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David Brown - Feel Love

David Brown

Feel Love

12inchLAR010
Large Music
27.08.2025

Large Music proudly presents the long-awaited reissue of David Brown – “Feel Love”, originally released in 1994 and now making its triumphant return on vinyl for the first time in decades. Cataloged as LAR010, this essential piece of Chicago house history has been lovingly remastered and pressed to wax, reaffirming its legacy as a cornerstone of the genre.

Produced by Sherman Rogers and Darren Brandon of the acclaimed Black Ice Productions, “Feel Love” is a quintessential expression of the raw, soulful energy that defined the Windy City’s deep house scene in the early '90s. Blending hypnotic rhythms, warm synths, and David Brown’s emotive vocal delivery, the track captured the hearts of underground dancefloors from Chicago to the world.
Adding to the release's weight is an all-star lineup of remixers who need no introduction:
• Ralphi Rosario, one of house music’s original architects and a member of the legendary Hot Mix 5, brings his signature peak-hour intensity and timeless groove.
• Derrick Carter & Chris Nazuka, operating under their cult alias Red Nail, deliver a raw, stripped-back interpretation, dripping with analog grit and deep, jacking flavor.

This reissue isn’t just a nod to nostalgia—it’s a powerful reminder of house music’s roots and enduring spirit. Whether rediscovered or experienced for the first time, “Feel Love” stands tall as a classic slice of Chicago house, as relevant on today’s dancefloors as it was over 30 years ago.

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13,40

Последний логин: 11 дн. назад
Various - Tectonic Sound / Vinyl 1

Various

Tectonic Sound / Vinyl 1

12inchTECLP027.1
Tectonic
25.08.2025
 
4
также имеющийся в продаже

Vinyl 2[13,24 €]

Vinyl 3[13,24 €]

Vinyl 4[13,24 €]

Vinyl 5[13,24 €]

Vinyl 6[13,24 €]


2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Последний логин: 8 мес. назад
Various - Tectonic Sound / Vinyl 2

Various

Tectonic Sound / Vinyl 2

12inchTECLP027.2
Tectonic
25.08.2025
 
4
также имеющийся в продаже

Vinyl 1[13,24 €]

Vinyl 3[13,24 €]

Vinyl 4[13,24 €]

Vinyl 5[13,24 €]

Vinyl 6[13,24 €]


2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Последний логин: 8 мес. назад
Various - Tectonic Sound / Vinyl 3

Various

Tectonic Sound / Vinyl 3

12inchTECLP027.3
Tectonic
25.08.2025
 
4
также имеющийся в продаже

Vinyl 1[13,24 €]

Vinyl 2[13,24 €]

Vinyl 4[13,24 €]

Vinyl 5[13,24 €]

Vinyl 6[13,24 €]


2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Последний логин: 8 мес. назад
Various - Tectonic Sound / Vinyl 4

Various

Tectonic Sound / Vinyl 4

12inchTECLP027.4
Tectonic
25.08.2025
 
4
также имеющийся в продаже

Vinyl 1[13,24 €]

Vinyl 2[13,24 €]

Vinyl 3[13,24 €]

Vinyl 5[13,24 €]

Vinyl 6[13,24 €]


2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Последний логин: 8 мес. назад
Various - Tectonic Sound / Vinyl 5

Various

Tectonic Sound / Vinyl 5

12inchTECLP027.5
Tectonic
25.08.2025
 
4
также имеющийся в продаже

Vinyl 1[13,24 €]

Vinyl 2[13,24 €]

Vinyl 3[13,24 €]

Vinyl 4[13,24 €]

Vinyl 6[13,24 €]


2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Последний логин: 7 мес. назад
Various - Tectonic Sound / Vinyl 6

Various

Tectonic Sound / Vinyl 6

12inchTECLP027.6
Tectonic
25.08.2025
 
4
также имеющийся в продаже

Vinyl 1[13,24 €]

Vinyl 2[13,24 €]

Vinyl 3[13,24 €]

Vinyl 4[13,24 €]

Vinyl 5[13,24 €]


