnell Kultstatus. Ihr von der Kritik hochgelobtes Debütalbum Origin of Forms,, das von Henry Jenkins, dem Produzenten der australischen Kultband Surprise Chef, gemischt wurde, erschien 2022 auf Record Kicks und wurde von PopMatters (US) zum Library Music Album" des Jahres und von FIP (Radio France) zum Album des Monats gekürt. Das Vinyl war innerhalb weniger Wochen ausverkauft und ist nun in der internationalen Cinematic-Funk-Szene sehr gefragt. ,Origin of Forms" erhielt begeisterte Kritiken von Zeitschriften wie Wax Poetics, Mojo, Rolling Stone FR, Clash, Uncut und wurde von Jamie Cullum (BBC2), KEXP, Radio France und Huey Morgan, Don Letts, Cerys Matthews und Tom Ravenscroft von BBC 6 Music, um nur einige zu nennen, unterstützt und gespielt. Mit dem neuen Album Ornithology tauchen The Diasonics in üppige Synthesizer, stripped-down Grooves und rohes instrumentales Zusammenspiel ein, schöpfen aus der Library-Musik der 1970er Jahre, sowjetischer Jazz-Fusion und Disco-Funk und liefern eine weitere supersolide Veröffentlichung, die all die Einzigartigkeit bestätigt und vorantreibt, die ,Origin of Forms" so verlockend machte. Unverzichtbar für Fans von Khruangbin, Surprise Chef und instrumentalen Funk-Grooves.

Hot Piroski Boss Robin 12Tree Beams Back with “Interstellar Vibes Vol. 1” A Balearic Odyssey in 5 Tracks.. Strap in and sunscreen up - Robin 12Tree is back with Interstellar Vibes Vol. 1, a scorching 5-track EP of cosmic Nu Disco and Balearic goodness inspired by strobe lights, sunsets and surfside odysseys. Opening blast The Wriggler is a peaktime disco/house rocket, all teasing arps and synth liftoffs. Feelin Free glides into deeper territory, with lush strings giving nods to deep house royalty. Then comes Who Will Heal Us, a slo-mo sunset serenade featuring new Barcelona rising soul queen, MaYa. Things get extra-terrestrial with Need You In My Life, a deep-house jam born from a Barcelona afters with Soul Mekanik’s Danny Mekanik. Finally, Tupambame brings us gently back to Earth, dripping sunshine and jazzy warmth thanks to Tanzanian vocalist Miss Vivandra. Robin 12Tree launched Hot Piroski from his Barcelona bunker in 2018, scoring early BBC Radio 1 love with his N’Gwode edit. His studio passport is stamped by the likes of Jose Padilla, Stanton Warriors, Visage, Keith Flint and more. Whether as one half of Bubble Club, founder of The Backstage Sluts, or Slyde co-pilot, he’s brought Balearic vibes to Fabric, Bugged Out!, and far-flung festivals from Australia to South America - often as The Prodigy’s tour DJ. Check out this latest release from the man with disco in his blood and chorizo in his lunchbox… Interstellar Vibes Vol. 1 will be released in digital stores from July 14th with vinyl availability from July 30th.

Following the vinyl release of Delfonic's reworks of Roy Ayers tracks taken from the BBE Music compilation Roy Ayers-Virgin Ubiquity, it's now Osunlade's turn to add his production and remix enchantment to the music of the master craftsman with these remixes of Brand New Feeling. Featuring the exceptional vocal talents of Merry Clayton, perhaps best known for her blistering performance on the Rolling Stones' Gimme Shelter and her own Webster Lewis penned hit Emotion, alongside Jazz vocalist and Earth, Wind & Fire, Ubiquity and Harvey Mason collaborator Silvia Cox, Osunlade's Yoruba Soul remixes have added new dimensions to this track. Hailing from St Louis, USA Osunlade's CV includes writing music for Sesame Street to working with and producing artists as varied as Patti Labelle, Freddie Jackson, Eric Benet, Martha Wash, Salif Keita, Nadirah Shakoor and Cesaria Evora. He started the Yoruba Soul project and label after his move to New York because of 'the continued need to create the music I wanted' and it is this musical freedom that has made him one of the most distinctive music makers, producers, DJs and remixers around today. Brand New Feeling is released as a vinyl EP featuring two tracks, the Yoruba Soul Mix Parts 1 & 2.

Fradinho (Rui Fradinho) is Lisbon born Portuguese, having lived in London for 12 years and returning to Portugal in 2020.

Rui's musical base stems from a diverse range of music: rock to pop, house to techno, through jazz, soul, funk, world music, hip hop, drum and bass and from breakbeat to his main passion and current music production focus, broken beat / bruk / nu jazz.

Rui runs his own record label, Eclectic Beats Music, with 6 vinyl releases, and has released remixes for artists like Sentinel793 (Universal Magnetic), Deborah Jordan (Futuristica Music), Str4ta (Colin Curtis Presents), David Borsu (Broadcite) amongst other artists and labels.

Highlights of his DJ career so far (other than his 6-year residency at Sociedade Anonima), are the Bicaense Cafe and Lux club in Lisbon. Earlier in 2017, he did a stint on London’s Back2BackFM, playing at Dalston’s Club Makossa, the BBE Store in East London, closing the Chill Out Gardens stage in Portugal’s Boom Festival 2018, DJ’ed at Gilles Peterson’s first edition of We Out Here festival in 2019, played Lisb-On festival in 2022 and currently guests at Birmingham’s BrukUp broken beat night (having played there 5 times with Adam Rock, Laura Crossley, Bruk Boogie Kru, Marcia Carr & Kwai and Yoofee).

The 7:45s are an original soul collective from Manchester, UK – the brainchild of songwriter and bassist Sam Flynn. Inspired by the house bands of soul labels from Motown to Big Crown, the young collective spotlights guest vocalists such as Martin Connor and Nicole Battick. Named after 7-inch vinyl, The 7:45s write snappy singles that blend the vintage feel of rare groove with the songcraft of perfect pop.The 7:45s have been played on BBC Radio 6 Music by Craig Charles, Stuart Maconie and Chris Hawkins and on Jazz FM by Simon Phillips.

A concept album for the soul, Spinning is a retro-soul love story. Side A is sunshine soul about the dizziness of an on-off relationship, as heard in the Charles Bradley-inspired opener 'The Way That I Love You'. Side B is nocturnal. Head-spinning heartbreak is the subject of rare groove-influenced 'The Writing's on the Wall' while dancing to a new dawn is the theme of Prince-inspired disco number 'We Will Be Friends'. The album also features a reimagination of The Beatles' 'Don't Let Me Down'.

Soul Flip is back with the 18th chapter of this apparently never-ending story! And this time, Mr Soul Flip himself Del Gazeebo welcomes the return of super-producer Wonderlove for backup.

First up, Del gives his full attention to the Pointers Sisters' "Send Him Back" - a firm favourite with the Northern Soul crowd back in the day, and respectfully freshened up for 2025.

As you probably know by now, we love a "version", so on the flip, Wonderlove breathes new life into Johnny Mathis' cover of Willy Bobo's "Evil Ways" in devastating fashion.

Early support from Craig Charles Funk and Soul Show on BBC6 Music.

Introducing 'A Drama on Richard Street' - an album born from a journey of rediscovery and creative challenge. Influenced by a yearning for simplicity and heartfelt melodies, this collection is a love letter to soulfulness. Dive into the soulful world of Menahan Street Band's 'The Crossing' and the rejuvenating energy of 17-year-old inspiration. Join us on this musical voyage, where we stepped away from complexity to embrace the beauty of simplicity. 'A Drama on Richard Street' is a testament to the power of soulful music and the joy of heartfelt melodies. Listen and let your soul groove to its rhythm.

Following his well-acclaimed previous EP ‘A Drama On Richard Street’, supported by TSF Jazz, Somewhere Soul, and BBC 6, Tremendous Aron introduces his new project ‘Carlos & Lola’, a 6-track EP. This latest endeavor, akin to "A Drama On Richard Street," reflects a pivotal moment in the German producer's musical journey. Feeling stagnant while studying music, he instinctively reverted to the music he cherished during his teenage years, ranging from the eclectic offerings of "Daptone Records" to artists like The Menahan Street Band. Inspired by the documentary "Summer of Soul," Tremendous Aron incorporates fragments from it into his compositions, alongside influences from Molly Lewis, The Altons, and Ruben Gonzales. This EP promises a captivating blend of soulful melodies and vibrant rhythms, showcasing Tremendous Aron's evolution as an artist.

