- A1: Sound Of Freedom Feat Gary Pine & Dollarman
- A2: Rock This (Remix) Feat Dollarman & Big Ali
- A3: What I Want Feat Fireball
- A4: Hard Feat The Hard Boys
- B1: Kiss My Eyes (The Cubeguys Remix)
- B2: I Feel For You (Axwell Remix)
- B3: (Kurd Maverick & Eddie Thoneick Remix) Feat Ron Carro
- C1: (Guy Schreiner Remix) Feat Ron Carroll
- C2: Ultimate Funk (Tocadisco Remix) Feat Big Ali
- C3: The Beat Goes On (Mousse T Remix)
- C4: Champs Elysées Theme (Jamie Lewis Remix)
- D1: Tribute Feat Ron Carroll & M. Robinson
- D2: Together Eat Steve Edwards
- D3: Give A Lil Love, Pt
Buscar:cube remix
- A1: Snoop Doggy Dogg - "Murder Was The Case" (Remix) 4 20
- A2: Dr Dre & Ice Cube - "Natural Born Killaz" 4 46
- A3: Tha Dogg Pound - "What Would U Do?" 5 09
- B1: Snoop Doggy Dogg & Tray Dee - "21 Jumpstreet" 5 24
- B2: Nate Dogg - "One More Day" 5 12
- B3: Jewell - "Harvest For The World" 5 27
- B4: Snoop Doggy Dogg - "Who Got Some Gangsta Shit?" (Feat Tha Dogg Pound & Lil' Style 7 Young) 5 51
- C1: Danny Boy - "Come When I Call" 4 44
- C2: Sam Sneed - "U Better Recognize" (Feat Dr Dre) 3 53
- C3: Jodeci - "Come Up To My Room" (Feat Tha Dogg Pound) 4 29
- C4: Jewell - "Woman To Woman" 5 14
- D1: Dj Quik - "Dollars & Sense" 5 45
- D2: Slip Capone & Cpo - "The Eulogy" 4 47
- D3: B-Rezell - "Horny" 4 41
- D4: Young Soldierz - "Eastside - Westside" 4 40
Now celebrating its 30th anniversary, and arriving as a specially expanded edition to mark the occasion, the Murder Was The Case soundtrack remains an iconic work in hip-hop history. Originally accompanying the short film directed by Dr. Dre and Fab Five Freddy, this album embodies the essence of West Coast gangsta rap of the 90s. Featuring tracks from legends of the game like Snoop Dogg, Tha Dogg Pound, and more, it captures the gritty realities of street life with raw lyricism and infectious beats. From the haunting title track to the catchy grooves of 'Natural Born Killaz,' each song immerses you in the vivid world of the film and the era's burgeoning rap scene.
- A1: Down With The King (Feat Pete Rock & Cl Smooth)
- A2: Come On Everybody (Feat Q-Tip)
- A3: Can I Get It, Yo (Feat Epmd)
- B1: Hit 'Em Hard
- B2: To The Maker
- B3 3: In The Head
- B4: Ooh, Whatcha Gonna Do
- C1: Big Willie (Feat Tom Morello)
- C2: Three Little Indians
- C3: In The House
- D1: Can I Get A Witness
- D2: Get Open (Feat Onyx)
- D3: What's Next (Feat Mad Cobra)
- D4: Wreck Shop
- D5: For 10 Years
RUN-DMC DOWN WITH THE KING 30th ANNIVERSARY Pressed On Red, White and Black Double Colored Vinyl With Commemorative Numbered OBI Limited To 2000 Copies Thirty years ago on May 4, 1993, Run-DMC made one of the greatest comebacks in Hip-Hop history with the release of their 6th studio album Down With The King. To understand the significance of this feat we have to go back a few years. Coming off an amazing four-album run ending with the platinum album Tougher Than Leather, Run-DMC released their 5th studio album, Back From Hell, to lackluster sales. Did Run-DMC fall off? Did the emergence of gangsta rap push them off to the side? It was sad to see your Hip-Hop heroes take a fall. Then in 1991, a 12-inch remix came out for the single "Back From Hell" featuring Chuck D and Ice Cube and fans took notice. It would be two more years before anyone would hear from Run-DMC again. In March of 1993, a new single and video “Down With The King” debuted on Yo! MTV Raps featuring the new Hip-Hop Gods Pete Rock and CL Smooth paying homage to The Kings calling back verses from Sucker MCs over a dope signature Pete Rock beat. The video would be in constant rotation on Ralph McDaniels Video Music Box, YO!, BET’s Rap City and more. Fans watched it over and over to catch all the cameos, everyone from Eazy-E to the Native Tongues Family of De La Soul and A Tribe Called Quest. The anticipation was building, but would the album live up to the lead single that knocked it out of the park? On May 4, 1993, the album dropped on CD, Cassette, and Vinyl. Run-DMC enlisted The Bomb Squad from Public Enemy, Q-Tip, EPMD, Jermaine Dupri, Kay Gee of Naughty By Nature, and Pete Rock to produce the album with a special appearance by Tom Morello rocking out his guitar emulating DJ scratches he made famous with Rage Against The Machine. Their rhyming was as enthusiastic and powerful as they were on their debut album 10 years prior. Run-DMC, the self-proclaimed Kings of Rock and original Kings of Hip Hop were indeed back. The album debuted at #1 on the R&B/Hip-Hop charts and #7 on the Billboard 200 and would go Gold within two months. Get On Down is proud to present for the first time on vinyl since its original release, a 30 Year Anniversary pressing on double-colored vinyl with numbered OBI in a gatefold jacket.
