Cerca:city

The Something Rain was recorded in bursts over approximately a year, from May 2010 to August 2011 and mixed in September- October 2011. It was a time of experimentation, of searching and honing down a shape and sound. Of the twenty or so ideas they set out with, nine songs became the final album.

Erstmalig überhaupt auf Vinyl erhältlich: "Blue Collar Sons", das zweite Album der schwedischen Streetpunker "City Saints"! 2012 gegründet machten sich die Ex-Mitglieder von Perkele und Chillihounds mit ihrer neuen Band schnell einen Namen in der Streetpunk/Oi-Szene mit ihrem explosiven Mix aus High-Energy-Punkrock, Oi! und von Bands wie Mötley Crew inspirierten R'N'R-Touch. Ihr Debüt "Kicking ass for the working class" ist mittlerweile zurecht ein Klassiker. Der nur ein Jahr später veröffentlichte Nachfolger "Blue Collar Sons" bewies mit Songs wie "Hooligan", "Punk, Rock & Oi!" oder "Working Class Rockers", dass die Göteburger ein besonderes Händchen für explosive Rough'n'Tough Hymnen haben, die sofort zünden! "The (City) Saints come marching in" war und ist kein leeres Versprechen! Nach mittlerweile 6 veröffentlichten Alben und ihrem erst vor ein paar Monaten veröffentlichten letztem Werk "EXPLOSIV!" darf man die City Saints getrost zu eine der großartigsten, schwedischen Streetpunk'n'Roll Bands bezeichnen! "Blue Collar Sons" erscheint limitiert auf classic black und multicoloured (clear w/ smokey dark blue) Vinyl!

Erstmalig überhaupt auf Vinyl erhältlich: "Blue Collar Sons", das zweite Album der schwedischen Streetpunker "City Saints"! 2012 gegründet machten sich die Ex-Mitglieder von Perkele und Chillihounds mit ihrer neuen Band schnell einen Namen in der Streetpunk/Oi-Szene mit ihrem explosiven Mix aus High-Energy-Punkrock, Oi! und von Bands wie Mötley Crew inspirierten R'N'R-Touch. Ihr Debüt "Kicking ass for the working class" ist mittlerweile zurecht ein Klassiker. Der nur ein Jahr später veröffentlichte Nachfolger "Blue Collar Sons" bewies mit Songs wie "Hooligan", "Punk, Rock & Oi!" oder "Working Class Rockers", dass die Göteburger ein besonderes Händchen für explosive Rough'n'Tough Hymnen haben, die sofort zünden! "The (City) Saints come marching in" war und ist kein leeres Versprechen! Nach mittlerweile 6 veröffentlichten Alben und ihrem erst vor ein paar Monaten veröffentlichten letztem Werk "EXPLOSIV!" darf man die City Saints getrost zu eine der großartigsten, schwedischen Streetpunk'n'Roll Bands bezeichnen! "Blue Collar Sons" erscheint limitiert auf classic black und multicoloured (clear w/ smokey dark blue) Vinyl!

2025 Repress

white vinyl

Den Grundstein für ihre musikalische Karriere legten SPRINTS zweifelsohne mit ihrem Debütalbum 'Letter To Self' im Jahr 2024. Allein in diesem Jahr tourte die Band um Frontfrau Karla Chubb zwei mal durch Europa, UK und die USA. Das neue Album 'All That Is Over' ist ein bemerkenswertes zweites Werk, das die Dynamik der Band noch weiter vorantreibt, noch nuancierter klingt, aber nichts an Rohheit einbüßt.