2025 marks 20 years of Tectonic, the pioneering dubstep and electronic label founded in 2005 by Bristol’s underground originator, DJ Pinch.
The Tectonic Sound compilation lays down the gauntlet for the future direction of the imprint. Split across 6 x 4-track 12”s, the compilation comprises many producers making their Tectonic debut, including Re:ni, Beatrice M., Yushh, Flora Yin-Wong, and Sicaria, alongside stalwarts like Om Unit, RSD, Peverelist and Kahn & Neek. It’s an exhilarating 24-track journey through experimental, bass-heavy electronic music, with almost all tracks created by the artists specifically with Tectonic's sound in mind - at the intersection where dubstep and techno meet.
“More so than just the sound, the music is in tune with the real ethos of the early dubstep scene,” - Label boss Pinch says: “People talk about 'heads in a scene - but it's led by hearts really. I've always tried to follow my heart when it comes to music and all the music here is from people I trust that do something worth communicating with the world. I love to watch and help artists grow just as much as I'm excited to release tracks from bigger names who are still passionate about what they do and have developed the powers and control to be able to output that effectively. It feels like Tectonic has been a part of so many communities over the years now, and that there is something that binds all the releases together, something that speaks for itself in a way that goes beyond words, something that's instinctive and immediate.”

Across Tectonic’s 150-strong catalogue there are seminal releases by 2562, Scientist, and Mumdance & Logos, side by side with appearances from Flying Lotus, Shed, Adrian Sherwood, Riko Dan and Photek. The label holds some of the earliest dubstep incantations of Skream, Digital Mystikz, and Joker as well as Pinch’s own productions. The evolution of the Tectonic sound branches into audio explorations encompassing sub-heavy techno and grimey soundscapes alongside leftfield electronica and future-facing beats. The common thread that binds is Pinch’s devotion to pushing underground music ahead of its time, always built to rattle a soundsystem

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13,24

Последний логин: 7 мес. назад
THE	REDS, PINKS AND PURPLES - STILL CLOUDS AT NOON
  • All Night
  • Happiness All Around
  • Violent Pictures
  • The Future's Just More Of The Same
  • Walking-Away World
  • Still Clouds At Noon
  • Everything You Ever Loved
  • Walk Through Any Wall
  • The House They Went Past
  • Writing Songs

Recorded as part of the same daydreaming puzzle as Unwishing Well, Still Clouds at Noon brings out the slowcore/sadcore elements that drift through The Reds, Pinks & Purples' melancholy catalog. Donaldson names '90s hometown San Francisco acts such as American Music Club and the more obscure Timco as pivotal to his guitar playing and development as a songwriter, both of which shine bright here. The slower tempo ballads on Still Clouds_ often culminate in heavy fuzz drenched codas and showcase the more abstract poetic side of Donaldson's lyricism. There's an inherent pop-sensibility always at work though, with ear-worm melodies appearing over intoxicating circular riffs. Formerly a Bandcamp only digital release, this white vinyl version is remastered and adds two unreleased tracks, one featuring Mark Monnone from Australian pop-legends The Lucksmiths on bass. Strictly limited edition of 500 ww.

Сделать предзаказ23.08.2025

он должен быть опубликован на 23.08.2025

26,68
Ash Ra Tempel - Ash Ra Tempel LP

Ash Ra Tempel

Ash Ra Tempel LP

12inchMG.ART611
MG.ART
22.08.2025
 
2
также имеющийся в продаже

140g Transparent Vinyl[28,36 €]


2025 Repress


Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label. It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many, became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

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28,36

Последний логин: 8 мес. назад
Ash Ra Tempel - Ash Ra Tempel LP

Ash Ra Tempel

Ash Ra Tempel LP

12inchMG.ART611TV
MG.ART
22.08.2025
 
2
также имеющийся в продаже

black EP[28,36 €]


2025 Repress

Ash Ra Tempel is the eponymous debut studio album by the Krautrock band Ash Ra Tempel. It features guitarist Manuel Göttsching with drummer Klaus Schulze and bassist Hartmut Enke.
Engineered by Conny Plank it was recorded in March 1971 and released in June 1971 on Ohr Records.

