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Swiss label keepitgoing. returns with La Buena Muerte, a three-tracker uniting Ricardo Villalobos & Washington Miranda, Siddhartha, and Wata with Jorge González of Los Updates — a cross-section of Chile’s most vital electronic voices brought together on one record.

The EP opens with Bajo Tierra – Mis Juguetes, a ten-minute drift of slow-burning minimalism where Villalobos’ elastic modular textures and patient rhythmic detail entwine with Miranda’s hypnotic vocal, processed and stretched into new shapes and forms — a continuation of the deep, organic dialogues the pair first explored on De Cada Uno in 2022. On the flip, Siddhartha – Poema 4 slides into minimal electro and broken beat territory, sparse yet restless. Razor-sharp drums and pulsing bass unfold through dynamic structures that thrives on tension and space where a menacing voice cuts through with insistence. Closing the record, Wata – El Soul de Los Que Sobran (feat. Jorge González) brings González’s unmistakable voice into Wata’s playful framework, a looser, rather light-hearted cut where percussion and gentle melodies expand the palette and connect the EP back to Chile’s rich electronic lineage.

With artwork by Damian Schopf, brother of Martin Schopf aka Dandy Jack, La Buena Muerte stands as a collective statement of Chilean experimentalism — free of borders, rooted in collaboration, and tuned for the floor.

Avenue 66 opens Series 33 with a Düsseldorf–Lyon connection.
Jonquera first encountered Tolouse Low Trax a decade ago in a small Lyon club. That night, his hypnotic slow-motion set was cut short, yet it left a lasting imprint. The Düsseldorf artist’s mechanical psychedelia, and the influence of the Salon collective have been a constant touchstone for
Jonquera, even inspiring playful “Düsselcore” edits in his Tera Octe days.
After several LPs, Jonquera returns to the EP format with Cause & Utility / Tales of Decay. Built from improvised drum, bass, and vocal recordings, the tracks are reworked through heavy looping and acoustic treatment, a method inspired by his recent live shows. Cause & Utility revolves around the
abstract idea of two dogs as concepts, enriched by the earthy drone of a hurdy-gurdy. Tales of Decay paints a surreal image of a house losing its rooms like a body shedding parts.
The MPC sorcerer Tolouse Low Trax, aka Detlef Weinrich, brings his Düsseldorf circuitry and autobahn funk with two tracks of pure rhythm apparition. Amp is a quintessential Tolouse Low Trax cut, built on concealed rhythmic structures, swampy bass lines, and fragments of radio and voice
samples. The piece extends his exploration of how art can mirror the flow of inner-city traffic; drifting without a clear climax. Solid Rock echoes this idea, first conceived as a variation on Amp where particles repeat themselves. The result is distinct yet conceptually linked, evoking the
density of a crowded neighboring city: beginning in apparent disarray before locking into an abstract, hypnotic funk.
Series 33 begins with the convergence of Jonquera’s looping experiments and Tolouse Low Trax’s mechanical psychedelia, a dialogue between Lyon and Düsseldorf.

Unsung I returns to TGP with his second solo EP, delivering a deep techno journey of hypnotic grooves and immersive textures. The release also features two reinterpretations: Shoal introduce an acidic bassline that fuses atmosphere with dancefloor energy, while Midnight Traffic brings a sharper, groove-focused edge.

This is the story of a Telegram audio message suddenly poured and cast into the materiality of a vinyl record. Is it a correspondence archive? Above all, it’s a field recording, a moment bit torn from everydayness, where Androo found some fresh air in a church in Sardinia and started playing the organ. Next we’re in Naples, and Androo is playing a tiny instrument as we can hear sporadically the street hum in the background. This was all recorded on an already too old iPhone during the summer of 2023. As always, oscillating between heterogeneous elements, the album builds bridges between a radical and strangely romantic musique concrète (so slightly reminiscent of particular Luc Ferrari pieces), drawing inspirations from American minimalism, as well as traditional Sardinian music (which Androo listens to every morning), and a special kind of gospel-modal-jazz. Mostly, this is a very personal album (or its script), the fragments of a journey with no makeup. This is what it is.

credits
produced, played, recorded, mixed by androo

Fresh out the oven: Strawberry Cake, a four-slice serving of disco, Italo, and sleaze. Trent’s secret recipe baked for sharing. These tracks are decadent, intoxicating, and crafted to leave you sticky-fingered and starry-eyed.

