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Eglo Records are proud to present Fatima's highly anticipated debut album 'Yellow Memories'.
Featuring production work from the likes of Floating Points, Theo Parrish, Oh No, Scoop DeVille, Computer Jay, Knxwledge and more... the velvet toned Swede has truly crafted something special.
Offering a modern take on classic Soul and RnB, the album strikes a beautiful balance of cutting edge, contemporary production, soulful expression, melancholic introspection and vibrant, candy coated melody. An accomplished singer /song-writer with a stunning range, her prowess and versatility are a force not to be reckoned with. As powerful and mesmerising on stage as she is in the studio, Fatima possesses a talent heard all to rarely in todays musical climate.
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- A1: Holy Grail (ft. Justin Timberlake)
- A2: Picasso Baby*
- A3: Tom Ford*
- A4: FuckWithMeYouKnowIGotIt (ft. Rick Ross)
- B1: Oceans (ft. Frank Ocean)
- B2: F.U.T.W.*
- B3: Somewhereinamerica
- B4: Crown
- C1: Heaven*
- C2: Versus*
- C3: Part II (On The Run)* (ft. Beyonc)
- C4: Beach Is Better
- D1: BBC** (ft. Nas)
- D2: JAY Z Blue*
- D3: La Familia*
- D4: Nickels and Dimes
**Double LP - 180 GRAM** Already Platinum. Impeccable design. Although this is one of the more talked about records of his career, there's no doubt that this is a testament to JAY Z's diligence, entrepreneurship, and artistic vision. Picking up where Watch The Throne left off, Magna Carta Holy Grail is JAY Z's twelfth studio album, and a portrait of an emcee embracing fatherhood, marriage, and striking a balance between a past spent coming up and a future shuffling around the top. The LP also includes a limited edition flexi-disc postcard of exclusive non-album track ''Open Letter'' hidden under the artwork on the back cover. Production is helmed largely by J-Roc, Timbaland, Pharrell Williams, Hit-Boy and others, while featuring performances by Beyoncé, Rick Ross, Justin Timberlake, Frank Ocean, Nas, and more. With MCHG, JAY Z understands that hip hop is starting to enjoy the same clout as fine art and, even better, hip hop is alive, a part of the world, evolving, and not cordoned off in a museum. Play it forward and grab a copy now.
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- A1: Love Is All We Have Left
- A2: Lights of Home
- A3: You're The Best Thing About Me
- A4: Get out of Your Own Way
- A5: American Soul
- B1: Summer of love
- B2: Red Flag Day
- B3: The Showman (Little More Better)
- B4: The Little Things That Give You Away
- C1: Landlady
- C2: The Blackout
- C3: Love Is Bigger Than Anything in Its Way
- C4: 13 (There is a Light)
- D1: Ordinary Love (Extraordinary Mix)
- D2: Book Of Your Heart
- D3: Lights of Home (St Peter's String Version)
Deluxe Box Set[41,60 €]
Double cyan blue vinyl in a gatefold sleeve. Two printed inner sleeves and a six panel oversized booklet. Download card enclosed. The vinyl includes the Deluxe track listing - 17 tracks in total.
U2 return with their hotly anticipated new studio album 'Songs of Experience'. The Island Records priority release completes a stellar year for the Dublin band, following their return to stadiums with the critically acclaimed, sold out 'The Joshua Tree Tour 2017' playing to 2.4 million fans in just 51 shows across Europe and North and South America, as well as the successful 30th Anniversary re-issue of 'The Joshua Tree'.
Recorded in Dublin, New York and Los Angeles, Songs of Experience was completed earlier this year with its subject matter influenced by Brendan Kennelly's* advice to Bono, to ...write as if you're dead'. The result is a collection of songs in the form of intimate letters to places and people close to the singer's heart: family, friends, fans and indeed himself.
Songs Of Experience is the companion release to 2014's 'Songs Of Innocence', the two titles drawing inspiration from a collection of poems, Songs of Innocence and Experience, by the 18th century English mystic and poet William Blake.
Produced by Jacknife Lee and Ryan Tedder, with Steve Lillywhite, Andy Barlow and Jolyon Thomas, the album features a cover image by Anton Corbijn of band-members' teenage children Eli Hewson and Sian Evans.
'The Blackout' and 'You're The Best Thing About Me' were the first songs to be made available from the album. 'You're The Best Thing About Me' is the band's first UK Top 20 airplay record in a decade and has also been remixed by Norwegian superstar DJ and producer Kygo.
*Brendan Kennelly - Irish poet, novelist and Professor Emeritus at Trinity College, Dublin.
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- A1: Bomb Pops 'Girl Daredevil
- A2: The Claim 'Hercules'*
- A3: Love Parade 'Out To Sea'*
- A4: Hope 'Funny
- A5: Lorelei 'Burro
- A6: Boyracer 'No Fuel
- B1: My Favourite 'Modulate' (7' Version)
- B2: Vinegar Blossom 'Perfection Found In Good Health
- B3: Hulaboy 'Garden
- B4: Tea 'Two Weeks
- B5: Hope 'Whining and Whining'*
- B6: Decemberists Of Liverpool 'Simpler To Say'*
- B7: Hula Hoop 'French Kiss '66
- C1: The Claim 'Waiting For Jesus
- C2: Love Parade 'Lazy Days
- C3: Hope 'There's A Place
- C4: The Apple Moths 'Miserable Town
- C5: Feverfew 'Bed Of Roses
- C6: Boyracer 'My Town
- C7: Sugar Plant 'Orange Filter
- D1: Boyracer 'The Useless Romantic
- D2: The Gravy Train 'Make It Better
- D3: Feverfew 'Paint It Blue'*
- D4: Juniper 'You Don't Hide So Well
- D5: Tree Fort Angst 'You Should Have Seen The One That Got Away
- D6: Hellfire Sermons 'Door To My Backyard'*
- D7: Antiseptic Beauty 'Illuminate Me
- E1: The Apple Moths 'Fred Astaire
- E2: Eva Luna 'She Sines
- E3: Tea 'Breathing' (7' MIx)
- E4: Hellfire Sermons 'Bill And Sarah
- E5: Secret Shine 'Unbearable
- E6: Hula Hoop 'She's A Bad Motorcycle'*
- F1: Remember Fun 'Train Journeys'*
- F2: The Ropers 'These Days
- F3: The Dreamscape 'Blackflower
- F4: Boyracer with Even As We Speak 'Friend
- F5: The Claim 'Plastic Grip
- F6: The Rileys 'Time Will Pass
- F7: Love Parade 'Life
The return of A Turntable Friend Records starts with an opulent 40 track retrospective compilation of their heydays in the 1909s. Peers of Sarah Records and Slumberland Records but far from copying their style, ATF Records always had their own musical identity allowing for a roster as diverse as Boyracer (with Even As We Speak), Secret Shine, The Claim, The Ropers, the Hellfire Sermons + Lorelei.