This 50Th Anniversary Album will be Released in Memoriam of all the Musical Contributors to this Release and on Manuel Göttsching´s MG.ART label. It´s the fourth and headlining edition in this series and was finalised, carefully overseen by Manuel Göttsching himself in the late Autumn of 2022.

Much has been written about the record and band.

Having finished a first musical chapter with their Steeple Chase Bluesband and still at very young age of only 17 and 18 years old Manuel Göttsching and Hartmut Enke met Klaus Schulze. Together they started to write and and compose what, to many, became one the holy grails of Psychedelic Rock and early Electronic Music -
the German variant which was later also named "Krautrock":

Ash Ra Tempel´s self-titled first album "Ash Ra Tempel".

"The trio of Klaus Schulze, Manuel Göttsching and Hartmut Enke decided to abandon conventional composition and song writing, in favour of free-form improvising and developing a new musical language. As such, they became notorious for jams that could exceed 30 minutes." Says Discogs. "Some of these recordings can be found on Manuel Göttsching´s "The Private Tapes" releases", which will be re-released on MG.ART as well, following this edition.

"Krautrocksampler" author Julian Cope mentioned it to be "… one of the greatest rock 'n' roll LPs ever made." (Julian Cope Presents Head Heritage | Unsung | Reviews | Ash Ra Tempel - Ash Ra Tempel". 15 March 2000.)

AllMusic called the album "both astonishingly prescient and just flat out good, a logical extension of the space-jam-freakout ethos into rarified realms."

Here we would like the Band to be heard, for what can easily be said as the first time in 50+ years, with the exception of some early Journalists for whom the young Manuel Göttsching wrote a statement of intent (the original text can be found inside this edition) as following:

"Our musical concept is based on a combination of blues rock and delicate collages of electronic sound. These two elements should remain inseparable. And in their complex unity, the different musical philosophies of each musician find a common sweet spot. Our music is a permanently impulsive experience left to develop as it will, starting from a common fixed point of departure. This is where the difficulty of the music begins: No standardized formulation of our music can and should be possible. Only the constant reaction within the band can determine the musical result. And this requires constant listening with full concentration on the part of the creators. The idea of a particular musician will be - if flexible enough - absorbed by the others, transposed to their own instrument, and reflected back into the music as an individual contribution. This reciprocity within the band is then transferred over to the audience. And this process means that their reaction is not only a contribution to the end result; it actually makes them jointly responsible for the creation of the final musical product.

On our album, the track "Amboss" represents the first layer. Conventional instruments communicate familiar music which is in part expanded through electronic means. In the second track of the album - "Traummaschine" - the actual basic sound approach is dissolved into an electronic Nirvana which no longer allows the concrete identification of actual instruments. Innocent, virgin listening, free from any and every association, can finally begin - and the music can be absorbed and processed free from the limitations of categorization. That is the purpose of our music: To convey freedom without any predetermined criteria or traditions.

Thank you for your attention."
(Taken from the original A-R-T Bio 1970)


Hartmut Enke, Manuel Göttsching and Klaus Schulze aka. Ash Ra Tempel travelled to Hamburg in March 1971 to record their debut, with assistance of another Icon, legendary engineer Conny Plank.
The rest is history.

нет на складе

Закажите сейчас, и мы закажем товар для вас у нашего поставщика.

