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Icons Of Hip Hop a new label out of Toronto with a Ltd edition series of 45’s. First up two hip hop heavyweights make use of an unmistakeable 60’s soul legend sample to killer effect. Limited hand-stamped dinked 45s.

Four of the best tracks from Nug-Net's 2024 crop are here. Deep Speed Garage, multi-bassline wonders, and more highlight this package. As always, you can take the course too at

Aimer Perdre is a movie by the Guit Brothers and tells the story of Armande Pigeon; the queen of shenanigans. In Brussels, she struggles to make ends meet because she can’t stop gambling on everything, always ending up on the wrong side of luck. When she teams up with Ronnie one night, everything changes – they win it all. And when you hit a winning streak, you have to know when to stop.

For Aimer Perdre, Brooklyn NY native Simon Hanes travelled to Brussels in order to work directly with the directors, synchronizing the editing of the film with the composition of the soundtrack so that both processes would influence each other. Hanes and the Guits spent 3 months working alongside each other almost every day, passing ideas back and forth and allowing the soundtrack to grow organically. The music is an honest representation of Hanes’ experiences over those months, which he spent couch surfing across Brussels, sharing meals and ideas with new friends in broken refrains of French and English – falling asleep at the Cinémathèque, and occasionally breaking into abandoned buildings…but thats a story for another time.

Throughout all this, Simon hired musicians he met in bars, members of the Brussels experimental/artistic community, singers from a choir that was rehearsing in the squat where the Guits built their editing room…All the while sculpting the soundtrack out of these seemingly dissolute elements and constantly blurring the line between the compositional process and his day to day life.

Finally the process culminated in hiring the FAMES string orchestra for ONE SINGLE HOUR (all they could afford) to achieve the full orchestral sound the film’s climax so clearly needed.

The end result, like the film itself, is a reflection of life – a hodgepodge of sounds, colors and ideas that come together to create a beautiful, unique tapestry, sometimes harmonious, other times less so.

Comes with a limited edition flexidisc with a bonus track.

Prick up your ears everybody: Uluru number 3 is ready to take off!

This time Little Beat More's sub-label Uluru, featuring highly acclaimed remix/mash up series, sees the participation of living legend Jstar.
The west London reggae hero delivered a smoothly bouncing rework of the classic “Eye of the tiger” by the Survivor, that originally gained fame through being the anthem of Rocky III.
The flip sees the debut of an Italian duo called “The Dynamates” (The Rebel and Dibba). They put their hands on another precious song that made history, namely “You got to love” from Candi Staton.
Pull up guaranteed!

Pressed on high quality black and yellow lime vinyl (48 gr.)
Edition of 350, coming with “hand stamped” vintage yellow paper sleeve.

ULURU 2020
“Mind Control, Modern Slavery”

discos elgozo is proud to present our second single with two songs by Las Raras Del Folclor, a queer feminist musical project from the Colombian Caribbean, which harnesses the decolonising power of cumbia and drums to heal the community and transgress patriarchal orders. This musical project is part of the LBT Raras no tan Raras Corporation, which was born in 2019 in preparation for LGBT Pride Day in Barranquilla, Colombia.

Las Raras Del Folclor are feminist, maricas, drummers and caribbean. Their musical proposal is a disruptive political bet, where the lyrics carry a message of respect for the lives and re-existences of sexual and gender diversities, while the drumming and collective chants unite us in the joy of the movement of our diverse bodies. If in the first track, La Denuncia, we find the strength of our ancestral women to confront patriarchal violence, in the second track, La Pajarera, we find the community that welcomes and cares for us.

Credits:
Mayré Rivero: Voz principal (B), maracas, coros, palmas y animaciones.

Madeleyne Camargo: Voz principal (A), coros, animaciones y palmas.
Dani Brache: Llamador, coros y animaciones.
Maria Camila Navarro: Tambora, coros y animaciones.
Alejandra Peñaloza: Tambor alegre, coros, palmas y animaciones (B).
Naikel Villarruel: Tambor alegre, coros y animaciones.
Grace Lascano (Orito Cantora): Coros, palmas y producción musical.
Jenn del Tambo: Tambores, jamblock, platillos, palmas y producción
musical.

Composición y Autoría: Mayré Rivero, Madeleyne Camargo, María Camila
Navarro, Alejandra Peñaloza, Isabela Luján, Alana Delgado, Dani
Brache, Naikel Villarruel, Eliana Villa, María Serje y Grace Lascano
(Orito Cantora).

Hands in the air, Uluru is back with another Reggae Hip Hop 7” Vinyl.
For the occasion we're so proud to welcome back legendary producer Jstar, this time in combo with Canadian reggae artist Dubmatix.
The duo deliver a punchy remix of the classic Scenario that will heat up the dancefloors during the upcoming summer.

Pull up guaranteed!

Pressed on high quality black and white vinyl (48 gr.)
Edition of 200, cut it loud and fat, highly recommended for big sound systems.

Produced by Jstar & Dubmatix

Hands in the air, Uluru is back with another Reggae Hip Hop 7” Vinyl.
For the occasion we're so proud to welcome back legendary producer Jstar, this time in combo with Canadian reggae artist Dubmatix.
The duo deliver a punchy remix of the classic Scenario that will heat up the dancefloors during the upcoming summer.

