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- A1: Speak To Me/Breathe (In The Air) (Feat. Sluggy Ranks)
- A2: On The Run
- A3: Time (Feat. Corey Harris & Ranking Joe)
- A4: The Great Gig In The Sky (Feat. Kirsty Rock)
- A5: Money (Feat. Gary "Nesta" Pine & Dollarman)
- A6: Us And Them (Feat. Frankie Paul)
- A7: Any Colour You Like
- A8: Brain Damage (Feat. Dr. Israel)
- B1: Eclipse (Feat. The Meditations)
- B2: Time Version
- B3: Great Dub In The Sky
- B4: Step It Pon The Rastaman Scene (Feat. Ranking Joe)
- B5: Any Dub You Like
- B6: Breathe 2014 (Feat. Sluggy Ranks, Metric Man, Eric Rachmany Of Rebelution & Ruff Scott)
- B7: Brain Dubbage
As the liner notes in this special Anniversary Edition of DUB SIDE OF THE MOON begin: This is the reggae record that changed it all. Some day music histortians may look back and divide a time in reggae before Dub Side and after. Celebrate a decade plus of this timeless and ingenious musical experiment with this release, which includes two new bonus tracks (including a new version of 'Breathe' that features Rebelution's Eric Rachmany along with Metric Man, Ruff Scott and Sluggy Ranks), new artwork, and a 12 page booklet that tells the history of the project and catches fans up on what the people involved have been up to in the years since.
Repress!
On Demuja's Freerange debut, the Move EP offers up four original tracks, each with their own distinct flavour. Opening the release we have title track Move spring into action with simple Rhodes chords floating across a crisp, driving up-tempo groove showing off the deeper side to Demuja.
Next up B.O.O.M offers us a simple yet captivating, dancefloor-focused affair with a lone, repeating piano stab hooking us into the action.
Flipping over we have Into My Brain which brings some acid-tinged Italo vibes and a jacking beat to proceedings whilst the closing track Turn Me On cuts up a much loved Paradise Garage classic for a warm, soul-infused slice of classic, bumpy house music.
2023 Repress
P: Limited Edition 3D Lenticular Gatefold sleeve, 2 x 180g heavy weight vinyl
After four years of touring, Shpongle return with a new album, though much has changed. Music production isn't something for just enthusiasts anymore, and the tools needed to make an entire album in your bedroom are becoming increasingly available and affordable... yet this just makes Shpongle's return all the more welcome. In a time where more and more focus is put on commercialization and churning out quick hits Simon and Raja's latest work is a welcome breathe of fresh air wedded to nostalgia, and proves that the group isn't ready to become stagnant anytime soon.
- A1: Sexy Ways (Recloose Disco Flip)
- A2: You Can't Miss What You Can't Measure (Alton Miller Mix)
- A3: Get Your Ass Off And Jam (Marcellus Pittman Remix)
- B1: Cosmic Slop (Moodyman Mix)
- B2: Music For My Mother (Andres Wo Ahh Ay Vocal Mix)
- B3: Super Stupid (Dirtbombs Version)
- C1: Music 4 My Mother (Underground Resistance Mix)
- C2: Undisco Kidd (Gay Marvine Edit)
- C3: Take Your Dead Ass Home (The Fantasy Version)
- D1: Let's Take It To The Stage (Amp Fiddler Laughin @Ya Mix)
- D2: Standing On The Verge (Anthony Shake Shakir & T Dancer Remix)
- D3: You And Your Folks (Claude Young Jr Club Mix)
- E1: Be My Beach (Mophono & Tom Thump)
- E2: You And Your Folks (Claude Young Jr Dub)
- E3: Let's Make It Last (Kenny Dixon Jr Edit)
- F1: Looking Back At You (Ectomorph Stripped And Dubbed)
- F2: Maggot Brain (Bmg Dub)
Funkadelic have created an enduring legacy, and the power of their impact is visceral in Detroit. Their records not only played with genre, but possessed a diabolical sense of humour that led to music domination by the late 70s with Parliament, Funkadelic, Parlet, Bootsy's Rubber Band and the Brides Of Funkenstein all releasing albums the same year for two years in a row.
The music itself is beyond stereotype, but equally huge is that they were a black band not allowing themselves to be limited by anyone else's notions of who they could be, having a massive impact on the next generation of Detroit music, Detroit Techno.
But more than just Techno, it is a freedom of thinking that extends beyond boxes, so we included all sorts of today's generation of Detroit musicians and producers to show the wide range of music that was Funkadelic and how these ideas are still contemporary, they endure and inspire.