Während viele Bands nach einer solch hektischen Anfangszeit ausgebrannt wären und eine Pause bräuchten, wurde Karla umso produktiver und kreativer. 'There was just so much happening and so much to process,' erklärt sie. 'I was going through a big break up with my partner who I’d been with for eight years; Colm had left the band; we’d really progressed into being professional musicians, and I was at the start of a new relationship. But then you’d look outside and it’s like the world has never been uglier. I was writing every day because there was so much going on.' In diesem Spannungsfeld aus Wut, Ambitionen und tausend weiteren Gefühlen dazwischen legt 'All That Is Over' die Karten auf den Tisch. Das Album wurde in Tourbussen, bei Soundchecks und in Echtzeit geschrieben. Vor dem Hintergrund einer Litanei von Grausamkeiten - dem Krieg in Nahost, den Waldbränden in Los Angeles, Trumps Executive Order, die die Rechte von Trans-Personen schneidet - versuchen SPRINTS, einer verrückt gewordenen Gesellschaft einen Sinn zu geben.

Das neue Album 'All That Is Over' der irischen Band SPRINTS erscheint am 26. September 2025 via CITY SLANG (in den USA über Sub Pop Records). Im Sommer ist die Band mit Fontaines D.C. bei einigen Konzerten in Deutschland live zu sehen.

Den Grundstein für ihre musikalische Karriere legten SPRINTS zweifelsohne mit ihrem Debütalbum 'Letter To Self' im Jahr 2024. Allein in diesem Jahr tourte die Band um Frontfrau Karla Chubb zwei mal durch Europa, UK und die USA. Das neue Album 'All That Is Over' ist ein bemerkenswertes zweites Werk, das die Dynamik der Band noch weiter vorantreibt, noch nuancierter klingt, aber nichts an Rohheit einbüßt.

Während viele Bands nach einer solch hektischen Anfangszeit ausgebrannt wären und eine Pause bräuchten, wurde Karla umso produktiver und kreativer. 'There was just so much happening and so much to process,' erklärt sie. 'I was going through a big break up with my partner who I’d been with for eight years; Colm had left the band; we’d really progressed into being professional musicians, and I was at the start of a new relationship. But then you’d look outside and it’s like the world has never been uglier. I was writing every day because there was so much going on.' In diesem Spannungsfeld aus Wut, Ambitionen und tausend weiteren Gefühlen dazwischen legt 'All That Is Over' die Karten auf den Tisch. Das Album wurde in Tourbussen, bei Soundchecks und in Echtzeit geschrieben. Vor dem Hintergrund einer Litanei von Grausamkeiten - dem Krieg in Nahost, den Waldbränden in Los Angeles, Trumps Executive Order, die die Rechte von Trans-Personen schneidet - versuchen SPRINTS, einer verrückt gewordenen Gesellschaft einen Sinn zu geben.

Das neue Album 'All That Is Over' der irischen Band SPRINTS erscheint am 26. September 2025 via CITY SLANG (in den USA über Sub Pop Records). Im Sommer ist die Band mit Fontaines D.C. bei einigen Konzerten in Deutschland live zu sehen.

Was ist das Leben anderes als eine endlose Reihe von ,Oh oh"-Momenten? Von unseren frühesten Kindheitsunfällen bis hin zu unseren überwältigenden Ängsten als Erwachsene - dieser kleine Ausdruck prägt unser gesamtes Dasein. Fragen Sie einfach den Indie-Pop-Maestro Patrick Watson aus Montreal, der kürzlich mit dem größten ,Oh oh"-Moment konfrontiert wurde, den ein professioneller Sänger erleben kann. Eines Morgens im Winter 2023 wachte Patrick auf und stellte fest, dass seine Stimme - das engelsgleiche Instrument, das 2006 sein kunstvolles Art-Rock-Opus ,Close to Paradise" auf das Podium des Polaris Music Prize katapultierte - komplett kaputt war. ,Natürlich singe ich gerne für Menschen, aber ich hatte auch viel Spaß mit meinem Modular Synthesizer und tauchte tief in die Instrumentalmusik ein" - eine natürliche Neigung für Patrick, der bis heute über 15 Filmmusiken komponiert hat. ,Aber dann dachte ich mir: ,Oh, es wäre cool, Songs für all diese verschiedenen Sänger zu schreiben, die ich wirklich gerne singen hören möchte - so finde ich einen Ausweg aus dieser Situation.` Denn meine Stimme sollte eigentlich nicht zurückkommen. Und als sie es doch tat, dachte ich einfach, dass es für ein Album immer noch cooler wäre, all diese anderen Sänger zu haben, als mich selbst singen zu hören." Limitierte Edition auf canary-yellow Vinyl in einer Gatefold-Hülle mit bedruckter Innenhülle.

