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No trend to be followed, no invention to be intended, it is the reduced gorgeousness that let's us float on Asper Clouds. This is still valid in 2025, timeless grooves that still move your heart and soul and warm the dancefloor.
Smallville is turning 20 Years, so we are starting a little musical celebration with a special re-release of this ultimate beauty, that stood the test of time - a milestone LP for Smallville by Christopher Rau.
Comes with Full Cover Artwork by Stefan Marx
After a terrific first release by AlleyOP aka Atree & Hagel, Tutto Bene welcomes Christopher Lawrenz for the imprint's second release. "Double Tree EP" features three original works by Christopher and a remix by seasoned veterans and Berlin underground sound wizards Foehn & Jerome. The result is a package of funk-infused dancefloor-ready tunes that nicely follow up Tutto Bene's debut while further expanding its vision.
Double Tree EP kicks off with "Double Tree" (A1), a minimal, groove-focused track laced with dub elements and a quirky tech-house edge. Shifting basslines, off-kilter percussion, and playful vocal samples create a lively vibe, perfect for peak-hour energy. Foehn & Jerome’s remix (A2) reimagines the track as a deep house groover, with smooth, sophisticated melodies layered over an understated bassline, adding both depth and elegance. On the B-side, "Tutto Bene" (B1) delves into more experimental territory with syncopated rhythms and robotic textures, combining off-beat percussion and modulated sounds for a distinctive, driving rhythm. "Quarantäne" B2 rounds off the EP with its warm, organic feel, layering deep melodies and gentle vocal samples for a lush, deeply hypnotic track perfectly suited for the early morning sets.
With Double Tree EP, Christopher Lawrenz showcases his versatility as a producer, delivering a set of tracks that range from peak-hour energy to chilled, introspective vibes. Tutto Bene's second release reaffirms its commitment to fresh, underground sounds.
For number 03 on the office imprint Christopher Rau comes up with three smooth effective house rollers!
- A1: Disc 1
- A2: Opening Title
- A3: A Nice Guy Like Me
- A4: Mcdonald's Idea (Lightbulb)
- A5: Sentencing
- A6: Photograph
- A7: Plan Of Escape
- A8: Danger (Becky)
- A9: Toys 'R' Us
- A10: Out Of Hiding
- A11: Setting Up
- A12: Baby Monitor
- A13: They Forgot About You
- A14: Marking Calendar
- A15: Bag Of Toys
- A16: Meeting Leigh
- A17: I Like Being John
- A18: Disc 2
- A19: It's A Date
- A20: Becky On Bike
- A21: There Is A Storm Coming
- A22: Naked Man
- A23: We Got A Beater
- A24: Pawn Shop
- A25 50: K
- A26: Danger
- A27: Leigh Questioned
- A28: Burning Dental Office
- A29: I Am Where I'm Supposed To Be
- A30: End Credits
- A31: Testimonials
Based on an unbelievable true story, Roofman follows Jeffrey Manchester (Tatum), an Army veteran and struggling father who turns to robbing McDonald's restaurants by cutting holes in their roofs, earning him the nickname: Roofman. The film's score was composed by Grizzly Bear multi-instrumentalist Christopher Bear, with contributions from The War on Drugs' Jon Natchez. Christopher Bear is a drummer and multi- instrumentalist member of the Brooklynbased indie-rock group Grizzly Bear. He continues developing his independent career, most recently working on arranging soundtracks for the HBO series High Maintenance, and scoring the 2023 film Past Lives alongside his bandmate Daniel Rossen.
