Search:d’or

Originally released in 1975, The Tidals' "Land Of Juhasifa" has become a holy grail for reggae collectors worldwide, commanding prices of over €1000 for an original copy. This rare roots reggae masterpiece, featuring the unmistakable vocals of The Tidals and a crucial dub version on the flip side by The Soul Syndicate, is now available again for the first time in decades.

The Tidals, formed in the 1960s by Winston Cleveland, Eupert Reid, and Aston Pryce, represent the deep roots of Jamaican reggae. "Land Of Juhasifa" is a heavy, conscious tune with a deep, hypnotic groove that will transport you straight to the heart of 1970s Jamaica. The Soul Syndicate's "Hasifa Dub" perfectly complements the A-side, offering a spaced-out, instrumental journey into the depths of reggae sound system culture.

Recorded & Mixed at Asylum & Leggos Recording Studios in 1975.
Licensed courtesy of Gaylard Bravo.

A true showman, nightlife troublemaker, and lover of retro sounds, Master Phil, the Donny Benet of France, unveils his debut EP "Vagabond du Cœur" on Cracki Records. Blending nostalgia with dancefloor euphoria, he takes us on a vibrant journey through French Boogie, Euro Pop, and 90s Trance.

The standout track "Vagabond du Cœur" makes hearts and bodies groove with soaring synths and a deep, infectious bassline. Alongside it, "Ibiza" ignites the summer spirit with pure energy, channeling the sounds of Haddaway and Corona—where the nights never end and the beats never stop.

A debut EP that perfectly balances melancholy and carefree hedonism, ready to be played on the road to summer or as a festival-closing anthem.

Remix EP of Viken Arman's album "Alone Together" released last year. Featuring remixes from Acid Pauli, Session Victim and Mano Le Tough.

Session Victim brings their signature blend of groove and warmth to "You With Me." This remix transforms the track into a rhythmic journey, balancing soulful elements with crisp percussive textures, all while keeping the essence of Viken's original track. Acid Pauli combines You With Me and Lonely Raver with his characteristic trippy soundscapes and surreal layers. This rework takes listeners on a psychedelic patchwork of samples and modular rhythm, creating a very unique remix full of experimentation. Mano Le Tough crafts a reflective and emotive spin on "Vibrations." With lush synths and a steady groove, this remix captures an intimate dancefloor experience, blending Viken's analog sound with Mano’s penchant for stirring, dynamic builds. This club mix by Mano Le Tough ramps up the energy of "Vibrations" for peak-time dancefloor impact. Pulsating basslines, intricate drum work, and a driving momentum redefine the track, transforming it into an infectious anthem that demands movement.

12" EP. Azmari is thrilled to announce the release of their fourth opus, 5-track EP 'In Oculis'. The EP is a reflection of the band's collective desire to reinvent themselves. With a more minimalistic approach, the four musicians have created an eclectic, intense, and vibrant body of work, recorded during various residencies in Belgium and abroad. The result is a fusion of genres that range from powerful grooves to cinematic jazz, from floating melodies to entrancing soundscapes.

For this new project, Azmari teamed up with a long-time collaborator, Guillaume Souffrice (alias Mosso Mosso), who had already been Azmari's guitarist in the band's early days. Souffrice's expertise as a music therapist and multi-instrumentalist, combined with his passion for cross-cultural rhythms and melodies, adds a new depth and dimension to the band's sound.

Souffrice's extensive travels have taken him from Iranian Kurdistan, where he studied the daf (a large frame drum used in Sufi ceremonies), to northern India, where he immersed himself in the modal subtleties of the shehnai (Indian oboe). His love for psychedelic guitar tones and the classic wha-wha pedal remains at the heart of his musical approach, creating a fusion of tradition and experimentation.

