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In these turbulent times we have managed to release six pieces of wax to date.This is something to be proud of, and of course we are.

For this sixth slice of plastic we have Kalter Ende on board and it’s a real pleasure. From his bunker hidden somewhere in the middle of the peninsula, he runs his label Concerns Music and his mastering studio Reborn.

On the production side he has lately gone into modular, and you can clearly feel the machines in his productions and in his amazing live act.

For this release he has cooked up five cuts of modern and complex techno, carefully crafted, nothing easy or predictable. Mujo, the opening track, is a clear example.

Jōshahissui follows slow paced grooves, crispy analogue percussion, linear hypnotic sequences and a wise and dynamic arrangement. You can feel the circuits singing in this one.

Sengoku introduces distortion and harshness, a diffused kick drum and processed synth lines running together from the beginning until flanged sequences come on top, a weird marriage of overdrive and deepness.

Closing the release, Senran explores the profound side of techno, clear synthetic drums, liquid synths, elastic bleeps, again on a complex and wise arrangement.

As digital bonus we include the track Ran, again a precise electronic workout made of continuous synth lines and sharp rhythms.

Five timeless pieces of danceable electronic music, away from trends, far from the easiness, done by professionals for professionals. Touchable, collectable and physical as every piece of vinyl is.

After the great success of previous opus composed of remixes by French rising stars like Folamour &,Tour-Maubourg and established artists such as D'julz, Satoshi Tomiie, Ian Pooley, Oliver Dollar or Butch, the new chapter called The « Z » EP is leaded by the great DJ producer Dan Ghenacia. Along side House Music legend Chez Damier with Ben Vedren and their project H2H, come the young rising German producer Marc Brauner and the French new talent Kusmee aka AMS 250. Definitely a new step foward for the Shazzer Project.

PSYCHIC YOUTH featuring Genesis P Orridge on Vocals. One sided Cover version of Fun Boy Three's - Our Lips are sealed...
LIMITED TO 100 copies.....

After dropping his first solo release at the end of 2019, Naranja is back with his second EP. And this time, he embraces even more the italo-disco and EBM influences that were showing through his first project. The a-side features some dark and kicked italo-disco riffs, acid basslines and deep layered synths melodies, where the b-side explores broader sounds, from rave inspired synths to unrestrained braindance beats. In this second effort, Naranja offers to dive in a musical journey, drifting between melancholic synths, 80s inspired basslines, deep pads and energetic drum beats.

Berlin club and party-starters Sameheads return to black wax on April 10th with “ZEUG!”, a 4-track EP from various celebrated artists, who join forces in new and unheard ways for a stack of outernational and spaced-out dancefloor jams for creative dance floors worldwide and beyond.

Berlin-based CROSSLUCID, AKA Sylwana Zybura and Tomas C. Toth, have delivered another stunning example of their perception-bending otherworldly viewpoint with the artwork for the release. A purely analog production, fusing clever lighting tricks, hand-made props, and a healthy dose of shaving foam and dry ice… This “Cult of the Cosmic Swamp” chimes with the weird tribal rhythms contained on the record.

First up is Mameen 3 (a side-project from Brussels selector DJ Sofa) & Romanian pioneer Rodion G.A with ‘Planet Cluj’, a suitably off-world excursion through a fun-packed disco hall in some far-off colony where layered synths are stacked, elements seeping through one another to form a mesh of groove.

Anatolian Weapons’ cosmic fireside ritual, ‘Chant 3’, heats up the A2 with vibrant and punchy percussion loops woven together with a worldwide chorus of chanters. Building continuously, the tough workout is dosed up with a bassline saturated in attitude for a high-energy finish.

Picking up on the B side are KRENG (a morphic form composed of Don’t DJ and Dane Close), who slow the pace down with a latticed beatwork combining robust dance formulas and blasting syncopation. Letting the rhythm do the legwork for the first half of the track, the pair then pour out a sludged mess of grime-infused bass over the percussive chaos.

Silvia Kastel and Wilted Woman close proceedings as SHAKEY with a dubwise workout that straddles b-side house obscurity and stoned live dub improvisation: steel drums patter at the windows of Paradise Garage as Larry Levan fights off the vampires alongside Scientist.

The release is celebrated at Sameheads on April 10th with an extremely rare live show from Rodion G. A., an appearance from INVERSIONS label owner Milo Smee, and a b2b from Don’t Dj & Dane Close. Limited to 300 pieces, this record will find a home in the stacks of DJ’s willing to step outside genre and convention.

