BLUE NOTE TONE POET EDITION: Stereo, produziert von Joe Harley, komplett analog von Kevin Gray
von den Originalbändern remastert, RTI-Pressung (180g), stabiles Tip-on-Single Sleeve, wattierte Innenhülle.
Auf seinem Album ”Let Freedom Ring” spiegelt Saxofonist Jackie McLean den Wandel wider, der 1962 in
der Luft lag: die musikalischen Freiheiten der aufkommenden Avantgarde und die sozialen Veränderungen,
die von der Bürgerrechtsbewegung gefordert wurden. Begleitet wird er von Walter Davis Jr. am Klavier,
Herbie Lewis am Bass und Billy Higgins am Schlagzeug.
Search:d lewis
Having established himself as one of the most energetic and exciting Jazz musicians within the already thriving worldwide scene, New Zealand born, London based Drummer & Producer Myele Manzanza has made a major impact upon the global music landscape.
A founding member of Electric Wire Hustle, Myele has released five solo albums, and racked up tours and collaborations with Jordan Rakei, Theo Parrish, Miguel Atwood-Ferguson, Recloose and Amp Fiddler amongst others . Myele has developed a strong live presence in his new London base; his quartet has shared stages with the likes of Hiatus Kaiyote, The Bad Plus, Alfa Mist, and drawing packed houses to top venues such as The Jazz Café and Ronnie Scott’s. Last year, the first two instalments of his 'Crisis & Opportunity’ record series saw him garner praise from Mary Anne Hobbs, Cerys Matthews, Jamie Cullum, Huey Morgan, The Guardian, Complex, Jazz FM, Lefto, Worldwide FM, Jazzwise and more.
Following the release of his last offering, a chance conversation between Myele and a young Barista at a local coffee shop occurred - their topic (centred around the trials and tribulations of following your musical passions) sent Myele down a spiralling path of internal reflection, spawning a new lease of creative energy and examination of new ways to approach his craft. The third addition to the heralded series, ‘Crisis & Opportunity Vol.3 - Unfold’ sees Myele change his approach from drummer / improviser, altering his sonic output to a more electronic dance music output, opting for a more producer / beatmaker focussed role. Sharing production duties with Lewis Moody (Zeitgeist Freedom Energy Exchange) and taking a more producer / beatmaker focussed role. His initial instinct was to create music that could be played in a club, but also incorporate elements music of the Jazz and technical musicianship he’s renown for.
Articulating his thoughts on the record’s genesis, Myele explains: ‘‘As the process developed, I was also drawing a lot of inspiration from vocal driven soul, RnB and songwriter-driven music to a point where I had lit a new creative fire. Reconsidering the direction of the album, I was left with the creative question “What broader ranges of emotion might my music be able to access, and what kinds of art could be made possible if I were to open up my music to hold space for singers and for stories?”
First single ‘Silencing The Sun’ features the vocal talents of fast-rising fellow Kiwi artist Wallace, whose spectral tones glide gracefully over the pulsating rhythm section and twinkling keys. On second single ’Therapy’ UK Soul royalty Omar weaves his trademark magic over a solid 4/4 beat, soulful key stabs and lush synths, bottling lightning into dancefloor alchemy. Final single ‘Unfold’ sees Rachel Fraser deliver a delicate and introspective vocal performance over stripped back instrumentation as cold, angular electronics juxtapose the warmth of piano keys and sweeping strings. With a wealth of additional incredible talent (such as China Moses and Rosie Frater Taylor) enlisted to further compliment the record’s grainy synth textures, emotive chord changes, driving low end sonics and expressive percussion, the scene is set for a beautiful, shifting and engaging listening experience.
For fans of Mount Kimbie, Damon Albarn, Beach House, King Krule. London based singer-songwriter Rollo Doherty releases his debut EP on Lewis Recordings. Frontman for the indie guitar band ISLAND, his solo work is a radical departure from what fans would previously have known him for. As the title suggests, Rollo began this new DIY project from the tranquility of his own home and drew inspiration from the many small, subtle occurrences happening just on the other side of his bedroom window. 90’s Hip-Hop, Movie Soundtracks and Shoegaze are just a few of several influences explored across this diverse piece of work. ‘Out of My Window’ features some scratching from the infamous DJ Yoda as well as crossing the pond, landing in the hands of Brooklyn based duo The Still Brothers, who provided new life through their brilliant analogue production and arrangements alongside the expertise of producer Mike Hill (Arlo Parks, ISLAND) at Lemontree Studios, L.A. The circle became complete when by chance the LA mastering legends Becker Mastering (Doja Cat, Tyler The Creator, Harry Styles) happened upon the unreleased music when mixing engineer Mike visited their studio and asked to hear his latest work. The EP’s duration serves as a metaphor for a single day, as it spans over approximately the duration of 24 minutes, each representing an hour of the day. Ambient soundscapes are heard in-between each track, all moments captured at corresponding parts of the day on Rollo’s handheld microphone which he poises from his window.
Man könnte meinen, das musikalische Erbe der 1960er-Jahre sei bis zur Erschöpfung gefeiert worden (und da hätte man recht), und dennoch, und was noch erstaunlicher ist, werden die Pretty Things unter all den großen bahnbrechenden britischen Bands dieser Zeit immer noch routinemäßig unterschätzt und unterschätzt oft übersehen.Mit ihrer einzigartig rauhen Interpretation des R&B-Repertoires legten die Pretties die Vorlage für einen Sound, der später als ,English Freakbeat" bezeichnet wurde, und gingen in einer Ära der beispiellosen Pop-R/Evolution hin zu Psychedelia und darüber hinaus immer an die sprichwörtlichen Grenzen, indem sie wohl die ersten schrieben und aufnahmen und möglicherweise die beste Rockoper in ihrem Meisterwerk S.F. Sorrow (and what about Parachutes then?).In diesem Jahr jährt sich ihr Debüt ,Rosalyn" zum 60. Mal, was ein guter Vorwand zu sein scheint, ihr Vermächtnis mit einer Tribute-EP zu feiern. Doch anstatt die Klassiker abzudecken, haben sich die vier hier versammelten Psych-Pop- und Mod-nahen Künstler, Bandkollegen und Gare du Nord-Mitarbeiter dafür entschieden, in die weniger bekannten Tiefen des Pretty Things-Katalogs einzutauchen:Der Produzent und Multiinstrumentalist Andy Lewis spielt ,Walking Down The Street" aus den Electric Banana-Sessions von 1967. Der Pariser Popmeister Popincourt übernimmt ,You Don't Believe Me" aus dem Pretties-Album "Get the Picture" aus dem Jahr 1965. Dann ist da noch Ian Buttons ,Papernut Cambridge", der sich der seltsamen Stop-and-Go-Seltsamkeit des Kult-Pop-Juwels ,Defecting Grey" stellt, während Canterburys eigener kontinentaler Pop-Korrespondent Robert Rotifer ,House of Ten"von der häufig vergessenen, aber allgemein glorreichen Kammerpop-LP "Emotions" von 1967 einen Besuch abstattet.,Das ist ein großes Kompliment an die Band", schrieb Dick Taylor, Gitarrist der Pretties, als er um Zustimmung zur Veröffentlichung gebeten wurde, was alle seine Fans bei Gare du Nord Records sehr glücklich machte.,House of Four" (VÖ: 23.08.24/Gare du Nord) wird in einer limitierten Auflage von 300 Exemplaren als 10" EP mit 45 U/min (und digital) erscheinen, mit einer zusätzlichen Postkarte mit dem von Robert Rotifer liebevoll gezeichneten Puppenhaus-Covermotiv. Es ist ein anglo-französisch-österreichisches Cross-Continental kulturelles Unterfangen zu Ehren einer großartigen britischen Band, die sechs Jahrzehnte später immer noch kein bekannter Name ist (außer in den besten Haushalten), es aber immer verdient hat.Schade nur, dass Phil May nicht mehr da ist, um es zu hören ...
