Search:black vinyl

"Rantanplan" sind seit fast 30 Jahren eine feste Institution und das schon lange nicht mehr "nur" innerhalb der Subkulturen, haben mit ihrem letzten Album "AHOI" 2023 nur knapp die Top Ten verfehlt (Platz 11 / 03.03.2023). Mit dem unveröffentlichten und exklusiv auf Vinyl erhältlichen Song "Am Meer" meldet die Band sich auf Sunny Bastards Records zurück. "Am Meer" ist genau der richtige Ohrwurm "um am Strand zwischen 3 Elementen zu liegen" und gut gelaunt den Sommer mit einem kühlen Bier zu genießen! Extrem tanzbarer Ska-Punk und klarer Hit von der Waterkant! Die B-Seite "Sand am Meer" greift nur vordergründig das unbeschwingte Sommergefühl auf, denn Rantanplan waren schon immer mehr als nur eine Spaßkapelle und verpacken ihre gesellschaftspolitischen Botschaften subtil statt plakativ in ihre Musik. "Idioten gibt's wie Sand am Meer"_wer will da schon widersprechen? Bislang nur online aus "Ahoi"-Sessions als Single Digital 2021 veröffentlicht, gibt es den Song jetzt endlich auch erstmals auf Vinyl! Streng limitiert auf insgesamt 500 Exemplare erscheint die 7" im Hardcover in bunter Vielfalt als red'n'white inside out und clear with blue & black splatter vinyl (je 200 copies ww). Für Puristen natürlich auch als black vinyl (100 copies ww) erhältlich.

"Rantanplan" sind seit fast 30 Jahren eine feste Institution und das schon lange nicht mehr "nur" innerhalb der Subkulturen, haben mit ihrem letzten Album "AHOI" 2023 nur knapp die Top Ten verfehlt (Platz 11 / 03.03.2023). Mit dem unveröffentlichten und exklusiv auf Vinyl erhältlichen Song "Am Meer" meldet die Band sich auf Sunny Bastards Records zurück. "Am Meer" ist genau der richtige Ohrwurm "um am Strand zwischen 3 Elementen zu liegen" und gut gelaunt den Sommer mit einem kühlen Bier zu genießen! Extrem tanzbarer Ska-Punk und klarer Hit von der Waterkant! Die B-Seite "Sand am Meer" greift nur vordergründig das unbeschwingte Sommergefühl auf, denn Rantanplan waren schon immer mehr als nur eine Spaßkapelle und verpacken ihre gesellschaftspolitischen Botschaften subtil statt plakativ in ihre Musik. "Idioten gibt's wie Sand am Meer"_wer will da schon widersprechen? Bislang nur online aus "Ahoi"-Sessions als Single Digital 2021 veröffentlicht, gibt es den Song jetzt endlich auch erstmals auf Vinyl! Streng limitiert auf insgesamt 500 Exemplare erscheint die 7" im Hardcover in bunter Vielfalt als red'n'white inside out und clear with blue & black splatter vinyl (je 200 copies ww). Für Puristen natürlich auch als black vinyl (100 copies ww) erhältlich.

"Rantanplan" sind seit fast 30 Jahren eine feste Institution und das schon lange nicht mehr "nur" innerhalb der Subkulturen, haben mit ihrem letzten Album "AHOI" 2023 nur knapp die Top Ten verfehlt (Platz 11 / 03.03.2023). Mit dem unveröffentlichten und exklusiv auf Vinyl erhältlichen Song "Am Meer" meldet die Band sich auf Sunny Bastards Records zurück. "Am Meer" ist genau der richtige Ohrwurm "um am Strand zwischen 3 Elementen zu liegen" und gut gelaunt den Sommer mit einem kühlen Bier zu genießen! Extrem tanzbarer Ska-Punk und klarer Hit von der Waterkant! Die B-Seite "Sand am Meer" greift nur vordergründig das unbeschwingte Sommergefühl auf, denn Rantanplan waren schon immer mehr als nur eine Spaßkapelle und verpacken ihre gesellschaftspolitischen Botschaften subtil statt plakativ in ihre Musik. "Idioten gibt's wie Sand am Meer"_wer will da schon widersprechen? Bislang nur online aus "Ahoi"-Sessions als Single Digital 2021 veröffentlicht, gibt es den Song jetzt endlich auch erstmals auf Vinyl! Streng limitiert auf insgesamt 500 Exemplare erscheint die 7" im Hardcover in bunter Vielfalt als red'n'white inside out und clear with blue & black splatter vinyl (je 200 copies ww). Für Puristen natürlich auch als black vinyl (100 copies ww) erhältlich.

"Star Wars Stories is a collection of the most famous melodies & fan favourite tracks from the recent Star Wars Universe including The Mandalorian, Solo: A Star Wars Story and Rogue One. This compilation features main themes, epic orchestral tracks and emotional songs, paying tribute to the originals John Williams, Ludwig Göransson, John Powell, Anthony Williams & Michael Giacchino. This project is a follow-up to the 2019 release Music From The Star Wars Saga – the essential collection, a compilation of music from the Star Wars films. Included are the most famous melodies & fan favourite tracks from the hugely popular tv series, paying tribute to Ludwig Göranssons’ work. This includes musical highlights from the series ranging from the infamous main theme to epic orchestral tracks & character pieces for Boba Fett & Luke Skywalker. From Solo: A Star Wars Story, this tribute to John Williams & John Powell’s 2018 album features action-loaded orchestral musical highlights from the film and themes for the beloved characters Han Solo and Chewbacca. Star Wars Stories is available as a limited edition of 1000 individually numbered copies on ""Hyperspace"" coloured vinyl. This 2LP-set is housed in a gatefold sleeve, includes an insert, and features secret inscriptions in the run-out grooves.
"

Star Wars Stories by Various Artists, released 2 May 2024, includes the following tracks: "Luke Skywalker Hallway Theme", "End Theme", "Flying With Chewie", "The Adventures Of Han" and more.

This version of Star Wars Stories comes as a 2xLP in a(n) Gatefold Sleeve packaging. This release comes with (a) Insert(s).

The vinyl is pressed as a marble, blue & white & black disc. Another vinyl is pressed as a marble, blue & white & black disc.