2023 Repress
In between the re-releases of the two legendary Drexciya albums released on Tresor in '99 and '01, the Berlin techno institute is proud to re-present Transllusion's 'Mind Over Positive and Negative Dimensional Matter' the 12' single which originally accompanied the album 'The Opening Of The Cerebral Gate'.
Produced by the late James Marcel Stinson and released in 2001 via Supremat, a short-lived sub-label Tresor dedicated to a more abstract and experimental electro sound, both releases were conceived as the second part of the so-called Drexciyan Storms - a whopping stack of seven albums by the Detroit pair released under different monikers within a single year (the Tresor album 'Harnessed The Storm' being the rst).
This phase marks a groundbreaking time for the duo, their cosmos breaking wide open, right at the dawn of a new technological era in electronic music production. All this is deeply reected in Transllusion's rst album and single.
Thematically, 'The Opening Of The Cerebral Gate' and 'Mind Over Positive and Negative Dimensional Matter' saw Stinson shift away from the grand narrative of the Drexciyan saga, instead exploring a sub-plot of esoteric concepts revolving around internal, mental and psychedelic tropes. Musically, it presents the electro genius at the height of his game.
Mogwai return with their 9th studio album which was recorded with renowned producer Dave Fridmann (Mercury Rev, The Flaming Lip's, Mogwai's Come On Die Young and ROCK ACTION) at his Tarbox Road Studios in New York State.
Every Country's Sun named after a friends lack of knowledge in how the universe works, takes two decades of Mogwai's signature, contrasting sounds and distills it, beautifully, into 56 concise minutes of gracious elegance, hymnal trance-rock, and transcendental euphoria. It will definitely appeal to fans of the band and will gain many new ones along the way.
- A1: The Phunky Feel One
- A2: How I Could Just Kill A Man
- A3: Hand On The Pump
- A4: Real Estate
- A5: Pigs
- A6: We Ain´t Goin´ Out Like That
- B1: I Wanna Get High
- B2: Lick A Shot
- B3: Throw Your Set In The Air (Album Version)
- B4: Throw Your Set In The Air (Club Version)
- B5: Killa Hill
- B6: Illusions (Lp Version)
- C1: Insane In The Brain
- C2: When The Ship Goes Down
- C3: Illusions (Muggs Version)
- C4: Boom Biddy Bye Bye (Lp Version)
- C5: Boom Biddy Bye Bye (Fugees Mix Version)
- D1: Tequila Sunrise
- D2: Dr Greenthumb
- D3: Audio X
- D4: Latin Thugs
- D5: Rap Superstar
- D6: Lowrider
Cypress Hill is widely respected and considered to be amongst the main progenitors of West Coast rap and Hip Hop in the early 1990s. With megahits like 'Insane in the Brain', 'I Wanna Get High' or 'Tequila Sunrise' they crossed-over to mainstream breaking all records for a rap band up until
that time. Cypress Hill were the first Latino-American hiphop group to have RIAA Certified platinum and multi-platinum albums. As musicians they
became famous for the crazy sounds produced by DJ Muggs and Bobo and the stoner sympathetic lyrics of B-Real and Sen Dog. They redefined
and shattered the boundaries of hip-hop, crafting gutter-dirty tracks that fused deep bass lines with blissful, stoned-out melodies and aggressive
hard rock riffs, creating a unique imprint.
- A1: Eets - Savage
- A2: Jeremiah - Jae Tell Me
- A3: Father - Cruel
- A4: Max B - Flash Dance
- A5: Caleb Stone - Slayer Cake
- A6: Budgie - On My Shit
- B1: Jayallday - 1-800 Killer Whale
- B2: Jonwayne - Welchs Grape
- B3: Lovibe - Gd
- B4: Prince Naeem - Shiraz
- B5: Mndsgn - Noodles
- B6: Fifth - And I Swear
- B5: Manchild - Cold Blooded
- B8: Nahh G - Moma
- C1: Kaytranada - Well I Bet Ya
- C2: Kojaque - Whitney
- C3: House Shoes - Intergalactic
- C4: Quelle Christopher - Brain Of The Ape
- C5: Chester Watson - Time Moves Slower Here
- C6: Blu - Hip Hop
- C7: Dream Panther - Kcrw
- D1: Oh No Madlib - Big Whips
- D2: Onra - Cant Buy Luv
- D3: Maze Mountain - The Powers Of Your Mind
- D4: Your Old Droog - Ugly Truth
- D5: Defari - Ackknowledgement
- D6: Softest Hard - Sincerely
Imagine if you could put together a dream line-up of MCs and producers from all four corners of the rap world
That's what artist and illustrator Gangster Doodles set out to do when he put together a stellar collection of tracks by the rappers and talent that inspire his work.