- 1: Live Gloriously
- 2: From Dust To Dust (Antiquity Age Ambience 1 Peace)
- 3: Was Wird Es Doch Des Wunders Noch (Exploration Age Ambience 2 Peace)
- 4: Hope Rising (Modern Age Ambience 1 Peace)
- 5: Carved In Stone
- 6: Strum The Lyres (Antiquity Age Ambience 2 Peace)
- 7: Nation Against Nation (Antiquity Age Ambience 1 War)
- 8: Der Sitt Auf Erden (Exploration Age Ambience 2 War)
- 9: Para Bellum (Modern Age Ambience 2 War)
- 1: Ancient Egypt (Antiquity Age)
- 2: The Maya (Antiquity Age)
- 3: Persia (Antiquity Age)
- 4: The Han Dynasty (Antiquity Age)
- 5: The Maurya Empire (Antiquity Age)
- 6: The Mississippians (Antiquity Age)
- 7: The Roman Empire (Antiquity Age)
- 1: The Inca Empire (Exploration Age)
- 2: The Normans (Exploration Age)
- 3: The Songhai Empire (Exploration Age)
- 4: The Mongol Empire (Exploration Age)
- 5: The Chola Dynasty (Exploration Age)
- 6: The Shawnee (Exploration Age)
- 7: The Kingdom Of Spain (Exploration Age)
- 8: The Ming Dynasty (Exploration Age)
- 3: The Mughal Empire (Modern Age)
- 4: Mexico (Modern Age)
- 5: Prussia (Modern Age)
- 6: The Qing Dynasty (Modern Age)
- 7: The French Empire (Modern Age)
- 8: Siam (Modern Age)
- 1: Colonial America (Modern Age)
- 2: Meiji Japan (Modern Age)
- A1: Live Gloriously
- A2: From Dust To Dust (Antiquity Age Ambience 1 Peace)
- A3: Ancient Egypt (Antiquity Age)
- A4: Ancient Greece (Antiquity Age)
- B1: Carved In Stone
- B2: Der Sitt Auf Erden (Exploration Age Ambience 2 War)
- B3: The Mongol Empire (Exploration Age)
- B4: The Shawnee (Exploration Age)
- C1: Hope Rising (Modern Age Ambience 1 Peace)
- C2: Para Bellum (Modern Age Ambience 2 War)
- C3: The Mughal Empire (Modern Age)
- C4: Colonial America (Modern Age)
- D1: Mexico (Modern Age)
- D2: The French Empire (Modern Age)
- D3: The Qing Dynasty (Modern Age)
- D4: Siam (Modern Age)
SID MEIER’S CIVILIZATION VII – DER SOUNDTRACK AUF VINYL
Firaxis Games, 2K Games und Laced Records schließen sich zusammen und bringen den epischen Soundtrack von Sid Meier’s Civilization VII erstmals auf Vinyl.
Diese exklusive Doppel-LP präsentiert eine sorgfältige Auswahl musikalischer Highlights aus den verschiedenen „Zeitaltern“ des Spiels – verpackt in kunstvoll gestalteten Hüllen mit historischen Illustrationen aus dem Hause Firaxis.
Der Soundtrack spannt einen weiten Bogen über die Menschheitsgeschichte und Kulturen weltweit – mit orchestraler Wucht, weltmusikalischer Tiefe und eindrucksvollen Chören.
Den Auftakt macht Grammy-Gewinner Christopher Tin mit dem epischen Hauptthema „Live Gloriously“, gesungen in Altgriechisch, Altenglisch, K’iche’ und Sanskrit vom renommierten Crouch End Festival Chorus. Bereits mit „Baba Yetu“ (Civilization IV) schrieb Tin Videospielmusikgeschichte.
Die restliche Ingame-Musik stammt von den langjährigen Civilization-Komponisten Geoff Knorr und Roland Rizzo. Eingespielt wurde sie von internationalen Ensembles wie dem Prague FILMharmonic Orchestra, dem Mongolian State Morin Khuur Ensemble oder der Southern Pine Drum Group – eine weltumspannende Klangreise durch Vergangenheit und Gegenwart.
Ein Must-Have für Sammler*innen, Gaming-Fans und Liebhaber orchestraler Weltmusik.
- 1: Let My Country Awake
- 2: Let My Country Awake
- 3: This Rhythm
- 4: This Rhythm
- 5: Stream Of Life
- 6: Stream Of Life
- 7: Only Thee
- 8: Only Thee
- 9: Joy
- 10: Joy
- 11: Fire Prelude
- 12: Photon
- 13: Ozymandias
- 14: Iphis
- 15: Yeshua
- 16: Tat Tvam Asi
- 1: Fire Prelude
- 2: Photon
- 3: Ozymandias
- 4: Iphis
- 5: Yeshua
- 6: Tat Tvam Asi
We welcome back Tubbs & Burns on Public Possession offering yet another highly danceable selection of tunes.
