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On our latest Savor EP, 'Tracks from the Vault Part 2', South American legend Franco Cinelli delivers the goods.

On the A-side he pays homage to a legendary musician with "Tribute To Miles Davis". This track seamlessly blends elements of jazz and electronic music, creating a hypnotic sonic journey that captivates the listener from start to finish. Cinelli's meticulous attention to detail and impeccable production skills shine through, as he masterfully combines intricate drum patterns with mesmerizing melodies and atmospheric textures.

The B-side introduces us to "Electronic Funk," a high-energy dancefloor mover that blends influences of Detroit and funky electronic music. Cinelli's masterful production skills are once again on display as he creates a dynamic and infectious groove that demands movement from its listeners. The track features a pulsating bassline, crisp percussion, and synth melodies that intertwine flawlessly, creating an irresistible atmosphere that is bound to get any crowd grooving.

Digging Deeper Music goes back again with another Maurizio Verbeni's aka , this time with Vex N'Voice originally released in 1995 , four tracks ready to destroy every dancefloor! Limited press as always don't sleep on this.

After 13 years from the last release on Touch And Go records the Italian underground rock band UZEDA is back with Quocumque Jeceris Stabit. Eight new tracks in pure Uzeda’s Style.

Recorded and mixed by the beloved friend Steve Albini and mastered at Chicago Mastering Service by Bob Weston. A masterpiece!

After 13 years from the last release on Touch And Go records the Italian underground rock band UZEDA is back with Quocumque Jeceris Stabit. Eight new tracks in pure Uzeda’s Style.

Recorded and mixed by the beloved friend Steve Albini and mastered at Chicago Mastering Service by Bob Weston. A masterpiece!

If the ideal greatest hits collection captures the fundamental truth about an artist, Eric Kupper’s – “A Lifetime In Dance Music” highlights an envious catalogue, extraordinary production skills and ultimately reveals a passionate maven of house music.

The 24-track compilation celebrates the vast work and revered career of Eric Kupper and is a collectable occasion to re-acknowledge his influence and golden touch as a remixer for over five decades. This second volume of “A Lifetime In Dance Music” highlights another selection of Kupper’s finest productions and remixes of greats such as Whitney Houston, Earth, Wind and Fire, Curtis Mayfield and Moloko.

Emblematic of an iconic nightlife and reflecting on the sheer scale of his work for seminal artists including Diana Ross, Gloria Gaynor and Donna Summer, this ultimate collection serves as a reminder of Kupper’s astounding blend of studio power, control, and agility as a producer and remixer. As the writing and production partner of the late godfather of house music, Frankie Knuckles, Kupper is a true musician and multi-instrumentalist who has played on, remixed, produced or engineered over 2,000 records spanning a wide range of contemporary musical genres.

An eavesdrop to Kupper’s sophisticated, faultless production style that has amassed an unprecedented catalogue captivates the imagination back to bygone musical decades. His work in the mid-to-late 1980s/early 1990s, especially with Def Mix Productions and remixes for the genre’s superstars Alison Limerick, Ce Ce Peniston, Inner City and Frankie Knuckles is considered to be part of the foundation for house music as it exists today.

Recent times have seen After Caposile become one of the most sought after locations on the underground circuit, and this reflects in their acclaimed record label - Caposile Music. This Spring they have prepared a stellar release of firm favourites from the club. “The Sound Of Garden” release will come in two parts, both on 12” and will include a heavy hitting lineup such as Romanian duo Super Moon (Arapu & Priku), family members and residents Maggio, Francesco Maddalena, and Yaar Kü, Silat Beksi, Mihai Pol, Giuliano Lomonte and Sublee. A perfect blend of club affiliates, coming together to provide the soundtrack from that famous garden.

Volume One kicks off with the dynamite combination of Arapu & Priku under their Super Moon moniker. Hypnotic movements set a serious tone for the journey ahead, mysterious elements simmering throughout “I Can Help”. Dreamy meets dance floor in Maggio’s aptly named “Just Landed” floating synths calmly lift you, but you remain grounded by the killer elasticated groove. After delivering the previous EP on the label Yaar Kü returns with a stripped back encounter, his unique touch shining bright. Silat Beksi provides a certain sunshine jam with his track “Jaho”, you immediately feel the warmer times are coming, after parties in the sun.

