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ARNE TORVIK TRIO - NORTHWESTERN SONGS

The trinity of piano, bass and drums is an ensemble construction with a particularly prominent place in jazz, past and present. Indeed, some of these piano trios are among the most revered and popular groups the music has seen.
The standing of the piano trio in the Norwegian jazz landscape is no different. And like a lot of modern jazz from Norway it has also taken on flavours very distinct to this country.
Pianist Torvik met and played with double bassist Bjornar Kaldefoss Tveite and drummer Oystein Aarnes Vik during a short stint in Oslo.
They quickly hit it off, and the idea of making an album with this trio began to take shape. The resulting album, ‘Northwestern Songs’, was recorded at Newtone Studio in Oslo, June 2019.
Here, Torvik continues to explore the relationships between pop sensibilities and jazz, which was also a feature of the music on his debut as a leader, the 2016 quintet recording ‘Northwestern Sounds’. At the same time, the open and revealing nature of the trio format allows him to further explore and challenge himself as piano player.
Personnel: Arne Torvik (piano), Bj rnar Kaldefoss Tveite (bass), ystein Aarnes Vik (drums)

pre-order now12.02.2021

expected to be published on 12.02.2021

22,65 €
Various - At Clouds Length

At Cloud’s Length is a collaborative compilation of musical works from artists on Melbourne/Naarm based collective WAT artists, using the vehicle of music as the driving force of connection.

While the opportunities to gather have been put on hold, this compilation is a collaborative release rising from a challenge set to the WAT artists roster to connect and create using isolation as a creative parameter from which to generate new music, resulting in surprising and powerful musical cross-pollination.

At Cloud’s Length - an ode to the use of cloud storage as the last front of musical collaboration during lockdown - reaches through the veil of isolation, passing overland, gathering energy and offering a release saturated with creativity and collaboration from afar.
This compilation is both a confluence of unique and diverse creative minds and a narrative of humanity's desire for deeper meaning and connection.

Music contributors:

30/70, Adam Halliwell (Mildlife), Alex Albrecht, Barney McCall, Bell Towers, Big Yawn,
Edd Fisher, Fantastic Man, IN2STELLAR, Kris Baha, Loure, Mike Callander, Morgan Wright, Michael Ozone, Rings Around Saturn, Sleep D, Sui Zhen, Toni Yotzi, ZFEX

out of Stock

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Last In: 4 years ago
14,50 €
MASMA DREAM WORLD - MASMA DREAM WORLD

Devi Mambouka’s evolution is rooted in her past informing her
present and future.
Born to a Gabonese ambassador and a Singaporean mother makes her a child of the world, and one who learned to tap into her inner magic to overcome trauma, abuse, and addiction. Play at Night, her debut album under the moniker Masma Dream World, is the resume of such learnings and experiences.
Abruptly moving from Africa to the Bronx at 12 years old yielded intense challenges, but singing was a refuge and music was an escape. Influenced by the likes of Amel Larrieux, Toni Braxton, and Zap Mama, Play At Night challenges your preconceived relationship with darkness, guiding you to step into it.
The album encompasses elements of butoh (a Japanese spirit-led performance art), the theta frequency, and the need to hold sacred space. This space is a prime opportunity to awaken one’s power source from within.

pre-order now05.02.2021

expected to be published on 05.02.2021

23,49 €
The Body - I’ve Seen All I Need To See

Over the course of two decades The Body - Lee Buford and Chip
King - have consistently challenged assumptions and defied
categorization, redefining what it means to be a heavy band.
On ‘I’ve Seen All I Need To See’, they test the boundaries of the
studio to explore the extremes and microtonality of distortion to
find its maximal impact.
Their most incisively bleak album to date, a towering monolith of
noise, Buford’s booming, resolute drums paired with King’s
obliterated guitar and howl.
Course, bristling distortion contorts every instrument, with
samples of spoken word, cymbals, toms and King’s already
noxious tone emerging from layers of feedback.
Features guests Ben Eberle (Sandworm) and Chrissy Wolpert
(Assembly of Light Choir).
Recorded with long time engineer Seth Manchester at Machines
with Magnets (Lightning Bolt, Battles, Daughters) and mastered by
Matt Colton (Sumac, Brian Eno, Uniform, Sunn O)))).
Available on CD, metallic silver vinyl and black vinyl. LP formats
include digital download code.
The Body have collaborated with many, including Full Of Hell,
Thou, Uniform and Bummer.
“The distortion has this ability to envelope you, and not push you
away. It has this strange kind of beautiful timbre... once you give
into the sheer power of it, and let it take you on a ride then it
becomes this whole other kind of sonic experience.” - Matt Colton
The Body have continued to mould their sound into something
even more devastating, gorgeous and terrifying... As a whole, The
Body’s discography is, and will continue to be, without peer.” -
Metal Injection “Some of the most captivating heavy music around right now.” - Rolling Stone

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Last In: 5 years ago
24,33 €
Various - Our New Orleans (Expanded Edition)
 
21

Nonesuch releases a remastered, special edition of the 2005 record Our New Orleans for the first time on vinyl. The two-LP set, also available digitally, includes five previously unreleased tracks: ‘Do You Know What It Means’, by Davell Crawford; ‘Let's Work Together’, by Buckwheat Zydeco and Ry Cooder; ‘Crescent City Serenade’, by Dr. Michael White; ‘Walking By the River’, by Dr. John; and ‘Do You Know What It Means’, by The Wardell Quezergue Orchestra featuring Donald Harrison.

The $1.5 million raised from the 2005 release went toward providing housing in partnership with low-income musicians and others through the New Orleans Habitat Musicians’ Village, a concept that was developed by New Orleans Area Habitat for Humanity, working with Branford Marsalis and Harry Connick, Jr. Habitat–built homes in the village now provide musicians and others of modest means the opportunity to buy decent, affordable housing. The centerpiece of the village is the Ellis Marsalis Center for Music, dedicated to celebrating the music and musicians of New Orleans and to the education and development of homeowners and others who live nearby.

For Our New Orleans, many of the Crescent City’s best-known musicians recorded songs that are integral to their lives and that express their feelings about the city and the trauma of Katrina. The album was made swiftly and simply, over the course of a month, in one-day sessions across the country. Nick Spitzer, host of public radio’s New Orleans–based American Routes, contributed liner notes to the record, as did Pulitzer Prize–winning author Richard Ford, also a Crescent City resident. Other producers who made enormous contributions include Mark Bingham, Ry Cooder, Joel and Adam Dorn, Steve Epstein, Joe Henry, Doug Petty, Matt Sakakeeny, and Hal Willner.

Nonesuch’s parent company – Warner Records, part of the Warner Music Group – donated all production costs for Our New Orleans as part of the Group’s larger efforts on behalf of hurricane victims on the Gulf Coast. Many others involved in creating the album also generously donated their time and services.

Nonesuch President David Bither recalls, “What was most remarkable to me was the immediate response of the musicians. Many were in New Orleans when Katrina struck. Many lost everything they owned including even the musical instruments that are their livelihood. Yet they responded within days to the question of whether they might participate in this project. The emotion and the power of Our New Orleans come both from their anguish and from their incredible generosity.”

And the label’s Chairman Emeritus Bob Hurwitz said, “When we pick up a CD booklet, we usually skip over the page that says, ‘Special thanks to…’, but in the case of Our New Orleans, it is, after the listing of the musician’s names, the most important part of this package. Everyone wanted to help – studios that insisted on contributing free time, caterers, photographers and videographers, instrument rentals, producers, engineers – every step down the line, people gave, not only their profits, but absorbed all of their costs. It was an incredible outpouring of generosity.”

“Our New Orleans is a testament to the power of music to heal and provide a sense of community,” said Marguerite Oestreicher, Executive Director of New Orleans Area Habitat for Humanity. “Musicians helped the city heal after Hurricane Katrina, and Musicians’ Village helped them come home. We’re grateful to Nonesuch and everyone who worked on this album. This year has brought new challenges to everyone, but especially to our culture-bearers. This re-release could not be more timely.”

pre-order now05.02.2021

expected to be published on 05.02.2021

27,94 €
Soothsayers - We Are Many

Soothsayers

We Are Many

12inchWAHLP0019
Wah Wah 45s
02.02.2021

South London-based band Soothsayers are set to release their ninth studio album 'We Are Many'. Held together by heavy basslines, solid grooves, and socially and politically charged lyrics; the album takes the listener into different sonic spaces with elements of dub, Afrobeat, improvisational jazz and electronica.

The initial steps in recording 'We Are Many' came in January 2019 when the band's founders - saxophonist Idris Rahman and trumpeter Robin Hopcraft - set out on a journey to Brazil. With executive production in the Sao Paulo studio by renowned music journalist and author David Katz, they hooked up with bass player and producer Victor Rice who they'd met sharing the bill at Freedom Sounds festival in Cologne, Germany a year earlier. Victor organised a session in Studio Traquitana, home of acclaimed Brazilian band Bixiga 70, and invited a selection of local musicians. Percussionist and singer Ligia Kamara contributed lyrics and melodies written in the studio, and drummer Bruno Buarque, guitarist Joao Erbetta and bassist Victor provided some solid, personality-driven input. Fresh and vital, what came out was a fascinating blend of Soothsayers' dub and Afrobeat mixed with distinctly Brazilian inflections.

After arriving back in the UK, Idris and Robin set about creating the remainder of the album in a different, yet complimentary way, and called on the services of Wu-Lu and Kwake at their The Room studio in South London. Things started to take shape very quickly, Wu-Lu and Kwake combining Soothsayers' music with electronic elements, while also referencing elements of the current UK jazz scene.

When lockdown hit in March 2020, there was still a lot of work to do in order to complete a full album and Robin and Idris set about working on tracks with their musicians remotely. Having time to consider the album as a whole, they found strong connections between the music recorded in Brazil and the tracks recorded in London and they set about fusing and combining these elements further into a satisfying whole.