28,36

Последний логин: 8 мес. назад
Paul Pèrrim - Itara

Paul Pèrrim

Itara

12inchKRXN049
Keroxen
22.08.2025

Itara is the debut solo album by Paul Pèrrim—guitarist, composer, and anthropologist—featuring a set of guitar-driven compositions that blend hallucinatory acid folk, abstract blues, mutant Eastern jazz, surreal ambient, and free improvi-sation into a vivid and distinctive sonic tapestry.
With a background in ethnomusicology and a degree in Music Education, Pèrrim’s work bridges popular and experi-mental music. He contrasts the acoustic guitar’s austerity with the expansive possibilities of the electric guitar, drawing from late ’60s folk traditions, contemporary fingerstyle, sound collage, drone, psychedelia, and improvisation.
A key figure in the Canary Islands’ experimental scene, he released two albums in the 2010s under The Transistor Arkestra, a Catalan collective merging free jazz and psychedelia. As Transistor Eye, his solo project, he merges ana-log electronics with guitar, using vintage synths and effects.
In 2022, Pèrrim gained wider recognition through his appearance on Manos Ocultas (Philatelia Records) and the in-ternational tribute Solstice: A Tribute to Steffen Basho-Junghans (Obsolete Recordings). That same year, he founded GUITARRACO, a contemporary guitar festival in Tarragona, where he has shared the stage with Joseba Irazoki, Buck Curran, and Raphael Roginski.
Itara will be released in July 2025 via Keroxen. Recorded and produced by Pèrrim, the album features liner notes by critic Bill Meyer, who writes:
“While it’s common to call music cinematic these days, Pèrrim goes split-screen. One might say he composes econo, jamming scenes and sounds to psychedelic effect. But economy does not equate with poverty. Pèrrim draws upon a rich bank of musical notions, all of which he makes his own through the alchemy of recombination and transmutation.”

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19,54

Последний логин: 8 мес. назад
Maiya Blaney - A Room with a Door That Closes LP
  • 1: I’ll Be With You 3:00
  • 2: Left :0
  • 3: Carmen Electra 2:45
  • 4: Idr 1:3
  • 5: Fumbled 1:46
  • 6: “Affirmatively.” Pt 1 1:59
  • 7: Honey I 2:10
  • 8: Could You 3:31
  • 9: Recognize Me 2:11
  • 10: “Affirmatively.” Pt Ii 3:19
  • 11: And 4:16

Blaney describes A Room With A Door That Closes as “a love letter to her blue,” an emotional state that she defines as “a kinetic, intense, and dark energy that needs to be expressed as soon as it is felt.” The eleven songs on the album span radioactive kiss offs, sorrowful meditations on yearning, and gossamer reveries about self image.

The music has a fittingly tumultuous, intricate sound: 1960s soul samples melt into warm drum n bass percussion, blips of glitch ping pong against grating synth, and Blaney’s vocals range from searing punk exclamations to gentle, exploratory croons. It’s the sound of a singer peering deeply within herself and presenting the world with everything she finds, unadulterated, in real time. Blaney produced the new project along with a tight team of three producers: Emerson Fossett, Harlan Steed (Show Me The Body), and Alex Farrar (MJ Lenderman, Wednesday, Squirrel Flower, Snail Mail).

Blaney had just started playing guitar and producing around the time she began writing the songs that would become the album. Being new to both producing and guitar playing opened up a sense of exploration and freedom for her. She felt emboldened to employ more adventurous riffs and unconventional song arrangements when she was writing. A Room With A Door That Closes is a collection of songs that rigorously pursue honesty, that present feelings as they arise without rushing to categorise them or explain them away. In the process of understanding her rage or discomfort, Blaney often lands on a sense of pride and assurance, but that’s never the ultimate goal. She eschews the easy comfort of neat resolution for the excitement of ongoing discovery. The album is an exercise in unfiltered self-expression, and a celebration of life at its messiest.

Сделать предзаказ22.08.2025

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27,31
THE SHADOW RING - HOLD ONTO I.D.
  • Watch The Water
  • The Way Of The World
  • Coombe House
  • Wash What You Eat
  • Like When
  • Basic Everyday Life
  • Hold Onto I.d

