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Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

Forever Records

Music springs eternal. Recognising the enduring power of timeless albums to guide us through life, Forever Records is a reissue series dedicated to rediscovering lost musical treasures from across the spectrum of head-feeding, heart-rending electronic music.

Established by Rush Hour co-founder Christiaan Macdonald and Delsin founder Marsel van der Wielen, Forever Records places heartfelt faith in a carefully curated sequence of seminal, largely forgotten records from disparate eras, scenes and spaces within electronic music history. Tipped towards the mellow and introspective, these are albums that stop time when the needle hits the groove, stirring only when it's time to flip over before you sink back into the experience. That's what albums were always meant to be about, back then, right now, always and forever.


The Release:
Dancing on the wildest edge of the 90s outsider techno zeitgeist while proudly independent of any so-called scene, Ov Biospheres And Sacred Grooves: A Document Ov New Edge Folk Classics is both of its time and out of time. Rooted in the experiments of electronic music pioneers, industrial culture and ethnic music from around the globe while responding to the house and techno explosion, Robbert Heynen, Reinier Brekelmans, Reinoud van den Broek and Tim Freeman's freewheeling masterpiece takes in lush electronica and murky abstraction on its singular voyage through parts unknown.

Forever Records presents an extensive reissue edition of the first 'fully released' Psychick Warriors Ov Gaia album. Originally released in 1992, this is the first time the full, previously CD-only, version of Ov Biospheres and Sacred Grooves will be pressed on vinyl. The original LP and CD artwork from the various editions released in the early 90s has been combined and designed by the band, and the audio has been remastered with their full approval. As well as a new LP edition of the album, there will also be a uniquely numbered, limited edition available housed in a gatefold sleeve that comes with a bonus 10" featuring two previously unreleased tracks.

Press response to Ov Biospheres and Sacred Grooves - A Document Ov New Edge Folk Classics:

“That’s Magick! The Psychick Warriors Ov Gaia are Holland’s best kept secret.”
Sherman, NME, UK 1992

“PWOG’s debut LP is an organic invocation rite — the soundtrack to a new world coming to life, an odyssey. Cross-cultural rhythms, ambiences and environmental samples segue into one another like a fluid relay, and unlike the majority of dance records, it never settles into a routine. It’s always evolving, always unpredictable, an indefinitely religious experience.”
John Selzer, Melody Maker, UK 1992.

"Grown men, who snorted their first ecstasy to this record, stammered with tears in their eyes about divine experiences and the cosmos, man."
Peter Erik Hillenbach, Marabo Magazine, Germany 1992.

Sacred Grooves’ introduces tribal dance music for the mind, body music leaning on the avant garde. Its ripples of sound drift through tranced out ritualistic beats into ambience and serenity resembling something akin to The Orb meeting Klaus Schulze at a brain tuning session.
Sherman, NME, UK 1992

"There's still dance for a moment, in the opening track "The Challenge," then Psychick Warriors roam the earth, where African drummers, tropical sounds, and science-fiction chords have found their place in a spiralling interplay of rhythms and sounds. A captivating, almost magical ritual." Corné Evers, Oor Magazine, Netherlands 1992.

"It's truly astonishing what these Dutchmen have come up with for their first LP. Their roots might explain the enigma, for Psychick Warriors are more in the tradition of Psychic TV than in the desolate temples of techno-house fetishists, to which they are wrongly relegated. Here, chromosomes dance, not instincts." CMK, Tip, Germany 1992.

"The transcendental essence of this album is spread throughout, with musical gravitations emerging unexpectedly from sonic experiments that are sometimes primitive, sometimes
futuristic in intention… But there is always an aura of cosmic magic that constantly puts all the parts involved in conflict and which, upon closer analysis, ends up being the main reason for the final result." Blitz Magazine, Portugal 1992.

DJ Support: Adam Auburn, DJ Nova, Norm De Plume (Delusions Of Grandeur), Guy Perryman, Simon 'Palmskin' Richmond, Rocco Rodamaal, Damian Lazarus, Demarkus Lewis, Douglas Arellanes, Craig Smith (Yoruba Affil), Lay-Far, Dr. StrangeDub, Dennis Ruyer, Kono Vidovic, Roberto Rodriguez, Bill Brewster, Chris Read, Richard Earnshaw, Hot Toddy, Handson Family, Dj Pope, Robbie Akbal, Golf Clap, Marques Wyatt, Kiko Navarro, Mr Beatnick, Jamie Jones - Hot Creations, Marcia DaVinyl MC, Mikael Ikalainen/ Dj Lord Fatty, Ian Friday, Mr V, Mathieu Schreyer, Willie Graff, Makossa, Stuart Knight, Timo Maas, Bruce Tantum, Sean Brosnan (Futuredisco), DJ Harri, Vinny Da Vinci, Trevor McNamee, Roger Sanchez, and Dom Servini

PDD are excited to welcome the return of the legendary Winding Road Records. Originally launched in 2002 by Schmoov! and home to releases by cult artists such as Ron Basejam, Hot Toddy, both of Crazy P fame as well Vincenzo, Rhythm Plate, Spirit Catcher and not to mention Lovebirds and their monster hit, I Want You In My Soul. After a hiatus, the label is back with a bang and teaming up once again with Lovebirds for another classic EP.

