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Ohio's O'Jays were a hugely popular part of Philadelphia's PIR stable throughout the 1970's and 80's.
They cut numerous sides for the label aided by the incredible production and arrangements of the infamous Gamble and Huff hit machine.

This special 4 track EP includes some of the absolute evergreen, stellar and downright soulful tracks they are most known for. It's all here. Influential, uplifting, inspiring and soulful music that will touch everyone. From the string laden and lush extended proto Disco joy of 1975's 'I Love Music', to the deep and soulful Philly stylings of 'Back Stabbers', 'Message In Our Music' & 'My Favourite Person', all of the music contained within this amazing collection is utterly essential if you dig Soul, Funk, Disco, Gospel and even House music. This is it. The real deal. These are some of the roots of contemporary dance music, the building blocks. On top of that, it's simply great music, a solid and essential addition to any record collection from one of the greatest vocal groups of the era, not to mention the world calls production, arrangement & execution from the legendary Gamble & Huff. A real no brainer this one.....

This is a fully legit reissue, made in conjunction with Above Board distribution and Sony music, sourced from their vaults using original source material and remastered and repressed to the highest standard for 2018 and featuring all original PIR label artwork.

Here's your chance to own yet another essential stone cold classic from the archives!

Prolific powers in rave and counterculture, Luca Lozano and Mr. Ho debut on Phantasy with the deliciously gnarly ‘WREKONS’ EP. Already locked in close collaboration at their own Klasse Wrecks label, this temporary migration to Erol Alkan's peerless London imprint with four outsider-electro variations that sit comfortably amongst the more bombastic moments in Phantasy's history.

‘Reach Out and Touch’ sets the tone, bursting sound systems wide open with an introduction that takes Lozano and Ho out of the basement and into the widest festival fields, overdriven with sheer energy and a flawless arrangement that sets up all manner of musical twists until the final chord. ‘Psycho Rasp’ expands from a simple cowbell beat to a circuit-frying melody, a machine rush that isn’t afraid to strip back to bare essentials for a devilishly simple, extremely effective breakdown.

On the flip, ‘WREKONS' pushes things further still, particularly on the lubricious ‘Grease Beat’, an unrelenting symphony of rubber-faced bass, crashing cymbals and demented drums, ideally composed to pair daring DJs with submissive dancers. ‘Tin Can Hustler’ closes off the EP with the duo’s leftfield take on jackin’ house, its dense groove bubbling up from underneath the strangest analogue signals.

The title and sleeve artwork for 'WREKONS' makes reference to the PERKONS HD01, a drum machine made by Latvian wizards Erica Synths, and one that was used heavily throughout the two-day session in which these tracks were recorded

MELODIES” is the first album released on the MOON label. The album was the first album released on the MOON label, and it marked a drastic change
in sound direction from the RCA/AIR era, as a result, the range of their work expanded, and the Christmas classic “Christmas Eve” was born from their work.
The result is a monumental masterpiece that will remain in the history of pop music. Includes “Christmas Eve” “High Air Pressure Girl,” “Merry Go Round”
and more. Includes detailed liner notes by Tatsuro Yamashita himself!

UK funk veterans McKenzie & Gardiner are best known for their 1983 boogie classic 'From Time' and the album Songs From Time - The Lost Demos. They returned in 2021 with a fresh recording of fan favourite 'Hold On Tight' featuring original vocalist Shelley Hicks and it now lands on vinyl for the first time. First, though, the A-side delivers the sultry boogie swagger of 'Completely' with its aching male vocal and humid, throbbing bass. Flip it over for the smooth, soulful 'OG Redux' version of 'Hold On Tight' produced by Clive Gardiner who says, "we used lockdown to get the gang back together, and we've never sounded better." Hard to argue with that.

Adeen Records hits a quarter of a century of releases with two of Italy's finest talents reimagining Collecttivo Immaginario's jazz-tinged gem 'Aperture' through a club-centric lens. Label regular Nico Lahs transforms the original into a peak-time weapon layered with stacked drums and deep basslines while smartly preserving its soulful core. On the B-side, New Digital Fidelity delivers a groove-heavy interpretation that retains the jazz essence while adding a hypnotic rhythmic drive perfect for deeper sets. Both versions manage to remain sympathetic to the original while taking it into fresh new directions that bring a contemporary edge to the classic original.