Black Sabbath live im Théâtre 140, Schaarbeek / Schaerbeek, Brüssel, Belgien, 3. Oktober 1970!
Mit ihrem neu veröffentlichten 'Paranoid'-Album tourten Black Sabbath im Oktober 1970 mit Manfred Mann Chapter III durch Europa. Dieses Konzert wurde am 3. Oktober 1970 live im 'Théâtre 140' in Brüssel aufgeführt und auf RBTF-TV übertragen. Es zeigt die Band in ihrer schon überragenden Frühphase und Songs aus den ersten beided Alben. Das Gatefold-Sleeve kommt handnummeriert inkl. bebilderten Liner Notes, reproduziertem Poster und exklusiver Postkarte. Gepresst auf 180g Marbled Purple Vinyl! Limitierte Auflage!

Saltburn is the 2023 black comedy psychological thriller film
written, directed, and co-produced by Emerald Fennell. The film stars a student (Barry Keoghan) at Oxford University, who finds himself drawn into the world of a charming and aristocratic classmate (Jacob Elordi), who invites him to his eccentric family’s sprawling estate for a summer never to be forgotten.

The film became one of the most-streamed films upon its streaming release on Amazon Prime Video in December 2023. It received critical acclaim and several accolades, including nominations for two Golden Globe Awards and five BAFTA Awards.
The music was created by Anthony Willis, who previously scored Fennell’s Promising Young Woman among others. Saltburn is available as a limited edition on white & black marbled vinyl and includes an insert.

Double 180g coloured marbled vinyl (Disc 1: translucent sun yellow with red; Disc 2: purple with violet & white) housed in a gatefold cover. Double EP 7" on randomly coloured eco vinyl with four new tracks written for "Risk Of Rain Returns". Carefully designed, beautifully remastered and loaded with new ways to play - "Risk of Rain" is back and better than ever! Dive into the iconic roguelike full of unique loot combinations, enhanced with new Survivors, overhauled multiplayer, fan favourite content from Risk of Rain 2 and more! Ten years to the day, after "Risk of Rain" was released into the world to become a true classic, the game is revived on November 8, 2023 as "Risk of Rain Returns" to reconnect with its fans and be discovered by those who didn't realise what they were missing. Time to give the iconic game soundtrack an update as well, isn't it? Creator Chris Christodoulou gives an insight on his work as well as the extensive and luxurious new vinyl release that come with some remarkable extras: "Can you believe it's been ten years already? It seems like yesterday that I was sitting in my small bedroom/studio in front of an aching computer writing the music for 'Risk of Rain'. And here we are, ten years later, returning to it to, adding to its musical compendium. What an unexcepted, magnificent journey! With this very special release we're celebrating both, the 10-year anniversary of 'Risk of Rain' and the release of 'Risk of Rain Returns'! This modular album contains the entire Risk of Rain soundtrack remastered and the four new tracks written for 'Risk of Rain Returns' (with contributions from special guest musicians Damjan Mravunac & Maria Papageorgiou).

A tribute to one of the greatest songwriters & artists of our time! Features newly recorded covers from Keith Richards, Joan Jett and the Blackhearts, Rufus Wainwright, Lucinda Williams, Maxim Ludwig & Angel Olsen, Rickie Lee Jones, Mary Gauthier, Bobby Rush, Automatic, The Afghan Whigs, and Rosanne Cash. Special Record Store Day Edition pressed on Silver Nugget vinyl and housed in a silver laminated jacket Booklet features liner notes by compilation producer & former Lou Reed publicist Bill Bentley, featuring photos by Mick Rock and Timothy Greenfield-Sanders. "To me, Lou stood out. The real deal! Something important to American music and to ALL MUSIC! I miss him and his dog." - Keith Richards "Lou seemed fearless to me, like he'd rather die than be a people-pleaser. I took inspiration from that." - Rosanne Cash "Lou Reed is my earliest influence, my introduction to punk rock, and the soundtrack to the beginning of my romance with Maxim." - Angel Olsen "Lou Reed has been gone now for many years. He's one of the few people whom I miss as much now as when he left. There are so many instances where I wonder what he would say or what he would think. His general aura would always lend something really unique to the room. Thank God he left his great music and recordings. His personality is sorely missed. Love you, Lou." - Rufus Wainwright // It goes without saying that the legendary Lou Reed was a true rock 'n' roll pioneer. From The Velvet Underground's debut in 1967 all the way through the end of his days, Reed sang truth from his heart. He lived life to the limit-and then some. The Power of the Heart is a tribute to Reed's freedom of expression with covers spanning his ground-breaking years with the Velvets into his majestic solo career. Each track is a glorious extension of the Rock 'n' Roll Animal's soul, ever adventurous and avant-garde. The Power of the Heart: A Tribute to Lou Reed kicks off with a legend in his own right, Keith Richards, reimagining the Velvets' classic, "I'm Waiting for the Man." Richards' rendition instantly invites you on board this unforgettable ride. In stark contrast, "Perfect Day" is somehow even more melancholy than the original given the Rufus Wainwright treatment, featuring sparse fingerpicking and gentle harmonies. Joan Jett and the Blackhearts deliver a version of "I'm So Free" that would have even Lou rockin' in his grave. It's thrilling to hear these songs reinterpreted and sung by such heavyweights; you can even hear as Lucinda Williams channels the spirit of Lou with her take on "Legendary Hearts." Other notable tracks include a punk-drunk, loved-up duet by real-life lovers Angel Olsen & Maxim Ludwig with "I Can't Stand It," and Rickie Lee Jones' reimagining of "Walk on the Wild Side," both whimsical and enticing with her whispery vocals, stripped-down percussion, and a piano fit for a late-night lounge. This tribute album truly defies genre, but its throughline, in the end, is its heart: a deeply thoughtful collection of songs that shaped a generation, each paying homage to a man whose body of work still sings.

Sheer Magic Transparent Silver Glitter Colored Vinyl. Lost in the soot and fall out from Youngstown, Ohio's infamous Black Monday steel industry collapse was Tony March's cross-generational Tammy label. From its early days as a doo wop powerhouse to their last gasps chasing disco hits, Tammy unintentionally documented Youngstown's small but prolific Black music scene. This single LP surveys the label's best R&B, soul, funk, and disco, with 13 tracks from Ice Cold Love, Lynn Minor, J.C. & the Soul Angels, The Snapshots, Iron Knowledge, Roy Jefferson, and Steel City Band. Housed in a deluxe tip-on jacket, with a booklet crammed full of notes and ephemera, The Tammy Label continues Numero's 20 year tradition of preserving regional Ohio music.