- A1: Overture 1 26
- A2: Oscar Winning Tears 3 34
- A3: Hard Out Here 3 36
- A4: The Thrill Is Gone (Requiem) 1 54
- A5: The Thrill Is Gone 4 34
- B1: Five Star Hotels 4 40
- B2: Mary Jane Vs Graeme Blevins 3 24
- B3: Mary Jane 2 51
- B4: Environmental Anxiety 3 57
- B5: Body Dysmorphia 3 47
- C1: Ice Cream Man 3 29
- C2: Dani's Interlude 2 36
- C3: Flip A Switch 4 57
- C4: Worth It (Prelude) 2 00
- C5: Worth It 4 04
- D1: Black Mascara 4 17
- D2: Buss It Down 5 31
- D3: Escapism
RAYE has been on a real journey prior to her stratospheric rise to the top and notching the first #1 UK hit of 2023. Nominated for 7 x Brit Awards (the most by any artist in one year) her long-awaited independent debut album, My 21st Century Blues, made an immediate impact hitting the #2 spot on the UK albums chart. As a welcome result of her self-fulfilling new work, RAYE unknowingly created the song that has become synonymous with 2023 – the chart topping, viral global smash “Escapism” featuring 070 Shake – that earned her first Top 10 slots at US Pop and Rhythm radio and and is the biggest selling single by a Female British artist in the UK in 2023. From the radio to the club, it put RAYE on the map in a whole new way earning the Best Contemporary Song Award at the 2023 Ivors, AIM Best Independent Track and Best Social Trending Song at the Global Awards, as well as contributing to her winning a BRIT Billions Award in recognition of 1 Billion career UK streams (globally, 4.5 Billion cumulative). RAYE also received the Live Nation Best Female Award at the O2 Silver Clefs and was nominated for the Best International Act at the BET Awards. Fresh off sold-out tours with Lewis Capaldi, Kali Uchis, and SZA, she embarked on a mammoth journey of her own. Two headline tours spanning the UK, Europe, and North America saw her energy ignite sold-out crowds every night. Glastonbury's Pyramid Stage felt her command, and the Royal Albert Hall, draped in the magic of her orchestra and choir, witnessed a BBC special for the ages. This year, My 21st Century Symphony arrives at the o2 Arena, then it's on to Coachella. After playing and owning the pop game, RAYE bet on herself and won.
Tracklisting
1. Overture. - RAYE, The Heritage Orchestra 2. Oscar Winning Tears. - RAYE, The Heritage Orchestra 3. Hard Out Here. - RAYE, The Heritage Orchestra 4. The Thrill Is Gone Requiem. - RAYE, The Heritage Orchestra 5. The Thrill Is Gone. - RAYE, The Heritage Orchestra 6. Five Star Hotels. - RAYE, Heritage Orchestra 7. Mary Jane vs Graeme Blevins. - RAYE, The Heritage Orchestra 8. Mary Jane - RAYE, The Heritage Orchestra 9. Environmental Anxiety. - RAYE, The Heritage Orchestra 10. Body Dysmorphia - RAYE, The Heritage Orchestra 11. Ice Cream Man. - RAYE, The Heritage Orchestra 12. Dani's Interlude. - RAYE, The Heritage Orchestra 13. Flip A Switch. - RAYE, The Heritage Orchestra 14. Worth It Prelude. - RAYE, The Heritage Orchestra 15. Worth It. - RAYE, The Heritage Orchestra 16. Black Mascara. - RAYE, The Heritage Orchestra 17. Buss It Down. - RAYE, The Heritage Orchestra 18. Escapism. - RAYE, The Heritage Orchestra
Congratulations to RAYE on her phenomenal night at the Brit Awards.. with a record breaking six wins in one night, including ..
Best British Album
Best Artist
Best Breakthrough Artist
Best Songwriter
Best R&B Act
- A1: Mystery Train
- A2: That's All Right (Alternate)
- A3: Good Rockin' Tonight (Alternate)
- A4: Baby Let's Play House
- A5: I Love You Because (Undubbed)
- A6: Don't Be Cruel
- B1: Blue Suede Shoes
- B2: Jailhouse Rock
- B3: Tryin' To Get To You
- B4: Blue Moon Of Kentucky (Alternate)
- B5: Tomorrow Night
- B6: I Forgot To Remember To Forget (Alternate)
Elvis Presley was undoubtedly Sun Records’ biggest star, burning brightly during his tenure at the label from 1953 to 1955. 2024 marks the 70th anniversary of the release of Elvis’ first single, “That’s All Right,” on Sun Records. This collection is Elvis as interpreted by his Sun contemporaries like Jerry Lee Lewis, Johnny Cash, and Roy Orbison, sharing their versions of songs Elvis made famous. Special additions include alternate versions of tracks from Johnny Cash, Sleepy LaBeef, and more.
Blue/Yellow Vinyl[18,91 €]
140g transparent blue and green galaxy marble vinyl housed in a matte 3mm cardboard sleeve with lyrics insert featuring photography and artwork by Hidrico Rubens. Limited to 300 copies. The creation of ‘Chrysalis’ was a retreat from a seemingly endless string of unfortunate events, a cocoon from which Zanias could weave hope from hopelessness. In each of its eight songs she has engineered unique worlds to express alternate facets of the modern human experience, from burnout and the toxicity of capitalism to processing death and the inherent isolation of personal trauma. Written and recorded between Berlin and the rainforest of Queensland, Australia, the sound design of ‘Chrysalis’ reflects the rich biodiversity of the latter environment, where she drew much of her inspiration. Her voice shifts and morphs into ghostly, alien forms between catchy hooks that plant this album firmly in the ‘pop’ genre, without losing the underground rawness and lyrical depth for which she is known. With her third full-length album, Zanias is expressing her truest form thus far, fusing her seemingly discordant influences into a genre-defying electronic artpop, as dark and evocative as it is ethereal and uplifting. Written and produced by Alison Lewis Bass guitar on ‘Lovelife’ by Laura Bailey Mixed by Ewan Kay Mastered by Alain Paul Photography and artwork by Hidrico Rubens Sigil by Nat Soba Design and layout by Alison Lewis Makeup by Eavan Derbyshire
- 01: Coined - Your House
- 02: Untitled (Halo) - Pedal Petal
- 03: Ety - This Town
- 04: Nourished By Time - I Guess I Got My Answer
- 05: Ms Ray - Signs
- 06: Pelin Pelin - Foamy
- 07: Olan Monk - Surf
- 08: Tony Bontana & Will Lister - A Long While
- 09: Adela Mede, Isa Otoya & María Catalina Jiménez - Pardo Plumetí
- 10: Max Winter - Don’t Live Inside
- 11: Canty - Alligator
- 12: Mark William Lewis - Lighter
- 13: Mary Jane Dunphe - Uriel
- 14: E-Prime - Somebody Else
- 15: Zoee Ft. Nourished By Time - Moth To A Flame
- 16: Nova Variable - Fountaine
- 17: Ma.moyo - Cave
- 18: Nukuluk - Shadowplay
- 19: Sy3 - Electric Puppy
- 20: Pig$ Ft. Paige Savahn - Last Call
‘Road Less Travelled vol.2’ once again brings together the imprints far-reaching community of artists spanning London, Los Angeles, Montreal, Budapest, Copenhagen, Barcelona & beyond. The compilation floats between shoegaze, moody electronics, and shimmering synths; featuring new and original music from the likes of Nourished By Time, Mark William Lewis, and Untitled (Halo). Road Less Travelled Vol.2 sees the label continue to amplify the voices of these singular artists who continue to sculpt their respective sounds. It’s a follow-up to 2022’s ‘Road Less Travelled vol.1’ which was celebrated by Resident Advisor, CRACK, The Wire, Dazed, Clash, NTS, Tom Ravenscroft, and Jamz Supernova.