The main title on this EP features Paula Tape and has it all: seductive vocals, a mesmerizing acid baseline and the classic hypnotic Tubbs & Burns touch.
It comes in three versions incl. an epic Todd Modes remix. Cheeky Bonus and potentially a secret Deejays favorite is Colter Carsons remix of the previously released „Where were you in 92“ turning it up a few gears, ready for some festival MainStage plays
Hidden Folder returns with its fourth transmission – HDF004 – featuring three original cuts and standout remixes from bullet tooth and K-LONE.
The EP further refines the label’s distinctive blend of UK-rooted club music and stripped-back dancefloor aesthetics.
Opening with ‘Matter of Time’, the title track is a peak-time speed garage weapon – driven by a menacing reese bassline, swing-heavy drums, and deep atmospheric pads.
‘Blurred Line’ follows with a more melodic, emotive touch, already turning heads with early support across the scene.
On the flip, ‘Can’t Get Over’ taps into classic UK Garage sensibilities, pairing housey drum grooves with lush Rhodes chords, chopped vocals, and a warm, rolling low-end.
Remix duties come courtesy of bullet tooth and Wisdom Teeth’s own K-LONE.
bullet tooth flips ‘Can’t Get Over’ into a modern house banger – punchy drums, a snarling peak-time bassline, and undeniable floor energy.
K-LONE takes a more minimalistic route, layering intricate percussion, loopy vocal cuts, and Rhodes stabs with his signature swing and subby finesse.
A forward-facing entry in the Hidden Folder archive – continuing the imprint’s streak of genre-fluid, system-ready club gear.
After many years of digging deep and sharing music with like-minded individuals through various channels, 'The Wapstation' is proud to present its first release as a label.
This record comes from the masterful hand of producer, Roberto Manolio. Born and based in Italy. Following a series of sellout releases, Roberto graces the label with three stellar productions. The EP touches on multiple underground textures, blending shades of Techno, House, Electro, and Miami Bass. To top it off, shooting star of the scene Christopher Ledger delivers a wicked Electro flip of the title track.
- A1: Alles, Was Ich Je Werden Wollte
- A2: Gut So Allein
- A3: Ich Glaub, Wir Meinen Das Gleiche
- A4: Frag Mich, Was Du Willst
- A5: Hundertmal Nichts (Gold)
- A6: Kein Tourist (Nur Damit Ihrs Wisst)
- A7: Ich Hab Einen Wolf Gesehen
- B1: Menschen In Arschlochautos
- B2: Die Entscheidung Ist Vertagt
- B3: Wie Hat Das Angefangen?
- B4: An Nem Guten Tag
- B5: Gut Genug
- B6: Nicht Sehr Alt
- B7: Wir Im Regen
- B8: Blackbox
SIGNED Black Vinyl[25,17 €]
Schwarze 140g ReVinyl im Gatefold. Jede Schallplatte wurde auf Basis von 100% Recycling-PVC gepresst. Bedrucktes Inner-Sleeve. Christopher Annen von AnnenMayKantereit und Francesco Wilking von Die Höchste Eisenbahn, Crucchi Gang etc. haben zusammen Musik gemacht. Nur mal so. Das ist ausgeartet. Deswegen gibt es jetzt ein Album. Geplant war hier nichts. Und so klingt auch ihre Musik: leicht, verspielt, irgendwie beiläufig eingängig und angenehm ungezwungen lebensfroh.
- Alles, Was Ich Je Werden Wollte
- Gut So Allein
- Ich Glaub, Wir Meinen Das Gleiche
- Frag Mich, Was Du Willst
- Hundertmal Nichts (Gold)
- Kein Tourist (Nur Damit Ihrs Wisst)
- Ich Hab Einen Wolf Gesehen
- Menschen In Arschlochautos
- Die Entscheidung Ist Vertagt
- Wie Hat Das Angefangen?
- An Nem Guten Tag
- Gut Genug
- Nicht Sehr Alt
- Wir Im Regen
- Blackbox
Black Vinyl[22,65 €]
Schwarze 140g ReVinyl im Gatefold. Jede Schallplatte wurde auf Basis von 100% Recycling-PVC gepresst Inkl. signiertem Print in 30 x 30 cm. 300g Qualitätsdruck auf hochwertigem Naturkarton creme Bedrucktes Inner-Sleeve Christopher Annen von AnnenMayKantereit und Francesco Wilking von Die Höchste Eisenbahn, Crucchi Gang etc. haben zusammen Musik gemacht. Nur mal so. Das ist ausgeartet. Deswegen gibt es jetzt ein Album. Geplant war hier nichts. Und so klingt auch ihre Musik: leicht, verspielt, irgendwie beiläufig eingängig und angenehm ungezwungen lebensfroh.
