Buscar:bliss

Velvet May returns on “ Tears On Waves” with the 4-
tracker EP “Unknown Bodies”.
This time he is joined by the live duo Years of Denial
and the northern-irish artist Autumns who delivered
their own interpretation and vision of the tracks in the B
side.
"Unknown Bodies" tell us a story, a contorted story of
lust and infernal gazes, yet divine that spread infamy
and glory, grief and bliss. A story of lost inhibitions and
sensations. A story of burning breasts. Now is the time
when each flower fades away like incense and sounds
and scents turn in the evening air.
“Bodies entwined 
Hearts resounding 
The shivers of sweat 
Coming and going”
The artist wants to show something. A natural desire
which finds its fulfillment in the body, but that instantaneously dies at the end of the sensations.
Sensations too much strong to last so much time. That’s
exactly why he doesn’t never renounce to let go his
inhibitions completely, having fear to be burnt, devoured
and thrown in the deep end.
On the B side, the original tracks find a completely
different vision, but especially a new light, leading the
listener to a different path of the same perverse and
twisted nature.
Years of Denial is the alter-face of French musician/DJ/
producer Jerome Tcherneyan and Czech performance
artist/DJ Barkosina Hanusova. With the use of hardware
combined with vocals and a plethora of dub devices,
YOD are re-visiting the dark corner of Post Punk,
Industrial music movement and rave culture. Its remix
fully distorts the mood, introducing a new color and
identity, juxtaposing acid sounds and sharp groove
elements. The vocal has a new touch, and processed in
another way, drags everything to it creating a vortex.
Autumns is the solo project of Christian Donaghey, from
Derry, Northern Ireland, an outlet for electronic post-
punk with a lethal pulse. He delivered a train-shaped
remix, making the bass line a key element for the whole
track and finding the perfect “carpet” where to express in
a powerful and straight groove, based on his beloved
Roland 707.
Label copy-credits
Written, produced and performed by Andrea Davide

DJ Haram is a producer & DJ who distinctively ties her New Jersey musical history with more recent involvement in the Philadelphia DIY noise scene, whilst paying homage to her Middle Eastern roots. A close affiliate of New York's Discwoman collective, she is also one half of 700 Bliss with rapper & poet Moor Mother, who features on this EP. Haram’s non-traditional understanding of Islam, paired with a nuanced perspective on folk tradition and mythology, underpins the EP, bringing fantasy and colour to this in-between place. On opener ‘No Idol’, a darbuka rhythm pairs with offbeat claps around a dark synth and a contrasting airy flute melody, illustrating the theme of duality running through the music. The melodies of ‘No Idol’ are revisited in the final track remix, sped up with a classic Baltimore club beat and energetic bedsprings samples.‘Interlude’ is a combination of the sounds and patterns from each song. ‘Gemini Rising's synth is reminiscent of John Carpenter, paired with a darbuka rhythm and war drums that transmit a religious sci -fi horror aesthetic. ‘Body Count’ is propelled by Jersey Club kicks with a distorted drum crunch and ticking rim shot in triplets, and an ethereal melody. ‘Grace (K.O.D.)’ has menacing cinematic stabs that feel like acid raining on the scattered percussion. On the 700 Bliss track ‘Candle Light’, Moor Mother's distorted and doubled up vocal chorus evokes a frantic yet solemn energy as she speaks on themes of life and death.‘Grace’ is an EP constructed through deep feeling, transmitting vital dancefloor energy. It’s music is versatile, imbued with a strong will, personality, and colour.

The trio have also worked together on numerous collaborative projects between each other as duos, and "Ypsilon" album finds them back together, ever expanding their shared aural ideology into new territories.
Their 2016 release, “Veerian,” [eilean rec.] focused on free-flowing soundscapes, whereas this new album incorporates more overtly melodic sequences and rhythmic elements to widen its horizon. As on “Veerian,” Zahn, Hatami, and McClure paid meticulous attention to sound design for “Ypsilon.” The inclusion of subdued beats adds a swing to the textural layers, and arpeggiat- ed sequences imply rhythm and momentum.
Other tracks remain blissfully ambient, taking time to unfold and breathe without any rhythmic framework. This balance between gentle propulsion and beatless sound- scapes, melodic and ambient, lends the album a unique character and takes it into fresh new areas of experimentation for the trio.