The EP opens with 'Night Plants Can Run,' a track that starts with a rhythmic loop on the Berimbau, a Brazilian percussion instrument traditionally used in Capoeira. The song offers a steady, groovy journey between Rio de Janeiro and Sarajevo, with a guitar theme doubled by the saxophone, all underpinned by a deep 4/4 groove. The middle part of the track introduces a lot of percussion (an Azmari signature move) that gives a sense of urgency and chase, inspired by the band's experience playing the track in the studio, imagining a pursuit through the depths of the Amazon.

Next, 'Disassembling the Matrix' takes listeners on a 9/4 march that feels both elusive and powerful. Born from a jam session where an arpeggiator loop wouldn't stop, the band decided to continue with it, highlighting the beauty of a spontaneous creation once again. 'Lizzard's Dream' is a guitar-driven trip that gradually intensifies in energy. The song surprises with a sudden groovy break - a moment that was initially the core of the track - before returning to its soft and introspective theme, closing out the A-side of the vinyl.

The fourth track, 'Eyelights,' was born from the shores of Vevey Lake in Switzerland. It reflects the result of a long period of mental observation and rhythmic exploration. Three different time signatures were used to create the song's intro, which comes together as they go along. The melody loops with a peaceful and nostalgic vibe, creating a dreamlike atmosphere. Under the direction of Frederik Segers, who produced the EP, 'Eyelights' takes on a cinematic feel, with classical upright piano sounds that are a first for Azmari.

The EP closes with "17th Tiger Print," which takes us to the banks of the Ganges. Souffrice's shehnai leads the track into a hypnotic, hallucinatory dimension, where the interplay between his instrument and the baritone saxophone creates a textured, mystical atmosphere. This track encapsulates the essence of Azmari, a sound that bridges cultures and emotions in a minimalist yet highly effective way.

'In Oculis' marks another milestone in Azmari's musical evolution, blending the band's signature style with new influences and experimentation. Whether you're a longtime fan or new to their sound, this EP promisesto take you on another ride around the world.

Reissue eines der wegweisendsten Dub-Alben ever: King Jammys "Kamikaze Dub" (1979, Trojan Records), aufgenommen mit einer Reihe von Dub-Stars wie Sly & Robbie, Augustus Pablo, "Deadly" Headley Bennett und Bobby Ellis. Prince Jammy und Scientist, Zöglinge des Dub-Innovators King Tubby, traten aus dem Schatten ihres Meisters hervor und machten sich selbstständig. Prince Jammys LP erschien zuerst und legte die Messlatte für immer höher, so dass viele jamaikanische Produzenten sich von diesem wirbelnd-psychedelischen Minimal-Sound inspirieren liessen. Der Rest ist Geschichte.

Transversales Disques proudly presents the first official LP reissue of "Deserted Palace", studio album written & performed by Jean Michel Jarre in 1972, during his work experience at G.R.M. (Groupe de Recherches Musicales).

In 1971, an order was placed with producer Francis Dreyfus to provide sound for public places such as airports and libraries. He decided to pass the project on to Jean-Michel, who had recently been signed by his record company.

These fifteen tracks are made with only two synthesizers (EMS VCS3 & Farfisa organ) in an experimental and very minimal style.

"It was a crazy album, totally homemade, with rhythms that I made in my student room, with a minimum of equipment and at the same time electronic sounds that I stole from the GRM where I went at night after stealing the keys to the studios. It is a pirate record, in every sense of the word, in which we find what I did afterwards.” JMJ

Audio restored & remastered

Fozbee & Cooz were the first artists we approached as Vinyl Fanatiks when it came to re-issuing fantastic music from the early 90’s. They were a big inspiration on us here at the label, with all their original releases sat in the racks here since the 90’s.

Two brothers our of Hertfordshire, they were the link between Jack Smooth and his first release – loaning him their Akai sampler so he could write his first track. They were also round the corner from Bukem, who wanted to work with the guys on music back then. But as the brothers lived at home with their parents and Bukem had a strict weed smoking policy when writing music, the project didn’t take off the ground as their mum would of gone mad!