UK based Sengalese singer Modou Toure was enlisted to guest on one track while percussionists Satin Singh and Maurizio Ravalico were engaged to help affirm a sound-world where Brazilian flavours, such as the low-end Surdo drum, were combined with sounds more readily associated with reggae and Afrobeat.

Soothsayers' three part vocal harmony is a defining factor in this album. With strong references to the vocal styles of reggae legends such as The Gladiators, Mighty Diamonds, Heptones, and Abyssinnians; it has benefited from the long-standing friendship between Robin, Idris and Julia Biel. Lyrics, melodies and harmonies were presented, discussed, explored and recorded at Idris' and Julia's home studio in Streatham in a relaxed and positive way, with concepts from social and political commentary turned into powerful songs.

Themes cover political observations of Trump and beyond alongside Brazil's president Bolsanaro (Rat Race), speaking out against increasing levels of violence from the Brazilian government towards its native and indigenous people (Love And Unity) and keeping hopeful despite the impending horrors of a no-deal Brexit (We Won't Lose Hope).

Elsewhere they discuss striving to create space for meditation and reflection against the background noise of 24/7 news and social media (Move In Silence), the daily grind (No Sacrifice) and workers' rights (Slave), while highlighting those that fall through the cracks in society and end up without a permanent address, what led to this and how close we all are from this happening (One Step Away).

'We Are Many' represents a positive and uplifting statement in the face of challenging times - the overriding force, power and positivity of the music to continue forward, pushing the boundaries of musical concepts into the future.

"Whilst heavy questions of life and death and the future of our species surround us all, music is a guide that can help us perceive the challenges in a different way - a guide that can help us towards a deep inner peace. If we listen, music can help light the way. We hope you will listen, and we hope you will experience the joy, meditative power and beauty in the connection of different musical cultures that was experienced in the creation of this album."

out of Stock

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Last In: 5 years ago
23,49 €
Soothsayers - We Are Many

Soothsayers

We Are Many

12inchWAHLP019
Wah Wah 45s
29.01.2021

South London-based band Soothsayers are set to release their ninth studio album 'We Are Many'. Held together by heavy basslines, solid grooves, and socially and politically charged lyrics; the album takes the listener into different sonic spaces with elements of dub, Afrobeat, improvisational jazz and electronica.

The initial steps in recording 'We Are Many' came in January 2019 when the band's founders - saxophonist Idris Rahman and trumpeter Robin Hopcraft - set out on a journey to Brazil. With executive production in the Sao Paulo studio by renowned music journalist and author David Katz, they hooked up with bass player and producer Victor Rice who they'd met sharing the bill at Freedom Sounds festival in Cologne, Germany a year earlier. Victor organised a session in Studio Traquitana, home of acclaimed Brazilian band Bixiga 70, and invited a selection of local musicians. Percussionist and singer Ligia Kamara contributed lyrics and melodies written in the studio, and drummer Bruno Buarque, guitarist Joao Erbetta and bassist Victor provided some solid, personality-driven input. Fresh and vital, what came out was a fascinating blend of Soothsayers' dub and Afrobeat mixed with distinctly Brazilian inflections.

After arriving back in the UK, Idris and Robin set about creating the remainder of the album in a different, yet complimentary way, and called on the services of Wu-Lu and Kwake at their The Room studio in South London. Things started to take shape very quickly, Wu-Lu and Kwake combining Soothsayers' music with electronic elements, while also referencing elements of the current UK jazz scene.

When lockdown hit in March 2020, there was still a lot of work to do in order to complete a full album and Robin and Idris set about working on tracks with their musicians remotely. Having time to consider the album as a whole, they found strong connections between the music recorded in Brazil and the tracks recorded in London and they set about fusing and combining these elements further into a satisfying whole.

UK based Sengalese singer Modou Toure was enlisted to guest on one track while percussionists Satin Singh and Maurizio Ravalico were engaged to help affirm a sound-world where Brazilian flavours, such as the low-end Surdo drum, were combined with sounds more readily associated with reggae and Afrobeat.

Soothsayers' three part vocal harmony is a defining factor in this album. With strong references to the vocal styles of reggae legends such as The Gladiators, Mighty Diamonds, Heptones, and Abyssinnians; it has benefited from the long-standing friendship between Robin, Idris and Julia Biel. Lyrics, melodies and harmonies were presented, discussed, explored and recorded at Idris' and Julia's home studio in Streatham in a relaxed and positive way, with concepts from social and political commentary turned into powerful songs.

Themes cover political observations of Trump and beyond alongside Brazil's president Bolsanaro (Rat Race), speaking out against increasing levels of violence from the Brazilian government towards its native and indigenous people (Love And Unity) and keeping hopeful despite the impending horrors of a no-deal Brexit (We Won't Lose Hope).

Elsewhere they discuss striving to create space for meditation and reflection against the background noise of 24/7 news and social media (Move In Silence), the daily grind (No Sacrifice) and workers' rights (Slave), while highlighting those that fall through the cracks in society and end up without a permanent address, what led to this and how close we all are from this happening (One Step Away).

'We Are Many' represents a positive and uplifting statement in the face of challenging times - the overriding force, power and positivity of the music to continue forward, pushing the boundaries of musical concepts into the future.

"Whilst heavy questions of life and death and the future of our species surround us all, music is a guide that can help us perceive the challenges in a different way - a guide that can help us towards a deep inner peace. If we listen, music can help light the way. We hope you will listen, and we hope you will experience the joy, meditative power and beauty in the connection of different musical cultures that was experienced in the creation of this album."

- Idris Rahman and Robin Hopcraft

pre-order now29.01.2021

expected to be published on 29.01.2021

24,24 €
THE BODY - I'VE SEEN ALL I NEED TO SEE

The Body is a prolific musical force whose creativity is matched only by the astonishing weight of their sound. Duo Lee Buford and Chip King have established their own musical language that reimagines how rhythm, dynamics, and sonics can shape or dismantle song structure. Over the course of two decades, the duo has consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On their new album, The Body are again pushing limits and testing the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. I've Seen All I Need To See is The Body at their most incisively bleak, a towering monolith of noise.

pre-order now29.01.2021

expected to be published on 29.01.2021

24,50 €
THE BODY - I'VE SEEN ALL I NEED TO SEE

The Body is a prolific musical force whose creativity is matched only by the astonishing weight of their sound. Duo Lee Buford and Chip King have established their own musical language that reimagines how rhythm, dynamics, and sonics can shape or dismantle song structure. Over the course of two decades, the duo has consistently challenged assumptions and defied categorization, redefining what it means to be a heavy band. On their new album, The Body are again pushing limits and testing the boundaries of the studio to explore the extremes and microtonality of distortion to find its maximal impact. I've Seen All I Need To See is The Body at their most incisively bleak, a towering monolith of noise.

pre-order now29.01.2021

expected to be published on 29.01.2021

24,50 €
The Body - I’ve Seen All I Need To See (Coloured Vinyl LP)

Over the course of two decades The Body - Lee Buford and Chip
King - have consistently challenged assumptions and defied
categorization, redefining what it means to be a heavy band.
On ‘I’ve Seen All I Need To See’, they test the boundaries of the
studio to explore the extremes and microtonality of distortion to
find its maximal impact.
Their most incisively bleak album to date, a towering monolith of
noise, Buford’s booming, resolute drums paired with King’s
obliterated guitar and howl.
Course, bristling distortion contorts every instrument, with
samples of spoken word, cymbals, toms and King’s already
noxious tone emerging from layers of feedback.
Features guests Ben Eberle (Sandworm) and Chrissy Wolpert
(Assembly of Light Choir).
Recorded with long time engineer Seth Manchester at Machines
with Magnets (Lightning Bolt, Battles, Daughters) and mastered by
Matt Colton (Sumac, Brian Eno, Uniform, Sunn O)))).
Available on CD, metallic silver vinyl and black vinyl. LP formats
include digital download code.
The Body have collaborated with many, including Full Of Hell,
Thou, Uniform and Bummer.
“The distortion has this ability to envelope you, and not push you
away. It has this strange kind of beautiful timbre... once you give
into the sheer power of it, and let it take you on a ride then it
becomes this whole other kind of sonic experience.” - Matt Colton
The Body have continued to mould their sound into something
even more devastating, gorgeous and terrifying... As a whole, The
Body’s discography is, and will continue to be, without peer.” -
Metal Injection “Some of the most captivating heavy music around right now.” - Rolling Stone

pre-order now29.01.2021

expected to be published on 29.01.2021

26,01 €
KIERAN MAHON - ETERNAL RETURN

St Leonard’s premier manipulator of drones, loops and echoes delivers his most buzzed out, kosmische and beat driven work to date in a deluxe white vinyl album release for Castles in Space.

Here, Kieran explains the genesis and production of his masterwork:

“Eternal Return was unusual for me in that I actually set out to make an album, rather than find myself with a set of tunes that evolved into a project.

The “Eternal Return” is a concept I have been inspired by before. However it clicked with me in a more profound way recently. Far from seeing the prospect of living life over, unknowingly, on an endless loop as depressing, I suddenly felt amazing comfort in the theory. The Stoic emperor Marcus Aurelius said, “Waste no more time arguing about what a good man should be. Be one.” Far from being trapped in the loop I am elated to feel that it's simply about living the best life you can. One that you wouldn't fear having to live again.

To place the album in context against this newly realised perception, I think of the Side One as the battle to get to that realisation and enlightenment and Side Two represents the acceptance and the decision on how to proceed. The turning point is from thinking about the things I love most and what I would want to experience over and over again. I hope it is an uplifting listening experience. As it happens, the album originally had a darker ending. I think I actually learned a bit about my point of view during the process. There are drums, which wouldn’t often feature in my music (there are in fact more drums on this LP than in my combined output over the last 8 years) and the pieces are noticeably shorter, more focussed and concise than my usual longer form work.