Martin Blix is BLIXX86 and his entire catalogue so far dropped back in 2021 as part of a self related run of singles. Now the lead single 'Pull The Trigger' from the last of those EPs is revisited with some new remixes. The first new version is a dark, chugging Italo cut with twinkling synth stars and gritty bass. 'Italoconnection remix 2' has a happier outlook with rueful synths hovering above the lighter low end. There's also an AP mono remix that brings a deadpan 80s vocal and taps into the synth wave sounds of that era before a Gianni Durante instrumental closes out with the tightest and most retro future Italo vibes of the lot.

Some big names feature on the second volume of ENSOULED's 'Freedom, Innovation, Resonance' series, and they serve up suitably profound sounds. Dutch mainstay Orlando Voorn gets the hairs standing on end with his 'Deeper', a sumptuous blend of soft synths, undulating rhythms and spiritual keys. The Cee ElAssaad remix has still soft edges but a little more upright groove, and then Chicago legend Boo Williams cranks it up further with his loopy, melodically intense 'Loose Cannon'. Lastly, Nawfel's 'Fight Or Flight' is a textural deep house affair with mechanical, rigid rhythms softened by the lush pads. It echoes greats like Omar S and Theo Parrish and closes in style.

The faultless Is It Balearic? Crew keep summer alive a little longer with a new and blissed out offering from Simon Peter. The title track 'Souvenir ' sets the tone with dreamy electric piano and a Laurel Canyon-style vocal with folky overtones that help evoke hazy sunsets. 'Mystical Delight' drifts deeper into a desert-tinged folk trip, while 'Still Going' adds percussive layers and brings a perfect Balearic balance. On the flip, Peaking Lights rework the title cut into a nostalgic haze, spotlighting the vocals with lullaby warmth. Coyote bring their trademark dub touch to close with a groove that rolls deep into hypnotic territory. This EP feels like a postcard from a distant, golden horizon.

Hailing from the city of Brotherly Love, Terri Wells first came to prominence as a session singer for Philadelphia International Records in the mid 1970’s following the breakup of her group City Limits. Wells soon began recording and touring as a featured vocalist with artists such as Lou Rawl, M.F.S.B., Leon Huff, Jean Carne and Dexter Wansel. In 1979, she joined the band of Roy Ayres and eventually sang on “Turn Me Loose” and co-wrote the track “Let’s Stay Together” from his 1982 album “Feeling Good”. Recruited by staff producer Nick Martinelli, Terri signed as a solo act with the Philly World Records in 1983 and released her one and only full length offering “Just Like Dreamin’” The album features the singles “You Make It Heaven” and “I’llll Be Around” which both charted in the United Kingdom. To this day her sensational debut remains a classic example of the soulful Philly sound of the the early 1980’s.
- Features the hit singles “You Make It Heaven” and “I’ll Be Around”
- Produced by Nick Martinelli (Diana Ross, Chaka Khan, Regina Belle, Phyllis Hyman, Stephanie Wells)
- Backing and arrangement fine the cream of the crop Philly Soul session aces

ANiML comprises accomplished and storied electronic artists. Their Stratasonic label has become a respected home for their freeform musical explorations, with no genre restrictions. They often call on friends and influential pioneers to collaborate on releases, and the originals they produce are defined by improvisation, creative songwriting, and intentional collisions of different moods and grooves.

'Unioness' is a tender but crisp late-night sound. Soft, jazzy melodies drift over orchestral swells with drum breaks cascading below. Abstracted vocals and serene strings further enrich this sophisticated sound, which draws on soundtracks and instrumental soul groups.

Stoned Autopilot is an alias of long-time studio magician Martin Buttrich, who is also part of Better Lost Than Stupid and has a fulsome catalogue on many of the scene's most recognisable labels. His dub rides smooth waves with aching vocals melting into the mix, and the melodies looped, smudged, and smeared in hypnotic fashion.

The second rework comes from DJ Sneak, the hugely prolific and consistent Chicago house innovator whose famously raw, tracky sound keeps him in a class of one. His fantastic Big Bawse Re-Rub brings a rolling four-four groove, a delicate sprinkling of percussion, and a loopy rhythm that locks you in and zones you out as curious melodies unfurl up top.