Fast forward 32 years and we are honoured to be able to share with you the brothers first release under their monicker of Fozbee & Cooz. Two big rave classics that got a lot of pirate radio play back in the day too. And as usual, the original of this release commands a high price on Discogs, so grab a fully authorised copy from us at a fraction of the price!

Originally released on a 7' in 2011, Mudd extends the track
for a 12'release with vocal & instrumental version.
Recorded at Can's legendary Innerspace Studio, It's a seedy
late night boogie with sultry vocals from a tempting hostess
and the gentlemanly yet sinister host, the legendary Holger
Czukay. A grinding, guttural bass, rolling groove and slinky good dose of organ comes into the second half and picks up
the step. The results are of the kind when records become
loved for their obscure oddity and otherwordliness. A track

Mudd has been trying to sign this for well over a year now, orginally only available on cd from Blackbelt's album on Full Pupp, it's been given the 12'' release with both original and ambient mixes. The original is a slow chugging house monster, softened by beautiful pads and synths that drop in and out but never let the pace die. The ambient mix is a late night headphone winner which you can easily get lost into. Another winner from Claremont 56.

Vaneese & Carolyn are Vaneese Thomas (daughter of Rufus Thomas) and Carolyn Mitchell who recorded two singles together at Polydor in 1977 and 1978. From these, the 1978 collaboration has been reissued here, the sides reversed. Original copies have exchanged hands for over £300. Both singers had recorded with Disco producer John Davis and his Monster Orchestra the same year on his album “Ain’t That Enough For You”, but both these songs are more sophisticated classic soul stylings with incredible vocal performances.

The Prince of Fried has brung forth 12 brand new humdingers: all hummable and lyrically compelling and replete with wah-acoustic guitars and beautiful orchestrations of Mellotron 400 from Liverpool’s Blondest. So inhale the garage fuzz dub of 'R in the Hood'; the mantric powerdrive of 'Four Jehovahs in a Volvo Estate'; the sentimental Pete Burns lamentations of 'In Spungent Mansions'… and who could resist the affectionate micro-trolling of 'Will Sergeant’s Blues'?

Stay cosy, defiant and edgy with these 12 fruits of FRIAR TUCK.

* Hectic is one of the greatest old skool labels and after the success of the represses, new remixes were inevitable. We have pulled out all the stops here with remixers such as Luna-C, Pete Cannon, Beeno and Nicky Allen all showing how to do new mixes of classic tunes without compromising the sound or integrity of the original huge choons! A big release!

Rinse France branches out with a brand new label of its own and who better to inaugurate it than Paris-based Beatrice M. The producer makes a knowing nod to dubstep's golden era on this debut with the first version of 'Magic.' It is built on steppy rhythms with seriously wobbling basslines that are all-consuming. Glitchy effects and shimmering synths finish it in style and leave you dreaming of dubstep dances gone by. The B-side is a Techno Mix that reimagines the original with a driving four-on-the-floor rhythm and plenty of richly atmospheric pads.

Emma-Jean Thackray, the visionary producer, composer, and multi-instrumentalist, releases her highly anticipated second album, “Weirdo” on April 25th via Gilles Peterson’s celebrated label, Brownswood Recordings / Parlophone Records. Known for defying musical boundaries, Thackray's latest work is a deeply personal and utterly original exploration of selfhood, grief, and gratitude.

Drawing on an eclectic mix of influences—grunge, pop, soul, p-funk, and jazz— “Weirdo” is a triumphant celebration of survival and individuality. Written, performed, recorded, mixed, produced and arranged entirely by Thackray in her South London flat, the album stands as a testament to her extraordinary musicianship and fearless self-expression.

