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This Summer has never looked so bleak. Along with news of the album, Kulk have also released their new video single 'An Endless Kife': "An Endless Knife is about growing up. When we're younger, sometimes it feels like we're invincible. Like everyone we know and love are constant parts of the universe. When that reality is shattered, it changes how we see the world. You come to realise we are all just a couple of bad days from the worst. At the same time, it feels devastating. It reminds us to look after each other" - Kulk The band have toured across the UK extensively the past few years, playing amongst bands such as Part Chimp, Hey Colossus, Crowbar, Melt Banana, Iress, Big Brave, Gnoomes, Conan and Portrayal of Guilt... to name a few! They have toured twice with PigsX7, including shows at Electric Ballroom (London) and Rock City (Nottingham) and have appeared at the renowned UK festivals Arctangent and Desertfest

2 Of Clubs may have enjoyed only a brief recording career, but Linda Parrish and Patti Valentine left behind a remarkable body of work. This 10-inch vinyl mini-album gathers their complete recordings for the first time, including every Fraternity Records release and two previously unissued tracks discovered in the label’s tape archive.
The duo became local favourites in Cincinnati during the mid-1960s after meeting while performing at the popular Guys & Dolls nightclub, accompanied by the Driving Winds, led by Linda’s husband Carl Edmondson. Discovering how well their voices blended, they joined forces as 2 Of Clubs and soon caught the attention of Fraternity Records founder Harry Carlson, who signed them to the label with Edmondson acting as producer and manager.

Callisto celebrates 20 years of Noir with a vinyl reissue out in September Finnish post-metal outift Callisto are celebrating the critically acclaimed 2006 album Noir with its 20th anniversary vinyl reissue released by Svart Records in September. Founded in Kokkola in 2001, but already established in Turku early on, Callisto has been laying low in recent years. However, the band's versatile and nuanced metal achieved international popularity in the early 2000s. Their second full-length album, Noir, released in 2006, is a significant cornerstone of Callisto's career. – Noir is the album we have probably received the most feedback about over the years, the band admits. – People make and send covers of Noir songs to us and the album is usually the first thing that comes up in conversation when you come across people who have some experience, memory or opinion about Callisto's active years. Noir's production and recording process was also difficult in its own way, so it's already a reason to celebrate that it ultimately became an album that strongly defined the band's early years, the band continues. Noir has the menace and progressive edge of doom metal; the album is lively, looks forward darkly, moves from whispers to screams and ends with massive, powerful energy.

The 2019-released label debut on Minor by Bristol-based producer Gordon Apps a.k.a. Relapse is another excellent showcase of how the long-standing underground imprint from Leipzig expands its sonic spectrum into dark and dubbed out Halftime Drum'n'Bass without losing its Industrial edge, providing a massive secret peak time weapon with the fluttering low end and seductive vocal snippets of the B-side tune „Multilingual Talk Channel“.
Never officially distributed before this is the first time ever this barely recognized underground gem is available to a wider audience, albeit in highly limited quantities. Limited pressing of 150 single copies on transclucent colour vinyl.

The film One from the Heart was made by Francis Ford Coppola (The Godfather, Apocalypse Now) in 1982. Coppola asked Tom Waits to compose music to accompany the film, which is set entirely in Las Vegas and the surrounding desert. Waits invited country singer Crystal Gayle to join the album for solo songs and duets with Waits himself.

The album was a huge success, being nominated for an Academy Award for Best Musical Score. Nowadays the album is still considered a cult classic by film and music fans alike.

The soundtrack of One from the Heart is available on black vinyl.

The small print:
• Due to rights restrictions, this item is only available for customers in Europe.

Repress of full length album from the awesome emo-rockers Hot Mulligan, following on from their 2018 acclaimed record Pilot. If you're into the likes of The Hotelier, Spanish Love Songs, Tiny Moving Parts or Free Throw should definitely check this out.


Hot Mulligan writes songs for people to sing as loud as possible. Their music is the cathartic outcry for growth from a generation of forward-thinking Midwesterners caught in the gears of a rusted system in desperate need of hope. The members - Tades Sanville, Chris Freeman, Ryan Malicsi, Garrett “Sniff” Willig, and Brandon Blakeley - use songwriting to explore the lessons they’ve learned from lives lead in the pursuit of dreams with full awareness of the cost.

(2LP, limited black vinyl repress) After last year's extroverted and funky album "Be Who You Wanna Be," Stef Kamil Carlens presents a more introspective double album recorded with Nel Ponsaers and Rahmat Emonds.


Featuring 14 songs—some of his own compositions and very surprising covers or reinterpretations—this album emphasizes lyrics, vocals, and a band sound primarily driven by acoustic instruments. Once again, it stands as a key addition to the already very eclectic catalog of one of Belgium’s most versatile and productive artists. Stef Kamil Carlens & The Poem will tour starting in October 2025.

MY BLOOD AS THE INK marks Night Lovell’s first full-length release in 2.5 years and feels like a natural evolution of his catalog while pushing his world into darker, more refined territory. Motivated by pain, betrayal, loyalty, and the emotional weight that comes with success, the album sharpens Lovell’s signature atmosphere into something more nuanced, mature, and complex. It still carries the cold, cinematic darkness fans expect from him, but there is a deeper sense of reflection here, with Lovell sounding more focused, more intentional, and more aware of the cost of the life he has built.

Eighteen months on from the runaway success of The Only Place I Know — the debut that crashed in at #1 on the ARIA charts and #2 on the ARIA Vinyl Chart — Lake Macquarie's Surf Trash are back, and they're not watering it down. Their sophomore album No Chaser lands neat, on the rocks, no apologies: ten tracks of melodic surf-pop-punk hammered out by a band that has clearly spent the last year sharpening every edge.

It's a record you can hear the kilometres in. Between The Only Place I Know and now, Andrew Scott, Lachlan Jackson, Patrick Russell and Nick Scott have torn through a sold-out national run, criss-crossed the UK and Europe, and made a habit of leaving rooms louder than they found them. No Chaser carries the dust from all of it — bigger choruses, leaner production, a touch more bruise underneath the gloss. There's still that windows-down, salt-on-the-windscreen feel that made the debut impossible to ignore, but it's wired into songs that swing harder and cut deeper. Less wistful afternoon, more last-light drive home with the volume creeping up.