Scenic Route continues to reaffirm its position as some of London’s premier tastemakers; building a grassroots following via their sell-out live shows featuring the likes of Chanel Beads, James Messiah, Mark William Lewis, Delilah Holiday, and more. Paired with ground-breaking releases including Nourished by Time’s debut album ‘Erotic Probiotic 2’ garnering the coveted Pitchfork’s 'Best New Music' and was widely regarded as one of the ‘Best Albums of 2023’ with features on Gorilla vs Bear (#1), Pitchfork (#5), The Guardian, The Fader, Paste and more. Most recently releasing Vanessa Bedoret’s (Astrid Sonne band mate) debut album ‘Eyes’ in the words of Boomkat ‘a timeless bouquet of raptures and ballads iced with shearing strings and shatterproof electronics’ having additional support from Vinyl Factory, Resident Advisor, Bleep, Nina, The Fader and more.
Kitty Liv hat schon in jungen Jahren Musikliebhaber auf der ganzen Welt begeistert. Als Co-Frontfrau der Familienband "Kitty, Daisy & Lewis"
verkaufte sie über eine Viertelmillion Platten. Die Band tourte mehrmals um die Welt und gewann Fans wie Amy Winehouse, Mark Ronson und
Coldplay.
Jetzt schickt sie sich an, eine noch breitere Fangemeinde mit einem Solo-Albumprojekt zu erobern, das eine völlig neue Richtung für sie markiert. Als
Songwriterin, Produzentin und Multi-Instrumentalistin greift Kitty auf eine Vielzahl von Einflüssen zurück, von Erykah Badu und D'Angelo bis hin zu Al
Green und der Blues-Legende Howlin' Wolf, um eine Reihe persönlicher Songs zu produzieren, die die ursprünglichen Tiefen von Soul, Gospel, Blues
und Rock and Roll heraufbeschwören. Die Songs sind von einer tiefen Stimme durchdrungen, die fast ihre Dämonen kanalisiert. Kitty hat ihre Ideen
über mehrere Jahre hinweg entwickelt und nimmt derzeit einige atemberaubende Performances im Studio auf.
Die in Camden Town geborene und aufgewachsene Kitty lebt und atmet Musik, gründete die Durham Sound Studios und arbeitet mit anderen
Musikern und Künstlern zusammen, um magische Momente auf funkelndem analogem Aufnahmeequipment einzufangen. Wenn jemand seit seinem
siebten Lebensjahr Musik spielt, aufnimmt und schreibt, ist es nur eine Frage der Zeit, bis er einen Quantensprung in ein neues Paradigma macht.
- A1: What A Cute Man - Max Romeo
- A2: Do Your Thing - Roland Alphonso & Don Lee
- A3: Boss Cocky - The Hotrod All Stars
- A4: The Whip - Winston Williams
- A5: Earthquake - Winston Scotland
- A6: Joe Lewis - Bunny Lee All Stars
- A7: Walk Through This World - Doreen Schaffer
- B1: Call On Me - U Roy
- B2: Welcome To Reggae City - Val Bennet
- B3: Devil’s Playground - Bunny Lee All Stars
- B4: Run For Cover - Lee Perry
- B5: In The Mood For Horns - Roland Alphonso
- B6: Chain Gang - Winston Francis
- B7: The Vow - Slim Smith & Doreen Schaffer
The early Reggae sound that came out of Jamaica between the years 1968 and 1971 became the soundtrack to the skinhead movement in the UK. Not only was the music embraced but also the dress style of the Jamaican Rude Boys.
The skinhead style started around 1968 and by the following year 1969, had become the style and fashion of the British teenagers. The uniform of the skinheads consisted of boots, braces, button down shirts and jeans and the upbeat reggae sounds seemed to match the style perfectly. The tempo of the music in Jamaica had previously slowed down from the more up tempo beat of Ska to the calmer pace of beat called Rock Steady. Some say this was to match the extreme heat wave that was hitting the island between 1966 and 1968. But that period had now passed and the evolution of the Reggae beat had again found a new pulse to hang its songs by. A more up tempo beat that all Jamaicans, British youths and various pockets of people around the world could groove to.
We have selected a cross section of tunes from those heady times, so sit back and enjoy some of the tunes the youths were listening to when the Skinhead Shuffle was all the rage. Hope you enjoy the set….
BLUE NOTE CLASSIC VINYL EDITION: Mono (Thad Jones) bzw. Stereo (Clifford Jordan), von Kevin Gray gemastert, bei Optimal auf 180g-Vinyl gepresst, im Single-Sleeve.
Der 1986 gestorbene Trompeter Thad Jones ist Jazzfans vor allem durch seine großartigen Arbeiten mit dem Count Basie Orchestra (dem er als Solist, Arrangeur und Komponist von 1954 bis 1963 angehörte) und seinem eigenen Thad Jones/Mel Lewis Orchestra in Erinnerung. Doch er konnte sich auch als Leader kleinerer Ensembles immer wieder glänzend in Szene setzen. Und nirgends besser als auf dem 1956 mit einem All-Star-Quintett aufgenommenen Album “The Magnificent Thad Jones”, mit dem sich der Trompeter endgültig als einer der führenden Musiker und Komponisten des modernen Jazz etablierte.
Als Clifford Jordan 1957 nach New York zog, um im Quintett von Max Roach Sonny Rollins zu ersetzen, eilte ihm der Ruf voraus, eines der größten Chicagoer Talente auf dem Tenorsaxofon zu sein. Noch
im Jahr seiner Ankunft erhielt der 25-Jährige die Chance, drei Alben für Blue Note einzuspielen, auf denen er sein Können unter Beweis stellte. Auf “Cliff Craft”, einer wunderbar entspannten Quintett-Aufnahme, präsentierte Jordan neben drei eigenen Kompositionen auch exzellent interpretierte Klassiker von Charlie Parker, Dizzy Gillespie und Duke Ellington.
BLUE NOTE CLASSIC VINYL EDITION: Mono (Thad Jones) bzw. Stereo (Clifford Jordan), von Kevin Gray gemastert, bei Optimal auf 180g-Vinyl gepresst, im Single-Sleeve.
