After a brief wander 'round the garden, Chilean-born Ricardo Tobar returns to the ESP Institute bearing earthly delights. With 2017's Liturgia, he introduced his creative point-of-view—instantly substantiating a sense of rhythm that was deliberately complex yet slightly rough around the edges, while touching upon his musical origins from the guitar-driven corners of psychedelia— however with his debut 2xLP Continuidad, he leaves us gobsmacked and seeking shelter as he leaps from dancefloor comforts and descends into absolute chaos (in more ways than one). Emotionally, the artist has crossed all previously self-imposed and subconscious thresholds, putting his true imagination on display and exposing an unwavering attraction to all things loud, orgasmic and transcendent. He's not subtly hinting at a fetish, but opening his arms wide with conviction, abandoning genre taboos and personally inviting everyone to join his enchanted caravan. Sonically, his appetite for intensity is clear throughout—epic chord changes, ascending peaks in arrangement, accumulating layers of grit that build into impenetrable blankets of distortion and feedback—a kind of aural hedonism that translates visually into the potent video abstractions our Mario Hugo has summoned for the album's packaging. This might all sound like a warning for Hurricane Ricardo, but fear not, listeners will still find some security in the album's rhythmic underpinnings, and although this foray into primitive, ritualistic bang-the-drum percussion is significantly more dangerous than his previous programming, its the imperfection in his passionate studio performances that imbue Continuidad with something remarkably human.
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Baby Buddha is the experimental new wave duo of Charles Hornaday (vocals, guitar, electronics, drums) and David Javelosa (vocals, electronics, clarinet). Born from late night improvisations of San Francisco synth-punks Los Microwaves with a rotating cast of musicians. Live shows would include music, projections, dance and performance art in both clubs and gallery spaces. In 1980, Howie Klein's 415 Records released their first single of Tammy Wynette's 'Stand By Your Man'. In 1981, 'Music For Teenage Sex' was their first full length album released via Poshboy Records. It featured Los Microwaves' Meg Brazill, Poshboy boss Robbie Fields, and Kathy Peck as "Tammy Why-not", who later went on to found H.E.A.R (Hearing Education and Awareness for Rockers). In January 1983 Kathy, Charles and David went into the studio with a couple of Kathy's original 'country' songs and began working on a sophomore album. They also incorporated songs from a live multi-track recording of a concert at the Graffiti Club on June 6th 1984. The album titled 'Everyone Is My Age' sat unreleased until 1987 due to relocation to Los Angeles and eventually found a home on David's Hyperspace Communications, the original label for the first Los Microwaves singles. For this first time reissue we've added a previously unreleased bonus song 'What's Going On,' a Kathy Peck original. All songs have been remastered by George Horn at Fantasy Studios in Berkeley. The vinyl comes housed in the original jacket featuring a collage by David Javelosa and includes an insert with lyrics, photos and liner notes. Alternative.
- A1: Main Title (Theme From "Game Of Thrones")
- A2: Goodbye Brother
- A3: Season 1 Finale
- A4: Warrior Of Light
- A5: Winterfell
- A6: Mother Of Dragons
- A7: A Lannister Always Pays His Debts
- B1: Dracarys
- B2: Mhysa
- B3: Two Swords
- B4: You Are No Son Of Mine
- B5: The Children
- C1: Blood Of The Dragon
- C2: Dance Of Dragons
- C3: Atonement
- C4: Son Of The Harpy
- C5: Khaleesi
- D1: Light Of The Seven
- D2: Winter Has Come
- D3: Hear Me Roar
- D4: The Winds Of Winter
BONE COLOURED VINYL[32,31 €]
In 2011 composer Ramin Djawadi was first asked to score a new TV series called Game of Thrones. In its first season much of the music was written for a small string ensemble, and filled out with synthetic pads and percussion. Over the course of the next six seasons the music budget got bigger and bigger to match the ever-increasing viewing figures the show was enjoying. This release celebrates the rich tapestry of music over the six series with the full firepower of an 80-piece symphony orchestra and choir.
Game of Thrones really is a television phenomenon. HBO's epic small screen adaptation of George R.R. Martin's series of fantasy tomes continues to draw in record audiences around the world and shows no signs of slowing down. Indeed some 8.9m people tuned in to the Season Six finale in the US and with repeats, recordings and on-demand viewings taken into consideration, it is estimated that Game of Thrones enjoys an average of 23m viewers per instalment. With a whopping thirty-eight Emmy Awards (and counting), this series remains the darling of prime-time pay TV.
With so much music created for the sixty episodes so far broadcast, this album can of course only take in so much. The particular cues and themes it does highlight, though, lend themselves beautifully to this symphonic re-imagining.
The only "lost track" from the same session as Lucky Brown's critically acclaimed "Mesquite Suite", "Sweet Tea (With My Sweetie)" reminds fans of Lucky Brown's trademark deepfunk sound that he and his crew can still ignite a dancefloor - and keep it lit for almost 8 minutes! "Sweet Tea (With My Sweetie)" is a cool, refreshing swig of sweet instrumental soul to enjoy while watching the sun set over the pecan trees of the Texas Hill Country with your lover.