The duo of DJ producers DJ Marrrtin and Deheb reunite after a five-year hiatus, during which they each pursued solo
projects. Deheb released the LP Jazz Mirrors, while Marrrtin put out a Disco Funk EP titled Aktshun, a hip-hop album La
Pie Bavarde in collaboration with Dayton, Ohio rapper Tino, and his third solo project Cyclothymix.
They return with a new 11-track album steeped in Jazz-Funk flavor, blending heavy breakbeats—recalling their earlier
albums that have been featured at major international breakdance events—with nods to their shared influences: Jazz, Latin
Funk, Hip Hop, Psychedelic Groove, Library Music, and Blaxploitation soundtracks. The record plays like an imaginary film
score, a sonic illustration of a relentless chase scene—picture The J.B.'s jamming with Piero Piccioni, accompanied by
Mongo Santamaria.

The album features a lineup of international collaborators, including:
Saucy Lady (USA) on Tambourine,
Felix (Fusik, USA) on Payback Run,
Roma Scotch (True Flavas Band, Russia),
Leo Debroise (Namas Trio, France),
Medline (My Bags, France),
Louise Chavanon, an incredible 18-year-old flutist from France,
and Antoine Laloux (The Selenites Band).
This album further develops the duo’s signature sound—a perfect blend of powerful grooves and deeply soulful musicality.

500 Copies , Covers hand made screenprinted and Hand Numbered
400 white with Black ink
100 with various colours

It’s been a journey, but thanks to the guys at Universal Music we are very grateful and privileged to bring you this fine piece of modern soul music on vinyl.

Both tracks, on the 7-inch, are taken from the MP3 only 2020 album “Vintage R&B”.
It’s an Anglo-Swedish affair, delivered to you by Swedish songwriters, composers and musicians, Henrik Wikstrom and Anders Lewen, together with UK producer Andrew Stannard.

Side A “Time to Make A Change”, features in Episode One of the 2023 BBC documentary “Fight the Power – How Hip Hop Changed the World”. A track to surely get the dancefloor moving.
After some deliberation of which track to include as a Side B, it was decided as a “Thank you” gesture to invite Universal Music to pick the song of their choice from the MP3 album. “Good, Good Feeling” was the proposal, a song title that is reflected in the composition.

The top side, with its driving beat and the strong vocal ability of Liverpudlian Tommy Blaize, is reminiscent of a Motown track at the peak of its popularity. After listening to the lyrics, it is understandable why this track was used in a “Civil rights” segment within a documentary. A timeless message that can be applied to many social and personal life situations. Listen to the tight musical arrangement. These guys know what they are doing. A track that will surely even get my ageing hips loosened up for the dancefloor. Don’t be tricked by the “paused” ending, a wonderful touch!

The title of the flip side, “Good, good feeling” is exactly that……… A “good feeling” song. Here, the tempo is lowered slightly and the sixties vibe here also leads to a more mainstream direction compared to the A side. Those floaty soulful tones from the UK’s Louise Marshall are very pleasant to the ears, lifting your spirits on any day of the week. Like the A side, get your earlobes in to that musical arrangement. There was no holding back with the broadness of musical instruments in the studio and I especially like the sound of the flute happily skipping throughout. Overall, an enjoyable easy listen.

DJ Support: Gilles Peterson (BBC Radio 6 Music), Tom Ravenscroft/Deb Grant – New Music Fix (BBC Radio 6 Music), Huey Morgan (BBC Radio 6 Music)

Infinity Mirrors is a representation of the ongoing process of learning about who we are and how we chose to live our lives. Taking moments to reflect on where we have come from, where we currently are, and where we might be going.

Thematically, this record explores a breadth of human experiences… Yearning to be with loved ones far away, battling with anxiety, recognising love felt for the first time, welcoming life into the world, learning to go with the flow & not get caught up on focusing on things that don't necessarily matter.

Written, developed and reworked over the five year period since second album Next to Nothing.

The process of this album spanned over two different studios, birth, death, the pandemic and more. Almost all of the music on this record was started between 2020 & 2021. It’s been an enlightening experience being able to go back to old tracks and re-work them to bring them up to date based on my lived experiences up until that point. With each new revision I have learnt something else about my creative practice and brought my current self into the music whilst also maintaining where I’ve been at previously.

This album has the most features on any of my records to date, both long time and brand new collaborators with guest appearances from Laura Misch, Marysia Osu, Andrew Ashong, Julia Biel, Dariés Street-Soul, Tawiah, Alexa Harley, Rohan Ayinde and Alex Cosmo Blake.

It was less than a year ago that Italy-born but Denmark-based musical artist Alex Puddu released his latest album Deliria, an enticing blend of erotic disco, soulful grooves and electronica inspired by Italian pop music of the late 70s / early 80s, which went on to enjoy extended radio play across the globe including on BBC 6, NTS, KCRW, and national Spanish station Radio 3, to name a few.

But it wasn’t long thereafter that indefatigable groove purveyor Puddu travelled back to Rome for a new musical adventure, heading straight to The Sound Work Shop, the recording studio of legendary Italian composer Piero Umiliani, where he recorded the 10 new tracks that are included in his latest musical opus, Professione Reporter, another funky and soulful adult-oriented disco-pop album entirely sung by himself in Italian.

Professione Reporter tells the story of a photo reporter who travels the world following and stalking rich recently-widowed women whose husbands died in mysterious circumstances. Attracted by their charm and wealth, our protagonist transforms himself into a gigolo, becoming a dedicated lover-boy to these rich sugar mamas and a slave to the sweet life, going so far as to become an accomplice in their criminal plans to ensure the inheritance of their dead husbands.

Once again Alex Puddu has hit the mark with a collection of polished and ear-friendly grooves that tell the alluring story of a private eye embroiled in a web of love affairs, wealth and deceit, evoking images of satin sheets, champagne and dim lights set against the backdrop of one of the most hedonistic decades so far.

Multi platinum-selling musician and multi-instrumentalist Jamie Cullum today announces The Pianoman At Christmas - The Complete Edition. Due for release on 19th November via Island Records. The deluxe album completes last year’s critically acclaimed hit album The Pianoman At Christmas Part 1, with its Second Part - featuring 11 covers of classic Christmas songs, as well as two original songs, including lead single ‘Christmas Don’t Let Me Down’, out now.

Drawing from the past and inspired by the present, The Pianoman At Christmas - The Complete Edition sees Jamie team up with London jazz innovators Kansas Smitty’s, as well as composer and producer The Vernon Spring and acclaimed LA-based jazz singer Lady Blackbird to complete a piece of work that is imbued with seasonal sophistication. Alongside his two original tracks, Jamie breathes new life into classics such as ‘Winter Wonderland’, ‘Silent Night’ and ‘Frosty The Snowman’, ranging from ‘Amazing Grace’ to ‘Man With The Bag’ and ‘Sleigh Ride’. The Complete Edition will be released on double CD and double black vinyl formats, alongside a limited run of 180G Heavyweight coloured vinyl in red and gold.

Speaking on the release, Jamie said -

“I had a huge amount of fun creating part two of TPAC. Recorded live, all in the room together - it’s the party after the big show, with friends, drinks and some of the finest musicians on planet earth.”