2024 Repress

Mannequin Records is proud to present a full length by the Philly minimal-synth princess Void Vision.
Void Vision is a Philadelphia-based electronic project helmed by Shari Vari. It began around 2009 at a time when a wave of synth-revivalists were materializing, but the quality of the songwriting and intense vocals set the band apart from the pack. In a rare instance, Void Vision has managed to combine vintage dance elements with melodic structures, haunting melancholy, and lyrics that have a palpable soul. The songs themselves are dynamic, referencing a cross-section of the last 30 years of electronic music, while simultaneously retaining a uniqueness all their own.

The infamous Wierd Records weekly club night in New York, which showcased a variety of talented electronic and coldwave artists, served as an incubator for Void Vision in it's early stages. After a standout debut performance at the club, they immediately caught the attention of Blind Prophet Records, who consequently released their first 7" single, 'In 20 Years', which received excellent reviews.

Vari has continued performing and recording steadily over the last few years, releasing songs on compilations for various labels, including Rough Trade, and in 2012 the song 'Everything is Fine' was selected for Artforum magazine's 'Best of 2012' issue. In 2013, Void Vision toured the West Coast and later that year released a split 12" with Portland-based band, Vice Device. The first official full-length album, entitled 'Sub Rosa' is set to debut on Berlin-based Mannequin Records, followed by a European tour in 2015.

Shari Vari formed Void Vision in 2009 originally as a duo, during the explosion of the new minimal synth and cold wave scene in United States. Sharing the same scene of the Wierd Records associates like Led Er Est, Martial Canterel, Xeno & Oaklander, Automelodi, in 2010 VV released 'In Twenty Years' on Blind Prophet (Sean Ragon's Cult Of Youth record label), receiving also the attention of the Rough Trade dudes, who asked to put out a track for one of their synth wave compilations.
After other split vinyls, tapes and compilations, Mannequin approached Shari with the intention to continue what Wierd Records started, giving a proper shape to her beautiful and youthful dark electronic sound. The result is 10 hypnotic cold analog tracks dominated by the warm and fragile Shari's voice, some more 'pop orientated' some others belonging to the original 'cold wave' atmosphere.

"Sub Rosa" is an edition of 400 copies on 160 gram black vinyl and 100 copies on 160 gram white vinyl.

Nach fünf Jahren Funkstille versammelte Martin Fry seine Gruppe ABC 1997 für das erfolgreiche Comeback-Album “Skyscraping”. Nach einer Pause mit eher Dance-Pop-orientierten Alben, kehrte die Band zu ihrem geliebten und eingängigen Sound des vielleicht ultimativen neuen romantischen Pop-Albums, “The Lexicon of Love”, zurück. Auf “Skyscraping” hat Martin Fry eine traumhafte Zusammenarbeit mit einem weiteren Helden der Popmusik der frühen 80er Jahre: Glenn Gregory von Heaven. 17. Das Ergebnis ist eine wunderbare Rückkehr zu den glorreichen Tagen von ABC, aber dieses Mal mit einem Blick auf das neue Jahrtausend. Das Album brachte drei Singles hervor, die alle die UK Singles Chart erreichten und die Band wieder ins Licht der Öffentlichkeit brachten. “Skyscraping” ist auf BLACK 180g Vinyl erhältlich und enthält einen Druckbeileger

To celebrate Gene Clark"s landmark 1974 record, No Other, turning 50, 4AD are proud to be releasing the album"s session tracks for the first time on vinyl. Mixed from their original multi-track tapes and spread over two discs, these 18 alternative versions taken from No Other"s recording sessions at LA"s infamous Village Recorder studio offer a fascinating insight into the making of this timeless album. Housed in a mirror board, gatefold sleeve and containing photos from the 1974 recording sessions as well as comprehensive song notes, this special edition is being pressed on double black vinyl with the first disc containing the best / most interesting take of each track and the second disc being every first full take.

From the studio of Attack on Titan, comes a new show - CHAINSAW MAN. This vinyl includes score highlights by Kensuke Ushio from the hit series The soundtrack album by Kensuke Ushio taps into different styles whilst at the core reflecting the action-gore story with lots of electronic & industrial beats and fast-paced melodies. As a contrast, the focus track "that's a dream come true" is a slow-vibing piano track with electronic beats that shows the rare but intense emotional scenes in the show. Kensuke Ushio started his solo career in 2007 under “agraph”. and creates electronic music. He has worked on music for animation TV series, music in advertising and movies such as: A Silent Voice, Devilman Crybaby, Space Dandy, Liz and the Blue Bird, Japan Sinks 2020, Heike Story and now Chainsaw Man.

Limted version on 2LP transparent violet vinyl in gatefold sleeve, 300 copies! ‘Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent.



'Lefto presents Jazz Cats' is back with volume 3 and still doing what it does best: putting you in the front row of what the thriving Belgian jazz scene currently has to offer and revealing a melting pot of the musical talent coming out one of the smallest countries in Europe. Never change a winning team they say, so we're happy to have Belgian DJ and eclectic connoisseur Lefto on board again.

Although you expect thecompilation to be talking jazz, volume 3 explores a broader array of styles, genres, and sounds than ever before, arriving at a point where the 'young cats' of today don't bother no more. It may focus on the Belgian scene, but let's face it, seeing the influences, this one could be compiled from all over the world. From the empowering and bittersweet voices of Oriana Ikomo and Adja, over the more acoustic-electronic productions of Moodprint, Ciao Kennedy, Kassius and echofarmer. It's even expanding the Jazz Cats universe to dub and bass-heavy tracks with Kin Gajo and Le Ministère, Ethio-jazz from Azmari, while sending you back to earth with bodies' swirling sax and drums. That saxophone still rings in your ears when you end up in the orbit of the march-like drums of Bodem, Orson Claeys' piano testing your ability to follow him, slamming the breaks to go smooth cruisin' with HONEY (Morricone meets Khruangbin, anyone?), to crashing in a raging tempo on that last track of Bruno x Soet x Moene. And there you are, back with us.