Belly-up to the bar and gitcherself a couple tall frosty glasses of Lucky's trademark production/sound swirled with a heady shot of his backing band The S.G.'s. Your thirst for funk will be quenched by a solid deepfunk 2-sider complete with a Texas barbecued guitar feature up front, and jalapeño spiced trombone to take out side one. Then, on the flip: a smoked-out saxophone solo, some cornbread trumpet, some super sweet vintage organ treats, and finally building energy to a tasty drum and horn break - Lucky's brand of Sweet Tea is good to the last drop!
The Tramp team is extremely proud to have been working with such a genius for so many years and hopefully for many more to come! We want to thank all of you who have supported us in the past - thank you so much!
So, go ahead, mix up some "Sweet Tea" this summer! Your listeners will be bobbing their heads, smiling, and feeling good while they holler out for another tall cool glass of "More Sweet Tea".
**UNRELEASED AFRO-CUBAN JAZZ**
Afro-Cuban Jazz of the highest orderl! And even better, these two songs have remained UNRELEASED for the past 52 years! Vibraphonist, flutist, and band leader Ulysses Crockett was a big name on the Bay Area latin-jazz scene of the 1960s. He started out with his own group Afro Blue Persuasion which included a very young Paul Jackson on bass who later became famous as a member of Herbie Hankock's fusion-jazz masters The Headhunters.
"Cuban Fantasy" and "Poinciana" were both recorded live in 1967 but remained unreleased until now. Both songs are taken from the soon to be released 33rpm record titled "Live at Haight Levels" which includes more unreleased material as well as the full length version of both of these two edited tunes.
This 7" runs at 33rpm to provide the best sound quality possible.
Combo Lulo returns to Names You Can Trust for their sophomore single, digging deeper into the diversified sounds of the Caribbean that helped define their debut. While the first single took a Jamaican foundation south into the neighboring continent, fusing the sensibilities of rock steady with those of classic Afro-Latin orchestras, this single goes far east. Inspired by the heady and sublime sounds of foundational ska mixed with East African influences, (think Buster's Islam, Don D's Addis Ababa or Further East), The Sieve & The Sand is a brand new composition within this natural order, albeit with the fortune of different reggae eras and studio styles to draw from. Divided into two parts (but also available seamlessly as it was played in the studio), Combo Lulo's talented players move effortlessly from the galloping shuffle of ska into a deep and dark, Roots Radics-styled instrumental. It's a lovely ode to the original styles of reggae, but also another impressive accomplishment that will surely leave listeners and new fans in anticipation of the shape of things to come for Combo Lulo.
Deep positive vibes from the soul of Zûg to elevate the spirits.
Part 2 of 2 for 'Algunos Sentimientos' translates to 'Some Feelings'.
Second episode contains: patience, happiness, beauty and love.
Heads Up! The Berlin DJ and producer Audri present his new label Demut. He inaugurates his project with a stunning 3 track EP with Detroit Techno influence.
On the A side "Refrain Buzz" is an uplifting old school techno track with a stunning bassline and a remarkable whistle that will enter in your head and never leave!
On the B1 side we find "Quake" that is exactly what a B side should be, raw - punchy and obscure, perfect for every dark basement and warehouse.
On the B2 side "Life In Andromeda" closes the EP with emotional pads and an electro soul that brings you into space with a dreamful feeling!
After the Swedish grammy-award winning "Sunday" and the 2017 EP 'Ta Paus', here is the third and last part of the 'Hemma'-trilogy.
The end of an exploration of HNNY's home ('hemma' in Swedish) where he both lives and makes all of his music.
Named after a turning point in the life of the artist, the EP is a deeply personal record about being at and away from your home. D
estinations and places fly by in and between tracks, with the track titles giving more hints about the journey.
Deep positive vibes from the soul of Zûg to elevate the spirits.
Part 1 of 2 for 'Algunos Sentimientos' translates to 'Some Feelings'.
First episode contains: joy, wellness, constancy and celebration.
- A1: Candyman, Yeyo Pã©Rez - Burn Di Chalice (The Bang Riddim)
- A2: Gappy Ranks - We Got Each Other (Di Land Riddim)
- A3: Spectacular - Seat Tight (Modern Times Riddim)
- A4: Alerta Kamarada - Canto Infinito -Mujer- (So Deep Riddim)
- B1: Sistah Maryhane, Alerta Kamarada, Franco Verã³N - Showdown (The Bang Riddim)
- B2: Pipo Ti, Mr. Karty - More Culture (West Town Riddim)
- B3: Luciano, Polyfamous - My Youths (Modern Times Riddim)
- B4: Brother Wildman - Same Question (So Deep Riddim)
- C1: Polyfamous, Maga Lion, Julio Beltrã¡N - Champion (The Bang Riddim)
- C2: Luciano, Emeterians - Take Me There (Di Land Riddim)
- C3: Morodo, Mikey General - Tell The Truth (West Town Riddim)
- C4: Yeyo Pã©Rez - Tiempo Sin Fin (So Deep Riddim)
- D1: Hugh Mikes, Pipo Ti - Man A Real Ras (The Bang Riddim)
- D2: Utah Bassum - ¿Qu㩠Fue De?