Samosa Records 10 is the brand new spin off label from Samosa Records concentrating on 2 choice cuts from some of the finest producers at the label one each side of a 10” vinyl. It also see’s Samosa announce an exciting collaboration with another of the finest labels out there Tropical Disco who will be handling the digital release for this one down the line.

Launching the brand new imprint it’s only fitting for the label bosses De Gama and Les Inferno to lead things out.

First up is De Gama’s Sometimes Sometimes which see’s him creating a much more reflective track than his previous powerful peak-time percussive club jams. Despite its ever so bluesy laid-back sentiments it’s no less a sublime outing. Velvety smooth the lead vocal is definitely one of those once heard never forgotten magical musical moments. It’s a track of simplicity, a smooth bassline, subtle guitar licks and the wonderful vocal performance. It’s an entrancing life affirming track which has all the hallmarks of a track which absolutely must be listened to again and again. And yeah, maybe just one more time!

Over on the flip Les Inferno takes us off towards classic Philly territory with an equally subtle but ever so funky slice of feel-good disco in ‘Yeah C’Mon’. Smooth percussion, an ever so danceable bassline, brilliantly performed yet subtle keys and another absolute monster vocal. And did we forget to mention the disco flute? Yeah Disco flute, does it get any better. We think not?

This is a 10” which is quite simply undeniable. You must have this in your collection right now because you will need to listen to it time and again. Samosa continues its quest to dominate the disco vinyl landscape with yet another ridiculously superb release.

What are you waiting for just order this and thank us later.

Autoroutes II by Pamplona's III3S (aka SuperSobreSaturado) is the soundtrack for a 21st-Century trip interconnecting continents and generations of Acid-House lovers and ravers. This record is a hard-driving journey into (Ph)uturistic sounds that takes it back to the Old School.
III3S knows that the best road-trips begin and/or end in Chicago (which is, after all, the start-point of the legendary Route 66) and he knows the start-point of any journey into Acid-House is Chicago's Phuture, the legendary masters whose "Acid Trax" created the genre in 1986. And so he is humbled to get remix support on this special edition vinyl release from none other than Phuture members Lothario Lee, Dj Spank-Spank, and Ron Maney aka Dj Skull.

A side
A68 (Acid Mix) A groovy analog bass-line rides a potent four to the floor kick while acid squelch rises over snapping rhythms of hats, snare and rolling rim-shots until deep chords bring light like the sunrise after an epic all-nighter.

B side
B1 A68 (Dj Spank Spank & Lothario Lee's Hard Acid Remix)
The Chicago legends and Acid-House inventors Dj Spank Spank & Lothario Lee step hard on the throttle by adding reverb and distortion to a crushing 4x4 kick. They push the drama of the original's rising minimalist melody by cranking up the 303 squelch and steadily building the snare-rolls and syncopated hi-hats.

B2 A68 (Ron Maney aka Dj Skull Remix)
Phuture's Dj Skull draws out the deep, groovy funk of the original's bass-line with a hypnotic, evolving rework.

A firm Drumcode favourite, Mark Reeve is back with his latest techno opus.

Weaving his vitalising, biting techno through the seminal imprint since 2012, Reeve has since become a permanent fixture within Adam Beyer’s camp. He saw demand for his knockout ‘Run Back’ EP being matched and surpassed by his ‘Far Away’ EP. Staunch DC fans will also be familiar with Reeve’s output on the label’s A-Sides compilation series, and clubbers hot on the tails of Drumcode events will have caught him centre stage across a string of showcases, including the inaugural Drumcode Festival.

Reeve’s music invariably endorses an arresting sonic aesthetic, with intense melodies often driving in those eye-closing moments. The title track ‘Distance’ is an atmospheric opening gambit set to sonically massage the senses with uplifting pads and a radiant melody. ‘Serum’, a track recently road-tested by Beyer at a special event in collaboration with Cercle, soars and captivates as it progresses with a low-end rumble and intricate keys. ‘Fix Me’ is a vigorous techno workout that’s intent on energising a clubroom rammed with sweat-soaked dancers. Closing off the EP, ‘Filmwave’ rides a killer groove into a pit of punchy, powerful kick.