The four-piece make melodic surf-pop-punk that sounds great turned up loud — driving in your mate's car on the way back to the beach. Their debut, The Fire Note wrote, "delivers a dynamic debut… blending raw energy, introspective depth, and timeless indie rock flair." Manchester World called their first show on UK soil "epic… high energy and great song after great song," and the live reputation has only grown since: a band that's earned every inch of the ceiling it now hits.

No Chaser is the sound of them no longer waiting for permission. Singalong harmonies, fast tempo changes, good old-fashioned rock 'n' roll with a sense of urgency.

Im Laufe der Zeit haben zahlreiche Musiker - von schnurrbärtigen Partyboot-Troubadouren bis hin zur Jazz-Elite wie Jimmy Smith/McGriff und Shirley Scott - die Kraft der elektrischen Orgel genutzt, um ihre Zuhörer zu hypnotisieren. Nun, indem er alle möglichen Anleihen bei diesen musikalischen Schwergewichten nimmt und die musikalische Schallmauer durchbricht, um deinen Geist zu ,organisieren", tritt Mr. Sophisticated Fingers auf den Plan. Zusammen mit den stets treuen Cold Diamond & Mink interpretiert dieser mystische Tastenkünstler zehn der größten Hits aus Emilia Siscos Debütalbum ,Introducing" in einem einzigartigen lyrischen Stil neu. Auf dem Album ,Slow Dance & Soul" von Organ-ized erreichen diese Songs neue Höhen. Vielleicht hast du sie schon einmal gehört, aber hör sie dir jetzt noch einmal an, denn jetzt wurden sie vom musikalischen Maestro Mr. Sophisticated Fingers neu interpretiert, Baby!

Im Laufe der Zeit haben zahlreiche Musiker - von schnurrbärtigen Partyboot-Troubadouren bis hin zur Jazz-Elite wie Jimmy Smith/McGriff und Shirley Scott - die Kraft der elektrischen Orgel genutzt, um ihre Zuhörer zu hypnotisieren. Nun, indem er alle möglichen Anleihen bei diesen musikalischen Schwergewichten nimmt und die musikalische Schallmauer durchbricht, um deinen Geist zu ,organisieren", tritt Mr. Sophisticated Fingers auf den Plan. Zusammen mit den stets treuen Cold Diamond & Mink interpretiert dieser mystische Tastenkünstler zehn der größten Hits aus Emilia Siscos Debütalbum ,Introducing" in einem einzigartigen lyrischen Stil neu. Auf dem Album ,Slow Dance & Soul" von Organ-ized erreichen diese Songs neue Höhen. Vielleicht hast du sie schon einmal gehört, aber hör sie dir jetzt noch einmal an, denn jetzt wurden sie vom musikalischen Maestro Mr. Sophisticated Fingers neu interpretiert, Baby!

celebrating the critically acclaimed 2006 album Noir with its 20th anniversary vinyl reissue released by Svart Records in September. Founded in Kokkola in 2001, but already established in Turku early on, Callisto has been laying low in recent years. However, the band's versatile and nuanced metal achieved international popularity in the early 2000s. Their second full-length album, Noir, released in 2006, is a significant cornerstone of Callisto's career. – Noir is the album we have probably received the most feedback about over the years, the band admits. – People make and send covers of Noir songs to us and the album is usually the first thing that comes up in conversation when you come across people who have some experience, memory or opinion about Callisto's active years. Noir's production and recording process was also difficult in its own way, so it's already a reason to celebrate that it ultimately became an album that strongly defined the band's early years, the band continues. Noir has the menace and progressive edge of doom metal; the album is lively, looks forward darkly, moves from whispers to screams and ends with massive, powerful energy.

"There Near" ist das sechste Studio-Album, das DINOSAUR JR. seit ihrer gefeierten Wiedervereinigung vor 20 Jahren aufgenommen haben. Zwar gab es seit "Sweep It Into Space" vor fünf Jahren einige Live Veröffentlichungen und Archivsammlungen, doch nichts kommt an ein komplett neues Album voller frischer DINO Songs heran. Und auf "There Near" stehen sämtliche Regler auf Anschlag. Das Album entstand in kurzen, intensiven Arbeitsphasen über den Zeitraum eines Jahres hinweg in den Bisquiteen Studios in Amherst. Aufgenommen wurde es nahezu vollständig vom Kerntrio der Band: Schlagzeuger Murph, Bassist und Sänger Lou Barlow sowie Gitarrist und Sänger J Mascis. Unterstützung kam lediglich durch einige Piano- und Orgelparts von Ken Mauri. Das Ergebnis entfaltet von Anfang bis Ende eine enorme Wucht. Der Gitarrensound von Mascis klingt auf "There Near" noch ursprünglicher und animalischer als gewohnt, was möglicherweise auch an einem kürzlich erworbenen Mesa Boogie MK 1 Verstärker aus den 1970er Jahren liegt. "Ich habe denselben Verstärker gekauft, den Chris Dixon hatte, als wir unser erstes Album aufgenommen haben", erklärt Mascis. "Chris hat uns damals bei sich zu Hause mit genau diesem Amp aufgenommen. Er hat einen wirklich interessanten Klang, den ich schon lange nicht mehr hinbekommen habe. Genau zu diesem Sound wollte ich auf diesem Album zurück. Die ROLLING STONES begannen in den 70ern Mesa Boogies zu benutzen, nachdem sie SANTANA damit gehört hatten. Danach machten es THE CLASH nach und so weiter. Mit den späteren Modellen wurde der Sound zunehmend Metal-lastiger. Aber der MK 1 klingt wie ein aufgemotzter Fender. Man hört immer wieder, dass Rick Rubin Bands dazu bringt, ihr erstes Album zu hören und zu sagen: Lasst uns wieder zu diesem Sound zurückkehren. Also habe ich mir seinen Rat einfach selbst gegeben." Auf die Frage nach der oft schwer greifbaren Bedeutung seiner Texte antwortet Mascis: "Wenn ich einen Song schreibe, weiß ich oft selbst nicht genau, worum es darin geht. Ich schätze, die Bedeutung zeigt sich irgendwann von allein. Ich verwende einfach die Worte, die funktionieren. Vieles wird auch von irgendeinem esoterischen Kram beeinflusst, den ich gerade lese. Ich versuche, nicht zu viel darüber nachzudenken. Mich nervt es, dass Spotify inzwischen alle Songtexte anzeigt. Wo bleibt da der Spaß?" Mit "There Near" setzen DINOSAUR JR. ihre Reihe von mittlerweile zu Klassikern mutierten Alben fort. Die neuen Songs dürften mit ihren gewaltigen Riffs live ebenso eindrucksvoll funktionieren wie die Klassiker des Bandschaffens. Bis die Band wieder auf der Bühne zu erleben ist, wird "There Near" ein treuer Begleiter sein. Je näher, desto besser.

