FUNKTHEPOPULATION is the debut record by Yablochko Zelenoe, released in July this year on the California-based label Dionysian Mysteries.
The visual aspect of the release was brought to life by AI-artist and designer Alyona Pustobaeva. Old-school breakbeat and big beat rooted in the British sound of the '90s. The release is soaked in disdain for the surrounding world, serving ideologically as an ode to independence and carefree rebellion - a truly mischievous, streetwise sound.
The first act signed to The Neptunes' newly formed Star Trak label was a Virginia based duo known as the Clipse. The first single “Grindin’” impacted the streets with its bare boned but infectious drum beat in the same way that “Sucker MC’s” did almost 20 years earlier. These brothers - Pusha T and Malice combined with The Neptunes groundbreaking production sent a clear message to the rap world – “we are not the same” (as rapped by Malice on his opening verse on “Cot’ Dam”). Clipse brings an authentic Virginia sound into the game and created a movement, with not only their darkly layered raps but The Neptunes as well. Pharrell Williams and Chad Hugo were able to combine their cyberpunk production with just the right group to create a street masterpiece. Following in the footsteps of such rap criminologists as Kool G Rap, Nas, Jay-Z, and Mobb Deep, the Clipse offer the Virginia hustler's viewpoint with clever, hard-hitting lyrics that is sprinkled throughout the entire album. With so many standout tracks on Lord Willin’ the album starts pulling no punches. On Track 1 simply (or maybe not) titled “Intro” you get a very personal and deep testament of crack and the drug game, a theme that is throughout this album…HEAVY. Songs like “Virginia” or “I’m Not You” (featuring Jadakiss, Styles P and Roscoe P Coldchain), have lyrics that play as a musical notes alongside The Neptunes tailored beats. “Young Boy”, “Comedy Central”… all fit perfectly alongside “When the Last Time” and “Cot Dam” as each song plays its part as chapters to the Lord Wilin’ masterpiece. “Gangsta Lean” (another one of the albums standout tracks) features a slightly lighter feel while paired with Pharrell's trademark falsetto hook. The truth of it is, it’s hard to just pick one track, or point out which is the albums star. Each song on Lord Willin’ is essential to making it the classic that it is. The Neptunes (who were busy turning out every other Pop hit on the radio) crafted an album that was deemed an instant classic, and cemented Clipse as Rap’s newest superstars.
Opsin- the new collaborative alias of longtime friends and producers Keydell and Kincaid - announce their debut LP on wax, Through The Wall, from London-based record label Hypnic Jerks.
Artist Info:
Opsin is the debut project between artists Keydell (Liam Keydell Myers-Cook) and Kincaid (Joe Arthur). The Pair have previously released on the following labels: Well Street Records, Banoffee Pies, Redstone Press & Bliss Print.
Both have extensive work in sound design and collaborated on the soundtrack for Mithridate at London Fashion Week 2024. Kincaid also produced the soundtrack for Alexander Whitley's Anti-Body Ballet.
Release Info:
The album is named after the birthplace of its creation. Sharing files between bedroom walls during COVID-19. Keydell's meticulous Ableton-based resampling of found audio and modular synth racks, and Kincaid's Reaktor-driven synthesis in Logic.
Draws on a wide spectrum of electronic influences the album infuses elements of rave, techno, industrial and ambient sounds, whilst never quite landing in any specific genre.
Second release from London label Hypnic Jerks on 4 sides of 180 gram vinyl, in a gatefold sleeve designed by Jacob Wise and mastered by Rashad Becker.
A followup from their first release - Toumba's debut physical release 'Rosefinch', which saw later releases from Hessle Audio and Nervous Horizon.
Meltdown Deejays Recordings, a long-standing pillar of Finland’s underground scene, continues its beautiful streak with Kitkatone. Known for his stripped yet soulful productions, the Helsinki-based artist delivers four timeless cuts that capture the label’s spirit, honest, functional, and deeply musical.
Four tracks that balance tight drum programming with a dry sense of funk, shaping a sound that’s both stripped and full of motion.
No tricks, no drama, just proper dancefloor tools from start to finish.
Mixners and Slidey Thingys flows effortlessly between house and techno, balancing raw rhythm and subtle groove. A record full of character, made for DJs who appreciate precision, warmth, and that unmistakable Meltdown touch.
Lost Gospel Gem - Exitiment "Rap For Jesus" by Columbus Native Kenneth Jordan Rediscovered Nearly 40 Years Later
Columbus, GA — In the late 1980s, Columbus native Kenneth Jordan was such a powerhouse on the local music scene that talent shows had to rewrite their rules. His voice was so captivating (and his wins so frequent) that some claimed the competitions were rigged.
Jordan, deeply rooted in the city's thriving R&B circuit, eventually turned his creative energy toward faith-based music. Teaming up with several local musicians, he recorded "Excitement (Rap For Jesus)", a gospel-infused rap track that aimed to connect with a younger audience enthralled by the sound of hip-hop. His goal was simple: to give youth something uplifting to rap about and listen to.
In 1985, following a personal health scare and a period of reflection, Jordan transitioned from R&B to gospel music. "I took it as a sign from above that it was time to make a change," he later shared. Though his lyrics found new purpose, his signature soulful style remained unchanged.
Fast forward to December 2022 in Little Rock, Arkansas, where record collector and producer Brian Sears stumbled upon a well-loved copy of "Excitement (Rap For Jesus)" while purchasing over a thousand vinyl records from the trunk of an SUV in a Lowe's parking lot. Struck by the track's energy and message, Sears went into "detective mode" to uncover the story behind the voice—and the man—on the record.
Today, Kenneth Jordan continues to share his gift with his community, leading spirited performances every Sunday at his local church in Columbus. Nearly four decades later, his music and message still resonate with the same joy and conviction that first made him a hometown legend.