Released almost a year to the day before The Complete Edition is due out, The Pianoman At Christmas featured 11 original songs played by 57 of Britain’s best musicians, recorded in Abbey Road’s famous Studio 2 and produced by Greg Wells whose The Greatest Showman soundtrack spent 28 weeks at number 1. The album sold over 37,000 copies, spending 6 weeks in the album chart and peaking at number 11. In December Jamie broke the Guinness World Record for the largest music lesson ever, when he held a virtual piano lesson for 2,282 people, teaching them the carol ‘In The Bleak Midwinter’ with special guests Robbie Williams, Sigrid and Dodie.
With 10 million album sales and over 890 million streams to date, Jamie is a celebrated musician the world over with loyal fans in every corner of the globe. With a career spanning over 20 years, his legendary live shows have seen him perform and work alongside artists as diverse as Herbie Hancock, Pharrell Williams, Kendrick Lamar and IDLES - Jamie writing on the latter’s album Ultra Mono. The success of Jamie’s major label breakthrough, Twentysomething in 2003 and its follow up Catching Tales saw him nominated for a BRIT, Grammy and numerous other awards around the world. In 2020 he won an Ivor Novello Award for his track ‘Age of Anxiety’, taken from his acclaimed 9th studio album Taller. In addition to his enduringly successful recording career, Jamie has also established himself as a multi-award winning music broadcaster; his BBC Radio 2 show celebrated its 11th year on air this year.

With her debut album Black Acid Soul earning critical praise, Lady Blackbird is a revelatory new talent with music that transcends the jazz scene through which the LA-based artist is rooted. Reflecting influences as varied as Billie Holiday, Gladys Knight, Tina Turner and Chaka Khan, with critics drawing comparisons to Adele, Amy and Celeste, Lady Blackbird’s distinct and beguiling voice is not one to be missed.

UK band Kansas Smitty’s have developed a musical voice wholly unique from what’s happening around them. They are led by band leader and producer Giacomo Smith who's cinematic compositions feature on their releases, most recently 2021's acclaimed Things Happened Here for Berlin based label !K7. In 2015 they launched their own east London venue and bar, of the same name, which became one of the conception points for the current UK jazz boom.

Londoner Sam Beste aka The Vernon Spring is a polymath in music who has production, writing and performance credits as eclectic as Amy Winehouse, Matthew Herbert, Kano, Joy Crookes, Beth Orton, Blood Orange, Gabriels and MF DOOM. Since 2019 he has been making waves with solo project The Vernon Spring, which foregrounds his rare capacity to hold sophistication and simplicity in the same hands through highly intimate muted-piano compositions and improvisations.

DJ Support: Jamie Cullum (BBC Radio 2), Huey Morgan (BBC Radio 6), Gilles Peterson (BBC Radio 6), Deb Grant (New Music Fix, BBC Radio 6)

On debut album ‘While I'm Distracted’, London-based New Zealander Arjuna Oakes draws inspiration from contemporary soul and jazz, touches of global folk, electronica, modern classical, and post-rock, with dynamic arrangements and production. ‘While I'm Distracted’ is an album about fighting for your innocence and right to be a vulnerable and honest human. Arjuna’s songwriting explores themes of identity, depression, existentialism, social media, loss of innocence, and finding hope for the future through artistic expression.

'I'm obsessed with albums,' says Arjuna. 'I've made seven EPs, but needed time to tackle a full length record. I was using the EPs to learn the craft of how to make a great album, much like a director will make short films before they make a feature. I wanted to take the listener on a journey and spark their imagination. Hopefully the album expresses complex emotions, rather than having an intellectual concept. I'd rather ask questions than answer them'.

Across the album, Arjuna performs vocals, piano, keyboards, synths, production, and wrote the string arrangements. He’s joined by Harrison Scholes on bass, Jo Jenkins and Andre Smith on guitar, Sam Notman on drums, Louisa Williamson on saxophone, Nathan Haines on flute, Kate King on french horn, Leah Thomas on clarinet, Hilary Hayes and Emma Colligan on violin, Chris Van Der Zee on viola, Charley Davenport on cello, Zane Hawkins on percussion, James Macewan on trumpet, and additional production by Callum Mower.

After a Classic/Defected release and a string of edit projects/remix work Snips returns to his own Barbershop Records for his latest release "Blasphemy", a project drawing solely on Gospel samples from Snips' personal collection. Barbershop sticks with the theme of re-imagining the past to create something new while continually offering an alternative to todays mainstream. With Gospel music being the least commodified of its contemporaries yet the most essential element of them all, it would seem the perfect sample source for a Barbershop release and a sonically perfect fit for Snips' brand of Hip Hop, Soul & House inspired beats. From future club friendly anthems like "Feed The People" and "Feel The Spirit" to the true school Boom Bap sensibilities of "Pattersons Pilgrims" and "Never Waltz Alone" this release has all bases covered.

Revolutionary DJ and producer Matador presents his exciting debut release for Hot Creations Wildside this July. It features two contrasting tracks that stay true to the ethos of the label synonymous with White Isle hedonism.

Wildside opens with spirited percussion of shakers and snare rolls, reverberating into a fuzzy and infectious bassline groove. The playful sample is looped over crazy effects and bright keys, before dropping into a final crescendo that will have feet stomping in unison. Sweet Release retains a classic deep house sound with dreamy chords and lush synth. The track develops with warm sub-bass, piano, arpeggiation and soulful vocals, resulting in a summertime anthem.

Matador has made his mark on the electronic music world since the very beginning, producing a BBC Radio 1 Essential Mix, becoming a brand ambassador for MODEL 1 and featuring in Resident Advisor’s ‘Top 20 Live Acts’ for three years in the early part of his career. In 2016 he launched his label RUKUS, releasing music from emerging and established artists alike. Spanning genres and formats he has made music for Sky TV and British Airways, his vinyl-only series Cyclone is firmly rooted in techno, whilst the stream only album Tuesday presents an exquisite take on ambient. His collaboration with Zurich’s Tonhalle Orchestra again highlighted his dexterity as a truly authentic musician. 2020 sees the launch of Matador’s podcast series focusing on studio gear and featuring interviews with touring artists. His new live performance ‘Live 2.0’ is also forthcoming and will feature hotly anticipated new music.

Back in stock soon !

First Word Records is very proud to present a brand new EP from Yazmin Lacey - 'When The Sun Dips 90 Degrees'.

This EP follows on from her two recent singles, '90 Degrees' and 'Something My Heart Trusts', both of which are included here, along with three previously unreleased tracks, 'Heaven', 'Body Needs Healing' and 'Burn & Rise'. This set illustrates again Yazmin's candid songwriting delivered in her uniquely laidback soulful style, whilst a glorious fusion of neo-soul and jazz performed by Pete Beardsworth and her trusty band rides throughout.

In recent times, Yazmin has made live appearances on Jazz FM, BBC Radio 4, 1Xtra and NTS, & received widespread acclaim across the airwaves, including BBC Radio 2, BBC 6 Music, Worldwide FM and Mi-Soul, plus Spotify love from the likes of The Independent and heavy support from DJs such as Gilles Peterson, Jamz Supernova, Tom Ravenscroft, Huey Morgan and Jamie Cullum. Yazmin appeared heavily in The Guardian / The Observer's recent extensive feature on the UK's new Jazz movement too.

Initially a Brownswood 'Future Bubbler' graduate, Yazmin self-released her debut EP, 'Black Moon', last year. This lead to a Maida Vale session late 2017 with Jordan Rakei, Moses Boyd, Oscar Jerome and now label-mates, Children of Zeus. She kicked off the year with a performance at the Worldwide Awards with Skinny Pelembe, and has recently done shows with artists such as Ezra Collective, Tall Black Guy and Fatima. Yazmin has a UK tour scheduled for later in the year, as well as several festival appearances across Europe locked in. There's a lot more to come from this Notts-based Londoner yet.

In Yazmin's words: "'90 Degrees' is about that time of the day / night when there's a shift in pace and energy. When you decide to lock off from the 'outside' world and create your own atmosphere, take some time to give thanks for what's breathing love into your life and smoke off the fuckeries. Everyone needs a little routine for self preservation."

Bread and Butter Recordings are ready to close a successful year as they continue their tradition by compiling the most talented producers of house and minimal. For the upcoming record, 5 artists who have established a career through their innovative sound and firm perseverance in the scene.

To open the release, Alex Font and Aron team up on a track that perfectly combines soulful percussion and driving synths into a full journey. Next is Beiger with a magical track whose hypnotic groove adds an electrifying energy to the EP.

On the back side, 2 heavyweight Romanians leave their mark. Mihai Pol delivers a warm minimalistic that creates a lovely mood while Iuly.b closes out with a more bouncy and dynamic track.