Pull up guaranteed!

Pressed on high quality black and white vinyl (48 gr.)
Edition of 200, cut it loud and fat, highly recommended for big sound systems.

Produced by Jstar & Dubmatix

Our first release - Interlink - which captures the core of what COORREENTE is all about. As the name suggests, Interlink brings together different artists, each adding their own unique sound to create something unified. Like ocean currents flowing together into one continuous path, these artists have collaborated to shape a deep, immersive experience. Interlink isn't just a collection of tracks-it's a reflection of our belief that individual creativity can merge into something greater. This perfectly captures COORREENTE's hypnotic and interconnected take on underground techno.

Vinyl-Compilation mit den besten Tracks der bei Kent erschienenen Sampler 'This Is Lowrider Soul'. 14 Tracks, schwarzes Vinyl!

Another secret chapter of Flexi’s sister label “Incognito Trax”, dedicated to mysterious vibes, unexpected remixes and strictly party tracks.

200 copies vinyl only ~ no repress!

Liner Notes by Martyn Pepperell

A collection of ten hypnotic guitar renditions that dive deeply into the traditional compositional musicality that underpins Harakami’s hallucinatory beatscapes before reconsidering them under a fresh, innovative and engaging new light. River: The Timbre of Guitar #2 Rei Harakami signals a new level of awareness and understanding of both Rei Harakami’s significance and Ayane Shino’s undeniable talent.

VITAL SALES POINTS:

In 1996 Tokyo-based label Sublime Records received a cassette demo from Rei Harakami, a 26-year-old Japanese experimental filmmaker, and musician. Within one year Harakami’s debut LP ‘Unrest’ was released. As the 21st century dawned, Harakami was becoming a critically acclaimed figure, and there was a feeling in Japan that Harakami would be an inevitable successor to such luminaries as Haruomi Hosono and Ryuichi Sakamoto. Sadly Harakami passed away at age 40 in 2011, leaving behind a musical legacy that seemed to deserve more recognition. A fitting tribute now comes from the incredibly gifted classical guitarist Ayane Shino. Continuing her album series ‘The Timbre of Guitar’ (the inaugural release of which was ‘Sakura’ - a cover album of Susumu Yokota's seminal album, released through the Swiss label, Mental Groove Records in 2021), she now presents ‘River ???? : The Timbre of Guitar #2 Rei Harakami’. Ayane has reworked some of Harakami’s standout tracks into an album of tranquil yet complex compositions helping to build a new level of awareness and understanding of Rei Harakami’s significance. A collection of ten hypnotic guitar renditions that dive deeply into the traditional compositional musicality that underpins Harakami’s hallucinatory beatscapes before reconsidering them under a fresh, innovative and engaging new light.

In the years that followed Harakami’s untimely passing, Sublime Records continued to sign and support new artists emerging from Japan’s rich and fertile electronic music scene. This eventually led to a meeting with gifted classical guitarist Ayane Shino in 2020. Although a new name within electronica, Shino’s classical resume is impeccable. She has performed with a range of prestigious orchestras in concert halls and at music festivals across Japan, Europe, and South America while playing classical guitar for numerous animations, movies and television commercials and holding various educational roles. These days, she also hosts the Tokyo Harmonics radio show, which is syndicated through Hyogo prefecture’s Ashiya Radio and TJS Radio in Los Angeles.

During her time completing a masters at Tokyo’s University of the Arts, Shino became fascinated by Brian Eno, Aphex Twin, Oneohtrix Point Never, Steve Reich, and, closer to home, Harakami and Susumu Yokota. ”I found myself in an environment where I was surrounded by fellow students who produced computer music, live electronics, and installations,” she explains. Following her meeting with Sublime, Hideoki Amano, the producer and owner of Musicmine, the parent company of the label, asked Shino if she would be open to transcribing and recording an album of covers of the late, great composer, producer and DJ Susumu Yokota’s music in incorporate into then-upcoming events commemorating the 5th anniversary of his death and reissues of his past works. “Yokota made music with the Roland TB-303 bass synthesizer and samplers, not in a way like a conventional instrumentalist, so I was aware it might be more of a challenge for her,” Amano explains. Fittingly, Shino was up for his suggestion, leading to ‘Sakura: The Timbre Of Guitars #1 Susumu Yokota’. Song by song, Sakura highlighted Shino’s free-flowing playing and prowess at translating electronic music into classical guitar shapes.
After considering Harakami’s background as an instrumentalist, Amano felt revisiting his catalogue should be the next step for Shino. Well-versed in how often classical versions of electronic music tend to fall flat, he asked her to examine Harakami’s songs closely, select the musical phrases suitable for guitar and create arrangements that would sound interesting to music listeners with a deep engagement with ambient, techno and electronica. In Harakami’s discography, Shino discovered “a sense of simplicity, warmth, moisture and a floating sensation.” “I was gripped by his songs, which had an array of sounds that gave me a sense of mystery but also coexisted with a sense of familiarity,” she explained. Moving beyond his official releases, Shino began digging through YouTube to find live recordings, radio appearances and obscure outtakes. Within her mind’s eye, imagining playing his songs on guitar was effortless. On her approach to the album, Ayane explains: “For this album, I succeeded in spinning some exquisite, silk thread like delicate tones, interwoven with human warmth, gentleness and simplicity. And I was also able to rework Rei Harakami's distinctive sound with a floating feel to it and transform it into a very classical guitar sound. I hope many people will be able to receive this group of sounds that I created in this album that I played with all my heart.” A record of limitless innate beauty, ‘River ???? : The Timbre of Guitar #2 Rei Harakami’ is a delicate and thoughtful body of work. A true masterclass in deconstruction and subsequent rebuilding, and an eternal lesson in how the art that we leave behind can outlive us all.