The successor to 2022"s Bajascillators glides easily into frame, but once there, Inland See is deceptively immediate. It"s so dialed in, you hardly even feel how present the music (and you the listener) is. Time wharping"s always been a resident magic for Bitchin Bajas, as is flow, which is translucent like water here. That"s the Inland See vibe, unique unto itself. In turn, each of the four songs here are entirely within themselves, all together forming an essential whole. The coincision"ll cause yer breath to shorten, like an exciting and non-fatal kind of exercise! New freedoms, yet more molecular structure in each one. With every successive Bitchin Bajas release, we see that the real key for them is a sense of discovery, that tingle that comes when you feel something breakíing through. The sky opening up. The stuff that fills this Inland See holds you up powerfully, as if you"re floating, saltwater or helium-wise - effervescent, effortless, elemental.

The successor to 2022"s Bajascillators glides easily into frame, but once there, Inland See is deceptively immediate. It"s so dialed in, you hardly even feel how present the music (and you the listener) is. Time wharping"s always been a resident magic for Bitchin Bajas, as is flow, which is translucent like water here. That"s the Inland See vibe, unique unto itself. In turn, each of the four songs here are entirely within themselves, all together forming an essential whole. The coincision"ll cause yer breath to shorten, like an exciting and non-fatal kind of exercise! New freedoms, yet more molecular structure in each one. With every successive Bitchin Bajas release, we see that the real key for them is a sense of discovery, that tingle that comes when you feel something breakíing through. The sky opening up. The stuff that fills this Inland See holds you up powerfully, as if you"re floating, saltwater or helium-wise - effervescent, effortless, elemental.

Fred Armisen, long known as one of the most curious actor/comedian/musician/ producer/ author/all-round good guys in the business, likes unusual ways of entertaining people. Like this one: 100 Sound Effects is an album that can be used as a library, an industrial tool for your own entertainment projects, or simply for brain-stimulating deep listening. From basic sounds to more abstract scenarios, 100 Sound Effects is an album like no other!

Our favorite six-string shaman is waving that axe around again! Sir Richard Bishop wrenches forth fresh damnable truth and beauty from a musical kamikaze run through histories both known and unknown. Turning a gimlet eye to the American Primitive guitar style, Sir Rick applies his own bloodthirsty interpretive methods on a self-described "excursion into the dark woods," to locate - and play along with - the Primitive"s moonshine-fed inner savage.

The 1st clash of the necks from polymath guitarists MacKay & Walker, taped live at Chicago"s own Whistler bar for release on the Whistler label. Reissued by us "cause of these dudes" uncanny alchemy and their constant, ever-melding flow. It"s an imperative: there"s not enough records around with such intense properties! Coincidentally, it came out 10 years ago. Big deal! We"d have done it when it was only 9 years old too - we just got busy, okay?

Our favorite six-string shaman is waving that axe around again! Sir Richard Bishop wrenches forth fresh damnable truth and beauty from a musical kamikaze run through histories both known and unknown. Turning a gimlet eye to the American Primitive guitar style, Sir Rick applies his own bloodthirsty interpretive methods on a self-described "excursion into the dark woods," to locate - and play along with - the Primitive"s moonshine-fed inner savage.