The A-side serves two contrasting temptations. The first track is sleek, hypnotic, and nocturnal: a cosmic seduction dressed in sequins, all sugar-sweat indulgence and midnight whispers. Flip to the second, and you’re met with pure Italo melodrama: synths shimmering, bassline rolling like a glittering night train, and urgent vocals turning a lover’s plea into a dancefloor ultimatum.

On the B-side, the heat rises. One track is full-bodied disco intoxication, a satin-clad haze of late-night indulgence. Finally, the last track crashes the party with a sleazy 4 a.m. jam: part disco, part rock’n’roll dive-bar delirium. It closes the record like the forbidden last bite of cake.

A rare confection: irresistible, indulgent, and absolutely decadent.

The journey continues. Ral 1.2 marks the second chapter of the Ral Series project, a sonic odyssey free from any market constraints. This EP features three tracks: one is a powerful, dancefloor-oriented tool, while the other two are more arpeggiated, with a focus on immersive, listening-focused soundscapes. Prepare yourself for a journey that crosses different sonic landscapes, from fast and powerful rhythms to more minimal and introspective passages.

Industrial Romantico, ITG031 In a world obsessed with appearance, Poor but Sexy is popular music, not a populist one. Ghetto techno, breakbeats, Detroit sound, sacred chants and voices from the hood: raw and real ingredients for a deeper story. This EP isn't just for listening, it's meant to be lived. For those who can feel it, it will be a transformative journey. Enjoy the ride.

Ltd. Boxset White Vinyl


Zum 20-jährigen Jubiläum ihres ikonischen Debütalbums Silent Alarm veröffentlichen Bloc Party drei limitierte Jubiläumsformate: eine 2LP auf weißem Vinyl mit dem original Album, eine 2CD Edition mit dem original Album und Bonus Discs, welche Demos, B-Sides und eine BBC Peel Session beinhalten. Außerdem ist ein 12-seitiges Booklet inkl. Lines Notes und einem Vorwort von Produzent Paul Epworth. Die Deluxe-Box umfasst alle oben erwähnte als 4LP Set. 2LP für das original Album und 2LP für die Bonustracks und Raritäten sowie Demos und Sessions. Wobei es hier ein 24-seitiges Booklet mit noch nie veröffentlichten Fotos der Band und exklusive Liner-Notes gibt. Ein Muss für Fans und Sammler gleichermaßen.
White Vinyl





















u b2 She’s Hearing Voices Original Version

Logbook. Exploration mission.

Day 1. The planet is dead. An anomaly is detected — the time flow is slightly distorted.
Day 2. Landed in the central crater. The clocks of our suits show different times from the clocks on the ship. The gap is increasing.
Day 4. Logs contain records of events that never happened. A report of tomorrow’s evacuation appeared in the system. No one wrote it.
Day 5. We found footprints leading from the landing site to the crater, identical to ours. The ship log was discovered nearby. Final entry: “Do not enter the crater.”

Log transmission terminated. The crew did not reestablish contact.

The Belfast duo make ready this exceptional 6-Track Sampler from their forthcoming debut LP...

After showcasing their broad and boisterous tastes on a series of super limited Edits 12's, plus original releases on labels like Touch Sensitive, Hoga Nord, Duca Bianco and Optimo Music, we finally have a fully formed suite of original cuts which take us on a journey through their varied and vivid vibrations...

A general tip of the hat to the dark, post industrial basements illuminated by Weatherall's 9 O'Clock Drop comp.
From haunted dancehall, via beautifully throbbing ethno-chug and mesmerising clank-fests, to gloriously scuffed and foreboding Crammed Disc and Wax Trax! reminiscent offerings to the strobe gods.

One very limited press wrapped in screen-printed sleeves - one for the ages !

“Magic Happens” is the very first release by Fabrizio Fattore on his new label Life Cycle.
Life Cycle embodies the sacred union between Life and Music, both flowing within an eternal cycle of experiences, adventures, and dimensions — a boundless musical journey beyond time and space.
This debut release, Magic Happens, marks the moment when, within the act of creation, the unseen unveils itself — when magic arises and everything reconnects with the Universe through the language of music.
A true journey to be listened to and danced to, with three unique tracks, each one carrying its own vibration, inviting you to lose yourself in the infinite shades of sound.