Der 1986 gestorbene Trompeter Thad Jones ist Jazzfans vor allem durch seine großartigen Arbeiten mit dem Count Basie Orchestra (dem er als Solist, Arrangeur und Komponist von 1954 bis 1963 angehörte) und seinem eigenen Thad Jones/Mel Lewis Orchestra in Erinnerung. Doch er konnte sich auch als Leader kleinerer Ensembles immer wieder glänzend in Szene setzen. Und nirgends besser als auf dem 1956 mit einem All-Star-Quintett aufgenommenen Album “The Magnificent Thad Jones”, mit dem sich der Trompeter endgültig als einer der führenden Musiker und Komponisten des modernen Jazz etablierte.
Als Clifford Jordan 1957 nach New York zog, um im Quintett von Max Roach Sonny Rollins zu ersetzen, eilte ihm der Ruf voraus, eines der größten Chicagoer Talente auf dem Tenorsaxofon zu sein. Noch
im Jahr seiner Ankunft erhielt der 25-Jährige die Chance, drei Alben für Blue Note einzuspielen, auf denen er sein Können unter Beweis stellte. Auf “Cliff Craft”, einer wunderbar entspannten Quintett-Aufnahme, präsentierte Jordan neben drei eigenen Kompositionen auch exzellent interpretierte Klassiker von Charlie Parker, Dizzy Gillespie und Duke Ellington.
Enjoy The Ride Records in conjunction with Lionsgate, SModco & Destro Films proudly presents the Clerks III Soundtrack. Curated exclusively for vinyl and cassette tape by Kevin Smith and Enjoy The Ride Records, the Clerks III Soundtrack contains a selection of James Lewis Venable's score to the film, along with a collection of songs played throughout the film.
The vinyl release features Matt Taylor's art on the gatefold jacket and has a double-sided full-color insert, featuring stills from the film and additional art from Matt Taylor. Pressed across 5 colorful themed variants RST THC, Clerks III Swirl, Quick Stop, Smoke (Secret Stash), and a Mondo Exclusive Split, this pressing is limited to 1,500 copies.
Der italienische Pianist Giovanni Guidi widmet sich auf A New Day wieder gänzlich dem frei fließende Zusammenspiel mit seinen Kollegen Thomas Morgan und João Lobo – die musikalische Partnerschaft des Trios reicht inzwischen bereits über ein Jahrzehnt zurück – und baut dabei die instrumentale Bandbreite der Gruppe mit der idiosynkratrischen Tenorstimme des amerikanischen axofonisten James Brandon Lewis aus, der hier sein ECM-Debüt gibt. Mit Brandon Lewis erweitern sich nicht nur die Möglichkeiten des Ensembles,
es erschließen sich auch neue Idiome und frische Perspektiven, die von nuancierter Kommunikation und Lewis’ unverkennbarem, selbstbewusstem Ton gezeichnet sind. Das Album wurde im August 2023 in den Studios La Buissonne, Südfrankreich, aufgenommen und von Manfred Eicher produziert.
- A1: Broken Saturday Night
- A2: Baby Don’t Feat Sonny Jim & Quelle Chris
- A3: Burnt Up Nights
- A4: Piano Heights Feat Pruven, Vast Aire & Burgundy Blood
- A5: Smashing Little Boat
- A6: Pirates Feat Homeboy Sandman
- A7: Harlem Dream
- A8: Blood Red Dead Feat Jason Willamson
- A9: Sylvester
- B1: Space-Bar Feat Pan Amsterdam
- B2: The Fuck It Boogaloo
- B3: Anything Something
- B4: Thee Omen Feat Homeboy Sandman
- B5: Mala Leche Feat Guilty Simpson
- B6: You Bastard
- B7: Glove Department Feat Pan Amsterdam
For fans of Pan Amsterdam, Edan, Homeboy Sandman, Sleaford Mods etc. Features the singles ‘Baby Don’t’ ft. Sonnyjim & Quelle Chris and ‘Space-Bar’ ft Pan Amsterdam. Blessing/curse. Division/unity. Love/hate. It’s in the context of a polarising 24-hour, digitised, globally connected world that NightjaR finds its wings. NightjaR being the nom-de-plume and smudged rainbow constellation of collaborative copy-and-paste sound-wrangling and hip-hop from Doves’ Jimi Goodwin. But it’s here and it’s Mala Leche. Mala Leche (Spanish: Bad Milk) is 16 tracks of beats and bars, vocals provided by some of the hip-hop artists at the very top of Jimi’s own, personal home listening lists and interludes that throw back and forth through eras and genres in sometimes playful, occasionally awakeningly abrasive styles.
*Jamaican artist Peter ‘Roots’ Lewis recorded various tracks with his brother Paul Lewis, for Lee Perry in the mid 1970’s at Black Ark studio JA, most notable track: ‘Ethiopian Land’. Here he features on an observational Roots Vocal track. The tracks date from the late 90’s and have previously been released on vinyl, now deleted. Alternate versions of the tracks can be found on the ISR Rootspective CD album, (IRONCD 05). Also available: 7” Peter Roots Lewis-It’s A Roadblock / Alien Dread–Dub Vs ((IRON 010-07).
The tracks have been re-mixed by Alien Dread and the B side features a different Dub Version. Rhythm is by the Hi-Tech Roots Dynamics, courtesy of Martin Campbell (Channel One Uk).
BW Swirl[30,04 €]
Critically acclaimed, influential alt metal lifers earthtone9 return.
In Resonance Nexus, released via Candlelight/Spinefarm finds the band in fiery form. Their first new material in a decade sees the band not only harking back to their angular, chaotic, and ferocious roots but injecting an energy, urgency, and intensity beyond anything the band has released before.
The vitality of the songs is palpable, earthtone9 have both retained the essence of their musical identity, and channelled and distilled what they love about heavy music. In Resonance Nexus is a love letter to metal, a soundtrack imbued with persistence, love, pain and loss, determination and community.
Produced by Lewis Johns (Employed To Serve, Svalbard, Ithaca, Modern Error), In Resonance Nexus is a remarkable blend of stellar songwriting, crushing riffs and soaring melodies.
White Vinyl[28,53 €]
Critically acclaimed, influential alt metal lifers earthtone9 return.
In Resonance Nexus, released via Candlelight/Spinefarm finds the band in fiery form. Their first new material in a decade sees the band not only harking back to their angular, chaotic, and ferocious roots but injecting an energy, urgency, and intensity beyond anything the band has released before.
The vitality of the songs is palpable, earthtone9 have both retained the essence of their musical identity, and channelled and distilled what they love about heavy music. In Resonance Nexus is a love letter to metal, a soundtrack imbued with persistence, love, pain and loss, determination and community.
Produced by Lewis Johns (Employed To Serve, Svalbard, Ithaca, Modern Error), In Resonance Nexus is a remarkable blend of stellar songwriting, crushing riffs and soaring melodies.