Recorded from late 1996 through early 1997, Hold Onto I.D., The Shadow Ring's fourth album, marks the apogee of the trio's experimental rock epoch - their last record clinging to their factitious bandness before they let all song and structure go awash in sonic malaise for their final run of releases on Swill Radio. The surrealist dreams of City Lights and Put the Music in Its Coffin give way to pseudo-expressionistic lyrics mired in the banality and bleakness of the everyday, set against the backdrop of the Coombe House (as pictured on the album's cover). While Hold Onto I.D. is the group's most overtly autobiographical release to date, Lambkin's lyrics obfuscate his expressionist tendencies filtering them through the codes and languages of officialdom, linking the "inner self" with documents of the state_identification cards, National Insurance numbers, and British passport numbers. Having moved out of their parents' homes and into the top floor of the famed Coombe House, Graham Lambkin and Darren Harris set out to rework material drafted over the previous year, aided by Tim Goss, still safely in residence at the "Valebrook Inn." While the familiar sounds of Harris's deadpan recitation and Lambkin's electric guitar, amateurishly strummed, dominate the album, the emotive interludes of Goss's keyboards populate the record along with of home-cooked tape experiments and dime-store concrète. Originally released on CD and supported by a US tour with friends Scott Foust and Karla Borecky's Idea Fire Company, Hold Onto I.D. is perhaps the band's best-known and most accessible album. (The Shadow Ring's sole representative on a streaming platform, it was once acknowledged by the Guardian as one of "the 101 strangest records on Spotify.") Offered here for the first time on vinyl, Hold Onto I.D. is an essential album for both completists and the uninitiated alike. Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group. Wax-Work Echoes and Hold Onto I.D. are the latest releases in a multiyear reissue effort that includes several LPs, a comprehensive CD box set, and a nearly five-hundred-page book.

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24,79
THE SHADOW RING - WAX-WORK ECHOES

Originally conceived as a compilation of outtakes and live recordings from The Shadow Ring's 1995 stateside tour, Wax-Work Echoes takes its name from the first line of "Put the Music in Its Coffin," the title track of the group's breakthrough release. Lambkin abandons the bitsand- bobs approach, advancing the Shadow Ring concept with entirely original material that builds on the unit's self-mythologizing lyrics, celebrates the clicking of horse hooves, ponders on the sociability of rats and mice, and warns of the dangers of poultry. The first Shadow Ring album to officially include Tim Goss in the main lineup, Wax- Work Echoes reveals the group in its final and lasting form, awash in the outer bounds of atmospheric exploration, with Lambkin's familiar wry and morbid lyricism and the stripped-down angularity of amateurishly detuned guitars fully intact. While Klaus Canterbury and Tony Clark seem all but forgotten, and the shrugged off S. Fritz is listed on the liner notes as performing only "when required," Lambkin did solicit contributions from outside the inner circle. A bit of "Mambo Twist," lifted from a tape of unreleased Vitamin B12 material sent to Lambkin by Alasdair Willis, found its way into "V.E.R.M.I.N.," while an extended epistle contribution from Richard Youngs (and, technically, Brian Lavelle) would be employed in the second half of "Catching Sight/Of Passing Things." Released on CD in 1996 for Bruce Russell's newly minted Corpus Hermeticum, Wax-Work Echoes was recorded concurrently with intense rehearsal periods, in anticipation of the forthcoming "Rose Watson Tour," and was supported by a celebratory fanzine media blitz. The album seemingly absorbs the frenetic excess of the band's transatlantic travels; Wax-Work Echoes channels the trio's wilder instincts into an unresolved catharsis, not yet free of frustration or restlessness. Out of print for almost three decades and available here for the first time ever on long-playing disc, Wax-Work Echoes is a classic from the outer eddies of The Shadow Ring's sound, a must-have for any aficionado's collection: "A window slides, glass slips from frame / And canvas carcass breathes again." Throughout their legendary, decade-long run, the Shadow Ring were an enigmatic force on the international musical sub-underground. Before their disbandment in 2002, this shambolic rock outfit, formed by a group of rowdy teenagers in southeast England, left behind a mighty run of eight LPs, a handful of 7"s, and a spate of raucous live shows and cryptic zine appearances on both sides of the Atlantic, all which have bolstered their enduring word-of-mouth mystique. Beginning in 2023 with the first-ever vinyl pressing of the self-released pre-Shadow Ring tape The Cat & Bells Club (1992), Blank Forms Editions has been conducting a systematic retrospective of the storied group. Wax-Work Echoes and Hold Onto I.D. are the latest releases in a multiyear reissue effort that includes several LPs, a comprehensive CD box set, and a nearly five-hundred-page book.