Lost Desert is back on All Day I Dream with his stunning new Saudade EP. The four-track EP features an appearance from Arsenal as well as a remix of ‘When Sun Rises’ by Volen Sentir. Saudade is rich and sweeping, encompassing the deep, atmospheric essence of Lost Desert’s organic house signature. Ambient melodies and breezy textures unfold over the EP’s serene 30 minutes as Lost Desert transcends the boundaries of melodic and progressive house. From the EP’s titular opener to ‘Dunes Of Alula’, Saudade finds a beautiful balance between the natural world and the underground dancefloor.

Sa Pa's trademark fantastical and thickly textured sound twisted in four new directions, closely treasured and finally released: some of his most delicate and hypnotic work, and fathoms deep. Switch on your sub or find one to borrow!

The first release on Short Span, a new label from Matthew Kent, co-runner of the label Mana before this, and who ran mix music platform Blowing Up The Workshop before that.

A series of longer, dubbed out, ambient and flowing tracks. techno, minimal, bass and groove. Chosen and cut to drop the needle on and just let play for a while. For warming up, coming down, never leaving the house.

Mastered by Miles.

Photography by Will Bankhead, layout by Bene Pooley.

No Static / Automatic kick off their 2025 schedule with a new release from a lynch pin of Northern Spain’s electronic music community as Fanzine’s Roi joins the roster with a relentless EP of raw, rave-drenched Electro built for sweat-soaked warehouse floors. Giving us a real feel for how Roi channels the untamed spirit of A Coruña’s rugged landscape, Arise EP is powered by kicking and deep sub-bass and pure raw, untamed energy.

A co-founder of Spain’s much respected Fanzine collective, these tracks were originally written for his live set at the 2023 festival edition. Known for pulling from a wide range of influences, Roi works through a dynamic range of hard-punching rhythms on Arise, ending with a crescendo of dense melodies in closing track Spite.

First-time vinyl reissue of cult UK dance classic.

One of the cult acts of the heyday of London clubland in the early 1990s, the Ballistic Brothers consisted of later-X-Press 2 members Ashley, Rocky and Diesel, alongside David Hill and Uschi Clansen. After the success of underground smash ‘Blacker’ and ‘vs. Eccentric Afros Vol. 1’, The Ballistic Brothers returned with the second volume of their sampledelic good times with ‘Vol. 2’. The group came armed with years of dance floor expertise, and record making acumen, and delivered a further 8 tracks of good time funky grooves.

The opener ‘Delancey Street…The Theme’ paid tribute to their Camden-based record label and was an immediate anthem, while ‘Goodvibes…Goodnight’ was an irresistible mash-up. Elsewhere are jazz, funk, reggae influences and images of the streets of New York.

A vital snapshot of a very unique place in time, specially remastered for this Acid Jazz release, set in a spined sleeve for the first time, with a beautiful expansion of the original artwork

Function Records has been blessed by the bassline talents of IP, John and Fiona Cunningham, showcasing their impressive skills. I had the pleasure of meeting IP at an education and bass feedback session at Planet Wax.
Choosing the first four tracks for their debut EP was challenging because they have so many bangers!
1) Nowadays, many track names suggest a connection to Jungle or reggae/dub sound systems, but they often deliver squeaky noises when the track drops. That's not the case with "Foundation Ting"; it hits you with all the elements you'd expect from Jungle music and continues to evolve impressively throughout the arrangement.
2) "Look Around" has garnered significant attention because it's one of those warm tracks that always gets a rewind. The bassline tells a story, and the breakdown and second drop are genuinely next-level.
3) "One Step" is the first track I received from IP. It's a heavy, dubbed-out jungle tune that builds into a midsection reminiscent of Spirit.
4 "Can't' Know That" is 8 minutes 37 of dirt. What a journey!

We are delighted to present the new 12" maxi on Dubatriation records, two extended tracks for complete immersion! This opus defines the encounter of Panda Dub and Adi Shankara, two artists already signed to the label.

Like buried treasures, these tracks from a joint studio session have been unearthed and reworked for this release.