Double Vinyl Lp 16 Tracks
The Bang Riddim, Di Land Riddim, So Deep Riddim, Modern Times Riddim, West Town Riddim...
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
| d4 Alerta Kamarada - Save The Children (Bonus Track)
d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
[{] d3 Brother Wildman - Jah Jah Warrior (Modern Times Riddim)
[|] d4 Alerta Kamarada - Save The Children (Bonus Track)
The Vinyl Debut Of Microm Records Is A New Era For Negocius Man And Microm Records N.e.g.o. They Are Very Special Songs With Different Styles Of High Quality Electro. It's My Cover Letter Around The World Hard, Raw, Dark, Robotic Vocoders, Detroit Sounds And Drexciyan Moments, Galactic Funk, Minimalist Atmosphere With Effects. They Are My Different Facets Making Electro But Not All, I Have A New Sound For 2019, Stay Alert And Enjoy!!! For Me Is A Timeless Disc, I Like It And I Always Will, All The Tracks Are Me: N.e.g.o.
Part two of the Tunnelvisions remixes include four artists: Fort Romeau, David Mayer, Yor Kultura and Bawrut. Fort Romeau's remix is a typical track you will hear back in clubs such as Robert Johnson, Bawrut's remix is a big-room beast and David Mayer shows his typical tribal sound. Yor Kultura finishes this remix EP and Tunnelvisions' Celestial Ritual project with a downtempo version of Umai's Dance. The Remixes are out March 22nd on Atomnation.
Cologne is Danny Lane and Vasilios Manoudakis - a photographer and a ship captain who make songs together. Vasilios works as a boats captain in New York while Danny stays landlocked, producing tracks and hustling work as a photographer/actor in Los Angeles.
The two communicate with one another through music, sending loops and snippets from wherever they happen to be, independently writing pieces of songs that smoothly snap into
place. Throughout this, the two share a thing for synths and classic pop, creating songs that are warm, relaxed, and inescapably catchy. Though their influences range from 80s dance music to minimal house and ambient music, they see Cologne as something new and have a very pure idea of success: If people like it, we are happy. Vinyl tastes better...
It is the duo integrated by Miguel Dahbar (ARG) and Alexis Cabrera (ARG) at the end of 2016 in Berlin, Germany. Inspired by the rhythmic trips of the Andes and Central America, they began to fuse that essence with electronic instruments, afro-latin percussions, guitar and soundscapes. Conditioned by their fantastic and emotional narrative, the performance travels through experimental Latin compasses and warm dreamy textures on a magical South American journey, WOLKE7s Iniciados tells the story of a young magician's apprentice, a long emotional way through the nature that surrounds him, to understand the laws of the universe and develop his powerful essence.
Right here, right now ADF are the most important band in Britain. NME 1997
Rafis Revenge originally peaked at number 20 on the UK Albums Chart and was shortlisted for the 1998 Mercury Music Prize, with Bobby Gillespie hailing them at the time as the best live act in Britain. This 21 year anniversary reissue includes a limited edition, coloured 2xLP plus expanded digital & CD editions with bonus tracks selected by Adrian Sherwood. To celebrate the release the band are playing at Rich Mix, London on 28th March.
By the time they recorded Rafis Revenge in 1998, Asian Dub Foundation were primed to explode. Having initially emerged from East Londons grassroots Community Music project as a largely studio-based collective, the band had galvanised themselves into a riotously exciting touring machine by the late Nineties. Their extraordinary live shows around this period were electrifying to witness, kinetic and dynamic, incendiary and euphoric, confrontational yet celebratory. For sheer roof-raising energy, they were unrivalled. ADF have evolved enormously over the last two decades, of course, but their breakthrough album remains a fascinating chapter in the real, complex, unwritten history of Britpop. Expanded and enlarged for this anniversary edition, these multi-layered musical treasures still dazzle and delight with their grandiose ambition and riotous energ
The New Creation were a local Los Angeles group who during 1974 recorded the H.B. Barnum produced 'The Fish Song' a tribute song dedicated to the door to door fish sellers of Whiting H&G. With the flipside again a tribute song dedicated to Elijah Muhammad the leader of Afro-American religious and political movement ,The Nation Of Islam. At the time of release the song received little radio airplay due to the radio stations deeming it a commercial song and demanding spot payments for it's promotion. Undeterred the group self promoted and distributed the 45 amongst the local community and the audiences at their shows. The group continued to perform right through until the early 1980's often sharing the stage with Philadelphia's The Delfonic's, L.A,s own The Youngheart's, New York's Cool & The Gang (who also recorded a LP track dedicated to Whiting H&G). Fast forward to the present and 'The Fish Song' and it's flipside 'Elijah Knows' has become a very desirable and sought after 45 (although most copies of the few copies found are not in great shape) amongst Lowrider, Crossover, Sweet and Group Harmony collectors both in Europe and the 45's native USA.




