Сделать предзаказ22.08.2025

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24,79
SCRATCH ACID - JUST KEEP EATING (REMASTERED)

SCRATCH ACID

JUST KEEP EATING (REMASTERED)

12inchTGLP383
Touch & Go
22.08.2025

White LP. Born out of the early 1980's Austin noise punk scene, Scratch Acid deliberately eschewed the loud, fast rules of hardcore as everything they didn't want to be and embraced a weirder, artier sound. Prior to the release of their 1984 debut S/T EP, someone gave Touch and Go Records owner Corey Rusk a cassette of the recording, and he was instantly a huge fan. Rusk was immediately interested in releasing the EP and contacted the band to express his admiration. At the time, Scratch Acid had already committed to working with Rabid Cat Records, who released the band's debut release S/T EP (1984) and their only full-length album, Just Keep Eating (1986). The group quickly developed a riveting performance aesthetic, and, as the debut S/T EP made its way around the country via fanzines, college radio, and word-of-mouth, the band mounted short tours to the Midwest and the East Coast. After playing a total of 146 shows, Scratch Acid broke up after the long tour that followed the release of the Berserker EP (Touch and Go Records, 1987). Since that time, the band have had many imitators, and many alternative bands have cited Scratch Acid as one of their influences.

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26,01
SCRATCH ACID - SCRATCH ACID + BESERKER (REMASTERED)

SCRATCH ACID

SCRATCH ACID + BESERKER (REMASTERED)

12inchTGLP379
Touch & Go
22.08.2025

Born out of the early 1980's Austin noise punk scene, Scratch Acid deliberately eschewed the loud, fast rules of hardcore as everything they didn't want to be and embraced a weirder, artier sound. Prior to the release of their 1984 debut S/T EP, someone gave Touch and Go Records owner Corey Rusk a cassette of the recording, and he was instantly a huge fan. Rusk was immediately interested in releasing the EP and contacted the band to express his admiration. At the time, Scratch Acid had already committed to working with Rabid Cat Records. The group quickly developed a riveting performance aesthetic, and, as the debut S/T EP made its way around the country via fanzines, college radio, and word-of-mouth, the band mounted short tours to the Midwest and the East Coast. While he was not able to work with Scratch Acid directly through Touch and Go, Rusk had begun booking shows with Scratch Acid in Detroit, so he could see them live and meet them. A friendship formed, and Touch and Go Records would eventually release the band's second EP, Berserker, in 1987.

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29,20
Third Ear Band - Third Ear Band

For many bands, having all their gear stolen would be catastrophic. For Third Ear Band, this unfortunate 1968 incident opened a portal to beneficial change. Leader/percussionist Glen Sweeney viewed the heist as a sign to alter Third Ear Band's approach, and they switched to exclusively using acoustic instruments. With electrified psychedelia in full bloom, Sweeney, Paul Minns (oboe, recorder, whistles, flutes) and Richard Coff (violin, viola) struck out on an individualistic path, blending Indian raga with chamber music – without plugging in.

Third Ear Band's 1969 debut album, Alchemy, established them as a solemn, powerful force in the global underground. On Alchemy, Sweeney laid down a steady pulse on hand drums, while Minns and Coff wove in melismatic patterns on oboe, recorder, violin and viola. This approach carried over to Third Ear Band's self-titled sophomore album, often called Elements due to its track titles being named after the four basic components of medieval European alchemists' doctrines.

On this 1970 LP, Third Ear Band sounded at once ancient and contemporary, yet they turned on the hippies with their epic, trance-inducing jams that suggested secret knowledge of infinity. Although Third Ear Band flourished during the West's countercultural zenith, they were peculiarly estranged from it on a sonic level. Even outré contemporaries such as Comus and Jan Dukes De Grey sounded like pop groups compared to TEB. Having no traditional front person or electric instruments, Third Ear Band forged a singular path that flowered most vividly on Elements.