Landing just a few weeks after is the equally special Volume Two, packed full of ammo for the tastemakers. Mihai Pol inaugurates proceedings with “Sugar Rush”, the 7 minute quest boasts shimmering synths and a sweet bass line to match. Francesco Maddalena ups the ante with his garage influenced “Breath Of Air”, an energy boost for the peak times of the party. Giuliano Lomonte’s “More Time” rumbles from the get go, begging to be played on a high quality system to allow each of the intricate details to speak for themselves. Last but not least is Sublee, his “Day Six” track is a chugging body of work, blurring the lines between house and minimal with a raw edge.

With a huge European tour on the table, and a release of this stature After Caposile are flying high at the moment with an indispensable team behind the project. Expanding on their party paradise location, but simultaneously propelling innovative underground sounds under the Caposile Music offshoot. Both Volume One and Two will land this May, right on cue for the summer time madness.

Digging Deeper Music comes back with their reissue series with another old gem from E.Fatovich well known with his aka Joe Montana , but this time with the seminal first works on GO-DIVA aka. Soon available on pre-sale.

Symphony Orchestra is a new group from Maximilian Turnbull and Michael Rault. Both Rault and Turnbull are accomplished songwriters, performers and producers in their own right, with Turnbull leading The Badge Epoque Ensemble, playing with the group Darlene Shrugg, and once releasing records under the name Slim Twig and Rault having released several psychedelic rock & roll classics under his own name in the past decade. The pair have worked together in various capacities for many years, writing and recording together on U.S. Girls' In A Poem Unlimited, and contributing to each other's releases, but the debut LP from Symphony Orchestra (due out May 12th on Telephone Explosion) marks their first release as an official entity.

Needless to say, there is a potent creative chemistry between Rault and Turnbull and Radiant Music showcases the alchemy between their distinct skill sets. The album is an exercise in pure collaboration. After years spent focusing on solo projects and working as hired guns on other projects, the duo came together with no specific intentions other than to work free of boundaries and direction. Freeing themselves from the familiar pressures of deadlines and expectations, they found a sense of discovery through togetherness. Duties on this project were split between Rault acting primarily as a one-man rhythm section and lead vocalist with Turnbull bringing chord sketches and his trademark aphoristic lyrical musings to the table. Trading off roles on guitar and keys from song to song, the duo's deft approach to melody bleeds through their instrumental parts as much as it does through Rault's vocal melodies. The majority of this album was self-engineered over the course of three sessions in 2018, at Michael's Montreal studio. Dormant during the pandemic, Rault's move to Los Angeles and the birth of Turnbull's twin sons, work reignited in 2022. The latterly tracked instrumental 'Concerto' and ballad 'Unthink The Thinkable' provide a dynamic depth to the album perhaps attributable to this tumultuous pause. Mixing came courtesy of Steve Chahley & Tony Price (U.S. Girls, BÉE, Jane Inc, etc).

In all of their work, Rault and Turnbull have made a hallmark of elaborately precise production and arrangement, Radiant Music is no different, though its pared-back simplicity provides a streamlined directness. The pairing of Rault's soulful, elastic vocal with Turnbull's evocatively cerebral lyrics provides a thrilling sensation unlike anything else in their respective catalogs. With an explosive, groove-forward approach, kaleidoscopic walls of vocal harmony and technicolor displays of guitar work, these 31 minutes of music will most certainly stimulate the mind of any fan of classic pop rock and funk. The blown-out breakbeats, winsome woven vocal melodies and propulsive wah-wah guitars of the title track evoke memories of an after-school cartoon special that never really existed outside of a lysergic daydream. "Harp In The Wind" is a perfect moment of overcast melancholy complete with ribbons of weeping synthesizers and velcro-fuzz guitar that could rip a clean line through Kevlar. "Know Thyself" and the harmony-rich "Intersection" are standout tracks that find a kinship in Stereolab's space-age effervescence. "Concerto" is a slab of beaming, mischievous funk that nods to Billy Preston's extraterrestrial keyboard explorations.

Radiant Music, like the best pop music, is life-affirming, confectionary, and enticing. Symphony Orchestra have created an album that hits you right where you need it, anchoring heady, adventurous sonic ideas down to a solid foundation of masterful songcraft, virtuosic instrumental performances and undeniable groove. Not a bar, nor beat is wasted.

The ever-evolving Bruise, purveyor of that top shelf house business drops The Skyline mini LP via Foundations Music Productions showcasing some of his finest work to date. Eight cuts that range from deep, introspective delights to hard-hitting club weapons, jazz-infused 2 step to UK bass flavours including a signature remix from esteemed stalwart of the scene, Future Beat Alliance.