Ira James' mighty US house outlet Vessel Recordings offers up a fine sampler of what they are all about here. It comes amid a bushy run of releases all dropping this fall and features some seriously heavyweight names from the underground. Jason Hodges, Eddie Leader kicks off with the persuasive house grooves of 'Sometimes Mix', which has nice hooky chords gently looping to hypnotic effect. Wally Callerio's 'Cause You Know' is a lush, luminous number with airy vocals and rising synth patterns, while Jordan Strong gets choppy and heads down and Christopher Mohn brings a muscular, macho house rhythm with rawness at its heart.

Cindytalk has remained a majestic proposition over the decades, one marked by a continued process of disintegration and regeneration. Change has been a constant for Cindytalk, as has been the presence of the Scottish musician Cinder, who has fronted the project since the early '80s. The first Cindytalk albums embraced a dark theatricality of post-punk dissonance and abject rock deconstruction that coupled industrial dirges with Cinder's beatific vocals, these same vocals that were once plied to the earliest This Mortal Coil and Cocteau Twins recordings,forever binding Cinder to the 4AD lore. But even on those albums, Camouflage Heart and In This World, Cinder was pushing the band to embrace the studio as a tool for further abstraction of sodden drones, cobwebbed dark elegance, and decayed textures.

By the early aughts, Cinder had reimagined Cindytalk through the granular processes of digitalia with a handful of equally celebrated works of glitch-born expressionism for Editions Mego. Cinder explains that "those elements were growing roots under our sound and had started to organically change the shape of what we were doing. The fucked-up rock music was in retreat and the electro-acoustic abstractions were becoming apparent. Fast forward to the early part of the 21st Century and my first laptop. It seemed natural where I needed to begin that part of my new sonic journey. To further explore those and new territories. Sunset and Forever is intrinsically connected to what came before."

Sunset and Forever is a labyrinthine opus, one that returns to the themes of the sacred and profane that have rippled through all of Cindytalk's recordings, albeit in various guises. The opening track "Embers of Last Leaves" is a haunted piece of undulated, cyclical tones that entwine into a sorrowful chorale with Cinder's own voice. Thumps of electronic drum kicks and bass drops dot the apocalyptic menace of "Tower of the Sun" but serve not as a rhythmic grid, but as painterly noises that further disrupt and disturb the machined dissonance. A cinematic radioluminescence blooms from the tempered electronics within "For Those Eyes, Shadows Of Flowers." The finale "I See Her in Everywhere" bookends the opening number with a seemingly human chorus build from electronic tones cast in cathedral reverence. Sounds throughout may appear adjacent to those of Fennesz, Holly Herndon, or even Lovesliescrushing from time to time, but Sunset and Forever remains purely Cindytalk.

Cover designed by Chris Bigg, known for his iconic design work for 4AD. Mastered by James Plotkin.

Debut album from Irrflug, the Berlin-based project of Mark Kanak.
Irrflug is a changing artist group rather than a fixed band. In Silver it's comprising Ian King, BoBo (Christiane Hebold) and Ella Sturmvogel and some others. 2 tracks feature Blixa Bargeld's voice.
Silver extends Sähkö vocabulary into new directions. ”rhythmic studies of corroded atmospheres” says Mark Kanak

For AI-41 Astral Industries presents a vinyl reissue of Robert Henke’s multifaceted concept album ‘Layering Buddha’. An erudite masterclass on sampling and composition, ‘Layering Buddha’ encapsulates the material process of metamorphosis and a well of nascent, ever-present potentialities. This new edition comes remastered by Henke himself. 

Originally released in 2006, ‘Layering Buddha’ began with a curious encounter with the ‘Buddha Machine’ - a pocket-sized, battery powered playback device that, over the past two decades, has quietly achieved a cult status around the world. Conceived by the Beijing-based group FM3 (Christiaan Virant, Zhang Jian), the machine takes inspiration from Tibetan Buddhist prayer boxes and consists of nine sound loop compositions of varying length, which can be toggled with a single switch. Due to low production cost and manufacturing imperfections, each Buddha Machine is unique, giving slight variations in sound, pitch and duration.

Using a state of the art A/D converter Henke made high quality recordings from a single machine, providing the source material for the album. Through various processing and arrangement methods, new pieces emerged, most of them all deriving from a single source loop. The pieces were then set up on the computer as generative arrangements, living as continuously permutating structures that could theoretically go on forever - just as the loops do within the Buddha Machines… 

The final pieces featured on the album are rendered excerpts of these infinite permutations, and therefore exist as momentary views on a perpetual machinery, as opposed to closed works. Upon initial exploration, it also became a natural development to format the work into an immersive multi-speaker performance - which premiered on January 31, 2007.

Within the music, subtle artefacts and idiosyncrasies are transmuted into new realms of texture and timbre. Through the extractive hand of subtle augmentations, an array of ethereal dimensions emerge from the vast unseen ocean. Suspended in a sense of timelessness, their undulating rhythms point to a pool of endless mysteries. 

PHONOGENE RECORDS PRESENTS PHONOGEN EP

From the depths of the Mexican electronic music scene emerges a new chapter with its first vinyl release. PHONOGENE RECORDS officially opens its own chapter on the international underground map. PHONOGENE EP
The new chapter of PHONOGENE RECORDS comes courtesy of the Italian duo NU SOUL CITY, who deliver an EP that encapsulates the essence of the label: depth, precision, and a groove as subtle as it is powerful. With a sonic language that navigates between minimal, microhouse, and an innate European sensibility, the duo delivers an elegant, functional, and characterful work.