Chat Noir opens its 2025 calendar with the fourth chapter of its hors-série imprint, welcoming a striking new EP from Mariiin, the Italian DJ and producer based in London, previously spotted on labels such as Eya Records and Exarde.
Staying true to her signature sound, Mariiin delivers three exclusive tracks lying somewhere between techno and electro. Dark, powerful and hypnotic, these pieces carry a certain atmospheric tension and depth. Each track unfolds with precision and intensity, confirming her status as one to watch in today’s underground club landscape.
To complete the release, Italian artist Otis offers a compelling reinterpretation of False Memory on the B2. His version closes the EP in the best way, adding his unique twist that elevates the original material.

An incising snare marks the return of Luxus Varta to Shipwrec. Since his last appearance, Aquamarine Puzzle in 2017, the Frenchman has been honing his craft with releases on a spread of stellar imprints. Noise Figure is the culmination of that refining process, his sound and style being forged and framed within the parameters of electro. And these parameters are immediately tested. From the warbling bass and tight percussion of The Resetter, crystalline chords cascade before a shimmering string of wintery warmth. Terse beats introduce Building Peaks, wraith-like rinses offering space for playful forms to take hold. Fudgey basslines are unsettled by sci-fi synths, a touch of the otherworldly balancing this unique cut. The warm current of Lizardous penetrates the frostier funk of the EP, delicate and fragile notes thawing the cold rhythms and glacial undertones. Silver Girl contrasts autumnal shades with brittle harmonies, angles and lines curved by sheer musical craftsmanship. Shifting into electronica, the close is a complex composition that demonstrates Luxus Varta's breadth of ability. Gentle melodic ebbs are countered by echoes of the factory floor, the human touch coming to the surface with understated radiance.

Two Lisbon mainstays from contiguous generations join forces as Scam Dust for the new Paraiso record: Tiago, Lux Fragil resident, world-renowned DJ's DJ and all-round music whizz plus Shcuro, Paraiso's co-founder, scene documenter and impeccable selector & producer. Funnily enough they also live in contiguous beach towns in the outskirts of the capital, Parede and Carcavelos. That's where they zig-zagged amid home-studios and, four hands in various machines, concocted this refreshingly to-the-bone record. Like a non-local entanglement between Lisbon, Sheffield, The Hague and somewhere in the American Midwest, 'Gastric Pulse' EP opens with a saturated, modulated acid line over a tight, industrial-tinged techno beat, peppered with sonic dirt of the highest order. It sounds like music projects like Downwards and Mathematics would put out. 'Enzyme Breaks' follows suit with a comparably raw spirit, adding some mysterious atmospheric scintillation and drum variations. A certain recluse techno (is that a thing?) comes to mind (and heart), Unit Moebius style. Toms abound in 'Pepsin Drive' - always a promising sign in our book - and the playfulness continues in the cheeky bassline and the intricate clap work. Soulful stabs give the tune extra magic via the mantra-like structuring power of repetition. The final track in the record comes from Pacific North-West transplant Doc Sleep and her collaborator Elias FS step in for remix responsibilities and flip the B1 into a hypnotic, dubby - and yes, jazzy - piece complete with a dive into glitchy, sonic sculpture territories towards the end of the arrangement. Quite the brilliant take. Music still counts (and always will), after all is said and done - and nothing like two hard-working music-makers to remind us of that.

Following the last blend of four timeless cuts compiled into TRIX002 (2023), Party Tricks returns with a new VA that maps the outer edges of UK breaks and garage on the A-side, and a US-tinged psychedelic journey on the B-side.

Stitched with fleeting lines from The Usual Suspects (“The greatest trick the devil ever pulled…”), A1 Trick or Treat - Trip To The Dark Side dives into the darker shades of the UKG spectrum, setting the opening tone with a mysterious heavy stepper.Continuing down this road, Sheethanger – Discostep flips the energy with a dubby, and irresistibly groovy breakbeat workout, complete with spicy vocoders and a kinetic drive engineered to lift every dancer off the floor.

On the B-side, the focus shifts toward the psychedelic zone of the US niche. A Terran Collective - Mercury Uno rolls out in low gear under acidic, foggy tension, gradually accelerating as it climbs toward a hazy, hypnotic eruption.Finally, Earth Trance Interlude - Moonshine delivers an after-hours breaks masterpiece - the right anthem to close the record on a bright and uplifting-melodic-tribal note.