This compilation is a feast of highlights from the long-deleted back catalogue plus 8 unreleased tracks from the period. Many of the original 7s & 12s are much sought after collector items and several tracks appear on cd for the first time.
Indie guitar popof the best variety delivered by bands from the UK< USA, Australia + Japan.
The release is luxuriously packaged in a tri-fold sleeve for the triple vinyl, strictly limited to 500 for the world. It includes a 12 x 12 full colour booklet and a download code.
The double cd comes with the same tracks also in a gatefold sleeve with full colour booklet.
This compilation is a fundraiser for the William Wates Memorial Trust in the UK with all profits being donated.
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- A1: The Flood feat Silka
- A2: May I Assume feat. Jimetta Rose & Fatima
- A3: My-Story Of Love / Starring You
- A4: DMT (The Whill)
- B1: Between Us 2 feat. Bilal
- B2: Mrs Crabtree feat. Erykah Badu, N\\'Dambi & Aset SoSavvy
- B3: On Our Way Home feat. Fatima & Jimetta Rose
- B4: Walking Round Town feat. Silka
- C1: Cycles feat. Hiatus Kaiyote
- C2: Message In A Bottle feat. Coultrain
- C3: Its Better For You feat. Anderson Paak
- C4: Show Me How You Feel feat. Karen Be
- C5: Hours Away feat Om\\'Mas Keith & Coultrain
- D1: Twelve feat. The Dove Society
- D2: Picking Flowers feat. El Sadiq
- D3: Optimystical feat. Robert Glasper
- D4: New Worlds Over
'The Loop' is the new LP by Los Angeles based polymath Shafiq Husayn, an epic project which saw its inception in 2012 through a series of studio sessions at Shafiq's home, including collaborations with the likes of Thundercat, Erykah Badu, Flying Lotus, Bilal and Anderson Paak. Amongst a close knit circle of friends and family the golden tones of The Loop were created, deeply rooted in ideas of song, story, history, guidance and spirituality. The album bumps, jumps and jangles through progressions in jazz, hip hop, soul and funk, following on from his debut album 'Shafiq En' A-Free-Ka' and adding further to his rich history of timeless, unique music. On The Loop past, present and future are brought together through a psychedelic concoction of time traveling drum machines, celestial string sections and trails of synthesizer vapour. Inflections of Sly Stone, Pharaoh Sanders and Earth Wind And Fire traverse with Marley Marl and Dilla-esqe drums making for an organic yet LA-trifying experience.
Shafiq has brought together an impressive array of LA's musical royalty, enlisting the likes of Thundercat, Miguel Atwood-Ferguson, Kamasi Washington, Chris 'Daddy' Dave, Eric Rico, Coultrain, Computer Jay, Jimetta Rose, Om'Mas Keith, Kelsey Gonzalez, I-Ced and more to provide the backbone to his recording sessions. Drawing in features from an international cast of performers and artists like Erykah Badu, Robert Glasper, Hiatus Kaiyote, Fatima and Karen Be amongst others. Now complete and finally ready for release in 2019 The Loop is truly something to behold. The records is accompanied by a series of paintings by acclaimed Japanese visual artist Tokio Aoyama, who worked in tandem with Shafiq to create a painting for each song on the record.
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- A1: Here Come De Fuzz
- A2: Ballad For Bobby
- A3: Mr. M
- A4: The Hugger
- A5: Cosmetics
- A6: Chox
- A7: Five/Four Opus
- A8: Hot Flash
- A9: The Zeroids
- A10: Sun Country
- A11: Mistoso
- A12: Moog Rock
- A13: Finale
- B1: PERCUSSION CHATTER - intro to main title from ACROSS 110TH STREET
- B2: TOP OF THE HEAP - title song
- B3: TOP OF THE HEAP - percussion fanfare
- B4: TOP OF THE HEAP - suspense
- B5: THE BOLD ONES - melodic
- B6: THE BOLD ONES - agitato
- B7: TOP OF THE HEAP - car chase
- B8: ANGRY ASTRONAUT - from TOP OF THE HEAP
- B9: BETTER DAYS from MAN & BOY
Previously Unreleased Cinematic Jazz-Funk for Film & Television by Arranger/Composer J.J. Johnson
21 tracks featuring music from Across 110th Street, Top Of The Heap, The Fuzz Brothers, The Bold Ones.Funky Moog modulations, car chases, moody library cues and a righteous soul sister preaching universal truths all revealed in these recently discovered recordings.Masterful arranging and lush orchestration by one of the giants of the Jazz & Soul/Funk Genres.Cut direct to vinyl from the reference tapes.
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With a celestial voice that's been streamed over 3 million times thanks to acclaimed features with The Kite String Tangle, Golden Vessel and label mate Sampology, Brisbane-based artist Tiana Khasi (Kah-see) shares her debut EP, 'MEGHALAYA', out 29 March via Soul Has No Tempo.
The Sampology-produced debut is a rich tapestry of styles and influence, with inspiration drawing from themes of self-empowerment, family and heritage, collaborating with contemporary musicians while studying jazz. ''Meghalaya' is both geographic and spiritual. It's a place I creatively resort to seeking affirmation of my identity and for true holistic inspiration. I wanted to create a body of work that honestly showed where I was at musically and personally. I felt the growing pains of being a young woman, mixed race/Australian born and studying jazz. I was neither here nor there.'