I Wanna Run Barefoot Through Your Hair is the third solo album by Christopher Owens, ex-frontman of seminal indie rock band Girls (Father, Son, Holy Ghost peaked at #37 on Billboard). After losing his bandmate, getting into a motorcycle accident, and bouts of homelessness, he left San Francisco for NYC and returned to Girls’ home label True Panther. Inspired by life (and love) to write music again, Owens is finally ready to share IWRBTYH, a record about his journey back to the center of himself.
Across seven tracks of widescreen ambient music, 45 minutes of visuals shot over four years in multiple countries, seven photographs, and a multi-sensory, multiple channel live performance, Willits has created something which might better be thought of as an experience than a simple album. OPENING features Willits latest music since Ancient Future, his 2012 collaboration with Japanese pianist Ryuichi Sakamoto, and his recent production and mastering work on Tychos Awake. The vibrant, enveloping sounds we have come to expect from him are on full display. The vinyl LP includes a download code.
- A1: The Feathered Girl
- A2: Nineveh
- B1: Hashem
- B2: The Isle Of Apples
" The myths of our Western tradition have often captivated me, whether they be Greek, Roman, or Judeo-Christian. Myths are a transcendent collective narrative; a buried memory, not intellectual but spiritual, alive to all the senses of another world. These stories often describe forbidding passages guarded by terrifying monster-like creatures, which, if conquered, give access to other planes. 'Door 1 - Door 2' are two of these planes, opening to prophecy and kingship." (Christopher Chaplin)
Following the release of his powerful and dark album trilogy "Je suis le Ténébreux", "Paradise Lost" and "M", British avant-garde composer Christopher James Chaplin has unveiled his latest project in 2021: "Patriarchs", released to critical acclaim. This project is a musical exploration of the Antediluvian patriarchs, from Adam to Noah, and is another captivating and daring work of art that straddles experimental electronic music and the avant-garde. Chaplin has also been wowing audiences with his live performances, releasing the concert album "Patriarchs Live" to shorten the wait for his new studio album "Door 1 Door 2", which will be released on September 20, 2024.
It is another powerful work of art, located between electronic music and avant-garde. Once again, Christopher Chaplin breaks genre boundaries and manages to condense experimental and colorful electronics in chamber music in a unique way, transporting the listener into mental and spatiotemporal intermediate states. A completely unique musical microcosm that can also be experienced in his impressive solo live performances.
Christopher Cross's debut album boasts nine legendary hits, solidifying its status as one of the most successful LPs of the classic rock era. This masterpiece is a treasure trove of chart-toppers, including the iconic "Sailing," a timeless number one that cemented Cross as a superstar and earned him all four general field awards in a single ceremony at the 1980 Grammy Awards, bringing home Record of the Year ("Sailing"), Album of the Year (Christopher Cross), Song of the Year ("Sailing") and Best New Artist at the 23rd Annual Grammy Awards. This feat was not replicated for 39 years, until Billie Eilish won all four awards at the 62nd Annual Grammy Awards in 2020. Other top hits like "Ride Like The Wind," featuring superstar Michael McDonald, further showcase the album's crossover appeal across all formats in 1979. The album features some of the most sought after musicians of the era including Don Henley, Larry Carlton, Eric Johnson, and more! Produced by legendary producer, Michael Omartian. Seeker Music is proud to present this iconic new pressing featuring limited edition lyric poster insert.
With Folksong Distortions, Pauwels and Van der Aa create a journey of lament through the soul of times gone by. Their radical renditions of works by Larry Polansky and Christopher Trapanido not distort the more upbeat rhythm and tradition of folk songs, but rather reveal and highlight the essence of hard lives, imposed choices - choices that were illusions in the first place - and the difficult times and conditions they have always depicted.