Musically this album is probably the least clearly influenced by anything I regularly listened to. The main outcome was wanting to challenge myself and to add whatever the pieces needed and go with that. I think I was also probably pushed on by the wealth of amazing music being made by my peers across Bandcamp and social media. 2020 was an incredible year in this particular sphere of electronic music. The album was made as I started to transition from a semi-modular to a modular synth set up. I think that this was a key driving force, since a lot of the time I didn’t know exactly what I was doing. It is nice to be surprised by what you’re creating.

Finally, whilst this is in no way a “lockdown album”, the period of time in which much of it was recorded definitely had a bearing on how it sounds. For one thing I spent a lot more time around my studio space when working from home. In keeping with the album's theme, the lockdown also helped consolidate my feelings on what is important in life and what isn’t. One piece was in fact sketched out as a first draft while I sat on mute during a Zoom meeting.

pre-order now29.01.2021

expected to be published on 29.01.2021

24,33 €
Therion - Leviathan

Therion

Leviathan

12inch0727361506018
Nuclear Blast
22.01.2021

THERION have always been a band that have challenged themselves to explore new paths, while remaining true to their musical core values. For their 17th studio album, mastermind Christofer Johnsson and his collaborator Thomas Vikström have created something that has been previously unthinkable to the guitarist and the singer. "We have done the only thing that was left of all the different angles to explore", explains Christofer. "We have decided to give the people what they kept asking for. 'Leviathan' is the first album that we have deliberately packed with THERION hit songs."

True to the Swede's words, the album opens with the catchy and swift tune 'The Leaf Of The Oak Of Far' featuring female and male antiphonal singing as well as a choir that seems to have evolved straight out of THERION's breakthrough full-length "Theli" (1996). This is immediately followed by the obvious highlight 'Tuonela', in which Christofer cleverly underscores this hit-track's Finnish vibe by employing NIGHTWISH’s "metal voice" Marko Hietala. Next up in this parade of future fan-favourites is the title track 'Leviathan' that offers classic THERION material with operatic female vocals and a massive choir.

Christofer Johnsson's passion for classic voices, choirs, and orchestral elements as well as his penchant for epic melodies in combination with rock and metal shines clearly through the following sing-along ballad 'Die Wellen Der Zeit', which indicates another nod to German romantic composer Richard Wagner. "Ever since 'Theli', Wagner has been and will always be at the core of THERION", emphasises Christofer. "When we started to combine metal and opera, it was something new and original. Today, symphonic metal has long been a firmly established genre."

When THERION came into being in 1988 by changing name from the already existing band BLITZKRIEG, which was founded a year earlier, Christofer had rather taken inspiration from SLAYER's "Reign In Blood" among other classic metal albums. At the beginning, the Swedes were firmly rooted in death metal, a genre which they helped to define, as witnessed by their debut album "Of Darkness...." (1991). Yet even back then, there were hints of "something else" lurking beneath the rough surface.

The use of female vocals is another core ingredient of THERION today, which developed gradually. CELTIC FROST had basically introduced the female element to extreme metal on "To Mega Therion" in 1985. THERION began with both a female and male vocalist emulating a church like choir already in their sophomore full-length 'Beyond Sanctorum' (1992). With Symphony "Masses: Ho Drakon Ho Megas" (1993) and "Lepaca Kliffoth" (1995), Christofer continued to developed his trademark sound by gradually drifting towards cleaner vocals and more keyboards. With "Theli", the Swedes had firmly established a reputation of pushing the boundaries of metal in the 90s – among such acts as their compatriots TIAMAT, THE GATHERING, and MOONSPELL that were often referred to as "gothic metal" at the time.
THERION continued to break new ground leaving inspiration for others to follow in their wake: On "A'arab Zaraq - Lucid Dreaming" (1997), Christofer further explored the use of Near Eastern music in metal which he had already begun in 1992, while "Secret Of The Runes" (2001) dared to have Swedish lyrics in some songs. While critics were left confused and fans challenged, THERION were often ahead of their times and vindicated in hindsight. Even the band's 25th anniversary excursion "Les Fleurs Du Mal" has by now overcome the initial shock the album caused and is only beaten in terms of streaming by the classic "Vovin" (1998).
When Christofer faced the question of where to go next after the dramatic "Beloved Antichrist" (2018) had finally fulfilled his musical mission, his answer is "Leviathan" named after a giant sea monster from Judeo-Christian myth that has roots in Babylonic lore: THERION have created a giant hit album – and for the first time in the history of the Swedes, their fans are not asked to explore something new, but simply to lean back and enjoy the best from their band!

pre-order now22.01.2021

expected to be published on 22.01.2021

22,98 €
RON CARTER - FOURSIGHT - STOCKHOLM

Audiophile reissue of the first RSD release from legendary jazz bassist Ron Carter, the most-recorded jazz bassist in history and member of the second great Miles Davis Quintet (1963 - 1968).
180g double vinyl, gatefold sleeve.
Carter leads his “Foursight” quartet on this live recording from Sweden recorded in November 2018. The group includes drummer Payton Crossley, tenor saxophonist Jimmy Green, the and star pianist Renee Rosnes.
“With us, nobody knows exactly what happens when,” Carter praised the Foursight Quartet’s unique selling point. “This is precisely why every concert is a real challenge. We almost always play 35 to 40 minutes without a stop at the beginning. No breaks, just slight changes that show the beginning of a new song. If we were a classical music band, it would be called a symphony with five movements.
This kind of thing only works with this band!”

Personnel: Ron Carter (bass), Renee Rosnes (piano), Jimmy Greene (tenor saxophone), Payton Crossley (drums)

pre-order now22.01.2021

expected to be published on 22.01.2021

41,98 €
Allysha Joy - Light It Again

First Word Records are extremely proud to welcome aboard Allysha Joy and her first EP

for the label, 'Light It Again'.

Well versed in poetry and performance, Allysha Joy's potent lyricism, unique musicianship and killer vocals have garnered legions of attentive fans the world over. She's an integral member of the Melbourne soul jazz scene, known as part of the acclaimed 30/70 Collective and for her own equally revered solo work.

'Light It Again' is a 4-part expedition across a variety of grooves and deep lyricism that marks a defiant statement of intimacy and hope. Produced and engineered by twice Grammy nominated artist Clever Austin, the EP features accompaniment from an all-star set of Melbourne artists; Horatio Luna, Ziggy Zeitgeist, Danika Smith and Josh Kelly. This EP marks a new sound for the young artist, transmitting her honest and raw expression through the signature crunch and sonic landscape of Clever Austin.

Allysha is already well established across Europe, performing on the live circuit alongside the likes of Sampa the Great, Matthew Halsall, Ezra Collective, Bradley Zero and Children of Zeus, as well as currently hosting two regular radio shows, on Worldwide FM and Reform Radio in Manchester respectively.

Her 2018 debut album 'Acadie : Raw' on Gondwana Records won 'Best Soul Album' at the Music Victoria Awards, was nominated for a Worldwide Award, and featured in many an end-of-year list, including Bandcamp's Top Soul Albums, whilst she's also featured on releases on UK labels such as Rhythm Section, Total Refreshment Centre and now an EP for First Word, 'Light It Again'.

The EP touches on love, shame, mental health, grief & spirituality. 'Watercolours' sets off on a mid-tempo neo-soul jazz tip. Allysha says "I wrote this in the hope that maybe we could all feel the beauty that is present in the every day - in nature, in art, in each one of us mirroring each other so intrinsically. Then maybe we'd all start to live out a message of love."

'Better' follows on an uptempo vibe influenced musically by The Senegambian Jazz Band, who Allysha would watch regularly at Bar Oussou in Melbourne. Lyrically the song explores the external and internal struggles that occur trying to create a more inclusive and compassionate world. "It's about catching myself pointing the finger outwards to challenge social / political systems and certain individuals, then coming to the realisation that I must turn that finger back on myself to ask, "how can I do better, how can I know better?"

Lead track 'Light It Again' begins with Allysha's keys gliding a steppa-like rhythm - head-snap snares and punchy bass accompany ethereal harmonies and delicate vibes on an ever-evolving groove before switching entirely mid-track. This time the subject matter is mental health and "the cycle of addiction and pain, the coping mechanisms that hold us back from reaching our true potential".

The EP closes out with the beautiful 'Mardi'; deep Rhodes, sax and synths build ahead of deliciously slushy percussion and jilted drums. Named for her grandmother, 'Mardi' is a tribute to the spiritual connection they shared before her passing. Allysha writes, "it's about the connective forces of the matriarchal lineage and the drive to step into my own sense of self, in all the beauty and pain which that entails".

Allysha's lyrics weave together a heartfelt mix of love, power, desire, wonder, anger, faith and hope for change. An artist that presents a palette of intricate grace and optimism, whilst unafraid of adding uncomfortable truths. Allysha is an incredibly powerful live performer; her husky vocals sonically synced with her formidable Fender Rhodes playing, whilst her influences are a solid base of jazz, hip hop and R&B; all glazed with the unique special sauce the Melbourne soul scene has become known for globally. A gloriously meditative, raw soul, we are delighted to be able to share her music with you.

'Light It Again' is released on vinyl & digital worldwide, November 20th 2020.

out of Stock

Order now and we will order the item for you at our supplier.

Last In: 5 years ago
8,87 €
AZUMAH - LONG TIME AGO

Azumah was the coming together of a group of talented young dancer-musicians from Soweto (South Africa) with musician and instrument-maker Smiles Mandla Makama of eSwatini (formerly Swaziland). Long Time Ago is the surprising and enticing, resultant album from 1985, recorded in the house of theatre stalwarts Des and Dawn Lindberg in Johannesburg.