An exercise in control of auditory limitations and possibilities, GAEL redefines techno production with their comprehension of cold atmospherics and meticulous world building. Exemplified in their first solo EP ‘Frozen White Horse’ released on BITE Records, fervent, hurtling drums are underpinned by hopeful euphorics and circulating, breathy cybernetics. A culmination of sophisticated sonic dialects reared from the intersections of soundscaping and electronic music, the berlin-based DJ/Producer from Dagestan (by-way-of Kyiv and Odesa) commits their practice to the inclusivity of borderless, capricious and emotive dance- floor synergy. This energy was previously captured on BITE last year with their appearances on the Shedding Skin VA and The Soft Moon’s Exister Remixed. GAEL’s harmonic and organic approach to techno production echoes the heartbeat of dancefloor resistance,captivating audiences across venues from Berlin’s Berghain to Kyiv’s ∄ as a resident at the queer event series XITb. Delivering thunderous feeling through experimental sounds and masterful pacing, the 4-track-EP blurs the margins of moody techno exploration with remarkable attitude and a foreboding sense of uphill struggle. For the opening title track, a procession of stacked chords,synths and snares are met with a cyclone of galloping percussion building to maximum intensity until dispersing into echoey chimes. As the listener is able to catch their breath, the second track ‘prpttcxsstnc’ reignites - this time with trepidatious yet ethereal vibration, as the track continues to inject GAEL’s post-punk style of galvanised energy, rich layered drums maintain the undercurrent of resolute chaos into the following track ‘there is nothing left’. Sombre track titles are off-set by triumphant vigour for the third instalment, pushing through gale force drums and the clanging zaps and bleeps of electronic debris. Concluding with the final cacophony of collaged beats and drums, bellowing siren-like cold wails meld with GAEL’s calamity crescendo of crashing cymbals, the procession of rapturous drums slipping into a distant echo of warped hollow gleams.
Arto Lindsay's 7 Types of Ambiguity - A Parade is a stereo mix of an original sound installation that was installed at ECAL / University of Arts and Design, Lausanne, Switzerland, in 2022 as part of a research project led by Thibault Walter and Stéphane Kropf called Phantom Power. The idea was simple, and yet the process and level of collaborative work implied was enormous: how to recreate a carnival parade -of the kind Arto had witnessed in the streets of Bahia in Brazil numerous times- inside a white cube and using only sound. How to replicate the complex intrications of those stories, heard or fantasized, the smaller blocos of musicians crossing the path of blasting sound systems mounted on trucks, those religious rythmes mingling with popular traditions, class and race struggle at street level " prime example of the proximity of sexuality and religion, of tradition and novelty and a place for true social innovation " and the effect it all has on the bystanders that are completely part, or even become the subjects of the whole?
Arto went to Salvador de Bahia with a narrative of a parade in his mind, and recorded excerpts in a terreiro, a temple of Afro-Brazilian religion, with four musicians leader of blocos, three of which he had previously worked with. Those mixed tracks were crafted into a sound sculpture directly in the room in Lausanne on a 27 channels immersive installation, adding layers of meaning within the room itself, hallucinations, weather patterns or places, like when the parade stops during a rain shower or gets so close to the ocean as to lose the sound of the percussions in waves.