The London label presents once more an epic release and establishes his versatile trademark on the 9th edition of the V.A. series.

Audrey Powne's eagerly anticipated debut album has been met with widespread acclaim from a host of tastemakers and musicians. Garnering over 500 plays on UK radio, her music has reached an audience exceeding 2 million listeners. Many have touted her work as a strong contender for Jazz Album of the Year—a remarkable achievement for a debut release. This exceptional remix pack features a soulful interpretation from the illustrious DJ and producer Joe Claussell, profoundly inspired by the album cut "Souled Out." Claussell unveils three exquisite and spiritual remixes, each highlighting unique elements of Audrey's original production. Joaquin's Deep Version is quintessential Claussell, merging the bassy textures of a vintage King Tubby dub with vibrant percussion and dance-inducing beats. The "Sacred Rhythm Mix" is an essential for the dancefloor, weaving a seamless progression of expertly crafted sonic layers that culminate in a boogie-style crescendo, destined to be a summer anthem for DJs. The Cosmic Arts Interpretation Mix completes the trinity expertly with an enchanting downtempo mix expertly seasoned with orchestral and percussive elements which breathes even more magic into Audrey’s incredible vocal display on this track. True to Claussell's renowned craftsmanship, these remixes speak for themselves—listen and be transported. Adding to the allure of this remix pack are the superb renditions of "Feed The Fire'' by the legendary deep house producer Atjazz and the dynamic New York duo musclecars. Both remixes have garnered critical acclaim, elevating this package to an unprecedented level of excellence. Available for the first time on vinyl, these mixes are presented by BBE Music in a double pack, ensuring unparalleled sound quality that is spread out for maximum audio fidelity—a must-have for discerning DJs and vinyl aficionados who prize top-tier music pressed on wax. This release is not just a collection of tracks but a treasure trove of sonic brilliance, making it indispensable for enthusiasts of high-quality, heartfelt music.

DJ support from Husky, Hector Romero, Javi Bora,Grace Bones, Judge Jules, Sebb Junior, Jay Vegas,Odyssey Inc, ATFC, Claptone, Black Legend, CevinFisher, Michael Gray, Kisch, Hoxton Whores, FullIntention, Booker T, Jamie Jones, Knights Of TheTurntable, Sam Divine, DJ Rae, CASSIMM, Alex Preston

We’ve got a very special vinyl release for you; a brand-new rework of the 1982 classic ‘Do It To The Music’ by New York Dance group, Raw Silk being refreshed for 2024 by legendary UK DJ and producer, Michael Gray. Perfectly in-keeping with the Fool’s Paradise brand and ethos we have built over the past year, West End Records was a label close to our hearts having been one of the most influential dance labels of the past forty years and went on to define the sound of New York City during the heyday of Disco and the ever-popular, Studio 54. With the original reaching #5 in the US Billboard Dance Chart and #18 in the UK SinglesChart, such a classic West End Records record could only be revisited by one of the very best, and who better than Michael Gray to refresh this dance floor gem! Michael’s reworks pays true homage to the original adding his signature flair and groovy, funk-leaden sound. Featuring an exclusive reprise mix which is only available on the vinyl package!

Radio support on BBC Radio 2, BBC Radio 6 Music,BBC Radio Cornwall, Hedkandi, Kiss FM, Mi-Soul,Gaydio, Radio 105 / Montecarlo (Italy), Mambo Radio,Rinse fm, Select Radio, Totally Wired Radio, PointBlank, RTE, Power fm (Ireland), Metro FM (SA), CoolFm, Radio Reverb, Radio FG (France), Release Radioand many more.

First Word Records is proud to bring you 'The Making of Silk', the brand new album from Allysha Joy.

Allysha Joy is a deeply-expressive singer, songwriter, producer & keys player hailing from Naarm (Melbourne), known for both her solo work and as front woman for 30/70. A uniquely-talented artist, her husky soulful voice, formidable Fender Rhodes prowess and raw poeticism has garnered legions of attentive fans the world over.

As an integral performer in the modern day jazz-soul scene, previous support has included selectors Gilles Peterson & Jamz Supernova (BBC 6 Music), Jamie Cullum (BBC Radio 2), China Moses (Jazz FM) & Laurent Garnier (PBB France), along with stations such as NTS, Lot Radio, KEXP & KCRW, and publications including OkayPlayer, Dazed and The Vinyl Factory.

Along with a recent foray into the USA market with a string of successful shows, Allysha Joy has performed alongside acts such as Snarky Puppy, PJ Morton, The Teskey Brothers, Kokoroko and Children of Zeus, to name a few.

Joy has previously released two full-length solo albums 'Acadie : Raw' in 2018, 'Torn : Tonic' in 2022 and an EP, 'Light It Again' in 2020, along with countless collaborations and features over the past few years.

Entirely self-produced and affectionately poured over, 'The Making of Silk' is about a new understanding of the meaning of love.

Joy says, "it's the kind of love that bell hooks writes about, that lives in the poetry of Mary Oliver, Hafiz and the passionate dreaming of a Koryusai painting. It's about a love that is compassionate, that lives in open conversation, deep listening, the front lines of social movement and would never seek to stifle the light in you. It's about accepting our aloneness, the impermanence of all things and still forever wanting to prove it wrong, to say that I understand that all things change, all things end, hurt exists, but I will love regardless."

Riding on the waves of rich string arrangements, layers of vocal harmony and the raw poeticism she is known for, Allysha Joy's next album is embodying love.

'The Making of Silk' is due to be released on vinyl & digital worldwide, September 13th 2024.

Fast ein Jahrzehnt hat sich Jamie xx seit Veröffentlichung seines Solodebüts Zeit gelassen. „In Waves“, das zweite Album des Londoners, der mit seiner Band The xx zu den prägendsten Figuren der jüngeren Musikgeschichte gehört. Erneut lässt er seiner Liebe zur elektronischen Musik freien Lauf und entwirft die Geschichte einer Nacht, in der man in den himmlischen Puls von Schatten, Licht und Dancefloor-Rhythmen hinabtaucht.



“In Waves” hat seinen Ursprung in einem Mix, den Jamie 2020 für BBC Radio 1 machte. Hier tauchten neben Tracks der aktuellen Generation an UK-Dancemusic auch diverse musikalische Helden auf, etwa Roy Ayers, Fela Kuti, Tom Zé oder Philip Glass. Auch erste Versionen von Songs, die nun auf dem Album erscheinen werden, waren zu hören. “Es erinnerte mich daran, warum ich diese Musik liebe“, so Jamie, der zuvor lange mit der Frage gehadert hatte, wie es für ihn weitergehen würde. “Ich fand einfach Spaß am kreativen Prozess, ohne dabei an ein Ergebnis zu denken.“



Jamie xx pflügt auf „In Waves“ durch die Subgenres und Dekaden und fügt Northern Soul, Disco, Garage, Acid House, Techno, Tropicalia. Hip-Hop, Funk und den Sound der UK Underground Pirate Radios zusammen. Die kleinen Momente sind dabei so eindrucksvoll wie das übergreifende Ganze. Etwa jener Part bei “Treat Each Other Right“, der parallel zum Album-Announcement erscheinenden neuen Single: Zunächst wird man herausgerissen aus dem breiten Breakbeat-meets-Future-Soul-Vehikel, um sich mit den gepitchten Motown-Vocals plötzlich im Mittelwellenradio der 60er wiederzufinden. Die Worte “I’ll never let you down“ werden in die Ewigkeit gezogen, bevor ein biepender Puls über atmosphärischen Synths einsetzt und man direkt zurückgeführt wird in die schweißnasse Katharsis des Dancefloors.



Im Zeitalter der Algorithmen ist “In Waves” Zeugnis für pure menschliche Empfindung, ein lebensbejahendes Gegengift, das über den Kopfhörer in eine andere Dimension führt und zugleich gemeinsam auf der Tanzfläche erlebt werden will. Mit dabei sind u. a. Romy und Oliver, The Avalanches, Robyn und John Glacier.