The long songs here stream forth from their skilled hands, evoking a communal transcendence in sound – a hypnotic swirl that doesn't swing, but rather wafts and undulates with cloistered beauty. TEB's music exists in an eternal now, a perpetual wow. It is an ouroboros of organic textures, seemingly magicked into the air spontaneously, yet possessing a rigor that suggests long hours in the lab. Without electricity, it somehow burrowed deeper into your consciousness.

– Dave Segal (excerpt from the liner notes)

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26,47
The Allegorist - From Birth Until Death LP

A“This album is about what it means to be human, and its creation is my offering. I attempt to tell a tale of the human experience in the reflection of my own.”

‘In the Andean mythology, condors are believed to be immortal. It is said that once they feel old, without energy, and useless, they climb to the highest peak and let themselves fall to death.’

The Allegorist is a visionary, enigmatic, transmedia, and boundary-pushing artist known for crafting deep, immersive dark sonic tales. Embracing a wide array of influences, weaving together the mysteries, art and spirituality, the art project defies categorisation, resonating with those who seek the unconventional.

From Birth Until Death is an introspective and immersive concept album that reflects on the essence of the human experience. Crafted over six years by The Allegorist (aka Anna Jordan), the album traces the arc of life—from its fragile beginnings to its inevitable end—using sound art to explore existential and philosophical terrain. Inspired by the Andean mythology of the condor – a symbol of immortality – the album blends electronic soundscapes with raw field recordings, evoking a deep sense of connection between the natural world and human existence.

The album’s progression mirrors the stages of life, starting with the birth of new beginnings and culminating in death, with each track offering a unique reflection on the moments in between. From the dynamic energy of Momentum, to the ethereal, illusionary world of Fata Morgana, the tracks guide the listener through emotions, perceptions, and experiences that shape the human condition.

A distinctive feature of From Birth Until Death is its intricate production. The album incorporates field recordings from Grunewald Forest, a distant roar of a jet, barking dogs, blending the sounds of nature – footsteps in the snow, birdsong, ocean waves – with layered synthesisers and electronic beats. The bass and ambient textures are crafted using an array of analog hardware, while all vocals, both lead and backing, are performed and recorded by Jordan. Some of the vocal takes were intentionally left raw, capturing the spontaneous energy of early recordings, while others were re-recorded to balance the album’s organic yet polished feel. Each element is meticulously crafted, revealing its deeper meaning as the album unfolds like a multidimensional, living sculpture.

At its core, From Birth Until Death is a meditation on the full spectrum of life. The album’s title track, From Birth Until Death, encapsulates this journey, reflecting on the passage of time and the unique experience of being human. The final track, Death, offers a melancholic yet beautiful exploration of endings, not as finalities, but as moments in the grand cycle of life. With its combination of evocative sound design and deeply personal themes, From Birth Until Death invites listeners to contemplate their own lives, offering a moving experience of reflection, growth, and transformation.

About From Birth Until Death
Words By Robin Rimbaud (Scanner)

From Birth Until Death is a deeply personal and reflective album and beautifully crafted. A detailed listen reveals that Jordan was in search of a profoundly human and authentic expression. In an era when so much around us seems defined by speed, Anna Jordan, aka The Allegorist, stands apart – aware that skimming the surface of life is neither sufficient nor rewarding. She reminds us of the value of deep, authentic listening.

The track Andean Condor seductively draws us into a smoky, blurred rhythmic soundscape, capturing the essence of the darkest Berlin nightclub, while Birth pulses with an almost shamanic transformation of sound, moving from the organic to the musical. It features a recording of Jordan’s footsteps in the snow in Grunewald Forest, Germany.

At times, the music feels almost sculptural in shape and tone – lifting, pushing, lilting, opening, and closing – where each piece is given room to fully develop. Many of the works blend synthetic sound with the natural, incorporating the human voice alongside environmental recordings: the wild waves of the ocean, a jet flying overhead, and barking dogs.

With From Birth Until Death, Jordan, like an alchemical architect revealing in the process of getting lost and relinquishing control, leaves us with a taut, immersive soundtrack in which to lose ourselves.