- A1: アヴちゃん (Avu-Chan
- A2: Siiickbrain Feat. Pussy Riot - Power
- A3: Engelbert Humperdinck - I'm Forever Blowing Bubbles
- A4: Alejandro Sanz - La Despedida
- A5: Upsahl - My Time To Shine
- A6: 奥田 民生 (Tamio Okuda) - Kill Me Pretty
- A7: Big Fella - Couple Of Fruits
- B1: カルメン·マキ (Carmen Maki) - Tokiniwa Hahano Naikono Yoni
- B2: Shuggie Otis - Sweet Thang
- B3: Song For Memories - Five Hundred Miles
- B4: 麻倉未稀 (Miki Asakura) - Holding Out For A Hero
- B5: 坂本 九 (Kyu Sakamoto) - Sukiyaki
- B6: Rare Earth - I Just Want To Celebrate
- B7: Dominic Lewis - Momomon
Tangerine[39,45 €]
Bullet Train is the 2022 American action-comedy film by the Deadpool 2-director David Leitch and is based on the 2010 novel Maria Beetle, written by Kōtarō Isaka. In Bullet Train, Brad Pitt stars as Ladybug, an unlucky assassin determined to do his job peacefully after one too many gigs gone off the rails. Fate, however, may have other plans, as Ladybug's latest mission puts him on a collision course with lethal adversaries from around the globe - all with connected, yet conflicting, objectives - on the world's fastest train...and he's got to figure out how to get off.
The film features a number of original tracks. Most notably, the film contains Japanese language covers of "Stayin' Alive" by Bee Gees and "Holding Out for a Hero" by Bonnie Tyler. Composer Dominic Lewis noted that the film's soundtrack represents "all vibe and no technique".
For the first time, the soundtrack for Bullet Train is available on vinyl and comes in different editions, all based on the characters in the movie. All editions include a 4-page booklet, but each edition contains an exclusive Bullet Train boarding pass with corresponding picture of the character. This is the limited edition on Lemon coloured vinyl.
a A1. アヴちゃん (AVU-CHAN QUEEN BEE) - STAYIN' ALIVE
This 12-inch vinyl, officially licensed by Sony, features a superb remix by Mike Maurro, who masterfully reworks the stems. On the B side, you'll find the original version. Since its release in 1982, "Looking Up To You" has cemented its status as a modern soul anthem, co-written by Leon Ware and Zane Grey (of Grey & Hanks) and produced by Webster Lewis, all titans in the genre. Heavily sampled since it’s original release, notably by artists like Zhane ("Hey Mr. DJ") and Ortega Cartel ("Miami Vice").
"Klara Lewis and Yuki Tsuji's collaboration builds on Tsuji's singular guitar playing and Lewis's resolutely explorative soundscapes. Salt Water is their debut album.
Klara Lewis is a sound sculptor and loop finder. She has spent the last decade creating albums equally tender and brutal for Editions Mego as well as in collaborations with Nik Colk Void, Peder Mannerfelt and now Yuki Tsujii. Lewis has presented her audiovisual work at festivals such as Sonar, Mutek, Dark Mofo and Atonal.
Yuki Tsujii is a guitarist from Japan-via-London, now based in Stockholm. In the last 15 years, as a member of Bo Ningen, Tsujii has performed extensively across the world in festivals such as Coachella, Glastonbury, and Yoko Ono’s Meltdown and collaborated with artists across different disciplines such as Faust, Lydia Lunch, Keiji Haino, Alexander McQueen and Juergen Teller."
Mastered by Stephan Mathieu.
“Not a lot of people talk about the true origins of bluegrass music,” says Swamp Dogg, “but it came from Black people. The banjo, the washtub, all that stuff started with African Americans. We were playing it before it even had a name.” Blackgrass, Swamp Dogg’s remarkable new album, is no history lesson, though. Produced by Ryan Olson (Bon Iver, Poliça) andrecorded with an all-star band including Noam Pikelny, Sierra Hull, Jerry Douglas, Chris Scruggs, Billy Contreras, and Kenny Vaughan, the collection is a riotous blend of past and present, mixing the sacred and the profane in typical Swamp Dogg fashion as it blurs the lines between folk, roots, country, blues, and soul. The tracklist is an eclectic one—brand new originals and vintage Swamp Dogg classics sit side by side with reimaginings of ’70s R&B hits and timeless ’50s pop tunes—but the performances are thoroughly cohesive, filtering everything through a progressive Appalachian lens that nods to tradition without ever being bound by it. Special guests like Margo Price, Jenny Lewis, Justin Vernon, and The Cactus Blossoms all add to the excitement here, but it’s ultimately the 81-year-old Swamp Dogg’s delivery—sly and playful and full of genuine joy and ache—that steals the show. The result is a record that’s as reverent as it is raunchy, a collection that challenges conventional notions of genre and race while at the same time celebrating the music that helped make Swamp Dogg the beloved iconoclast he’s known as today.
- A1: Rene & Angela - I'll Be Good
- A2: Zapp - Heartbreaker (P1 + 2)
- A3: Timex Social Club - Rumors
- B1: Mtume - Juicy Fruit
- B2: Sugardaddy Feat. Ronika - Don't Look Any Further
- B3: Meli'sa Morgan - Fool's Paradise
- C1: George Franklin Smallwood & Marshmellow Band - You Know I Love You
- C2: Royalle Delite - I'll Be A Freak For You
- C3: Bits & Pieces - Don't Stop The Music
- D1: Donna Allen - Serious
- D2: Change - Change Of Heart
- D3: The Gap Band - I Owe It To Myself
- E1: 52Nd Street - You're My Last Chance
- E2: Thelma Houston - You Used To Hold Me So Tight
- E3: Alexander O'neal - What's Missing
- F1: Aurra - You And Me Tonight
- F2: Samson & Delilah - I Can Feel Your Love Slippin' Away
- F3: Sharon Brown - I Specialize In Love
It is 1983 and you've just stepped into your Ford Capri with your girlfriend Julie. You live in Harlow, but in your head you're really somewhere near Salou in Spain, next to your yacht. But the thing you really love is soul and they play nothing but at Sups in Loughton. OK, so It's not 1983 at all. It's 2014, but listening to this electrofied soul, will put you back in the zone. Tom Findlay, one half of Grammy-nominated Groove Armada, has put this collection together: a stamp of authenticity in itself. Tom has also put a few of these through the edit wringer, reworking many of the tunes for maximum towelling sockability.
You'll probably recognise a few tunes. There's Mtume's incredible 'Juicy Fruit', still sounding advanced and modern, while 'I Specialize In Love, mixed by disco legend Tee Scott, is even older yet sounds equally perky.
The 1980s was a period that was pretty much owned by Minneapolis thanks to Prince and former cohorts Jam & Lewis and the latter weigh in with a pair of killer productions, Thelma Houston's 'You Used To Hold Me So Tight' and Alexander O'Neal's 'What's Missing'. And since this is Late Night Tales, there is always our exclusive cover version, this time done by Findlay and Tim Hutton's Sugardaddy, who've delivered an ace version of 'Don't Look Any Further'.
Grab yourself a bar stool, order a cocktail, take a sip and make believe you're lying on a shagpile carpet with the soul star of your dreams.
Bill Brewster
Automatic Soul, like my previously compiled Late Night Tales Music For Pleasure, is based very much on a sound. It's a sound that I feel has been overlooked: 80s R&B-infused music, with drum machines, synths and invariably brilliant vocals. It's formed the bedrock of my rare groove sets for all the years I've played. It's not the most fashionable, but to me it's the perfect marriage of technology and soul, hence the title for this album, Automatic Soul. There are plenty of songs I could have included, and no doubt some that I shouldn't, but I've tried to represent what's best to me from this era. It's not a classic Late Night Tales. It's a pretty personal journey, which I hope some of you might be willing to share... Tom Findlay Groove Armada September 2014.