Milan-based imprint Just This present Cristalli Ionici, a four-track EP from Italian duo Abstrakt featuring a Marcel Fengler remix.

Abstrakt is a collaborative project from Luca Rambelli and Filippo Scorcucchi concerned with the intense study of spatial timbres - a psychedelic trip represented as a sonic aesthetic.

A relatively new endeavour, their debut on Just This offers an expertly crafted voyage into the outer reaches of the imagination. Sonically, the EP files under ambient techno, brandishing swirling textures and tangible effects to create a blissful meditative state.

For his remix of the title track, Marcel Fengler places the subtle complexion of the original and places it inside a driving rhythmic pattern of syncopated percussion and unrestrained energy.

WRWTFWW Records is blissful to announce the expanded reissue of one of the most fascinating Japanese ambient/environmental albums ever made, NOVA + 4 by Yutaka Hirose. The double LP includes the album known as Soundscape 2: Nova, sourced from its original masters, as well as 50 minutes of never-released-before recordings. It comes in a beautiful gatefold sleeve, packed with liner notes from the artist in English and Japanese. NOVA + 4 is also available on double digipack CD.

Initially released in 1986 as part of the Soundscape series* commissioned by Misawa Home Corporation for use in their prefabricated houses, Yutaka Hirose's NOVA has grown to become a mythical piece of the Japanese minimalist/ambient/environmental scene of the eighties. Initiated around the enchanting landscapes of the two first tracks recorded for the project, "Nova" and "Epilogue", Yutaka Hirose's magnum opus serenely blends vintage synth with nature sounds, exploring soothing palettes and organic backdrops. For "Slow Sky", Hirose explains he "went for a pointillism-like sound, and tried to express a scenery of awakening, where the portal of a heart is opening up", while on "Humming The Sea", he "tried to compose a kind of music that expresses the daily, lazy life of child-like innocence in a summer vacation in some small town."

The bonus LP gathers four long unreleased pieces created around the same period of time for installations, described by Yutaka Hirose as "not music per se but rather sound sculptures", and including the haunting "Shadow Of A Water Droplet" which was recorded for an Ikebana exhibition.

All in all, NOVA + 4 is a transcendent experience of nature in the urban context, an oeuvre which, much like Midori Takada's Through The Looking Glass or Satoshi Ashikawa's Still Way, holds the power to appease the soul in turbulent times. As one inspired YouTube commenter once said when describing Yutaka Hirose's masterstroke: "I can't tell if the birds are singing inside or outside! Thank you!"

*The Soundscape series also includes Hiroshi Yoshimura's Surround album.

Fresh from the Tokyo studio of Balearic wizard Max Essa, comes Barkhan Dunes EP; a collection of exquisite, chilled-out loveliness.

Opening track The Price You Pay (For Loving That Way) warns of the dangers of careless love affairs. A veritable beach-disco classic in the making; warm, expressive synth rhythms and beautiful clean guitar lines provide an irresistible urge to climb on deck and let your body move. Next up, Kites at Nemoto Beach caresses your soul with blissful shimmering guitar and synths, before some David Axelrod-esque choral vocals carry you across the oceans to a new place.

Finally, Sundowning is a sublime slice of low-slung, poolside AOR. As the golden-red sun slides towards the horizon, a bittersweet dubby guitar refrain hints at past troubles, but also carries you forward to an optimistic future.

Getting strong support from Dicky Trisco, Marco Gallerani, Simon Lee, Beatbroker/Dream Chimney and more.

Over the last decade, we’ve come accustomed to Jason Letkiewicz releasing material under a dizzying array of aliases, each utilized to explore a different side of his multi-faceted musical persona. Now, some 14 years after he made his recording debut alongside Ari Goldman as Manhunter, Letkiewicz has joined forces with Into The Light Records to release his first album under his real name.