Christopher Trapani arranged two classics from the U.S. South, effects. The work, developed in collaboration with Tom Pauwels and Liesa Van der Aa, was originally made and featured on ICTUS' American Lament programme. The duo was given considerable room for improvisation and interpretation in the process. The first song, 'Wayfaring Stranger', is a well-known folk/gospel melody in A minor. The lyrics contrast an aimless journey through a harsh, hostile world, with the Christian promise of heaven as a 'home' and reunion with lost loved ones. The second song, 'Freight Train', was written by Elizabeth Cotten, a left-handed guitarist who held her guitar upside down, resulting in a very recognisable strumming style.
Sweet Betsy from Pike and Eskimo Lullaby are taken from Larry Polansky's 2005 'Songs and Toads', a five-section piece that computer-composed pieces. The work was originally written for guitar, more specifically for the national steel guitar, refretted in a specific intonation designed by Lou Harrison. Each piece explores a different guitar tuning. A significant intervention to the original work is made to accommodate Liesa Van der Aa's violin with effect pedals, opening to an epic re-reading of the work as conceived by the American composer Larry Polansky. What this set-up enables is a melancholy, slow-paced approach that quite radically opposes the more upbeat and joyful nature of the folk songs.
LP auf wolkenweißem Vinyl! Original-Soundtrack für den Film "Past Lives" (2023) kommt von Christopher Bear und Daniel Rossen, die gemeinsam die Indie-Rock-Band Grizzly Bear bilden und deren Musik zuvor in zahlreichen Filmen und Fernsehproduktionen verwendet wurde. Der Originalsong "Quiet Eyes" ist von Sharon Van Etten. Das Artwork enthält Originalgemälde der renommierten Künstlerin Na Kim. Der Debütfilm der Regisseurin Celine Song feierte im Januar 2023 beim Sundance Film Festival seine Premiere und erhielt viel Lob seitens der Fachkritik. In Deutschland wurde der Film erstmals im Rahmen der Berlinale im Februar 2023 vorgestellt. Dort konkurrierte Past Lives im Wettbewerb um den Goldenen Bären, den Hauptpreis des Festivals. Der Kinostart in Deutschland fand am 17. August 2023 statt.
BERG AUDIO is happy to welcome back one of our favorite producers, Havantepe. In the past few years, the Turkish artist’s output has become rare, greatly increasing our excitement to finally share these masterfully crafted pieces on the label. The release includes a superb collaboration with Christopher Ledger, and a remix from one of Romania’s key artists, Cristi Cons – Artwork by Juli Jah.
- A1: Turn Ix 03:47
- A2: Super Freeloader 03:41
- A3: Turn X 07:57
- A4: Turn Xi 03:10 Site
- B1: Turn Xii 03:25
- B2: Zeit Ohne Harmonie Iii 05:45
- B3: Turn Xiii 01:57
- B4: Turn Xiv 02:12
- B5: Festival Mood Iii 00:56
- C1: Turn Xv 02:14
- C2: Turn Xvi 06:00
- C3: Turn Xvii 02:34
- C4: Turn Xviii 04:32
- D1: Turn Xix 04:41
- D2: Turn Xx 06:08
- D3: Turn Xxi 01:38
- D4: Festival Mood Iv 01:47
With the label MPS, post-war musical history was written in Germany: noble music productions with many international greats come from the Black Forest and are timelessly legendary. In this tradition, HGBSBlue releases selected projects on high-quality vinyl.
The DLW trio has been working together for twelve years now and is now setting the tone in the modern European music scene, as the trio has long since left the boundaries of jazz behind. DLW, that is the sound-painting vibraphonist Christopher Dell, the virtuoso Danish bassist Jonas Westergaard and the German star drummer Christian Lillinger.
Time and again, the three jazz musicians from Berlin play together with artists from classical or avant-garde music. "Supermodern"
is the project that brings the three DLW musicians together with US pianist Bob Degen. This music is also unikal. It is a reverence
to the legendary Modern Jazz Quartet (MJQ), which in the 1950s was the link between chamber jazz and European classical music.
With "Supermodern," this reference to the MJQ is illuminated from the perspective of European avant-garde music, rather than
its African-American roots, which nevertheless resonate respectfully throughout.