This 26'30'' composition was later remixed, the spiral of speakers on the floor of the room engraved on a vinyl, and the position of the listener defined for your experience of this record, Arto Lindsay 7 Types of Ambiguity - A Parade, out on February 2nd 2024 on No Salad Records.
- A1: Ficus Carica (Joaquin Joe Claussell's Cosmic Arts Deeper Journey Version) (14 22)
- A2: Colline (Mark E Remix) (5 46)
- B1: Platanes (Gigi Testa Remix) (8 54)
- B2: Ô Zénith (Arno E. Mathieu Re?Version - Alt Disco Dub 1) (9 29)
- C1: Insulae (I Cube Remix) (6:52)
- C2: Colline Au Zenith (Next Evidence Vocal Remix) (6 39)
- C3: Ô Zénith (Gilb'r Remix) (5 24)
- D1: Ficus Carica (Beanfield Remix) (5 25)
- D2: Aurora Baléaris (Julien Jabre Remix - Julien's Arak Edit) (4 25)
- D3: Temps Libre (Max Essa Remix) (7 16)
Es zirkulieren wenige LPs, die über die gesamte Albumlänge die Schönheit und Wärme des "Balearic Sound" widerspiegeln. Man kann das auch dem Genre "Cosmic" zuordnen. Arno E Mathieu aus Südfrankreich schafft auf "Contemplation" das einzigartige flimmernde Licht des "Mediterranen" einzufangen, und in einem modernen Sound die Stimmungen der Natur des Mittemeerraumes rüber zu bringen. Die Songtitel und das Cover Image ergänzen das abgerundete Stimmungsbild. Es kommt nicht von Ungefähr, dass DJ Harvey großer Fan von Arno E Mathieu ist und viele seiner Tunes spielt. Wer auch in diesen Kosmos passt, ist Joe Claussell, der neben Franck Roger, I:Cube, Beanfield, Julien Jabre, Mark E, Simoncino, Woolfy, DJ Deep, Gigi Testa, Next Evidence, Max Essa jeder für sich einen tollen Remix abliefert. Fast jeder Track des Albums wurde geremixt.
original LP[18,91 €]
- A1: Fred Und Luna "Intro (Future Sounds Of Kraut)
- A2: Baikonour "Oben Beg (Mk2)
- A3: Musiccargo "Ich Geh Den Weg Mit Dir
- A4: Abrão "Intensidade (Rina Remix)
- B1: Listening Center "Portable Electronic Musical Instrument
- B2: Higamos Hogamos Presents Spacerocks "Elkamonious Split
- B3: Gilgamesh Mata Hari Duo "Florian Schneider-Esleben
- B4: Kosmischer Läufer "In Der Stadt Und Auf Dem Land
- B5: Sankt Otten "Hymne Der Melancholischen Programmierer
- C1: Pyrolator "Die Geschichte Vom Heißgelaufenen Reißwolf
- C2: I Cube "Vantableu
- C3: Organza Ray "Preen Scene
- D1: Sula Bassana "Tropfsteinhöhle
- D2: Halwa "Drehwurm
- D3: Lionel, Julien, Marceau Et Rainer "Reise
- D4: Fred Und Luna "Outro (Auf Wiederhören)
16 moderne krautige elektronische Tracks inspiriert von Kraftwerk, CAN, Neu, Rother Klaus Schulze und Konsorten. Kuratiert und kompiliert von Compost Künstler Fred und Luna. Seine Auswahl (mit sechs exklusiven Stücken!) zeigt, wie gut jüngere Künstler die Kraut-Szene beleben. Die langjährig Bekannteren wie Pyrolator, Sankt Otten, I:Cube, sowieso. Und Vol. 2 ist auch schon in der Mache, folgt im Winter 2023. Die Collage auf dem Cover ist von der fantastischen Künstlerin Norika Nienstedt extra für die FSOK angefertigt worden. Sie lebt in der Kraut Metropole Düsseldorf.