The Reflecting Pool sees Letkiewicz exploring the uncomplicated and uncluttered in the pursuit of pure aural beauty. While his recent album as Opposing Currents was dense, dark, urban and industrial, The Reflecting Pool is stripped back, quiet and melodious. The contrast between the two projects is marked, with The Reflecting Pool drawing more on Letkiewicz’s love of crystalline ambient, slow burn synthesizer soundscapes, early ’80s library music and the kind of obscure electronic new age music that has been a hallmark of Into The Light’s releases to date.

The set’s 12 tracks gently ebb and flow, with Letkiewicz making great use of dusty old drum machines, effects units and a range of vintage analogue and digital synthesizers. It’s a set-up that results in a range of complimentary mood pieces and interludes, from the delay-laden military drums and lilting lead lines of “Out of Body Experiences”, to the drowsy, sunrise bliss of “Sunspot”, the bubbling Tangerine Dream style shuffle of “Mind Awake Body Asleep” and the outer-space atmosphere of “The Kill Fee”.

Throughout, Letkiewicz showcases his seemingly intrinsic grasp of mood, atmosphere and melody. It can be heard within the glacial guitar motifs, occasional beats and elongated chords of “The Reflecting Pool”, the rhythmic bustle of “Numb Drums”, the glassy-eyed melancholia of “Arhythmia” and the cinematic paranoia of “Burning Off The Morning Fog”. It’s also evident amongst the classically beat-less ambient of closing cut “Weightless”, whose alien electronics, effects-laden pulses and opaque chords recall established masters of the genre.

With The Reflecting Pool, Letkiewicz has provided us with a much-needed dose of stress-free musical escapism, at the same time offering hope that in these troubling times, love may still save the day.

Following on from their recent album on Italian imprint Just This, Hunter/Game present the Silence Remixes out June 7th, featuring contributions from Radio Slave, Inland and Jamaica Suk amongst others.

Silence is a spiralling voyage into the depths of blissful ambience and meditative techno from Milan-based duo Hunter/Game. Arriving after a series of acclaimed EPs on the same label, it is an aesthetic statement of intent, carving out serene spaces of melancholy and upliftment.

For the remixes EP, a carefully chosen selection of artists provide varying interpretations of stand-out tracks from the album. Radio Slave turns ‘Dead Soul’ into a marching ground of melodic techno, whilst Inland breathes robotic life into ‘Crashed Sounds’ and Wrong Assessment levitate ‘Fragments’ over murky waters. Closing off the vinyl is Jamaica Suk’s ominous restructuring of ‘Reaction’.

Owners of the digital release will receive three further remixes. Vessels turns ‘Evolution’ into a broken dreamscape of stepping percussion, whilst Just This affiliate Scissors forges a stripped back, tripped out version of ‘Memories’. Also featured digitally is a second version of Jamaica Suk’s ‘Reaction’ remix.

Point G remix by ,the new Point G project for 2019 features a very Serious 12 inch for the summer with two legends and two fresh youngsters on the A side “ Celestial” is getting remixed by New york City Legends Satoshi Tomiie , the Japanese Born who moved to new york to join the DEF mix crew along with Franckie Knuckles and david Morales Delivers a Minimalistic Bomb , a deep rollercoaster Jamed With Modular synth and all type of goodies FXs. A2 is “Can you “ Jay Ka remix who took a complete different angle , here we get a Dope funk trip , the prefect tool for Nu disco Strong driven set B1- The Classic Point G tracks “ Balea “ gets remixed by I Cube , The Mysterious French legend gives a super fresh reinterpretation of that bliss summers classic putting the Balearic feel somewhere else. A Must Have B2- Take Me - Siler remix , we know silver thru his label Pop corn records , he delivers here a Futuristic house vibe that s gonna put the Floor on Fire Point G records gives us a Serious Release for The Summer not to be Missed .

Buoyed by the success of Endless, their 2015 primer on forgotten electronic explorer Dimitris Petsetakis, Into The Light Records has worked with the Greek composer to compile a follow-up album that takes an even deeper dive into his archive of previously unreleased material. Like its predecessor, On Shores draws on music recorded in the 1980s and early '90s. It contains just two previous released tracks, the humid 'Clearance (Part 2)' and poignant 'On Endless Shores', both of which first featured on Petsetakis's cult 1991 album Missing Links.