'Nuketown', the first single from the forthcoming release, is out now following global premieres with Complex UK & London's Worldwide FM. Upon hearing early mixes, Gilles Peterson handpicked the track to feature on his most recent compilation, Brownswood Bubblers Thirteen, via Brownswood Recordings. Touted by local tastemakers and HypeMachine blog Purple Sneakers as "the debut single we didn't know we needed", 'Nuketown' has found airplay with national stations triple j & Double J, placement in Spotify's Just Chill playlist, rotation with Sydney's FBi Radio, and enthusiastic support from community radio and online media around the country and beyond.
"A flawless example of the kind of music we can expect from Tiana going forward. [Nuketown] creates something completely original, drawing elements from jazz but never chasing a particular sound or vibe. Everything comes naturally, taking you on a journey with the instrumentation matching the ebbs and flows of Tiana Khasi's sweet vocals. It serves as an exemplary debut for the young artist, and can only mean better things are on the horizon." - Complex UK
A keystone artist in her hometown whose live reputation precedes her via her work fronting local jazz/hip-hop collective Astro Travellers, Tiana Khasi's voice has been praised as "elegant" (Life Without Andy), "most dope" (Audiosteez) and "as venomous as it is honey-sweet" (Happy). A trained jazz vocalist, Tiana's unique sound is heavily influenced by her Samoan and Indian heritage, and has seen her support Jamaican-American "TrapHouseJazz" sensation Masego, Swedish soul artist Fatima and acclaimed Australian collective 30/70.
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- A1: Intro
- A2: Fe Fi Foe Fum
- A3: Sun Dial
- A4: Ill Flows
- A5: High Potent
- A6: Recreational Rec
- B1: Oxygen
- B2: Got Wise
- B3: What Glitters Ain't Gold
- B4: Streets
- B5: Mental Perfection
- C1: Rhyme With Tha Finest
- C2: Real Az It Getz
- C3: Appreciation
- C4: The Craft
- D1: Better Days
- D2: No Way Out
- D3: Hollywood Life
- D4: Get Paid
This is an 18-song project featuring some of the most legendary emcees alongside some of today's newest emcees. Every song has scratches on it and each track has that traditional Boom Bap Hip Hop feel.
Los Angeles based DJ and Producer Tone Spliff drops his full-length LP Ardore Melodico (roughly translating to 'blazing melody'). Grounded in an east coast sound and steeped in tradition with an ever-present emphasis on the DJ, Tone links up with some talented emcees to deliver a solid album. Sounding like a beast on the drum machine and the 1's and 2's, it's apparent Tone Spliff has some skills to flex on his latest project.
The beat-creator, originally from Utica, NY, said he made around 70 beats between February and April of 2017. He then started hitting up emcees he's worked with in the past and new emcees he wanted to work with for the album. Tone details that 'All of these tracks were made in 2018, so some of them have only been stashed for a few months.
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- A1: You Make It Better
- A2: Been Thru
- A3: Weed Gunna
- A4: Voice Note #1
- B1: Strane Roses
- B2: Best Friend
- B3: Something To Say feat. Frankie Stew
- B4: Outro
Recorded in Stockholm and produced by FAMILY_TIME and Maths Time Joy, who produced 'Best Friend', the mixtape follows the release of Ady's critically acclaimed debut album, 'Memories' in March 2018. Having worked on his debut album for some time, Ady wanted to release a collection of songs, ahead of writing and recording his second album.
A deft songwriter and a singer with soulful brilliance, Ady Suleiman has a rich era-spanning appreciation of music, and an innate need to turn life experiences into narrative. His timelessly classic yet fresh sound and lyrical distinctiveness has garnered him a broad range of influential fans from both sides of the Atlantic - from Chance the Rapper, Leon Bridges and Joey Bada$$ through to Labrinth, Michael Kiwanuka, Laura Mvula and Lianne Le Havas. Awarded 'Breakthrough Act of the Year' at Gilles Peterson's Worldwide Awards, Ady has been supported by the likes of The Fader, NME, Complex, The Line of Best Fit and Mahogany to The Independent and GQ (to name but a few).
A collection of songs which originated as voice memos on his phone, Ady comments, 'I wanted to make a project that is a bit more free, I originally wanted to do an interludes or outtakes project, but over time it changed form. 'Thoughts & Moments Vol 1' is the result."
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- A1: Gypsy's Curse
- A2: Fake Fur
- A3: The Ride Pt.2
- A4: Where Water Flows
- A5: The Black Light
- A6: Sideshow
- A7: Chach
- A8: Missing
- B1: Minas De Cobre (for Better Metal)
- B2: Over Your Shoulder
- B3: Vinegaroon
- B4: Trigger
- B5: Sprawl
- B6: Stray
- B7: Old Man Waltz
- B8: Bloodflow
- B9: Frontera
- C1: El Morro
- C2: Man Goes Where Water Flows
- C3: Glowing Heart Of The World
- C4: Too Much Sprawl
- C5: Rollbar
- D1: Minas De Cobre (extend-omix)
- D2: Minas De Cobre (spatial Mix)
- D3: Minas De Cobre (acoustic Mix)
- D4: Lacquer
- D5: Drape
- D6: Bag Of Death
+ download coupon
2LPX version is an indies only format.
An Album About Crossing Physical And Metaphorical Borders That Has Never Been Timelier: Calexico's Classic Album 'the Black Light' Turns 20 This Year. This Limited Celebratory Anniversary Edition Includes All New Artwork By Victor Gastelum, Extensive Linernotes, And 11 Bonus Tracks.
What Was Surprising About The Black Light (and What Set Its Architects Apart From Their Indie Rock Peers) Was The Album's Unusual Willingness To Wade Into The Rapids Of American And Mexican Culture, Fully Immersing Itself Midstream. From The Outset, With 'gypsy's Curse', The Record Combines Guitar Twang And Flamenco Flourishes; And By Its End, Almost An Hour Later, It's Contrived A Skillful And Instinctive Union Of Smoky Bar Room Jazz, Arthouse Indie Rock, And Compelling Mariachi Brass In 'frontera'. If Calexico Falls Short As A Name, It's Only In The Fact That - Alongside Their Mining Of Mexico's Fertile Musical Past - Joey Burns And John Convertino Weren't Just Digging Into California's Songbook...they Were Unearthing America's Too.