After the seminal Musica da Discoteca trilogy, l’oggetto continues his exploration of electronic music subcultures with DANCE. This new series expands his research into the mutual connections between Italian and American sound cultures that gave birth to house music in the ’90s, while venturing into more introspective territories between Balearic beats, deep house, and techno.
The new 12” EP, DANCE vol.2, unfolds across four tracks that capture the night’s shifting moods and tempos, balancing collective euphoria with moments of personal transcendence. Seksy Tango opens with staccato synths and rounded basslines, channeling Mediterranean swagger and the faded glow of a summer night on the Italian Riviera. Smoothismi’s percussive groove and jazz-infused Rhodes warm bodies and souls, while analog-filtered pads sweep through the after-hours. In Tek, sharp stabs reverberate through the concrete pillars of an abandoned warehouse, as digital flutes shimmer like dawn breaking over an illegal rave. The EP closes with Enigmatico, a downtempo drift into the liminal space of the chillout room, reconnecting dancers to their surroundings and themselves.
l’oggetto is the musical side of NY-based Italian multidisciplinary artist Marco Scozzaro. With roots in ’90s subcultures, he DJs and produces underground house music, blending jazz/funk grooves, electronic transcendence, and a distinctly Italian vibe. Together with Pietro Di, and true to a shared DIY ethos, he co-founded MKDF Records to release and distribute his uncompromising sound.
D.D. Mirage return with new single “Echoes”, a lovers meditation featuring North Carolina’s Teddy Bryant, who delivers a velvet vocal performance steeped in yearning and late night reverie. The chorus “the things you do for love echo in my mind all night” hits the melancholy sweet spot, wrapped in the rich and authentically 80s sounding production we’ve come to expect from D.D. Mirage.
The Sydney based duo, now expanded into a full four piece live band, continue to stretch their sound beyond the Balearic and Dub tinted palette of their debut Exotic Illusions released earlier this year. With production assistance from Jono Ma, they capture a lush, cinematic space where street soul sentiment meets modern dream pop psychedelia, the kind of record that slips perfectly between Sade, Tom Tom Club and a lost Compass Point B-side. Flip the record for the Introspective Dub: a drifting, dubbed out companion that strips back the vocal to its echoes and lets the rhythm bloom.
Following live appearances at Dark Mofo and SXSW Sydney in 2025, D.D. Mirage round off the year with a live performance at Victoria’s Strawberry Fields festival mid November.
British-Brazilian jungle artist Janaway announces his brand new EP International Luv via Up Ya Archives Records.
‘50/50 Vision’ is the defining statement of Janaway’s upcoming EP, a single that captures the project’s full essence in one. Blending pulsing jungle rhythms with the rich textures of Brazilian vocals, together, with his UK-centric underground lens, he creates this rolling, dancefloor-ready track that bridges continents and culture.
The title, a play on “20/20 vision,” reflects Janaway’s experience as a dual-heritage artist who views each of his cultures from a balanced perspective. This sense of duality runs throughout his work, expressed through a distinctive fusion of sounds, stories, and collaborations that mirror his own world. The accompanying visuals deepen this connection, featuring Janaway alongside his collaborators and friends, not only adding a personal and authentic layer but providing a snapshot of the community that shapes his music.
‘50/50 Vision’ is a collaboration with two incredible artists that represent each side of his heritage. MC Tchelinho’s (Rio’s Heavy Baile collective), dynamic flow injects raw Brazilian energy and is enhanced by Arinola’s signature mix of UK funk and Ragga vocals which layer in an infectious groove. Together, they create a dynamic intersection of contrasting sound that feels both global and grounded - full of rhythm, movement and connection.
Growing up between cultures, Janaway has always gravitated toward sounds without borders. Now based in Bristol, he’s part of the new wave pushing jungle forward while keeping its essence alive. His signature blend of heavyweight basslines and sharp breakbeats has earned support from Nia Archives, Tim Reaper, Sherelle and Fracture. His acclaimed high-octane DJ sets packed with unreleased tracks, move effortlessly through jungle, footwork, and jungle funk, keeping crowds locked in and dancefloors moving. After a European tour and standout appearances at Boomtown, Glastonbury, and Outlook Festival, Janaway is fast becoming one of the most exciting names shaping the next gen of jungle.
Inaugural release of ambitious new label Mindfares, dedicated to the more nuanced, experimental edges of the electronic spectrum. Their first record is coming courtesy of Romania-based artist and performer Aburelius, taking listeners on a left of field, abstract yet nature bound trip that is as much immersive as it is emotional. With a rich, detailed sound that's borrowing and mutating from ambient, post rock, dub techno, and trip hop, the release shines on well-built systems both at home and in your favorite neighborhood hifi booth.
After a storming Soma debut at the tail end of 2017, Cleric returns with the Silent Kingdom EP. This typically intense and raucous new release features an epic VSK remix on the flip.
Phantom Limb opens the EP, all guns blazing. Calamitous percussion hammers through as twisted synth hooks tear the speakers with unrelenting drive. Tag X takes on a more hypnotic functionality yet still embodies Cleric's fierce, vigorous energy. Title track Silent Kingdom concludes Cleric's original tracks for the new EP and doesn't let up on intensity one bit. Pervasive rhythmic elements are bolstered by dystopic pads that cleave through the heart of the track creating an absolute killer, peak time cut. The in-form, Berlin based VSK, fresh from his Soma release under Symmetrical Behaviour offers his take on Silent Kingdom; a decidedly gritty affair he retains the deeper elements of the original but certainly ups the severity.
Another hard hitting and astute release from one of the UK's brightest talents.