The tag team are back with another club-ready release bringing together their combined experience and production prowess. Dan Ghenacia and Chris Carrier are long-time friends who’ve been working together in the studio over the last few years, resulting in a series of EPs on labels like Apollonia, Adult Only and, of course, Music For Freaks, for whom this is their second release. On the A-side ‘Vocalized’ comes at us full throttle with a powerful bassline and crisp, punchy beats. The vibe is unrelenting with a neat call and response vocal clip and a simple, catchy melody in the top line, keeping it hypnotic. Funky, groovy and full of potent energy from start to end. On the flip ‘Burning’ has a similar aesthetic, with taut drums and bass, plus a range of unusual sounds to add depth and character. Indecipherable vocal clips pop up occasionally, and the pace picks up as the track hits the midpoint. A repeated siren-esque effect locks you into the groove, keeping you hopelessly hooked until the end...

Following the tragic passing of Philippe Zdar last summer, Ed Banger and Glitterbox Recordings have come together to release the final collaborative Cassius production, with the blessing of Hubert Boombass and Philippe’s family. This special vinyl only release features their remix of Fiorious’ powerful call-to-resistance anthem ‘I’m Not Defeated’, a record that captures the energy of historical protest songs, and inspired remixes from Honey Dijon and Catz ‘N Dogz with critical acclaim. The B-side has been specially etched, and the release will be limited to just 2000 pressings, making this a true collector’s item. Described by Fiorious as “an inspiring eight-minute tour de force and the most bittersweet gift to all of us,” all profits from the 12” will be donated to Rainbow Railroad, a Canadian charity working to help the LGBTQ+ community escape persecution and violence.

Speaking of the record, Ed Banger founder Pedro Winter said “Zdar played me the remix while we were heading to the last gig we would ever played together. He knew he and Boombass had delivered a banging remix. The original song was already one of the strongest of the year and adding Cassius’ powerful groove, hypnotic drums and these unifying chords would make this remix an instant classic.”

Berlin-based Frag Maddin bursts onto STRCTR with four hefty cuts. Maddin, whose hard-hitting sound has touched Mistress Recordings, Madhouse Records, W&O Street Tracks and Snatch! in the past makes his way into 2020 in style.



Side A’s lead track kicks of the label’s sixth release; the aptly-titled ‘Industrial Deafness’, is one warehouse-proof, downright dirty jumble of loose 4x4 drums and hardware groove. Nick Behringer’s remix forms its own subtle groove with a minimal house edge – more intimate bar, less cavernous warehouse.



Side B’s ‘Stuhltanz’ has floating flutes, jazz keys and one catchy vocal sample – a weighty kick and bumping bassline brings it together. And the DOS remix takes the euphoria of the special track one step further, adding a warm break and a complimentary sprinkling of acid.

LAs the first release on Phonica White back in 2009, 'Galaxy' by Japan's Iori is an expertly crafted piece of dancefloor-focused Techno, led by a rolling bassline and crisp hi-hats, with hypnotic melody patterns skittering off the surface. As we described it upon release, it's a trippy but accessible heads-down affair that has the depth and the bite to do damage at peak-time and in the after-hours alike. A decade later, those words still ring true and as it's now one of the most sought after records on Phonica White it's the perfect time to revive it - with a twist.

This time we have freshened up the record by swapping original B-side 'Urge' with a previously unreleased remix of 'Galaxy' from Lord Of The Isles, the producer behind two of Phonica's best received 12's on the main label, 'Year Of The City' & 'Greane / Gigha'. Countering the original's functional sonics, his remix takes the track in a deeper, widescreen direction, swirling the original's components around immersive pads and piano.

To keep collectors of the first pressing happy as well as to differentiate the two versions, the label artwork is the same Pedro Carvalho de Almeida design yet inverted and slightly tweaked to reflect the new tracklist and catalogue number.

ANNA drops a triple dose of heat to mark her first EP on Drumcode. ANNA first debuted on Drumcode with the irresistable groover ‘Portable Paradise’, which highlighted last year’s A-Sides Vol.7 and set up a busy year playing DC events in 2019.

There was the memorable morning set at Space during WMC, two fiery gigs at Drumcode Festival and typically strong performances at the DC takeover at Resistance in Ibiza and Sonar.

Fresh from her collaboration with Kittin ‘Forever Ravers’, she steps up for a maiden EP on Adam Beyer’s flaghship label. ‘Galactic Highways’ is propelled by an arresting peak-time riff and bombastic drums and was a storming addition to Beyer’s set at Drumcode Halloween recently.

‘Dimensions’ is the powerful brain scrambler, as a blistering wall of acid rubs shoulders with undulating bass notes for an dramatic finish. ‘Phase Two’ is a stirring, pad-laden beauty, driven by lustrous melody lines that cascade over the Brazilian’s punchy percussion.