- Anniversary-edition On 180g Heavy Double Vinyl Including 11 Bonus Tracks
- Limited Clear Double Lp On 180g Heavy Vinyl
- New Alternative Artwork By Victor Gastelum
- Gatefold Cover With Embossed Logo And Silver Print And 8 Page Booklet
- Limited To One Pressing Only
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"As members of one of New Orleans' most esteemed soul/funk groups of the 60's and 70's (The Delltones) Roland Treaudo & Manuel Herrera Jr. made a name for themselves recording iconic albums and sharing the stage with the likes of Lou Rawls, The Commodores, Dorothy Moore, Etta James, Bobby Womack and Jackie Wilson.
As a duo, Roland & Manwell went on to produce some of the best electronic funk tracks of the time and this record is our effort to shine a light on these underappreciated masters.
The tracks on this new 12" are some of their home recordings from 1980-1985 which showcase their massive talent as composers, instrumentalists and vocalists. Truly a must-have record for anyone interested in obscure 80's Synth Funk."
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- A1: Ancient Love
- A2: Alone Time
- A3: Toxic Masculinity
- A4: Cocaine Sunday
- A5: Cure For Cancer
- B1: Xenophobic
- B2: No Love In The City
- B3: No Fun
- B4: Be A Better Friend
- B5: Stay Calm
- C1: Window Eyes feat Fazerdaze
- C2: White Girl
- C3: Suntory Times
- C4: Sleeping On The Couch
- C5: Babygirl
- D1: Young Old Man
- D2: My Child/old Soul
- D3: Ptsd
- D4: Sensitive G
- D5: Nice Girl From A Nice Part Of Town
Limited Lime Green Vinyl[29,62 €]
Eyedress Ist Das Pseudonym Des Philippinischen Künstlers Idris Vicuña, Ehemals Leadgitarrist Der Psychedelic-indie-noise-pop-band Bee Eyes Aus Manila.
Idris Veröffentlichte Seine Erste Solo-platte Mit Dem Titel "hearing Colors" Im Jahr 2013. Von Musik-blogs Gefeiert, Führte Dies Zu Seinem Ersten Plattenvertrag Beim Xl Recordings Verlag Abeano. Später Im Gleichen Jahr Veröffentlichte Eyedress Seine Ep "supernatural", Die Von Medien Wie The Guardian Und Nme Viel Lob Erhielt. 2016 Veröffentlichte Er Sein Zweites Album "shapeshifter" Auf Seinem Eigenen Label Babe Slayer.
Nun Ist Er Unter Vertrag Bei Dem Britischen Label Lex Records Und Veröffentlichte 2017 Sein Drittes Album "manila Ice", Ein Album Über Liebe Und Überleben Auf Den Philippinen.
Sein Neustes Album - sensitive G Wird Von Einer Ausführlichen Us Tour Begleitet Und Erscheint Im November.
expected to be published on 30.11.2018
This is a long overdue reissue of a fantastic album! Here we find a pure disco classic from the US scene of the late 70s. The original copies retail at plus $300, that's only if you can find one at all! So those who love to spin good music, but are unwilling or unable to lay down too much money can now lend an ear to this fine vinyl! The opening track is 6.5 minutes long and consists of ongoing grooves with a hint of rock thanks to the melodic lead guitar. The driving rhythms are irresistible with soulful and strong female lead vocals that capture you right away. This reminds me strongly of the lengthy Donna summer dance classic, released during the same period 'Better than walking out' which became a dance floor sweeper. There is nothing complicated here, just sheer groove interwoven with catchy melodies. 'Lovin' you is so easy' follows and is a mid-paced soul anthem that comes as clean, slick and close to pop music a tune can come, but the melody of the chorus will stick to your mind. The arrangements are tight revealing several layers of instrumentation on second take. The lead singer's expressive voice matches with the best of its genre. A grand dame of soul familiar to a wide audience. While we ruminate about the different stylistic ingredients of this album we reach ''Woman', an entire instrumental with a straight groovy beat paired by cool funky rhythm guitar that lies beneath a soundscape made by the electric piano. Both seem to interact tightly and communicate with another. This tune just moves you physically with ease. Lushly orchestrated ''Our love is special' turns out to be a wonderful soul pop anthem of the kind that stays with you when you have only enjoyed it once. I'm almost certain that most fans of the late 70's soulful dance and pop will spin this record over and over again. This is what the DISCO LADIES are made for. Their music has this certain disco feeling but the classic 60s Motown Soul roots are so obvious and keep the whole collection of songs so grounded, that the music will go straight to the heart, nestling there for a long time. ''I second that emotion' is again a mid-paced groover that has this fluttering beat with great instrumental figures build upon this footing. One might hear elements of reggae, gospel and funk melting into an utterly joyful soul pop tune that eventually would become an evergreen in the clubs. Last but not least we are treated to ''Woman', again the arrangements of lead and backing vocals are amazing! These are footed by equally amazing strings and horns. These melodies, soulful, expressive, intense and full of joy! The last tune is a vocal version of 'Woman'. Definitely being the highlight of the entire album and a worthy finale for a record that sticks out of the masses of disco music productions of it's era! All this makes a wonderful and delightful reissue ! worthy of joining every black music aficionado of the 1970s.