The Cosmic LP is an album that is fully part of the history of Italian dance music.
First released in 1984, it is a produc*on signed by SANGY, one of the founders of Italo-dance, who was
responsible for the composi*on, arrangement, and performance as a guitarist and mul*-instrumentalist on
most of the tracks.
Crucial to this project was the collabora*on with DJ Daniele Baldelli, who at the *me was the resident DJ of
the legendary Cosmic club in Lazise (Verona) and is s*ll considered one of the most important Italian DJs.
Collaborators also include the names of Sandy Dian, one of the most sought-a2er sound engineers of the*me, and a debutant M&G, who would later co-sign one of the most iconic Italian disco tracks, "When I Let
You Down," also in collabora*on with Sangy.
The sounds of this album were absolutely revolu*onary for the era because they blended funky, jungle,
Brazilian, disco, and fusion influences in a completely unprecedented way.
For these reasons, the Cosmic LP has remained an iconic piece of interna*onal discography, maintaining its
originality and sonic power intact more than 40 years a2er its first release.

This official double vinyl is dedicated to Duplé, the historic nightclub that defined enre
generaons of clubbers.
It's a special project: two vinyl records collecng the tracks that made Duplé's history over the
years—the ones you danced to, shouted out, sang along with, and that sll give you goosebumps
on the first listen. An insert with historical notes and flyers recalling the most significant magical
nights is included.
This is not a simple record release, but a collector's item: a piece meculously curated, featuring
tracks that are somemes hard to find, selected specifically to tell the story of the club's soul and
its legendary events. This "Duplé Paura" double vinyl is a tribute to all who experienced its magic, both yesterday and
today.

From Germany to Montreal, a cross-continental dialogue takes form as Oovation and Jares unite for The Shift, a sweeping coalition of emotion and rhythm marking both artists’ debut on W. Anchored in cinematic depth and driven by kinetic pulse, The Shift stands as a powerful first statement, further expanded through stunning reinterpretations by Coeus, ACNØR, and Turker.

The original take of “The Shift” finds Oovation & Jares constructing a restrained groove before thumping kicks and meandering blips send us off on a highly narcotic affair. With the foundations in place, a swaying bassline takes control of the piece, infusing it with an irresistible sense of movement. As we venture deeper inside the rabbit hole, a lush arpeggio rummages across the piece, taking us closer to an airy break where echoes osurrender to a new directive.

For the first reimagining, Coeus drives “The Shift” into more dangerous, sensual territory. Built on a thunderous rhythmic foundation, the Serbian producer laces the mix with ghostly vocal traces and a relentless synthetic tension. The result feels cinematic in scope: an after-hours odyssey pulsing with urgency and redemption, where desire and danger move in lockstep.

Next, ACNØR transforms The Shift into a perpetual motion device where tension breathes and recedes like a living organism, shimmering under dim light. Reflective and transportive, this version feels like moving through mirrored corridors. Each twist refracts a new emotion, a new identity, culminating in a tantalizing entropy.

Finally, Turker closes the circle with a radiant reconstruction that leans toward transcendence. Textured percussion, raspy stabs, and a gleaming lead line spiral upward, pushing “The Shift” toward a horizon bathed in gold as vocal phrases drift in and out of focus, painting the mirage in full technicolor for a finale that feels both cathartic and luminous.

Rosa Brunello returns with Reworks, a 5-track EP featuring new reinterpretations of music from her acclaimed and now out-of-press albums Sounds Like Freedom (2022) and Senseless Acts Of Love (2024). Following recent highlights including the Women In Jazz Compilation, Gilles Peterson’s Brownswood Basement and a sold-out Ronnie Scott’s show, Brunello invites a diverse group of collaborators to reshape her bass-driven compositions across jazz, dub and electronic forms. Featuring reworks by Eva Geist, Khalab, Neil Bopperson, Paolo Baldini and Joe Christensen (DJ Stepmom / King Pari), Reworks bridges contemporary jazz and forward-thinking club music. Released on limited 12” vinyl and digitally via Domanda Music.

Kate Bosone, rock star from Genoa and Milan-based producer and multi-instrumentalist, presents ‘Leave the Flesh!’. Active on the scene for over 10 years and closely linked to Genoa’s legendary Bonfim Club, this is his first release designed to rock the dancefloor. LASABBIA011.