Singaporean label Darker Than Wax brings us to Texas with a fresh 12” from Houston-born producer Oye Manny. Following his release on Salon Recordings, Oye Manny has carved out a lane defined by deep rhythms, Latin roots, and pure authenticity, an ethos he continues to distill into sound on his new record Living Water. Drawing on his Colombian roots and keenly focused on what makes dancers move, Manny puts percussion at the forefront on Living Water – from the chord driven house stompers ‘Malta Sip’ and ‘Palmira’ on the A side, to the darker club tones of ‘Visaje’ and the slick musicality of ‘Youthful Expression ‘ on the flip, drums play a starring role. Completing the package is a remix from Singapore-based producer and Darker Than Wax core member Dexter Colt, providing a deeper, Chicago-inspired take on ‘Malta Sip’.

10 years ago in 2015, The Golden Lion in Todmorden opened its doors under the guidance of Gig & Waka, Cloudwater brewed their first ever beers, the dance floors of Manchester got introduced to the world of Supernature Disco and from his spare room at home in Bolton Chris Massey started Sprechen.

What followed over the next decade has been a wild ride of amazing people, memorable (though fuzzy!) parties, creativity, art, expression, performance and at the centre of it all of course, the music.
Sprechen has never been one style or sound. A reflection of varied musical tastes without any limitations of style or genres, just a passion to share good music.
Over the last decade, Sprechen has been lucky enough to both work with and meet many like-minded cosmic creatives that share this mindset and that have all played a major role in the story.

Ein Null is a collection of original tracks from some of Sprechen's nearest & dearest who, for the last 10 years, have helped shaped the label via releases, remixes or performing at events.
It's wonky & weird, banging & beautiful, cosmic & consciousness-expanding and it continues to connect the invisible dots of club music and more abstract listening experiences.

From basements & beyond to sunsets & psychedelic socials...we are pleased to present this electronically charged selection of soundscapes courtesy of like-minded musical humans including; The Utopia Strong, A Certain Ratio, Lena C., Gina Breeze, Low Pulse, Psychederek, Lindstrøm, Supernature Disco, PBR Streetgang and of course Chris Massey.

Limited to a run of 300 vinyl with double-sided screen-printed sleeve.

2025 Repress

Comrade Winston's "Native Rhythm" EP perfectly represents what a music-enthusiast delivers after years of crafting the art of DJing, listening and digging. The album represents pure wisdom in 4 cuts: from tribal elements to heavy percussions and so on, inviting you to get lost between sound and the walls of a dance floor. Two rising starts contribute to making this release special for the artist and label: Tresor resident Baily Ibbs delivers a perfect spicy-up bouncy track while Chontane delivers a serious dancefloor-orientated cut with dub elements.

Selecting melodious and groovy crossover, fusion, and jazz-funk tracks from the Nippon Columbia catalog, including its sub-label Better Days, that City Pop fans will love.
The track selection and commentary are curated by Hitoshi Kurimoto, the most popular City Pop influencer in Japan.
This unique selection includes tracks from Soul Media, Hiromasa Suzuki, Kazumi Watanabe, and Kiyoshi Sugimoto, along with previously unreissued gems.
The artwork is designed by Stereo Tennis, known for its popular '80s-inspired graphics.
A must-have for fans of Japanese Jazz and City Pop.

Today, Manchester’s Maruja announce their highly anticipated debut album ‘Pain to Power’, due for release by Music For Nations on 12th September and produced by Samuel W Jones, who the band worked with on their three EPs to date. The extraordinary eight track collection not only confirms the four piece as a creative force of nature but finds a deeply emotional and empathetic band concerned primarily with the power of community, both in the nuclear sense, as a tight knit creative unit, but also as a wider force for social and political change in the age of the individual.

Maruja believe passionately in the ability of art to empower, heal and unite and have created a body of work with ‘Pain to Power’ that they hope will offer both strength and an emotional release to anyone who is struggling with the impact of years of political turmoil and social isolation.

Jamie Leeming, wichtiger Kollaborateur von Alfa Mist, Tom Misch und Jas Kayser, zählt dank seiner musikalischen Meisterhaftigkeit zu den gefragtesten Jazzgitarristen Londons. Mit "Sequent" präsentiert er sein zweites Soloalbum mit Features von Laura Misch, Sly5thAve, Alfa Mist, Richard Spaven und Kaya Thomas-Dyke. "Sequent", inspiriert von Künstlern wie Milton Nascimento und Egberto Gismonti, entstand in Koproduktion mit Alfa Mist. Es ist eine sich ständig weiterentwickelnde zwölfspurige Odysee, live aufgenommen, mit klassischen Produktionstechniken, die den Sound von Musikern auf dem Höhepunkt ihrer Karriere einfängt, die einen umhüllenden Klangtornado erschaffen. Die Tracks erforschen die Natur des Wandels und fungieren als Fenster zur sich ständig wandelnden Natur der Kompositionen. Jamies Vision, weitläufige Arrangements zu schaffen, verschmilzt mit analogen Klängen und warmer Instrumentierung. Das Ergebnis ist ein wahrhaft fesselndes, filmisches und emotionales Hörerlebnis.