Scottish techno thunderbolt Mha Iri returns to Adam Beyer’s Drumcode with her explosive new futurist three tracker EP ‘Neon Storm’. A Drumcode veteran warrior, Mha Iri boasts standout bestselling tracks on DC’s debut Elevate compilation, A-Sides Vol. 12 (‘Bell’), her debut EP ‘The Unexpected’ and 2024’s ‘Bombay’ EP. A YOZE remix of ‘Bell’ also featured on Elevate Vol II.

Now ‘Neon Storm’ launches another rip-roaring year for the Edinburgh artist, following early 2025 shows at fabric and Gashouder for Awakenings New Year, and an incredible 2024: an Australian tour inc. Carl Cox’s Eat The Beat festival alongside Lilly Palmer and Chris Liebing; her EP debut for PIAS Électronique supported by Mixmag, Clash, DJ Mag, Jaguar/BBC Dance; plus releases on Filth on Acid and TRICK.

‘Neon Storm’: the title track juxtaposes rampaging techno beats of pure primitive power, with futurist dystopian elements – fuzzy hoover growls and stabs, doppler builds, and an unsettling robot girl’s vocal riffs. A mysterious operatic choir surprisingly dovetails with the resulting soundscape as the dark sounds become increasingly ominous.

‘Moving Machines’ keeps up the energy with galloping techno, metallic stabs and a chopped melody with a 90s vibe as a rising doppler siren you can feel in your teeth spans a gargantuan breakdown… another shot of dance dynamite.

‘No Return’: similarly powerful, its resistless onslaught of thudding beats, bass snarls and regiments of rattling hi-hats herald spacey FX and an alien-like melodic vocal, alongside a suitably almost-Scottish-influenced melody.

'Neon Storm' is an apt description to this colourful yet chaotic set of tracks that have been making serious impact in my sets across the last months of touring. I wanted to create an EP that represented my energy but drew from the best Drumcode groove style and I’ve been so happy to watch how they go down in Adam’s peak time sets too.’

MixCult Records is glad to introduce its new release, deeply curated various artists compilation that will take one journeying through resonant realms within Deep and Dub Techno. It boasts a lineup that features renowned artists such as Kirill Matveev, Genning, TM Shuffle, and Nicolas Barnes. Now this record offers four compelling tracks with rich sonic textures and emotive depths, characteristic of the genre.

A1: Eric Louis - Voice Memo Original: The first track, "Voice Memo" by Eric Louis, is purely an introspective personal record. Soft pulsations of the bass weave in and out of haunting melodic vocal samples to create an atmosphere that is strong and enduring.

A2: Kirill Matveev - Never Losing That Track Genning Remix: The second offering is Kirill Matveev's "Never Losing That Track", remixed with the masterly touch of Genning. The track builds on the core of the original with added layers of rhythm and heavenly synths soaring above the driving beat. It raises the energy a notch without losing the sophistication, with melodic elements perfectly laced into pulsating basslines. A track that makes the listener immerse themselves in the song: upbeat, yet wistful, so that listeners can get lost within the depth of the sound. The track is designed for those who love to dance at sunrise.

B1: TM Shuffle – Artist by the time the B-side gets underway, TM Shuffle brings the past to the present via "Artist", a rock-solid track now pressed on vinyla gain with some of the very best of strong dub techno sound which we love when mood-setters take over the dancefloors. This track invites introspection, drawing listeners into its depths as they explore the nuances of sound that define the dub techno genre.

B2: Nicolas Barnes - Outro: The "Outro" by Nicolas Barnes is a reflective, ambient conclusion to the journey. This track wraps up the listener in a soothing embrace of lush soundscapes with soft melodies. It's a meditation of the experience, with the stillness of quieted moments ringing deep. The spacious nature of the composition invites listeners into their reflection of this auditory voyage they've just embarked upon. Outro" - demurely deep, summing up the release and leaving its memory in a head long after it really fades. For sure, one of those tracks you do not want to forget while performing a warm-up set.

Every track represents a different exploration of sound, all combined to tell one story that resonates deep and with elegance. The vinyl release of the album is a must-have for any lover of immersive music, as it will invite listeners to get lost within captivating soundscapes.

First Terrace are thrilled to present the new album Lucid Dreams from the prolific Japanese artist Chihei Hatakeyama on January 23rd 2024.