Produced by David Marks (3rd Ear Music, Hidden Years Music Archive Project), Des Lindberg and Smiles Makama, this album takes us back to a priceless musical moment in the dark and wild eighties of apartheid South Africa. Smiles Makama is a gifted and visionary music-maker. He was born in South Africa but grew up in eSwatini, the small kingdom enveloped by South Africa and Mozambique on each side. He tells the story of the process leading to the recording of this remarkable album: “I was invited from Swaziland by a Soweto-based group, Azumah. … One of the members knew that there was a wizard in the mountains in Swaziland, building instruments. As I was in the mountains in my hut and then I saw people arrive. They found me. It all started there.”

Instead of simplistic images of a generic ‘Africanness’ or ‘South Africanness’ and pictures of constructed and exotic ethnic identity, a contemporary, fresh listen to this album encourages an appreciation of the composition and musical skill at play in this music. Few people speak about the individual innovation and experimentation involved in the creation of this music (or the music of Amampondo for instance). “Woza Moya” sticks out as a dark and melancholy creation, different tonally to what has come before, evoking the work of Naná Vasconelos or Don Cherry. One thing that remains the same decades later is that encouraging deeper listening to the sounds of the mbira, the nyunga-nyunga, the uhadi or makhoyane bows is still challenging. Discouraging the superficial, short-lived acknowledgement of this ‘unchanging’, ‘African cultural expression’ is the everlasting hurdle. This is made so much easier by albums like Long Time Ago: when artists create music to be loved and entangled with, to be challenged by, derived from the musical roots and structures of these instruments and then expanded upon with creative freedom, risk, humour and funk.

Azumah did this in 1985 and we have this album again today, newly released, to remind us of that moment and the moments since when musicians have urned inward and done similar. As Smiles has it: “Indigenous music doesn’t fade out. It’s just waiting to be discovered, all the time.”

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Last In: 5 years ago
16,01 €
ROZZMA - KHATAR SAYEB EP

Rozzma

KHATAR SAYEB EP

12inchXL1099T
XL Recordings
10.12.2020

Today Rozzma announces the ‘Khatar Sayeb’ EP, the artist’s first release for XL Recordings. He kicks off the EP release with ‘Hout’, a track that displays Rozzma’s knack for combining tribal sounds and contemporary urban/street music with a sharp, idiosyncratic flair.

Rozzma is an Egyptian sound artist inspired by the era where sound preceded music – he finds inspiration in the similarities between the wilderness of prehistoric times and modern-day chaos. Having already performed his particular strain of music across the world and at festivals like Sonar and Unsound, Rozzma releases ‘Hout’ into the digital world with an animated video created by the artist’s close friend Mahmoud Shiha.

“Hout is a celebration of beating the odds,” says Rozzma. “It’s about a specific state of mind where one finds comfort in the most extreme and unfortunate circumstances to beat the odds that one could instead fear.”

The EP’s title ‘Khatar Sayeb’ means 'loose danger’. “The release challenges the idea that danger and fear are uncontrollable circumstances,” explains Rozzma. “We cannot fully diminish fear or danger. We can only condition ourselves to believe that safety exists during the absence of fear. It is however more dangerous to deny the uncertainty of danger itself. Danger is a very broad state with infinite circumstances. But it is also infinitely uncertain and mainly linked to luck. We do not control our luck; good or bad. And it is solely luck that dictates danger and safety. It is for that reason that one’s best chances may be to condition themselves to find comfort in danger. Loose danger to be specific.”

Rozzma’s world is one of status quos being challenged, whether that be the real world, the historical world or specifically in the world of music. Rozzma won’t let you settle with what you believe. Everything deserves to be challenged.

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Last In: 9 months ago
10,46 €
Various - NO RECORDING II

Various

NO RECORDING II

CassetteNORECORDINGII
No Recording
03.12.2020

Killer tape from YPY, group A, Kohhei Matsuda(Bo Ningen), Kenichi Iwasa + Tot Onyx(group A).

group A's charity compilation series "NO Recording" spotlights on over 1000 unreleased tracks, improv sessions and random recordings from our past. In order to act fast to emergency campaigns, fundraisings and people who are in need of help, the strict "no additional recordings" rule is set and instead we challenge ourselves to cook with what we have in our fridge. Rough edges and unfinishedness are left partially unintentionally; most of the demos and jam sessions were recorded direct to stereo, hence the mixing is limited, and partially intentionally as a part of the process of chance operations (we also just like it rough). This method allows us to break our own preconceptions and discover new comprehensions.

Vol.2 features YPY(goat), Kohhei Matsuda(Bo Ningen), Kenichi Iwasa, Tot Onyx(group A) and group A. This time all of us naturally took a more bricolage way of composing, which gave us a lot of new inspirations and comprehensions. It's going to be limited to 150 cassettes with hand-made covers (incl. digital DL code). This release celebrates 75years anniversary of Hiroshima and Nagasaki atomic bombing and we will donate all the proceeds to ICAN, The International Campaign to Abolish Nuclear Weapons.

About "NO Recording"

We started this charity compilation series this year in order to keep donating to communities in need of help, while we ourselves are having a financially difficult time due to the cancelation of tours and shows. We don't have money to spare but instead plenty of time. Vol.1 was self-released digitally on our Bandcamp page on Juneteenth, all the proceeds were/are donated to NAACP. Vol.1

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Last In: 5 years ago
11,56 €
Linkwood & Other Lands - Face the Facts LP 2x12"

I can't actually remember why we decided to do this project other than ask ourself, why had it not been done years ago? let's do it! Linkwood and Other Lands are well known from their various outings on Firecracker, Night Theatre, The Nuclear Family, Rush Hour, Dekmantel, AOTN and many other labels, both talented musicians and fierce producers. The plan was simple, drop them into the mostly finished Athens of the North studio and cross the streams….

The results are nothing short of spectacular but putting them into words or genres on paper is somewhat of a challenge. Folding modular textures, post-punk, Electro, House and Techno even ending in some lush Balearic business, they have moulded their years of experience and translated it into something new.

What strikes me when listening to the LP is both their voices have come through in this production. Other Lands guitar work and Vocal and Linkwood deep sense of Rhythm and structure. The recording of this LP was just pre-covid which seems strange as it fits now so well. Like a dream of what it would be like to be out In the city night in all its different factions.

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Last In: 4 years ago
13,03 €
THABA - EYES REST THEIR FEET

Thaba is a collaboration between South African singer/
songwriter Khusi Seremane and American producer/musician
Gabriel Cyr. Tragically in July 2020, while the two were
working with Soundway to prepare the release of their first
record, Seremane died a few days past his 41st birthday, after
battling health issues for several years.
The particular Thaba sound reflects a sonic duality drawing
on a double pop heritage of Mbaqanga and Bubblegum artists
like The Soul Brothers, Paul Ndlovu and Pat Shange alongside
traces of Roxy Music, Grace Jones, Sade, and Talk Talk that’s
wrapped up in a modern, electronic, layered, introspective
and at times jazz-tinged production style.
Brought together by a shared love of kwaito, 90’s R&B and
classic downtempo, Seremane and Cyr collaborated for a
decade after meeting online in the halcyon days of Myspace
Music. While the pair initially planned for Seremane to guest
on a Teleseen track, their ideas eventually evolved into an
entire record. Their debut, Eyes Rest Their Feet, was created
remotely over the course of several years, with the core
recorded during a 2016 studio session in Cape Town.
After returning to New York, Cyr honed these recordings with
several Brooklyn-based musicians, calling upon members
of Antibalas, Underground System, Midnight Magic, Loboko
and others. Eyes Rest Their Feet spans genres as well as
geography, touching on elements of soul, reggae, synth-pop
and beyond, with lyrical themes that explore loneliness and
the challenges of human relationships.
Eyes Rest Their Feet not only represents the apex of
Seremane’s work as an artist but also a meditation on the
transformative power of love and the impermanence of all
things.

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Last In: 5 years ago
7,77 €
Saito - Downfall 2x12"

Saito

Downfall 2x12"

2x12inchMP9
Mille Plateaux
02.11.2020

DOWNFALL is the first album under the name SAITO created by Lena Saito, aka Galcid, and produced by accomplished analog synthesizer guru, Hisashi Saito, aka Lena’s husband. Having descended from a long line of Japanese sword-smiths, the industrial sound of smashing steel is embedded in Lena’s DNA and reflected in her music, however there are also refined, hypnotic tones showing a side with more finesse. The music itself is not scored and is predominantly improvised. Words and vocals are ad libbed as well. Sometimes the machines respond as if through telekinesis, altogether emitting a sound which can be categorized somewhere in the range between modern experimental dance music and something possibly making more sense to enlightened minds a thousand years in the future.




There is a new addition to the forge of talents of Mille Plateaux, a Japanese musician by the name of Saito whose album has been released on the label under the title of Downfall. After a whole series of releases under the signature tag clicks & cuts, there comes out a work, much more suited for a dance hall, that is different in terms of the genre from everything that has been published so far.
Like a bucket of ice-cold water poured over the head, erratic agressive hardcore rhythms pour all over the audience in the first track, interrupted only by grinding noises and minimalistic technogenic clicks.
Downfall won't fail to infect even the most experienced music connaisseur with its out-of-control energy, while offering a wide range of techniques: at times, robotic voices, one second long fragments of looped melodies and many other audio gimmicks.
Lena Saito (that is the author's name) is not afraid of conducting experiments in her chemical laboratory, freely mixing sound reagents without taking any precautions. It feels like, this new chemical substance, that she has been working on so thoroughly, contains quite a long list of ingredients, although its main component is the various rhythm breaks.
The synthesizer part of Red Hammer sounds in the best traditions of the acid style, and the rhythm section is akin to African tribal dances of the future. Downfall is absolutely unrelenting in its concept.
The melody of the composition Nucleosome is a little bit like the melancholic IDM of the 00s, finding itself secondary to the dominating, yet again convoluted rhythmical web meticulously woven by Saito.
This album can be definitely named as a big contender aspiring to start a new golden era of Mille Plateaux, and Saito as the hidden treasure of the label that can challenge even the veterans for the right to be the headliner.