2026 Repress

Throughout 2025, Tresor Records will reactivate Detroit house and techno originator Blake Baxter's vast Tresor catalogue digitally in chronological order, starting with 1992’s Dream Sequence, closely followed by his 1995 album, Endless Reflection. To inaugurate and celebrate this retrospective of one the genre’s true founders, an artist whose connections to Tresor go back to the very beginning, the label announces a special 12” release, Dream Sequence X, featuring remastered tracks from the early days and highlighting the harder side of his output.
Initially inspired by post-punk and funk, Baxter started making music as early as 1985. By 1991 he had already released several seminal records on classic labels like Underground Resistance, KMS, and Incognito, as well as providing multiple tracks to the groundbreaking UK compilation Techno! The New Dance Sound of Detroit, which was many European listeners’ introduction to the genre, solidifying the term techno, and launching the international careers of many of the contributors.
1992 saw Baxter make the first trip to play Tresor, on the first UR Europe tour ever, thereby pioneering the now legendary Berlin-Detroit Connection. This visit led to a long and fruitful partnership with the club’s new-fledged label beginning with Mills', Banks' & Hood’s X-101 and Baxter’s Dream Sequence, from which the first four tracks on the new 12” come.
Whilst he would become more renowned for his signature seductive vocals and a smoother music style closer to house music, these early tracks are heavier, classic 90s techno, revealing the influence of industrial, post-punk and pop of the time. Indeed the collection is something of a time capsule: jacking 909 drums, intense, ravey synth stabs, samples from classic soul breakbeat and the Speak & Spell voice synthesizer; classic sounds and styles of the era all make appearances on the record. All tracks have been remastered by Manmade Mastering breathing a new vitality and sharpness for the modern dancefloor.
In a world where longevity is difficult and superlatives are too easily deployed, it is still difficult to overstate the long-lasting influence that Blake Baxter has had on modern music. His visionary output can be heard across modern electronic and pop to this day and with this series of remasters, there has never been a better time for the world to hear it at source.

Repress!

Rhythm On The Loose “Break Of Dawn” is quite simply one of House Music’s all time classics.

Producer Geoff Hibbert was inspired by seeing dawn break on an Italian coast line to
draw inspiration from Moby’s anthemic “Go” and disco gem “Let No Man Put Asunder” by First Choice to create his loving homage to the UK Rave scene.

Network set up a label “The One After D” to release a limited edition press of the instant classic to create demand.

One of the first copies was picked up by Kevin Saunderson and his relentless playing of the track helped fuel interest in the USA.

The first release on Network in 1991 established the track as iconic. That original mix is here and still sounds as fresh as ever. Perfect in fact.

The 12” also contains remastered versions of the 1995 remixes by Rhythm On The Loose, Strike and Stonebridge.

Taken from Network’s extensive back catalogue and a re-issue of a timely classic that is always in-demand.

Contains tracks by Amon Tobin, Two Fingers, and Cujo previously only available to members of The Nomark Club, Nomark’s online subscription service.
NOMARK SELECTS Vol.1 includes the first new Cujo music since the Adventures in Foam album (1996)
A compilation of previously publicly unavailable tracks selected by the members of Nomark's online subscription service, The Nomark Club. The album features work from Amon, Two Fingers and sees the return of Cujo, Tobin's earliest alter ego.

Tom Joyce’s sought after Sounds Benefit label marks their milestone tenth release with “7 Years Of Sounds Benefit”, a carefully curated selection of essential artists and rising talents presented as a double vinyl LP. The two slabs of wax manoeuvre between innovative electro and refined flavours of house and techno for trained ears.

First up is a reissue from S-Max, New Delhi Projects, previously released on Below back in ‘99. A chugging display of sounds that were way ahead of their time. After featuring on SND002, Ben Cohen makes his comeback on the label with Short Night, a breakbeat journey which boasts beautiful and emotive chord progressions. The B side features somewhat of a rarity as Etienne shares a track, Gateway Experience, futuristic energy from the accomplished producer, layered with subtle yet effective acid tones. Label head Tom Joyce delivers 7:15pm, a dreamy quest through melt in your mind synths and punchy electro drum patterns.