Splatter Vinyl, exklusiv via 375 Media. "There Near" ist das sechste Studio-Album, das DINOSAUR JR. seit ihrer gefeierten Wiedervereinigung vor 20 Jahren aufgenommen haben. Zwar gab es seit "Sweep It Into Space" vor fünf Jahren einige Live Veröffentlichungen und Archivsammlungen, doch nichts kommt an ein komplett neues Album voller frischer DINO Songs heran. Und auf "There Near" stehen sämtliche Regler auf Anschlag. Das Album entstand in kurzen, intensiven Arbeitsphasen über den Zeitraum eines Jahres hinweg in den Bisquiteen Studios in Amherst. Aufgenommen wurde es nahezu vollständig vom Kerntrio der Band: Schlagzeuger Murph, Bassist und Sänger Lou Barlow sowie Gitarrist und Sänger J Mascis. Unterstützung kam lediglich durch einige Piano- und Orgelparts von Ken Mauri. Das Ergebnis entfaltet von Anfang bis Ende eine enorme Wucht. Der Gitarrensound von Mascis klingt auf "There Near" noch ursprünglicher und animalischer als gewohnt, was möglicherweise auch an einem kürzlich erworbenen Mesa Boogie MK 1 Verstärker aus den 1970er Jahren liegt. "Ich habe denselben Verstärker gekauft, den Chris Dixon hatte, als wir unser erstes Album aufgenommen haben", erklärt Mascis. "Chris hat uns damals bei sich zu Hause mit genau diesem Amp aufgenommen. Er hat einen wirklich interessanten Klang, den ich schon lange nicht mehr hinbekommen habe. Genau zu diesem Sound wollte ich auf diesem Album zurück. Die ROLLING STONES begannen in den 70ern Mesa Boogies zu benutzen, nachdem sie SANTANA damit gehört hatten. Danach machten es THE CLASH nach und so weiter. Mit den späteren Modellen wurde der Sound zunehmend Metal-lastiger. Aber der MK 1 klingt wie ein aufgemotzter Fender. Man hört immer wieder, dass Rick Rubin Bands dazu bringt, ihr erstes Album zu hören und zu sagen: Lasst uns wieder zu diesem Sound zurückkehren. Also habe ich mir seinen Rat einfach selbst gegeben." Auf die Frage nach der oft schwer greifbaren Bedeutung seiner Texte antwortet Mascis: "Wenn ich einen Song schreibe, weiß ich oft selbst nicht genau, worum es darin geht. Ich schätze, die Bedeutung zeigt sich irgendwann von allein. Ich verwende einfach die Worte, die funktionieren. Vieles wird auch von irgendeinem esoterischen Kram beeinflusst, den ich gerade lese. Ich versuche, nicht zu viel darüber nachzudenken. Mich nervt es, dass Spotify inzwischen alle Songtexte anzeigt. Wo bleibt da der Spaß?" Mit "There Near" setzen DINOSAUR JR. ihre Reihe von mittlerweile zu Klassikern mutierten Alben fort. Die neuen Songs dürften mit ihren gewaltigen Riffs live ebenso eindrucksvoll funktionieren wie die Klassiker des Bandschaffens. Bis die Band wieder auf der Bühne zu erleben ist, wird "There Near" ein treuer Begleiter sein. Je näher, desto besser.

Ty Segall, precleared for flight in full rock congress with the band (Ben Boye/Evan Burrows/Mikal Cronin/Emmett Kelly), shifts Chrome. Songs of massive riffs, swung, tightly arrayed lines of fuzz & distortion, twin-guitar attack-and-parry, endopic keyboards kicking, precise & thudding power, a rhythmic core on the march in full BAND energy. The songs are lyrically allusive trips, dark passages in the labyrinth, everything in the air bristling collectively, as minds collide.

Originally released in 1992 and long elusive to collectors, this timeless tour-de-force launched the international career of the acclaimed singer- songwriter. Backed by an incredible lineup of musicians assembled by musical director and second guitarist Bruce Dunlap , the album showcases Sara's distinctive voice and unique 4- string acoustic guitar style. While her songwriting seamlessly weaves together elements of jazz and folk, the album poses a brilliant artistic statement: an intuitive, live dialogue that transitions effortlessly from sweet serenity to thunderous emotion. Rather than standard acoustic arrangements, the world- class ensemble treats the material with deep empathy, subtle accents, and constant creative daring

In 2023 we began our hugely successful 80s 12” series on CD – a year-by-year journey through the greatest 12” singles from the decade, and in 2024 we presented a selection of tracks from 1980-1982 as the first volume in our collectible vinyl boxset series, followed by Volume Two celebrating 1983-1984 in 2025.

This year, Now Music is proud to announce the third instalment in this essential collection, NOW Presents…12" 80s: Volume Three: 1985-1986, as a stunning 5-LP boxset. A limited edition and numbered set with each of the 5-LPs pressed on a different colour vinyl – red, yellow, blue, hot pink and lime green – to be released on July 17th, 2026, and for many of these tracks this marks the first time back on vinyl since their original 12” release!

Opening with one of the decade’s most powerful rock anthems, Queen’s ‘One Vision’ appears in its Extended Version, ahead of Eurythmics’ euphoric ‘There Must Be An Angel (Playing With My Heart)’ in the Special Dance Mix and Dead Or Alive’s irresistible ‘You Spin Me Round (Like A Record)’. Side A closes with Frankie Goes To Hollywood and the epic ‘Welcome To The Pleasuredome (An Alternative To Reality)’. Flip the LP over for more iconic 12” versions from 1985, beginning with Tears For Fears and the UK Extended Version of ‘Shout’, alongside Go West’s ‘We Close Our Eyes (The Total Overhang Mix)’, the massive soundtrack hit ‘Don’t You (Forget About Me)’ from Simple Minds and Arcadia’s sophisticated ‘Election Day (Consensus Mix)’.