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Last In: 5 years ago
23,74 €
C.P.I. - Alianza 2x12"

C.p.i.

Alianza 2x12"

2x12inchHVNLP02
Hivern Discs
22.10.2020

What does a contemporary album mean to us? Marc Pinol and Hugo Capablanca asked themselves this question when faced with the challenge of recording their first C.P.I. LP. To find the answer they went back to some of the most important records in their lives and listened to them from start to finish. At a time when the whole concept of an album might be at its lowest ebb for decades, they wanted to return to the old way of telling stories, recreating the notion of a narrative "journey" but doing so in their own original manner. 'Alianza' displays a wide range of emotions through only a few elements. There are no structures, barely any drums. It's a puzzling journey that moves through darkness and light, happiness and despair, hope and menace, as it unveils its own mysterious universe. Every track is a world in its own, yet all of them are linked by an invisible energy that reflects a coherent constellation. To achieve this, Hugo and Marc used a broad array of vocal timbres, including their own drone-treated voices, digitized vocals from an old vector synth, and those of several contributors. Most of the sounds on the album come from digital devices, as they wanted to "prove themselves" in the studio "by doing something as warm as we could while trying to avoid analogue if possible? The major part of 'Alianza' was recorded during the spring of 2018 in Barcelona, with further takes and additions recorded in Berlin, New York, Los Angeles and Switzerland. It features contributions from Spacemen 3's Will Carruthers, Tanja Siren, Veronica Vasicka, Anna Homler, Demetrio Martini and Pablo Sanchez. The album was mastered by Gordon Pohl in Dusseldorf. The artwork is by Dominic Brucia and features a picture by Tanja Siren. The album was created with the support of The Richard Thomas Foundation.

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Last In: 4 years ago
25,17 €
Vito Gatto - Evolve

Vito Gatto

Evolve

12inchNEMU001
NeMu
02.10.2020

‘Evolve’ is the first full length album from composer, music producer and violinist Vito Gatto, a concept album that guides the listener on a one-way journey through the various phases of an imaginary evolutionary process. Gatto graduated in Violin from the Milan Conservatory of Music, his research starts from the unconventional application of a classical background into both making music in the studio, and live performances. For this work, Vito decided to put himself in a restricted composing and technical environment; all the arpeggiated sounds on the album are made from one single violin note that Vito sampled. He transforms the same note throughout the entire album, using the different treatment of this micro sample and the arpeggiator programming as the construction of a mutating and evolving structure. The album is Instinctively executed, almost improvised, and elements like distorted bass lines, hardcore inspired percussions, whistles and alienating string melodies represent unexpected alterations. Vito decided to keep these instinctive additions clean from excessive control as a representation of the beauty of the unpredictable. The album track list is an expression of evolutionary phases. From the minimalistic piano piece ‘Decomposition’ to ‘Quiete’ which expresses the state of calm after a shift has occurred, ‘Nostalgia’ and ‘Stasi’ represent a hazy trance like state. Vito challenges the listener to ask questions like ’am I in the right place? Is this who I set out to become? Do I have to keep evolving, or should I try to regress?’ ‘Evolve’ creates continuous connections between traditional and experimental music, creating dialogue between classical instruments and industrial techno, ambient, noise and de-constructed sounds. The Album will be released in both digital and vinyl formats via NeMu, a fresh new label founded by Vito Gatto himself. The label will focus on experimental projects based on the exchange between acoustic, concrete and electronic sources. The Artwork is part of ‘Jewels’, a series of ceramic sculptures by Benni Bosetto, courtesy of the artist and ADA Project, Rome

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Last In: 6 years ago
13,91 €
Not The Nine O’clock News - Hedgehog Sandwich
  • A1: Loyal Apology
  • A2: News Summary
  • A3: Constable Savage
  • A4: Baronet Oswald Ernold Mosley
  • A5: University Challenge
  • A6: (I Like) Trucking
  • A7: Sir Robert Mark
  • A8: Hi-Fi Shop
  • A9: England My Leotard
  • A10: Divorce
  • A11: Political Obit
  • A12: The Main Points Again
  • A13: Bad Language
  • A14: Gift Shop
  • B1: Hedgehog Apology
  • B2: Supa Dupa
  • B3: Soccer Violence
  • B4: (Because I’m) Wet And Lonely (Barry Manilow Song)
  • B5: That’s Lies
  • B6: Creed (The New Revised Version)
  • B7: I Believe (The Reagan Song)
  • B8: The Aide
  • B9: The Main Points Again
  • B10: Not The Parrot Sketch
  • B13: And Finally…
  • B11: Open Marriage
  • B12: Lager

“Not The Nine O'Clock News gave the world alternative comedy and made the media scene we have today.” – Mark Lewisohn, Radio Times Guide to TV Comedy
Celebrating over 40 years since the ground-breaking comedy series arrived on BBC TV, Demon Records proudly presents Hedgehog Sandwich - lovingly mastered on 180g heavyweight Hedgehog Splatter vinyl.
Let the famous signature tune take you back to the heady days of 1979, when Labour gave way to the Conservatives, striking workers created the Winter of Discontent, and Not The Nine O’Clock News inherited the BBC2 time slot vacated by Fawlty Towers. It quickly became a trailblazing smash hit, running for four series and making stars of Rowan Atkinson, Mel Smith, Pamela Stephenson and Griff Rhys-Jones.
Among the many famous, and much-loved, sketches included on the LPs are David Bloody Attenborough (aka Gerald the Gorilla), Points of View, General Synod’s “Life of Python”, Constable Savage, University Challenge, Hi-Fi Shop, That’s Lies, Not The Parrot Sketch, Open
Marriage, Question Time, Game For A Laugh, Two Ninnies, McEnroe’s Breakfast, What A Load of Willies, The Pope’s Visit, Simon and Garfunkel and – yes – The Return of Constable Savage. Produced and devised by John Lloyd and Sean Hardie, Not The Nine O’Clock News won a Silver Rose at the Montreux Festival and a BAFTA for Best Light Entertainment Programme. Its large writing team included such future luminaries of TV comedy as Richard Curtis, David Renwick,
Andrew Marshall, Guy Jenkin, Laurie Rowley, John Lloyd and Andy Hamilton. Presented as a faithfully reproduced facsimile gatefolds, and remastered from the original tapes

pre-order now30.09.2020

expected to be published on 30.09.2020

23,24 €
Not The Nine O’clock News - Not The Nine O’clock News
  • A1: Death of A Princess (An Apology)
  • A2: The Gorilla Interview
  • A3: Confrontation Song
  • A4: Airline Safety
  • A5: National Wealth Beds
  • A6: Simultaneous Translation
  • A7: The General Synod’s “Life of Python”
  • A8: The Ayatollah Song
  • A9: Closedown
  • B1: Points Of View
  • B2: Rowan’s Rant
  • B3: Stout Life
  • B4: Gob On You
  • B5: Gay Christian
  • B6: Final Demands
  • B7: I Like Bouncing
  • B8: Oh! Bosanquet!
  • B9: I Believe

“Not The Nine O'Clock News gave the world alternative comedy and made the media scene we have today.” – Mark Lewisohn, Radio Times Guide to TV Comedy Celebrating over 40 years since the ground-breaking comedy series arrived on BBC TV, Demon Records proudly presents all three original LPs - Not The Nine O’Clock News, Hedgehog Sandwich and the double LP The Memory Kinda Lingers - lovingly mastered on heavyweight themed coloured vinyl.
Let the famous signature tune take you back to the heady days of 1979, when Labour gave way to the Conservatives, striking workers created the Winter of Discontent, and Not The Nine O’Clock News inherited the BBC2 time slot vacated by Fawlty Towers. It quickly became a trailblazing smash hit, running for four series and making stars of Rowan Atkinson, Mel Smith, Pamela Stephenson and Griff Rhys-Jones.
Among the many famous, and much-loved, sketches included on the LPs are David Bloody Attenborough (aka Gerald the Gorilla), Points of View, General Synod’s “Life of Python”, Constable Savage, University Challenge, Hi-Fi Shop, That’s Lies, Not The Parrot Sketch, Open
Marriage, Question Time, Game For A Laugh, Two Ninnies, McEnroe’s Breakfast, What A Load of Willies, The Pope’s Visit, Simon and Garfunkel and – yes – The Return of Constable Savage. Produced and devised by John Lloyd and Sean Hardie, Not The Nine O’Clock News won a Silver Rose at the Montreux Festival and a BAFTA for Best Light Entertainment Programme. Its large writing team included such future luminaries of TV comedy as Richard Curtis, David Renwick,
Andrew Marshall, Guy Jenkin, Laurie Rowley, John Lloyd and Andy Hamilton. Presented as a faithfully reproduced facsimile gatefolds, and remastered from the original tapes.