As we approach the second vinyl, we uncover further gems from the archive as Lowtec kindly shares his unreleased La Java 2014, which was created circa. 2000. Javier Carballo and Aniano have been making positive movements with their Hdz moniker in recent times, and Moog is another stamp of approval, a warm bass line converses with the crisp drums and spaced out elements. On the flip, Berlin based Englishman Rob Amboule turns out a killer elasticated groove which takes you for a late night shuffle in Scrap It. Huge fun for the hazy hours on the dance floor. Nuversion, formerly known as Juliano, showcases his debut track under this name with Crepuscule, addressing further pensive moods with his classy production. Ending the fantastic release in a meditative state of mind, cruising on sweet melodies.

Now universally recognized as one the great ambassadors of House Music around the globe, Todd Edwards first built his reputation in the early 90’s with a string of 12" releases from some of New York’s more prominent independent labels. This was an era when on any given week you would have up to 100 new 12" releases from New York based producers, all vying for space on the 12" shop walls. In this hypercompetitive environment it was not easy for a new producer to garner a reputation. But Todd’s releases did not sound like anything else. Using an innovative blend of rhythmic, cut-and-paste vocal samples, rubbery basslines, and slapping percussion, he created a 4 track EP for Nervous in 1994 under the production acronym The Sample Choir. This 12" created such a massive buzz in the UK that it is now considered instrumental in helping to propel Britain’s Sunday clubscene into the genuine cultural phenomenon of speed garage.

Sound Department listens to the well-known Italian club of the international underground scene returns with another ep only Vinyl produced by its resident Deejay Fisherman. The EP contains 4 bomb tracks that range in the genre "Techno, Acid Progressive House"

We're excited to announce 2 stone cold classics from Theo Parrish on Peacefrog - First Floor Part 1 and First Floor Part 2.

Originally released in 1998 "First Floor” is Detroit/Chicago auteur Theo Parrish’s debut album. Released on vinyl in two parts for maximum playability; the raw bluesy, soulful offbeat grooves have long since buried themselves deep under the skin of the house community.
Showcasing Theo’s innovative use of drum programming and effects its uniquely loose but taut knit of minimalist elements worked to maximal, hypnotic effect have solidified its reputation as a contemporary classic and served as a corner stone for Theo’s truly legendary status.
"First Floor” is one of those albums that has transcended generic borders to influence heads of all stripes with its unmistakable soul-nuzzling texture and groove. Essential.

Two figures of quasi-human form whose contours are in the process of dissolving. Like curtains of varying opacity, realities slide close together without ever laying claim to validity. The essence is clouded, nature its imitation. What sounds like the dripping of a viscous acid from porous aluminum casings could also be a sequential noise. The rhythm is an aid, a barb in the flesh. Voices fleeting like gases that have never surrendered to the dictates of gravity. It is the year 2024 of a calendar resembling an Abrahamic apparatus. Angels carry guns.

This record comes with a download code for the digital release!

This edition is limited to 150 hand stamped and numbered records including 150 individual and unique drawings and photographs.

Club Splendore was born in 2022 in Modena, Italy, as an itinerant party and club format.

In just a few years, it has established itself as one of the most recognizable disco-oriented projects within the new Italian nightlife scene, exporting its sonic and visual identity to iconic clubs and international settings.

With over 20 dates in a single year, recurring sold-outs and a diverse crowd, Club Splendore has evolved into an experience that goes beyond the dancefloor: an inclusive, label-free space where music, style and attitude coexist under red lights and immersive atmospheres. The format has appeared in some of the most relevant venues across Europe, including Villa Delle Rose (Riccione), Palazzina Grassi (Venice), Matis Club (Bologna), Hierbas Club (Cortina), while also expanding internationally with dates at Do Not Disturb – W Hotel Amsterdam, COYA Mykonos, and House Party London, confirming the project’s ability to connect with an international audience. From the club to the record.

Club Splendore Vol.1 is the project’s first official vinyl release and marks a natural step forward: capturing on physical format the sound that has been defining its dancefloors over the past years. The record explores a contemporary take on Italo Disco, infused with classic disco, funk and modern house elements, delivered with an ironic, sensual and direct approach. A sound that reinterprets the aesthetics of the ’80s without nostalgia, translating them into a current, club-focused language. Behind the production and on the decks: Sparkling Attitude, Nicola Zucchi and Matteo Mussoni, resident DJs of the format and the core musical force behind Club Splendore.