Intro: Future sounds of Kraut, what’s it all about? Keine Ahnung, I don’t know. Überraschung, where we go...Alles andere als einfach oder im Grunde unmöglich, die Begriffe „Krautrock“ oder „Kraut“ zu definieren. Dennoch begeben sich Compost Records und Fred und Luna auf eine Zeitreise, um die unterschiedlichen Elemente deutscher elektronischer Musik der 1970er und 1980er Jahre und ihre Auswirkungen auf die neuere deutsche und weltweite Musikszene zu entdecken. Auf „Future Sounds Of Kraut, Vol. 1“ präsentieren die beiden Kuratoren Fred und Luna als erste „Forschungsergebnisse“ hauptsächlich Bands, die vom repetitiven Charakter vergangener deutscher Elektronika à la Kraftwerk, Can, Neu!, Harmonia und Cluster, beeinflusst sind.
Viel Vergnügen und erfolgreiches Krautifizieren!
Having performed across Europe, South America, Australia and Russia, Attanasio is well-versed as a DJ whilst as a producer he is been releasing music for nearly a decade. However the last few years have been particularly pivotal for the Italian whether releasing on labels like Monnom Black or his Letters From Jerusalem imprint, which has acted as a platform for much of his sought after tracks, including remixes by And, Ancient Methods and Headless Horseman. He now adds Involve Records to his discography, following appearances from artists like Alignment, JKS, Fabrizio Rat, and Z.I.P.P.O.
Orange Vinyl
Kero & Steph’s landmark collaboration Syndrome now sees a sumptuous release on vinyl and evocative music video, spinning data into densely layered visual treats.
Steph’s coolly ethereal voice and poignant writing drift in harmonies atop the sliced-up, glitched, hard-hitting precision of Kero’s productions. The unforgettable directness of her compositional sense is here, as her long resume of scores and placements would suggest. It finds an urban-technological counterpart in Kero’s frenetic sounds. The DU label boss is in full force straight from the chilling post-pop of the opening titular cut. “Walk in the park” is a production masterwork, punchy organic percussion against grinding bass. “Who am I to complain” is at once arresting and vulnerable with vocals, but still packs an emotional gut-punch in the accompanying instrumental. “Count down from 7” is more stripped down and urgent, melodic hooks propelled by lo-fi rhythmic mechanism’s menace.
For the remixes, Oberman Knocks unleashes utter digital destruction - computer memory banks dropped through a wormhole. That thoroughly deconstructs Mtch into composite textures -- and opens “Walk in the Park” to near-unrecognizable, yet somehow danceable mayhem.
The new physical and motion elements find a visual language for these sonic strata of imagination and digital construction. From designer Christoph Grünberger, known for his tome The Age of Data: Embracing Algorithms in Art & Design, we get the packed outer sleeve and 2D design. These enshroud a calm-looking Steph in a Shibuya Crossing-style trip inside Defasten’s geometries, opposite a catalog of branching visualizations and glyphs.
Defasten, known for his live AV work fusing virtual reality and performance, here explodes faceted 3D cubes, in the cover and further in the music video. These pulsing crystalline hyper-geometries delve into data as expressive medium, shifting and vibrating with the glowing tones and crisp percussive hits of Kero and Steph’s composition. It’s a rare music video that matches the music in intricacy and form - a world that can only exist in virtual space, but that feels as immersively dreamy as the sound score.
“Sugar coated fabric … in braided covers” and “silver linings” were never so tempting.