The "second limited vinyl edition on Scena_731 label, is a sharp weapon like the Blade Knifee, recorded by the talented "Yari Greco"
with a sound that screams like the 90's and with heavy industrial themes. On B side, amazing are the featuring with the incredible dutch
duo, "Noneoftheabove" with riding rides of drummer and to the end, the techno lord by "Mr. Endlec" it's pure industrial adrenaline.

For its new release, the Parisian crew Discomatin picked a lesser known banger of the boogie era, Maudit DJ by Clara Capri. Produced in Belgium by Jay Alansky with lyrics
written by his sidekick Jacques Duvall, this EP brings together an Italo discoesque bassline surrounded by shiny synths and irresistible guitar licks. On top of that, Clara Capri sings
with a high-pitched voice. Maudit DJ is a real celebration of the nightlife. Fortunately, it’s brought here with all 3 versions transferred from the original tape masters: the extended “Version Longue” with its great introduction sounding like strong early house, the shorter “Version 45 Tours” if you’re in a hurry and, last but not least, the instrumental version for those too shy to play the vocals. But let’s head back to the 80’s: Jay Alansky
and Jacques Duvall are having a real success. They just produced famous Belgium female artist Lio’s first hits and have access to Dan Lacksman’s studio in Brussels - member of Telex with Marc Moulin. During this euphoric period, they met Clara Capri, a young Italian girl really crazy about Disco, swearing only by Giorgio Moroder or Chic. Her two buddies decide to concoct her a real hymn to the dancefloor. For them it sounds like the perfect
time, considering the duo always dreamed of being like a shadow production team, just like Motown’s very own Holland-Dozier-Holland. With a great care to the production and the
sound and with the best technologies from the era, they managed to create this French dance music attempt, at a moment when nobody was speaking about French Touch.
Thanks to Discomatin, it’s now available to the real connoisseurs with an exclusive insert which contains lyrics, again with fantastic illustrations from french artist Camille de Cussac.

'GO Wax' is a vinyl only record label designed to show off the underground sound that is the life and soul of the Game Over X One Night Stand parties in Ibiza.

The first release welcomes Salty Nuts & BE9 rising star Fabe who has been one of the all stars of the Game Over parties this summer -
The A-Side is straight club cuts designed to blow minds, while the
B-Side shows off the trademark Fabe groove which has made him one of the biggest names in the scene throughout 2019.

Vinyl Only.

For the first time ever repressed on FullTime Production the iconic disco record "Easy Going" by Easy Going!
That's a brand-new great landmark for the label as "Easy Going" set a milestone in the italian Disco culture.
If at the end of the Seventies you were at Piazza Barberini in Rome at night, you would have come across a small but crowded club half-hidden in the ascent of Via della Purificazione, a trendy gay club with elegant Fassbinderian furniture, but also a night crossroads for many prominent characters of the cultural and artistic life of the eternal city and a regular stop for the most popular national DJs at the time. Easy Going creature was founded by Claudio Simonetti (Goblin), as a homage to the place mentioned above.

The homonymous 33 rpm debut of 1978 is remastered and repressed on a glossy white vinyl and due next December 13th on FullTime Production!
It features the original LP cover highlighting the mosaic of masculine struggle between a sailor and a strictly naked policeman , photographed in the Roman club.

The music explodes with the piece that will define the group par excellence: "Baby I Love You" also released as the first single, sung by a very filtered voice on a hypnotic rug of keyboards and a captivating melody that define a real masterpiece of italian disco and beyond. The same goes for the remaining three tracks of the album, which are also set to set the dance floor on fire: "Do It Again" is pure dance from Studio 54 and on the flip side, Creedence Clearwater Revival's cover "Suzie Q" and the ballad "Little Fairy".

Belgian imprint Muzik & Friendz returns with the last release of 2019 featuring a 4 track various artist package with Joss Moog, Yusuke Yamamoto, Peletronic & Jakobin and Platzdasch & Dix.

With the forcus set on the deeper vibes this release kicks off with the A-side package of PlatzDasch & Dix’s ‘Pointillist’ a mellow workout sprinkled with melodies and deep vibes, followed by Peletronic & Jakobin ‘Etta Jamz’ a deep and soulful cut with a real dancefloor groove.
The B-side see’s Yusuke Yamamoto’s ‘Kick Ass’ combine an hypnotic pad, bumpy bass and punchy vocals with a wink to the old school, while Joss Moog ‘Oazar’ shows off his exquisite production skills with a grooving and bumping cut.