Infused with the orientalist flavours of French dub, these two tracks elevate the genre with their neat sound design. Panda Dub's ethnic samples and catchy melodies blend with Adi Shankara's rough and hypnotic textures.

Following the label's signature style, this record offers a deep and solemn musical experience. Embark on an introspective journey without further ado!

Cie embarks on a new sonic expedition with "Adventures II," the successor to the original journey, continuing the musical quest with great intensity and energy.
As the music begins, “Reichenstein” rises on the horizon like a majestic mountain peak, growing ever more imposing as you draw closer. Upon arrival, the towering presence of the castle welcomes you with its raw power. The beat pulses like a force of nature, its multi-layered rhythms and vibrant sounds pulling every dance enthusiast into its depths, much like an adventurer scaling the heights of the mountain itself.
The journey continues through the mystic halls of the castle, leading to "Der Turm".
Here, hypnotic synths scale the tower's heights, while deep pulsating basses push against every wall.
From there, the mountain “Stenzelberg” comes into view, casting its groovy shadows ahead as the next stop on the adventure. Upon reaching the summit, you are immediately drawn into the mountain’s spell by the power of its percussive sounds.
But the journey doesn't end there - deep within the winding gorges, Mar io awaits, leading you through hidden corners and secret paths of the mountain with his powerful remix, finally releasing the soul of the mountain. Four electrifying tracks - perfect companions for any club adventure - are ready to carry you on your own journey. Vinyl only.

Trambeat are an original soul band from Croydon, South London, formed in 2012 by songwriting duo guitarist Graham Potter and drummer Des James. The two played together in various bands over the years, eventually bringing together like-minded musicians from the Croydon music scene to form Trambeat. The name "Trambeat" derives from the where the band call home, with all band members living along the tram line that runs through the heart of Croydon. Initially the band operated as a loose collective, recording music and self-releasing it online and on CD. But following the 2013 release of their debut vinyl single, "Walk a Mile In My Shoes", and debut album "Tales From the Comprehensives" on Berlin labels Firestation Records and Sundae Soul Records, things began to move fast. With regular airplay by Gary Crowley on Radio London, offers of gigs began to roll in and they quickly morphed into a tight and exciting live band. Trambeat have supported the likes of Ranking Roger's The Beat, Geno Washington, The Four Aces (Desmond Dekker), Shakatak, The Flatmates and The Popguns and have featured at festivals right across the UK and Germany. Trambeat's debut release with LRK Records in 2023, the uptempo funk/soul crossover song "Don't Hold Back", proved popular at both Northern Soul and Funk clubs and was championed by "Northern Soul Girl" Levanna McLean who released a widely viewed clip dancing to the record. Indeed it became a staple at her very own Bristol Northern Soul Club and Funk Addict nights. The new single, "All Killer, No Filler", builds around a sultry, strutting bass riff bolstered by jazzy horns and a funky Nile Rogers influenced guitar. Vocalist Aimee lays down her manifesto for love without compromise, before building to an anthemic chorus you can't help singing along to.

With ‘Child Of A Shooting Star’ Tom Furse has created four distinct trips into other worlds. His world’s are complex and multi faceted, full of surprising inventions and unusual terrain. Furse has a peculiar disregard for genres, whilst remaining absolutely coherent, and whether the listener wants to label it future exotica, kosmiche funk or world drifter music is up to them. The most important thing is that the listener close their eyes, open their minds and let the music transport them to Furse’s alternate realities. This is music not just to be listened to, but also to be experienced.

"10th Anniversary Edition Ghostface Killah, legendary Wu-Tang Clan member, invites you to rediscover the cinematic brilliance of 36 Seasons, his tenth studio album and unforgettable concept masterpiece.
Originally released ten years ago, this album tells the compelling story of Tony Starks as he returns to Staten Island after nine years, seeking a peaceful life but nding anything but. 36 Seasons is a testament to Ghostface’s storytelling genius and raw lyrical power.
To honor its 10th anniversary, 36 Seasons is being reissued in a range of special formats packed with exclusive bonuses. Fans can look forward to three vinyl editions, including a Deluxe Double Vinyl featuring all original tracks alongside instrumental versions."