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- A1: Standing in the Shadows of Love
- A2: Bring Back My Yesterday
- B1: I've Found Someone
- B2: I've Got So Much to Give
- B3: I'm Gonna Love You Just a Little More Baby
- C1: Girl It's True, Yes I'll Always Love You
- C2: Honey Please, Can't Ya See
- D1: You're My Baby
- D2: Hard To Believe That I Found You
- D3: Never, Never Gonna Give Ya Up
- E1: Mellow Mood (Pt. 1)
- E2: You're The First, The Last, My Everything
- E3: I Can't Believe You Love Me
- F1: Can't Get Enough of Your Love
- F2: Oh Love, Well We Finally Made It
- F3: I Love You More Than Anything (In This World Girl)
- F4: Mellow Mood (Pt. 2)
- G1: Heavenly, That's What You Are To Me
- G2: I'll Do For You Anything You Want Me To
- G3: All Because Of You
- G4: Love Serenade
- H1: What Am I Gonna Do With You
- H2: Let Me Live My Life Lovin' You Babe
- H3: Love Serenade
- I1: I Don't Know Where Love Has Gone
- I2: If You Know, Won't You Tell Me
- I3: I'm So Blue and You Are Too
- J1: Baby We Better Try To Get It Together
- J2: You See The Trouble With Me
- J3: Let The Music Play
- K1: Don't Make Me Wait Too Long
- K2: Your Love - So Good I Can Taste It
- L1: I'm Qualified To Satisfy You
- L2: I Wanna Lay Down With You Baby
- L3: Now I'm Gonna Make Love to You
- M1: Playing Your Game, Baby
- M2: It's Ecstasy When You Lay Down To Me
- M3: You're So Good You're Bad
- N1: Never Thought I'd Fall In Love With You
- N2: You Turned My Whole World Around
- N3: Oh What A Night For Dancing
- N4: Of All The Guys In The World
- O1: Look At Her
- O2: Your Sweetness Is My Weakness
- O3: Sha La La Means I Love You
- P1: September When I First Met You
- P2: It's Only Love Doing It's Thing
- P3: Just The Way You Are
- P4: Early Years
- Q1: I Love To Sing The Songs I Sing
- Q2: Girl, What's Your Name
- Q3: Once Upon A Time (You Were A Friend Of Mine)
15 Jahre nach seinem frühen Tod feiert - The 20th Century Records Albums (1973-1979)' Barry White als einen der größten Künstler / Songwriter / Produzenten der 70er Jahre. Er etablierte den neuen Klang der Orchesterseele, der über das Jahrzehnt und darüber hinaus zu einem Grundbestandteil wurde. Das Vinyl-Box-Set enthält alle 9 LP-Alben, die Barry White über das Label 20th Century Records veröffentlicht hat und werden hier zum ersten Mal zusammengestellt. Alle neun Alben wurden zum ersten Mal seit ihrer Veröffentlichung in den 70er Jahren von den originalen analogen Masterbändern remastert und werden hier mit ihrem originalen Sleeve und Label Art präsentiert. Die Alben wurden in den Abbey Road Studios in London auf hochwertigem 180g Vinyl geschnitten, um die höchstmögliche Audioqualität zu garantieren.
[ZZA] q4 | Oh Me, Oh My (I'm Such a Lucky Guy)
[ZZB] r1 | I Can't Leave You Alone
[ZZC] r2 | Call Me, Baby
[ZZD] r3 | How Did You Know It Was Me
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- A1: Lovecoaster
- A2: Truth (feat. Beau Nox)
- A3: It's Alright (feat. Jaël)
- A4: Keep up
- B1: Get to Know You (feat. Pip Millett)
- B2: Slow Down (feat. Damon Trueitt)
- B3: It Ain't the Same
- C1: Awake in the Dark (feat. James Chatburn)
- C2: Comfortable (feat. HIGH HØØPS)
- C3: Better for Ya (feat. Sacha Vee)
- D1: Revive
- D2: How I Feel (feat. Sam Wills)
- D3: Zoom out (feat. Malia)
- D4: Take off
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- A1: Junie - Suzie Thundertussy (4:11)
- A2: Funkadelic - You & Your Folks, Me & My Folks (3:39)
- A3: The Detroit Emeralds - You're Gettin' A Little Too Smart
- A4: King Errisson - Back From The Dead (4:41)
- A5: Pleasure Web - Music Man (part 2) (2:11)
- B1: Magictones - Good Old Music (3:53)
- B2: Funkadelic - I'll Bet You (4:09)
- B3: Junie - Tight Rope (single mix) (4:06)
- B4: Caesar Frazier - Funk It Down (5:04)
- B5: Fuzzy Haskins - The Fuz & Da Boog (3:27)
- C1: Ohio Players - Funky Worm (2:40)
- C2: Spanky Wilson - Kissing My Love (4:15)
- C3: The Detroit Emeralds - Baby Let Me Take You (In My Arms) (3:41)
- C4: Unique Blend - Does He Treat You Better (3:17)
- C5: Fantastic Four - Mixed Up Moods & Attitudes (5:32)
- D1: Funkadelic - I Wanna Know If It's Good To You (2:53)
- D2: The Counts - Pack Of Lies (4:12)
- D3: Fantastic Four - Disco Pool Blues (4:45)
- D4: Denise LaSalle - Heartbreaker Of The Year (2:52)
Celebrating its 50th birthday this year, Westbound Records is the Detroit institution that discovered Funkadelic and the Ohio Players, with a rich catalogue that is probably amongst the most sampled in the world.
Our 'Super Breaks' series makes a welcome return, throwing the spotlight on the records which have been sampled on both Westbound and its Eastbound subsidiary. These come not only from the more obvious names such as the Detroit Emeralds, Denise LaSalle, Junie Morrison, Funkadelic and Ohio Players, but also the lesser-known Pleasure Web and the Magictones.
The list of artists who have sampled these records reads like a Who's Who of the hip-hop and dance worlds. These tracks will be recognised from well-known records by Kanye West, Dr Dre, Snoop Dogg, A Tribe Called Quest, De La Soul, Fatboy Slim, and many more.
Both the double vinyl and the CD come with extensive sleeve notes and a breakdown of where each track has been sampled.
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After years of working as a graphic artist, designer, and creative director, Pilar Zeta will release her debut album Moments of Reality on Ultramajic Records on October 5th, 2018.
Inspired by Japanese post-modern art from the 1980s and produced using synthesizers from the 1990s, the new age album of nine electronic pieces is ambient and cinematic with an off-world feeling.
Her sound draws on the style of bands like Art of Noise and Steve Roach that she was exposed to early in her life and evokes the work of Yasuaki Shimizu, Yello, and Laurie Anderson. Each of the nine tracks will feature a cover with different objects in absurdist settings. Much the same way Zetas visuals seem to be artifacts from a parallel universe, Zetas ethereal and melodic compositions sound like a coded language transmitting from a neighboring galaxy.