Coming through with that street knowledge. Two stone cold ‘90s hip hop classics take either side of this 45, Warren G - Regulate featuring Nate Dogg on one and Luniz - I Got 5 On It on the other. Immortal rhythms and rhymes that took the world by storm.

Celebrating a Decade of Dark Entries with a compilation titled ‘Tens Across The Board’. We revisit our roster and chose 10 songs from 10 bands from 10 different countries spanning the years 1981-1993. The songs flow in chronological order and have never appeared on vinyl, with 7 of the songs previously unreleased.

The compilation begins in 1981 with Parade Ground from Belgium, the duo of brothers Pierre and Jean-Marc Pauly with help from Patrick Codenys and Jean-Luc of Front 242. “The Light’s Gone” was one of their earliest experiments and employs a stark minimalism with modular synthesizers, guitar reverb and tape delay. Next we venture to Granada, Spain in 1982 to meet the trio of Diseño Corbusier. Influenced by Cabaret Voltaire and Dadaism, “La Esperanza está en Antenas” was the band’s take on melancholic pop fueled by a robotic DR-55 bass-line. Sailing the Mediterranean Sea to Athens to meet Greek electronic goddess Lena Platonos who shares a demo from 1983. “Μια Γάτα Σασ Περιμένει Στη Γωνία” translates to “A Cat Is Waiting On The Corner” and is possibly the witchiest sounds we’ve shared yet, ending with a blood curdling scream. Frozen in 1983 we cross Ionian Sea to Messina, Italy and visit Victrola, the duo of Antonino “Eze” Cuscinà and Carlo Smeriglio. They’ve unearthed a melodic instrumental version of “Luca” fueled by a Korg Polysix and TB-303. Traveling across the Adriatic to Slovenia circa 1984, where Borghesia are working on their album ‘Ljubav Je Hladnija Od Smrti’. “Magla” translates to “Fog” fitting for the thick, somber electronics of Aldo Ivancic providing a dense atmosphere for the baritone vocals of Dario Seraval.

On Side B we go down under to Sydney and excavate a hidden Tom Ellard song recorded in 1984 under the alias Lord Metal, an anagram of his name for copyright reasons. “Ga Duum Blitzfonika” is a slow-motion, unadulterated dance groove originally released on the cassette compilation "Independent World”. Skipping ahead to 1986 in Tours, France we salute X-Ray Pop the minimum new wave duo of Didier "Doc" Pilot and Zouka Dzaza. They contribute the hypnotically fragile “Corto Maltese” that originally appeared on the cassette compilation ‘Plop’. Crossing the German boarder we arrive in Dortmund at the apartment of Andreas Sippel of Second Decay who recorded the instrumental demo “Lübeckerstrasse” in 1988 with partner Christian Purwien. Utilizing an TR-808, SH-101 and Arp Odyssey this cold slice of futurism was named after the street Andreas lived on. Traveling westward to England, specifically Basildon, Essex to the teenage bedroom of From Nursery To Misery, the trio of identical twin sister vocalists Gina and Tina Fear and keyboard player Lee Stevens. “Contentment” is an introspective, ethereal pop song with child-like vocals that originally appeared on the Belgian tape compilation ‘Heartbeat Vol.4’ in 1989. Finally, we return home to San Francisco and close out the compilation with Cyrnai the moniker of multi-instrumentalist Carolyn Fok. “Digital Grit Box (Demo)” was an outtake from the ‘Transfiguration’ album sessions recorded in 1993, utilizing dark dance drum beats made with MIDI sequencer programs Studio Vision and Sample Cell.

All songs have been remastered by George Horn at Fantasy Studios. The vinyl is housed in a custom designed jacket by Eloise Leigh featuring our label’s colors black-white-red with connect-the-dots pattern linking the 10 songs via maps/timeline/location, all relating to the reissue process, plus source images from San Francisco, our hometown. For this landmark release we've also printed a 2-sided fold-out wall poster that includes every artist we've released in our first 10 years 2009-2019 in black, red and silver metallic ink, plus an 8x11 insert with lyrics, notes and photos.

"Sounds Over Seas" is the new label bringing banging beats straight from the depths of the heart. Spearheaded by label head and DJ/Producer Julian Bainbridge, "Sounds Over Seas“ intention is to deliver groovy and dreamy vibes by new and established artists, whilst remaining genuine to its true nature; music not just for the dancefloor.

SOS001 brings all this together, delivering rhythmic and jacking beats on the A-Side and a more dreamy and spacious vibe on the reverse side.