New York-based Patrick Sullivan AKA P-Sol has a terrific track record when it comes to refined re-edits and classy, sample-rich mash-ups. Even so, his latest effort, delivered on a tidy and must-check seven-inch, is particularly potent. On the A-side, he takes us into immersive, seductive and ultra-deep territory via the mid-tempo house headiness of 'Everybody' - a kind of 'quiet storm goes deep house' affair featuring warming electric piano chords, heady bass and selected vocal samples from a soulful classic. On 'Walk Away', he provides a warming, percussion-rich new take on R&B classic 'Don't Walk Away', adding her familiar vocals to a head-nodding instrumental full of mazy solos, rubbery bass guitar and handclap-heavy beats.
Celebrating its anniversary with a characteristically bold move, Kyiv-based vinyl label Artreform isn't closing a chapter - it's opening a new one. Rather than issuing a standard 50th release, the label jumps straight to release 51 with this striking 8-track mini-album - a sly nod to the new sounds and exciting events still to come.
Splitting the anniversary release into two parts (four tracks each) creates a liminal space between the past and the future; between canonical house sounds and futuristic sound experiments. Unwavering ambition and a daring vision have long defined Artreform - and are deeply embedded in the creative credo of its founder, DJ, producer, and vinyl connoisseur Joss.
After an impressive 13-year journey, it's fair to say that Artreform has never succumbed to the lure of fleeting trends, remaining steadfast in its dedication to quality tech house, deep house, and microhouse. At the same time, the label continues to stay sharp, hungry for new ideas, and firmly in step with the times - while many imprints of similar vintage slide into self-mythologizing mode, focusing on reissues and retrospective compilations.
The new release makes this abundantly clear. The second half of the celebratory mini-album features a vibrant, life-affirming dancefloor cut from JOSS; a peak-time rave-inspired killer by iO (Mulen) - an artist who's been with Artreform since day one; a stylish deep house groove from seasoned masters Gorje Hewek & Binu Raal; and an ethereal vibe courtesy of Swedish standout Cirkel Square, whose music sounds dreamy, arresting, and otherworldly.
INDEX:Records alum vase (aka Downstairs People; games) and label-head Conna Haraway team up as ‘department’ to deliver a two-track mini-epic of sprawling brooding soundscapes and future-facing rhythms, via finely chiseled abstract outbursts and widescreen cinematic depth of field. (Additional live instrumentation comes courtesy of Glasgow-based staev, and INDEX:Rec affiliate MCRD supplies intuition suggestions.)
"Mary Yuzovskaya's Monday Off rounds out 2025 with its eighth vinyl-only various artists compilation, arriving 12th December, featuring Feph, Rasser, Mathys Lenne, and Xhato.
Opening the record is Florida's Feph, co-operator of Alchemista Records and Zosimos, with 'A Realization', where wild electric currents crackle over a subtle, sharp beat as shocks and zaps scatter into the darkness. Spanish DJ and producer Rasser follows with 'Constant Pulse', a hulking techno chugger of warped rhythms and hammering metallic hits. On the flip, France-born Germany-based Mathys Lenne, known for outings on Mord, ORBE, and Blue Hour, offers 'A Gentle Singularity', its tumbling percussion and drone-like synth casting a hypnotic spell while sparkling high-end shimmers above. Previous Monday Off contributor Xhato then closes with 'Lemon Swirl', a mystical finisher where soft sequences snake through brooding ambience, providing a guiding light as the kick drum marches resolutely."
DJ Support: Kerri Chandler, Chris Stussy, Archie Hamilton, Fabe, Groovesh, Vlad Caia, Andrey P Ush Krav, Thor, Masimillano Pagliara, Dubtil, Reboot, East End Dubs, IULY.B, Josh Wink
Chris Stussy ‘A Glimmer Of Hope’ EP in now being re-issued due to demand on LTD edition transparent red vinyl.
Amsterdam based producer and DJ Chris Stussy has become one of the most eminent figures in the contemporary house scene of the Netherlands and across the globe over the past 10 years, racking up releases on the likes of Eastenderz, Moscow, PIV, Contstant Sound and most recently his own Up The Stuss imprint.
Leading the release is ‘Central Frenzy’, laid out across six and a half minutes with skippy percussion, a snaking bass groove, intricate synth sequences and sweeping vocal chants. ‘Riva De Biasio’ follows and tips the focus over to airy atmospherics a jazz-tinged bass groove and squelchy acid licks atop swinging drums.
‘Deviant Shadow’ opens the flip-side and merges an amalgamation of expansive dub chords and bouncy sub bass tones with a robust 4/4 rhythm. Lastly to round things out is title-cut ‘A Glimmer Of Hope’, wrapping up the release on a deeper tip courtesy of ethereal pad swells, metallic synth licks and shuffled drums.
Hot Creations Autumn 2025 Vinyl Sampler featuring four of the Hottest recent release on Hot Creations.
When Jamie Jones and Nicole Moudaber first collaborated on Hot Creations in 2020 with ‘Pepper Shake’, five years on, the pair return with ‘Where All My People’, a powerful anthem that merges Jamie’s signature groove-led style with Nicole’s unmistakable drive and energy. The record is further elevated by the infectious vocals of London-based duo House Of Molly, ‘Where All My People’ is a celebration of rhythm, anchored by a rolling bassline and crisp percussion that form a tight, understated groove. House of Molly’s commanding vocal hook runs through the track like a thread of energy, adding a human touch that feels both intimate and anthemic. Marking his second outing on Hot Creations, OMRI. is back with ‘Release The Pressure’, a pulsating, groove-driven heater made for full-throttle moments featuring Benny Ola on vocals. Crisp percussion, hooky vocals, sharp synths, and low-end pressure come together in a track that simmers with controlled intensity.