This release is further elevated by two exceptional remixes from Christopher Ledger, one of the most respected producers in the contemporary scene. Ledger brings his unmistakable touch: surgical rhythms, detailed sound design and a progressive construction that turns each reinterpretation into a masterpiece. It is a declaration of principles: a precise, refined and deeply dancefloor-oriented sound, where every element serves a purpose and every texture propels forward with textures of Dub House, Minimal House and Breakbeat.

Die Welt wird immer verrückter. Gut, dass es Musik gibt, die uns in eine positive, optimistische Welt gleiten lässt. SCHILLER präsentiert mit dem neuen Studioalbum "Euphoria" ein kraftvolles musikalisches Gegengewicht zur Unberechenbarkeit unserer Zeit: voller Energie, positiver Schwingungen und cineastischer Klangwelten. Musik zum Abschalten, Auftanken - und zum Eintauchen in eine hypnotische Atmosphäre.
Die limitierte Color Vinyl im Gatefold beinhaltet das "Euphoria"-Album auf 2 audiophilen 180g Vinyls in den Farben Neonpink und Carouso - jeweils in einer gepolsterten Innentasche verpackt
"Euphoria" ist ein mitreißendes Klangabenteuer - episch, bildgewaltig und berührend.

About SCHILLER
Hinter SCHILLER steht der deutsche Elektronik-Künstler Christopher von Deylen, der seit über zwei Jahrzehnten internationale Maßstäbe in der elektronischen Musik setzt. Seine Werke verbinden elektronische Sounds mit orchestralen Elementen, packenden Rhythmen und atmosphärischer Tiefe. SCHILLER ist weltweit bekannt für ausverkaufte Live-Tourneen, hohe Chartplatzierungen und musikalische Kooperationen mit internationalen Top-Künstlern.
Mit zahlreichen Gold- und Platinauszeichnungen sowie unzähligen Nummer-1-Erfolgen gilt SCHILLER als einer der erfolgreichsten deutschen Elektronik-Acts - und als musikalischer Grenzgänger zwischen Pop, Ambient, Klassik und Klangkunst.

Incl. Pryda, Dexter Connection, Superfunk feat. Ron Carroll, Dave Swayze, Chris Bangs feat. Rita Campbell, Hyper Pearl, Daniel Bovie & Roy Rox, The Disco Freaks, The Mackenzie feat. Jessy



Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 9 & 10, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 9

A1) Pryda - Allein (Original Release 2012)

Pryda, the legendary alter ego of Eric Prydz, has earned iconic status in the electronic music scene with his refined productions and epic tracks. Under this name, he has released several hits that have stood the test of time, including Allein. This track is a progressive house masterpiece built around a sample from Polarkreis 18's Allein Allein and is infused with the characteristic Pryda sound: grand, hypnotic, and emotionally powerful.

With its timeless and universal appeal, Pryda - Allein has captivated fans worldwide. The track is an absolute floor-filler that forms a highlight in any DJ set. Notably, this iconic track has never had a vinyl release, making this edition extra special for both collectors and lovers of true electronic music history.

A2) Dexter Connection - Baby Be Mine (Original Release 2003)

Released in 2003, this delightful groover samples Michael Jackson's Baby Be Mine and Brothers Johnson's Stomp. The track combines funky basslines with a tight, rhythmic groove that immediately invites dancing. The nostalgic vibes from the classic samples provide a familiar sound, while the modern production gives it a fresh, contemporary twist. Ideal for DJ sets where you want to get the crowd in the right mood.

A3) Superfunk feat. Ron Carroll - Lucky Star (Original Release 2000)

This track needs little introduction. Released in 2000, with soulful vocals from Ron Carroll, it quickly became an iconic hit within the house scene. Lucky Star was the breakthrough single of Superfunk, a French house group,and sold over 500,000 copies worldwide. The track reached number 42 on the UK Singles Chart and has since become a staple in house and dance sets.

With its funky basslines, catchy melody, and infectious groove, it's a perfect mix of disco, house, and soul. The track includes a sample from Chris Rea's Josephine, adding to the recognizable and nostalgic vibe. Lucky Star became not only a floor-filler but also an anthem of the French house movement, alongside acts like Daft Punk and Cassius who dominated the world in the same period.

B1) Dave Swayze - Goldwave (24K) (Original Release 1996)

This 1996 trance classic needs little introduction. Goldwave is a timeless track that continues to resonate with trance lovers, thanks to the unique combination of dreamy synths, hypnotic rhythms, and epic build-up. The track is a true ear-candy and touches anyone who hears it. Originally released in 1996 on Belgium's DiKi Records, it quickly became a classic in clubs like La Bush, Illusion, La Rocca, and many more.

To this day, Goldwave is still played in the sets of many DJs, and remains a favorite at retro trance events. The track has stood the test of time and remains a key track for fans of old-school trance. It's a piece of electronic music history that makes people dream on the dancefloor with its dreamy Goldwave.

B2) Chris Bangs feat. Rita Campbell - Warm Weather (Ibiza BeachBall Vocal Mix) (Original Release 2000)

Warm Weather by Chris Bangs feat. Rita Campbell is a summery, uplifting track that perfectly evokes the atmosphere of Ibiza. The song blends house and trance with the infectious vocals of Rita Campbell, creating a warm, relaxed vibe. The Ibiza BeachBall Vocal Mix adds a touch of Balearic energy, with a calm rhythm and melodies that immediately remind you of sunny beaches and carefree days. Originally released in 2000 on the UK label INCredible, it remains a hidden gem for many trance lovers.