Side A features “Drink Campari”, an italo disco track built around warm, enveloping textures, elastic basslines, bright synths and a late-night groove. A story of summer desire and endless nights, playing with the iconography of Italian Red Passion in a light, effortless way.

Side B hosts “Madame”, a bonus track and electronic ballad with a more intimate, suspended mood. A track designed for the final hours of the night, when the club slows down and the dancefloor gives way to something more personal.

Club Splendore Vol.1 is not a compilation, but a statement of intent. A first chapter that brings the club experience beyond the club itself, staying true to the promise that has defined the project from the very beginning: “We will bring the light into the darkness of the night.

ROTCIV is back with his new EP ‘Memory’, which marks the 20th release on Beartrax’s label Melodize. Throughout the record, the Berlin-based and native Brazilian producer explores his signature dark, mysterious, and atmospheric vibes shaped by the underground and queer club nights and dance-floors that fuel his sound, refined by over almost 30 years behind the decks.

Maintaining Melodize’s specialized sound deep-rooted in moody electronic principles, the EP opens with ‘Memory’, a piercing, dark, synth dynamic alongside rich tonal textures in both harmony and melodies alike. Unapologetic, yet calming and reminiscent of a slow drive through the winter nights; cold, yet bold, sharp, and comforting.

First to remix ‘Memory’ with a nostalgic, synth-heavy 80’s remix is Frankfurt-based DJ, producer, and visual artist Chinaski. Integrating his signature bold synth hooks into the track, Chinaski knows how to roll in with longing sentimentality. The remix features a bouncier approach with re-envisioned acoustic percussion and catchy synth arps, along with an eery dark disco feel.

On the B side, Rotciv kicks in with ‘Trintage’, which gives a sinister sensation with its hypnotising bass synth lines alongside contrasting, choir-like pads. Seeping with articulate poly-rhythmic synth arps, Trintage guides the listener to be indulged into a dream-like state on the border between both digital and analogue soundscapes, blurring the lines between fantasy and reality.

Next up is New York-based and founder of Samo Records, Facets, who takes on the next remix for ‘Trintage’ with a more electro-grunge techno approach consisting of heavier four to the floor kicks in company of Rotciv’s hypnotic textures. Having shifted the synth melody rhythmically, a sense of space and tension is created within the soundworld of this track. The play between gritty bass-end synths along with softer, textured high-ends helps emphasize the groove injected into this remix.

One last remix of ‘Memory’ by Melodize’s own label founder, Beartrax, rounds out the EP. Available exclusively via digital bonus, Beartrax features his deeply hypnotic aesthetic by driving in ethereal synths alongside cosmic arps and slow-rolling rhythmic and pulsating groove lines.

Irradiated is the second LP on Appendix.files from Berlin-based sound artist and producer Kurt Reinartz Salgado. Across eight tracks, Reinartz explores the space between dub-techno lineage and ambient experimentation — what he describes as “ADHD-ambient.” Drawing from ’90s German techno and Chain Reaction-era dub, the album blends elastic 4/4 rhythms, fractured breaks, submerged bass pressure, and patient, detail-driven atmospheres.

The record moves from deep dub openings through porous rhythmic studies and warm melodic ruptures, before closing with hydrophone and geophone recordings from Berlin’s Kaulsdorfer See — grounding the LP in physical space and material listening.

Synaptic Cliffs is thrilled to welcome the synthetic humanoid Fleck E.S.C. to its neural family.
He is planet-wide known as a master of Electro Space Cookie productions and a legendary figure among 4D wanderers since his voluntary transmigration to the Tokyo Null Zone. This release is not merely a collection of tracks but a detailed, musically decrypted analysis of post-human consciousness. The pieces were extracted directly from the non-Euclidean circuits of his own, self-constructed Franck Collin Android body. Prepare your brainstems for a complete recalibration and enjoy this perfect fusion of French precision and the wild, uncontrollable energy of Neo-Shinjuku.

"It's like hearing the entire evolutionary history of humanity played backward in a single millisecond while a synthesizer scores the birth of a new star," says
pdqb.

Naibu is a well respected artist with 6 critically acclaimed solo albums and releases on prominent labels like
Creative Source, Soul:R, Hospital and Paradox Music

The album takes influences from dnb's greatests (Photek, Paradox…) blending them with flavours of electronica and experimental music. A unique combination of sounds that will please home listeners and DJs alike, with cuts like 'Martial' shaking dancefloors worldwide.