Vinyl only. New Continue Records emerge from the mists of the unknown with an EP wrapped in sorcery and stardust by the not so new Romanian producer Stoi. Insular EP represents travel through a portal between underworld and overworld with one extended track on each side. A-side packs a haunting 4x4 journey. B-side with a darker hypnotic stepper.

After the creation of his own label and four EPs (Intuitive, Blend, Exil, Singles), here is Thylacine with a first album called Transsiberian, named after a recent trip to the other side of the world.

In the spring of 2015, William left for Russia with a video crew. The goal: to get carried away by the famous Trans-Siberian, which connects Moscow to Vladivostok, and stop at the option of fixed and impromptu meetings with local personalities. Time is divided between intense encounters and long train journeys where William locks himself in his cabin to compose. At the option of these stops which, over the days, nourish William's inspiration, he has the right to a concert offered as a welcome by the old ladies of the native village of the graffiti artist Artemiy, polyphonies in Irkutsk, a bell ringer of bells, a traditional musical trio in Kazan, surfers in Vladivostok. A shaman welcomes him in his yurt on the shores of Lake Baikal, with his two little daughters, Aikhai and Mandukhaï. All can be found on Transsiberian, a concept album that places the taste for travel and his curiosity about others at the heart of his contemplative songs. Evolving in the world of contemporary art, for which he composes regularly, William sees an album as a work where performance counts but also emotion and, above all, manner of doing things. "The process of creation matters as much as the end," he says.

The first in a new collaborative series between Theo Parrish & Prime Direct Distribution unearthing some of Theo’s most sought-after edits, backed with the fully licensed original, both remastered and cut loud on either side of a 12 inch. Kicking things off we have one of Theo’s most treasured cuts, his ‘Ugly Edit’ of Made In USA - Never Gonna Let You Go, bootlegged endlessly in the past and racking up prices of up to £144 on Discogs it’s a high time an official reissue came around.

As iconic an edit as they get, ‘Never Gonna Let You Go’ encompasses everything great about Theo’s energy behind the decks - extending grooves for longer than anyone else even dare, working the EQ’s like a god and throwing in a bit of that raw magic that only he knows how. Taking the original’s sumptuous breakdown, Theo works it into a spirited, high energy disco workout looped into a near 10-minute stomper, big on the bass and brass fire whilst keeping the vocals to short and sweet snippets.

On the B side the original ’77 Made In USA version is laid out in all it’s glory. Funk powered, horn-laden disco goodness with breath-taking vocals from the Stateside troupe.

Anonymous newcomers Broke Brotherhood delivering 4 cuts, from driven trippy techno to wonky house.

Celebrating the broke side of lyf. That side we all know, but forget to wear it with pride. Losing money for the love of music xxx Bobby Donny

High quality laquer cut LP with silver and pink pantone colors on cover.

Mutual Intentions is proud to present "Astral Traveling" which is Byron The Aquarius' debut album. A stunning piece of fusion built from everything between jazz, soul, hiphop and house makes Mutual Intentions a perfect platform for the release. String compositions is an on-going theme throughout the album. From the first chord on "Love Is 4U", until the very last second of "Spazzing Out", where Byron raps over a beautiful backdrop consisting only of Fender Rhodes, electric bass & strings. Byron jumps seamlessly between different genres throughout the whole album. From the acid house inspired "Sorry Kari", to 70's prog jazz sounding cuts like "Lost In Love". Once you put the needle on side B, you'll hear "Deep In That ***** feat. MDMA" which sounds pretty much like if Dexter Wansel took MDMA in 2019, inside Legowelt's studio and tried to re-create his classic cut "Theme From The Planets".

It´s been a while for the Microtonal camp – but back with a really great double A-sider by duo Analog Agenda (Supdub Records).

Mid-July signals the arrival of Rossko’s debut solo EP on his home imprint FUSE, delivering two tracks accompanied by a remix from Burnski in the form of his ‘Blossom’ EP.

An artist immersed within London’s rich electronic scene for the last 20 years, Rossko remains a central figure at the heart of the city’s ever-evolving sound. A DJ first and foremost, known for his slick and powerful sets and his ability to unearth forgotten gems from across the electronic sphere, his journey as one of FUSE’s core residents now stretches over 10 years, with the Berlin-based talent also featuring as a head resident DJ and A&R for the label’s sister imprint Infuse as well as heading up his own label ‘Late Night Skanking’ and ‘Arkityp’, the project with Archie Hamilton. Following on from his recent collaborative EP alongside Swedish talent Per Hammar on Infuse, here we him step out on home turf to offer up his debut solo EP and the most complete and matured example of his sound to date via the aptly titled ‘Blossom’, whilst Constant Sound boss Burnski also joins on remix duties.