On Shores offers another unparalleled insight into the picturesque and atmospheric soundscapes created in the Piraeus-based composer's basement studio using a mixture of electronic and acoustic instruments, a wide range of global influences and a keen interest in both minimalism and new age ambience. Listeners will encounter a range of stunningly beautiful and beguiling compositions, from the creepy, slow-burn exoticism of 'Pythia's Dance' and rhythmic, otherworldly escapism of 'Violated Asylum', to the gentle bliss of 'Like a Knife' and sun-bright joy of 'Nearxi (Minimal Marimba Edit)'.

Vanishing Twin is songwriter, singer and multi-instrumentalist Cathy Lucas, drummer Valentina Magaletti, bassist Susumu Mukai, synth/guitar player Phil MFU and visual artist/film maker Elliott Arndt on flute and percussion; and on this album they have made their first artistic statement for the ages.

Some of its great power comes from liberation. The album was produced by Lucas in a number of non-standard, non-studio settings. 'KRK (At Home In Strange Places)' summons up the spirit of Sun Ra's Lanquidity and Broadcast And The Focus Group Investigate Witch Cults Of The Radio was simply recorded on an iPhone during a live set which crackled with psychic connectivity on the Croatian island of Krk.
The magical Morricone-esque lounge of 'You Are Not an Island', the blissed-out Jean-Claude Vannier style arrangement of 'Invisible World' and burbling sci fi funk ode to a 1972 cult French animation, 'Plane`te Sauvage', were all recorded in nighttime sessions in an abandoned mill in Sudbury. The only two outsiders to work on the recording were '6th member' and engineer Syd Kemp and trusted friend Malcolm Catto, band leader of the spiritual jazz/future funk outfit The Heliocentrics, who mixed seven of the tracks (with Lucas taking care of the other three).

Vanishing Twin formed in 2015 - their first LP, Choose Your Own Adventure, which came out on Soundway in 2016; followed by the darker, more abstract, mostly instrumental Dream By Numbers EP in 2017. The band explored their more experimental tendencies on the Magic And Machines tape released by Blank Editions in 2018, an improvised session recorded in the dead of night, offering a glimpse into their practice of deep listening, near band telepathy, and ritually improvised sound making. These sessions formed the basis of The Age Of Immunology.

With such a raft of quality music coming across the Summer from NuNorthern Soul, we thought we would put together an EP of some of the tracks featuring across the upcoming months...

We have taken our favourite tracks from various digital releases and present them on one vinyl 12" EP On the A side we take Nick J Smith's 'Waves Take Hold' from the Waves Take Control EP'
'Waves Take Hold', is a kaleidoscopic, life-affirming exercise in late 1980's style Italian Dream House, that's so warm and rush-inducing that it's likely to get the hairs on the back of your neck standing to attention.
Full of ricocheting drum machine hits, sun-bright lead lines, elongated chords and rich bass, it sounds like it was tailor-made to soundtrack sunrise in Rimini...

Bonnie & Klein 'Ocean Leap' taken from the Ocean Leap EP
There's a deeper and dreamier feel to the 'Ocean Leap' track, whose bubbly melodic motifs and synthesizer panpipe flourishes offer subtle nods towards 1980's Greek new age electronic composers such as Vangelis Katsoulis amd Dimitris Petsatakis.
Bonnie & Klein's synthesizer-heavy melodiousness comes accompanied by dub disco strength bass and undulating, off-kilter drums, but retains the rush-inducing bliss associated with the pioneering work of their Greek predecessors.

AA is given up to the 10 minute + track from Mirage: 'Endless Ocean' taken from their Reflections of the Sun EP.

'Endless Ocean' is a slowly building masterpiece. After a hushed, atmospheric opening, the track bubbles away on waves of hazy bongo beats, lapping water sounds and seductive chords before rushing skywards in a swarming swirl of trance-style synthesizer lead lines, echoing electronics and picturesque piano motifs.