After 25 Years, DJ Wayne Ritchie's Legendary Lost Record Makes Its Return South London’s own DJ Wayne Ritchie. The two records he self-released in 2001 have long been out of reach, becoming legendary among vinyl diggers as elusive, sought-after gems. Now, four carefully selected tracks from those records have been remastered, ready to shake up today’s dance floors once again. Crafted with a 12-bit sampler, blending House and UKG into a unique, unmistakable groove, this sound is finally making its return—25 years later.

The magic of A Vision of Panorama returns with the new album Serene Architect — a meditative yet rhythmic journey through luminous musical structures. This is a record about space: physical, internal, emotional.

Known for his soft Balearic touch, coastal synths, and an almost telepathic sense of groove, A Vision of Panorama offers something more here — a designed world where every sound functions as a piece of sonic architecture.

The album features tracks previously released on the legendary Café del Mar — On Avance, Baby Konyawa, Rumbabuena, Golden Sand, Neon Whispers - now reimagined in exclusive versions created specifically for vinyl. These new interpretations sound deeper and more expansive, subtly reinforcing the album’s architectural concept: to renew the familiar without destroying its essence. Architecture of calm, harmony in motion - Serene Architect designs sound for open skies and slow dances beneath the sun.

It began with a cassette tape entitled 'Pleased To Meet You' gifted to us at Sessa's Fasching, Stockholm show by Yann Dardenne, the multi-tasking tour manager/sound engineer/producer/merch stall worker and co-owner of Seloki Records. On first listen, the selection of underground Brazilian artists from the Seloki's roster was superb, however, one song stopped us in our tracks. The hauntingly captivating ' GOSTO MEIO DOCE' by Nina Maia and Francisca Barreto, gave us a taste of Nina's ethereal, addictive voice and we knew we needed to hear more. Born in Minas Gerais but now based in Sao Paulo, the 22-year-old has already packed a lot into a relatively short space of time. The singer, songwriter, instrumentalist, and producer, has already collaborated on the soundtracks for six Brazilian feature films, including a track with the vocalists Maria Gadu, Iza, and Liniker. But things enter a new exciting era with this, her remarkable debut album entitled 'INTEIRA', which translates to English as 'whole'.

As much inspired by Billie Eilish and Rosalia, as Milton Nascimento and Toninho Horta and not sounding like other records coming out of Brazil, 'INTEIRA' is unique. Though rich in its Brazilian heritage, inspired by samba cancao, MPB, and the Clube da Esquina movement, it also channels influence from bands such as Portishead and Massive Attack, mixed with jazz, contemporary leftfield and electronic pop artists. Musically, it is not easily pigeonholed, with beautiful, well-crafted songs, sophisticated arrangements, eloquent vocals and intimate lyrics. Each track reflects different moments and stories from Nina's youth but with dialogues, feelings, and questions that span generations and resonate with all. This ambitious debut album is Nina's vision and sound, expressing herself without constraints and making music with her friends. Featuring a lineup of Thalin (drums), Valentim Frateschi (bass), Francisca Barreto (cello and vocals), Thales Hashiguti (viola and violin), Yann Dardenne (acoustic guitar and co-producer) and Nina on piano, Rhodes, guitar and production. The album led to a nomination in Paulista Association of Art Critics (APCA) award's 'Breakthrough Artist' category, who also listed 'INTEIRA' as one of the 50 best albums of 2024.

It also received support from Bandcamp Weekly and Jamz Supernova on BBC 6 Music. Released digitally by Seloki Records in Brazil in 2024, Mr Bongo in partnership with Seloki Records now present this new, deluxe worldwide edition that includes four additional songs. These comprise the brand-new exquisite 'MANHA', as well as an original twist on Vinicius de Moraes' classic 'Serenata Do Adeus'. Elsewhere you'll find a live recording showcasing Nina's remarkable energy on stage courtesy of 'DE DENTRO' and 'GOSTO MEIO DOCE' with the amazing musician/vocalist Francisca Barreto, where our whole story began. Here at Mr Bongo, we are honoured to release music by such a remarkable new talent - one whose musical trajectory is most certainly about to soar.