On the flip Joshwa makes a much-anticipated return to Hot Creations with ‘Lost In Music’ which reimagines a timeless disco classic through a contemporary house lens, delivering textured percussion, sparkling funk-laced synths, and an infectious groove that captures the euphoria of sweat-drenched dancefloors.As Hot Creations celebrates its 15th anniversary in 2025, label co-founder Lee Foss makes a long-awaited return to the imprint for the first time in half a decade with a powerful new collaboration alongside Colorado based talent GS5. ‘In The Ghetto’ hits with low-slung swagger and vibrant vocal energy, channelling a bass-heavy strut and hypnotic vocal loops that nod to early Hot Creations flavours while pushing into contemporary terrain.
Welcome to the first release on Acid Lamour
A sub label for Lamour Records started in 2018 with a focus on techno and acid dedicated DJs. Releases are limited to 303 vinyls, no re-press.
Anders Ilar and John H are no newcomers to the electronic music scene.
Born in 1973, Anders Ilar began his explorations of electronic music in the mid 80s. Growing up in the small town of Ludvika in Sweden, Ilar spent all of his spare time playing with synthesizers, drum machines, keyboards and sequencers, learning the ins and outs of analogue and digital sound and music creation. Inspired by the early industrial and EBM wave he formed several bands with friends, started playing live shows
at smaller local parties, and released several demo tapes in very limited quantities. In the 90's he gradually shifted his creative influences towards ambient techno and acid and also started to DJ. He started using computer software to produce his music around 1999 and his first vinyl EP was released in 2001 on the german label Plong!, soon to be followed by
many more releases on labels such as Shitkatapult, Audio.nl and Echocord.
Developing his own flavor of deep minimal dub techno and ambient he gained critical acclaim with his album Nightwidth (2006) for Narita Records in the USA. Followed by highly appraised album Sworn on the german label Level Records in 2008. Ilar has also made remixes for celebrated artists such as Apparat, Mikkel Metal and Ripperton and has
appeared on numerous compilations and DJ-mixes. He's performed live on stage through-out most European countries and Japan, as well as doing a small tour with Notch Festival in China in 2008.
Up to 2018 Anders Ilar has produced 13 albums and 25 vinyl EP's and performed in over 15 countries.
Born in 1984 and based in Gothenburg. John H has been DJing, as well as producing tracks, since the late 90s, with Anders as his mentor and teacher, giving John early musical influences spanning across a wide range of genres, from Swedish techno to IDM, Cologne acid craziness and
the sound of Chicago house tracks. The musical output of his DJ-sets usually varies between techno, house, acid, electro and everything in between, depending on the time and location. John has performed on several locations all around Sweden, but also done appreciated gigs in other European countries at clubs like Tresor and Culture Box, and his music has been featured in sets by DJs such as Sven Väth, Adam Beyer,
Joris Voorn, Dense & Pika, Cari Lekebusch, Alan Fitzpatrick, Karotte,
Gregor Tresher, The Hacker and many more.
Coming For Your Tongue EP is Anders and John's 4th collab release, after
acclaimed releases on Flight Recorder and New York Haunted, recorded
during a jam session at John's studio in Bergsjön outside of Gothenburg,
Sweden, using a small setup of analogue synths and drum machines such as
the Roland TR-606, TR-808, a Devil Fish modified TB-303, Minimoog Voyager
and the Arturia Microbrute. After recording Anders spiced things up by
cutting and puzzling loops as well as adding extra effects and drums.
Limited edition of 303, no repress. Vinyl exklusive for 3 months
Mumbai-based musician, producer, and DJ NATE08 returns with his sophomore album Twenty Seven - a luminous fusion of r&b, deep house, and funk-leaning grooves, pressed to a single 140g LP in black vinyl.
Three years on from his acclaimed debut Furaha (which featured the breakout hit “Primrose” with over 7 million streams), NATE08 expands his sonic palette with Twenty Seven: a radiant collection of tracks that balance soul-soaked vocals, late-night basslines, and warm, sun-drenched production.
NATE08, aka Nathan Thomas, has become a central figure in Mumbai’s thriving underground, working as a session bass player, live performer, and genre-spanning DJ, while making an international impact through releases on label Needwant. Twenty Seven captures his full range: both organic and synthetic, smooth yet floor-ready, always driven by heartfelt groove.
From the dreamy opener “You’re The Reason” featuring Mary Ann Alexander’s velvety tones, to the nostalgic glow of lead single “Where Are You Tonight” (feat. Dishaan & Mallika), the album unfolds like a love letter to house music’s emotional core. Highlights include the syrupy r&b/house hybrid “Afterlife” (feat. Dappest), the golden-hour deep house shimmer of “Call Me Back” (feat. Sahirah), and the soul-drenched “What Was It” featuring Jamal Bucanon. Closing track “Stay” wraps it all with soft-focus chords and a bumpy, irresistible groove.
Twenty Seven is a sophisticated and inviting journey across mood, tempo, and texture, showcasing NATE08’s gift for weaving melody, rhythm, and soul into music that speaks equally to the dance floor and the heart.
Renée was born out of The Hague-based rock ‘n roll band René And His Alligators, founded by René Nodelijk in 1959. Throughout the 60s they were moderately successful both on stage and in the studio and served as an inspiration for many bands associated with the burgeoning beat scene in the coastal city. From 1967 onwards they performed under a few different names before going on a hiatus. In 1977 he made a comeback, this time joined by his wife Anja Nodelijk, née Exterkate. To reflect this fresh feminine impulse the band name was changed to simply Renée and recorded four full-length albums and a host of singles before disbanding in 1982 to make way for Anja’s solo career.