Their final LP, recorded with Jeremy Lemos, Purple On Time dropped in late 2003, and found new drummer Adam Vida cannily replacing the fairly departed Pat Samson. With consolidations and developments heavy on the ground, the band once more surged and retarded in near-orchestral precision, as Johnson"s voice swooped through fresh ranges. The songs were tangy, more rock than ever, yet just as potent when it came to drawing forth that thrusting, demented hip-shake that they induced in their faithful. 180-gram DELUXE with a die-cut sleeve and contains an extra song and a poster.

With their EP triptych "Thee Church Ov Acid House Volume 1–3," Oliver Bradford and Jörn Elling Wuttke created a holy trinity of diverse dancefloor variations, a self-contained circle of rave history.

In itself already a heavyweight statement, which they now crowned with “Bells & Whistles - Thee Remixes”. So to speak the quadrature of the circle And as with their original material, this release also reveals a profound knowledge of dance history in the selection of remixers - combined with the best of the here and now.

Vinyl EP2 featuring remixes of Man Power, As One ( Kirk Degiorgio ), HRDVSION ( Nathan Jonson ), Cosmic Cars ( Pudel Produkte, Smallville, Bureau B )

After a ten-year absence that left a palpable void in the hearts of millennial emo kids, MOTION CITY SOUNDTRACK are finally back-and yes, it"s everything we hoped for. The Same Old Wasted Wonderful World feels like coming home: a dizzying, emotionally articulate blast of guitar-laced pop-punk that reminds us why this band meant so much in the first place. It"s a sonic time machine, sure, but it never gets stuck in the past. Instead, it builds on it-older, a little bruised, but somehow more alive. Justin Pierre"s voice still wobbles gloriously between a scream and a sigh, only now it carries the weight of experience, not just anxiety. Rather than reinventing themselves, MOTION CITY SOUNDTRACK double down on what they"ve always done best: big hooks, bigger feelings, and that perfect tightrope walk between chaos and control. Tracks like "Particle Physics" (with Patrick Stump of Fallout Boy) and "Your Days Are Numbered" (featuring Mat Kerekes of Citizen) channel the kind of clarity that only comes after surviving your own worst years. In a world drowning in lazy nostalgia, The Same Old Wasted Wonderful World is a rare and welcome return that feels less like a reunion and more like a long-overdue continuation.

After a ten-year absence that left a palpable void in the hearts of millennial emo kids, MOTION CITY SOUNDTRACK are finally back-and yes, it"s everything we hoped for. The Same Old Wasted Wonderful World feels like coming home: a dizzying, emotionally articulate blast of guitar-laced pop-punk that reminds us why this band meant so much in the first place. It"s a sonic time machine, sure, but it never gets stuck in the past. Instead, it builds on it-older, a little bruised, but somehow more alive. Justin Pierre"s voice still wobbles gloriously between a scream and a sigh, only now it carries the weight of experience, not just anxiety. Rather than reinventing themselves, MOTION CITY SOUNDTRACK double down on what they"ve always done best: big hooks, bigger feelings, and that perfect tightrope walk between chaos and control. Tracks like "Particle Physics" (with Patrick Stump of Fallout Boy) and "Your Days Are Numbered" (featuring Mat Kerekes of Citizen) channel the kind of clarity that only comes after surviving your own worst years. In a world drowning in lazy nostalgia, The Same Old Wasted Wonderful World is a rare and welcome return that feels less like a reunion and more like a long-overdue continuation.

Ten City is universally known as one of the foundational House Music artists who helped to preach the gospel of House from Chicago out to the world during the genre’s formative years in the late 80’s. Remarkably Ten City is still recording and performing, with the voice and face of Ten City Byron Stingily delivering classic songs like “That’s The Way Love Is,” “Devotion” and “Right Back To You” to adoring fans from multiple generations around the world.

Throughout his career, Byron has always had a keen sense of where House Music is going both on a musical and cultural level, and the role Ten City could play to stay at the forefront. He saw that now in the year 2025 the time was right to collaborate with a new generation producer who could “walk the walk” in terms of knowing how to utilize to the fullest the multiple emerging production techniques making House Music dancefloors jump. At the same time, whomever he worked with to create a new Ten City album had to be so well versed and respectful of the group’s legacy that they would not stray too far from what the original songs and albums were all about.