LP2 opens with four defining tracks that perfectly capture the electronic and cinematic sound of the mid-80s. Paul Hardcastle’s groundbreaking hit ‘19 (The Destruction Mix)’ leads into two instrumental classics: Harold Faltermeyer’s ‘Axel F’ and Jan Hammer’s ‘Miami Vice Theme’, both featured in their Extended Versions, before Propaganda’s peerless ‘Duel (Bitter-Sweet)’ closes the side. Side B showcases some of the era’s biggest dancefloor favourites, from Mel & Kim’s ‘Showing Out (Get Fresh At The Weekend)’ and Gwen Guthrie’s enduring club anthem ‘Ain’t Nothin’ Goin’ On But The Rent’, to Aretha Franklin’s ‘Who’s Zoomin’ Who?’ in its Dance Mix and the soul-pop brilliance of Loose Ends’ ‘Hangin’ On A String (Extended Dance Mix)’.

LP3 brings together some of the decade’s most beloved pop and rock crossover hits. Side A opens with the powerhouse pairing of Philip Bailey and Phil Collins on ‘Easy Lover (Extended Dance Remix)’, followed by Bonnie Tyler’s dramatic ‘Holding Out For A Hero (Club Mix)’ and Pat Benatar’s classic ‘Love Is A Battlefield (Extended Version)’. Stephen Duffy’s infectious ‘Kiss Me (Mixe Plural)’ precedes The Human League’s U.S. #1 ‘Human (Extended Version)’. Over on Side B, Duran Duran lead with the ‘Extended Mix’ of ‘Notorious’ before a run of timeless dance-pop including Sly Fox’s ‘Let’s Go All The Way’, Jellybean’s ‘Sidewalk Talk’ and Maria Vidal’s ‘Body Rock’, culminating with Ashford & Simpson’s club classic ear-worm ‘Solid (Special Club Mix)’.

LP4 opens with huge examples of sophisticated synth-pop and dance-floor innovation from 1986. Pet Shop Boys’ era-defining ‘West End Girls (Dance Mix)’ is joined by New Order’s influential ‘Bizarre Love Triangle (Extended Dance Mix)’. Up next, Red Box’s pure-pop of ‘For America (Bazooka Mix)’ and Nick Kamen’s breakthrough hit ‘Each Time You Break My Heart (Extended Version)’. The reverse side celebrates some of the biggest floor-fillers of 1986 – all in their 12” Versions, beginning with The Communards with Sarah Jane Morris and their unforgettable #1 version of ‘Don’t Leave Me This Way’, alongside Bronski Beat’s ‘Hit That Perfect Beat’, Bananarama’s global smash ‘Venus’ and Five Star’s ‘Can’t Wait Another Minute’ in its ‘M&M New York Remix’ form.

The final LP opens with a side packed with some of the most enduring dance-pop and of the era. Whitney Houston’s ‘How Will I Know (Dance Remix)’ is followed by Steve Winwood’s uplifting ‘Remix’ of his massive hit ‘Higher Love’, the celebrated ‘Shep Pettibone Remix’ of Level 42’s ‘Lessons In Love’ and Bryan Ferry’s elegant and atmospheric ‘Slave To Love (12" Remix)’, whilst over on the final side some of the years’ most distinctive and innovative sounds are showcased: Big Audio Dynamite’s genre-blending ‘E=MC2 (12 Inch Remix)’ and Furniture’s cult classic ‘Brilliant Mind (12" Mix)’ feature alongside Talk Talk’s majestic ‘Extended Mix’ of ‘Life’s What You Make It’, and to close this superb collection, the full ‘Extended Version’ of Spandau Ballet’s powerful ‘Through The Barricades’ provides a fitting finale, bringing together 42 essential 12” versions from 1985 and 1986 across five superb LPs.

HYPER PEARL'S ICONIC TRANCE ANTHEM "CAN YOU FEEL THE PAIN" RETURNS WITH NEW REMIXES BY BIESMANS AND ZZINO.

First released in the mid-1990s, Hyper Pearl's cult classic Can You Feel The Pain is set to make a powerful return. Released via Serious Beats Classics, the new package features brand-new remixes from Biesmans and Zzino, alongside remastered versions of the original mixes.

Biesmans: "I grew up with the Serious Beats compilations and started buying my first vinyls around the time "Can You Feel The Pain" got released. Remixing this project really felt like a full circle moment for me."

Joining the release is a brand-new remix from Zzino, one of the pioneers of the Belgian techno movement and a key figure behind Hyper Pearl. His version reconnects directly with the track's roots while bringing fresh energy and perspective.

Together, these remixes celebrate the enduring legacy of "Can You Feel The Pain" while introducing the track to a new generation of listeners. The release highlights the lasting influence of Belgian electronic music and demonstrates how truly great records continue to evolve across decades.

About Biesmans:

Biesmans is a Belgian producer residing in Berlin, composer, and DJ known for his cinematic approach to electronic music. Blending elements of house, techno, synth-pop, and ambient music, his work has earned support from tastemakers and audiences across Europe and beyond.

About Zzino:

Zzino is widely regarded as one of the founding figuresof Belgium's techno scene. As a DJ, producer, label owner, and creative force behind numerous influential projects, he has played a pivotal role in shaping the country's electronic music landscape for more than three decades.

U-BEND follow up the “sound of the summer” Macareno with a double headed return to their balearic roots on BENDERS 007, which sees the brothers bend once again firmly putting the Torvill in Dean. Bent Rod cruises in at the benders’ characteristically lazy tempo, combining their usual last-track-of-the-night, first-track-of-the-morning confusion with the welcome tones of a familiar husky voice. Broken Britain strips it back to a dusty roller, uniting dancefloors and kitchens alike with a simple but pertinent question ‘what are you fighting for?’. What else to say about the benders’ seventh label release, other than shut up and dance?

Techno innovator Regent has already made his mark on Mutual Rytm with two previous outings highlighting his refined but powerful style. The Berlin-based artist joins the dots between bold percussive grooves and distinct cerebral layers, with his productions continuing to receive wide support from DJs and tastemakers across the globe. This return to SHDW's flourishing label features one of his most anticipated tracks to date - a truly timeless warehouse anthem that marks an exciting new chapter for both Regent and the label.

'Permean' is a raw but sophisticated piece of techno that merges powerful drums with hypnotic pads. It brims with surgical sound design. While the groove is fierce, a haunting melodic touch adds a soft and deeply emotional edge
as Regent explores the tension between permanence and decay, delivering a timeless and essential track.