Renowned ambient composer Chihei Hatakeyama is set to release his latest album, Lucid Dreams, an evocative sonic exploration that invites listeners to drift between the waking world and the dreamscape, to experience “dreams you are aware that you are dreaming”.



Known for his deep atmospheric textures and minimalist approach to sound, Hatakeyama’s new project expands on his signature style and with the help of collaborators Cucina Povera and LA based multi-instrumentalist Nailah Hunter charts new emotional territories.



Chihei expands on the concept of the album, sharing that “For the past two years or so, I have suffered from insomnia at times such as when the seasons change, and at those times all I can think about is wanting to sleep. However, when I'm in that state and I go through repeated light sleep, I can experience a state of "Lucid dreams" where I can't tell whether I'm dreaming or not, and am aware that I am dreaming. One aspect of this album is that it was inspired by that state of light sleep.”



“With that in mind, the theme of this album is the sense of time in a dream, situations that suddenly change unlike the flow of time in real life, surprises and nostalgia - I wanted to create an album that depicts those dream states.”



With a career spanning over two decades, Chihei Hatakeyama has gained an international following for his ability to consistently release music that enchants and rewards listeners. In Lucid Dreams, Hatakeyama continues to explore themes of nature, lucidity and calm, offering listeners an auditory escape from the hustle and noise of everyday life.



Tracks like “End of Summer” guide the listener blissfully through a five minute daydream, gently encouraged along by distant guitar strings on a bed of reverb whilst “Wind From The Mountains” (which features the beautiful work of Nailah Hunter) is the perfect example of what Chihei does so well with subtle movements that encourage your imagination & allow you to be lost in your own dream.

Anneleen Boehme is a prominent figure in the Belgian jazz scene, known for her work as a double bassist across various projects.
Her virtuosity on the double bass was already evident in LABtrio, and her skill as both a composer and bandleader was showcased in Grand Picture Palace. Now, in her solo work, we experience Anneleen's genuine vulnerability, as she explores the deep connection with her ever-present companion: the double bass. Her music is a balm for the soul, and her playing is deeply moving, leaving no listener unaffected.

In this solo project, Anneleen Boehme pushes the boundaries of the double bass, striving to transcend them in all their forms. She places particular emphasis on the instrument's acoustic sound, subtly highlighting its rich, resonant voice. The music that warms her heart is at the core of this exploration: both her original compositions written specifically for the double bass, as well as solo arrangements of existing works and improvisations. Her passion for both jazz and classical music is beautifully expressed throughout. This is an embrace of the double bass, its deep tones, and pure musicality.

Eunoia is Anneleen Boehme's debut solo album, set for release on April 18th, 2025, and it is a dedication to herself.
"I wrote a story about who I am, about the path I've walked so far. About how the mind can drive you mad and how, amidst it all, you can find peace. I hope it will offer you the same. Sadness, joy, and comfort for your soul."

The double bass has the unique ability to convey our most melancholic emotions, and this album is no exception. Yet, its warm tones also offer a sense of healing and comfort. In most tracks, the double bass stands alone in its simple elegance, but in Fuga Ante Proelium, Anneleen's voice joins her instrument, adding a new layer to the musical experience.

GP The Synthroller takes you on a journey through trip-hop and downtempo, weaving together deep synth layers and rolling percussion for a unique experience.

Gangsta rap history makes a comeback for RSD 2025 with the re-release of Tweedy Bird Roc’s 1994 album, 'No Holds Barred.' This album, which was previously only available on CD, is now available for the first time as a LP vinyl after 30 years. It was the second and final project produced by the Compton rapper, who passed away in 2020 at the age of 52. One of his most significant achievements was organising and recording a collaborative album featuring both Bloods and Crips rappers and gang members (Tweedy Bird Roc, an active Crips member), aiming to promote peace between the rival gangs. Limited edition.

For the second vinyl release of GNC Records we got five tracks meant for a dark night at the club, produced straight out of the Patagonia by argentine heavyweight Saigg. This EP has four Electro Techno cuts and it also includes a killer remix by argentine EBM live duo KRSSV. Throughout the release, playful basslines interact with arpeggiated synthesizers generating a fun climate that becomes more and more tense while reverberant atmospheres bring the night to its climax. On the side A, we can appreciate how sharp drums build up intensity on the dancefloor in order to leave everything on point for side B, where breakbeats and diffused vocals transport the listener to an induced psychedelic state, a dystopic void representative of the producer and his sonic quest.

No words are needed for tracks and collaborations this bold, but we still decided to give it a short introduction.

Hips don’t lie on the title track “Make A Scene”, which comes with two massive remixes. Dirty Dutch legend Chuckie teams up with Finnish talent Skuwa to deliver some real old-school bubbling beats. Man of the moment, DJ Babatr, completes the A-side with his Raptor House remix—a heavy, drum-driven build-up that erupts into a volcanic dancefloor moment.

Koperblond collaborates with hot new producers AUTOFLOWER and Beau de Wit on “Feel You”, a piano house track with a catchy vocal. It’s all fun—perfect for getting every crowd on their feet.