To address the weight of the world without speaking of weariness. To march the song to breathlessness but loosen your grip when the band wanders. To tell all your secrets but shield your loved ones from vulnerability. To dress up in the charm and temptation of the pop song but maintain a core of peculiarity, of a single voice trying to navigate this world. This is the project of the Spatulas. Think of the few songwriters who know they're the only ones in the world who could write their songs. The ones who sing in the confidence that the song couldn't exist without them: Peter Jefferies, Jenny Mae, Ron House, Heather Lewis. Jonathan Richman? Put Miranda Soileau-Pratt and the Spatulas on this list. All eleven songs on `Beehive Mind' share a percussive, unshadowed presence, a steady, clear-voiced clop. Every note on the record is a little bit sad on its own but then they're organized in a way that you don't actually notice. Credit this to the band's skill_Jon Grothman, Lila Jarzombek, Kyle Raquipiso and Miranda Soileau-Pratt all play with no limits and they all play with profound ease. The songs breathe in warmth and patience, they are immediate and sweet. And then they start to meander. The guitar skitters with the deliberate unpredictability of a wild animal. Parts repeat and reset with the obsessiveness of an anxious mind. The lyrics open doors to unexpected scenes of lovers, family, and violence. This is all intentional: "I need to play music and listen to music as a form of therapy," explains Soileau. This means safety, this means encouragement, this means trauma, this means hard questions. Only a band so comfortable at the margins, only a band so capable, only a band so trusting can achieve all this. Miranda Solileau-Pratt wrote the first Spatulas song in 2020, while living in Oregon. Since that time, the band has released two cassettes and toured the United States. Members of the Spatulas have also played in The Blimp, Honey Bucket, Hot Gum, and Meerkaz. The band has shared stages with Helen, Lavender Flu, Debt Rag, Pink Reason, Blues Ambush, and Kath Bloom. `Beehive Mind' is their debut LP.
- A1: St Thomas 7 32
- A2: There Will Never Be Another You 5 52
- A3: Stay As Sweet As You Are 4 41
- A4: I've Told Ev'ry Little Star 4 52
- B1: How High The Moon 10 46
- B2: Oleo 6 00
- B3: Paul's Pal 9 30
- C1: Sonny Rollins Interview 1 54
- C2: It Don't Mean A Thing 4 54
- C3: Paul's Pal #2 7 00
- C4: Love Letters 5 34
- D1: I Remember You 6 50
- D2: I've Told Ev'ry Little Star #2 6 33
- D3: It Could Happen To You 3 27
- D4: Oleo #2 3 15
- D5: Will You Still Be Mine? 4 16
- D6: I've Told Ev'ry Little Star #3 4 26
- E1: I Want To Be Happy 4 08
- E2: A Weaver Of Dreams 4 12
- E3: It Don't Mean A Thing #2 4 31
- E4: Cocktails For Two 4 58
- E5: I've Told Ev'ry Little Star #4 5 54
- E6: I Want To Be Happy #2 5 15
- F1: Woody 'N' You 15 54
- G1: But Not For Me 17 39
- H1: Lady Bird 18 49
Freedom Weaver: The 1959 European Tour Recordings is the first official release of the 'Saxophone Colossus' Sonny Rollins’ European tour in 1959 with bassist Henry Grimes, and drummers Pete La Roca, Kenny Clarke and Joe Harris. Available previously only as a bootleg release, this is the first official release in cooperation with Sonny Rollins and released as a 3-CD set. Freedom Weaver includes an elaborate booklet with rare photos by Ed van der Elsken, Jean-Pierre Leloir, Bob Parent and many others; lead liners by jazz scholar Bob Blumenthal, and new interviews with Rollins himself, Branford Marsalis, James Carter, Joe Lovano, James Brandon Lewis and Peter Brötzmann. Mastered by the legendary mastering engineer Bernie Grundman.
Kingston-upon-Hull outfit The Black Delta Movement's new ‘In Acetate’ EP is a companion piece to the band’s recently released ‘Recovery Effects’ album.
Serving up eight tracks of immersive, groove-heavy psych-rock, The Black Delta Movemen’s second album ‘Recovery Effects’ was released in April 2023 and is already on its second vinyl pressing. Nearly five years in the works, it found band leader Matt Burr recruiting Little Barrie’s Barrie Cadogan, Lewis Wharton and Tony Coote to play on the record and The Heliocentrics’ Malcolm Catto on production duties.
The incoming ‘In Acetate’ EP is made up of three previously-unreleased tracks from those sessions (‘(This Is) Slow House’, ‘The Landgrab’ and ‘303’) and two remixes courtesy of UNKLE and Ill Japonia – aka Taigen Kawabe of Bo Ningen, who TBDM did a short Dutch tour with earlier this year.
- A1: Intro
- A2: Bionix
- A3: Baby Phat Feat Devin The Dude & E Yummy Bingham
- A4: Simply
- A5: Simply Havin
- B1: Held Down Feat Cee-Lo
- B2: Reverend Do Good #1
- B3: Watch Out
- B4: Special
- C1: Reverend Do Good #2
- C2: The Sauce Feat Philly Black
- C3: Am I Worth You? Feat Glenn Lewis
- C4: Pawn Star Feat Shell Council
- D1: What We Do (For Love) Feat Slick Rick
- D2: Reverend Do Good #3
- D3: Peer Pressure Feat B-Real
- D4: It's American
- D5: Trying People
- Queen - A Kind Of Magic (From Highlander)
- Simple Minds - Don't You (Forget About Me) (From The Breakfast Club)
- Philip Oakey & Giorgio Moroder - Together In Electric Dreams (From Electric Dreams)
- Tina Turner - We Don't Need Another Hero (Thunderdome) (From Mad Max Beyond: Thunderdome)
- Limahl - Never Ending Story (From The Never Ending Story)
- Kenny Loggins - Danger Zone (From Top Gun)
- Los Lobos - La Bamba (From La Bamba)
- Duran Duran - A View To A Kill (From James Bond: A View To Kill)
- Ray Parker Jr. - Ghostbusters (From Ghostbusters)
- Survivor - Burning Heart (From Rocky Iv)
- Pat Benatar - Invincible (From The Legend Of Billie Jean)
- Orchestral Manoeuvres In The Dark - If You Leave (From Pretty In Pink)
- Oingo Boingo - Weird Science (From Weird Science)
- Huey Lewis & The News - The Power Of Love (From Back To The Future)
- The Bangles - Hazy Shade Of Winter (From Less Than Zero)
- The Beach Boys - Kokomo (From Cocktail)
- Harold Faltermeyer - Axel F (From Beverly Hills Cop)
- Deniece Williams - Let's Hear It From The Boy (From Footloose)
- Lionel Richie - Say You, Say Me (From White Nights)
- Michael Sembello - Maniac (From Flashdance)
- John Parr - St. Elmo's Fire (Man In Motion) (From St. Elmo's Fire)
- Dan Hartman - I Can Dream About You (From Streets Of Fire)
- El Debarge - Who's Johnny (From Short Circuit)
- Billy Ocean - When The Going Gets Tough, The Tough Get Going (From The Jewel Of The Nile)
- Yello - Oh Yeah (From Ferris Bueller's Day Off)
- Eric Carmen - Hungry Eyes (From Dirty Dancing)
- Echo & The Bunnymen - People Are Strange (From The Lost Boys)
"The Eighties spawned many iconic films such as Footloose, Dirty Dancing, Ghostbusters, Rocky and The Breakfast Club. Despite all the different genres, they all had something in common: great film music. 80’s Movies Hits Collected is a collection of music that is inextricably linked to Eighties movie classics, including Queen, Billy Ocean, Lionel Richie, The Bangles, Duran Duran, Pat Benatar, Tina Turner and Survivor amongst many others. 80’s Movie Hits Collected is available as a limited edition of 1500 copies on translucent blue (LP1) and gold (LP2) coloured vinyl. This 2LP-set includes an insert with liner notes, photos, and credits. "
80'S Movie Hits Collected by Various Artists, released 24 May 2024, includes the following tracks: "Philip Oakey & Giorgio Moroder - Together In Electric Dreams (From Electric Dreams)", "Limahl - Never Ending Story (From The Never Ending Story)", "Los Lobos - La Bamba (From La Bamba)", "Ray Parker Jr. - Ghostbusters (From Ghostbusters)" and more.