As a winemaker hailing from the Palatinate, Florian Hollerith understands a thing or two about vintage. It's something that also comes through when you sample his music - rich, full bodied with just the right level of acidity. 2018 was already a good year with Ohrenzirkus featuring on both Sven Väth's Sound of the 19th Season mix CD as well as this year's Dots and Pearls vol. 5 compilation. Florian certainly announced his arrival on the scene in style, so it's only fair that he gets the chance to demonstrate his full range of skills on his very own Cocoon Recordings release. 2019 however, has a darker, more complex flavour...

Florian certainly knows a hookline when he finds one. On the EP's title track Perlas, he's working from the inside out with complex layers creating a vortex of sound. This dense sonic mesh is playful yet dangerous, with ethereal voices and jagged chants adding to the disorientation of the opening exchanges until the congas and skipping bassline give us something to hold onto. The dance floor melts under our feet as a raw, tripped out groove takes hold before the bass suddenly morphs into a brassy acid line that spreads its wings and soars. It's music for the headstrong, a celebration of the timeless tribal ceremonies that have come to define us.

Love Summer adds a contemporary twist to the melodic joys that drenched the early nineties in pure ecstasy. The soulful vocals soothe the mind as horn stabs punctuate the sensual groove, generating power and passion in equal measures. It's a straightforward approach, revolving around a familiar yet eminently seductive riff that just keeps on rolling, propelled forward by the force of its own momentum. There's no need to fuss when you hit on a winning formula like this.

More retro futurism abounds on Electro Indianer as arpeggiated bleeps usher in another vast, sprawling soundscape designed to induce a collective trance on the dance floor. Whistling, circular effects wash back and forth increasing the tension notch by notch as we're led deeper into the wormhole. Finally, the track deconstructs slightly, creating enough space for classic Casio-style bleeps and percussion to embellish a beautiful blissed out ending that trails off into the sun rise, as ancient Native American pipes pick out a haunting melody in the distance.

Two years ago, Ferdi Schuster was a young multi-instrumentalist and producer
daydreaming of releasing his music on Claremont 56, one of his favourite labels.
Now he’s set to release his stunning debut album, “All One”, on Paul Murphy’s
long-running imprint.
It’s been a long time between drinks for the German producer, who last graced
C56 with his superb double A-side single, “Little River/Befreit”, in the autumn of
2017. Fittingly, it’s “Little River” – a babbling brook of audio bliss rich in samba
influenced drums, soothing acoustic guitars and spacey synthesizer licks – that
kicks off “All One”, a seductive set in which every drumbeat, piano note, guitar
riff, synthesizer flourish and freside-warm bassline was played by the man
himself.
Throughout, it’s easy to see why Murphy decided to snap up Schuster and
push the producer to record a debut album. Check, for example, the dubbed
out shuffle of “Thinking of You”, where ghostly chords, soft-focus guitar solos
and ethereal vocals drift across the soundscape, and the slowly unfurling bliss
of “The Good Fight”, an effortlessly Balearic workout rich in sun-kissed guitars,
bubbly synth lines and chords so snugly they could probably be used as a
comfort blanket.
Schuster’s greatest strength is undoubtedly the evocative and enveloping nature
of his instrumental music, which draws on a variety of complimentary influences
but never sounds anything less than original and fresh. Some listeners may be
enchanted by the loose and languid pulse of “Fading Away” or the lo-f reggae
jazz of dusty closing cut “Night Talk”, though others may prefer the stoned funk
shuffle of “Interaction” or the spacey vibrations of “Pulsa”, where intergalactic
synthesizer lines wind their way around heady bass guitar and sparse, off-kilter
deep electro drums.
“All One” is that kind of set; an atmospheric and musically accomplished
collection of cuts capable of muting the mundane and distracting from the stress
of 21st century life. As debut albums go, it’s something of a stunner

Following the release of their short film 'The Awakening' and its accompanying single, Lost Souls Of Saturn share the first remix in 9 years by revered musician James Holden. Over thirteen minutes of crisp, stratospheric elegance, Holden’s rework is both slightly mad and simultaneously blissful – like a trance-state reached through frenzied, spiritual ritual.