The first remix comes from Steve Rachmad under his Sterac guise. This version channels the spirit of his early work - pure, stripped-back techno at its finest. Tightly programmed and deep, it features burrowing bass and impish synths dancing up top to occupy the mind while the body moves.

Next comes a remix from one of the most innovative producers of our time, Rene Pawlowitz, under his Head High alias, a project reserved for his more house leaning sounds. His 'Power Tool Mix' brings his signature loopy style with thudding kicks, raw hi-hats and twitchy synths - already shaping up to be a summer hit. Pawlowitz then steps out under his renowned techno alias Shed. His 'Forceful Pressure Mix' is a blistering and unrelenting weapon, with rusty textures and powerful bass locking you in its glitches, unresolved loops and booming low end.

Orange County"s Social Distortion returns with its first album in 15 years with Born to Kill. Armed with 11 urgent songs, Mike Ness continues to build on the mystique that Social Distortion is more than just a punk band. Throughout the collection, Ness revisits the sounds of the 1970s, his formative adolescent years. Born to Kill is a continuation of the bar of excellence that Social Distortion and, in turn, Ness has long been praised for. Born to Kill is a body of work that will live long in the Social Distortion catalog. Songs like the hard-charging title track that serves as the album"s mission statement, along with the riff-laden "Partners in Crime," the nostalgic "The Way Things Were," and rollicking "Tonight" are songs that fit in across any of Social Distortion"s various eras. Now nearly five decades into its career and with a remarkable catalog spanning nearly three generations, Social Distortion has no intention of slowing down any time soon.

The pioneers of acid jazz strike back! Galliano, the first artist ever released on Acid Jazz Records and one of the true originators of the genre, return with
their first new album in just two years—following their remarkable comeback after a 27-year hiatus.

After returning to the scene with Halfway Somewhere, their first album in approximately 27 years, Galliano waste no time in delivering their latest statement,
Acid Jazz Revenge. The album expands upon the previously sold-out Bandcamp LP Unreliable Memories of Contested Conversations, adding three brand-new
tracks and returning in a completely refreshed edition.

The title says it all: Acid Jazz Revenge is a bold declaration from one of the genre's original innovators. Packed with the sophisticated grooves, soulful rhythms,
jazz-inflected arrangements, and unmistakable attitude that defined acid jazz in the first place, the album proves that Galliano remain firmly at the forefront of
the movement they helped create.

The album also features a newly recorded version of "Jus Reach" originally released as a 12-inch single on Talkin' Loud in the 1990s. Reimagined with a
contemporary sense of style and groove, the track perfectly demonstrates Galliano's ability to revisit their own history while keeping their sound fresh and relevant.

The Japanese edition includes three previously unreleased tracks exclusively, making it an especially attractive edition for collectors and longtime fans.

En Direct presents “No More Spectacles”, the fourth release from one of the finest electro EBM projects worldwide. With this new work, En Direct leans further into a sharper and more emotionally charged EBM sound while making clear they do not renounce their roots as the driving force behind the influential electro imprint Clear Memory. The record is infused with strong post- punk overtones, somewhere between the cold intensity of classic body music and the melancholic tension of post-punk reimagined through EBM structures. No More Spectacles delivers a sound that feels both immediate and deeply atmospheric. Drill-like kicks hammer through the mix while distorted basslines split the tracks wide open, locking into martial and commanding vocal lines that push the energy forward with relentless precision. Mechanical yet deeply human, the record balances darkness, groove, and emotional weight with remarkable control. Built for strobe-lit floors and restless bodies, “No More Spectacles” confirms En Direct as masters of a sound where post- punk sensibility and EBM functionality collide at full force. Presented in ONE-OFF truly limited edition of 300 copies lacquered pressed on 180 gr. high quality solid BLACK vinyl. All tracks have been specially remastered and mastered for vinyl by Daniel Hallhuber at Young and Cold Studios (Germany).

Der Titel des siebten Studioalbums der kalifornischen Punkrocker bezieht sich auf Mike Ness" doppelte musikalische Heimat. Der Songwriter und Sänger von Social Distortion huldigt auf "Hard Times And Nursery Rhymes" sowohl dem düsteren Amerika eines Hank Williams wie auch dem bluesigen Herumstolzieren der Rolling Stones etwa während der "Exile-On-Mainstreet"-Ära. Altbekannte Einflüsse, die hier jedoch in den Vordergrund treten: "Hard Times And Nursery Rhymes" ist das rockigste und gleichzeitig beseelteste Album der Gruppe, die weltweit über vier Millionen Alben verkaufte. Dennoch finden Fans den typischen Punkrock-Roar in jedem Stück wieder: vom Opener "California (Hustle and Flow)" bis zum düster-rockenden Hank-Williams-Cover "Alone and Forsaken". Aber auch Springsteen- und Tom-Petty-Fans dürften diesen Sound mögen. "Hard Times And Nursery Rhymes" ist das erste Album der Band nach "Sex, Love And Rock "n" Roll" aus dem Jahr 2004. Für Fans von Gaslight Anthem, Rancid, Bad Religion, Tom Petty, Bruce Springsteen und Tiger Army. Die 2LP hat zwei Bonus-Tracks.

2026 Repress

Berlin’s Phil Berg, one of techno’s most distinctive rising names, debuts on Mutual Rytm with his ‘Dārin’ EP. First invited as the debut guest DJ for Mutual Rytm’s inaugural label night back in 2022, Berlin’s Phil Berg has maintained a close relationship with the imprint ever since. Known for his shadowy, immersive sound, Berg has carved out a singular position within the scene - equally respected for his high-impact DJ sets, his improvisational live performances, and a production style defined by clarity, tension, and a deeply recognisable sonic identity. While his live shows remain a vital part of his artistic DNA, often shaping the raw ideas that later evolve in the studio, his work extends far beyond the club floor, marking him out as a fully formed and increasingly essential voice in contemporary techno. That connection between stage and studio is fully realised on ‘Dārin’, where Berg delivers a darker, more driving statement for his Mutual Rytm debut, with the title track already becoming a standout in the sets of label founder SHDW. The title cut opens the EP with great urgency, as flaming drums and machine-gun synths are fired across the night sky, with sensuous whispers and sonar pulses adding the pull of the groove. Next, ‘Tempest’ brings big, banging hits, nailing down the kicks while rising tension appears through the backlit synths and distant bass rumbles. ‘Tanoo’ releases the pressure with a more luminous synth line that locks you in a trance as linear drums race on, while ‘Mephisto’ keeps you on edge with twitchy motifs and a burrowing bassline that drills down deep into a moody underworld. The EP closes with ‘Destiny Bond’, which rises with undulating, tactile lines, sleek synth smears, and a cosmic sense of travel. As digital bonus cuts, ‘Seiko’ and ‘Nyx’ bring anxiety and foreboding to the fore with two more muscular and physical deep techno hitters crafted for maximum impact.