I feel privileged to be able to translate my visual world into sound, the unknown was the most fun and fascinating aspect of it
Fueled by a lifelong love of the paranormal, Zetas metaphysical iconography and music exist in futuristic, surreal, and elegant spaces. Her visual and sonic works function as a form of practical magic in a machine-centric world, connecting different mediums through a singular, transcendent vision.
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- 1: Folly
- 2: Better In My Day
- 3: Little Lambs
- 4: Old Thorn
- 5: Dieu Et Mon Droit
- 6: Throne
- 7: Mongrel
- 8: Glory
- 9: Tea Rooms
- 10: Jerusalem
- 11: Dance Of The Peddlers
- 12: Hobby Horse
- 13: Sunny Stories
- 14: Over The Hills
Coloured[16,77 €]
'Bound to shake your walls and rattle your windows' Max Reinhardt, BBC RADIO 3 "The first bit of evidence that Elizabeth Bernholz's next album Pastoral - due out in September - could be her best to date". THE QUIETUS "Will likely be one of the year's very best records.' CLASH 'What species is this What century' Forged in a rural idyll in Middle-England, the new album Pastoral, by Gazelle Twin, exhumes England's rotten past, and shines a torch over its ever-darkening present. Told through a troupe of multi-gender voices, in vernaculars old and new; from the shrill echo of folksong to tabloid-tinged jaunts, the artist aka Elizabeth Bernholz, presents the notion that 'there is horror in every idyll, and danger lurking beyond the 'quaint' '. The village square - once host to centuries of public torture - becomes a floral framed postcard, dolled-up for the Summer Fête. A sunny, afternoon walk over the hills unsettles a cloud of angry flies feeding from unidentifiable remains. Bigoted vitriol gently murmurs amidst tearoom chatter, as the neatly framed pastoral picture dissolves into a solemn ennui. Four years in the making, amidst life-changing events, including a move far out of the city, Pastoral will be the first major release by the artist since her widely acclaimed LP UNFLESH (2014, Anti-Ghost Moon Ray) and is seamlessly on-theme, together with Bernholz's J.G. Ballard-inspired A/V show 'Kingdom Come' (soundtrack released November 2017, Anti-Ghost Moon Ray) - a fascism-infused hellscape, this time set in deepest Old England. As its sole creator, Gazelle Twin 'The Composer, Musician and Producer' has crafted an album overflowing with a frenzy of traditional and contemporary musical tropes; from early music instrumentation - the harpsichord and the humble recorder, fed through myriad electronics - to the compelling, ritualistic application of found sample-looping. Beyond Bernholz's signature choral-infusions, here reverberating like a warped Sunday Service, there are even shades of '90s house and the once-thriving rural rave scene, albeit recalled as a watery, second-hand memory. In its consummation it is an album that feels pan-century, even pan-species. Set against a verdant backdrop of hedgerows and steeples, Gazelle Twin 'The Artist and Performer', constructs an eccentric and commanding visual embodiment of all-of-the-above - a costume fit for a court Jester of the 21st Century. The colours of Neo-Nationalism. Coke cans, and DANGER. 'It' (not 'she') hints at folkloric traditions with a footy mascot twist. The 'Ye Olde' and 'The Everyman' of the English cliché. Brandishing a sneer and a hobby horse. A riddle and a recorder. A jeer and a square dance in red, Adidas Gazelle's, and a mad, fixed GRIN - first glimpsed in the single, 'Hobby Horse' (22 June, Anti-Ghost Moon Ray). A deranged, absurd reflection of deranged and absurd times.
expected to be published on 21.09.2018
- 1: The Room
- 2: HBW
- 3: Rythm A
- 4: Groovin' with The Eternal Now
- 5: Don't Move!
- 6: Feel Better
- 7: Like A River
- 8: Just The Rain
- 9: HAHA lol
- 10: Two Doors
"The Room", Fenster's fourth album and their first release on Altin Village & Mine marks the beginning of a new chapter for the band. After releasing three albums, a feature length film, and touring extensively throughout Europe and North America since 2012, "The Room" serves as an entry point into their sonic evolution. The essential characteristic of the band is transformation - within and between genres, albums, and songs. Their sound is a window framing psychedelic, groovy, hypnogogic, playful pop.
Fenster is Elias Hock (Germany), Jonathan Jarzyna (Germany), Lucas Ufo (France) and JJ Weihl (USA). Their mission in creating this album was to compose and arrange every song together in a room. It is an experiment in collective creativity that pushed all of them to transcend their individuality and create something together which is greater than the sum of its parts.
The songs were tracked live in a house where the band ate, slept, and played together. Often the songs were recorded without implementing a click track. They were intent on finding and locking into a human groove—one open to imperfection—while still maintaining a tightness between them. They wanted to make the songs feel alive—as if the listener were present in the room with them in the moment of creation.
The album's title track "The Room" opens the record like a rollercoaster ride. There is a tension in the first bars that ties us to earth, a minimal riff that guides us to the first chorus where we feel we are slowly lifting into the air—and by the time we reach the second chorus it has exploded into a space far away from the planet's gravitational pull.
The band's use of juxtaposition is not just a way of channeling a vast library of musical genres and concepts, it is a means of expression. Combining tender pop melodies with kraut-beats, disco grooves and psychedelia frees the band from any one sound and creates a genre all its own.
This playfulness is especially vibrant in songs like "Rhythm A" and "HAHA lol" which deconstruct and fuse together disparate moments of explosive rock, tender harmonies, percussion made of splashing water, voices from a radio, and electric piano. Even "Feel Better", a sparkly pop ballad is cracked wide open by a long trippy interlude that appears unexpectedly within an otherwise classic structure.