Kicking off with ‘Cascade’, Bruise opens the record with a driving, emotive 4/4 vision of swirling strings and glittering pianos while a choir builds to create a club track of haunting beauty. ‘Brass Tacks’ and ‘Thunder’ follow, the former packed with driving horn riffs, euphoric chords and that classic Bruise breakdown, set to ignite dance floors across the world, with the latter a dramatic dance floor heater that mixes intensity and sensitivity to stunning effect.

Maintaining that balance of delicacy with power, elsewhere Bruise offers up both an instrumental and vocal mix of ‘Driftin’’ the atmospheric yet equally effective house stunner.

On the B side ‘The Dassy Slide’ dives deep into the basement. A rolling syncopated vocal lead dances around a nagging horn refrain all underpinned with a bass heavy 2-step inspired groove. Closing out the package Future Beat Alliance twists and turns with techno leaning trademark remix of ‘Themes’ that tips its hat to the ‘90s yet with a firm foot in the future before the UK Bass, breakbeat blending ‘Tears’ takes the final spot.

black vinyl edition !

repress !

Dam-based don Retromigration steps into the big leagues letting loose his debut album on WOLF Music. An LP that has long been in the works and for good reason too. Fourteen expertly executed tracks that range from hazy beats and jazz-tinged broken rhythms to club-ready groovers, deep excursions, soulful footwork and even some jungle energy. A flavour for every occasion and damn it tastes good.

With an envious run of releases on the likes of Handy, Healthy Scratch, wewillalwaysbealovesong and WOLF in a relatively short space – Retormigration is hot property and it’s clear to see why. A distinctive style and energy permeate his tracks with a breadth of influences on offer, from hip hop, to jazz, soul to funk. You just know a long player from this player is going to cover all bases.

His debut LP, Straight Foxin’, is a carefully curated and crafted journey showcasing the creative explosions firing off in Retromigration’s brain. Joining the dots between genres, taking elements from here, ideas from there – twisting and turning yet never out of place. Take the opening three tracks, all tied together by a deep fondness for jazz but served up in different styles, ‘Kunta’ with that hazy beatsy blend, ‘Formant’ leaning into the realms of broken beat and DnB and ‘Be Someone’ cruising with the off-kilter house.

Elsewhere there’s prime examples of Retromigration’s signature sample-laden house with deeper cuts like ‘Mada’ and ‘Bouncer’, sitting side by side with more soulful explorations such as ‘New Cribs’ and ‘ITWT’.

Not one to be pigeonholed, another course of Retromigration’s expansive taste gets served up with four high energy hits. The bouncing footwork flavours of ‘Kush Love’ ft. Passion Deez and ethereal excursion ‘What If’ lead into a captivating nod to the heydays of jungle and DnB on ‘Mild Fever’ and ‘Bad Knees’ respectively.

Straight Foxin’, mad flexin’ – Retromigration has laid down the law with this LP, a debut album done right.

Recent times have seen After Caposile become one of the most sought after locations on the underground circuit, and this reflects in their acclaimed record label - Caposile Music. This Spring they have prepared a stellar release of firm favourites from the club. “The Sound
of Garden” release will come in two parts, both on 12” and will include a heavy hitting lineup such as Romanian duo Super Moon (Arapu & Priku), family members and residents Maggio, Francesco Maddalena, and Yaar Kü, Silat Beksi, Mihai Pol, Giuliano Lomonte and Sublee. A perfect blend of club affiliates, coming together to provide the soundtrack from that famous garden.

Volume One kicks off with the dynamite combination of Arapu & Priku under their Super Moon moniker. Hypnotic movements set a serious tone for the journey ahead, mysterious elements simmering throughout “I Can Help”. Dreamy meets dance floor in Maggio’s aptly named “Just Landed” floating synths calmly lift you, but you remain grounded by the killer elasticated groove. After delivering the previous EP on the label Yaar Kü returns with a stripped back encounter, his unique touch shining bright. Silat Beksi provides a certain sunshine jam with his track “Jaho”, you immediately feel the warmer times are coming, after parties in the sun.