The all-star line-up features everyone from hotly-tipped emerging producers like Eets, Caleb Stone, Maze Mountain and LoVibe next to underground perennials like Onra, Mndsgn and Jon Wayne all the way up to top flight producer Kaytranada and established rap vets like Madlib, Oh No, Blu and Defari.
This second collaboration between All City Records and Gangster Doodles is a jam-packed sonic adventure featuring 27 killer tracks from some of the finest creators out there. Doodles had the idea for a comp two years ago. Hyped after partnering with All City for Knxwledge's "Wraptaypes" project back in 2015, they initially set out to put together an EP but as the tracks kept coming in it exploded into the sprawling double LP of low-slung grooves and bangers from the best in the business.
With everyone on the record being a friend or friend of a friend, the comp just kept growing as GD went to work with the hustle he has learned from penning his post-it sketches day in day out for the last decade.
Word spread fast and soon he was being sent beats from all over, even reaching behind the prison walls of Bergen County Jail, New Jersey and securing a track from former Dipset affiliate Max B.
The last few years have been busy for Marlon "Gangster Doodles" Sassy. He released his acclaimed Gangster Doodles (The Book) alongside an ever-expanding array of prints, original works, apparel and exhibitions across the globe. Topping that off with animation projects, a graphic novel in the works and now, with this LP titled " Gang$ter Music Vol 1", he is about to debut his first ever music compilation.
He says himself: 'Every time a new track came in it was like running down the stairs on Christmas morning to open a present. What started as a slow trickle of work coming in soon turned into a tsunami with some of my heroes like Onra, House Shoes, Blu, Jeremiah Jae joining up with young guns Kojaque, Kean Kavanagh, Dream Panther and others to beef up the record'
'When an email pinged through with a track from brothers Oh No and Madlib it felt like the final gift and Gang$ter Music Vol. 1 was complete.'
- A1: How's Your Bird
- A2: The World's Greatest Sinner
- A3: Everytime I See You
- A4: Cradle Rock
- A5: Hey Nelda
- A6: Surf Along
- B1: How Could I Be Such A Fool
- B2: Help I'm A Rock (3Rd Movement: It C
- B3: Trouble Comin' Every Day
- B4: Who Are The Brain Police
- B5: Why Don't You Do Me Right
- B6: Big Leg Lemma
- B7: Lonely Little Girl
- B8: Mother People
- A1: Leipzig Is Calling
- A2: One Of Our Submarines
- A3: I Live In A Suitcase
- A4: Flying North
- B1: The Flat Earth
- B2: Budapest By Blimp
- B3: Windpower
- C1: Europa And The Pirate Twins
- C2: Hyperactive
- C3: She Blinded My With Science
- C4: Airhead
- D1: The Key To Her Ferrari
- D2: May The Cube Be With You
- D3: My Brain Is Like A Sieve
- D4: Your Karma Hit My Dogma
- D5: Hot Sauce
- A1: Bh (Intro)
- A2: Unite Fight
- A3: Deep State
- A4: Ultra Tuned In Hearing
- A5: Now U Know (Feat Gone)
- A6: Phalaris Staggers
- A7: Just Say No
- A8: Blue Beam
- A9: Blackbirds (Feat Fvdxvd)
- A10: Psyop
- B1: Dreamland
- B2: Prime Knowhow
- B3: Totalitarian Outlook
- B4: Kill Yo Brain (Feat Calsutmoran)
- B5: Mind Eye
- B6: Mutually Assured Destruction
- B7: Stuck
- B8: Far Away
Black Helicopters is Agnarkea (Keaton Transue); a 20 year old producer from Richmond, Virginia, whose debut album is forthcoming on Manchester-based label, Natural Sciences.
Originating out of the WaistDeep Clique (a cell of emerging hip-hop crews operating out of the Southern United States) and recorded on budget equipment, across it's near two hours and extended 23 tracks, the project seeks to un-package homegrown 'conspiracy theories' (MK Ultra, Black Helicopters, The Deep State, Black Sun, Waco Texas) and use this web of extended source material to make sense of day-to-day life in Trump's America, police oppression of black neighbourhoods and the systematic suppression of mind-enhancing drugs.