A-side production ‘The Step Up’ opens the EP in slick fashion, as rolling organic percussion arrangements weave amongst slinking bass licks to reveal a stripped back yet dynamic lead cut. Next up, second original ‘Cerca Trova’ takes things a little deeper as off-kilter sonics and vocal murmurs work amongst skipping hats and rich low-end tones, before Burnski’s remix of ‘The Step Up’ sees the production paired back even further to reveal swinging drum grooves, floating, hazy melodies and playful synth flourishes throughout.

Two contrasting remixes of ‘Space Date’ come courtesy of Pleasurekraft and John Monkman, as the three-way collaboration between Adam Beyer, Layton Giordani and Green Velvet continues to thrill.

Joining the strong reworks is an unexpected treat for fans; a last-minute inclusion of a fresh new original track from the trio.

Drumcode got its first taste of Pleasurekraft’s unique production touch in 2016 when ‘Dopefield’ dropped on ‘A-Sides Vol.5’.

The Swedish/American duo’s exploration of cosmic techno realms made them the ideal candidates to re-work ‘Space Date’.

Their contribution is as visceral as they come; defined by a hypnotic vocal arrangement, a stirring call and response melody and propulsive galloping beats fashioned for peak-time moments.

No surprise it was a highlight of Adam Beyer’s Ultra Resistance sets and gobsmacked Maceo Plex who requested a promo to play at Time Warp a week later.

Meanwhile Drumcode debutant John Monkman steps up with a very different, but not less deadly reinterpretation of ‘Space Date’.

The Brit has impressed in recent times with strong releases on Ellum, Kompakt and his own Beesemyer imprint, and takes this form into DC207.

His is a twisted intergalactic re-rub drenched in warped electro, blistering modular sounds and touches of IDM that manages the difficult task of taking the original to darker, more leftfield realms without ever losing its powerful dancefloor pulse.

For the inauguration of the label, Disconnekt brings you a fine selection of artists that have played in the event series based in Berlin. Trying to catch a specific moment of those nights, each one of them from a different artist, each one of them with a different sound, this VA compilation features well-established techno producers Wrong Assessment, Rommek, Fabrizio Lapiana and Deepbass.

The A-side represents the darker and harder side of the Disconnekt nights, with Wrong Assessment delivering an up-front dance floor killer, and Rommek evoking the feeling of self-immersion inside an evolving, but aggressive synth-line driven by a hard hitting groove.

The B-side, on the other hand, brings a more melodic and hypnotic side. Fabrizio Lapiana and Deepbass both bring to the record their signature sound, with their own characteristic voice.

Discovered, curated and managed by Exos, Planet X is the latest discovery in our solar system. Little is known about this mystical planet other than that it radiates sound waves on the rougher side of the galactic spectrum. This first release comes from Exos himself where he fuses together old and new material with remixes from his astro pals, Ben Sims and Antigone. The release takes off with an old 90’s Exos track which is then warped and mixed by Ben Sims in his signature hardgroove style. Next in orbit is Bingo, a brand new track for interstellar clubbing that sounds like a country theme where Exos sampled a live guitar from his father’s rock band. The outcome is a dark and raw mixture of a 909 beat with a dark space cowboy riff from the blackest hole of our galaxy. The Antigone remix takes us near the event horizon where there is absolute chaos between dimensions.
The second release from Planet X will launch off next autumn with fellow space cadet Lafontaine on a 4 track storming missile and signs off with a nuclear remix by the one and only Matrixxman.
Start the countdown for our journey to the center of the galactic dancefloor!

For its second installment, Tresydos presents ‘Description’, a selective, four track EP from US producer Matt Anderson. Normally working and releasing on the label Wex, he has shared with us a unique EP, a dive into the flavors and varied tastes he is inspired by.

Leading off on A1 is the title track ‘Description’. With an emotive melody & pushing jungle bass, this tune is a mixed and mangled, psy-hypnotic, peak time bouncer. A2 follows with ‘Small Talk’, which holds a smooth and liquidy touch, sprinkled with notes of jazzy bends & spacey arpeggios. On the flip side for B1 is ‘Gangsta.vox’, a playful tune, varied between a 4/4, acidic zooming, & airy, euphoric breaks. Last up is ‘Inside A Neutron Star’, a chugger that offers an acidic, yet smooth psychedelic theme to carry you on.