Reaching For The Sky from 1980 is their second and has been likened to many different things: Fleetwood Mac, Dire Straits, or even a fantasy collaboration between Pat Benatar’s guitarist, Heart’s Ann Wilson, and Steely Dan. Sprinkle some reggae and funk in the mix and it is no surprise that some of the tunes on this album ended up in niche YouTube algorithms, a Japanese book about obscure records, and in DJ sets by big names like Prins Thomas, who even released an extended edit of “Change Your Style” on a 12” single. This is obscure sophisti-pop at its best. Reaching For The Sky is available as a 45th anniversary edition on translucent magenta coloured vinyl.
UK-based DJ and producer Wallace debuts on Phantasy Sound with an irresistible double A-side single, ‘Cravings (ft. Love Letters) / Concourse.’ Bubbling with sensuality and euphoria, both tracks reinforce Wallace’s burgeoning reputation as one of electronic music’s most impressive new voices, a crowning moment on Erol Alkan’s long-running label following a stellar run of singles for imprints including Cooking With Palms Trax, Rhythm Section, and Moxie's much-loved On Loop.
Led by a longing, inquisitive performance from vocalist and underground house music luminary, Love Letters, ‘Cravings’ builds from a simple throbbing bass line to an eruption of lyrical and musical joy. Exploring onset desire – risk, uncertainty, and ultimately, reward – Wallace’s deep and celebratory arrangement interweaves with Love Letters’ queer perspective to deliver universal satisfaction.
While ‘Cravings’ looks inward to find release, ‘Concourse’ goes for the jugular with a darker, more epic sensibility than Wallace has previously indulged. His flawless production touch seamlessly gifts magic to a widescreen techno epic that might not sound out of place on the terrace at Circoloco or else a field near early-nineties Frankfurt, repeatedly working his acid-oriented machines into a lather and conjuring cosmic drama from eerie, choral voices beneath a powerful groove.
Barcelona-based label Raru Cultural Movement continues its mission of curating forward-thinking underground sounds with its fourth vinyl release, Mad Riz, by Ukrainian producer Silat Beksi. Known for his refined minimalism and deep rhythmic sense, Beksi delivers an EP that moves between precision and warmth, layered grooves, subtle textures, and hypnotic energy that unfold naturally across each track.
Rooted in Raru’s philosophy of craftsmanship and cultural connection, Mad Riz reflects both the label’s dedication to high-quality vinyl culture and Beksi’s unique approach to sound design. A pure expression of the contemporary underground — timeless, detailed, and built for lasting resonance.
On 9th December Modern Obscure Music presents Cascades, the new album from Pedro Vian & Mana, which premiered during their immersive live set at the most recent Sonar Festival in Barcelona.
Cascades was recorded over a three-day studio session in Turin during the winter months, which is reflected in the musical narrative, as the eleven tracks flow gently like an icy river, filled with a mixture
of hazy melancholy, uncanny dream-states and euphoria.
Various recording techniques and instrumentation was utilised, including the Lyra-8 organismic analogue synthesiser, which takes principles from living organisms to produce sounds resembling a
conversation between nature and technology. The result is a spellbinding ambient odyssey that features a luminous synthesis of neo-classical strings and orchestral drones, together with strange
voices, and abstract passages designed to evoke Dante’s Inferno, which represent the soul’s journey.
Pedro Vian is a renowned Catalan artist who has released three solo albums (Beautiful Things You Left Us For Memories, Pedro Vian and Ibillorca) and a collection of singles on his Modern Obscure
Music imprint – a multi-disciplinary platform based on deep listening and music research. The ‘PRSNT’ compilation, which Pedro curated in 2021 and featured Laurie Spiegel, Ryuichi Sakamoto, and Visible Cloaks, received support from Pitchfork, Crack, Brooklyn Vegan, The Quietus, The Wire and Metal. Pedro has been remixed by Inga Copeland and Pye Corner Audio, and has recorded mixes for of Bleep, Self-Titled and Juno Daily.
As part of a new generation of Italian electronic music artists, Piedmont born composer and producer Mana has released two full length albums (Seven Steps Behind and Asa Nisi Masa) on Kode 9's
Hyperdub imprint, plus an EP on Nicolas Jaar's Other People label under his Vaghe Stelle alias.
Earlier in his musical journey, Mana supported Laurent Garnier, James Holden and Skream across the Torino club scene, and in 2011 teamed up with Italian friends Lorenzo Senni and A:RA to form
the experimental group One Circle.
Pedro Vian & Mana’s previous work as solo producers has pushed the limits of electronic music, and together they’ve garnered critical acclaim from the likes of Pitchfork, The Quietus, The Vinyl
Factory, Resident Advisor and more. They now join forces to traverse new sonic territories between electronica, ambient, drone, and trance-inducing soundscapes.
393 Records is a small independent vinyl/digital record label based in Dublin, Ireland
for its 5th release it welcomes Irish producer, Collie with his Static EP
The young producer showcases the versatility of his productions with 4 club driven tracks which represents the energy very similar to his peak time DJ sets weather as a warm up or headline act
On the A1 "Static " The track is built around soft, hazy pads and airy ambient layers that create a wide, enveloping atmosphere, Dreamy, floating, hypnotic, warm, and spacious.
"Into the West" brings a much different approach, with real Dub influenced warming bassline heavy delay & washed stabs
On the flip the journey continues with well crafted progressive 90s era track "soft progress". This one will definitely set the club or festival a light with the breakdown sending chills down your spine
Lastly the maturity of "Electron" keeping that consistency of the B side with its Shuffling hi-hats & deep atmospheric elements & driving low end
The 393 Label has a history of quality over quantity, with no doubts another gem of an EP been released here & another fantastic Artist in Collie been unearthed with a magical collaboration here
Cosmic Romance proudly presents "Amour Propre", the new album by Berlin-based multinational band Stella & The Longos and 5 release on the label.