He found his man in another Chicago native DJ Emmaculate, who is well known among house music fans as one of the most talented writer / producer / DJs in the genre.

For the new album on Nervous Records, appropriately entitled “The Next Generation,” Byron and Emmaculate have expanded the Ten City sound both musically and in terms of vocal contributors. While “Voice Of House Music” Byron Stingily still delivers slam-dunk hits with his inimitable style, the album also includes supreme vocal contributions from Mon’Aerie, Uneq’ka, DRAMA D. Lylez, and a rap delivery from OVEOUS.

This Double Pack vinyl consisting of 8 songs with a custom jacket is a priceless and must-have addition to anyone and everyone who is a fan of the house music genre.

"Zur Feier des 50th Anniversary des Albums ""Fool For The City"" kommt jetzt diese spezielle 2LP ihres Platins-Klassikers.
Enthalten sind Hits wie ""Slow Ride"" und ""Fool For The City"" sowie nie zuvor veröffentlichte Live-Aufnahmen von 1975"

Gastr del Sol"s second album returns at last to the vinyl format - its first physical manifestation in well over a decade. Once again, a drop of the needle may ignite any number of queries, summed simply in one: What IS this music? Such is the potent energy of Crookt, Crackt, or Fly, retaining its otherworldly qualities some 32 years and countless musical movements since. Crookt, Crackt, or Fly expands upon The Serpentine Similar"s minimalist stance in unexpected ways, imposing further austerity in the soundscape but for an unpredictable expansive quantity periodically overflowing, waves of blood sluicing through the elevator doors. This is partially due to a change within the group dynamic: the departure of bassist Ken "Bundy" Brown and the arrival of a new partner for guitarist and singer David Grubbs - guitarist and sound fuckerer Jim O"Rourke. O"Rourke"s initial work with Gastr involved editing and recomposing recordings of the Grubbs-Brown-&-sometimes-John-McEntire lineup, producing an utterly outré collage of cut-ups and other types of tape processing. This became the "20 Songs Less" single, after which he was invited to play with the group. It was a time of flux; Brown recalls playing a Gastr show at the Metro around this time featuring himself, John McEntire, Grubbs and O"Rourke - and one of the pieces played was a Tortoise song! Throughout these shifts, Gastr del Sol"s music was never less than fully considered and composed, even in moments redolent with the suggestion of the random and the non-sequitur. Grubbs and O"Rourke made no attempt to replicate Serpentine"s arrangement of thick, scaly drones and hypnotic song-visions in their own partnership, finding Crookt, Crackt,"s sound instead in spiny, gamelan-like interactions between their (mostly acoustic) guitars, played precisely in and out of formation with bright, fleet-fingered abandon. O"Rourke"s fondness for field recordings and his capacity for tape manipulation intersected with Grubbs" sensibilities, edifying his evolving song style: written with increased sharpness and sly surreal humor, sung closer to silence. Halfway into "Work from Smoke", the sudden collapse of the sound-walls around us signals Crookt, Crackt"s major departure. From the thicket of guitars, a swell of drones and free-jazz squeals, made up of bass clarinet, vibraphone and organ, pulls the listener into an entirely other acoustic space. "Every Five Miles" derails in similarly tactile fashion: a guitar duet boils up thunderously, then fragments and spirals apart. As a free electric guitar part crops up, improbably holding the center, the acoustic space around it continues to disintegrate in ambient stereo. A wedding of folk music idioms to classical, improvised and modern compositional modes (including Gastr"s own formative post-punk mode), Crookt, Crackt, or Fly is a song-based reality steadily giving way to its alternative alchemies playing out within.