pre-order now30.09.2020

expected to be published on 30.09.2020

23,24 €
Not The Nine O'Clock News - The Memory Kinda Lingers 2x12"
  • A1: The Spy Who Came In The Cold
  • A2: The News
  • A3: (Sig Tune)
  • A4: Budget
  • A5: Question Time
  • A6: Headbangers
  • A7: Rock Interview
  • A8: Game For A Laugh
  • A9: Typical, Bloody Typical
  • A10: Well, Mr. Glossop
  • A11: Financial Times
  • A12: Hey Bob
  • A13: (Sig Tune)
  • A14: New Glea
  • A15: Holiday Habits
  • A16: Pizza Moment
  • A17: Failed in Wales
  • A18: Rumbley’s Pies
  • A19: Made From Whales
  • A20: Brain Death
  • A21: Swedish Chemists
  • A22: Hey Wow
  • A23: (Stop Whinging)
  • A24: Nice Video, shame About The Song
  • B2: The News
  • B3: Roland Davies
  • B4: Two Ninnies
  • B5: Two Ninnies Song
  • B6: Aussie Pilot
  • B7: Does God Exist?
  • B8: Re-Altered Images
  • B9: McEnroe’s Breakfast
  • B10: Ah, Come In Rawlinson!
  • B11: Ask The Family
  • B12: Polish Show
  • B13: Ode To Poland
  • B14: Aleebee
  • B15: The Main Points Again
  • B16: (Sig Tune)
  • B17: What A Load Of Willies!
  • B18: (The Memory) Kinda Lingers
  • B19: Grow Up You Bastards
  • C1: Confrontation Song
  • C2: American Improv
  • C3: Duke of Kent
  • C4: Alien
  • C5: (Oh, Oh, Oh, Means) I Respect You
  • C6: The Pope’s Visit (Introduction By The Dean / A Word From The Sponsors / Tasty Wafer Time / Address By His Holiness / Papal Tee-Shirt Offer / Miracle)
  • C7: Laker
  • D1: Simon And Garfunkel
  • A25: Jackanory
  • D2: Awards
  • D3: S.A.S
  • D4: Interruptions (Insulting The Audience / Main Sketch)
  • D5: Rant #4
  • D6: Prompt
  • D7: (Because I’m) Wet and Lonely
  • D8: The Return Of Constable Savage
  • D9: Gob On You
  • B1: Golf Trousers

“Not The Nine O'Clock News gave the world alternative comedy and made the media scene we have today.” – Mark Lewisohn, Radio Times Guide to TV Comedy Celebrating over 40 years since the ground-breaking comedy series arrived on BBC TV, Demon Records proudly presents The memory Kinda Lingers - lovingly mastered on 2 x 180g heavyweight Hedgehog Splatter vinyl.
Let the famous signature tune take you back to the heady days of 1979, when Labour gave way to the Conservatives, striking workers created the Winter of Discontent, and Not The Nine O’Clock News inherited the BBC2 time slot vacated by Fawlty Towers. It quickly became a trailblazing smash hit, running for four series and making stars of Rowan Atkinson, Mel Smith, Pamela Stephenson and Griff Rhys-Jones.
Among the many famous, and much-loved, sketches included on the LPs are David Bloody Attenborough (aka Gerald the Gorilla), Points of View, General Synod’s “Life of Python”, Constable Savage, University Challenge, Hi-Fi Shop, That’s Lies, Not The Parrot Sketch, Open Marriage, Question Time, Game For A Laugh, Two Ninnies, McEnroe’s Breakfast, What A Load of Willies, The Pope’s Visit, Simon and Garfunkel and – yes – The Return of Constable Savage.
Produced and devised by John Lloyd and Sean Hardie, Not The Nine O’Clock News won a Silver Rose at the Montreux Festival and a BAFTA for Best Light Entertainment Programme. Its large writing team included such future luminaries of TV comedy as Richard Curtis, David Renwick, Andrew Marshall, Guy Jenkin, Laurie Rowley, John Lloyd and Andy Hamilton. Presented as a faithfully reproduced facsimile gatefolds, and remastered from the original tapes

pre-order now30.09.2020

expected to be published on 30.09.2020

27,69 €
Brian Kage - CASSETTE CUTS E.P.

The Detroit assault continues with the second release in the WPH U.S. Series coming courtesy of Brian Kage. Brian has been an integral part of the fabric of Detroit’s house & techno scene for as long as you can remember and has released many timeless grooves on his own Michigander label and many other outlets, including the brilliant ‘Shut Your Eyes’ on the Omar S-run FXHE label.

Opener ‘Werkit’ sets the bar high with a chugging groove, mind-melting strings and piano chords, all produced to perfection. The challenge is met by the two remixes. Detroit’s Patrice Scott goes on his classic deeper tangent that never fails to deliver and WPH boss Red D fires up an electro banger reminiscent of 313 staple Aux 88. Brian rounds things off himself in style with ‘Groove La Tape Deck’, a serious slice of hypnotic house music that will make you nod more than just your head. Timeless stuff once again from the WPH camp!

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Last In: 4 years ago
8,36 €
MAYa & Tolga Baklacioglu - Kina Remix EP

VENT’s 21st release, a remix EP edition of 120 copies all hand numbered with a risograph printed cover, sees the collaborative works of 2019’s Kına LP by MAYa & Tolga Baklacioglu (VENT017) being reinterpreted through the lens of four prolific remixers. Each has brought their own perspectives and experiences to the table, challenging and redefining the original versions in their own way. Palestinian producer Muqata’a, for instance, has taken the track “Jyoti”, a track dedicated to Jyoti Sing, who was gang raped and murdered in India, reconstructing it so as to emphasize the continuous violence against women, whereas Martial Canterel has universalized the notions of yearning for a homeland in his remix. As a release featuring a broad range of bold and uncompromising remixes in different styles, the themes of nostalgia and yearning helps each remix highlight the qualities of the others. As keys to decrypt each remix more carefully, the artists have provided their brief comments, below:

Silent Servant (legendary dj/producer):

"I tried to give this remix a different approach than what has been my usual. Something based on perceived nostalgia but mixed in a modern way. I wanted it to feel like a lost RMX for the Hacienda from 1984 but hit in a modern club standard.”

Martial Canterel (cult poster boy for 21st century minimal synth):

"In approaching the work of my very dear and old friend, Maya, and her collaborator, Tolga Baklacioglu I wanted to situate differently the atmosphere and longing, to word it entirely otherwise. I wanted to dramatize this yearning for home and homeland, what the Welsh call Hiraeth. I want to place her plaintive strivings for home and tranquility in a festival of upbeat rhythms and releases."

Muqata’a (Palestinian beatmaker):

"It was very interesting remixing this powerful piece, working with the concept and different elements of the track, 'Jyoti', creating a more loop-based structure in an attempt to represent repeated violence against women."

Decimus (uncompromising esoteric artist):

"What I find amazing about the original version of this track is how colossally monolithic it is. It shifts and morphs over its 13 minutes but it never relents in its intensity and density. It feels epic and gigantic. I chose it to remix because I saw it as a challenge to carve something quieter and perhaps more narrative, in form, out of it while trying to stay true to the intensity of the original."

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Last In: 3 years ago
10,29 €
Farron - Five Element Ninjas - Remixed

To challenge the leader of the five element ninjas, Shaw Cuts lines up a heavy squad on the next record, armed with versatile remixes of Farron's "Five Element Ninjas EP": Pugilist, Substance, Jonas Friedlich and Realitycheck.

First off the mark, Pugilist launches into battle dealing forceful blows with his version of "Liquid Shorts". Whirlwind breaks, sharp drum patterns and cavernous chords, lacerate the ninja leader. The heat is on!

Substance rolls in to support, shredding the field with his remix of "Contaship". With blood-spattered pads, a gargantuan rolling groove and harmonic synth elements, he brings the villain to his knees.

Jonas Friedlich blazes in with his remake of "Brooklyn Banks", catching the leader off-guard with dirty Hip-Hop rhythmics, swirling vocals and twist of the original's lead synth. The leader lurches forward...

Realitycheck furiously steps into the clash. His remix version of "It's Only 4 Life" circles the field, its propelling rhythm and floating percussions closing in on the enemy.

The target surrounded, attacking from four sides with full force and allegiance, they execute the ninja leader in one sweep.
The battle leaves them with deep scars, but suffering, like fate and death, is part of life. And through it, the strongest souls emerge.

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Last In: 5 years ago
8,02 €
Steve Von Till - No Wilderness Deep Enough

Steve Von Till has charted an extraordinary musical path over the last several decades, from his main duties as singer and guitarist of the boundary-breaking Neurosis to the psychedelic music of his Harvestman project and the gothic Americana he's released under his own name. But No Wilderness Deep Enough is truly like nothing you've ever heard from him before—an album that's devastatingly beautiful and overwhelming in its scope, reminiscent of the tragic ecstasy of Nick Cave and the Bad Seeds' recent work as well as the borderless ambient music pioneered by Brian Eno, late composer Jóhann Jóhannsson's glacial compositions, and the electronic mutations of Coil. 

FOR FANS OF : MARK LANEGAN/MICHAEL GIRA/NICK CAVE.

Over the course of recent time, an aching, growing void has developed where our normal way of life has resided. Uncertainty abounds, and Steve Von Till's No Wilderness Deep Enough provides a voice of existential wisdom and experience to offer comfort and perspective in an era of uncharted territory. These six pieces of music shape a hallucinatory landscape of sound that plumbs the depths of the natural world's mysteries and uncertainties—questions that have vexed humanity since the dawn of time asked anew amidst a backdrop that's as haunting as it is holistic.

Von Till’s fifth solo album is a swirling and iridescent blend of ambient, neo-classical, and gothic Americana that swan-dives into the darkness of modern life, with the resulting emergence a sonic document of rural psychedelia that transcends the physical world—towards a greater spiritual acceptance that connects naturalism, spiritualism, and the corporeal form.

With a foundation of simple melancholy piano chord progressions embellished with mellotron, cello, french horn and electronic treatments Von Till's scorched ache spreads across the terrain of No Wilderness Deep Enough like a brushfire, adding a tactile level to his sonic creation as well as an inviting level of friction to the burning beauty painted across the album's framework.