Following the acclaimed 2022 release "Détends-Toi", the first electrifying collaboration between lead singer Stella Zekri and producer Ed Longo, "Amour Propre" crowns two years of relentless touring, growth, and evolution. On the road, the duo forged a powerful live ensemble of Berlin’s finest musicians. That synergy now explodes onto record, expanding Stella & The Longos’ sound into something more organic, daring, and deeply alive.
On "Amour Propre", Stella’s sultry, magnetic voice weaves through lush layers of live drums and percussion, funky guitar riffs, shimmering keyboards, intricate brass lines, and the unmistakable hi-fi production flair of Ed Longo. The rhythms oscillate in a melting pot of musical styles, where Afro-Caribbean influences overlap with vintage boogie beats and quelching synths flirt with smoky Parisian midnight moods. Stella’s voice remains the heart of it all, sensual, husky, and brimming with raw emotion. Her lyrics explore love, longing, and reflection, while also capturing moments of dancefloor euphoria and universal connection.
With The Longos as her powerhouse backing band, every track radiates the energy of a live performance: intimate, enchanting, and unforgettable.
12” vinyl, full sleeve artwork with Mordançage front cover artwork by artist Jo Torres, design & centre labels by Ciaran birch. Limited run of 300.
“Singing Vessels” draws inspiration from the sonorities and aesthetics of Amazonian medicine ceremonies and traditional Andean music. At its heart is a collection of clay whistles from ancient South America, whose timbres conjure the vibrant soundworld of the Andes. The piece also incorporates shamanic instruments from the Amazon, such as the shacapa — a bundle of dry leaves whose rustling produces a deep, soothing texture with remarkable sensory resonance.
Interwoven with generative electronics, live looping and synthesisers, these organic timbres create evolving psychoacoustic spaces where the mystery of nature meets inner realms of perception and consciousness. The piece unfolds as a ceremonial passage through a shamanic ritual: beginning in a dense jungle of sounding entities, rising into moments of cathartic purging, dissolving into states of blessing and communion, and finally returning to the here and now with renewed awareness.
Nervio Cosmico is an electroacoustic experimental duo based in Bristol, formed by Chilean composer Daniel Linker and Italian sound artist Matteo Amadio. Blending acoustic instruments from ancient South American shamanic traditions with live looping, generative sound design, and live electronics, they craft sonic journeys that explore perception, consciousness, and a spiritual connection with nature.
Makyo taps into his love of roots reggae for this deep, dark and dreamy cover of Things Ah Get Tough by the legendary Bristol band Talisman. The Tokyo-based producer transforms the original, while keeping true to the essence of the original, whose lyrics meditate on the greed and destruction caused when corporations benefit from a nation’s downfall.
Makyo has charted his own course through the world of dub, often with an eastern or tribal twist, since the early 90s, working with collaborators like Bill Laswell, Natacha Atlas and Muslimgauze, but with this release, he’s entering a new phase.
“I’ve listened to this song for years,“ notes Makyo, “and it just felt more relevant than ever when I started working on it in 2024, with all the wars, election madness, wildfires, inflation and nuclear posturing. The mood just seemed to reflect where people were at.”
Having overcome crippling tinnitus and hyperacusis (to the point that he couldn’t even listen to music for several years), Makyo’s finding joy in the past whilst looking to the future, with this sparse and bittersweet version of Talisman’s tune the first in a series of contemporary covers he has planned.
9th release from the Madrid-based label Kunda Records.
This time, it features the participation of “El-y”, aka Techno, and the well-known French artist AcidUPDub (co-founder of Dune Records, 2008).
On the A-side, we’re treated to two heavy-hitting tracks:
- “Andromeda”, a dancefloor destroyer with an intriguing rhythmic progression that builds into a climax of sinister melody, leaving a repeating echo resonating in our heads.
- “Torpedo”, a projectile of pure hypnotic techno.
On the B-side, we find two aliases behind which stands the same person: José María Moreno Vega (Granada, Spain):
- C-system, presenting “темный век” (Dark Ages), a pure Tekno track with pounding kicks and a martial rhythm.
- And Spectrums Data Forces, bringing us “Revenant” and “Space Crucifix”. Both tracks will take us on a spacey, robotic journey full of electro rhythms and broken beats.
‘Before the Odysee, there was the Iliad; a tale of the golden age of heroes and warriors.'
The idea behind the Iliads series was to return to the sound of the golden age of Jungle/Drum & Bass, and more specifically the original ‘heroes’ of the Odysee label.
This fourth and final instalment concludes the series; bringing all the different styles of the original Odysee sound together in a grand finale. From deep atmospheric beauty to sinister dystopian breakbeat fury; Iliads IV has it all.
Oubliette immediately creates a feeling of unease and paranoia. The rapid injection of different breakbeats gives the track an unsettled feel; with nervy piano jangles and moaning samples adding to this atmosphere. The track drops with punching subs and razor-sharp curling breaks from amidst the desolation of the atmosphere of the intro. The call and response style is used to cut from break to break maintaining the unease of the intro. The drums & bass break down into a
dystopian landscape of sound, before dropping once more to take the track towards its conclusion.
A Point In Time with its obvious reference to a compilation series on a certain well-loved atmospheric Jungle label is all about conjuring nostalgia. There are notable references to bygone days; the infamous bulb bass and bleeps of the Warehouse days of glory, and the tearing mentasms that enter in the approach to the breakdown. The breaks are crisp and complex, the sub-lines deep and dark; a track truly built for a dark sweaty basement club where the bass bins
are pushed to their limits!
Love & Desire is a sultry deep atmospheric roller full of subtle references to the early UK Garage sound of the mid 90’s or even Deep dub Tech-House. The elegant curls of the Apache break that takes centre stage in this track are complimented by sweeping pads and a set of deep synth stabs that form the rhythmic backbone. The subs drop deep amidst a palette of avant-garde electronica, as the spoken word vocals call out “my love....my desire.”