2018's 'Lefto presents Jazz Cats' included tracks from some of Belgium's biggest hitters, including Black Flower, STUFF. De Beren Gieren and Glass Museum who have all gone on to receive global acclaim. The album was given the accolade of 'Album of the Week' on Worldwide FM and also received further radio support from Jazz FM in addition to numerous glowing reviews. The 2022 follow-up 'Jazz Cats volume 2' paved the way for a new generation inspired by its peers, entering another era of very talented individuals and collectives. Maybe even more so than 4 years before. It uncovered a beautiful balance of more established but also obscure musicians and artists. Opening up to electronics and dance, enter bands like ECHT!, Stellar Legions and TUKAN. Thrilling innovative soundscape grooves and jazz fusion with Bandler Ching and L?p?GangGang, not to forget about the weaving musical odyssey that is M.CHUZI. In addition, there's the balanced unease of One Frame Movement, the laidback 'acoustic electronica' of Boombox Experiments, the classic funky jazz stylings of Cargo Mas and cinematic The Brums, all of these have set volume 2 on the map as an essential release for any jazzhead with a passion for new sounds.

Tastemaker, selector, curator, DJ and producer, these words often get mentioned when Lefto's name pops up in discussions. And rightly so. If you've ever had the pleasure to listen to one of his incredible Boiler Room sets or one of his many radio shows, you'll know why. Famed for his gloriously eclectic taste on the decks, he switches effortlessly between hip hop, funk, breaks, neck-snapping beats, future bass, South-American influences, bruk riddims, some wild African rhythms and of course, jazz.

Growing up as a child, his father would have the sounds of jazz flowing through the speakers. Which led him to bars around town to hear the latest jazz ensembles. Falling in love with the genre, he would later refine his knack for record digging and fine ear for music working at Belgium's legendary Music Mania record store in his hometown Brussels. Which makes that Lefto is consistently a couple steps ahead. He doesn't wait for the next thing to land in his lap, but actively seeking it out.

Lefto on Jazz Cats volume 3:
"Another release in less than two years! I am very impressed by the amount of creative "jazz" talent we've managed to compile over the last couple of years. Thanks to the internet, young musicians find inspiration from around the globe and incorporate diverse influences into their work. Given the history and heritage of jazz in this country, it has managed to create a healthy jazz scene supported by festivals, venues, press, and labels. Therefore, I am very proud to present to you the thirdinstallment of Jazz Cats. This compilation is dedicated to the young and hardworking musicians who are the present and the future of Belgium's jazz scene."

Blood red vinyl, limited to 350 copies. LIE HEAVY brings together notable rockers, Karl Agell, JD Dennis, TR Gwynne and Graham Fry. You may know them from some of their musical forays with Corrosion of Conformity, Leadfoot,The Skull/Legions of Doom, Confessor, Patriarchs in Black, The Point, Deltoid and The Backsliders !!! LIE HEAVY draws on the original hard 'n groovy jams of Sabbath, Mountain, Lizzy and Purple, fused with their own massive experience. So, it is not difficult to fathom why LIE HEAVY sounds like a well-oiled, hard working band of 30 years rather than a new entity. Their pedigree does not belie their power. Collectively, they have spent tens of thousands of hours in practice spaces, studios and on stages around the world, honing their vast skills, to find one another in this moment being among the top guardian practitioners at the gates of transcendently HEAVY music.

High Roller Records, 180g black vinyl, lyric sheet + 4 pages insert printed on uncoated paper, poster, 425gsm heavy cardboard cover, Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY. Cutting by SST Germany on Neumann machines for optimal quality on all levels

High Roller Records, 180g black vinyl, lyric sheet + 4 pages insert printed on uncoated paper, poster, 425gsm heavy cardboard cover, bonus track "Strange World". Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY. Cutting by SST Germany on Neumann machines for optimal quality on all levels

High Roller Records, 180g black vinyl, lyric sheet + 4 pages insert printed on uncoated paper, poster, 425gsm heavy cardboard cover, bonus track "Strange World". Mastered by Patrick W. Engel at TEMPLE OF DISHARMONY. Cutting by SST Germany on Neumann machines for optimal quality on all levels

First Step Beyond by proto-metal quintet Medusa might have forever shifted the perception of Chicago rock history had it managed to make the leap from tape to its never-realized vinyl pressing. Instead, the conflagation of Sabbath, Hawkwind, and Amon Duul II remained petrified in the Corycian Caverns... otherwise known as the drummer's basement. Self-produced on four track in 1975, this lone transmission from Medusa's repertoire appeared on the extremely mysterious Pepperhead label, whose proprietor allegedly disappeared after a bad trip and was never been seen again. Forged in ceremonial mock-velvet, custom embossed in Gorgon-gold and blood-red, and art directed in accordance with the band's elaborate original stage props and artwork, Numero Group positioned this unreleased opus to finally reach its destination: the stereos of pot-smoking and leather-clad teenagers, young and old.

First Step Beyond by proto-metal quintet Medusa might have forever shifted the perception of Chicago rock history had it managed to make the leap from tape to its never-realized vinyl pressing. Instead, the conflagation of Sabbath, Hawkwind, and Amon Duul II remained petrified in the Corycian Caverns... otherwise known as the drummer's basement. Self-produced on four track in 1975, this lone transmission from Medusa's repertoire appeared on the extremely mysterious Pepperhead label, whose proprietor allegedly disappeared after a bad trip and was never been seen again. Forged in ceremonial mock-velvet, custom embossed in Gorgon-gold and blood-red, and art directed in accordance with the band's elaborate original stage props and artwork, Numero Group positioned this unreleased opus to finally reach its destination: the stereos of pot-smoking and leather-clad teenagers, young and old.

In 2023, Death Cult returned and reunited for a handful of performances. In 2024, to celebrate 40th Anniversary of The Cult, Ian Astbury and Billy Duffy have curated the previously released Death Cult collection Ghost Dance, and recompiled the tracks for a 2024 release titled Paradise Now. The release will be available on clear splatter vinyl with a white and black splatter. Southern Death Cult formed in 1981, releasing their sole, self-titled album posthumously in 1983. That same year, Death Cult formed, with Astbury joining forces with Duffy for a musical partnership that has endured for 40-plus years. The band released two 12-inches that same year, one being the Death Cult EP, which were subsequently combined and released as a CD. Death Cult is a vital transmission from the generation of Shamanic post-punk gothic futurists.