C1) Hyper Pearl - Can You Feel The Pain (Up & Vox Version) (Original Release 1995)

This 1995 trance classic made a lot of noise in clubs like Illusion, La Bush, Lagoa, and At the Villa. Pure old-school trance with emotion and drive like only that era could produce. A fantastic track, produced by Carl Drake, Matt Spinner, and Zzino, originally released on Belgium's Aquatic label.

C2) Daniel Bovie & Roy Rox - Stop Playing With My Mind (Dub) (Original Release 2008)

Daniel Bovie (aka Danny Van Wouwe) is a versatile producer with dozens of tracks to his name, many of which are considered classics. This track is no exception. Originally released on the legendary Strictly Rhythm label, co-produced with Dutch producer Roy "Van Luffelen" Rox, this track quickly became a floor-filler and charted in Belgium and the Netherlands. The vocals wereprovided by the talented Nelson.

D1) The Disco Freaks - Make My Dreams Reality (Chord Memory Mix) (Original Release 1997)

Originally released on an EP by The Disco Freaks, the alter ego of producers Bart Grinaert and Lajos Meszaros. This mix, which is much stronger than the original, quickly became a club classic and was played extensively in clubs like Illusion, Carat, and Extreme. A delightful, groovy, and uplifting track that combines disco elements with house. The Chord Memory Mix adds a nostalgic touch by using warm chords, funky basslines, and uplifting percussion.

D2) The Mackenzie feat. Jessy - I Am Free (Marino Stephano Club Mix) (Original Release 1997)

I Am Free by The Mackenzie needs little introduction and is a must in every DJ and vinyl lover's collection. This mix, often played at our parties, is something special. The man behind many legendary trance classics, Marino Stephano (RIP), hasreworked this version in his unmistakable way. The remix has an energetic and captivating vibe, with deep, hypnotic beats and floating synths. A beautiful track in its original version, it continues to fascinate.

Since 2020, 12 Inch Lovers have been releasing new samplers every year, eagerly anticipated by collectors. These samplers have now become a staple and are easily added to vinyl collections across Europe. They offer timeless classics and rare tracks that are often hard to find elsewhere.

With Samplers 11 & 12, they surprise again with a mix of modern classics and tracks that have never been released on vinyl or are difficult to find. By adding unique and exclusive tracks, the 12 Inch Lovers samplers remain innovative and high-quality. They are a must-have for DJs, collectors, and fans of contemporary classics!

SAMPLER 12

A1) Borai & Denham Audio - Make Me (original release 2023)

Released in 2023 on the British label Room Two Records (catalogue R212001) on twelve inch vinyl, Make Me combines breakbeat, house and speed garage with high energy, featuring clear use of Amen breaks, rumbling sub bass and sharp rave sounds. At the heart of the track lies an instantly recognisable vocal hook from the mid eighties, a sample taken from Donna Allen - Serious (1986). The result feels like a long forgotten rave anthem from the nineties wrapped in a modern sound.

The original twelve inch pressing quickly became a highly sought after collector's item and received a limited pink vinyl repress in 2025. This track, first issued only on orange vinyl in 2023, was officially re released once all samples were cleared. It has every ingredient of a future classic, a true underground anthem for fans of modern UK rave and jungle energy.

A2) Smoke City - Mr. Gorgeous (and Miss Curvaceous) (Mood II Swing Vocal Mix) (original release 1997)

Originally released in 1997 on the album Flying Away by Smoke City. The Mood II Swing Remix, produced by New York house duo John Ciafone and Lem Springsteen (also the producers behind Ultra Naté - Free), takes the song straight to the dance floor with a smooth groove, soulful vocals and a deep, hypnotic flow.

The iconic line "Cool and calm, Mr Gorgeous..." remains untouched, while the remix enriches the original Latin and trip hop influences of the band with that distinctive late nineties house atmosphere. The result is a timeless club favourite, almost nine minutes of pure vibe (the Mood II Swing Vocal Mix runs 9minutes and 20 seconds), adored by DJs who like to bring a touch of soul to their house sets.

Released on Jive Records, the track received great praise. Music Week highlighted its "tight ay ay ay hook" and noted that the Mood II Swing and Hyperspace mixes made it a real standout. The original version reached number one in Italy in 1997, and the Mood II Swing Remix has since gained cult status in the Belgian club scene and beyond as the perfect marriage between soul and dance floor energy.

B1) Chris Raven - I Know You Love Me Too (Bruce Norris Remix) (original release 1997)

Christian Raabe, better known as Chris Raven, is a German producer who made his name in the late nineties progressive trance scene.

The Bruce Norris Remix of I Know You Love Me Too (Additive Records, catalogue 12AD 027) first appeared in late 1997 and was officially released in early 1998. The remix builds an euphoric atmosphere witha beautiful melody, dreamy pads and powerful drums, all typical of the progressive trance sound of that period.

The track gained extra attention when it appeared on Northern Exposure 3: Expeditions by Sasha and John Digweed in 1999. Many fans first discovered it there (especially the Van Bellen Remix version), helping to cement the cult status of I Know You Love Me Too within the progressive and trance community.