Limited Repress


After thirteen years of silence from the compound, during which anticipation has grown day by day, Boards of Canada finally return. Inferno retains their signature melodies and atmospheres, drawing on the esoteric influences explored in Societas X Tape (their 2019 NTS mix for Warp Records’ 30th anniversary) and the darker ambience introduced on Tomorrow’s Harvest, further deepened by an expanded role for speech soundbites.


Spanning seventy minutes, the new album is available on special edition limited red translucent 2LP vinyl in triple gatefold sleeve with a 16-page booklet, black 2LP vinyl and CD with 20-page booklet.

MOTORSLICE is the original soundtrack to the viral hit indie video game of the same name, composed and produced by Pizza Hotline. Built around high-speed movement, razor-sharp parkour, and a blue haired girl slicing machines in half with a bad ass chain saw, the album pushes Pizza Hotline’s video game-inspired sound into a harder, faster, and more cinematic space.

Blending jungle, drum and bass, sci-fi ambient pads, and Y2K game soundtrack nostalgia, MOTORSLICE captures the feeling of launching yourself across gaps, slicing through enemies, and chasing perfect momentum over huge post apocalyptic vistas. The soundtrack draws inspiration from games like Mirror’s Edge, Prince of Persia, and Shadow of the Colossus while maintaining a glossy electronic character that defined that era.

To celebrate the release, MOTORSLICE is being pressed as a full length vinyl LP featuring the complete soundtrack on striking orange vinyl, chosen to match the main character’s iconic outfit. It turns the soundtrack into a proper physical artefact from the game's palpable world, tying the music directly to the visual identity of the game.

Where albums like Level Select and Dream Select explored imaginary game worlds, MOTORSLICE is the sound of a real one: a breakout indie game that has already made a huge impact online through viral gameplay clips and a growing community of players. The result is a soundtrack that feels both nostalgic and immediate, built for speed, precision, and impact while still carrying the melodic, emotional, and playful qualities that define Pizza Hotline’s music.

Baby You’re A Winner’ is a perfect illustration of the elevated musicality of the album that bears its name. Linking up across the record’s twelve tracks with producer Ali Chant (PJ Harvey, Perfume Genius, Yard Act), Baby You’re A Winner showcases a real levelling up for Grandmas House: more layered and involved than their trio of previous EPs - Grandmas House (2021), Who Am I (2023), Anything For You (2025) - with a greater focus on the use of vocals and harmonies to embolden the meticulously crafted arrangements.

It’s the sound of the quartet - Yasmin Berndt (guitar, vocals), Poppy Dodgson (vocal, drums), Zoë Zinsmeister (bass, vocals) and Polly Jessett (guitar) - bringing a greater sense of nuance and space to their music, while deploying myriad genres to maximum effect. From the righteous, elasticated rock of recent single ‘DOG’ to the syncopated post-punk and brass blasts of ‘Dance’ and on to the chamber folk ambiance of closer ‘Spring’, Baby You’re A Winner is the most authentic, realised portrait of Grandmas House to date.

The songs here navigate a precarious balancing act between sadness and catharsis, ultimately landing in a place of salvation - the product of the band’s tight-knit friendship, this album is their gift to the world, born from a period of grief and hardship but emerging from the other side with profound love and strength. It’s a testament that even when the odds are against you, anyone can be a winner.

It’s no disrespect to the man to not believe, in part or in whole, every word that Ray Wylie Hubbard writes, sings, or speaks — and frankly, he’d probably respect you a little less if you did. As celebrated songwriters of the outlaw poet/down-home-country-blues persuasion go, Hubbard’s credibility is unimpeachable. And to be fair, even as a somewhat notorious raconteur, his overall truthiness is a lot more bankable than your average politician or fundamentalist grifter.

But fold your cards every time he goes all in across a table from you, or swallow as fact every nugget of wisdom he sharpens into verse or stretches into a yarn without catching the gleam in his eye or wry tell between the lines, and odds are you’ve been played. But honestly, that’s all just part of what makes Hubbard so damn fun. “You know, a lot of artists when they put out a record, they go, ‘This is the best record I’ve done up to this point,’” the Americana legend considers sagely after a pause when asked how to best sum up Reel 2 Reel 4 Real, his 20th album in a recording career stretching back to the mid-70s. “But I’m not going to say this is the best record I’ve done. I’ll say it’s the best record I’ve ever heard.” No matter how many awards and Hall of Fame inductions others might honor him with (he’s a member of both the Austin Music HOF and the Texas Heritage Songwriters HOF), Hubbard never swaggers or sings his own praises without keeping his tongue planted firmly in cheek.

But after brushing aside his bluff with a chuckle, Hubbard gets real. “I am very proud of it,” he answers sincerely. “Everybody that played on it put a lot of work into it, and it just felt right doing it. I’m very grateful.” Set for release August 21, 2026 (with the first taste, “Cassette Mix Tape,” dropping May 29, followed later this summer by a second single, “Dog or Wolf”), Reel 2 Reel 4 Real marks Hubbard’s return after a two-album major-label joyride on Nashville’s Big Machine Records. “They treated me great, and did everything they could,” he says, “but it was kind of limited because I’m an old guy. I’m no longer a country hunk, you know?”

Completes the vinyl collection of Los Mockers, alongside the reissue of their original 1966 LP, this two handful of tracks, previously unreleased or out of print, traces the journey of five teenagers who, clinging to rock & roll, became legends. Blending the raw energy of 1960s rock & roll with rhythm & blues roots and later-day musical maturity, Los Mockers left a lasting mark on the Río de la Plata scene f rom their explosive beginnings to their 21st-century comeback. REWIND brings together rare recordings spanning nearly sixty years: from mid-1960s demos and singles to reunion sessions recorded between 2006 and 2012, i ncluding deleted material and an unreleased live track. Side A captures the band's early fire, opening with a 1965 demo of "I Just Want to Make Love to You," recorded under their original name, Los Encadenados, at Radio Ariel in Montevideo. It also includes their first original singles, "I Wanna Go" and "My Baby," plus the unreleased "Girl You Won't Succeed" and a fast, distinctly Uruguayan take on "Paint It Black." Side B focuses on the reunion era recordings made in Valencia, Spain, where the band revisited their legacy with renewed strength and craftsmanship. Tracks like " Need Some Time," "40 Years Ago," and "The Chain" show a seasoned group still driven by authentic rock & roll spirit, while "25 Watts" pays tribute to filmmaker Juan Pablo Rebella. The album closes with a powerful 2012 live version of "Tell Me Something New."