The cover art, created by the band's own Lucas Ufo, invites us into a room in the shape of a human skull. If one looks "out" the window in the picture, one finds oneself looking in to an infinite portal of rooms within rooms. The record plays a lot with this idea of perception. In "HBW", the relationship between the bass and the drums creates the feeling of an infinity loop. The lyrics lend an enigmatic tint to the landscape of so called objective reality v. perceived reality: "I was a phase — you were going through — said I was the one but there is no one — there's only the sun — that gives shape to the moon"
The record starts with "The Room" and ends with "Two Doors". Maybe one door is an exit, and one leads to another room... who knows The song has something mysterious and expansive, like a digital ocean flooding the room, carrying everything away. The whole process of making a record is about capturing a moment in time. This is the record they made - in this point in time, all together, in a room. The last words of the record roll out with the waves: "What you leave behind for someone else to find — Two doors inside — neither one is right"
Tracklisting
expected to be published on 19.09.2018
- A1: Salute (feat MC GQ)
- A2: Better Life (feat Maduk & I-Kay)
- A3: Holy Star
- A4: Hold Up The Crown (feat Ky Lenz)
- B1: Just A Step Away (feat Ownglow)
- B2: Starting It Over (feat Hannah Symons)
- B3: Devil's Drop
- B4: Money Calling Me (feat Times X Two)
- C1: Many Signs (feat Pete Josef)
- C2: Roll The Drums
- C3: Lizard Steppa
- D1: IDragon
- D2: Supreme
- D3: Atomic Funk
- D4: Tranquility (feat Scarboy)
Drum & bass pioneer and Hospital Record's crown jewel Danny Byrd is back! He's set 2018 ablaze with monolith anthems 'Devil's Drop', 'Salute' ft MC GQ and 'Hold Up The Crown' ft Ky Lenz, now he proudly presents his first album in five years.
A 15-track funk-fuelled compendium of rolling dancefloor-fillers that tributes to the jungle foundation moulding his early discography. Collaborations with the likes of I-Kay, Maduk, Ownglow, Times x Two and MC GQ, fuse with powerful
doses of Danny's hip-hop and R&B infused 174BPM productions. 'Atomic Funk' is undoubtedly Mr Byrd's finest work to date and includes one of the biggest future D+B anthems 'Holy Star' that's brought to life with vocal delights from MC Foxy.
'Just A Step Away' (ft. Ownglow) has become a silver bullet for the Byrd, taking a spotlight in his DJ sets as his finishing move. With its gorgeous vocals, volatile rave synths and humming sub-bass, it's not hard to see why. However, that's
far from the only weapon in this legend's locker. 'Roll The Drums' is a certified sub shaker bringing a fierce bassline and thundering percussion, plus there's raw jungle madness with 'In The Meantime' (ft. Hannah Symons). With fifteen incredible tracks from Hospital Records' longest standing signing, 'Atomic Funk'
is Danny Byrd at his best. Crafted for the dancefloor and Feel-good from start to finish, a must-have for a true Hospital fan.
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2 Disorder Mind AKA TIEUM and Scratch. CLASSIC HARDCORE INDUS SOUND
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Broken District is a new label launched by the creative minds of Jus Jam, Momla and Antwan. The project is born with the idea of exploring alternative music styles that blend the influences of the label's creators, including Jazz, House-Music, Hip-Hop, Funk, Soul, and more experimental sounds.
In order to give a global overview of the label's territory, Broken District kicks-off with a series of VA EPs, here delivering its second volume.
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Bruno Pronsato hat schon länger erfolgreich Erwartungen in der Techno- und House-Szene untergraben. Im früheren Leben war er Schlagzeuger einer Speed-Metal-Band mit einer ernsthaften Leidenschaft für Zwölftonmusik. 2005 zog er nach Berlin und eroberte die Aufmerksamkeit der elektronischen Musikwelt mit seiner LP "Why Can't We Be Like Us". Pronsato kehrt nun mit seinem neuen Album zurück ins Rampenlicht. In Zusammenarbeit mit Yonatan Levi hat er "A Face Wasted On The Theatre" geschrieben und produziert. Diese Verbindung ist bereits bestens eingespielt: Seit 2014 arbeiten die beiden immer wieder zusammen. Das neue Album entstand in zwei verschiedenen Studios im Prenzlauer Berg, der Wahlheimat des Texaners Steven Ford, wie Pronsato bürgerlich heißt, - und zwar meist nachmittags und nicht etwa in tiefer Nacht. Auf sechs der acht Songs ist Levi alias L.A.Teen erneut am Bass zu hören, weitere Gäste sind der Komponist und Produzent Peter Gordon und der israelische Saxofonist Yonatan Yudkowitz. Auch Levi stammt aus Tel Aviv und ist klassisch ausgebildeter Gitarrist und Bassist. Er ging einst in die USA und machte sich in der New Yorker Jazz-Szene einen Namen.
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expected to be published on 22.06.2018
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The All Star team at Acid Camp has been touring around the world in search for inspiration. They've created new and engaging tracks for you to share with your favorite dance floor or your private listening environment of choice. Find part one and two of our new series at your favorite record shops. A limited run of colored vinyl will be available at Acid Camp's Bandcamp.
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Independently released album of 80s influenced / new era Boogie, Disco and Jazz fusion performed and recorded by Skymark. Great songwriting and drum programming skills are on display throughout while he deftly works an array of synths (ARP, Prophet, Moog, Roland and Korgs). Big Tip!
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- A1: Love's Theme
- A2: I'm Gonna Love You Just A Little More Baby
- A3: I've Got So Much To Give
- A4: Never, Never Gonna Give Ya Up
- A5: Honey Please, Can't Ya See
- B1: Can't Get Enough Of Your Love, Babe
- B2: You're The First, Tjhe Last, My Everything
- B3: What Am I Gonna Do With You
- B4: I'll Do For You Anything You Want Me To
- B5: Let The Music Play
- C1: Satin Soul
- C2: You See The Trouble With Me
- C3: Baby, We Better Try To Get It Together
- C4: Don't Make Me Wait Too Long
- C5: I'm Qualified To Satisfy You
- C6: It's Ecstasy When You Lay Down Next To Me
- D1: Playing Your Game, Baby
- D2: Oh What A Night For Dancing
- D3: Your Sweetness Is My Weakness
- D4: Just The Way You Are
- D5: September When I First Met You
- D6: I Love To Sing The Songs I Sing
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The new fresh project DA BREAK announces their first self-titled album, bringing back that old school 90's vibe that will remind you the Hip-Hop, Soul & R'n'B Flava' you love! The music is spontaneous, modern, produced by today's best French Funk/Groove producer Bruno "Patchworks" Hovart, alongside great and soulful singer Jen' 'Hawa' Zonou and hard grooving drummer Rémy Kaprielan. Peace, love & having fun!!