New Release "Gypsy Heart / Beautiful Lies SKYLINE RECORDINGS Is proud to be release another OG banger from the wonderful Ms Betty Black "Gyspy Heart" is a driving dancer with sassiness and flair, just how Betty like it. Power vocals with a punching back beat, screaming for the dance floor. Betty goes back to the beginning when Rhythm met the Blues under the watchful eye of Gospel and the African-American Spiritual. It's mystical and cinematic but gutsy, and funky to boot! Roots Revival Soul with a sophisticated twist. On the flip "Beautiful Lies" Perfect song, uptempo dancer - which throws you staright into a story, where Ms Betty Black takes you into another world, but one that so many women, in particular, can relate to - another strong vocal mover, with a motown overtone. Summer fun. SL45030 x400 copies includes paper insert slv "I always expect excellence from her and she's delivered again" - Craig Charles, The Craig Charles Funk & Soul Show, BBC Radio6, 01.06.24...

One of the stand-out acts on Freshly Squeezed in 2023, ELLE & THE POCKET BELLES released increasingly acclaimed singles and videos across the year. Now their full 10 track album drops showcasing the diversity and strength of songwriting, musicianship and jazz-infused production. Now available on Clear Red 12" vinyl!

Not just a singles band, the album offers real jazz sophistication on songs like OLD FASHIONED and a moving theatrical flourish on DON'T YOU WORRY. But on songs like WHAT'S A GIRL TO DO... the group really show off the many years spent on London's vintage club scene refining their sound and style into the perfect distillation of a classic retro style in a thoroughly modern way.

Since release, the album has shared a combined 1 million streams across Spotify and YouTube, and several tracks have been featured on several editorial playlists on Spotify. SEE YOU LATER was played over 25k times across YouTube and Spotify in its first weekend, now reaching 700k streams. The album was also nominated record of the week by BBC Cornwall.

The group are reminiscent of a cross between classic 60s soul and 50s girl groups given a joyful and wry modern twist. ELLE & THE POCKET BELLES are gigging across the UK's summer festival circuit in support of their album.

THE TWO CLASSIC AND HIGHLY COLLECTABLE INEVITABLE SINGES PLUS RELATED PEEL SESSION RECORDINGS. CAPTURING THE FIRST TWO YEARS OF DEAD OR ALIVE’S CAREER. ON BERRY-RED VINYL! A SEQUEL AND COMPANION RELEASE TO 2023’S CRITICALLY AND COMMERCIALLY SUCCESSFUL ‘LET THEM DRAG MY SOUL AWAY’.


Having been ‘discovered’ working in Liverpool’s Probe Records during the punk rock explosion of the late 1970s, Pete Burns quickly found himself fronting his very own band, Nightmares In Wax, who quickly mutated into the more familiar Dead Or Alive.

A star was born. But prior to pop superstardom, tabloid-tantalising celebrity and his later revival and recognition as an icon of gay punk and pop culture, Pete led Dead Or Alive into far darker waters, as one of the earliest explorers of the post-punk Goth scene.

Captured on two remarkable 7” singles originally released on Liverpool label Inevitable, the band also caught the attention of the
ever-reliable John Peel, and recorded material for his seminal BBC Radio One programme. ‘Running Wild’ compiles those early
singles and related Peel Session highlights, bringing the latter to vinyl for the first time. Pressed on berry red vinyl,and housed in
a cover photograph by Dead Or Alive’s then manager Francesco Mellina, ‘Running Wild presents an early glimpse at the
phenomenon Pete would become, and a long overdue back story accompaniment for fans and collectors alike.

2023 sees the return of multi-talented Norwegian producer Espen Horne to Wah Wah 45s, after a 24 year hiatus. The man behind the label's very first release, the now seminal Magnetica, never lost his connection with the imprint and has remained very much part of the Wah Wah family, making a comeback this year with his first solo material under his own name since that club classic from 1999.

Back in the spring, the first single from the project, the gorgeous soul-jazz beauty Bakeren, featuring the stunning vocals of Resonators' Faye Houston, quickly found a home on Gilles Peterson's internationally renowned BBC Radio 6 show as well as that of Jazz FM legend Robbie Vincent, Bandcamp Weekly and the Fresh Finds Jazz Spotify playlist.

Following that, Bergen Sunrays, became a weekly fixture on the Craig Charles Funk & Soul Show on BBC 6 Music, with the limited 7-inch of both singles selling out within hours of release.

Next up was the wistful Den Franske Gitaren, a lugubrious soul-jazz piece with drum & bass leanings featuring Bergen based MC and vocalist Aich, which found favour with legends Laurent Garnier and Jazzanova as well as hot Japanese production outfit Dazzle Drums.

This was closely followed by the final single to be taken from the album, the stunning and outspoken vocal jazz waltzer Nada Pode Me Calar (which roughly translates to Nothing Can Shut Me Up!) featuring the sublime talent of Olav Wöllo on vocals and Juno - anotherr big one with Gilles Peterson on Worldwide FM and Deb Grant on BBC 6 Music.

And now the full album, entitled The Anatomy Of Serene Eloquence is available for your aural delectation. Recorded largely during lockdown, the LP is a sophisticated and composed piece of work that sees the Norwegian producer make connections with musicians from across Europe, and some closer to home, to collaborate on this sedate and peaceful collection of songs.

The aforementioned Faye Houston also appears on the soulful, dub flavoured Don't Fall Asleep, a piece of music that explores the feeling of being isolated whilst sharing a mutual love and drive to explore new sonic possibilities.

Elsewhere, Olav Wöllo pops up again too, this time on O Mar E A Lua and once again singing in Portuguese to give this track a certain Tropicalia feel, as Espen explains:

"Olav Wöllo is a close friend, an excellent musician and vocalist, and a capoeira professor here in Bergen. He has spent much of his life living in Brazil and speaks Portuguese fluently. He wrote the lyrics for this tune years ago and had just been waiting for the right collaboration to come along.

We went to his lovely studio out on this remote island, made a massive gyoza meal, had some serious good wine and stayed the whole night to record his vocal harmonies and outspoken lyrics."

The single Bergen Sunrays also appears on the album in instrumental form with featured keys courtesy of London based player Rory More - here entitled Rory's Sunrays. His Lowrey organ adds a more melancholic feel to the track, as it does on the stunning Belle Époque, alongside the ivory work of Eirik Blåsternes - an emotional, contemplative and atmospheric track that was tested and shaped in the eclipse of Covid.

As with Belle Époque, La Psychosomnie is a playful yet explorative cut that examines insomnia, paralysis and hypnosis courtesy of some enigmatic French spoken word spinning around a framework of drums, bass and swirling keys.

And finally, the album offers up an alternative version of the single Den Franske Gitaren, this time featuring Martin Halla, a vocalist out of the Bergen Grieg Jazz Academy and winner of the Norwegian version of The Voice back in 2012! The perfect flip to Aich's more mournful interpretation of this bass and drum future classic.

It’s True What They Say is the debut EP from Edinburgh-based, husband-and-wife duo Sarah/Shaun (pronounced simply Sarah Shaun), aka Sarah and Shaun McLachlan (pronounced “McLochlin”).

“Sarah and I both have a love for nostalgia,” explains Shaun. “We watched that amazing old 80’s Sci-Fi, (John) Carpenter movie, Starman, a few months back. Myself and my brother David used to watch it all the time. We must have been, roughly, 5-7 at the time. I remember loving the movie but the end, you know, with the beautiful, atmospheric, synth ending, I love that particular moment the most - best part of the movie, you know, when he goes home… It’s heartbreaking but stunning, all the same. It’s the music that moves you most… It did when I was 5 and it still does to this day. It must have had some form of a (much deeper) impact on me.”

The duo narrates stories across themes of love, hope, family, friends, dreams and sadness - the good that comes with the bad in everyday life, not just on a personal scale but within a community as well.

“Starbed is the first song I have ever written and just came out of the blue really, with Shaun playing a melody and me singing along,” says Sarah. “It’s simple and just about two people in love. Love songs are always the best songs, after all… Music has been a big part of my life from a young age. I was unwillingly dragged to piano and violin lessons, which I’m thankful for now! I’d say the first band I really became obsessed with growing up were the Beatles, and on the back of that a lot of 60s music and fashion. From then on, I had a love for music.”