"10th Anniversary Edition Ghostface Killah, legendary Wu-Tang Clan member, invites you to rediscover the cinematic brilliance of 36 Seasons, his tenth studio album and unforgettable concept masterpiece.
Originally released ten years ago, this album tells the compelling story of Tony Starks as he returns to Staten Island after nine years, seeking a peaceful life but nding anything but. 36 Seasons is a testament to Ghostface’s storytelling genius and raw lyrical power.
To honor its 10th anniversary, 36 Seasons is being reissued in a range of special formats packed with exclusive bonuses. Fans can look forward to three vinyl editions, including a Deluxe Double Vinyl featuring all original tracks alongside instrumental versions."

The compositions of Miłosz Kędra (b. 2001) explore synthetic sound, electroacoustic music, and self-built acoustic instruments, seeking diverse timbres, tunings, and textures. His main field of work is the pipe organ. Through minimalist motifs, he has transported the instrument’s sound beyond the church space by synthetically processing its tones. He is currently pursuing a Master’s degree in New Media Music at the Academy of Music in Poznań and recently completed a Bachelor’s degree in Electroacoustic Composition, during which he built his own pipe organ from scavenged pipes.

~ Liner notes ~

Miłosz Kędra - "their internal diapasons"

The pipes that Miłosz Kędra used to craft his own organ emulator have lived many lives. They come from churches scattered across Greater Poland—some trimmed for a more presentable façade, others left to gather dust in parish houses until, stripped of purpose, they were cast away. Their first voices have faded, their inner resonance unsettled, yet with patience, one can teach them to sound again—to sing in their altered state, to be gently coaxed out of silence.

Audiomancy—the conjuring of lost sounds—is the word that lingers when I try to grasp the lore crystallizing with Kędra’s second album.

The resolve with which the musician and composer has inhabited his self-built instrument recalls Witold Szalonek and his search for “unexploited properties of wind instruments in classical music.” Szalonek sought to map these hidden voices into a system of multiphonics, revealing over 160 on the oboe alone by 1968. Some sound eerily alike, yet emerge through distinct gestures—“a particular breath, a precise choreography of levers and apertures, the seamless fusion of the two.”

The splitting of a single note into its spectral fragments—allowing a melodic instrument to speak in two, three, even four voices at once—enabled Szalonek to bend the rigid structures of Western music. "their internal diapasons" follows a similar path: an aesthetic bypass through which Kędra taps into the sacred gravity of the church organ, only to reveal it as a domesticated echo of something far older—the primal theater of transformation. To listen closely to an instrument is to learn its flaws, to turn its imperfections into a new way of speaking.

Each of the nine compositions on "their Internal diapasons" is an invitation—to approach the material world with the intent of letting it speak beyond expectation. An instrument that is at once a sculpture, a performance, and a manifesto of voicing the discarded suggests that its creator—following the path of Didier Eribon (Returning to Reims)—might take as his motto, a principle of asceticism, Sartre’s words: “What matters is not what is made of us, but what we ourselves make of what is made of us.”

Filip Szałasek

Stylish, intelligent and cinematic, the second series of the cult UK TV series UTOPIA in 2014 reinforced the impact of Emmy Award winning
Series 1 and gained the show an even larger following. Integral to the action is Chilean composer Cristobal Tapia de Veer's original music
for the programme, recognised by the Royal Television Society who awarded it Best Music (Original Score), Record Collector who gave
it five stars and Mojo who placed it at No. 4 in their Top 10 Soundtracks of the year.
This record was originally released for Record Store Day 2015 and is repressed on a new colour by popular demand. Cristobal Tapia de Veer’s
music has more recently found a new audience with his soundtrack to HBO hit show The White Lotus and the film Babygirl (2024).