Record comes with fully printed inner sleeve featuring original artwork by Japanese artist Hitomi Ito
⁃ Only 200 copies worldwide

Following up on the success of 'Sans Soleil' on Minato Music, Naibu brings out 'Abandon', a new and intimate album that showcases his talent not only as producer but also as singer / songwriter.

Probably his most personal release to date, this is a project that brings opposites together and champions
experimentation. From classic d’n’b stylistic references in tracks like 'Concave' and 'Convex', to the soft minimal tones of 'Belong', the album steps into uncharted territory with 'Martial' and its military paced drums, a track that will leave a mark on any dancefloor.

Naibu’s music is supported by a wide range of DJs, from Fabio to Loxy, and is regularly featured on Laurent
Garnier's radio show

Dresvn launch their new LP GODZILLA that pushes their free, experimental approach even further.

Analogue machines talk to each other in real time, grooves emerge and collapse,textures mutate in the moment,everything is process.
Pure, unpolished Dresvn energy.

GODZILLA will be release on the new,Berlin based label MECHINE.

The fourth episode of the Barbatus odyssey comes from Torrent, a Barcelona-bred pirate, who translates an intricate story of a malicious time loop that Captain Barbatus and his fellow pirates get stuck in.



From sorrow and remorse, to acceptance and hope, the four tracks are packed with emotion. Bouncing between Progressive house to Breaks, but cleverly stitching it together with Electro, 80s drums, and melodic synths, Torrent describes a voyage of pirate captain and his crew across the seas of the New World.



The new chapter on Barbatus D. Wreckords is out this Autumn.

It’s with great pride that we announce this amazing album on Optimo Music from Portland-based duo Natural Magic. It was the final vinyl release that Keith McIvor aka JD Twitch put into production before his untimely departure in late September this year.

Having been a long time lover of everything krautrock, space rock, experimental and psychedelic it seems more than fitting that he leaves us this LP as his parting gift; because this sublime album is all these things wrapped up into one and much more.

The album’s opening track “Galaxy Builder”, with its driving tempo, monolithic bass and screaming guitars might give the impression we’re about to hear a Neu for the 21st Century, but no, by the 2nd track we’re already on the first of several wild detours into uncharted territories: part shoe gaze, part ethereal, part psychedelia it’s a unique piece of beautiful euphoria from start to finish. By the time we reach the end of the A-side’s closing track “Distant Bells” the whole place is in tears after hearing possibly one of the most poignant pieces of electronic music of the entire year.

The B-side takes us even deeper into this trip through the duo’s homeland in the Pacific Northwest opening with “Skyward Eye”. If the Orb had ever teamed up with Slowdive and gotten Andrew Weatherall on production this could be it. “Get It Right” is a fuzz-filled epic with heavy dub leanings and meanings...it soars high up into the beyond and prepares us for “Ride”; an unashamed space voyage in the true sense…cosmic guitars, laden with FX; before returning gently down to the rolling green hills of Earth with the closing track “Chugsby’s Theme”. Whoever Chugsby is, his vibe is organic, deeply grounded and beautiful.

In the duo’s own words:

“Natural Magic II is a west coast road trip soundtrack for the fading summer. Taking inspiration from the majesty and myths of their home in the Pacific Northwest, the seven track album is culled from the late night, dimly lit, live sessions of Mike McKinnon on keys/drums and Matthew Quiet on bass. Overdubs of guitar, synths and percussion followed. All this from the same space they throw their legendary Limited Edition parties - all-night free experimentation celebrations in their own right. The album art work is handmade flower pigments, opium poppy pollen ink and wood-scrap charcoal by their friend and collaborator Pith Cocomici. Roll the widows down, tilt the seat back and turn it up. Gas, grass or black mass... there's magic in the hills.

The Drowning In Your Love EP features longtime collaborator and magnetic vocalist Shaun J. Wright (Hercules & Love Affair / Classic / Midnight Magic), whose heartfelt delivery and lyrical poise ensure the title track sticks in your head long after the needle has left the record. The trio have created a timeless club track evoking the spirit of the tripped-out sounds of golden-era west coast house — dubby FX, a hint of breaks, soulful vocals, and that unmistakable Soul Clap swing — all put together with a flair that will move any dancefloor worth it’s salt.