We really hope you’ve enjoyed the Iliads series as much as we have; they represent a very special sound that is close to the very heart of what we at Odysee are about. As much as they focus the lens on the past, we truly believe they have had a profound effect on our future....in as much as they have brought us back to the raw essence of our sound.
Andy & Tilla
393AD returns to his own Full Range Motion records with 'Singularities EP'! On this EP, 393AD continues to explore the grey-area in between introspective yet driving techno, an area in which 393AD's well-received debut 'Doctrine EP' left such an impression. The Amsterdam-based artist playful use of sound-design and storytelling adaptations of live hardware jams are once more an excellent foundation for his second release, solidifying the distinctive sound of the artist on this young label. Opener 'Gravitational' pulsating beats are a strong anchor for slowly unfolding harmonic stabs and a strong centrifugal energy. Glimmering patterns unfold as an umbrella; a projectile shoots past; the aftermath of a near-collision - there's no running from this mind-gazing adventure. On the same side 'Technological' pushes on with dramatic effect as noise interlocks with serenity. A devious and mesmerizing track. The flip starts off with 'Mechanical', the final clever contribution to this EP by 393AD. Propulsive kicks and startling low-end call & responses manifest infectious hooks and rhythmic interplay. This track is as serious as it is facetious. Finalising this EP is Maasym's remix of 'Gravitational'. Building on the urgent dynamics of the original, Maasym conjures a magical field of rhythm, intertwining the original with his own energetic pulses. Culminating finally in a compelling resurgence of the original's main stab.
Tokyo based French producer Laurent introduces his label State of Levitation, dedicated to releasing music that tries to grasp the elusive.
Taking charge of the first release, he delivers 4 tracks unraveling sonic landscapes he resonates with, a blend of styles between techno and electro, dark and bright, with an emphasis on melody and emotional evocations.
“Everything flows – nothing remains, there is only an eternal becoming and changing” is a well-known formulation of the river theory of the Greek philosopher Heraclitus, also known as panta rhei (ancient Greek: πάντα ῥεῖ, “everything flows”). This teaching states that everything in the universe is subject to constant change and that nothing stays the same forever. The metaphor of the river illustrates this: You can't step into the same river twice because both the river and you are constantly changing. The water is constantly flowing, but the river stays in one place. Thus, reality is constantly changing, even if sometimes perceived as constant.”
„Same Same but Different.“ Always different – always the same. Chill-Out DJ Heraklit
For the 26th time, the most consistent of all ambient compilations, in a constant flux of static change, is released on Kompakt. Joining good friends from the early days and reliable confidants are some new additions to the non-hierarchical charts of contemplative rapture culture.
Leading the way is Micå, a Japanese electronic musician whose finely chiseled, graceful musical style has made it onto the new collection with two pieces. Also making his debut is Richard Ojijo, a seasoned sound engineer known, among other things, for his long-standing collaboration with the artist Marcel Odenbach and the Cologne-based label Magazine. Oskø aka Max Hytrek, a multi-talented newcomer to Kompakt and the music scene, debuts with his rapturously ecstatic piece "Ar Vag." He's followed by Sebastian Mullaert, appearing for the second time—this time teamed up with Sebastian Lilja aka Hush Forever. After his surprise return last year after a 20 year hiatus, we are delighted that Tetsuo Sakae aka Pass Into Silence is back again this year with one of his distinctive sound gems. As are Dirk Leyers (Closer Musik) and Mikkel Metal. 18 tracks are featured on this CD. "Erlösung" (Redemption) is the title of Segensklang's closing track. A kind of ambient bolero into infinity. Or at least until next year...
And what would Pop Ambient be without the iconic, artistic cover design of Veronika Unland, who once again, in her unmistakable way, says through the digital flower: The eye always listens...
Welcome to New Fair Tracks, a new and fair story in the New Fair Deal canon. Phase O'Matic, the young yet already prolific UK based artist, presents the first chapter with his potent style of new wave techno beat. With nods to EBM, acid and the early rave days, Phase O'Matic captures the raw and hypnotic sounds of the 80s and 90s with the precision and refinement required to carry forth through the 2020s and beyond. Four tracks for every phase of the night, the 'New Crusade' is geared to get floors moving in dark rooms around the globe. Will you heed the call?
Swiss-born, Berlin-based artist Stallo makes his anticipated vinyl debut on Casanova Bar Records with Mifepan EP.
After first appearing on the label in 2020 with a contribution to CBB007 a digital VA, he now returns as the main artist on CBR008, delivering two original tracks that define his signature sound.
The EP opens with Bleenthal, a hypnotic journey built on rolling drums and immersive textures. On the flip, "Wavoom" pulsates with a constantly evolving synth, pushing forward with relentless energy.
Elevating the release, Japanese techno legend Takaaki Itoh delivers a raw and powerful remix of Wavoom, while Italian innovator Fabio Florido reinvents Bleenthal with his cutting-edge sound design.
Mifepan EP is a bold statement from Stallo, an immersive exploration of deep grooves and evolving driving textures.
Liverpool-based DJ and production duo North 90 channel the raw energy of classic electro on their new EP, Panorama, via M.A.D Records. Fusing punchy drum programming, funk-laced basslines, and icy synth textures, the release pays homage to the genre’s old-school roots while keeping one foot firmly in the modern club landscape.
Ever developing his evocative style and dynamic sphere of influence, ASC's latest EP is afurther evolution of the atmospheric legend's repertoire that simply cannot be missed.
A1 - Everybody
ASC opens his latest Spatial EP in subtle fashion, classic genre effects punctuating anunsettling intro before deliciously crisp drums seize the stage and build continually with hi-hats generating an urgency to the vibe. A series of micro melodies delivered withtrademark technical flair float across stunning breaks, before a rousing baseline caps off asuperbly evocative mix which delights the listener and dancer in equal measure.