We are proud to present the Singapore-based artist Case Woo. Yet unknown here in Europe he started his musical career 10 years ago with 80's New Wave synthetic sounds. Originally released on the Muller offshoot Lifetime Music in 2002, we are happy to offer some original 2004 Muller press copies! Some of these tracks represent a sound that is looked for by DJ's with great interest again today. From more straightforward synth-led Techno to the more Electroclashy sound, it's all in there!

Following Sydenham, Njai and Punchard’s fresh take on Kraftwerk’s classic earlier this year, which picked up support from the likes of Optimo, India Jordan, DJ Bone, and more, Radio Slave recruits a pair of all-star remixers in Ricardo Villalobos and Gerd Janson to deliver a scintillating set of interpretations for his Rekids imprint.

Running Back’s Gerd Janson injects slap bass, funk-laden guitars, and twinkling synths over the original’s vocals for the ‘Dance’ mix, followed by a stripped-back instrumental version to kick off the A side. On the flip, Villalobos delivers a typically trippy affair, bringing constantly evolving strokes of modular mayhem and zapping percussion for over ten minutes, nervously settling into a chugging and deeply satisfying halftime groove.

"Falling For You" ist eine massive neue 2025er Soulnummer der aufstrebenden Soulsängerin Windy Karigianes aus Las Vegas. Der Song wurde von Soul-Veteran Randy Hall komponiert und u.a. mit dem Teena Marie-Bassisten Allen McGrier aufgenommen. Da Windy ein Teena Marie-Fan mit ähnlicher Stimme ist, sprang Georgie B ein und schuf mit seiner Version sowohl eine Hommage als auch einen frischen modernen Soul-Groove. Ein Original jenseits der Nostalgie und ein Mix, der derzeit die britischen Soul-Charts anführt - beide zusammen auf einer 7".

"10th Anniversary Edition Ghostface Killah, legendary Wu-Tang Clan member, invites you to rediscover the cinematic brilliance of 36 Seasons, his tenth studio album and unforgettable concept masterpiece.
Originally released ten years ago, this album tells the compelling story of Tony Starks as he returns to Staten Island after nine years, seeking a peaceful life but nding anything but. 36 Seasons is a testament to Ghostface’s storytelling genius and raw lyrical power.
To honor its 10th anniversary, 36 Seasons is being reissued in a range of special formats packed with exclusive bonuses. Fans can look forward to three vinyl editions, including a Deluxe Double Vinyl featuring all original tracks alongside instrumental versions."

Eines der einflussreichsten Alben der 90er Jahre, mit „Today“, „Disarm“ und „Cherub Rock“, auf 180-
Gramm-Vinyl mit der Originalverpackung von 1993.
Ab dem 11. April auf allen Plattformen erhältlich!

Mainltd009 got repressed. Originally released in 2013 , now back again after 12 years.

Limited handstamped blue vinyl reissue.

Credit 00 is still doing his thing with PUT THE FUNK BACK IN 2 TECHNO, saving you from the horrors of today's life with a bunch of stirring tracks to dance against oppression. On his seventh EP for Uncanny Valley the Leipzig based funkster finds solace in his craft, doing what he does best. And that is to make dance music that is both undeniably catchy and blessed with an ever-surprising range of ideas and styles. What all the tracks have in common is that they have been written by someone who is deeply committed to the roots of dance music. On top of that, he has the enviable ability to find titles that already give you a hunch of sound and message of the tracks, even before you listen to them. Be it the title track with its wild Detroit rhythms and piano sound bits or the closer YOU NEED 2 CHILL, a still highly danceable ode to 90s chill out floors. While the stomping BRAZILIAN BUTT LIFT gets use of Credit 00's own voice, the chords heavy CHURCH FOR THE RENEGADES is a perfect example of inventive use of vocal samples. All in all, it's music you pretty much can't help but love. Also, don't miss a closer look at the front and back cover, which are full of references and iconographies from the history of dance music. In typical Credit 00 style, it's a super entertaining way for the artist to give credit to a lot of his influences.