With a foundation of simple melancholy piano chord progressions that came to fruition during jetlagged nights in his wife’s childhood home in Germany, No Wilderness Deep Enough was further embellished with mellotron and electronic treatments in Von Till’s home studio in North Idaho.  Viewing the emerging result as an ambient instrumental album, he consulted friend and engineer Randall Dunn (Marissa Nadler, Earth) about adding live cello and french horn and piano in a proper studio.  After enlisting Brent Arnold on cello and Aaron Korn on french horn, he challenged Von Till to sing over the music and make it his next solo album—which is exactly what happened, with final work being completed at Tucker Martine’s (the Decemberists, Neko Case) Flora Recording and Playback in Portland.

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Last In: 6 years ago
17,61 €
ARCA - &&&&&

Arca

&&&&&

12inchPAN100
PAN
15.09.2020

For anyone who can remember, Arca's &&&&& was a moment. Its 25-minute stretch of coiling, contorted grime and glitch; dub and hip hop dropped with the buzz of an impending co-production credit on Kanye West's Yeezus in 2013. It included cuts of sound and beats that were too weird for that pop project, while becoming a piece of experimental art that what would come to define what is by now broadly known as a `post-club' sound. It's music that is as visceral as it is experimental; made as much for the mind, as it is for the body. Released with no warning seven years ago, &&&&& became a bridge between Alejandra Ghersi's time partying and collaborating with her queer peers, while still living in New York to the next stage of her career releasing on Mute in London. She'd go from making beats for rapper Mykki Blanco and fashion label Hood By Air, posting lurching bass reworkings of pop hits on YouTube, and producing her first fluid mixtapes with DIS Magazine, to finishing off this seminal mixtape on the synths in Daniel Miller's studio. After dropping three impressive EPs the year before, &&&&& marked a transition. Continuations and extrapolations of material from Stretch 1 and Stretch 2 appeared in the mangled RnB sampling of "Century" and Arca's signature vocal layering in the pitched flow of "Waste". Along with the fluttering, muted heartbeat of "Obelisk", and the lumbering piano chords of "Mother", fourteen sonic sketches were elegantly woven together into a single, downloadable whole. As Alejandra's course turned toward moving to Europe from the United States, &&&&& became a remarkable challenge to the form of the mixtape, which was a relatively new trend taking hold of the online-oriented underground at the turn of the 2010s. But where many, if not most mixtapes where treated simply as a showcase of individual tracks presaging a more `official' release to come, &&&&& was a complete piece in its own right. "I wanted to make something that was my best work," Alejandra says about a record that has stood the test of time, "I listen to it very fondly today." This reissue of Arca's 2013 debut mixtape &&&&& features an etching on side B of the vinyl.

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Last In: 5 years ago
21,39 €
Vox Populi! - Myscitismes

Vox Populi!

Myscitismes

12inchPLA038
Platform 23
08.09.2020

Vox Populi!'s cult and highly sought after debut LP is finally reissued here after 30 years. Recorded after their first single - Ectoplasmies (1983) - between 1984 and 1985, the original band of Mitra and her (then) 14 year old brother Arash and Axel Kyrou, evolved from 2 early cassettes and the 7"s' rudimentary, idiosyncratic and improvisational structures to more cohesive edges. Living together, but with no formal music education, the nature of the disparate elements led to a sparseness of the recordings. Influenced by his mother, the concrete music pioneer, Mireille Kyrou and her work at GRM (State Institute for Musical Research), Axel challenged his creativity by utilising their Vox Man studio as an instrument. Building on minimal synth, rhythm box, hand percussion and Persian poetry, they experimented with tape manipulation - layering the music with forward, backward and echo simultaneously - creating a leap in the band's development. The dark nature Myscitismes was reflected in their increasing interest in industrial and ethnic music, with a great fascination for the religious traditional music of Tibet. Ceremonial, gothic, drone-folk, the progression is apparent; onward perceptions.

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Last In: 6 years ago
20,04 €
Mytron & Ofofo - Miteinander

Mytron&Ofofo

Miteinander

12inchFT025
Feines Tier
04.09.2020

Here’s a mantra, a slogan, channelled from the inner human being longing for the covid crisis to end. And yet this is a response to a much wider issue. A pandemic everyone is dealing with since years: Nationalist tendencies, the alienation that stems from it and the reality of borders. But, ‘die Welt ist ein Mitteinander’, the world is togetherness. We’re on one planet, all facing the same global problems and challenges. All sharing the same course through the cosmos. No way to escape. Tune in, abandon your ego and start chanting.

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Last In: 7 months ago
9,87 €
Various - REITEN presents ENSo 2020 (2x12")

Japanese sound artist and producer Kosei Fukuda’s presents a collaborated vision of the first edition of ENSo¯, a two-day audio-visual event collated around the REITEN label. The ENSo¯ Festival invites its artists and audiences alike to appreciate the merging of the improvisational, with the contemplation of rhythmic cycles, based around the conception of enso¯ – ?? – meaning a hand-drawn circle created by one uninterrupted stroke. Now, with an elongated stretch of time in front of us before the next edition of the festival, the compilation stands to provide a sustained glimpse into the world imagined by Fukuda. Blending spontaneity and gravity alike, the record features an array of idiosyncratic artists set to play ENSo¯, all purveyors of their own shaped sound-worlds.


For the A-side, we have Fukada’s own contribution ‘?? – ENSo¯’; a slice of ambient techno dotted somewhere within a faraway galaxy. Venezuelan noise artist UCHI crafts a fourth-world hymn with tribal percussion on the expansive ‘ZRO’, and Osaka based experimentalist YPY aka Korshiro Hino shapes an elusive polyrhythmic ambience on ‘Circulation’. The B-side presents a colossal improvisational track ‘My Default Emotion’ from Berlin based duo Recent Arts. Formed of Chilean artist Valentina Berthelon and German musician Tobias Freund, the duo are masters in audio-visual experimental performances that both surprise and challenge an audience. Renowned artist, programmer and teacher Renick Bell is noted as a pioneer for live coded performance, conducting mutated rhythms that cut across the landscape of electronic sound. His addition to the compilation is a luminescent IDM piece, titled ‘Organize and Unite’. A polished ambient club track from Fukada and MA titled ‘????(????)’ provides a state of organized tranquility, whilst the track ‘The Chosen Home’ from Belgium artist YvesDeMay, whose move from breakbeat to experimental producer has produced gratifying results for all, is a welcome slice of pensive dub- techno.
The C-side brings us a textured and haunting techno track ‘He Turned Into Him’ with revered German artist Tobias, veteran mainstay with an expert hand in shimmering sound design; Kyoto based 10 Label heads Katsunori Sawa and Yuji Kondo brings sample-heavy rushes of sound, the former with ‘The Stonewall’ and the latter with ‘Zenith’, both multi-faceted in their reference points. The D-Side presents the grainy and expansive ‘Circle’ from Lebanese producer Rabih Beaini, who expertly combines club tropes and avant-gardism in his DJing and music. Hypnotic skeletal beats circulate on the pulsating ‘42.1’ by Tokyo artist ENA. Japanese composer Lemna, the alias of Maiko Okimoto rounds it off with a dreamy noise ambience on ‘Moments In Eternal Recurrence’. Released on vinyl July 24th, the compilation stands as a traversable artefact of the festival, rich in spontaneous beauty.

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Last In: 2 years ago
19,12 €
Gavilán Rayna Russom - Secret Passage

Multidisciplinary NYC artist Gavilán Rayna Russom launches her own label Voluminous Arts, dedicated to highlight electronic and experimental artists whose work challenges fixed categories of genre and categorization. Her aim is to create a platform for multidisciplinary work and events. The inaugural release being her second solo album as Gavilán Rayna Russom 'Secret Passage', following up last years 'The Envoy, an homage to the East Side Rail Tunnel in Providence, Rhode Island, and the friendships she made there.

In Rayna’s words:
“I grew up in Providence, Rhode Island in the 1970’s and 80’s. The booming jewelry and textile industries of the previous decades had pulled out by that point. The Italian mob ran most details of the day to day operations of the city. As kids coming up in that environment, before the internet, me and the people I hung out with didn’t know anything else and we worked with what we had to entertain ourselves. We found places that had been forgotten by market interests and made them spaces of creative community building. One of the most special of these places was the East Side Rail Tunnel. Running for almost exactly one mile beneath the city’s streets, the tunnel and nearby Crook Point Bridge were unsupervised autonomous zones where I tasted the possibilities of a world without surveilance. The tunnel was particularly important in my creative development because not only was it a marginal zone apart from monetized spaces of creative consumption, but it also had specific experiential properties. It had a bend in it which meant that when you got to the middle of it you were in complete darkness, and I learned quickly that when you spend enough time in complete darkness you start to hallucinate, which I liked. The acoustics were also remarkable; long natural delays and harmonic-reinforcing reverberances. Making any sound in there added layers of acoustic effects which made noises physical and fluid and, combined with the complete darkness, absolutely dissolved boundaries between internal and external experience. I started hanging out there when I was 14 and continued to return there regularly until development, gentrification and policing eventually made it inaccessible. By the mid ‘90s it was sealed off with progressively more impenetrable barriers. Nowadays it looks very different. This music is about some of the significant experiences I had in this beautifully neglected place and the people I had them with.”

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Last In: 5 years ago
14,66 €
Golden Diskó Ship - Araceae

Golden Diskó Ship

Araceae

12inchKALK118LP
Karaoke Kalk
24.06.2020

Theresa Stroetges has and always will be a traveler. Under the name Golden Diskó Ship or as a member of bands like Soft Grid or the improv collective Epiphany Now!, the Berlin-based multi-instrumentalist has continuously been moving through the fringes of experimental music, but also extensively explored the possibilities of tried and tested formulas - whether folk, rock, techno or pop. With her fourth solo album, her first for the Karaoke Kalk label, the Golden Diskó Ship is yet again venturing into unknown territory. »Araceae« is inspired by environmental changes and the eerie feelings that arise when faced with natural beauty - when everything seems perfect on the surface but something feels off underneath it all. As a whole, it is notably more focused on electronic grooves that provide the foundation for Stroetges’s poetic long-form storytelling.