Closing duties for “Plan B.”, a deeper house groove that captures the bittersweet loneliness of being without your love. Even when everyone assures you it will come, the emptiness can still feel real— and this track captures that emotion perfectly.

The British jazz/hip hop fusion collective Us3 founded in 1992 in London and its notable members included producers Mel Simpson and Geoff Wilkinson. The group scored a major hit in 1994 with “Cantaloop (Flip Fantasia)”, a track that displayed the group’s fondness for sampling classic recordings from the Blue Note label (in this case, Herbie Hancock’s “Cantaloupe Island’). The track was included on their debut album Hand On The Torch.

The album was a result of their connections with Blue Note owner Capitol Records, which gave Simpson and Wilkinson free rein to sample anything from the Blue Note catalog. Together with several musicians and rappers Kobie Powell and Rahsaan Kelly, they sampled a series of Blue Note classics, from Art Blakey and Thelonious Monk, to Horace Sylver and the previously mentioned Herbie Hancock. With the release of Hand On The Torch, Us3 had forged one of the most elaborate union between styles and became one of the best-selling jazz albums on the Blue Note label.

**Gangster Music Vol.3: The Most Gangster Music Trilogy of All Time Comes to a Triumphant Close**

Imagine curating a dream lineup of MCs and producers from every corner of the rap world—sounds impossible, right? Not for artist and illustrator Gangster Doodles, who has been bringing this vision to life for the past decade. Now, with “Gangster Music Vol.3”, the trilogy reaches its grand finale, and it’s bigger, bolder, and more unpredictable than ever before.

Gangster Doodles himself puts it best:
"It’s hard to believe that I’ve been actively working on this Gangster Music series for the past 10 years. The most gangster music trilogy of ALL TIME is almost complete!! And in my humble opinion Vol.3 is the most exciting out of the 3, both from a music standpoint (special shout-out to all my music heroes on Vol.3) and artistically speaking this is the most fun I’ve had in years”

Since launching Volume 1 in 2019 and following up with the second volume in 2022, Gangster Doodles has been shaping the Gangster Music series into a one-of-a-kind sonic universe—an unfiltered mix of underground titans, unsung legends, and rising stars. Volume 3 is the biggest installment yet, boasting a staggering 30 tracks that traverse the entire spectrum of rap and beat culture.

This time around, the lineup is as eclectic as ever. From legendary pioneers like Lee Perry and Tommy Wright III, to veteran producers such as Mr. Scruff and Peanut Butter Wolf, the album pays homage to hip-hop’s roots while pushing forward into fresh territory. The roster also includes established up-and-comers like Devin Morrison, Low Leaf, DJ Harrison, Quelle Chris, Homeboy Sandman, and Suzi Analogue, ensuring a mix of classic flavors and new-school innovation. The bubbling underground is well represented too, with artists like Raz Fresco, Atlanta’s 645AR, and Pro Era’s Chuck Strangers bringing their own distinct heat.

From pioneering SoundCloud rappers like Pouya to genre-bending composer John Carroll Kirby, from Birmingham’s Romderful to Chile’s RVYO, the album encapsulates a truly global soundscape, proving once again that Gangster Doodles’ ear for cutting-edge talent is second to none.

As always, the cover art is a vital piece of the puzzle. This time, Bootleg Garfield & Friends take center stage, bringing the same playful irreverence that has defined Gangster Doodles’ artwork for years. Fans are encouraged to engage, remix, and make the cover their own, staying true to the spirit of interactive creativity that has always fueled the series.

After years of meticulous curation, countless DMs, emails, and behind-the-scenes wrangling, Gangster Music Vol.3 is here to complete the trilogy in legendary fashion. Expect boundary-pushing beats, next-level lyricism, and a lineup that celebrates hip-hop in all its many forms.

“Thanks to everyone who’s actively supported and continues to tap-in. Believe & trust when I say I've got more dope stuff cookin’. STAY TUNED!! GANGSTER DOODLES 4EVER. 1LUV."

Gangster Music Vol.3 is out April 7th on All City. Stay tuned, stay tapped in, and get ready for the most gangster music experience yet.

Red Pig Flower brings you her sensational debut album Practice Love, available on Sound Of Vast from 10th April. Her unique sound sits upon the apex of a three-sided pyramid. With Berlin, Tokyo and Seoul as the base, Red is a third culture kid, greater than the sum of her parts. The centre is filled with her incredible appreciation and knowledge of house and electronic music from every pin drop through history.

So taken with Red Pig Flower’s sound, Honey Dijon invited Red to her Southbank Centre show to play alongside her. Moxie loves her that much, that she invited Red to record a mix and to guest on her NTS show. Alan Fitzpatrick, and Just Her are amongst Red’s growing posse of followers.

Practice Love is a culmination of all of Red Pig Flower’s life experiences, brimming with her positive energy and an outlook on life of pure love. Red has collaborated with like-minded artists at every level: the music, the cover art and video all produced with talented friends, who get Red as the wonderful person she is and understand her vision. Her label partner and good friend, Knock in particular helped make Practice Love the incredible album it is. So intuitive is their musical symbiosis, they made 20 tracks and carefully curated and ordered nine of these, making an album of tracks that stand out on their own, yet flow perfectly as an album. Practice Love will make you feel joyous when you play it. By the end, you will feel like you know Red like a friend.