This version of 80'S Movie Hits Collected comes as a 2xLP. This release comes with (a) Insert(s).
The vinyl is pressed as a translucent, blue disc. Another vinyl is pressed as a translucent, gold disc.
- 1: Kaleidoscope
- 2: Please Excuse My Face
- 3: Dive Into Yesterday
- 4: Mr. Small, The Watch Repairer Man
- 5: Flight From Ashiya
- 6: The Murder Of Lewis Tollani
- 7: (Further Reflections) In The Room Of Percussion
- 8: Dear Nellie Goodrich
- 9: Holidaymaker
- 10: A Lesson Perhaps
- 11: The Sky Children
- 12: Kaleidoscope (Earliest Known Recorded Version)
- 13: Dream For Julie (Earliest Known Recorded Version)
Look through any self respecting quality music publication or web site and peruse through a list of the most important and influential psychedelic albums of all time and you can be pretty sure to see KALEIDOSCOPE'S 'Tangerine Dream' ranked high up there, along with your 'Sgt Peppers', your 'Forever Changes' 'Satanic Majesties Request' 'Axis Bold As Love' 'Odyssey & Oracle' and 'The Psychedelic Sounds of the 13th Floor Elevators'........
This seminal album of quintessential English psychedelia is one of the most highly prized artifacts that define the psychedelic genre and like some of the most highly collected and prized albums from that time, mint copies can now go for way in excess of £1000.
Thus given the record`s rarity & collectability, matched to the recent explosive interest in all things psyche, garage & underground, you would be excused for thinking that this slice of perfect late 60's progressive underground pop would have been given the full reissue and remastering treatment already. Surprisingly though, you would very much be mistaken. But to those of you who know the checkered history of Kaleidoscope this will perhaps come as no surprise!!!
Thankfully after 3 years of painstaking detective work, chance encounters with Universal archivists, heavy negotiations with major label legal executives and some good fortune, we are delighted to announce that this record will finally not only get its first proper official reissue in over 5 decades, but thanks to a lot of pure persistence it can now be presented to its listeners in the manner in which it was supposed to have been heard, following the discovery of a batch of the original master tapes that were languishing in the vaults of Universal that have laid largely unheard for 50 years!
Furthermore following a couple of shared festival billings at Austin and Copenhagen Psyche Festival, with another legend of the scene, Mr Pete Kember aka SONIC BOOM of SPACEMEN 3 fame, Sonic has been holed up in his Lisbon studio, painstakingly remastering the album from the original ¼' tapes.
The remastering of these ¼' tapes though is only part of the story, as along with the discovery of these a significant number of ½' tapes and other material was also discovered which is penned for a future release when the band`s entire works will be presented in a definitive boxset of all four of their studio albums (including all their Fairfield Parlour recordings) plus BBC Sessions, live recordings, alternative takes, new mixes, unreleased tracks and material from the band`s own archive including pre-Kaleidoscope demos when they were known as both The Sidekicks and The Key.
For now though, this 50th Anniversary release comes with a flavor of what is to come, with the inclusion of two unreleased out-takes tracks from 1967 on a bonus 7' housed in a replica original paper thin Fontana sleeve which, includes an early version of the track that gave the band their name, the suitably titled: 'Kaleidoscope'. Whilst the flip presents an alternative earliest known recorded version of the album's follow-up single: Dream For Julie'.
The album itself, has been cut onto 180g heavyweight vinyl, housed in a deluxe high-end gatefold tip-on sleeve with the lyrics printed and new artwork. The first 1000 copies of the album will be hand numbered by the band & pressed on 'Tangerine' orange vinyl housed in an inner sleeve with attractive new artwork + download code.
Limited to 500 LPs and 500 CDs. New album from the most danceable post-punk pop band in the UK. It's like something has exploded! CRUMBS have been incubating this, their second album, for a few years now. Who knows how they kept all the energy in check. It must have been like sitting on a volcano. The songs burst out with pure pop fire, sending splinters of guitar, sharp lyrics and snatches of the catchiest backing vocals. The rhythm section (Jamie and Gem): it's like Delta 5 meeting Le Tigre in a dark alley in Leeds, fusing blindly and completely, and then forcing its way into the back entrance of a venue, sending volts through the limbs of the unwitting punters, forcing them to dance. This is TIGHT. And as the lights come on and the indie kids throw themselves around, Ruth's vocals sweetly assault their ears with anger, joy, political intelligence - and all around, Stuart's guitar, sometimes twangly-melodic like the B52s, sometimes sweet and ringing like a memory of Scars, sometimes furious and feeding back, keeps you alert and thirsty for more. These songs do NOT outstay their welcome. Starts and ends are cut hard: no pre-echo, no wistful, drawn-out regretful fade-outs. CRUMBS have imbibed the key lessons taught by The Gang Of Four and The Au Pairs: never let the energy dissipate. But there is more than anger here. The band have smuggled a pop sweetness into the disciplined shapes of their angular songs. You're Just Jealous has sharp edges, but it's generous too. The album will be available as a vinyl LP, CD, download and on streaming services. CRUMBS - a brief history. They are based in Leeds, where they are active movers in the DIY scene that currently thrives in the North of England. They recorded a Marc Riley session in 2016, released their first album (on Everything Sucks) in 2017, toured extensively in 2018 and 2019, playing at the Brudenell Social Club with Swearin' and Jeffrey Lewis, and at plenty of fests such as LaDIYfest and Specialist Subject's birthday all dayer in Bristol, A Real Cool Fest in Bradford, Mousetival in Stockton and the Cambridge Indie pop Alldayer. They spent the pandemic creating these new, tightly-wound, irresistible pop songs. These are the people in CRUMBS and these are their influences: Stuart (GUITAR) - Bauhaus, Gang of Four, Shop Assistants // Gem (DRUMS) - Beat Happening, The Raincoats, Antelope // Jamie (BASS, BACKING VOCALS) - Delta 5, ESG, Chic // Ruth (VOCALS) - The Go-Go's, Mika Miko, Paint It Black Collectively - 80s pop music
"After his massively acclaimed debut album ""Sonic Poems"", Lewis OfMan unveils his new project ""Cristal Medium Blue"". It was on the American roads during his last tour, including Coachella, that the genesis of this new project was born, largely infused by the artist's travels. Composed between France, Greece and the United States, the artist is accompanied on this project by singular performers: Empress Of, Camille Jansen, Sofie Royer, Gabriela Richardson Reviews: R2. London Macadam, Le Petit Journal, The Line Of Best Fit
Ads: R2. London Macadam"
Halocline - a visible layer of water that forms between saltwater and freshwater when there is a rapid change in salinity; they are found in colder oceans, caves, fjords and estuaries.