Landing just a few weeks after is the equally special Volume Two, packed full of ammo for the tastemakers. Mihai Pol inaugurates proceedings with “Sugar Rush”, the 7 minute quest boasts shimmering synths and a sweet bass line to match. Francesco Maddalena ups the ante with his garage influenced “Breath Of Air”, an energy boost for the peak times of the party. Giuliano Lomonte’s “More Time” rumbles from the get go, begging to be played on a high quality system to allow each of the intricate details to speak for themselves. Last but not least is Sublee, his “Day Six” track is a chugging body of work, blurring the lines between house and minimal with a raw edge.

With a huge European tour on the table, and a release of this stature After Caposile are flying high at the moment with an indispensable team behind the project. Expanding on their party paradise location, but simultaneously propelling innovative underground sounds under the Caposile Music offshoot. Both Volume One and Two will land this May, right on cue for the summer time madness.

SPF 50 returns to Professional Music with 'Secret Technology', a diverse 5-track EP of playful, sonically rich material aimed at the dancefloor. The record explores some of the the core staples of the dance: bouncy grooves, rippling, psychedelic synth lines and a few cheeky vocal chops.

Heavily inspired by golden era tech-house, but with an ear for modern sound design, the music comes in with bad-boy energy but hints at something deeper bubbling beneath. Heavy kicks and sharp hats mingle with complex, modular basslines. Dusty breaks and euphoric vocals jiggle over top of lab-concocted acid. This one is for fans of serious fun.

Thank you for bringing your beautiful music to our ears. House music never die! To Paul

Igziabeher Yi mas gan (Let Jah be Praised!) - as we follow up with the next release forwarding from Ashanti Selah Music; we are proud to present a fresh combination to the label with Iqulah Rastafari who is a true ambassador and master of his faith as well as being a high-caliber artist in his own right; this release delivers the whole roots and nothing but the roots in its full entirety. Hailing from Jamaica and toured the 4 corners of the world with his band 'Giddeon Family' as well as performing many shows in Africa with the 'Azania Band' - Iqulah always brings the spiritual power and most honourable Rasta energy in connection with the music; making it a such an engaging experience when being among the vibration.

The Maxi-single offers two original vocals and two dub mixes per side with strong lyrics and heavy riddims to accompany!

We've been writing new material as a trio since the first lockdown in the spring of 2020. 
An organic and electro-acoustic impulse that translates both mine and Eliete's need of self-archiving, 
re-inventing and auto-cannibalising Tetine's past, present and

future in order to explore other aural 
landscapes and modes of composing intuitively, while at the same time, re-experiencing moments of our 
trajectory as a hybrid organism. 



Music For Breathing was born as a respiratory, meditative, and improvisatory piece of DIY 
tropical-mutant-punk "chamber music" written for cello, voice, piano, organ and electronics. 
The work responds to the suspended acts of breathing and vertigos experienced in contemporary polluted
 environments in political, social and philosophical transitions, whilst investigating the 
secret ontologies of inanimate objects and architectures, as well 
as the echoes and ethics of modes of operating things. 



Recorded during the intense period of heatwaves that hit London between July and August 2022, in 
a small studio set up in our flat's kitchen - so that we could capture the acoustic instrumentation 
(in particular, for the recording of cellos) without much

noise interference from the street - 
this vinyl version of the album comprises of 5 distinct yet complementary reflective movements. 


Musically and lyrically, it explores the atmospherics and syntaxes of time and space, voice, rhythm, 
as well as themes such as hearing loss, menopause, pollution and respiration. It builds an expanded suite of unexpected 
electro-acoustic textures through repetition, minimalistic motives, simple melodies, chromatic 
developments, free counterpoint and atonalism. Conceived as an ode to the poetics of slowness, 
the sounds you hear give continuity to the music we composed for the performance-film 
The Ether - Prelude No.1 over the first lockdown in 2020 as it simultaneously explores the warmth, 
melodiousness and power of the cello in conjunction with electronics. 
Music For Breathing evokes this transitory moment: a place and time where language runs out, 
communication and information lose their functions, sound and meaning do not correspond. Facts do not correspond to contexts. Spaced Out in Paradise. The last degree of the structure, the 
loss of memory. The lost voice.


The album also features our 12-year-old daughter Yoko Afi on cello and vocals. It reflects 
a period of free sound experimentation influenced both by romantic composers of the late
 19th / early 20th centuries and contemporary electronic music. The pieces you hear were composed, arranged, and recorded 
with the joy and melancholy of "those who do not know". In other words, "with the arrogance 
of a second childhood" as Derek Jarman once put it. 'Agile and candid as a child'(1).