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- A1: Perseverance (feat. Harry Pane)
- A2: The Brightest Light
- A3: Slide (feat. Yudimah)
- B1: Focus Uppermost
- B2: Step by Step (feat. Sôra)
- B3: Make a Change
- C1: Atoms (feat. Birsen)
- C2: Believe
- C3: Where Your Heart Goes (feat. SYML)
- D3: Better Days Ahead
- D1: Healing (feat. Mesita)
- D2: Moment of Truth
- D3: Late Hours (feat. Antony Left)
- D4: Uprising
2x12"
UPPERMOST will be releasing his upcoming album on March 23, 2018 with a completely new perspective that should change the course of his career, expanding to a brand new pop oriented approach but keeping his French signature at the core of the project. His previous hit tracks Flashback and Beautiful Light have already generated more than 27 Million combined streams across platforms, while Mercedes-Benz selected Uppermost single Disco Kids to be featured in their Formula One advertising campaign and Starz/Encore chose another of his instrumentals for their 2018 TV spot only few weeks ago. Uppermost is being closely followed by international media leading to great articles from influent press channels such as DJMAG, Vice, Complex, Paper Magazine, and famous radios such as BBC 1 and Virgin. In addition to releasing music via his own independent label Uppwind Records, Uppermost has released music through powerful labels such as Sony and Ministry Of Sound and done official remixes for Dada Life, Lemaitre and Crystal Fighters. He has also already shared french festival SOLIDAYS's stage with Madeon, Yelle, Fakear and Die Antwoord. This new year, Uppermost premiered his upcoming live show at Paris . Point Ephemere . for a sold out event that turned into a great success. Meanwhile, a U.S. tour is already confirmed for the month of March.
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- A1: The Fatback Band - Yum Yum (Gimme Some)
- A2: The Philly Armada Orchestra - For The Love Of Money
- A3: Ray Camacho - Movin', On
- A4: Billy Garner - Brand New Girl (Part 1)
- A5: Robert Jay - Alcohol (Part 1)
- A6: King Floyd - Baby Let Me Kiss You
- B1: Uncle Louie - I Like Funky Music
- B2: 87Th Off Broadway - Moving Woman
- B3: Tommy Stewart - Bump &, Hustle Music
- B4: T-Connection - Do What Ya Wanna Do
- B5: Little Beaver - Concrete Jungle
- B6: The Barons Ltd - Making It Better
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Vozduh (air) marks the first in a series of EPs by Nocow for Figure, showcasing his emerging signature-style of Electronica-tinged techno. Drawing inspiration from the sheer endless winters of St. Petersburg, his series builds on classic IDM tropes, imbuing them with a noticably Russian and deeply personal sensitivity. As each part of the trilogy is represented by an element, the tracks on Vozduh are vaporous by nature: from the crackling ambiance of opener Bouis to the weightless vocals on stoic Forgiven, as well as a surprisingly introspec-tive take on ghetto-house or the wafting melodies closing out the record's B-side - all forms seem to be in con-stant shift, casting a dense yet permeable body of sound. With two more releases on the way, which will be exploring the themes of voda (water) and zemlya (earth) within this artist's singular spectrum, the outlook (which also includes a full- volume edition) on this approaching season is anything but gloomy.
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- A1: James Booms - Psalms 20
- A2: The Upsetter - Proverbs Of Dub
- A3: Errol Walker - Better Future
- A4: The Upsetter - Future Dub
- A5: Zap Pow - River
- A6: Earl Sixteen - Freedom
- B1: The Hombres - Africa
- B2: The Upsetter - Foundation Dub
- B3: Leo Graham - Voodooism
- B4: The Upsetter - Dubism
- B5: The Black Notes - African Style
- B6: Lloyd & Devon - Wolf Out Deh
- B7: The Upsetter - Shepherd Rod
2022 is the 40th Anniversary of Iron Maiden’s Iconic third album The Number of The Beast. The first Iron Maiden album to feature Bruce Dickinson on vocals, The Number of the Beast was also the band’s first album to hit the number 1 spot in the UK. The album spawned the crossover hit singles Run To The Hills and The Number of The Beast, and introduced the band to a truly global audience.
To celebrate this milestone anniversary Iron Maiden release a very special 3LP collectors vinyl featuring the original album with revised track list plus the legendary 1982 live show from Hammersmith Odeon ‘The Beast Over Hammersmith’.
The original album replaces Gangland with Total Eclipse in a revised track list. The accompanying double live album The Beast Over Hammersmith is presented on vinyl for the first time.
This collectible 180g 3LP vinyl set is packaged in a double gatefold sleeve featuring a special ‘split’ cover image and many rare photos from the time. Also, featured are excusive sleeve notes from Steve Harris.
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Motörhead, Kings of the Road for over förty years, are immortalized one more time in Clean Your Clock, the superb live album recorded at The Zenith in Munich, Germany during the Winter 2015 Bad Magic tour. The indomitable cocktail of power, purpose and head-crunching volume that Lemmy Kilmister, Phil Campbell and Mikkey Dee always succeeded in producing is captured superbly by long-time producer Cameron Webb's mix, giving this landmark Motörhead release the warmth, curve and punch which helped the band achieve international acclaim during a career which saw the Grammy-winning icons sell over 15 million albums and play to millions worldwide.
Clean Your Clock is also a fitting salute to the power of Ian 'Lemmy' Kilmister, who founded Motörhead back in 1975 and so sadly passed away on Dec 28th 2015. Recorded only weeks before, Lemmy snarls, roars and bangs that bass with the magisterial air of a man who knows he's a leader.
Perhaps more than with any other Motörhead album, you need to TURN-THIS-UP because as Lemmy himself said, the only way to feel the noise is when it's good and loud...
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