Practice Love kicks off with I don’t care, it makes you feel good: a dreamy, tribal mantra of a track that does exactly what it says on the tin. Next up is I Love To Dance. Red’s beautiful soft vocal is sweet yet poignant, leaving you in no doubt of her sincerity. Thirdly comes Feel Good Music. Are you getting a feel from the track names yet that this is an album of warmth and positivity? You can imagine this one at a Café Del Mar sunset, where those who get the spirituality of Ibiza come together, in the moment to appreciate the beauty of a sunset and understand that no matter how many you see, each is magical and unique.

The three tracks so far have taken you to twilight. The titular Practice Love takes you by the hand onto the dancefloor. There is a double meaning to ‘Practice Love’- The first is to make love your practice. The second is that you need to practice love to be able to become a practitioner of love. The video, shot by her friend Jelly, features Red Pig Flower in Brick Lane, London, wearing a little piggy mask and offering free hugs. The first passersby ignore her sign, but Red isn’t disheartened, spreading the right message, dancing with joy. Her optimism is rewarded, making peoples day better on a cold English afternoon.

Fifth track Sax and Drugs takes things a little sleazier, the beat is filthy and the synths are sexy. Your body starts to move to this one before your brain even realises. The incredible Declan McDermott joins on saxophone, the funkiest synths and Red’s sultry vocal washing your soul with Laurent Garnier inspired sunlight. On Thisiz House Music, again featuring Declan, Red takes you even further back. About Frankie Knuckles O’Clock, with a portal straight to 2025.

By now, you will agree with me that Practice Love flows so, so well. I Wanna Meet Somebody follows incredibly, continuing the feeling that if you close your eyes, you’re dancing with David Mancuso at the Loft. No Money completes this EP-within-an-album. Perfect vocal samples, valve synth riff and 808 drum patterns showing that producers as good as Red Pig Flower make it sound effortless. The best albums finish memorably and No Genre is one of those perfect finishers. Think Andrew Wetherall’s production on Screamadelica. The lights are up in the club, nobody wants to go home, arms in the air wanting more.

Red Pig Flower explains: Practice Love resonates deeply with me because house music has always been a sanctuary—a place for unity, joy, and self-expression. As a nomad and outsider, club culture and house music became my shelter. The cities I’ve lived in—Seoul, Tokyo, Berlin, and London and more—nurtured me and shaped who I am today. That’s why the cover, by the incredible Carlos Sulpizio features their skylines, and the album is multilingual, representing the diverse influences in my life.

Practice Love is like a meal that has been prepared lovingly. They always taste better. And there’s plenty more to come from Red Pig Flower. How was your appetizer?

One of the most iconic labels in house music made a major return in 2024. King Street Sounds is celebrating its legacy with a series of re-releases that dive into its extensive back catalogue, showcasing some of its biggest releases. One of these being Dennis Ferrer’s iconic debut solo album The World As I See It from 2006. A body of work that sounds as good today as it did 19 years ago and, in that time, has gone on to become one of the greatest house music albums of the last 25 years. This release will be the first time all ten tracks from the album have been included in one vinyl package, and will include a frameable, double sided record sleeve sized poster. With copies of previous editions of the album costing close to £100 on the second-hand market, this limited sky blue vinyl edition will give a new generation of house & electronic music fans an opportunity to own this piece of dance music history.

Joe Smooth’s 1987 house anthem 'Promised Land' is arguably one of the most recognizable records of its time. While touring in Europe with Farley 'Jackmaster' Funk, Joe Smooth noticed the growing popularity of house music across the continent. Inspired by his love for Motown records, he wrote a track that expresses themes of positivity and inclusion, resonating with ravers worldwide. This record is an essential addition for ravers and music lovers alike—it's a significant piece of history now available once again on LP, and also includes the previously unreleased and forgotten gem from '87, 'Inside My Mind', which has now been dug from the vaults and remastered for this new pressing. This version is only available for RSD, on 'dove white' vinyl, in celebration of the title track and house anthem, Promised land.

Announcing the debut album from one of London’s most electrifying acts, New Regency Orchestra. An 18-piece Afro-Cuban big band, inspired by the musical melting pot of NYC in the 1950s, but with the punch and power of a whole host of London’s best Latin and jazz musicians. Blowing new life into these compositions, the album is a reimagining of some of the finest music from that golden era. From early 1950s René Hernandez and Tito Puente, through to the 1970s salsa of Rafael Labasta and Orlando Marin, produced and performed with fresh fire.

NRO is the brainchild of its artistic director, and the man behind Total Refreshment Centre and Church of Sound, Lex Blondin. Through a long-held passion for jazz, Lex discovered the explosive Afro-Cuban rhythms of mid-1940s NYC via the godfather of Afro-Cuban jazz, Mario Bauzá. A time when two musical worlds collided in a fusion of creativity and energy, jazz luminaries like Dizzy Gillespie and Charlie Parker joining forces with Cuban greats like Machito and Chano Pozo. This vibrant sound was music to dance to and found a home at The New York Palladium, a formative space of freedom and expression that was key to the scene’s development.