Culled from three 1985 gigs in the UK during a transitional and transcendent time in the band's story, Sonic Youth's `Walls Have Ears' appeared as a 2LP set in 1986, not just a live album but an artful tapestry full of live experimentation with songs, between-song tape segues, darkness, humor and audio verité on par with elements of side B of `Master Dik' to come later. With a bit of complexity to the situation of the release itself. But that's a different story. Deleted as quickly as it appeared then, it's now issued for the first time officially under the band's auspices. In this 2LP set brimming with primitive classics like "The Burning Spear", "I Love Her All The Time", "Death Valley 69" and "I'm Insane" (uncredited on sleeve), segues and live guitar changes ooze together threaded by Madonna tapes and vocal loops off the board. The first two sides of `Walls' are massive, cavernous, with newly-drafted drummer Steve Shelley in tow taking on past tunes and unveiling "Expressway To Yr Skull" in glorious form. They tear it up especially on one trash-fi excerpt of "Blood On Brighton Beach" (actually "Making the Nature Scene") from a legendary outdoor gig November 8th where Moore, Gordon and Ranaldo's guitars treble-blast dissonant shockwaves over the black-stoned beach of Quadrophenia fame. The record's second slab spotlights an April 1985 pre-Shelley gig supporting Nick Cave at London's Hammersmith Palais and was one of the final appearances live of Bob Bert, again featuring some molten takes on "Brother James", "Kill Yr Idols", "Flower" (Iisted as "The Word (E.V.O.L.)"), "Ghost Bitch" and others. The emergence of the Jesus and Mary Chain in the world gave Brit scribes a lazy and easy parallel, addressed here with a wink with the inclusion of "Speed JAMC", another offstage tape interlude playfully scrolling through one of that band's songs at fast-forward. This document remains an essential representation of some lean and mean years of the quartet's throttling march out into the world in the mid eighties. Coloured vinyl, one red, one yellow LP.

"ENDSTATION", das original im Jahre 2000 veröffentlichte, damals vorerst letzte Album der 78er Deutschpunk-Legende H.A.S.S.! 2024er Vinyl-Edition, 2023 komplett neu gemastert und abgemischt in dem Sound, den das Album verdient hat(te): Lieder wie "So wie die werd ich nie", das bitterböse "Mein Nachbar" oder "Versoffene Marie" oder "Totengräber" zeigen die Band auch zur Jahrtausendwende in Höchstform...die Hardcore-Punk-Style von Hass wird hier zum Teil mit rockigeren Klängen ergänzt, was eine perfekte Symbiose ergibt und erfrischend neue Facetten in der Discografie von Hass mit sich bringt. Leider war die Scheibe seinerzeit ziemlich "schwach" abgemischt, sodass einiges verloren ging. Zum Glück wurde das jetzt behoben und "Endstation", die letzte Scheibe noch mit Bandgründer und Songschreiber Peter ,Hecktor" Blümer am Mikro, klingt jetzt fett. Farbige Black & White Swirl 180gr LP mit neuem (2023er)Cover-Artwork, inside/out Sleeve plus Insert.

BELFAST PARTY THE NIGHT INSTITUTE LAUNCHES NEW ELECTRONIC MUSIC LABEL

The Night Institute, the legendary cult club night at the forefront of Belfast's thriving electronic music scene, announces eponymous new record label.

Spearheaded by scene stalwarts Timmy Stewart of Black Bones fame and Jordan Nocturne, known for his contributions to labels like Correspondent and Polari, this new venture aims to showcase Belfast's true independent club scene on a global scale.
The Night Institute has long been synonymous with cutting-edge music, providing a haven for the city's electronic music aficionados.
With the label, the vinyl and digital project features tracks by both resident artists as well as global artists who've played at the party.
The inaugural release boasts a stellar lineup.

Alongside Night Institute residents Timmy Stewart (Ft. Northern Irish vocalist Megan Sylvan) and Jordan Nocturne, the record showcases guest appearances by Justin Cudmore, resident of New York's renowned The Bunker and regular contributor to Phonica Records, and Hifi Sean, who has been making waves with his collaborative project alongside David McAlmond while working with icons like Ce Ce Peniston and Yoko Ono.

The label aims to capture the essence of Belfast's underground electronic music scene, while joining the dots with global collaborators across four tracks of acid, odd-ball house and dance floor electronics.

Good Vibes for Uncertain Times

METAL HAMMER - 8/10 review. FOR FANS OF : Lustmord, Om, Sunn O))) . “An exercise in freeform ambience, ritualistic repetition and the rapturous, womb-like power of bass…strange and affecting. We remain lucky to share in the great man’s vision.”

It’s a dream diary narrating a passage through Summer Isle where Flying Saucer Attack are wafting out of a window, a distant Fairport Convention are being remixed by dub master Adrian Sherwood, celestial scanners Tangerine Dream are trying to drown out Bert Jansch and Hawkwind are playing Steeleye Span covers, all prised out of time yet bound to its singularity.

Released periodically on three of 2024’s full moons – April 23rd’s Pink Moon, July 21st’s Buck Moon and October 17th’s Hunter Moon – the three-album cycle, “Triptych”, is (Steve Von Till from Neurosis) Harvestman’s most ambitious undertaking yet.

Guest musicians including Al Cisneros of Sleep / OM who plays bass on one track for each LP, of which he will also mix a dub version on the B-Side of each LP. Dave French of Yob, Sanford Parker and Wayne from Petbrick all make appearances.


Released periodically on three of 2024’s full moons – April 23rd’s Pink Moon, July 21st’s Buck Moon and October 17th’s Hunter Moon – the three-album cycle, “Triptych”, is (Steve Von Till from Neurosis) Harvestman’s most ambitious undertaking yet.

Guest musicians including Al Cisneros of Sleep / OM who plays bass on one track for each LP, of which he will also mix a dub version on the B-Side of each LP. Dave French of Yob, Sanford Parker and Wayne from Petbrick all make appearances.

It’s a dream diary narrating a passage through Summer Isle where Flying Saucer Attack are wafting out of a window, a distant Fairport Convention are being remixed by dub master Adrian Sherwood, celestial scanners Tangerine Dream are trying to drown out Bert Jansch and Hawkwind are playing Steeleye Span covers, all prised out of time yet bound to its singularity.

Bone White opaque + Black Galaxy effect vinyl in dub style jacket (jacket sleeve with centre hole cut out so label shows throug
Drawn to the megaliths, ruins and ancient sites mapped out along the British and European mainland’s geographical and psychic landscapes, the folklore and apocrypha forever resurfacing as portals from a rational world, “Triptych” is a meditation forged from traces and residues, and an hallucinatory recollection of artists who have tapped into that enduring otherworldliness embedded within us all.