- 1: Mateo
- 2: 31 Contact
- 3: Electric Mud
- 4: Heads
- 5: Build-A-Brain
- 6: Fresco
- 7: Hugo
In the first part of a two-volume release, Eric Copeland (Black Dice) delivers Trogg Modal Vol. 1. It has been one year since releasing Goofballs and Eric has doubled down on his unique approach to crafting dance music, pushing a sort of 'Freakbeat 4/4' agenda even further than before. Where Goofballs was the first album recorded in its entirety in Eric's current home of Palma de Mallorca, Spain, and the result of countless hours spent working in the studio, Trogg Modal Vol. 1 is a bit less serious and more carefree, with tracks that are propelled forward by a singular, frenzied energy.
Chunky percussive layers, hard steady kicks, and tweaked loopy vocals create a playful vibe that is best described as a tropical-industrial hybrid. The final product comes together via seven succinct, self-described 'rippers,' music created both deliberately and accidentally, and always with a sense of humor that bubbles over and out through the speakers. With Trogg Modal Vol. 2 out in early 2019, this two-part release pulls into focus a vivid and unfamiliar new direction for Eric Copeland.
Lucrecia Dalt's Anticlines is a volume of bodily and geological substrates within poetic theory and sound. It is a place where skins and minerals dissolve and commingle, where gaseous subterranean leaks inflate lungs, where brain cavities echo interplanetary waves bent from passing through atmospheres.
A former geotechnical engineer from Colombia currently residing in Berlin, Dalt's concern with boundaries and edges shape the lyrics and music of Anticlines, her sixth album. Paying careful attention to pace, breath, and texture, Dalt microtonally shifts the distance between speech and song while using traditional South American rhythms to support her contemporary electronic composition.
Lucrecia arrived at the atmosphere of Anticlines after several months of studying and creating new patches for the Clavia Nord Modular, forming a rhythmic feedback flow with it, a Moogerfooger MuRF, and her voice. The overall effect of cavernous space backdroping Dalt's intimate vocal phrasing rewards contemplation, supported in the physical formats of Anticlines by a lyric booklet documenting Lucrecia's collaboration with Australian artist Henry Andersen.
The album opens with Edge,' bordering on a pathological circlusion of self upon other. The lyrics depart from the Colombian myth of El Boraro, an Amazonian monster who turns its victims insides to pulp before sucking them dry and inflating their bodies like balloons to lifelessly float away. Tar' ponders human dependence on earth at the boundary of the heliopause, where to inhale might be like breathing tar. Dalt's distant and obscured vocals end with, we touched only as atmospheres touch.'
The sonic rise and fall of Analogue Mountains' is inspired by martian traces found in Antarctica embedded by meteorite ALH84001, suggesting that we might well be living in mountains transferred from Mars.' The steadily winding music on Concentric Nothings' descends with the lyrical exercise of dissolution let my touch be indistinct and instinctive.'
Interspersed with the lyrical pieces of Anticlines are instrumental interstitials that demonstrate preceding concepts — as if to say, this is what antiforms sound like, and this is what the universe's indifference sounds like.' Dalt's ongoing experiments with visual artist Regina de Miguel support these ideas, their practice allowing the objects of their attention to slip in and out of being.
Mystic of matter, Lucrecia Dalt has previously performed and worked with Julia Holter and Gudrun Gut, her slippery spoken word and performative nature recalling the work of Laurie Anderson, Robert Ashley, Asmus Tietchens, or Lena Platonos. While touching stones, The Thing by Dylan Trigg, Cascade Experiment by Alice Fulton, and Wretched of the Screen by Hito Steyerl are but a few formative scripts that support Dalt's exploration of the betwixt and between.
In preparing a live set for Anticlines, Dalt plans to stage an uninterrupted configuration, like a kind of alienated lecture, aiming for gestures that create tensions with non-existent objects.' Dalt intends to provide meaning and a place for the listener to meditate or relate to the concerns and ideas' she presents.
- Lucrecia Dalt is a Colombian recording artist, songwriter, and producer.
- After studying civil engineering in Colombia, Dalt worked at a geo-technical company for two years and has since lived in Barcelona and Berlin, where she currently resides.
- She has released five solo albums and has collaborated with musicians Julia Holter, Laurel Halo and Rashad Becker, to name a few.
- Dalt has composed for sound design installations and performance pieces for institutions such as the Santa Monica Art Centre, Reina Sofia Museum and the Maisterravalbuena gallery of Madrid, in collaboration with visual artist Regina de Miguel.
- Anticlines is Dalt's sixth solo record, and her first on RVNG Intl., following the release of 2015's Ou.
- Anticlines explores the boundaries and limitations of human consciousness. The album's poetic lyrics were written collaboratively between Dalt and Henry Andersen during a weekend in Brussels, Belgium.




