Although dance-focussed in their makeup, those early recordings are not often heard in modern club environments and Lex dreamt of retelling their story with a contemporary dynamism. A slice of serendipity followed, as a slot at a new festival opened up and Lex jumped at the chance to make this idea a reality, an 18-piece big band breathing new life into these beloved songs.

Enlisting the expertise of some of the capital’s finest talent, Lex and co-captain Andy Wood, of Como No fame, put together a world-class line-up of talent. Bringing in Eliane Correa as musical director and bandleader, a fluid and interchanging 18-piece band was formed.

The album itself is a hand-picked selection of timeless Afro-Cuban jazz classics, reimagined with NRO’s unbridled energy. It contains ten incredible instrumental tracks including 'Pregon' with its anthemic horn stabs and the addictive head nod bounce of 'Mambo Rama', alongside two scorching vocal numbers in 'Papa Boco' and 'Labasta Llego'. Coupling a heavyweight rhythm section with a wall of horns, they provide a fresh spin on songs from Tito Puente and Chico O'Farrill, René Hernandez through to Rafael Labasta.

“Some of the tunes like Tito Puente’s ‘Mambo Rama’ and ‘Scarlet Mambo’ might sound like they went to a gym as extra drums and bass synth were added to them whilst the tune ‘Sahib & Tito’ is a mix of Tito’s ‘Mambo Buda’ and Sahib Shihab’s ‘Nus’. Our intention is to be both respectful to the innovators and inventors of this incredible music and to pay our dues, but also to add something special from London where the city’s new jazz scene connects with its Latin American musicians and the musical influences around us.”

This pure collective joy, shared experience and music you can’t help but move to.

New sounds from the gaullic underground on Violent Cases’ latest release, the first one since many moons. Two long tracks born out of myths and mist to take you on a mental journey.
Side A’s „Chaos Theory“ sets off at 145 bpm. Synth layers and strings over deep bass create the atmosphere. Drama. Then a brilliant incorporation of a classic guitar solo in mid track. Unique.
Side B „Pagan Blade“ is a joint venture with Ciklo and ups the tempo to 160 bpm. Rolling and riding it’s pushing the dance floor while the pagan assassin whispers the rhythm.

You can tell the artists have honed their skills playing live, these tracks will unfold their full potential and deepness on a proper system.

Stunning full sleeve artwork by Darkam. Graphically edited and arranged by TDSIGNZ. Mastered by Stefan ZMK in the low countries.
Each copy includes an artwork poster, artwork sticker and digital download link.

First release on Saucy Lady’s own new label Dippin’ Records features double sider smashers. Starting with the A side, cover of Carly Simon’s Why, a classic funk tune produced by Nile Rogers that got a fresh new boogie revamp, produced by Saucy Lady herself and Yuki “U-KEY” Kanesaka.

With a more dance-floor friendly up-tempo treatment, it will guarantee hands up in the air and hips moving round & round ‘n side to side.

Flip side is another heater, a cover of the 80s hit slow jam One More Time by Phil Collins but sped up and turned into broken beats flyness, followed with a deep house remix produced by Daisuke Miyamoto, member of Orienta-Rhythm who’s had numerous notable releases with King Street Sound.

B side ends with an acappella version so you too can play with your own creative version of the classic. With limited vinyl copies, you don’t want to sleep on this.

Early DJ support so far from AtJazz, Dave Lee, Yam Who?, DJ Spinna, and Star Creature label.

Brazilian producer Diogo Strausz makes his return to RNT with an incredible pair of new tracks, each remixed to perfection respectively by Kai Alce and Lex Wolf. Canto Das Trés Raças is a classic of legendary proportions, and Diogo’s new cover version both honors the original and brings a fresh new take, entirely re-recorded and primed for the dance floor. Ever-reliable Atlanta deep house don Kai Alce turns in an incredible soulful remix that feels like an instant classic. On the flip, Diogo’s original tune Caramba strikes a lighter tone, with arpeggiated synths and a cheeky vocal, giving Kraftwerk meets Marcos Valle at the disco. RNT/Make-A-Dance stalwart Lex Wolf bumps the tempo up a few clicks, looping and filtering synths and an extemporaneous vocal sample into a hypnotic, driving club track.

By now an essential part of the Mindgames story, Kloke follows up his LP with Tim Reaper on Hyperdub with 4 tracks of Jungle vitality. As always with Andy's productions, there are fragments of memories that you can't quite identify embedded in the tunes framework, but the Kloke magic is using these familiar elements to build new tunes that enhance and embody this era of sound perfectly albeit with a distinctly recognisable identity. Of course this is the raison d'être of the Jungle revivalist producer set, but very few have mastered it like Kloke.

Slightly more floor-centric than his last Mindgames set, Mindgame 8 has a rugged vibe with punchy b lines and jagged breaks, doubling down on it's embedded authenticity.

TELUM returns with three huge unknown weapons for chapter 012 of the series!

Massive support around the world from some of the biggest names in the business and now it's your turn to raise the energy on the dance floors with these gems!

An essential for everyone's vinyl collection!