Woven together from home studio recordings that span two decades, this fifth outing as Harvestman finds parallels with nature’s cycles not just in its release dates but in the repeated structure that binds each album, like an imprint refracted though three separate strata. “Part One”, as with the forthcoming Parts Two and Three, starts on a collaboration with Om bassist and long-term friend of Steve’s, Al Cisneros, with a dub take opening the B-Side. Here, the opening track “Psilosynth" orbits a grandfather-clock mechanism passing through a nebula haze, all waved on by an acid-fried deity. From there on, “Part One” journeys through the elegiac “Give Your Heart To The Hawk”, with the sampled poetry like a documentary retrieved from a long-lost world, Philip Glass wistfully attending a rescue beacon from the far corner of the universe on Coma, as well as percussion recordings performed by Steve and friend Dave French (drummer of Yob) on a rusted torn open stock tank outside Steve’s barn, treated bagpipes and old reel-to-reel recordings, all reiterated across the next volumes in ever more out-there contexts.

If “Triptych” is a multi- and extra-sensory experience, it extends to the remarkable glyph-style artwork of Henry Hablak, a map of correspondences from a long-forgotten ancient and advanced civilization. As with “Triptych” itself, it’s an echo from another time, an act of binding, a guide to be endlessly reinterpreted, and a signpost to the sacred that might not indicate where to look, but how.

Repress!

‘Hardcore Jollies’ was Funkadelic’s ninth studio album and their debut on Warner Bros Records. Released in October 1976 and dedicated to “the guitar players of the world”, it showed Funkadelic was the heaviest black rock band since Jimi Hendrix’s Band Of Gypsies (even featuring Buddy Miles on one track). With lead guitarists Michael Hampton and Eddie Hazel dazzling, the personification of funk Bootsy Collins on bass, Bernie Worrell’s keyboard wizardry and many more, the album was helmed by the genius of George Clinton. Reaching no.12 on the US R&B chart, the album spawned singles ‘Comin’ Round The Mountain’ (US R&B No.54) and ‘Smokey’ (US R&B No.96) and a live remake of 1973’s ‘Cosmic Slop’ from the album of the same name. Recorded during rehearsals for 1976’s P-Funk Earth Tour, this version features a vocal introduction dropped from the 1973 studio cut. Over 45 years since its original release, ‘Hardcore Jollies’ is among Funkadelic and George Clinton’s best-ever albums and remains a masterful example of their creative genius. FUNKADELIC Masterminded by the larger-than-life figure of George Clinton, Funkadelic was a key component of his influential P-Funk empire. Funkadelic’s unique combination of Rock, Psychedelia, R&B & Soul led to the band crossing over to the pop mainstream & gaining a vast international following, becoming one of the most important & influential groups in music. On 6 May 1997, Parliament / Funkadelic were inducted into the Rock & Roll Hall Of Fame by Prince. To commemorate six decades of thrilling & delighting fans, George Clinton returned to the stage in 2022 for a series of concerts. To celebrate, Charly have reissued Funkadelic’s classic four albums ‘Hardcore Jollies’; ‘One Nation Under A Groove’; ‘Uncle Jam Wants You’; & ‘The Electric Spanking Of War Babies’ (originally released by Warner Bros during a golden period for the band between 1976-1981). Each album will be available as deluxe gatefold Digi-Sleeve CDs in PVC wallets + obi-strip & facsimile-edition gatefold LPs on 180-gram black vinyl & limited edition 180-gram coloured vinyl + 1970s-style obi-strip in a protective PVC sleeve. “They played a HUGE role in creating the future of music.” PRINCE

A humanity-reminding suite of miracle moments, Someone Like Me unites a geographically unbound cast of real people in pursuit of a meaningful connection. Taping their lived experience in economic studios in quiet English counties, Pacific Northwest woodland retreats and the big city bustle of Sydney and Los Angeles, these kindred spirits rendered sheer beauty in the process. Custom pressed folk songs of love, loss and the lord saviour.

Illuminating minor works from seasoned players such as former Syndicate Of Sound chart-topper Sharkey and late-era Canned Heat lynchpin James Thornbury, the collection simultaneously honours the fleeting amateurism of hobby musicians. With their one shot at tangible vinyl, freshman Lynne Ann Kingan realised her loose bubblegum rocker on campus time, while U.S. Navy recruit Fred Potts cut his unconditionally serene ballad remotely stationed on a Spanish naval base. Spartan production continues to reign with Jon Betmead’s hair-raising gospel, howling into infinite space, and Goldrust’s stripped back garden hymn.

Throughout the hour-long reflection, faith has an intermittent yet revelatory presence, most overtly with the divine choral soul of Seventh-day Adventist quartet Remnant. More subtly, Gary Ramey and Jim Kennedy both turned to song in their spiritual quests, offering their all to a universal power. An irrefutable compilation cornerstone, the National Office For Black Catholics showcased Charles Murphy’s lionhearted account of the Black experience at a 1971 concert. Five years earlier, high school seniors The Superwomen would use their hauntingly angelic harmonies to address racial inequity with a breathless take on ‘Lowlands’.

Reaching the furthest corners, Someone Like Me secures the inaugural licence of three homespun masterpieces. Discovered by fluke in the digital haystacks of Youtube and Soundcloud, Jim Huxley’s bedroom pop earworm melds peacefully into Charlie Webster’s synthesized reverie. Meanwhile, Hollywood’s John Agostino introduces us to the bizarre world of tax scam records, with the artist only now learning that his tender psych-folk demos were leaked via a 1977 bootleg.

Compiled and lovingly restored by armchair digger Mikey Young (Eddy Current Suppression Ring/The Green Child), Someone Like Me pays due service to seventeen rarefied journals of truth and devotion. Adorned with visual artist Chris Fallon’s figure and flora dream extractions, the uniting songbook is further detailed by expansive track-by-track liner notes and a forward from San Franciscan poet Rod Roland.

Irlam's infamous upstarts DJ Absolutely Shit are at it again with four more tracks to rattle yer spines and rupture yer spleens.
Utilizing the classic approach of sourcing a sick sample, adding a rugged breakbeat, then tweaking out the buzz for maximum enjoyment, the pair deliver an explosive EP of global hypercoloured mayhem that burns hotter than an oz of 'Ells Angels sputnik.