Partially conceived during a residency in India, »Araceae« is the first Golden Diskó Ship record to feature two guest musicians. For »Wildly Floral, Slightly Damp,« Stroetges collaborated with percussionist Dripta Samajder who with his Sri Khol contributes complex rhythms to a driving beat that wouldn’t be out of place in the record bags of daring DJs. Sophia Trollmann takes over saxophone duties for »Ortolan,« a riveting coming-together of intricate, IDM-flavoured techno and jazz-inspired improvisation. Both are integral standout tracks on an album that clearly follows a holistic plan. Already the opener »Clouds of Neon Limelight« dips into anthemic synth pop territory, but unfolds into a great saga full of ominous undertones and Stroetges’s trademark: layered vocals that at once evoke feelings of uncanniness and intimacy.

It’s a juxtaposition that runs throughout »Araceae,« thus enforcing the album’s overall themes of sensual experience and alienation. »Game of Biryani« for example lends some of its musical structures from pop music, calling into question traditional songwriting conventions which here reappear as irritating echo effects rather than recycled old tropes. With the lush »Limping over the Prairies« and the adventurous »Glow-in-the-Dark Gloves,« Stroetges further challenges her audience by applying noise and a heavy dose of autotune respectively to disorientating effect.

The couple makes for an impressive finale of an album that scrutinises our ideas of what is natural - whether in music or the world around us. »Araceae« was inspired by the travels of its creator, but also sets out to ascertain what lies beyond everything that eyes or ears can perceive.

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Last In: 6 years ago
17,44 €
Various (Daniel Avery / K-Lone / Matthew Herbert) - CARE4LIFE Sampler 2

Presenting a very special and unique collection of electronic and dance music aimed at assisting and honouring our brave and skilled NHS frontline workforce in this most challenging of times. Artists of all walks of life and of all musical persuasions and styles have contributed hand-picked tracks for inclusion on Care4Life free of charge. Through the challenges of the Covid19 pandemic we have all developed a new understanding and awareness about the role our frontline health professionals undertake, and as a nation we are all united in our appreciation of the incredible work they have delivered in the face of much adversity and pressure in the last couple of months. We hope the proceeds from this amazing collection of music can contribute to easing that pressure in some way.

Care4Life features lots of new, exclusive and unheard music from the vaults, hard drives and archives of UK artists as diverse as The Chemical Brothers, Nathan Fake, Groove Armada, Joe Goddard and Pete Tong alongside tracks from Radio Slave, Locossolus (DJ Harvey), Matthew Herbert, Crooked Man, Daniel Avery and many more. Care4Life is a truly varied and diverse listening experience that not only mirrors the collective talents involved, it wholeheartedly celebrates the openness and love that the NHS has shown us all at some stage throughout most of our lives here in Britain and beyond.

In the continued spirit of people coming together in this time of need the Care4Life project aims to give some much needed support to these frontline workers from our fellow artists and friends in the music industry and its surrounding community. Above Board Distribution is working in conjunction with Dispersion PR and Your Army Music is ensuring that 100% of the proceeds from the sale of this product, will be donated directly to NHS Charities Together (registered charity no.1186569). NHS Charities Together has been consulted throughout this process and are proud to be an official fundraising ‘commercial participator’.

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Last In: 4 years ago
11,13 €
Various (FYI Chris / Locossolus / Apiento) - CARE4LIFE Sampler 1

Presenting a very special and unique collection of electronic and dance music aimed at assisting and honouring our brave and skilled NHS frontline workforce in this most challenging of times. Artists of all walks of life and of all musical persuasions and styles have contributed hand-picked tracks for inclusion on Care4Life free of charge. Through the challenges of the Covid19 pandemic we have all developed a new understanding and awareness about the role our frontline health professionals undertake, and as a nation we are all united in our appreciation of the incredible work they have delivered in the face of much adversity and pressure in the last couple of months. We hope the proceeds from this amazing collection of music can contribute to easing that pressure in some way.

Care4Life features lots of new, exclusive and unheard music from the vaults, hard drives and archives of UK artists as diverse as The Chemical Brothers, Nathan Fake, Groove Armada, Joe Goddard and Pete Tong alongside tracks from Radio Slave, Locossolus (DJ Harvey), Matthew Herbert, Crooked Man, Daniel Avery and many more. Care4Life is a truly varied and diverse listening experience that not only mirrors the collective talents involved, it wholeheartedly celebrates the openness and love that the NHS has shown us all at some stage throughout most of our lives here in Britain and beyond.

In the continued spirit of people coming together in this time of need the Care4Life project aims to give some much needed support to these frontline workers from our fellow artists and friends in the music industry and its surrounding community. Above Board Distribution is working in conjunction with Dispersion PR and Your Army Music is ensuring that 100% of the proceeds from the sale of this product, will be donated directly to NHS Charities Together (registered charity no.1186569). NHS Charities Together has been consulted throughout this process and are proud to be an official fundraising ‘commercial participator’.

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Last In: 2 years ago
10,71 €
Smoove & Turrell - Stratos Bleu

Smoove&Turrell

Stratos Bleu

12inchJAL340V
Jalapeno
09.06.2020

2020 sees the release of Smoove & Turrell's 6th studio album Stratos Bleu – a slightly different direction for the boys as they take influences from their infamous DJ sets where they fuse northern soul with funk and electronica.

The production is a marriage of everything that they grew up on fused with elements of modern music, taking influences from Chicago House to Massive Attack, Inner City to Kruder & Dorfmeister but with the distinctive drum heavy dancefloor production Smoove is famous for.

For lyricist Turrell the album is a throwback to the rose-tinted halcyon days of his youth, from stealing his Dad's aftershave to hearing house music for the first time. The challenge for both was about finding the right balance between the Smoove & Turrell sound that has brought them such a fanatical following and the raw dance music they grew up on, while always striving to be original.

Do It - the first single from the album is recognizably a Smoove & Turrell dancefloor destroyer and leads into the glorious analogue bubbler It Ain't Working – slated as their second single.
The tougher electronic sound will be a surprise to some but those denizens of the night who have seen these guys work a crowd from the DJ booth will know what to expect – extraordinary lyricism and tight beats.

The ecstatic breakbeat fueled This Time keeps the album peaking but of course there is always shade with the blinding light on a Smoove & Turrell album and downbeat tracks like Never Wanted You More and Talk About Nothing bring you back to a balearic heyday for vocal electronic dance music

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Last In: 6 years ago
14,66 €
Donny Benét - MR EXPERIENCE LP

After humble lo-fi beginnings in the Australian Art-Pop Underground, Donny Benet has expanded his cult-like following across the Globe with a resonant Array of danceable Repertoire dealing with Love- and Affection. New album "Mr Experience" marks a new chapter, informed by a wealth of musical- and personal development.

For Mr Experience, Donny envisioned a Soundtrack to a Dinner-Party- Set in the late 1980's. While his earlier Recordings drew Inspiration from DIY Pop Conspirators such as Ariel Pink & John Maus, Donny channelled the Stylings of Bryan Ferry & Hiroshi Yoshimura as the Impetus for new Material, evident on the Intimacy found on ‘Girl Of My Dreams’ and it's lush production- with a soothing whistle-along Chorus for good Measure!

Sincerity has been a key component of Donny Benet’s output since the beginning. His songs deal with genuine Emotion served on a kitsch Platter. An alter-ego manifested in the beginning of the 2010's, Donny has blurred the Lines of Artifice to create a back- Catalogue that can embrace- and challenge, often simultaneously, - the notion of Irony in Art.

"Mr Experience" moves further away from ironic Notions as Donny explores lyrical- and musical themes which embody Observations of Maturation in his audience, his tightknit musical Community- and himself. While ‘mature’ is a term that often rings hollow as an album descriptor, the term couldn’t be more apt for Mr Experience.

Previous album The Don was created with the luxury of time. The phenomenal Response to that Album across Europe- and the United States - fuelled by accompanying Music Videos clocking in Views in the Millions- meant that there were scant Windows of Opportunity to write- and record a follow-up.

With a legacy in Sydney’s music community, working with Sarah Blasko, and tightknik collaborators Jack Ladder & Kirin J Callinan, Donny Benet is accustomed to collaboration on the Stage- and in the Studio, mostnotably on the 2014 full-length release Weekend At Donny’s.



“There is such immense talent evident in every aspect of the Donny Bene experience - the vision of the character, the steadfast adherence his narrative and the musicality of Benet himself all combine to makesomething truly genius.” - Double J, Australin.

“Donny Benet makes feminine music for everybody” - Vice, Netherlands.

“The Don does not sound like amusical copying machine”. - 3voor12 National, Netherlands.

“The set was punctuated with virtuosic solos and exquisite harmonies, and added another layer of genius to the show.
We almost couldn’t handle it... Donny for president!" - Indie Berlin.

“Everyone loves Donny Benet” - Feature in Gonzai, France.

“Phenomenal Australian Showman... Offers Top-Class Dance Music with Virtuose-Bass Guitar- and Keyboard Parts & incredible Sound-Colour feel.” - Podujatie.sk, Slovakia.

Donny has toured Europe five times since the start of 2018 and has played in the UK, Austria, Germany, Slovakia, France, Netherlands, Spain, Portugal, Belgium, Denmark, Switzerland, Czech Republic, Greece and Sweden. The Don will revisit Europe twice in 2020, once for his own headline shows in May then back again in August for festivals!

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Last In: 4 years ago
21,81 €
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