“Shaun definitely opened my ears to a lot of sounds and got me thinking about soundtracks and all the noises that can be made,” she goes on. “We love just spending time experimenting in the house with instruments, pedals etc and Ali is a real magician to work with, too…”

The recordings took place over the summers of 2022 and 2023, with fellow Delta Mainline member Ali Chisholm (aka Jaguar Eyes) plus long-term friend and collaborator Gavin King. Further collaboration then came via the ‘net from the (international) likes of Chris Dixie Darley (Father John Misty), Darren Coghill (Neon Waltz) and Daniel Land (The Modern Painters), among others (see a full list of credits below).

Both Sarah and Shaun have a love for uber-soundtrack producers such as Hanz Zimmer, Max Richter, Cliff Martinez plus live acts such as Beach House, Spiritualized, M83, Suicide, Moby and OMD (to name a few). Shaun also credits the work of Kyle Dixon & Michael Stein (from Survive) on the Stranger Things score… “Even a moment in a movie, whether it be just 30 seconds during a particular scene, it grips you,” he says. But there’s something much deeper at play as well. “Music is a healer,” he goes on, “and I write from my own perspective but more so for others. Once I've done my bit, it doesn't belong to me any longer. It belongs to whoever wants it or needs it.”

The result is a cinematic, synth-wavey, dream poppy and downright beguilingly beautiful body of work. And they’re just getting started…

REVIEWS/RADIO/FEEDBACK:

“Starbed is folky, flavoured by pedal steel, cello, and brass. Dust Tears, in stark contrast, is a mini synth-pop rave epic. Part Bicep. Part Human League. Keep Your Eyes Closed summons a mood that’s romantic, but also dark and potentially doomed – like David Lynch’s Twin Peaks meets Cliff Martinez’s Drive score. My pick though is It’s True What They Say, whose interwoven jangle and picking recalls New Order’s more introspective moments (Love Vigilantes, Love Less… ). Drums crashing, cathartic. Guitar raising dramatic arcs. Its chorus a rush, like a reprise of Pains Of Being Pure Of Heart’s ‘Higher Than The Stars’.” BAN BAN TON TON
"Dust Tears sees them sharing vocal duties over a synth foundation reminiscent of Moby’s Go - Artist Of The Week” THE SCOTSMAN
"Woozy pop" NEMONE (Mary Anne Hobbs Morning Show, BBC 6Music)
"Nice one, very David Lynch meets Euro dream pop" YOUTH (Killing Joke, Paul McCartney, U2, The Orb, Spiritualized etc)
"Music sounds killer! Real emotion” DAVID HOLMES
"I’m enjoying it” TIM BRINKHURST aka LONDON (IKLAN, Young Fathers, Callum Easter)
“Oh, this is lovely!” SEAN JOHNSTON (A Love From Outer Space)
"It’s totally my cup of tea with milk and biscuit" BRENT RADEMAKER (Beachwood Sparks/GospelBeach)
"Beautiful, ecstatic electronica! Short and to the point" KEVIN BALES (Spiritualized, Julian Cope, Soulsavers, BE)
"Makes me wanna sit in the sun and sip an Arnold Palmer" CHRIS DIXIE DARLEY (Father John Misty)
“Really beautiful - Cocteau Twins / Spiritualized vibes but has its own thing going on, too - worth checking out!” JULIAN CORRIE (Franz Ferdinand, Miaoux Miaoux)
‘Sounded nice on a sunny day, makes me think of Twin Peaks, nice moods’ EAMON HAMILTON (Sea Power)
"Dealing in nostalgia, no bad thing at all, great to play that (Dust Tears) for you” RODDY HART (BBC Radio Scotland)
“I'll give the vocal tracks a spin before the release." VIC GALLOWAY (BBC Radio Scotland)
"Rather good!" IAIN ANDERSON (BBC Radio Scotland)

CREDITS:

Lyrics, Guitars, Keys, Synths, Drums, Drum Programming, Percussion, Mandolin, Glockenspiel: Shaun McLachlan
Lyrics, Vocals, Keys by Sarah McLachlan
Guitars, Synths, String Arrangements, Drum Programming, Engineering: Jaguar Eyes Percussion/Drums/Effects, Fire Extinguisher: Darren Coghill (Neon Waltz)
Guitars by Daniel Land
Slide Guitar by Chris Dixie Darley (Father John Misty)
Brass by Bruce Michie
Keys, pre-production & engineering on “It’s true what they say”: Gavin King
All produced by Jaguar Eyes and Shaun McLachlan and then mixed at Glasgow’s Chem19 Studios by David McCaulay (From Scotland With Love, Rick Redbeard, BBC TV’s Attenborough and The Mammoth Graveyard score).
Artwork: Jamie Walman (Fourteen Admirals)

MORE INFO:

Although Shaun released a pair of solo singles (When We Dance and Give Your Love To Me) during Lockdown, he will be better known to many via his work as the multi-instrumentalist in Edinburgh band Delta Mainline. With two albums released to date, Oh! Enlightened and Bel Avenir, both rapturously received by fans and critics alike, Delta Mainline have developed an international, cult following. Oh Enlightened (2013) achieved widespread critical acclaim on release, earning the band comparisons to Arcade Fire and Echo & The Bunnymen, while 2019’s Bel Avenir pulled in references to The Flaming Lips, Pink Floyd, David Bowie and krautrock. A third DM album is currently being mixed and due for release later this year…

For our 50th release on Delusions Of Grandeur we're pleased to bring you seven exclusive tracks from a mighty-fine collection of both existing DOG artists and veritable newcomers alike.
Kicking off Part One we have Rush Hour regular Nebraska who manages to successfully combine elements of wait for it... trance and broken beat into an altogether more exciting and amazing way than that actually sounds on paper. Organic, sampled drums with plenty of grit and dirt lay down a groove whilst spacey synth arps and an almighty break (in a subtle way) make this something of an epic which all of us here have fallen for in a big way.
Quintessentials and Kolour LTD favourite Ugly Drums steps up next digging deep in his seemingly bottomless collection of brilliant of disco and soul to mine some killer samples and conjuring up a masterclass in deepest ravehouse in the process.
Rounding off Part One DOG mainstays and bona fide Retreaters Session Victim do what they do best on Came To Be Alive, turning in a completely blissed-out, dusty soul jam tailor-made as much for cozy nights in front of a log fire as for antipodean BBQ's under a hazy sun.

DJ Support: Danny Krivit, Craig Charles (BBC Radio 6 Music), Hallex M, Jazzanova, Delite Radio, Mi Soul, Pointblank, Totally Wired Radio, XFM, Radio Solar, Tony Minvielle, Simon Phillips, Chris Phillips (Jazz FM), KCRW DJs, Ian Friday, Aroop Roy, Samantha Badd (Café Del Mar), Mr. V, Simon Harrison (Basic Soul), Greame Park, Mike Fossati, Timo Mass, Deli G, Servino (Horse Meat Disco), Hyenah.

‘Badly Written Songs’ is, of course, a tongue-in-cheek title. It comprises a carefully structured and well-produced array of songwriting, topped and tailed with live instrumentation, commanding vocal performances and high-end production: the result of years of sound engineering and music production experience. Since the last album, Ross Hillard has continually honed his skills whilst earnestly crafting this sophomore long player. As well as developing a range of audio plugins, Ross also manages recording sessions at his own Paddocks Recording Studios: huge live spaces boast cutting-edge technology, integrated with distinguished analogue kit. The studio is complemented by a collection of prized microphones, together with a fully-restored vintage Raindirk mixing desk.

The opening track and first single from this album is the positively-anthemic gem entitled ‘Good Morning Sunshine’. It tells a forward-looking story promoting the merits of getting back into the driving seat of life. It’s propelled further by superb jazz-inspired drums and live horns that build up to an exhilarating crescendo. Featuring the vocal talents of Sophia Marshall, the story she paints is supported by a wonderful, darkly humorous cartoon video. An animated cadaver hilariously acts out her notions of positive living.
Other tracks also destined for a single release include: ‘Loving You’. It’s a song written around love lost. A bouncing house composition lays the foundations for Sophia Marshall's beautiful vocal that narrates the many facets to be found in loving another person. ‘Better’ again echoes jazz-inspired drums behind Sophia's vocals, drawing attention to how so many people are lost on their devices, missing out on the awesome world around them. A catchy chorus chants the notion behind this song, i.e., that you ‘could be better!’ This single is also supported by another fantastic video featuring the same comical, deceased character introduced through the ‘Good Morning Sunshine’ video.

