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Phonica AM welcomes long-time friend of the shop Voigtmann, appearing under his A Thousand Futures alias with a release that feels perfectly at home on the imprint. Known for precision engineering and playful groove work, he delivers a 12″ that’s subtle, characterful and built for repeat play.
Across four tracks, Voigtmann moves between sleek, futuristic club moods with ease: from the ghostly, cosmic drive of “Leftfoot Lover” and the acid-flecked momentum of “Outer Edge,” through to the jacking electro-funk tension of “No Room For Squares.” The record closes on “Sunshine Capital,” a warm, chord-led cut that still carries his trademark grit - a deeper moment without losing focus.
Curated by Phonica’s Luther Vine, the AM series champions the stranger, more late-night corners of the dancefloor, and this release fits the ethos with style. Touching lightly on progressive house, tech house and electro-leaning minimal, the record avoids strict genre lines and instead prioritises feeling: trippy, functional and made for DJs.
In early 2025 Oakland-based Jerod S. Rivera released his second full length Dot-Dash, featuring a collaboration with CST co-founder Cat Lauigan and Jonathan James Carr. From the beginning we were mesmerized with the result, a perfect melding of Cat's processed spoken-word and Jerod's Buchla experimentations.
The thought of remixes presented immediately, the material extra ripe for interpolation. Enlisting friends from geographically and sonically disparate locations to present an ideal remix 12". Something for everyone, something for every setting, a tool with multiple functions...
The mysterious dub/techno/leftfield mastermind behind False Aralia dives further into territory explored on iri.gram, uptempo and dancefloor-ready in a more maximal Perlon-ish way while still embracing a half-time dub feel. Philipp Otterbach (Music from Memory, Offen, RIO) goes deeper into the guitar zone he’s been exploring, channeling Earth 2, Boris, and the like for some heavy drone. Oakland duo DJ ML and Wonja adopt their Motoko & Myers moniker (Future Times, Soda Gong), zeroing in on some choice vocal snippets that mesh perfectly with a live drum break and bassline for a Seefeel-esque version that could have come from a 90’s UK studio. Finally, Slowfoam embraces the more experimental elements of the original with a remix that starts sparse and minimal but builds into a glitchy rhythmic climax.
The 12” includes a 2-sided riso insert and a download code with access to an additional remix by close collaborator Jon Carr that twists the vocals into a throbbing industrial caucaphony.
By popular demand, here's the two long unavailable cuts of Wackie's cosmic dancefloor classic, "Rise Up." In 2023 we issued the previously unreleased discomixes of Tyrone's cut. On this new 12" we have the Max Romeo version, only released as an album track in the UK & Japan in the early 80s. This one is a duet of sorts, also featuring part of Tyrone's vocal. On the flip side, we have the original album mix of Tyrone's version, which compared to the discomixes, is more of a dubwise cut with less vocal.
Mit Money landete Mozzart 1987 einen echten Euro-DiscoHit, der bis heute als Club- und Genreklassiker gefeiert wird.
Treibende Beats, eingängige Synthesizer-Melodien und der typische 80er-Jahre-Disco-Sound machen diesen Track zu einem zeitlosen Highlight der europäischen Dance-Ära.
Jetzt ist „Money“ endlich wieder erhältlich – als limitierte Maxi Single auf farbigem Vinyl. Neben der originalen Version aus dem Jahr 1987 enthält diese Veröffentlichung brandneue Remixe, die dem Klassiker einen frischen, modernen Twist verleihen, ohne seinen ursprünglichen Charme zu verlieren.
Diese Maxi Single ist ein Muss für Sammler, DJs und alle Fans von Euro- und Italo-Disco.
„10 Jahre Bunte Träumerei“ is a selection "Best Of" from our catalogue released so far - pressed into black gold and packed into a full print cover artwork
The Kandinski Issue marks Dominic Costello’s debut on Shut Off Notice and sets a clear tone for what’s to come. Rooted in minimal techno but pushing past restraint, the EP delivers four innovative cuts built for movement and late-night immersion.
Across the record, Costello balances precision with play. Locust and Cable Stack lock into hypnotic, tightly wound grooves, while Slewing and Hiss Print stretch the space with cutting textures and subtle shifts that reward deep listening. The result is a collection that feels chill yet exuberant, stripped back yet propulsive.
Designed for the dance floor but equally compelling in headphones, The Kandinski Issue is a confident first statement. Clean lines, sharp edges, and just enough tension to keep bodies moving and minds engaged.
Danny Krivit pays tribute to the royal family of soul with a double A-side of classic house remixes from Michael and Janet, both appearing on 7-inch for the first time. Standouts from the revered era of ’90s house, these tracks have remained a steady presence in Krivit’s sets, a testament to their timeless appeal.
Mr. K’s edit of ‘Remember The Time’ takes E-Smoove’s punchy Late Nite remix from the original 1992 12-inch single — already considered the strongest mix on the release — and carefully condenses it to fill a 7-inch, retaining all the best elements while adding a highly mixable intro and a unique acapella ending. This edit might now be the definitive version of this classic club tune! The original mix of Janet’s ‘Any Time, Any Place’ hit radio in 1993, but it wasn’t until the following year when Darryl James and David Anthony’s smoothly uplifting and funky remix really took off in all the clubs, and it’s this D&D remix that Krivit turns his attention to for the flip side of this new MEU 45. A favorite of Frankie Knuckles, and Body & Soul, ‘Any Time, Any Place’ has remained a go-to cut for Mr. K, who shares his personal edit here on the compact format for the very first time.