DLW has "developed a concept based on repetition and difference. The starting point for a piece is always a single bar, which is
rhythmically interlaced and repeated trance-like until the smallest irregularities occur, which are written down and creatively
processed further. From this "superimposed combinatorics" (Christopher Dell) a perpetuum-mobile-like sound movement
develops, which is further radicalized on record by sound alienations and cut-up techniques." Thus respectfully wrote the Neue
Züricher Zeitung in August 2023.
Word has long since spread outside the German jazz scene that the DLW projects are always musically new. This is also the case
with the double LP "Supermodern 2", with recordings made in 2021 in analog at the MPS studio in the Black Forest. Together
with US pianist Bob Degen, who has been one of the creative voices of the German jazz scene for about 50 years, they play highenergy music, with sparkling virtuosity and close communication. A musical treat, further enriched by the immensely present
analog sound of this recording.
The Art of Surrender marks a return to life, sown from primal impulses and hard-won emotional truths. Unrestrained melodic rapture soars above a relentless kick drum, speaking a need to move, to dance, to love. The music is as ambitious as its origins are personal. Tignor plays with scale, crafting multi-movement epics alongside one-minute miniatures. The smallest, most fragile violin gestures, where the finger barely touches the string to extract natural harmonics exist side by side with angular, exotic melodies, asymmetric rhythms, and rapid-fire string crossings. On this LP, Tignor digs even more deeply into the violin and its technicolor reimaginings under his electroacoustic treatments. Christopher Tignor is a composer, violinist, lecturer, and software engineer. His emotionally charged scores and unique focus on live, performance-based electroacoustic practice has won acclaim within both the classical and experimental communities across 10 LPs on the Western Vinyl and New Albion record labels. He creates the live performance software he uses, shared freely. As a composer he has written and recorded work for ensembles including The Knights, A Far Cry string orchestra, and Brooklyn Rider string quartet, performing alongside them at premiere venues including Carnegie's Zankel Hall. As a string arranger he has worked with Helios, Jefre Cantu-Ledesma, John Congleton, This Will Destroy You, Meshell Ndegeocello, and several other artists at the boundaries of popular music. This music breathes, swoons and swoops elegiacally, in the same way a crack symphony might on a good night." MAGNET // "A bulwark against the ambient clatter of everyday life...sheer technical mastery" BANDCAMP (ALBUM OF THE DAY) // "Tignor creates a muttered hum of activity that burbles at the fringes of an internally focused halo of sustained, glowing chords, and the effect is powerful." NPR // "Making computers coexist in harmony with acoustic instruments in a live setting is more easily imagined than achieved. But Christopher Tignor, a young composer and performer shaped as much by his work in downtown nightclubs as by his formal education at Bard College and New York University, proves that it can be done." THE NEW YORK TIMES // "Absurdly talented"
Christopher Schwarzwalder strikes again for Denature Records, this time with a 5 tracks EP: 'Leaves'. The tracks 'Catjammer' and 'Slow Down' were produced with Feathered Sun lead singer Jo.Ke and have a wonderfully uniquely slow and melancholic groove. On the other side 'Setup' and 'The List' will take you more darker and hypnotic places. The EP ends with 'Leaves' which sounds like an invitation to an endless ballad into the sunset.
Electronic pioneer, Christopher Just's initial music came out in 1993 under his own name and various pseudonyms, like "DJ One finger" and "ilsa Gold". The "Petra" project was originally released in 1996 showcasing the ferocious sound of 90's analog hardware. Over 25 years later Dax J presents his colossal remix of the relativity unknown and now unearthed gem that went under the radar for so many years. The B - side of the record comes with a signature Dax J deep percussive groove, "The Train
The independent label Six Nine Records Ltd. UK, based in Newcastle upon Tyne, proudly presents their first ever 12” release which contains the stunning Christopher Williams tune “Fine As Gold”!
This release is definitely worth its weight in gold, the Bronx (New
York) native Christopher Williams delivers an amazing tune and most
certainly lives up to the nickname “The modern Teddy Pendergrass”. The track is penned and produced by Stone Paxton and on the flip we are spoiled with an exquisite remix by genius Yuki “T-Groove” Takahashi.
Definitely not to be missed as it is a very limited UK press with full
colour printed picture cover!








