B2) Grooveyard - Mary Go Wild (original release 1996)

One of the most recognisable and iconic club tracks in Belgian and Dutch underground house history is without a doubt Mary Go Wild, released in 1996 on EC Records. The track quickly became the defining anthem of the rave scene in the Low Countries.

With a raw groove around 133 BPM, pumping four to the floor drums and the hypnotic vocal sample "Mary... go wild!", the record set dance floors ablaze in the nineties. Producer Jeroen Verheij, also known as Secret Cinema (from the classic Timeless Attitude), perfectly captured the raw energy of the European house movement of that era.

To this day Mary Go Wild stands as a symbol of pure rave power, a timeless anthem that, as one Discogs collector put it, "still works on any dance floor." Original twelve inch pressings on EC Records and later issues on Blanco Y Negro are highly sought after, and the track remains a staple in retro house and classic DJ sets.

C1) Dave Swayze - Last Flight To Paris (original release 2000)

Dave Swayze, best known for his classic Goldwave, has several hidden gems to his name, and Last Flight To Paris is certainly one of them. Released in November 2000 on the Belgian label Yeti Records, the track is a subtle blend of trance and progressive house. It is known for its emotional melody, dreamy build up and strong percussion, built on the foundation of progressive trance but with thewarmth and groove of house.

At the time, Last Flight To Paris was frequently played by progressive trance DJs and soon became a cult favourite among vinyl collectors within the genre. Original pressings on Yeti Records are now extremely rare and much sought after. The mix of emotion, euphoria and timeless club energy makes Last Flight To Paris a hidden treasure from the late trance era of 1999 and 2000.

C2) Joe Goddard - Music Is The Answer (Hot Since 82 Remix) (original release 2017)

This remix by Hot Since 82 (Daley Padley, from Barnsley in the north of England) for Music Is The Answer by Joe Goddard is partly based on the original classic Celeda - Music Is The Answer (in the Danny Tenaglia Remix). It was released in February 2017 as a digital exclusive through Domino Records.

Hot Since 82 reworked the original, a vocal house track by Hot Chip member Joe Goddard, into a deep, grooving house track with a warm rolling bass line. The soulful vocals of Joe Goddard (featuring SLO) take on a subtle melancholic tone in his remix, creating a modern house classic filled with emotion and drive.

The remix became a major club favourite in 2017 and 2018, supported by leading names in the tech house scene and heard at festivals around the world. Interestingly, this popular version had never been released on vinyl, which only increased its cult status among collectors. Music Is The Answer (Hot Since 82 Remix) remained a digital classic for years, until now, finally available in this long awaited vinyl edition.

D1) Just A Man - I'm Sorry (Original Club Mix) (original release early 2000s)

The French project Just A Man consists of brothers Hervé and Nicolas Subrechicot. Their track I'm Sorry is an emotionally charged house record that perfectly captures the early 2000s club atmosphere.

Released in 2003, the song combines soulful male vocals with a warm, rhythmic production that blends UK garage and classic club house influences. The Original Club Mix (6 minutes and 14 seconds) builds gradually towards a powerful, uplifting climax, carried by rich chords and an irresistible groove.

Although I'm Sorry stayed somewhat under the radar at the time, it is regarded by connoisseurs as a hidden gem, a perfect balance of melody and groove. The twelve inch vinyl release (on RKG / Motor Music, 2003) is now hard to find and highly prized among vinyl and house collectors, which only adds to its appeal.

I'm Sorry embodies the pure sound of early 2000s vocal house: sincere, funky and danceable, with that unmistakable UK garage touch, even more evident in the G Box Garage Club Remix on the same EP. An unfairly overlooked track that has always remained a true timeless classic since the very beginning of 12 Inch Lovers.

D2) Teddy Pendergrass -Life Is A Song Worth Singing (Jamie Jones Remix) (original release 2019)

In 2019 Jamie Jones breathed new life into the classic soul song by Teddy Pendergrass with a contemporary house rework. The remix was released in March 2019 as part of the digital EP Mixmag Presents: Teddy Pendergrass - The Remixes, issued in honour of the documentary If You Don't Know Me, a film about the rise of Teddy Pendergrass, the first African American male artist to achieve five consecutive platinum albums in the United States during the seventies.

Jamie Jones stayed true to the feel good essence of the 1978 original but wrapped it in a modern club sound, with pulsing synths, a warm rolling groove and a tight four to the floor beat providing the perfect base for Teddy's powerful and instantly recognisable voice.

The result is a captivating, soulful house track that effortlessly bridges past and present without losing the emotional power of Pendergrass's vocal delivery.

Despite its widespread popularity in the international club scene, where it became a favourite among DJs who love to blend soul with house, this remix never had a physical vinyl release. Until now, with its long awaited appearance on 12 Inch Lovers Sampler 12.

Jacksonville returns with Heavy & Gold, a powerful five-track EP rooted in the raw energy of underground house and analog machine funk. Produced by Chris Lyth, the record blends Chicago-influenced drum programming, hypnotic basslines and deep melodic textures into a set of highly functional DJ cuts built for the dancefloor. The EP moves between muscular jack tracks and deeper hypnotic moments, balancing driving groove architecture with subtle emotional tension. Heavy & Gold opens with the title track, a dense and rolling house cut driven by heavy drums and warm synth layers, before Just Another High delivers a tighter, more stripped-down groove with classic underground swing. Rapido pushes the energy further with a direct, rhythmic workout built for peak-time transitions. On the flip side, Parallel Love expands into a deeper and more atmospheric territory with evolving textures and hypnotic momentum, while closing track Miz & Ida delivers a long, hypnotic groove combining analog warmth and late-night dancefloor pressure. True to the Skylax philosophy, this release focuses on timeless groove design rather than trends, offering DJs and collectors a record built to last in the bag for years. Written and produced by Chris Lyth with executive production by Hardrock Striker and artwork by H5 (Simon Renaud), Heavy & Gold continues the Skylax tradition of uncompromising underground house music.