- A1: Nebuchadnezzar
- A2: Traverse The White Light
- A3: Double Triple
- A4: Psilocybin
- A5: Voodoo Tactics (Feat Fatboi Sharif)
- A6: Chronovisor
- A7: Houses On A Hill
- A8: No Exception
- A9: Reading The Room
- A10: Mind Heavy
- A11: Nxcptn
- A12: Dbltrpl
- A13: Chrnvsr
- A14: Hss
- A15: Vdtcts (Feat Fatboi Sharif)
- A16: Trvrsthwhtlght
- A17: Rdgthrm
- A18: Mndhvy
- A19: Pslcybn
- A20: Nbchdnzzr
- A21: Nebuchadnezzar Ii (Feat Astral Trap, Blake Anthony, Mika'il, Greg Cypher)
“Avada Kedavra Deluxe,” by Seattle rapper AJ Suede, is a 21-track, self-produced, self-referencing, double-vinyl labyrinth of experimental boom-bap. Building on a signature style that SPIN magazine describes as “stream-of-consciousness rhymes, containing everything from socio-political commentary and blunted cinematic allusions to psychedelic visions,” Suede’s creation is as compelling as it is unclassifiable. On the first LP, Suede demonstrates his substantial skills as a beatmaker and rapper, chopping up what Seattle’s KEXP calls “the smoothest, jazziest, weirdest samples” and overlaying parkour bars about Grunge, success, and social justice. From the first cut, “Nebuchadnezzar,” which New York’s Major Stage describes as a “powerful chant-like hypnotic loop,” these 10 tracks capture an elusive mood of too many hours inside watching YouTube and trying to piece together fractured connections. The album’s title is derived from an Aramaic spell: “Let this thing be destroyed.” On the second LP, Suede invites 13 guests to “destroy” the original songs. This disc of remixes and reworkings showcases underground voices from across the Northwest (Seattle’s Wolftone, Khrist Koopa, Portland’s Fines Double), from across America (New Jersey’s Fatboi Sharif, California’s mudwater, Ohio’s Lord Olo, New York’s Bloodblixing), and around the world (Tel Aviv’s Argov and Japan’s Wazasnics). Seattle rappers Astral Trap, Blake Anthony, Mika’il, and Greg Cypher are featured on a bonus “posse” cut. AJ Suede has been grinding for years in the underground, building a solid, devoted global fanbase. He’s released acclaimed cassettes and CDs through respected labels such as Fake Four Inc., Candy Drips, Chong Wizard, and Blackhouse. In May 2022, a 100-copy vinyl run of his album “Metatron’s Cube” sold out in less than four hours. With “Avada Kedavra Deluxe,” AJ Suede has tapped into the moment, using what Deeply Rooted Hip-Hop calls “a subconscious steeped in the mystical.” As KEXP says: “Quite predictably, the whole album bangs.”
- A1: Laurent Garnier - Wake Up
- A2: Gui Boratto - Arquipelago
- A3: I Cube - Disco Cubizm (Daft Punk Remix)
- B1: Agoria - Panta Rei
- B2: Silicone Soul - Right On! (Instrumental Version)
- B3: Fatboy Slim - Star 69 (Thomas Gold What The F**K Mix)
- C1: Slam - Positive Education
- C2: Percy X - Track 2
- C3: Josh Wink - Higher State Of Consciousness (Tweekin Acid Funk)
- D1: Ame - Rej
- D2: Patrice Baumel - Mile High Gang
- D3: Armand Van Helden - Witch Doktor
- A1: Robert Miles - Children (Dream Version)
- A2: Amine Edge & Dance Vs Blaze (Kevin Hedge) - Lovelee Dae
- B1: Armin Van Buuren - Blah Blah Blah
- B2: The Chemical Brothers - Hey Boy Hey Girl
- B3: Martin Solveig & Gta - Intoxicated
- C1: Riton X Nightcrawlers Feat. Mufasa & Hypeman - Friday (Dopamine Re-Edit)
- C2: Green Velvet - Flash
- D1: Bicep - Opal (Four Tet Remix)
- D2: The Subs - Kiss My Trance
- E1: Tocadisco Feat. Meral Al-Mer - Streetgirls (Tocadisco's Club Remix)
- E2: Winx - Don't Laugh (Live Raw Mix)
- F1: Lemon8 - Model8
- F2: Camelphat & Elderbrook - Cola
- G1: Didier Sinclair - Lovely Flight
- G2: Pat Krimson - Es Cubells (Pirate Mix)
- H1: Chab Feat. Jd Davis - Closer To Me (Renaissance Mix)
- H2: Klangkarussell - Sonnentanz
- I1: Adam Beyer & Bart Skils - Your Mind
- I2: Dj Licious - Calling
- J1: Duke Dumont - The Giver
- J2: The Sunclub - Fiesta De Los Tamborileros
BOXSET 3[79,79 €]
After 31 years, the Serious Beats compilation era comes to an end. The very last edition, Serious Beats 100, arrives as 3 Vinyl Box Sets (including 5 vinyls per box).
Some of the most legendary club tracks of the past decades have made the cut, and are now bundled into a true collector's item for everyone who's heart is beating to the rhythm of house music.