Back from the undead in the fresh (because we believe in upgrades & afterlifes!) is this new pressing of the first of all Gastr del Sol records, The Serpentine Similar. It is one of several distinct initiators of a definitive musical drift in the 1990s, and a drift all of its own, to boot! At the time, this album was largely heard within an underground whose boundaries were clearly defined - but if today"s sound-pool of "commercial" music is deeper and wider than it was back then, it is without a doubt due to the cracking open of certain doors of perception by Gastr del Sol, alongside their esteemed others. The year was 1992. After a bruising run of tour dates the year before, the final lineup of Bastro, a power-trio of David Grubbs, Ken (Bundy) Brown and John McEntire, retired, exhausted. Shortly thereafter, they were rebirthed, sans drums, via a new set of ideas composed in the cut-down configuration of Grubbs on guitars, keyboards and vocals and Brown on bass. Playing in duo format opened up sound and intention, leaving the need for speed (and the stock in rock) out, while letting in an expanse of brooding, droning acoustic space that highlighted the songs" serpentine shapes. This was something so radically different as to require a new calling card: henceforth, Gastr del Sol. Signing to Teen Beat, Gastr del Sol completed The Serpentine Similar in late 1992 for release the following year (the DC reissue came in "97). In the final rendering, Serpentine"s roof-rent, white-sky execution was attenuated with several percussion appearances from the prodigal John McEntire. Over the next five years, his cameo presence was a constant in Gastr del Sol"s steadily-evolving tradition of significant breaks from tradition at every turn. There would be an even more significant tradition-breaker onboard for all this; following the release of The Serpentine Similar, Jim O"Rourke joined Grubbs in Gastr as Brown exited (to focus on Tortoise, with McEntire et al). For the new Gastr duo, a world of new directions in music awaited, the future became the past, and the music of Gastr del Sol emerged from the thin air, then returned there. Now, The Serpentine Similar has been returned to vinyl from the temporal streams of contemporary music listening, a glorious rematerializing of all its spatial details on LP for the first time in 20 years.

For this collaborative release, Eiko & Jim edited and remixed material captured at shows they played during a lovely two week tour through France, Switzerland, Italy and Ireland in April 2023. Pareidolia shapes an ideal collage from the best resonances and relationships from those nights. A dynamic medley of colour and shape to pulse through earbuds, speaker cones and the air around you, appealing to your suggestibility, wherever you find it.

Bret McKenzie ist ein Grammy- und Oscar-prämierter Künstler, der vor allem durch seine Band Flight of the Conchords und die gleichnamige Fernsehshow bekannt wurde. "Freak Out City" ist sein zweites Album mit geistreichen, anspruchsvollen Solosongs und baut auf den Stärken seines Debüts "Songs Without Jokes" auf (das vom FarOut Magazine als "musikalische Version eines Kurt Vonnegut-Romans" beschrieben wurde) und wird sicherlich Fans von nachdenklichen Singer-Songwritern wie Harry Nilsson, Elvis Costello, Father John Misty und klassischem Pop-Rock der 70er Jahre Freude bereiten. McKenzie ist international bekannt dafür, witzige, seltsame und einzigartige Songs zu singen und zu schreiben, vor allem für Film und Fernsehproduktionen. Bret McKenzies Lieder wurden bereits von Kermit dem Frosch, Celine Dion, Lizzo, Benedict Cumberbatch, Brittany Howard, Homer und Lisa Simpson, Fred Armisan, Miss Piggy, Amy Adams, Jason Segal, Ricky Gervais, Benee, Isabela Merced, Spongebob Schwammkopf, Tony Bennett, Mickey Rooney und vielen anderen gesungen. Das selbstbetitelte Debütalbum von Flight of the Conchords wurde 2025 mit Gold ausgezeichnet und ging prompt in einer limitierten Gold-Vinyl-Variante über den Ladentisch.