1) Manifesto da Poesia Pau-Brasil, Oswald de Andrade, Correio da Manhã, 18 de Março de 1924.

Most Excellent Unlimited teams up with Giant Step Records for this special release of a U.K. jazz-dance classic's Twentieth Anniversary.


Voted Track of the Year at Gilles Peterson’s 2003 Worldwide awards, RSL’s “Wesley Music” was an instant anthem on its release, combining a jazzy sensibility with heavy percussion, catchy brass riffs, and a building, hands-in-the-air chorus hook. The Manchester, UK-based band first released the single on their own label, but as the tune took off it was quickly released in the U.S. by Giant Step Records, long a pipeline for the freshest British new music. Most Excellent Unlimited has collaborated with Giant Step Records for this exclusive re-release to celebrate the twentieth anniversary of the original record. The A side swaps out the original mix with a never-released Danny Krivit “Part 1” mix, a slightly more extended and direct to-the-point punch of Latin percussion and chants. The B side features Krivit’s “Part 2” mix that lets the tune unfold in all its building-anticipation glory, gradually elevating to a thunderous pinnacle of an almost spiritual nature.


With RSL recently finding favor in the sets of Chicago deep disco don Rahaan and NYC’s globetrotting Ge-Ology, remaster & pressed on an attention to quality vinyl, ideal to celebrate the twentieth anniversary of this timeless iconic track.

Music From Memory is delighted to be turning 50 with a special release: MFM050 - V/A - Virtual Dreams: Ambient Explorations In The House & Techno Age, 1993-1997 (3xLP/2xCD). The first in a series of compilations, alongside more in depth artist-focused releases, Virtual Dreams will delve into music produced during the 1990’s that redefined the boundaries of ‘Ambient’. This was music that explored the possibilities of Ambient music within a new setting, created often by House & Techno music producers for a world beyond dance floors but made very much with the pre and post-clubbing listener in mind.

When House and Techno exploded out of America in the mid 1980s a whole generation was redefined not only musically but also culturally and chemically speaking. Peaking, quite literally, with a second ‘Summer of Love’ in 1988, millions of young people across the world would experience the life-changing ups of a brave new world but with it of course came the downs; enter the concept of a ‘Chill-out’ room. Whilst early Chill-out rooms lacked a specific sound and were often soundtracked by music such as reggae and soul, slowly young Techno and House producers themselves would become increasingly interested in developing a futuristic ‘Ambient’ soundtrack to a world beyond the thud of the main room.

‘Ambient’ in this new age now though had sharper teeth than in Brian Eno's key text for ‘Music for Airports’, instead here the sounds were the mode of transport rather than the backdrop. While the melodies were pretty, the soundscape steered away from the pastoral, dreaming of outer-space and technology as opening up exciting new dimensions. Much like in the first Summer Of Love; the musicians were again exploring psychedelic, mind-altering and transcendental possibilities of music. And also much as in the first Summer Of Love, a psychedelic visual language would accompany the music. Though now the tracks could be accompanied by music videos, utilising early CGI techniques, they would look almost entirely to the future: envisioning technology, nature and humanity intertwined in a new Utopian future. Virtual Dreams of a better world.

From Ambient and early Chill-out classics, to lesser known one-off projects, as well as Ambient deviations by some of House and Techno’s leading producers, Volume One of Virtual Dreams features tracks by Bedouin Ascent, LA Synthesis, LFO, Marc Hollander, Mark Pritchard & Kirsty Hawkshaw, Richard H. Kirk and more.

To celebrate our 50th release the first 1000 copies include a holographic 'Virtual Dreams' sticker plus a special insert poster with artwork by Victoria Pacheco and design by Steele Bonus.

For its first release, Caprices Music relies on Brizman, an Israeli based in Berlin. In a competitive market of international DJs and producers, Brizman's distinctive sound consistently delights the hearts of listeners. He has produced a massive collection of minimal house tracks that have already been released on renowned labels. Now he's hitting his notes on Caprices Music with two original tracks "Mama Shelly feat. Linn Stern" and "Berlin Moment" in tribute to the recent death of his mother. If one is a melancholic and haunting ballad, the other is distinguished by a deep but heavy sound. As for the remixes, Tripmastaz and Silat Beksi deliver two dancefloor bomb. The remix of Silat Beksi will appear only on the vinyl version.