DESCRIPTION
“We like all these songs a lot. Dylan's approach to composing and playing involves hybridizing American Primitive, folk, country, soundtrack and avant influences into a unique & powerful alloy. Spinning the record is nothing short of a goddamn trip. Transportational music of the highest order. Get some today.” --Byron Coley “I made the title track a couple years ago at the beginning of summer,” writes Dylan, “I was thinking about how as you get older you have fewer new experiences. That feeling of excitement for summer fades, after it used to be such a big deal as a kid. Those experiences can only be new and vibrant once. The rest of your life can be spent in nostalgia for them. It's a sad thought and maybe not true for everyone, but I suspect it is for most.” The result, No New Summers, is Aycock’s first full length under his own name for almost a decade; it sees him journey through frayed fields of haunted solo-guitar, waves of prairie ambience and hard-won country stillness

Songs From The Harbour is the third studio album of original avant-rock and experimental ballads by the critically acclaimed World Sanguine Report (WSR) WSR’s new iteration, created collaboratively by celebrated musicians Andrew Plummer, Matthew Bourne, Ruth Goller, and Will Glaser, marks a significant milestone for WSR, and is due for release via revered label, God Unknown Records
There’s a quality about the album that echoes the likes of Tom Waits, Michael Gira, Nick Cave, and Captain Beefheart, hollerers and raspers, singing as if laid low by life, down and out. However, the sense of beat-up black and blues, of ramshackle rock, is deceptive. Songs From The Harbour was developed by vocalist/guitarist Andrew Plummer in close partnership with long-standing collaborators: versatile doyens of the jazz and Improv world, avant players par excellence, including Ruth Goller (bass, vocals), Matthew Bourne (harmonium), and Will Glaser (drums). On tracks like ‘She Is All', with it’s searing-hot guitars reminiscent of John Fahey’s Red Cross, they cut across each other, deceptively roughshod, but with subtle interplay, crashing,burning, bending and colliding with exquisite, geometrical correctness.

Orchid Mantis, by Michelle Helene Mackenzie and Stefan Maier, is a work that draws its inspiration from the history of the Sanzhi Pod City, in northern Taiwan. Sanzhi Pod City was built from 1978 onwards, made up of buildings constructed from assemblages of `pods' inspired by the futuro houses of Finnish architect Matti Suuronen. The project was abandoned in 1980, following a number of accidents during construction and persistent rumours that the site was haunted. However, this wasteland of a city has allowed insects to proliferate, in particular five species of orchid mantis. It is this strange environment, made up of utopian buildings, proliferating insects and vegetation reclaiming the site, that serves as the imaginary space for Michelle Helene Mackenzie and Stefan Maier's music, a music of carefully designed pace and progression, drawing, through resonance and stridulation, subtle sonic materials that guide and accompany us into multiple worlds with admirable ease and grace. Breach, by American composer Olivia Block, engages in a dialogue between field recordings and synthesised sounds, creating a vibrant plea for wild spaces that face an ever-growing threat to their survival from human activities. The work is based on recordings collected in the San Ignacio lagoon in the Mexican part of Southern California. This lagoon is known as a breeding ground for eastern Pacific grey whales. With the help of precise electronics, the music unfolds like a drift, depicting the subjective soundscape of whales caught up in the noise of the Anthropocene. The composer uses otoacoustic emissions in particular, representing the sound saturation caused by humans in the habitat of these large marine mammals. Going beyond a merely descriptive dimension, Olivia Block manages to transcend her subject to offer a fascinating musical form that engages the listener in a constantly renewed way.