Grab your copy whilst you can!

'Intertwined', the first collaborative EP by Paraiso founders Maria Amor & Shcuro, is up next on the decade-old Lisbon label. This pair of syncopated, energized, immersive techno tracks comes with remixes by Tresor residents Fireground and DC's own Black Rave Culture, a trio composed of James Bangura, Amal, and Nativesun. 'Waves of Hope' opens the record in full force with a relentless beat that combines early 90s euphoric energy and jacked-up snares over a fat bassline, soulful pad progressions, technoid bleeps, dubby washes, and Maria Amor's own soothing cut-up vocals, elegantly touching several foundational club music sounds through an inspired lens. On the A2, 'Hotspring Love' brings levitating, airy textures and mixes them with subtle acid arpeggios, pure-hearted vocal melodies, and bouncy percussive accents. The rolling subwoofers of a proper techno party can practically be seen, the fast-paced kick perfectly perforating the bassline. Two remixes can be found on the B-side: first up is Berlin-based duo Fireground, who flip the original 'Waves of Hope' into a more concise take, exploring its dub influences and adding in cinematic, ravey chord progressions to a hypnotizing, ecstatic effect. The italian duo add a distinct dose of Neapolitan techno, carrying the textured intensity of that unmistakable sound. Black Rave Culture pick up 'Hotspring Love' and turn it into an ode to junglism, reappropriating the original pads in a classic DnB workframe with crisp breakbeats and an absolutely nasty bassline that no words can do justice to.

** club fire from DJ Python

“i was put on this earth”, his first solo music since 2022, and debut on XL
Recordings.

On “i was put on this earth”, DJ Python - aka Brian Piñeyro - gently forays into uncharted territory as a singer, producer,
and collaborator; an evolution all the more impressive in light of his groundbreaking musical projects to date like Mas
Amble, Angel, and Club Sentimientos Vol 2. While splitting his time between New York and London, Python has teamed
up with a diverse set of collaborators including South London rapper Jawnino, Honduran-born powerhouse Isabella
Lovestory, unclassifiable songwriter Organ Tapes, and NYC mainstay Physical Therapy. Across the five-track EP,
Python shares bold solo songs alongside these intriguing collaborations. The project retains the captivating melodies,
atmospheric textures, and rhythmic innovation that defined Python's earlier recordings while building on and shaping these
signature elements into ambitious and addictive new songs.
The first look at the EP comes in the form of “Besos Robados”. Isabella Lovestory lends an insouciant yet insistent vocal
to this sublime downtempo lovers' reggaeton track that's been a fan-favourite since appearing on Python's epic BBC
Radio 1’s Essential Mix.

On ‘i was put on this earth’, DJ Python says “to whom it may concern…
its too beautiful to embrace change and to challenge urself to find something meaningful in it... i love my friends and
love is deep :') i want them to know that always... but sometimes i get busy and overwhelmed n im not the best at
saying how i feel always... just want to sit around and talk and feel understood together w someone who you like or u
find interesting.. thats the best :) and if the day is nice or if the day is not nice but ur inside and its cozy.. thats too
wicked. and ur making a soup and eating it together... just with the stuff in the kitchen.. dont even go out to get
ingredients.. no need to follow a recipe.. cause ur grandma taught u to cook w the "sazon" (cooking by tasting w as u
go on adding diff ingredients and spices.. no recipes. .. u can only really cook if u can freestyle in the kitchen she said)..
and then u think about how ur grandma taught u that.. and your w someone in the kitchen making something together..
and then u taste it and it warms u up and ur like damn this is fire.. thats what this and i think maybe what "its all"
about... thank u for taking time to read this and i hope you enjoy the album…
kiss u…
Brian”

For this 4th release, Bazdesur records welcomes nothing less than its founder, Basile de Suresnes with the EP “Hush Money”, his really first appearance on the label. A collaborative work with the artist The Social Fugazi who was noticed a few months earlier on Frappé records. The two producers deliver a work that is surprising to say the least, as it contrasts with the universe that we knew from them. Here, no glitter or disco ball, no groovy bass line, but a sound made of machines, samples and broken rhythms. We find UK inspirations, Electronica, and a touch of house. A raw coloring totally assumed by the artists and enriched with their French “touch”. We like that. This EP reminds us of the richness and diversity of electronic music, and how good it is to mix styles! Bazdesur records promotes electronic music in the broad sense.

The legendary album „Lento Violento...E Altre Stori“ by Gigi D‘Agostino is now available in an exclusive 4LP edition—a must-have for vinyl enthusiasts and electronic music fans! Originally released in 2007, this groundbreaking album is a milestone in electronic music history, introducing Gigi D’Agostino as the pioneer of the unique „Lento Violento“ style—a fusion of melodic, slow-paced techno beats with powerful, aggressive rhythms.

This special 4LP edition not only preserves the diverse and dynamic tracklist of the original release but also enhances the experience with the unparalleled depth of vinyl sound. A true masterpiece, this album solidifies Gigi D‘Agostino‘s legacy as a visionary and innovator in electronic music. Secure your copy of this exceptional 4LP set and immerse yourself in the signature Lento Violento sound like never before!