About the album ‘From Birth Until Death’
words by The Allegorist

“The album From Birth Until Death did not come easily to me. I started working on it in 2019, and it underwent many alterations over the years. I produced multiple versions of the tracks each year, but the album name, the track titles, and the album cover art stayed the same for 6 years. Not everything I did fit into the album’s final form, but I hope the heavy selection just made it better. I played this piece live in my techno live set between 2019 and 2020, and in the years after, I performed different art, ambient, and vocal versions of it, most notably the one at the church St. Marienkirche in Berlin in 2022. It just wanted to live and didn’t want to be finished. As I aged, this album aged with me. And now I’m ready to let it go.”

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26,47

Последний логин: 8 мес. назад
NOURISHED BY TIME - THE PASSIONATE ONES
также имеющийся в продаже

Clear Vinyl[21,81 €]


Das neue Album "The Passionate Ones" von dem Singer-Songwriter und Produzent Nourished By Time aus Baltimore erscheint auf XL Recordings. "The Passionate Ones", das zwischen Baltimore, London und New York City entstand, beschreibt auf 12 Tracks auch die kaputten Seiten des American Dreams beschreibt. Nourished By Time entstand Ende 2019 in Los Angeles als eine Art Flucht aus dem Alltag. Marcus Brown drohte an der Monotonie seines Tagesjobs zu zerbrechen und suchte nach einem Ausweg. Browns einzigartige Klangwelt ist geprägt von dem musikalischen Erbe seiner Heimatstadt Baltimore, in der Jazz, Punk, Indie, Hip-Hop, Elektronik und R&B in rauer Harmonie aufeinandertreffen. Auf "The Passionate Ones" beschäftigt sich Brown mit Liebe, Arbeit, Existenzialismus, Träumen, Desillusion und Hoffnung durch die Brille der Metamoderne und dokumentiert die amerikanische Geschichte eines Künstlers, der seinen Leidenschaften und Träumen folgt. "The Passionate Ones" folgt seinem gefeierten Debüt. "Erotic Probiotic 2 (Scenic Route)" erschien 2023 und wurde von US-amerikanischen Plattformen wie Pitchfork zu einem der besten Alben des Jahres erklärt, ebenso stand es auf der Jahresendliste von Gorilla vs. Bear ganz oben und wurde von The Guardian, The FADER, Paste und anderen gelobt. Die EP "Catching Chickens" (XL) von 2024 führte Nourished By Time auch in Europ als Künstler ein: Das CRACK Magazine setzte ihn auf sein Cover und kürte "Hell of a Ride" zum Track des Jahres. Der Song tauchte auf den Listen von NPR, Resident Advisor, CLASH, The FACE, Mixmag, UPROXX und Spotify für die besten Songs des Jahres 2024 auf. "The Passionate Ones" erscheint als LP (Schwarz & Crystal), CD und sowie digital.

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21,81
TAXIDERMY GIRLS - RTE 209 BLUES

Taxidermy Girls

RTE 209 BLUES

12inchBANGLP188
BANG!
22.08.2025
  • Black Jelly
  • I Fall Appart
  • Shame
  • Wolf
  • White Cadillac
  • Rte.209 Joyride
  • It's Time
  • 17: Th Floor (Ode To James & Judy)

Get ready for the rawest, dirtiest rock NYC has to offer! TAXIDERMY GIRLS, a band featuring legendary talents from Jon Spencer JON SPENCER BLUES EXPLOSION, TELEVISION, MERCURY REV, SPEEDBALL BABY y FIVE DOLLAR PRIEST, is back with a new LP that will blow you away. Rte 209 Blues by Taxidermy Girls delivers gritty, powerful sound straight from the streets of New York City-pure, unfiltered, and full of that authentic underground energy. Once known as Taxi Girls, this band has evolved but still carries that rebellious attitude and raw edge that make them stand out. From gritty riffs to catchy melodies, each track is a trip through NYC's underground scene, where dirty, honest rock reigns supreme. Don't miss out on the new release from TAXIDERMY GIRLS-a record that proves the spirit of NYC's rock scene is alive and kicking stronger than ever.

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23,11
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