The New Mastersounds have been performing live and making funky organic-sounding records for 25 years. Starting out in Leeds, UK, having initially appealed mainly to old-school DJs and vinyl collectors, they managed to build fanbases across the USA, Japan & Europe.

The album comprises ten original instrumental tunes composed and performed at the keyboard player's studio in the heart of the English Peak District during a rainy week in July 2023. The tracks showcase the earthy essence of the band via its signature vocabulary of uncomplicated funk, soul-jazz, classic R&B and reggae-infused grooves.

In the UK selected tracks from the album will be featured on The Craig Charles Funk & Soul Show on BBC 6Music. An extensive US tour is planned for Spring 2024 in support of this release.

Eddie Roberts - guitar & tambourine

Simon Allen - drums

Pete Shand - bass guitar

Joe Tatton - organ and piano

There's a saying amongst the elders: "Weeping may endure for a night, but joy comes in the morning!" When you first hear the pulsating rhythms of "Joy (Hallelujah)," you realize that the darkness of the night has ended, and the glory of morning has arrived. Produced by the legendary DJ Marley Marl and lifted by the soulful lead vocals of House music empress Lady Alma and the powerful refrains of the iconic Kenny Bobien, "Joy (Hallelujah)" delivers nothing less than a pure soul-stirring, hand-clapping celebration. As gospel means glorious good news, and House denotes body jacking, heart pumping and high-energy rhythms, this union gives birth to a spectacular anthem that will serve as a reminder that all music can heal, inspire, convey thanks and give praise all at once. "Joy (Hallelujah)" is an expression of nothing but love!

LRK proudly presents "All Of Me / Self Revolution" a limited edition Retro Soul 7" vinyl from Gary Beals.

Lyrically, "All of Me" playfully celebrates bringing one's "whole self" to the forefront as Gary playfully expresses his interest and openness, giving of himself to that someone, he is very much interested in exploring more with.

Gary Beals is an acclaimed Canadian singer-songwriter known for his soulful voice and captivating and heartfelt performances. Rising to prominence as a finalist on the first season of "Canadian Idol," Beals has continued to captivate audiences with his exceptional talent and genuine artistry. His music seamlessly blends R&B, pop, and soul, resulting in a timeless sound that resonates with listeners worldwide. With multiple successful albums and a dedicated fanbase, Gary Beals continues to inspire and uplift through his powerful music.

Craig Charles is a big supporter of Gary's Beals and spun "All Of Me" for weeks on his Soul and Funk show on BBC radio Six

Jackie Mittoo is one of the most important artists in the history of Jamaican music. As founding member of the legendary Skatalites, as in-house arranger/producer at Studio One and as a solo artist in his own right leading groups such as The Soul Brothers, Sound Dimension and Soul Vendors.

These classic and rare recordings were made in the mid 1960's at Studio One. The Soul Brothers bridged the gap between Ska and the arrival of Rocksteady mixing it all up with Funk, Jazz and Latin styles. The Soul Brothers recorded at Studio One between 1965-1967. This was the transitionary period between Ska and Rocksteady where the music was a mixture of Funk, Latin and Jazz sometimes with a reminder of Ska and the hint of Rocksteady.

The previous era of Ska had been dominated by the Skatalites, the first in-house band at Studio One who created classic hits such as "Guns of Navaronne", "Man in the Street", "El Pussy Cat" and many more. Unfortunately the strong personalities in the group meant that The Skatalites stayed together for less than two years. It was also around this time that the mentally unwell Don Drummond was arrested for the murder of his girlfriend, the dancer Margerita.

In August 1965, barely a week after the demise of the original Skatalites, The Soul Brothers (featuring ex-Skatalites members Jackie Mittoo, Roland Alphonso, Johnny Moore and Lloyd Brevitt) were up and running as the new house band at Studio One.

The Soul Brothers were essentially a collective, releasing material under their own name or under a nominal leader (usually Jackie Mittoo or Rolando Alphonso). The group line-up changed over time with Bobby Ellis (trumpet), Bryan Atkinson (bass), Dennis Campbell (Sax), Harry Haughton (guitarist) and Joe Isaacs (drummer) replacing various members alongside the ever present Jackie Mittoo.

REVIEWS

"Jackie Mittoo was a true star of Jamaican music; a founder member of The Skatalites, a prolific composer and the keyboard powerhouse behind many a classic tune. His simple, often hypnotic approach, to ska, rocksteady and reggae made him one of the most distinctive sounding musicians of the era." BBC.

"Jackie Mittoo was one of the great names in Jamaican music, manning the keyboards for the Skatalites, the Soul Vendors, and Sound Dimension-- three of the greatest house bands of the 60's
(and I mean anywhere, not just in Jamaica)." PITCHFORK.

Aphrose reveals her sophomore album, 'Roses,' a captivating amalgamation of Neo-Soul and R&B, delving into the wellspring of ancestral strength and love.

Hailing from Toronto, Canada, Aphrose, also known as Joanna Mohammed, unveils her sophomore album, establishing her as one of Toronto's best-kept musical treasures. Known for her commanding vocal prowess within her hometown, this gifted songwriter and vocalist is rapidly garnering global acclaim and accolades from both fans and music critics alike. Signed to independent Soul label LRK Records, 'Roses' remains firmly rooted in Aphrose's signature style characterized by resounding R&B vocals. However, it also embraces a softer, more introspective aura that brilliantly showcases her remarkable versatility in navigating diverse genres, moods, and musical approaches with remarkable finesse.

This album offers a little something for everyone, catering to enthusiasts of Neo-soul, traditional Soul, Hip Hop, and R&B. Produced by her longtime friends/collaborators at SafeSpaceship Music (Scott McCannell, Chino De Villa, Ben Macdonald), the album serves as a compelling testament to the collective creativity of Aphrose and this exceptional production trio, delivering a kaleidoscope of soundscapes, textures, rhythms, and grooves. 'Roses' weaves together both lighthearted and profound elements as Aphrose explores her life journey, delving into her familial past and present, grappling with the challenges of new motherhood, and contemplating her relationships with herself, her partner, and her friends. Across the 35-minute LP, Aphrose draws inspiration from Neo-soul icons like Jill Scott and Erykah Badu, pays homage to Soul legends such as Aretha Franklin and MJ, and infuses contemporary R&B influences from artists like Frank Ocean, SiR, and SZA. The result is a sound that distinctly bears the 'Aphrose sound,' reflecting her deep admiration for her inspirations while imparting a refreshing twist to familiar genres.

The album commences with its title track, 'Roses,' which was released as a single on August 25th. This song sets the stage, invoking the strength of Aphrose's ancestors, particularly her late Grandmother Rose. Following suit is 'YaYa,' also released as a single on July 7th. This buoyant dance track whisks listeners back to the disco era of the late 70s and early 80s. The album's third track, 'Heavenly Father,' offers a brief interlude featuring a recording of Aphrose's Grandmother Rose engaged in prayer, setting the tone for the subsequent track, 'In The Time Of Sorrow.' This contemplative, chill piece captures Aphrose's musings on navigating a world often shrouded in fakery, while craving authenticity. 'Honey (Don't) Come Back' seamlessly transitions between two distinct musical personalities, commencing with a deep, almost Trap-like bass/drum beat before transforming into a spirited Funk/Soul jam—an anthem of empowerment encouraging the listener to leave a situationship that is no longer working. 'What You Don't See' strips the production down to its core, as Aphrose and guitarist/co-writer Heather Crawford craft an intimate ode to a friendship's sad ending.