Comet presents the first release from its new Disco Highlife series, featuring remastered originals by Ghanaian legends Ebo Taylor & Pat Thomas and disco reedits by LeonxLeon and Leo Nanjo.

Founder of Comet Records, Eric Trosset, started working with those great heroes of West African music, back in 2010. Taking on the role of manager/publisher, Comet teamed up with Strut Records
and musician/producer Ben Abarbanel Wolff to revive Ebo Taylor‘s international career with a string of album releases: Love & Death, Appia Kwa Bridge and Life Stories. In 2014, he collaborated with
Pat Thomas & The Kwashibu Area Band on a new album, gathering together the old ‘pals’ (Ebo Taylor, Pat Thomas, Tony Allen) in producer Kwame Yeboah’s studio in Accra.

It is with great pleasure that Comet launches this new series. Let's make this beautiful and timeless music the soundtrack to an unforgettable summer!

On side A, comes “Enye Woa” by Pat Thomas, originally released in 1988 on Nakase Records and taken from the album Me Do Wiase. It’s killer disco cut, and as innovative a piece of highlife as it
was 30 years ago. Paris-based producer LeonxLeon has been cooking up songs in his Parisian home-studio since 2013. He did a remarkable remix of Cerrone's "Funk Makossa" and more recently released his new Rokanbo EP on Cracki Records. His remix of “Enye Woa” is a classy modern disco cut with funky bass and spacey synths.

On side B is “Atwer Abroba” by Ebo Taylor, a stand out up-tempo track from the album Twer Nyame, originally released in 1978 on Philips West African Records. Tokyo-based multi
instrumentalist/producer/arranger Leo Nanjo formed the first Japanese afrobeat group, Kingdom
Afrorocks. Since the band broke up in 2014, Leo has been producing and arranging music with various collaborations, such as DJ Muro, Pushim and Misia. This is a trippy afro-futurist, broken
beat reedit with highlife grooves flying to deep space

Møzaika returns to Public Possession with another four track EP. For “Drive”, the lead title, he collaborates with Australian Sui Zhen. Together they produced a beautiful, mystic Synth Pop track. A dub version of that track completes the A-Side. On the B-Side you will find “Crépuscule”, mellow cowbell boogie and the dreamy, ethereal “Never see You again”. We hope you enjoy!

FÆR is a collaboration between Felipe Valenzuela, that has released on Raum…Musik before, together with Argenis Brito. The A side „Dream of yours“ is featuring vocals from another artist that has released on our label earlier, namely Jorge González from Chile and we are very happy to have him back on board for this project.Two unusual club cuts off the beaten track, mixed and mastered for your listening pleasure by Tobias Freund and we hope that you you enjoy them as much as we do.

We are proud to showcase more Bay Area family with the release of a new EP by Doc Sleep who cut her chops as a DJ in San Francisco’s vibrant scene the past decade. In 2016 she made the move to Berlin and became a resident of Room 4 Resistance. Since 2013, she's been the co-owner of Jacktone Records, which specializes in techno, ambient, and experimental electronics. In 2016/2017 she released her first 12's on the Hot Mass-affiliated Detour Records and Bottom Forty. She also co-wrote a track with Bezier and Nicole Ginelli, titled “Stranger,” that we released on the ‘Primes’ EP in 2017. Her latest release, ‘Your Ruling Planet’, was released on Jacktone in March 2019.

We first heard “Creme Fraiche” on Doc’s soundcloud page and begged to release it. The track has the feel-good vibes you get on early morning dancefloors as things are winding down or up. Paired on the A-side is the pulsating dark jam “Never Eating Again” that previously appeared on ‘Run The Length Of Your Wildness V.2’ and, like that compilation, proceeds from this track will be donated to Ghost Ship Fire victim Cherushii's family. On the B-side are two remixes from close friends of Doc. First up is a fresh breakbeat remix from Violet: DJ, producer, boss of Naive records, co-founder of Rádio Quântica, and mina resident shaking up Lisbon's nightlife. Second is Berlin-based producer and fellow R4R resident, rRoxymore, who presents an innovative remix of future-facing techno and bass variations adding her own vocals on top. For this release we’ve teamed up with Jacktone to release a cassette version, our first in this format, featuring two peak-time bonus tracks. All songs have been mastered by George Horn at Fantasy Studios in Berkeley. Each copy is housed in jacket designed by Eloise Leigh with neon pink and lavender gradients echo morning sunrises with a collage of dreamy elements using a photo by Doc of Club Toilet in Detroit.