“I believe in serendipity: if the universe presents you with something that seems right, you should go with it”, says Holden. “When this record hit my desk was one of those moments. Recently I'd been thinking a lot about rave utopias, the pan-global fantasy painted by the early days of Future Sound Of London etc, and listening to LSOS's Jodorowskian ceremonials I felt like they'd caught the same winds. And so, although I thought I'd finished doing remixes for this lifetime, here it is; some kind of dream of a memory of a rave, the spookiness of the original slightly eclipsed by my warm feelings about Seth's good energy!”

The original version of ‘The Awakening’ begins as a serene ambient spacecast, before an ancient alien rite of tribal frenzy starts to emerge through the phosphorescent stardust – sonically somewhere between Demdike Stare and classic Orb, by way of Don Cherry.
Primarily LSOS are Seth Troxler and Phil Moffa, plus further opaque participants congregating to combine music, imagery and storytelling into an inextricably linked whole, all wrapped-up in a philosophy of their own making.
Attempting something creatively that’s above-and-beyond, LSOS explore new ways to open doors of perception and challenge the reality vs. simulation paradigm, whilst capturing the spirit of Philip K. Dick, Sun Ra and the KLF within their music, live experiences and films.
These spiritual, psychoactive aural vibrations resonate for a long distance, all the way back to something deeper and more enchanting than the prosaicism of modern life:
“We have been sent synchronistic signs from a metaphysical plane. We are the glitch-seekers, exposing the Holes In The Holoverse. We are Lost Souls Of Saturn.”

In the previous reissues we talked so much about this fantastic piece and "Marie", a very cinematic and supportive song, that now it is appropriate to dwell on the re-visited version of Danilo Braca that extends beautifully on the AA side of this new remastered reprint. Danilo who lives in the big apple often frequents Ibiza, perhaps also for this he has been able to exalt the most rhythmic elements of "Shadows from Nowhere", putting the beautiful falsetto beats to excessive movements, just like the waves that wash themselves on the sandy beaches of the White Island. His teacher Mario Gentili from Layer Bows added a beautiful arrangement for the strings and his Italian-New York collaborator Alvise Marino spread some fragments of guitar powder on top. That's it. 9 minutes of pure bliss, but also of catchy rhythm!

“Introducing COSMIC RESIDENTS v. 1, the first in an ongoing compilation series from Cosmic Resonance Records. This series will showcase emerging talent from Toronto’s underground creative electronic music scene.

This first edition features local favourites and Cosmic Resonance residents Radiant Aura Faculty (aka Raf Reza), KOREA TOWN ACID and Hemingway along with (and making their vinyl and Cosmic Resonance debut) Body Butter, WeTurnToRed and Smoke & Shadows.

On the A-side, Hemingway kicks things off with Astralnauts, a deep, dubbed out boogie breakbeat burner dedicated to explorers of the astral plane featuring fellow label don Chris Evans on rhythm guitar. Radiant Aura Faculty (aka Raf Reza) takes us even deeper with the mystical 'Cid Pit Riddim', a slamming 707 acid bender sure to melt any dance floor. Things get slippery with Body Butter’s debut single ‘Lights In The Hallway’, a timeless operatic pop opus featuring Neil Rankin (aka Burt Sugar), Chris Evans (aka Mr. Bliss) and Hemingway behind the board.

On the flip side, things heat up with Shamanta Chandran’s project WeTurnToRed (recently releasing their debut EP on ORO Records), featuring the progressive modular techno odyssey 'Warm Winter', an escape from Toronto’s long and tumultuous blizzards. Emerging from the Mahogani Forest, Korea Town Acid reinterprets Hemingway’s emotional ode to the jazz aesthetic 'Blue Notes' with her trademark cerebral rhythms and a masterful bassline that elevates the original to new heights. Closing it off, we have an amazing collaboration between Curtis Clark (aka Smoke of Lab.our Music) & Em Zy (member of Nikki Fierce) called Smoke & Shadows with their stellar debut single Convincing Thoughts that features Em Zy’s hazy vocal emanations amidst a backdrop of mystical reverberations and a dark, powerful groove.”