DJ Support: Raresh, Marco Corola, Jamie Jones, Joseph Capriati, Chris Stussy, DJ Seinfeld, D'Julz, Djebali, Voigtmann, Arapu

For Amsterdam’s Julian Anthony, club culture has always been about movement - between sounds, between scenes, and increasingly, across continents. Rooted in the Dutch underground, his path has taken him from intimate local spaces to international stages, with appearances at institutions such as Berlin’s Hoppetosse, Ibiza’s DC10, and London’s fabric. Along the way, he’s formed close ties with crews such as Slapfunk, VBX, Half Baked, and S.A.S.H, while recent tours across South America and Australia have further widened his reach. His connection with Enzo Siragusa and the FUSE family is longstanding, having previously dropped his track ‘It’s Showtime’ on sister label LOCUS while making appearances at both FUSE and LOCUS events across Europe, including this year at FUSE Malta, during ADE, and November’s fabric takeover. Now, his ‘Missing Pieces’ EP extends that relationship further, marking his fi rst release on FUSE and off ering a natural progression while showcasing his versatility as a producer.

In his productions and his sets, Julian threads together house, techno, and electro infl uences with a playful touch, resulting in a style that feels fl uid yet sharply defi ned. Title track, ‘Missing Pieces’, sets the tone with a heavyweight bassline at its core, coupled with a hypnotic groove and percussive drive, while ‘Endless Echoes’ stretches into more atmospheric territory, weaving rolling rhythms with cosmic textures. On the fl ip, ‘No Sleep’ ups the intensity with zipping synths and sharp drum programming built for peak-time play, before ‘TTS’ closes the record on a captivating note, fusing deeper house nuances and playful rhythms into a late-night trip.

With a growing catalogue across respected imprints such as Dungeon Meat, X-Kalay, and Bee You, and a touring schedule that continues to expand globally, Julian’s first outing for the London favourites highlights his talent for crafting tracks that are simultaneously precise, playful, and built for the club.

DJ support: Chris Stussy, Prunk, M-high

Legendary Dutch artist Michel de Hey makes his debut at PIV with an oustanding EP. Two hit originals and two massive remixes from underground maestro S.A.M. and upcoming Dutch House talent Marijn Jansen. A complete package perfect for warm up, peak time or late hour action.

The album delivers masterful arrangements, inventive rhythms, rich harmonies, and a perfect balance of flute and saxophone interplay. Funk, Jazz, Gospel, Afro, and traditional elements all merge seamlessly into something unique and timeless.
Joshua Sithole (1947–1999) was a self-taught multi-instrumentalist and vocalist from South Africa who first started busking with the Kwela kids in 1959 and then went solo in 1978. He became popular in the 80’s, performing widely in Durban and Cape Town.

Originally released in 1975, this overlooked masterpiece is now reissued for the first time by Voom Voom Records — the first 500 copies include a poster of Vladimir Tretchikoff's painting, "The Pennywhistlers" which captures the beauty of Joshua's playing.

“Joshua Sithole, Errol Dyers, and Jonathan Butler come from some of the most influential and esteemed musical families in South Africa. You cannot write about Jazz in Cape Town and not mention some of these families and their contributions to the art form.” — Fanie Jason (Music Photographer - Cape Town)

"South African spiritual funk gem. slick guitar, banks of horns" - Chris Albertyn (Matsuli Records)
"Dynamic South African funk. An album that will make you want to dance from start to finish" - Franck Descollonges (Heavenly Sweetness)

Dâm-Funk & Lorenzo Soria RETOUCH Elkin & Nelson's Balearic Classic "Vámonos". A Cross-Continental Tribute form the West Coast Funk to Andalusian Rhythms.
Hand stamped 10"

Two generations, two continents, and one timeless Balearic groove — “Vámonos”, the 1970s classic from Colombian-Spanish duo Elkin & Nelson, gets a retouch by the hands of Dâm-Funk and Lorenzo Soria. Infusing the track with new sonic energy while paying homage to its iconic roots, this version of “Vámonos” travels from the beaches of Ibiza to the sun-drenched streets of Los Angeles and Seville.

Together Dâm-Funk — a pioneer of modern-funk and longtime ambassador of the West Coast boogie-funk sound. Known for seminal albums like “Toeachizown” and “Invite the Light” on Stones Throw Records, as well as collaborations with Snoop Dogg, Ariel Pink and Christine and the Queens, Dâm-Funk brings his signature analog synths and laid-back groove to the mix. His unmistakable style draws deeply from Prince, Slave, and the golden era of 1980s funk.

Lorenzo Soria represents a new generation of global-minded producers reshaping the electronic landscape from Southern Spain. A native of Seville, Soria’s collaborations with, Califato ¾, draws from reggaeton, EBM, punk, and traditional Andalusian folklore, Lorenzo’s rhythmic palette is both eclectic and rooted. His contribution to “Vámonos” brings percussive depth and vibrant energy that pulse with Mediterranean warmth.