'Bridge To Your Heart' grabs Sade by the hand, shoves two purple doves down her throat and queue-jumps to the front of Bowlers for an endorphin-rushing hardcore workout full of modern beat engineering and sample manipulation.

Switching approach, 'Bolivia' shuns the dreamy feminism for an altogether more masculine affair - roping in the Wu for an argy-bargy, elbows-out speaker shaker full of hi-definition laser stabs and destructive, land mine subs.

Hitting the accelerator, 'Rocking You Eternally' traverses the jungle boarders in a blacked out Nova, Ab Shit's flair and panache at drum programming and contemporary production chops beautifully on show throughout this big system roller with a carp-hunting vocal hook.

'Gong' closes off proceedings, merging moods inna more seductive flavour. E-soaked pianos and a gentle throb coaxing us to that end-of-night climax that'll have us humming the piano line all the way down the M65 home.

No jokes cru, this is some of the best tackle to emerge outta the DJ Absolutely Shit studio to date. One of two, vinyl-only EPs and ahead of their debut album that follows on C90 tape.

Boing boing boing, boing boing boing, boing boing!!

High Roller Records, reissue 2024, 180g black vinyl, ltd 500, lyric sheet, poster, specially mastered for vinyl by Patrick W. Engel/ Temple of Disharmony, 100% original sound, no remaster!

In her intimate 1992 recording with jazz piano legend Hank Jones, AbbeyLincoln contemplates the subject of love, sounding more optimistic than usual. About When There is Love Lincoln noted in 1992: “I have a sombre outlook and assessment of the world in which we live, but I also have love, love for the beautiful man that makes life bearable in an otherwise unbearable world. So this is my offering on the altar of conjugal love.” She offers highly personalized interpretations of four of her originals and ten standards, among which Duke Ellington's "Black Butterfly," "The Nearness of You," "You Came a Long Way from St. Louis," Fats Waller's "Jitterbug Waltz" and "You Won't Forget Me" are most memorable. A truly moving testament from two of jazz's finest artists. This 140-gram vinyl is the first international vinyl reissue, pressed at Pallas, and is presented in a wide-spine, single-sleeve jacket.

Napoleon is the 2023 spectacle-filled action epic film that details the checkered rise and fall of the iconic French Emperor Napoleon Bonaparte, played by Oscar-winner Joaquin Phoenix. Against a stunning backdrop of large-scale filmmaking orchestrated by legendary director Ridley Scott, the film captures Bonaparte's relentless journey to power through the prism of his addictive, volatile relationship with his one true love, Josephine, showcasing his visionary military and political tactics against some of the most dynamic practical battle sequences ever filmed. At the 96th Academy Awards, Napoleon received nominations for Best Production Design, Best Costume Design, and Best Visual Effects. The film features an original score written and composed by 7-time Primetime Emmy nominatated British composer Martin Phipps. Phipps is best known for his work for the series Peaky Blinders, The Crown, and Black Mirror amongst others. Napoleon marked his first collaboration with Scott and was described by critics as “one of the most interestingly unique, albeit brief scores to debut in this genre for many years.” Napoleon is available as a limited edition of 500 individually numbered copies on translucent red coloured vinyl and includes an insert.

Napoleon by Martin Phipps, released 26 April 2024, includes the following tracks: "Josephine ", "Ladies In Waiting ", "We Are Discovered ", "Look Down " and more.

This version of Napoleon comes as a 1xLP. This release comes with (a) Insert(s).

The vinyl is pressed as a translucent, red disc.

"In partnership with Rob Zombie and Lionsgate, Waxwork Records is thrilled to present The Words & Music of HOUSE OF 1000 CORPSES! From the mind of Rob Zombie, this unique double album features a first-of-its-kind movie soundtrack experience by presenting the complete audio to the iconic 2003 feature film, HOUSE OF 1000 CORPSES as an immersive deluxe double LP set.

Pushing the boundaries and exploring new and inventive ways of collaborating, Rob Zombie and Waxwork are excited to deliver the complete Words & Music of HOUSE OF 1000 CORPSES from the film's opening credits through its credits crawl as an interactive read-along experience for fans of horror, vinyl records, and comics! Featuring all new artwork by Pete Bregman, deluxe gatefold packaging, an 11""x11"" 28-page booklet, printed inner sleeves, and a heavyweight character cut-out sheet to create your very own House Of 1000 Corpses spookshow!

HOUSE OF 1000 CORPSES is a 2003 American horror film written, co-scored, and directed by Rob Zombie in his directorial debut. The film stars Sid Haig, Bill Moseley, Sheri Moon, and Karen Black as members of the murderous Firefly family. The film explores multiple genres including horror and exploitation, and it was initially shelved by the movie studio for its graphic amounts of blood and gore, as well as scenes involving torture and necrophilia."

"The Words & Music of House of 1000 Corpses" by Rob Zombie includes the following tracks: "From "These are all my Dolls."" and more.

This version comes as a 2xLP Set in a Printed Inner Sleeve packaging + Comic Book.

The vinyl is pressed as a swirl, orange & purple & green vinyl.

High Roller Records, reissue 2024, 180g black vinyl, ltd 500, 425gsm heavy cardboard cover, poster, A5 promo photo, lyric sheet, mastered by Patrick W. Engel at Temple of Disharmony

High Roller Records, reissue 2024, black vinyl, ltd 200, lyric sheet, 425gsm heavy cardboard cover

High Roller Records, reissue 2024, black vinyl, ltd 200, lyric sheet, 425gsm heavy cardboard cover

Shake Down, the debut album from the much-respected London-based Savoy Brown Blues Band was originally released on Decca Records in September 1967 - It was produced by the influential team of Mike Vernon and Gus Dudgeon - This re-issue faithfully replicates the original 1967 Decca UK stereo release and is pressed onto high quality 180g vinyl Led by Kim Simmonds, Savoy Brown were one of the UK's most successful and exportable outfits. Shake Down is viewed as one of the strongest and most respectful captures of the US blues they worshipped, bringing songs by Albert King, Willie Dixon and John Lee Hooker to eager UK purists. Recorded in West Hampstead rather than Chicago, the 11 covers showcased the remarkably tight playing of the band, which had formed in Battersea two years earlier. Savoy Brown on this recording comprised Trinidad born Brice Portius on vocals (his only album with the group), Simmonds and Martin Stone trading blues licks on their guitars, underpinned by the rhythm section of Ray Chappell on bass and Leo Mannings on drums. US critic Dave Marsh was to say that Shake Down was "as sympathetic a rendering of the blues as any English group has managed to lay down."