Texas-based producer Declan James runs the VOIDWARE imprint and events, also listing music on labels such as Edit Select Records, Max Gardner's Peer, drxvo's Synergie, and Secus' Rituals amongst others. The Dallas native is making a significant contribution to the upcoming generation of American techno producers with both a domestic and international touring schedule.
Beginning with "Pendulums," a classic sci-fi trip with modular bleeps amidst a slinking, bouncing rhythm section for a perfect lesson in patience and restraint.
"Levitation" has an otherworldly feeling and floats along a sparse track of swirling drones, chugging bass pulses, and classy percussion taps for a mesmerising and introspective journey.
"Transmutate" throws down a stuttering kick drum, haunting tones, and bending modular notes for a grooving yet dystopian analogue concoction.
The final track "Absolved" sees a deep dive into details and dub influences. Where eerie rattles and precision production form a memorable dose of sizzling hot, futuristic, and fantastic techno.
Neue Grafik has steadily built a strong reputation in recent years with releases on esteemed labels such as Rhythm Section, 22a, CoOp Presents, and Wolf Music. His sound is a distinctive fusion of jazz, house, and hip hop, infused with his African heritage, Parisian background, and a deep appreciation for London genres like broken beat and grime.
Neue Grafik first made a lasting impression on the community at Total Refreshment Centre (TRC)—the heart of London’s thriving jazz scene—during a spontaneous after-hours jam. Since then, there has been collaborations with notable artists including Nubya Garcia, Emma-Jean Thackray, Brother Portrait, Lord Apex and Allysha Joy.
The new album, ”Rachael”, is set for release on January 30th 2026. It stands as Neue Grafik's most ambitious project to date. Developed over the past year, the album explores themes inspired by the character of Rachael from the movie Blade Runner, representing the journey of love in all means, intimate, raw, tough, organic and honest offering a rich, emotional journey that balances lightness with depth—an introspective dive into the artist's evolving musical identity.
Bryan Zentz, also known as Barada, is a techno luminary back on the scene with a new five-track release. Blending classic Chicago sounds with a futuristic twist, his music transports listeners to the golden era of acid techno and house. Zentz's career began in the early '90s, releasing music on visionary labels like Experimental, Bush, Definitive, and other genre-defining imprints of the era. His ongoing innovative approach ensures that his music looks towards the future while giving a nod to the past. Prepare to be captivated by the raw energy of Barada Trax Six
Prolific powers in rave and counterculture, Luca Lozano and Mr. Ho debut on Phantasy with the deliciously gnarly ‘WREKONS’ EP. Already locked in close collaboration at their own Klasse Wrecks label, this temporary migration to Erol Alkan's peerless London imprint with four outsider-electro variations that sit comfortably amongst the more bombastic moments in Phantasy's history.
‘Reach Out and Touch’ sets the tone, bursting sound systems wide open with an introduction that takes Lozano and Ho out of the basement and into the widest festival fields, overdriven with sheer energy and a flawless arrangement that sets up all manner of musical twists until the final chord. ‘Psycho Rasp’ expands from a simple cowbell beat to a circuit-frying melody, a machine rush that isn’t afraid to strip back to bare essentials for a devilishly simple, extremely effective breakdown.
On the flip, ‘WREKONS' pushes things further still, particularly on the lubricious ‘Grease Beat’, an unrelenting symphony of rubber-faced bass, crashing cymbals and demented drums, ideally composed to pair daring DJs with submissive dancers. ‘Tin Can Hustler’ closes off the EP with the duo’s leftfield take on jackin’ house, its dense groove bubbling up from underneath the strangest analogue signals.
The title and sleeve artwork for 'WREKONS' makes reference to the PERKONS HD01, a drum machine made by Latvian wizards Erica Synths, and one that was used heavily throughout the two-day session in which these tracks were recorded
Cyborg Quest encapsulates MODAZ 2024—its learning, its searching, and its becoming. It moves through cycles of connection and disconnection, yet above all, it is driven by music. This EP is deeply personal. It echoes the phrases that resonate with his daily life: “It’s happening again,” lifted from Twin Peaks; “Where you at?”; and even “Why the world isn’t the way I wanted?” Together they form a blend of symbolism, mystique, and raw reality.
Wewantsounds is delighted to collaborate with cult musician Yusuf Mumin of the Black Unity Trio to unveil previously unreleased music from his personal archive. Following last year"s acclaimed Black Artist Group release, this new instalment continues to unearth hidden treasures from the Great Black Music tradition. Although the exact recording dates remain unknown, the music here is a powerful blend of serene spiritual jazz and fiery sonic intensity. All tracks have been remastered for vinyl by Colorsound Studio and the release also includes a two-page insert featuring new liner notes by Mumin and Pierre Crépon.
- A1: 6Up 5Oh Cop-Out (Pro/Con)
- A2: Skeleton Appreciation Day In Vestal, Ny (Bones)
- A3: Front Street
- B1: ?Aikido! (Neurotic/Erotic)
- B2: White Knuckle Jerk (Where Do You Get Off?)
- B3: (Cover This Song) A Little Bit Mine
- B4: Thermodynamic Lawyer, Esq, G.f.d
- C1: Red Moon
- C2: Lysergide Daydream
- C3: The First Step
- C4: Jimmy Mushrooms' Last Drink Bedtime In Wayne, Nj
- D1: Chemical Overreaction / Compound Fracture
- D2: Everything Is A Lot
- D3: Credits
- D4: Destroy To Enjoy




