A2 - Seconds To Midnight
Straight in with a purposeful 808 bassline, ASC delivers another powerhouse display ofbreakbeat fluency, jumping between chunky, juddery drum patterns with a choppedversion of a lesser-used but very effective break sample last heard on ASC's very ownclassic, Polaris. Epic vocal effects surround Seconds To Midnight with a tense aura whilesuitably pitched strings and synth work are dusted liberally throughout the piece.
AA1 - Restless Dreams
Amen fans unite! ASC's love for the most classic of breaks shines through once againwith an enthralling workout for the ages. Introduced with eerie pad work and a solobassline, the atmosphere is crafted through a plethora of pads and samples while theamens thunder on with a detailed array of editing skills on show - thumping kicks andsnares keep the energy levels high bar after bar leaving nothing in their wake.
AA2 - Core Memories
A gorgeous female vocal opens Core Memories, a track which uses the classic breakfeatured on the first ever Spatial release, Force Majeure. Here, a refreshing set oftechniques are on show from ASC as he carves and chops the break to the tune ofcautious horns, highlighting the serene yet uncertain backdrop to a wonderfully varied anddetailed collage to close this distinctive and progressive EP from the label head.
Dino Lenny debuts on Rekids with the ‘Not About The Volume’ single. The bona fide legend arrives backed with a remix from Rekids regular Tiger Stripes.
Dino Lenny debuts on Radio Slave’s Rekids with ‘Not About The Volume’ on 5th December 2025 alongside a remix from label regular Tiger Stripes. Active for over three decades, Italian/UK DJ, producer, singer, and Fine Human Records label owner Dino Lenny has released on R&S, Diynamic, Innervisions, and Bedrock, while working with artists such as Underworld, Missy Elliott, Wu-Tang Clan, and Madonna on remixes and collaborations. Since 2021, he’s hosted Tomorrowland’s Core, the festival’s alternative electronic stage's radio show, which has featured Nina Kraviz, Ellen Allien, DJ Tennis, and more.
Lenny’s ‘Not About The Volume’ boasts a loopy groove that forms the base for impactful, jazz-infl ected hits, and at the centre, a quirky, party-starting vocal that’s sure to cement itself in the minds of the dancefl oor. Tiger Stripes reworks ‘Not About The Volume’ with a fresh new bassline, quicker drums, and amplifi ed synth elements for a more hypnotic take on yet another Rekids anthem.
Fides Records continues its 10-year anniversary with the second chapter X2 following the monumental 10Y OF FIDES: Mixed by Z.I.P.P.O. True to the label’s decade-long pursuit of underground sound and vision, this new instalment deepens the narrative with six striking contributions that embody the raw, hypnotic, and modular essence of the Fides universe.
The A-side opens with Setaoc Mass’s “Quanta” a stripped down, mental techno piece driven by tension and precision. Seddig follows with “Seismic” an intense, driving composition marked by rugged modular energy and deep rhythmic focus, while Casual Treatment’s “Hoover” injects elasticity and bounce through detailed sound design rooted in French minimalism.
Flipping to Side B, Holden Federico’s “Tactics” timeless track based on a 909 framework and a melodic core that balances power and elegance. Augusto Taito’s “No Eye Contact” unfolds as an immersive, restrained groove while Asymptote’s “Encounters” closes the record with cinematic precision, a contemplative yet physical finale true to the Fides aesthetic.
Various Small Whistles and a Song, the new album by Chicago-based artist Lia Kohl, incorporates notions of space, social relations, and humor. As the title suggests, the album responds to Ed Ruscha’s 1964 photographic artist book Various Small Fires and Milk, which Kohl sees as a wondrous celebration of ordinariness, one that reveals Ruscha’s trademark deadpan humor and depth. In the spirit of that publication, Kohl created her own series of sonic vignettes, with guest appearances from her close community of collaborators including claire rousay, Macie Stewart, Patrick Shiroishi, and others, reflecting the same sense of humor and mundanity.
The structure of the album—16 one-minute tracks—directly mirrors Ruscha’s book, which comprises 15 photographs of fire and one of a glass of milk. Ruscha’s “small fires” are represented here by recordings of whistles—mostly human whistling, with occasional appearances by train whistles, emergency whistles, and a woman selling penny whistles on the street in Guangzhou, China. About this choice of material, Kohl writes: “I’ve always been captivated by whistling—it’s musical but often a bit unconscious; usually solo but often done in public places. There’s something tender and human about hearing someone whistle, a socially acceptable version of hearing their mind wander.” As with Ruscha’s photographs, the whistles are not random snapshots but windows into social situations, narratives, or spaces.
The “milk” of the title — the 16th photograph in Ruscha’s book — is interpreted here as a single recording: a group of people singing together in Barcelona around 6 a.m. on New Year’s morning, captured through the floor of an Airbnb. Kohl describes this as a social, collective sound that contrasts with the solitary nature of whistling. The song functions as a counterbalance—a quiet celebration of shared experience.
Lia Kohl is a composer and sound artist based in Chicago. Her wide-ranging practice includes composition and performance, installation, improvisation, and collaboration. She tours nationally and internationally, working in theater, jazz, rock, and experimental contexts. Her work centers curiosity and patience, an exploration of the mundane and profound possibilities of sound.
On The Button are back again and coming in strong with their 3rd release. This time Birmingham native Croft. delivers his first full debut EP for the Leeds based record label and Event.
Croft. has delivered 4 heavy cuts all ready for the dancefloor, a mixture of a 4/4 groove laden techno/tech house and breaky electro, all 4 tracks truly complimenting each other with Croft. establishing his unique sound.