Es zirkulieren wenige LPs, die über die gesamte Albumlänge die Schönheit und Wärme des „Balearic Sound“ widerspiegeln. Man kann das auch dem Genre “Cosmic“ zuordnen. Arno E. Mathieu aus Südfrankreich schafft auf “Contemplation” das einzigartige flimmernde Licht des „Mediterranen“ einzufangen, und in einem modernen Sound die Stimmungen der Natur des Mittemeerraumes rüber zu bringen. Die Songtitel und das Cover Image ergänzen das abgerundete Stimmungsbild.
Es kommt nicht von Ungefähr, dass DJ Harvey großer Fan von Arno E Mathieu ist und viele seiner Tunes spielt. Wer auch in diesen Kosmos passt, ist Joe Claussell, der neben Franck Roger, I:Cube, Beanfield, Julien Jabre, Mark E, Simoncino, Woolfy, DJ Deep, Gigi Testa, Next Evidence, Max Essa jeder für sich einen tollen Remix abliefert. Fast jeder Track des Albums wurde geremixt.
Temples is a tempting invitation into another world, full of light and movement. From the second the synth comes in this track has got us deep in its pocket. Shotter manages something that is hard to achieve - he has us floating completely, yet steadily carried by tip-toeing metallic rhythm elements and the relentless swells of bright synths. The game changer in the second half is a new, gritty bass quality, which couldn't roll in any more fiercely. At its fullest the track has us in an uncompromising trance, a relentless movement that we don't ever want to escape from. Breaking back down to pleasantly gentle hi-hat reverb-tails and inducing synth patterns Temples lets us down easy, with the unspoken promise to return.
Ueno claims the room to itself completely and immediately. The rise and fall of melodic synth lines lead us through a labyrinth at first, leaving plenty of space for imagination. Before we notice playful call-and-response rhythms are teasing our ears, until the track surrenders itself to an ever-growing wave of synth patterns and their behind-the-beat-delay. It climaxes into a haunting silence with tenuous high-pitched sounds and a clear outer space feel. Finally, all elements lock into a comforting groove, driving us forward, not too fast, not too slow - exactly right.
The track starts off with a blissfully nostalgic vintage-feel - slightly muffled, like the humbling quality you get from an old Technics playing your favourite LP. But don't be fooled, Cube March is bold. And unexpected. Stomping rhythms take over quickly and full-blown gritty synth-stabs cut the air effortlessly, like blades. An unapologetic and careless pumping bass line makes us want to move with every cell in our body. Shotter demonstrates his fearlessness in experimenting with heavy contrasts and elements from different genres here. A break with tastefully placed repetitive rhythm elements is complemented by the constant ebb and flow of melody lines. Both in volume and presence they fluctuate, one handing over the spotlight to the other seamlessly, keeping us hooked until the very end.
This remix lures you away from reality in a matter of seconds, with Definition's signature heavy hitting bass dominating. He expertly weaves shimmery fills into buoyant synth lines and brings us a skilful mix of dark minimal techno, breaks and infectious monster synth lines. Every so often, he adds a new layer, increasing the depth of the track, before letting it all crumble in a breakdown where time stops and tension grows, as we impatiently await the next rise to carry us away. The lengthy build-ups give this remix the energy to fill any room, easily. It is subtle, yet propulsive, too - a lane that Definition seems to manage regularly.
Rubini’s “Le Cahier de Occelli” marks 10 years! Dedicated to the legendary Group-B Rally era, it was our fourth release and one of the first to elicit a certain interest from the deep-house international scene at the time. To celebrate, we asked two of our beloved artists to remix this definitive slice of Degutibus Music electronica, with the results proving why we love them in the first place. Superpitcher delivered a 14-minute oneiric voyage of “Le Cahier de Occelli” whilst the B-side received a nervous blow-up from I:Cube for “Easyleft Henri” (the track originally dedicated to Henri Toivonen, Rubini’s personal hero).
These monster cars are still roaring!
It's been a long journey for Romain Bezzina aka Zero Netcost ever since 2002 when he discovered the band that would become his favorite of all time: The British duo Bent through the amazing track "Always" remixed by Ashley Beedle.
Twenty years later, the circle is complete with this compilation of remixes from all his idols including, of course, a beautiful atmospheric/downtempo remix from Bent, a cheeky mega drive mix from Simon Mills (one half of Bent), a chunky sunny remix from the legendary Ashley Beedle, and to complete this nice bunch of guys, a very nice sharp balearic remix from the amazing I:Cube. Enjoy!




