Visions Recordings is back with the second volume of their compilation 'The chromatic Universe' presented by Alex and Stephane Attias. This second opus is full of exclusives tracks mixing styles and genres with a colourful palette of grooves from Paris to New York, from Detroit to London, from Italy to Switzerland and beyond. This compilation is international as you can see and Visions is very happy to release 3 vinyl singles as the compilation to have a collection and a better sound quality rather than squeezing all the tracks on an album. We will also have the digital release and an exclusive very limited CD.

Those three Ep are holding 4 tracks of pure gems. This SECOND part is again pure bliss and fire from the likes of Alex Attias with dope vocal delivery by the unique Georgia Ann Muldrow, a killer acid boogie dancefloor tune by the one and only New York City Star Dj Spinna, the soulful boogie groove of Stephane Attias team up with London vocalist Xantoné Blacq plus a dope house broken tune by our brother Philippe Quenum the nicest man on planet earth. There aren't words to describe perfectly those jams but you know those producers deliver always the goods.

In 2017 Blair French came out of hibernation to release contrasting but similarly sun-kissed EPs on Rocksteady Disco and Claremont 56.

Here, he returns to action with a scintillatingly sunny and sensual six-tracker on NuNorthern Soul that may well be his strongest release to date.

Given French's chameleon-like musical history, that's certainly a bold claim.
Over the years, he's been a member of a multitude of musical collectives - most notably Cosmic Handshakes and Formless Figures - established his own DIY record label (Fat Finger Cosmic) and released music that touches on a dizzying array of styles, from award-winning movie soundtracks and Afro-fired deep house, to skewed techno, blissful ambience and experimental hip-hop.

On Patio Pastel, French is in full on sand-between-the-toes Balearic mood, delivering a range of lucid, ear-pleasing compositions that will sashay their way into your consciousness.
Contrast, for example, the drowsy organs, glistening pedal steel and undulating hand percussion of opener 'Patio Pastel' with the Serge Gainsbourg style chanson-goes-tropical bliss of 'La Playa De Tercipelo', which features some deliciously breathy vocals from Stephanie Lyon.

Then there's 'Morning Sail', a sumptuously evocative soundscape rich in toasty, dub disco bass, shuffling percussion and lilting, Jonny Nash style guitar solos (see also the effortlessly horizontal Lounsbury Gardens'), and the kaleidoscopic, saucer-eyed Balearic pop brilliance of ;'Human Make Human', where new age synthesizer melodies and the fuzzy vocal refrain of Kasi Seguin gentle dances above an Afro-flecked, mid-tempo groove.

Throughout the EP, French mixes electronic and acoustic instrumentation, drawing together musical elements from a myriad of styles to create sumptuous new fusions.
It's particularly evident on superb closer 'Belle Isle Sunsets', where colourful synth motifs, eyes-closed guitar riffs and Mediterranean-warm chords wrap themselves around a gently pulsating, impressively layered groove.
Like the rest of the EP, it's perfectly pitched, expertly executed and wonderfully atmospheric.

Sechs Jahre Nach Seiner Letzten Lp "busted With A Bag Of Bliss" (my Favourite Robot) Kehrt Der Kanadische Indie-elektronica-meister Sid Le Rock (aka Pan/tone, Gringo Grinder) Mit Seinem Fünften Studioalbum "scenic Route" Zurück. Die Neue Lp Ist Ein Musikalischer Trip Durch Eine Breite Klangpalette, Die Von Dancefloor-tracks (kismet, Morgenfrisk) Bis Zu Electro-meisterwerken (speak Sweetly, Hiraeth) Reicht. Das Artwork Wurde Von Alex Solman Erstellt, "dem Mann Hinter Den Unverwechselbaren Zeichnungen Für Den Golden Pudel Club Und Einem Der Besten Bildenden Künstler, Der Heute In Der Musik Arbeitet" (resident Advisor). Die Lp Enthält 6 Tracks, Der Download-code Insgesamt 11 Tracks.