Together, Dâm-Funk and Lorenzo Soria have created a two versions of “Vámonos” that is both respectful — with lush keys, hypnotic percussion, and genre-defying flair, this collaboration reinvents a Balearic gem for a new generation of listeners and dancers.

Skip Audio Records is proud to present a new EP from the dynamic duo Chris Llopis & Cirkel Square. This vinyl-only release features three original tracks that showcase the artists' signature sound, blending intricate grooves with atmospheric textures.
Leading the charge is a powerful remix from Argentinean maestro Alexis Cabrera. His interpretation adds a unique twist, taking the listener on a mesmerizing journey through hypnotic rhythms and deep, evolving melodies. Additionally, this release features a captivating DubTape remix, offering another unique sonic perspective.
This record is a must-have for any vinyl enthusiast and a perfect addition to any DJ’s bag. With its blend of original productions and standout remixes, this vinyl is set to be a timeless piece for your collection.

Adeen Records digs deep once again for a new offering that taps into some seriously swaggy and soulful house. Dav Risen is behind them and is a South African DJ and Producer from Soweto who wears his Christianity with pride, and that religiousness also defines these sounds which are a spiritual journey into deep house with plenty of life-affirming harmonies Dav delivers a powerful, purpose-driven title track that glows with warm pads and a rhythm section that feels both grounding and uplifting, making it perfect for sunrise sets or late-night introspection. 'Don't Worry About It' is just as deep and moving, 'So Long' has warm organ chords and 'You Can Make It (feat DJ KK)' closes with another loved-up vibe.

Steve Moore reprises his beloved Lovelock guise by presenting his unique riff on the library breaks genre. Business And Pleasure contains grimy groove and sleazy, funk-laden lounge music.

This vinyl release is hyper-limited, with just 500 pressed for the world.

The LP is ushered in by the spacey synth-funk of the sleazy, woozy title track. This is that serious slo-mo cosmic-balearic head-nod shit. Laidback bass, heavy funk with dreamy synth and electric guitars. An outstanding opener. Up next, the dynamic, swaggering "Last Call" is a sophisticated, elegant stroll - sweeping, mellow strings, a smooth bassline and gorgeous percussion with urgent keys and swelling synths.

"Slinky Strut" is another spaced-out, sleazy funk groove with jazz rock by way of a heavy, heavy guitar riff, mellotron and bass breakdowns which build to brass crescendos. Gigantic. "First Class" closes out the side, and, like classic Hawkshaw / Bennett noir, it's got that mysterious and murky stretched out sleuth / detective soul with a great bassline and percussive elements, with swelling strings, ace synths and smooth Rhodes piano melodies entering the mix halfway through. Dramatic guitars and groovy percussion add extra intrigue. It's 7 minutes of funk!

Side B opens with the stretched-out psychedelic funk and jazz groove of "Stank 49". It takes its sweet time to unfurl, creating enormous - almost sensual - anticipation for the ensuing beauty but, as it does, we're left beguiled and straight-up hypnotised. Heaven-sent synth flourishes and a laidback bassline over smooth drums cement its simple, vivacious grace. "Dangerous Man" is that creeping crime funk we all love; heavy bass and fuzzy guitar riffs, mellow strings and sumptuous piano/synths. It's irresistible, it's ominous and it's pretty gargantuan. It's basically like an El-P hip-hop instrumental. We need to get some rappers over this stuff, stat!

"Stinkbug" is a dazzling and funky groove-fuelled jazz-rock workout with fizzing synth riffs joined by full percussion and drum breaks, building with strings to a strong swagger. Vigour! To close out this remarkable set, the breezy "Win Or Lose" is laidback soul-inflected funk, utilising urgent, skipping drums and galloping basslines. Just stunning.

This collection was written and recorded in Spring and Summer of ’24. Everything was tracked at Steve's home studio in Albany, NY except the drums and percussion, which were recorded by Jeff Gretz at his space in NYC. The whole collection is basically a rhythm section feature, so Steve's Rickenbacker 4003 and Fender Jazz Bass play very prominently. The bass guitar serves as lead instrument in a lot of these tracks. Also, lots of Rhodes and stringers (Solina, Logan etc) and guitar (Strat and Les Paul). He even dusted off my sax for this one, which he doesn’t do as often as he’d like!

This type of groove-oriented library music has been a steady part of Steve's diet since the late 90’s. In heavy rotation while writing this collection were the following classics: “Time Signals” by Klaus Weiss, “Tilsley Orchestral No. 10” by Reg Tilsley, and “Heavy Truckin’” by Simon Haseley. “Voyage” by Brian Bennett was also a big one.

Lovelock started as a dedicated Italo-disco project, but over the years Steve expanded it to include anything directly informed by the commercial/pop side of the music of his childhood (70s/80s). Writing and recording this album was, like a lot of Steve's music these days, basically a test to see whether or not he could do it.

The song titles, like the music, are meant to be evocative yet vague. But there is a bit of a travel theme. Steve imagined this record being the soundtrack to a sleazy salesman’s business trip. The kind of guy who, when asked if he’s traveling for business or pleasure, responds “both.” Beyond the traveling salesman comparison, the title directly relates to the creation of this album. This was something he wanted to do just for his own enjoyment. Yet, like our sleazy salesman, he still found a way to get paid.