Malin Lewis is a queer bagpiper, fiddler, instrument maker and award winning composer. One of Scotland's most exciting innovators, Malin melds west coast tradition with a newly invented, self-made bagpipe. Hair tingling, philosophical and dance inducing melodies inspired by European folk traditions, humans, queerness and the universe. Having played in Canada, Europe and across the UK, Malin will release their long awaited debut album Halocline on the 3rd May 2024 with Hudson Records. Halocline began as a New Voices commission for Celtic Connections and was premiered to a sold out Strathclyde Suite, Glasgow Royal Concert Hall in 2023.
"I saw my first Halocline aged fourteen whilst swimming in an estuary in the Isle of Skye. I didn't know what it was at the time but the image has stayed with me ever since. Appearing like a hazy layer of cloud under the water; it floats between two worlds and provides an environment which is home to a unique microbial ecosystem. As a trans person I live in a space in between; this beautiful space between a binary with its own colourful and unique culture."
Malin's unique sound is born from the deep connection that comes with making and composing for their own instrument. Alongside whistle and fiddle, Malin plays a newly invented two octave bagpipe that, when combined with guitar FX pedals, creates a whole new world of sound which is as lively, thought provoking and sensitive.
Halocline - a visible layer of water that forms between saltwater and freshwater when there is a rapid change in salinity; they are found in colder oceans, caves, fjords and estuaries.
Malin Lewis is a queer bagpiper, fiddler, instrument maker and award winning composer. One of Scotland's most exciting innovators, Malin melds west coast tradition with a newly invented, self-made bagpipe. Hair tingling, philosophical and dance inducing melodies inspired by European folk traditions, humans, queerness and the universe. Having played in Canada, Europe and across the UK, Malin will release their long awaited debut album Halocline on the 3rd May 2024 with Hudson Records. Halocline began as a New Voices commission for Celtic Connections and was premiered to a sold out Strathclyde Suite, Glasgow Royal Concert Hall in 2023.
"I saw my first Halocline aged fourteen whilst swimming in an estuary in the Isle of Skye. I didn't know what it was at the time but the image has stayed with me ever since. Appearing like a hazy layer of cloud under the water; it floats between two worlds and provides an environment which is home to a unique microbial ecosystem. As a trans person I live in a space in between; this beautiful space between a binary with its own colourful and unique culture."
Malin's unique sound is born from the deep connection that comes with making and composing for their own instrument. Alongside whistle and fiddle, Malin plays a newly invented two octave bagpipe that, when combined with guitar FX pedals, creates a whole new world of sound which is as lively, thought provoking and sensitive.
Church Andrews and Matt Davies weave intricate patterns from Fibonacci sequences on new mini-album, Yucca.
Producer and composer Church Andrews (aka Kirk Barley) and drummer Matt Davies return to explore the outer limits of rhythm on a six-track suite that is at once angular and fluid, natural and systematic. Drawn to the restrictions of working solely with one synth and live drums, the pair found creativity in limitation, developing a compositional dialogue between the sonic timbres of Kirk’s productions and Matt’s percussive practice.
Evoking the primitive yet complex form of the plant from which it takes its name, Yucca features tracks that are built around rhythmic ratios of the Fibonacci sequence. Mirroring spiral patterns exhibited in nature, each track evolves like a cellular structure of its own, from the livewire syntax of ‘Chirp’ and the deconstructed ebb and flow of ‘Ferns’, to the mini-album’s title track, where crisp grooves flit between modulated electronics like fireflies.
“I’ve always been inspired by music that is complex without sounding complex,” Matt explains. He maintains a sense of bounce amid the intricate phrasing and cites drummers Roy Haynes and his grandson Marcus Gilmore as inspirations, alongside sabar drummers from Senegal and Mridangam drumming of South India.
With a shared background in hip-hop and the swung beats of J Dilla and Flying Lotus, Kirk Barley and Matt Davies were also inspired by the minimalism of Terry Riley and the sparse palette of dub techno.
Written and recorded in Lewisham in the spring and summer of 2023, Yucca follows the release of Axis in 2022, with the duo having also performed at festivals such as Rewire and Waking Life, and recorded live sessions for FACT magazine and Worldwide FM.
The third release on Yorkshire-based Odda Recordings, following Kirk Barley’s Marionette and Flaer’s Preludes, Yucca confirms the label’s reputation for championing music on the unstable ground between the organic and the synthetic.
Solo Throat is the first solo LP from vocalist, composer and movement artist Elaine Mitchener. Drawing on the work of African-American and African-Caribbean poets Edward Kamau Brathwaite, Aimé Césaire, Una Marson and N. H. Pritchard, these twelve new vocal compositions disrupt semantic sense, play with the margins of lyrical translation, and give rise to new voicings. Elaine Mitchener is a veteran of vocal expression in the global Black Avant Garde, traversing free improvisation, cross-disciplinary music theatre and contemporary composition with clarity and joy. Most recently, Mitchener has been improvising and composing with the written word as source material - challenging classical ensembles with her piece (“the/e so/ou/nd be/t/ween”), and commissioning composers Matana Roberts, Jason Yarde and George Lewis to respond to the work of Sylvia Wynter (“On Being Human as Praxis”, Donaueschinger Musiktage, 2020). Her performance of Umbra poet N.H Pritchard’s text FR/OG at OTO in 2021 was a revelation - a solo vocal recasting of the powerful visual-material form that Pritchard uses to disrupt semantic ‘sense’. Building on this performance, Solo Throat takes the work of Pritchard alongside poets Edward Kamau Brathwaite, Aimé Césaire and Una Marson as its source material. Its compositions are a loose translation - a carrying from text to voice which holds multiplicity and celebrates the transformative power of literary possibility. Surrendered to the spacing and repetition of consonants and vowels, Michener’s exceptional phonetic freedom gives rise to a sensuous experience which intensifies the roles of rhythm, timbre and breath in expressing meaning. Solo Throat comes together as much through difference as similarity. Mitchener’s own solo improvisations sit alongside the work of Brathwaite, Césaire, Marson and Pritchard, forming a constellation of unlikely alignments which make no aesthetic conclusion. Instead, Solo Throat is a site of encounter, an irreducibly plural de-composition of words into a heterogeneous assemblage of sounds and impulses, emphasising what Anthony Reed calls, “the play on and the surplus of margins of lyrical translation to resituate other pathways of expression”. Just as the poets cited use white space to complicate our act of reading, so Mitchener utilises silence and multiphonics to complicate the act of voicing and the way we listen. Genre: Experimental / Vocal / Poetry
Get ready to embark on a hypnotic journey as Full Circle presents the highly anticipated re-release of Danny J Lewis' iconic track, "Spend The Night," accompanied by a brand new Archie Hamilton remix that brings a fresh new perspective to the classic garage anthem. Not to mention not one but two mesmerizing dub versions by H-Man and DJL VIP. These carefully crafted dubs take the original masterpiece to new heights, offering unique perspectives on the timeless classic.





