This album remains a fan favorite for its intimate atmosphere, featuring Susan's trademark soulful and breathy vocals set against tasteful, uncluttered arrangements. The tracklist is a masterclass in light jazz and soft pop, featuring definitive covers of eleven classics such as "Close to You," "Stay Awhile," "Killing Me Softly With His Song," and "Love Will Keep Us Alive." Every performance is delivered with a natural, immersive presence that showcases her impeccable phrasing and emotional depth. An important release in Susan Wong's career, Close to You has been remastered and will be released on 180g One- step Pressing vinyl LP, MQA-CD and Stereo Hybrid SACD, with new liner notes.

There's a confidence in calling something 'cheesy' before anyone else gets the chance to. The Lazy Eyes lean into it, they have an understanding that sincerity, when left out in the open long enough, will always risks ridicule. But what's remarkable on Cheesy Love Songs is how little they flinch for a young band dropping a sophomore album.
This is a record that understands its inheritance. You can hear the ghosts of bedroom psych, of records made by young people who discovered that distortion could double as a shield, that reverb could make even the most fragile confession feel infinite. But Cheesy Love Songs doesn't hide inside those textures, it lets them bloom until they almost overwhelm the room, like a feeling you tried to downplay that instead insists on becoming the only thing you can hear.

The kaleidoscopic guitars, the melodies that feel like they've been unearthed rather than written, the way it treats love as both spectacle and small disaster. These are songs that circle the same emotional drain: wanting too much, too quickly, and then sitting in the quiet aftermath of having said it out loud. The band doesn't pretend that intensity is sustainable; instead, they document the crash with the same care as the ascent.

In that way, Cheesy Love Songs feels like a document of early belief — the kind that arrives before irony calcifies, before restraint feels like wisdom. It's a record made by a band still willing to risk the embarrassment of being 'cheesy' in pursuit of something louder, brighter, and more honest than cool. And maybe that's what makes it an iconic modern Australian sophomore album: not just that it captures a moment in time for the band, but that it refuses to outgrow it.

Robag Wruhme is the solo alias of Gabor Schablitzki, a quietly singular voice in minimal and house music since the early 2000s. His sound is built on precision without ever feeling rigid. Instead of chasing big moments, he lets tracks unfold through subtle movement and carefully balanced tension, always evolving but never rushing.

That same approach runs through this EP. It's about letting momentum emerge naturally, allowing each element to settle into place while the energy continues to build.

Across four tracks, Robag creates a world where rhythm and atmosphere constantly shape one another. The arrangements are rich with detail, yet nothing competes for attention. Even in the densest passages, every sound feels deliberate.

OLAHNI opens patiently, with ghostly textures and hypnotic vocal fragments setting the tone before the bassline slowly comes into focus. The arrangement keeps evolving, with subtle details drifting in and out as the groove steadily deepens.
IFTHAH takes things into darker territory, driven by a heavy rolling bassline and a looping motif that never quite loosens its grip, adding weight without disrupting the flow.

On FUMAXOHN, the groove remains tight while the mood shifts. A warm harmonic layer gradually emerges as the vocals dissolve into texture, drawing the track towards something more melancholic.
PENTHO closes the EP in its most direct form. Stripped back and driving, it lands with quiet confidence, bringing the journey to a close while holding onto the hypnotic tension that defines the record.

It's been a pleasure bringing this EP together, and we're excited to finally share it with you. We hope these four tracks draw you into Robag's world as much as they have us.

Underground Hip Hop vets, Dillon & Paten Locke aroused appetites with their 2016 standout release, 'Food Chain', the follow-up to 2009's cult classic, 'Studies in Hunger' and prequel to 2025's 'Rations'. The flagship release of their fledgling label, FULL PLATE, 'Food Chain' opened many doors (and ears) for the Atlanta, GA /Jacksonville, FL based crew, setting the table for their sprawling catalog today.
Produced entirely by Paten Locke (the Boston-bred triple threat who cut his teeth with Mr. Lif, Akrobatik, Edan and his groups: Asamov + The Smile Rays), Food Chain's recipe starts with rugged chops of impossibly rare samples from Paten's world-renowned vinyl collection. Once that's simmering, just add Dillon's razor sharp rhymes; ranging from aggressively self-sure to deeply self-reflective, then finish with their signature seasoning - comedic relief! Food Chain also boasts an impressive list of guest features including Count Bass D, Homeboy Sandman, Supa Dave West, J-Live, Von Pea of Tanya Morgan, Phill Most Chill, Boog Brown, Malkovich, Tone Tank and their FULL PLATE FAM, Willie Evans Jr. Too many chefs? We say, 'Let 'em cook!!'
Now 10 years later this critically acclaimed album receives the treatment it deserves: a proper double LP pressing of the album in its entirety - including a lost bonus intro + bespoke poster insert. 2016's pressing was an abridged single LP that was missing songs, interludes & skits in order to fit the time limits of the format. With the 2xLP, you finally get to enjoy the full album, they way it was meant to be heard. What makes this 10th Anniversary reissue even heavier is that Paten Locke passed in 2019 and never got to see the full impact of his work, so this release doubles as a delicious celebration of Paten's lifelong creative pursuits & accomplishments.