The album’s cover was designed by Chris Stevenson, with no little direction from Steve. He knew that he wanted to go with something photography-based for this cover so, in true DIY/cheapskate spirit, Steve started by looking through his own photos. He found the cover image on his phone, taken through an almost empty bottle of beer, and it clicked. The whole album has a very boozy vibe (especially with titles like “Last Call”) so this shot seemed appropriate. We, hic, agree.

Mastering for this vinyl edition was overseen by Be With regular Simon Francis, and it was cut by the esteemed Cicely Balston at Abbey Road Studios to be pressed in the Netherlands by Record Industry.

Nachdem sie auf ihrem gefeierten Debütalbum ein multidimensionales Klanguniversum definiert hatten, verlassen der Komponist und Filmemacher Chris Hunt und James ,Munky" Shaffer von Korn auf EXINFINITE das Vertraute und driften in ein Reich der Rekursion, wo sie auf ein Gewirr aus gespiegelten Wurmlöchern blicken, die mit unheimlicher Mehrdeutigkeit summen. Das zweite Album von VENERA ist düsterer, heavier und perkussiver als sein Vorgänger, aber es gibt etwas Intimeres in seinen Schaltkreisen, das schwer zu definieren ist - etwas Mystisches, Geheimnisvolles und Melancholisches. Songs materialisieren sich aus dem Nichts, nur um von sauren Synthesizern aufgelöst oder von Hunts geschärften Beats durchbohrt zu werden, während Shaffers dichte, gequälte Riffs durch euphorische, zeitverzerrte Vocals von FKA twigs, Dis Fig und Chelsea Wolfe ausgeglichen werden. Nach ihrer Begegnung mit der Unendlichkeit haben VENERA nach innen geschaut, über die Grenzen der Existenz nachgedacht und ihre tiefsten Emotionen ausgegraben. VENERA entstand 2022, als Hunt und Shaffer nach Aufnahmen mit der albanischen Künstlerin Xhoana X. ihr eigenes musikalisches Terrain betraten. Das Duo improvisierte gemeinsam und experimentierte mit cineastischem, von Science-Fiction inspiriertem Sounddesign und erkannte, dass die Zusammenarbeit Potenzial hatte. So begannen sie, ihren Sound weiterzuentwickeln und zu verfeinern, wobei sie Unterstützung von Deantoni Parks, dem ehemaligen Schlagzeuger von Mars Volta, Alain Johannes von Queens of the Stone Age, dem Post-Punk-Duo VOWWS und den LA-Noise-Rock-Legenden HEALTH erhielten. Nachdem ihr Debütalbum 2023 auf Mike Pattons Label Ipecac erschienen war, setzten VENERA die Dekonstruktion und Neugestaltung ihres Songwritings fort, tauschten Eno-artige Ambient-Atmosphären gegen explosive Beats und dichte Texturen aus und fanden heraus, wie sie die von ihnen eröffnete Erzählung erweitern konnten, ohne alte Pfade zu beschreiten. Auf ,Tear" ist die neue Richtung des Duos deutlich zu hören, wenn Shaffers ursprüngliche Gitarrenklänge zu unheimlichen Widescreen-Expositionen umgestaltet werden, die Hunt mit pneumatischen Kick- und Snare-Zyklen untermalt. Unterbrochen von Luftschleusen-Zischen und leuchtenden Synthesizern, bietet der Track eine Kulisse, die VENERA kontinuierlich verwandelt und das Konzept im Laufe des Albums neu formt. Die Kult-Singer-Songwriterin Chelsea Wolfe gibt dem düsteren ,All Midnights" einen gotischen amerikanischen Touch, indem sie kraftvoll über VENERAs vakuumverpackte Rhythmen und gasförmige Synthesizer singt, und der in Berlin lebende Noisemaker Dis Fig, der bereits mit The Body und The Bug zusammengearbeitet hat, verleiht Shaffer und Hunts tape-verzerrten Industrial-Pops und -Whirrs in ,End Uncovered" hauchige, emotional vielschichtige Töne. Sie lassen squelchigen, verlangsamten Techno in okkulte Noise-Reflexionspools auf dem schlängelnden ,Asteroxylon" einfließen, und Hunt antwortet auf Shaffers hallende Zupftöne mit Nebelhorn-Stöhnen auf dem unheilvollen, nachdenklichen ,uuu773". ,EXINFINITE" baut sich kontinuierlich auf, bis es ,Caroline" erreicht, eine intensive Zusammenarbeit mit FKA Twigs, die ihre unheimlichsten Töne isoliert. Zunächst umspielt sie ihre Worte mit bedrohlichen elektrischen Verzerrungen und verstümmelten, geisterhaften Stimmen, bevor sie in einen aufgeladenen opernhaften Schrei ausbricht, dem Shaffer und Hunt mit flirrenden kybernetischen Beats und dichten Wänden aus Gitarrenlärm begegnen. Dieser Track bricht das Konzept von VENERA vollständig auf, verschmilzt das Synthetische mit dem Natürlichen und löst Dysphorie, Selbstverlust und unendliche Regression aus. So wirken der blutrünstige Lärm und die finstere Atmosphäre von ,Decreation" wie eine dissoziierte Coda. In ,EXINFINITE" werden Zerstörung und Tod nicht überwunden, sondern so lange intensiviert, bis sie sich vollständig verwandeln.