Shake Down by Savoy Brown Blues Band, released 26 April 2024, includes the following tracks: "Black Night", "Rock Me Baby", "Oh! Pretty Woman", "The Doormouse" and more.

This version of Shake Down comes as a 1xLP.

In many ways, the music of Writhing Squares could have only originated in Philadelphia; the city itself a microcosm of creatives, go-getters, freaks & weirdos that have coalesced into a supportive & boundary-pushing crew. Former Purling Hiss bassist Daniel Provenzano & Ecstatic Vision sax-player & vocalist Kevin Nickles' first musical missive was shot forth in 2013 (the self-released CDR "Live In Space") & various singles, split releases, albums (and a double-album) later we arrive at the duo's fourth full-length "Mythology", their third for Chicago-based Trouble In Mind Records. "Mythology" picks up the pieces left shattered by their previous double-album "Chart For The Solution" and reconnects the broken shards together like Kintsugi, the ancient Japanese technique for mending broken ceramics, infusing the breaks with powdered gold. The Squares themselves are like mad-scientists, taking the ruined detritus populating junk shops & surplus outlets & constructing their own sonic laboratories in their New Jersey basements to record, mix & tweak "Mythology"s eight tracks. Their new location allowed the band to regroup, reassess & reconstruct their sound from the ground up, shearing away the cosmic excess of 2021's "Chart For The Solution" to a sharper point. Tracks like `Barbarians' & `LEM' are classic Squares; brutal, aggressive, unwavering assault of Motorhead/Stooges-inflected sci-fi punk scree, while others like `Chromatophage's mutant funk & `Cerberus's techno-slink owe a serious debt to electric-era Miles Davis or Herbie Hancock & show that the group has more to offer than bludgeoning you with sonic force. Provenzano's bass & electronics are like a tank rolling across the terrain - a gnarly construct of Hawkwind-ian headiness & `Vincebus Eruptum's snarl - uncaring of what gets in the way. Nickles' brass vacillates between Stooges-influenced sleaze, jazzy no-wave stabs, & cacophonous sonic storms, strafing the listener into oblivion. The duo are joined on "Mythology" by drummer John Schoemaker - who contributed drums to "Chart For The Solution"s epic closing track `Epilogue' - whose percussive pulse adds an organic swing to The Square's sonics, particularly on album closer "The Damned Thing"s cosmic strut. "Mythology" tackles a multitude of themes, from fantastical tales of hellhound `Cerberus' or the comic-inspired "Eternity " to `Chromatophage's colorful/evil yarn about animals that eat colors (or a Magic: The Gathering card) to the true-life influenced `Acid Rain' that deals with the uncertainty of consuming drinking water after a chemical spill in the Delaware River. Elsewhere, `Ferrell' is an homage to the late, great Ferrell "Pharaoh" Sanders & `The Damned Thing' by a short horror story penned by Ambrose Bierce about an animal whose coloring is invisible to the naked eye. Writhing Squares are in a transitional phase, mapping out a new sonic mythology for themselves after crossing the event horizon into unknown space. "Mythology" is streaming on most DSPs & released on black vinyl & limited fluorescent green vinyl (while supplies last) on April 26th, 2024.

In many ways, the music of Writhing Squares could have only originated in Philadelphia; the city itself a microcosm of creatives, go-getters, freaks & weirdos that have coalesced into a supportive & boundary-pushing crew. Former Purling Hiss bassist Daniel Provenzano & Ecstatic Vision sax-player & vocalist Kevin Nickles' first musical missive was shot forth in 2013 (the self-released CDR "Live In Space") & various singles, split releases, albums (and a double-album) later we arrive at the duo's fourth full-length "Mythology", their third for Chicago-based Trouble In Mind Records. "Mythology" picks up the pieces left shattered by their previous double-album "Chart For The Solution" and reconnects the broken shards together like Kintsugi, the ancient Japanese technique for mending broken ceramics, infusing the breaks with powdered gold. The Squares themselves are like mad-scientists, taking the ruined detritus populating junk shops & surplus outlets & constructing their own sonic laboratories in their New Jersey basements to record, mix & tweak "Mythology"s eight tracks. Their new location allowed the band to regroup, reassess & reconstruct their sound from the ground up, shearing away the cosmic excess of 2021's "Chart For The Solution" to a sharper point. Tracks like `Barbarians' & `LEM' are classic Squares; brutal, aggressive, unwavering assault of Motorhead/Stooges-inflected sci-fi punk scree, while others like `Chromatophage's mutant funk & `Cerberus's techno-slink owe a serious debt to electric-era Miles Davis or Herbie Hancock & show that the group has more to offer than bludgeoning you with sonic force. Provenzano's bass & electronics are like a tank rolling across the terrain - a gnarly construct of Hawkwind-ian headiness & `Vincebus Eruptum's snarl - uncaring of what gets in the way. Nickles' brass vacillates between Stooges-influenced sleaze, jazzy no-wave stabs, & cacophonous sonic storms, strafing the listener into oblivion. The duo are joined on "Mythology" by drummer John Schoemaker - who contributed drums to "Chart For The Solution"s epic closing track `Epilogue' - whose percussive pulse adds an organic swing to The Square's sonics, particularly on album closer "The Damned Thing"s cosmic strut. "Mythology" tackles a multitude of themes, from fantastical tales of hellhound `Cerberus' or the comic-inspired "Eternity " to `Chromatophage's colorful/evil yarn about animals that eat colors (or a Magic: The Gathering card) to the true-life influenced `Acid Rain' that deals with the uncertainty of consuming drinking water after a chemical spill in the Delaware River. Elsewhere, `Ferrell' is an homage to the late, great Ferrell "Pharaoh" Sanders & `The Damned Thing' by a short horror story penned by Ambrose Bierce about an animal whose coloring is invisible to the naked eye. Writhing Squares are in a transitional phase, mapping out a new sonic mythology for themselves after crossing the event horizon into unknown space. "Mythology" is streaming on most DSPs & released on black vinyl & limited fluorescent green vinyl (while supplies last) on April 26th, 2024.