Zum 20-jährigen Jubiläum zurück -zweifarbiges Swirl Dopple-Vinyl und erste schwarze 2LP-Pressung seit der ursprünglichen Warner-Veröffentlichung 2005. Plus exklusives Glanzlack-Sleeve! Mit über 2,5 Millionen verkauften Exemplaren weltweit ist "City of Evil" nach wie vor eines der beliebtesten Alben von Avenged Sevenfold. Inklusive des Fan-Favoriten "Bat Country", der Single "Burn It Doen" und "The Wicked End". Avenged Sevenfold (abgekürzt A7X), die amerikanische Heavy-Metalcore-Band aus Huntington Beach, Kalifornien, wurde 1999 gegründet. Avenged Sevenfold sind bekannt für ihren variantenreichen Alternative Metal-Sound und ihre dramatischen, teils expliziten, Bilder auf Albumcovern und Merchandise-Artikeln. Auf ihrem Debütalbum "Sounding the Seventh Trumpet" entwickelte die Band einen Metalcore-Sound, den sie bis zu ihrem zweiten Album "Waking the Fallen" weitgehend beibehielt. Der Stil der Band hatte sich mit ihrem dritten Album und ihrer ersten Veröffentlichung bei einem Major-Label Warner, "City of Evil", zu einem traditionelleren Heavy-Metal-Stil entwickelt, der u.a. Bezug auf NWOBHW und Metallica nimmt. Nr. 63 auf der Liste der "100 Greatest Guitar Albums of All Time" des Guitar World Magazine. Kerrang! listet "City of Evil" sowohl bei "666 Albums You Need to Hear Before You Die" als auch in "50 Albums You Need to Hear Before You Die" sowie als Nr. 35 in "50 Greatest Metal Albums Ever". Rolling Stone nimmt das Album in seine Liste "The 100 Greatest Metal Albums of All Time" mit auf.



Die Jubiläums-Editionen des Doppelalbums sind als rot-gelbes Swirl-Vinyl (limitiert auf 500 Exemplare weltweit) erhältlich, oder als klassische schwarze 180g-Pressung, welche für Hopeless Records absolut nicht klassisch ist, sondern eine Rarität darstellt, zu haben Beide kommen mit Silberfolie veredeltem Sleeve, welches exklusiv für die 20th Anniversary 2025er Auflagen sein wird. Für Fans von Metallica, Slipknot, & Bullet For My Valentine, Metalcore, Alternative, Post-Metal, Emo, Heavy Metal

Ty Segall follows 2022"s acoustic introspection opus "Hello, Hi" with a deeper, wilder journey to the center of the self. With Three Bells, he"s created a set of his most ambitious, elastic songs, using his musical vocabulary with ever-increasing sophistication. It"s an obsessive quest for an expression that answers back to the riptide always pulling him subconsciously into the depths. Questions we all ask in our own private mirrors are faced down here - and regardless of what the mysterious "Three Bells" mean in the context of the album"s libretto, you can be assured that Ty"s ringing them for himself, and for the rest of us in turn.

Double A-Side release by two of Englands best Streetpunk/Oi! Bands with two new songs on a ltd vinyl 10inch! GIMP FIST celebrating their 20years anniverary with brandnew track "History Repeats"."HISTORY REPEATS" is something very special in every way: The song surprises with a sound that is very atypical for Gimp Fist, with excursions into folk punk, and for good reason: It is released exactly 20 years after their first pub concert back on June 6, 2005, in Bishop Auckland, and it has captured just that atmosphere musically. Instead of merely celebrating themselves as is usual with anniversary songs, the lyrics convey a clear message to society and politics for mutual respect and peace, as the signs unfortunately point to 'History Repeats' with all the current conflicts worldwide. UK's Streetpunkers RIOT CITY RADIO shouting out loud to all football and soccer fans with their new song "We're still singing" A terrace themed anthem calling out all the 'fair weather' supporters who turn their back on their sports team when times get hard. Catchy Singalongs paired with melodic hooklines and straight forward guitars, for good reasons RIOT CITY RADIO are handled as on of UK's actual best Streetpunk bands! Classic black vinyl, here's the Gimp Fist cover art displayed.