The B-side opens with the evocative 'Weapons,' featuring a five-person choir including LRK label-mate Claire Davis, Nevon Sinclair (Daniel Caesar and LOONY), Kyla Charter (Aysanabee and Alessia Cara), Lydia Persaud, and Marla Walters. The track is adorned with a stirring string arrangement courtesy of Jessica Deutsch. 'Chop The Cake' acts as a breather, interlude-style, easing the intensity. 'Soft Nuclear' channels the spirit of the early 2000s R&B movement, bearing traces of influence from Lucy Pearl. 'Good Love,' released as the first single off this body of work on May 19th, transports listeners to the 70s with its soulful resonance, drawing inspiration from the likes of Michael Jackson and Teddy Pendergrass. 'Higher' stands as Aphrose's tribute to Prince, capturing the essence of his music within its hook and production. The album's culmination arrives with 'ZAG,' an acronym derived from Aphrose's daughter's name, commencing with the sound of her daughter's heartbeat in-utero from a sonogram taken when Aphrose was pregnant. This heartfelt composition serves as a dedication to her daughter and all parents navigating the rollercoaster of parenthood, emphasizing the imperative of nurturing love to shape the future.

'Roses' stands as Aphrose's homage to her history—her Grandma Rose and the ancestral trailblazers who paved her path to the present life she enjoys; her current experiences—her self-discovery, her relationships with her partner and friends; and her aspirations for the future—her daughter and the generations to come. This album crystallizes these temporal dimensions, prompting introspection, celebration, laughter, and tears. 'Roses' is a musical odyssey that scrutinizes the multifaceted beauty of existence, inviting listeners to partake in this thing called life.

The radio world has taken notice of Aphrose's talent, with national Radio Capital's Italy Massimo Oldani spinning her latest single "YaYa" for the entire month of July on his show "Vibe." And both singles getting to number 10 in the UK soul chart.Additionally, Aphrose has received national radio play on renowned stations such as BBC in the UK, RTVE in Spain, and Radio France FIP.

Aphrose has also made CBC's Top 100 finalist list for their Searchlight competition.

Huey Morgan played "YaYa" the second track off the album on his BBC radio six show

South London Soul Band Trambeat, influenced by the floor shaking sound of 1960's Motor City. With brand new single, "Don't Hold Back"

Trambeat were formed in 2012 by guitarist Graham Potter and drummer Des" Jammy" James. Graham and Des had played together in several bands previously and already had a good musical understanding. Trambeat's manifesto; to write original songs influenced by a love of Northern Soul, Motown, Rocksteady and RnB. But also to look forward and include elements of more contemporary genres. Bass player Nipper Smith, Saxophonists Robin Ogleby and Nadia Barbosa, and organist Emer O'Hanlon were recruited to form the core band and Trambeat set about recording and gigging with various vocalists until, in 2016, Aimee Grinter became Trambeat's permanent lead singer.

Written by Graham Potter and Des James, "Don't Hold Back" is in some ways a comeback single for Trambeat. The pandemic years took their toll on many bands and Trambeat in particular, with the loss of founding member Robin Ogleby being a very hard blow. Following a tribute single in 2021 to raise money for Robin's charities, and a couple of festival gigs in the summer of 2022, theyndidn't have much appetite for writing new material, and were unsure whether to continue as a band without Robin. It was during a jam between Graham and Des in late 2022 that the bones of "Don't Hold Back" came together. The drums and rhythm guitar clicked into an infectious dance groove with echoes of vintage Motown. The band members came together in the studio with renewed enthusiasm and laid down the track in just a day. The band, who remained close,even during this hiatus, realised how great it was to be back in the studio together again. Graham's lyrics, as well as the euphoric feel of the track, reflected this new optimism within the band. "Don't Hold Back" is a celebration of life, of deep friendships and most of all, of love!

Plays on Gary Crowley's show on BBC London.

Regularly played by Button Down Radio, Heavy Soul (Cambridge), The Influential Factor show on Solid Front Radio (album of the week for TTN), Mod Radio UK (various shows), The Edward B'stard Radio Show, several stations in Germany and Edge Radio and couple of others in Australia

Global pointing Brazilian jazz trio releases their new album Agôra, that sparkles with electric funk and Herbie-esque eclecticism. It features a myriad of guest vocalists and musicians including Brazilians Xênia França and Zé Leônidas, Jembaa Groove's Ghanaian singer Eric Owusu and South African artists Bongani Givethanks & Mpho Nkuzo

Re-wiring the concept of 'fusion' for 2023, Agôra is Brazilian trio Caixa Cubo's resurgent new record with the title referring to 'now', based upon the intuitive and fluid nature of the trio's method, and this inspired recording. With shoots to black music culture, from Brazil to Brooklyn, Ghana and South Africa, Agôra is the group's ninth album yet is their first where they've invited guests, mainly singers, onto each track and follows their last, Angela from 2020, released on Heavenly Records, which won a BBC 6 Music Album of the Year (Huey Morgan's selection) granting them much deserved international recognition.

The core musical elements of Caixa Cubo are Henrique Gomide (keys), João Fideles (drums) and Noa Stroeter (bass), all from São Paulo, Brazil and where they met as teenagers and would continue their friendship and musical bond at the Royal Conservatory in The Hague, Netherlands. Now all in their mid thirties, João and Noa live back in the city where it all started but Henrique has settled in Cologne, Germany where the recording of Agôra took place, over the course of 3 days, at the home cum studio of Chris 'Dusty' Doepke, their friend and owner of the label they signed to, Jazz & Milk.

In line with all their creations where flow and energy provide the magic, allowing what the moment provides, the album shines not only for its virtuosity but for its minimalism, the depth of space, and for the first time, the ability to figure in and outside of the jazz fold, as the trio decided, for the first time, to bring in singers and add a new aesthetic to their sound.

"Agôra is a wake-up call to reality, a reminder that the infinite possibilities of technological progress should not disconnect us from the earth, from eye-to-eye relationships, and from moments lived in person" the band are keen to point out. "And that we must not be consumed by greed, for all we truly possess.... is the NOW."

Turning hope and metaphor into music, the debut single Sábado, an electrified future- jazz-fizz reflects perfectly the spontaneity that permeated the entire recording of the album. "When we got to the studio, we had no idea what we were going to record. We started playing a groove, kind of inspired by Gilberto Gil's 80s albums, and our drummer João started singing this funny song 'Sábado Barrigudão' (Big Belly Saturday) alongside the bass groove and that was that". Inspired by their city of birth, São Paulo, it features long time collaborator and vocalist Zé Leônidas, with cuicas, tamborim, agogo and shakers providing the most obvious Brazilian affect from the album.

Dreams is the band's first foray into R'n'B melding the group's simple and sporadic instrumentation of drums, keys and bass into a Jill Scott inspired song that could have been born in Brooklyn yet sung by Brazilian singer and Grammy nominated Xênia França and Zé Leônidas in both English and Portuguese. Xênia recently performed online for hip-to-it website Colors and it's her latest collaboration with Caixa Cubo, having first met in 2009 for a series of live performances.

South African artists Bongani Givethanks & Mpho Nkuzo come to the record with a wholly different approach on Ndiyakhangela, providing spoken word and vocal refrains on top of an Afro-Brazilian percussion jam with a delivery and verse in Xhosa, Zula and Ndebele. Asase is the album opener and features vocals of Eric Owusu who is part of highlife pioneer Pat Thomas's live band and most recently, co-leader of Jembaa Groove, an Afro-soul band from Berlin. It's a synth wig out with djembe grooves and offers a brand new take on Afro-soul-jazz.

Other contributions come from Cologne based jazz singer Rebekka Ziegler (Oblique Sunshine), São Paulo based guitarist Eduardo Camargo (Caio & Eric) and trumpet player Matthias Schriefl on Kismeti, a gorgeous and rolling number that ebbs and flows, exemplifying the group's effortless ability to craft a sound energised by a belief in one-self and the idea of having faith without the need to look at each other for verification.

As drummer and percussionist João Fideles perfectly surmised upon arriving for the recording session, "What drums do you have? Whatever you have, I'll use it". Agôra is testament to nearly 20 years of camaraderie, friendship and most importantly, trust.

In association with DJ Amir and 180 Proof Records, BBE Music presents ‘Strata Records – The Sound of Detroit – Volume 1’, a new compilation taking in just a few highlights from the short-lived but hugely influential jazz imprint.