On Squirrel Flower's new album, Say a Prayer to the Gods of Getting Going, songwriter and multi-instrumentalist, Ella Williams, delivers her most transcendent and instantly classic record to date. It's an album full of hope and beauty, with themes of staying in constant motion, electric love, and knowing when to leave, but also when to stick around. After touring in support of 2023's Tomorrow's Fire, Williams remained on the road, following instinct over itinerary_passing through Gary, Indiana; Los Angeles; Putney, Vermont; Silver City, New Mexico; and Hudson, New York. Each stop became a site of creative renewal. She ended up recording the album at two locations: a makeshift studio in rural Wisconsin, and at Drop of Sun in Asheville, NC, featuring friends and collaborators such as Dimitri Giannpolous (Horse Jumper of Love), Sofia Jensen (Free Range), Clay Frankel (Twin Peaks, Hazel City), and many others along the way. Standouts like "Reelin" and "Highway Woman" showcase the push and pull of life as a musician; the constant need for embarking on a hero's journey in search of reflection and freedom. Others like "Not Me" and "Cleveland" are classic Squirrel Flower, but with a sharper and more concentrated writing style paired with some of Williams' strongest vocal delivery of her career. Mixed and co-produced by Alex Farrar (MJ Lenderman, Wednesday), Say a Prayer to the Gods of Getting Going is the sound of cosmic rebirth, looking behind to illuminate what's ahead. "Pack your life and your guitar," Williams sings on "Highway Woman." "You can change it as you go. You do not plan on dying." In addition to her seemingly nonstop DISABLED touring across North America and Europe, Squirrel Flower has been featured in outlets such as Pitchfork, Rolling Stone, The NY Times, Paste, and many others, as well as performances at NPR's Tiny Desk & KEXP. Williams' music has been streamed millions of times around the globe, proving her to be an undeniable force as a songwriter. FOR FANS OF Indigo De Souza, Soccer Mommy, Katy Kirby, Julia Jacklin, Tomberlin, Hand Habits, Phoebe Bridgers, Waxahatchee, PJ Harvey, Grouper, Chelsea Wolfe, Moses Sumney, Cat Power, Liz Phair, Alex G, Mazzy Star, Julie Byrne, Big Thief.

On Squirrel Flower's new album, Say a Prayer to the Gods of Getting Going, songwriter and multi-instrumentalist, Ella Williams, delivers her most transcendent and instantly classic record to date. It's an album full of hope and beauty, with themes of staying in constant motion, electric love, and knowing when to leave, but also when to stick around. After touring in support of 2023's Tomorrow's Fire, Williams remained on the road, following instinct over itinerary_passing through Gary, Indiana; Los Angeles; Putney, Vermont; Silver City, New Mexico; and Hudson, New York. Each stop became a site of creative renewal. She ended up recording the album at two locations: a makeshift studio in rural Wisconsin, and at Drop of Sun in Asheville, NC, featuring friends and collaborators such as Dimitri Giannpolous (Horse Jumper of Love), Sofia Jensen (Free Range), Clay Frankel (Twin Peaks, Hazel City), and many others along the way. Standouts like "Reelin" and "Highway Woman" showcase the push and pull of life as a musician; the constant need for embarking on a hero's journey in search of reflection and freedom. Others like "Not Me" and "Cleveland" are classic Squirrel Flower, but with a sharper and more concentrated writing style paired with some of Williams' strongest vocal delivery of her career. Mixed and co-produced by Alex Farrar (MJ Lenderman, Wednesday), Say a Prayer to the Gods of Getting Going is the sound of cosmic rebirth, looking behind to illuminate what's ahead. "Pack your life and your guitar," Williams sings on "Highway Woman." "You can change it as you go. You do not plan on dying." In addition to her seemingly nonstop DISABLED touring across North America and Europe, Squirrel Flower has been featured in outlets such as Pitchfork, Rolling Stone, The NY Times, Paste, and many others, as well as performances at NPR's Tiny Desk & KEXP. Williams' music has been streamed millions of times around the globe, proving her to be an undeniable force as a songwriter. FOR FANS OF Indigo De Souza, Soccer Mommy, Katy Kirby, Julia Jacklin, Tomberlin, Hand Habits, Phoebe Bridgers, Waxahatchee, PJ Harvey, Grouper, Chelsea Wolfe, Moses Sumney, Cat Power, Liz Phair, Alex G, Mazzy Star, Julie Byrne, Big Thief.

“Windborne” originally released in 2018 was the debut album from young Norwegian power-trio Kanaan. With components
from jazz, fusion and post-rock they have created six extended pieces of blazing freeform psychedelia. While the band is rooted in the same spirit that gave birth to Mahavishnu Orchestra and The Eleventh House in the 1970s, there's a distinctive modern flavour to Kanaan's sonic endeavors. Their Scandinavian genealogy is apparent as well - their intricate song structures seems to be branching off the same stem as Motorpsycho, Papir and Jaga Jazzist. And no doubt the young band has the chops to carry on the pedigree! Opening track ”A. Hausenbecken” feels like a sudden blast of refreshing nordic air, with it's rolling guitar leads and growling Fender Rhodes. But Kanaan aren't afraid to get deep and heavy – the B-side dives into straight-up Sabbath territory, with ”Act Upon The Mundane World” and ”The Groke”, before ending the album with the abstract, free-flowing title track ”Windborne”. From the first note to the last the band keeps high levels of energy and creativity, and although freeform, they never sacrifice focus or direction. Ask Vatn Strøm - guitars
Ingvald André Vassbø – drums Eskild Myrvoll – bass Rhodes on "A. Hausenbecken" by Vegard Lien Bjerkan.

Hot off the heels of a stack of fine singles, they found love with the likes of Nels Hylton, Amy Lame, John Kennedy, Visions, NTS, Bring The Noise, Upset, arts culture, Distorted Sound, The Punk Site and many more - building a buzzing community, touring with Don Broco and Weakened Friends, finding favour with scribes at the likes of Kerrang, Rock Sound and Clash and popping up on the BBC Radio 1, Radio X and BBC 6 Music airwaves with alarming regularity... Signed to Alcopop! (UK/ ROW) and Grand Hotel van Cleef (GAS) they drop fiery choruses, grungy riffs and catchy hollering britpop sensibilities. With these future anthems all wrapped around vocalist jim heffy's lyrics of angst, depression and medication, break- ups, drinking and problematic housemates, it's prescient to remember the most important message that resides in the beating heart of these songs - 'be kind and be free to express yourself, no matter who you are'.

10th anniversary limited edition, on vinyl for the first time! With guest features from yU (1978ers, Diamond District) and the illusive, Lobsterdamus.
Paten Locke on the beats & cuts. Dillon on the rhymes. It's the formula for their 2016 opus, 'Food Chain' and it's lesser known companion EP, 'Side Dishes' which was released that same year on a limited run of cassettes. This collection of songs was made during the 'Food Chain' sessions and they weren't leftovers - they were Side Dishes! Musical accompaniments to the already filling main course.
If you love 'Food Chain' (you do) then you will certainly enjoy these scrumptious 'Side Dishes', made with the same timeless recipe by Dillon & Paten Locke.