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Inner space centurion and local star command operative Tommy Walker III returns with a new mission directive this DATE...
Hardwiring to the Red Laser network and initiating an advanced, beta-tested programme of futuro-manctalo cybernetics, TWIII's meta-level hybridisation of Italian synth disco & northern English rave styles, combined with an expert deciphering of modernised club dynamics has resulted in a faultless system capable of withstanding the most extreme sonic test environments. RL30's eight tracks are RL Corp. operation-certified to work alongside Human2.0's electrostatic discharge profile. Universally approved usage for sentient earth dwellers offering portals into dancefloor ecstasy and inter-dimensional transcendence. This programme begins with 'Pocsy', and sees euphoric holograms burst through galloping Italo mechanics, fusing retro-tinged optimism with a nu-age release. 'Shoiab' (named after a fellow starship captain tasked to MCR and in alliance with RL Corp...) unleashes red shifted synths and carnal cowbells for the cyberotic lap-dancers to get jizzy too. 'Autopilot' allows the on-board crew to reassemble, a well automated array of arpeggios guiding the shuttle during the first phase, until reconsolidating in the latter stages for full-on interdimensional 5-D funk jam. 'Lightwork' is pure RL endorsed synth-jizz, erupting out of Tommy's arsenal like a mis-timed giant alien cumshot; minus any Manga references.
'Astral Projectile Vomit' address a common problem endemic to protectors of our star cluster; then channels a shiny, serpentine chrome sequence and thrusts it down the rainbow road for maximum belly aches.
More hydraulic collisions between electronic disc-boogie and newly mined atomic particles from passing asteroids ensures Srg. Walker has enough mainroom material to keep the Sharons and Traceys of the main hub dancing in between injections of dimethyltryptamine. Closing with a trio of humanoid hits that'll have Jonny5 ordering kryptonite margaritas for the entire ship, Tommy Walker celebrates with the cosmic conge, 'Gary Blast'.
RL Corp is confident RL30's internal algorithm is a future-proofed, cross-species platform for auditory excitement, and will continue to stimulate listeners across a multitude of environments.

Acclaimed by many as one of the greatest and rarest library LPs of all time, the album 'FEELINGS' by Jay Richford & Gary Stevan aka Stefan Torossi. With its iconic 'naked lady in the wild' cover, has been coveted for many years by collectors of all musical genres. This album showcases some outstanding compositions & arrangements that explore the exciting connections between rhythmic funk and orchestral jazz - and are now for the first time issued on 7" 45 vinyl double pack!

We open with the uplifting “Running Fast” - a driving, pulsating groove laden with Fender Rhodes and swept along by lush strings. If you're not feeling it - book an appointment to see your doctor! Next follows a B-Boy dancer filled with battle floor emotion - “Fearing Much” - this one packs a heavy bass and syncopated drum groove with dramatic, stirring strings. A must have 45 DJs fave! The opening drum break to “Feeling Tense” gives way to mellow vibes with a deep bass, silky strings and charged horns that deliver the perfect slick, down-tempo groove. Last one is another down-tempo vibe heavy on the bass and strings, “Walking in the dark”. 
All in all yet another MUST HAVE Dynamite Cuts 45!

Can it really be thirty years since The Brand New Heavies first sashayed into the public eye with a romantic’s heart, a hedonist’s spirit and a Superfly sensibility?

A heady cocktail of Chic-style funk-pop, sunshine grooves and scorched soul balladry, the release of TBNH on September 6th sees The Brand New Heavies writing a new chapter in what has been an illustrious journey whilst also marking a return to their spiritual home, Acid Jazz Records.

Today The Brand New Heavies share a breath-taking version of Kendrick Lamar’s These Walls recorded with long-time associate and vocalist N’Dea Davenport and produced by uber-fan Mark Ronson. It was that line-up of the band that had originally brought the funk into his life having caught their show in New York in 1991, later inviting them to play at his 40th birthday party. Insistent once more to reconvene that line-up, successfully reuniting N’Dea and The Heavies for his production of this track for their 30th-anniversary album.

The album’s heart, both musically and physically is a friendship that can be traced back to the mid-Eighties - more specifically the shared experiences growing into adulthood on the western reaches of London for Simon Bartholomew (guitar) and Andrew Levy (bass) and a return to the formula that saw the band score sixteen Top 40 hits and three million album sales.

Refined, reimagined and revisited, TBNH was recorded under the watchful eye of producer Sir Tristan Longworth, as Andrew elaborates; “as fathers of young kids, time was important, and we needed someone to crack the whip.” Adding further with a grin; “he also makes these amazing gin and tonics with chilli’s in. The pair also decided to feature various vocalists on these tracks, not only reuniting with Heavies alumni, N’Dea Davenport and Siedah Garret but collaborating with soul legends Beverley Knight and Angie Stone alongside current singer Angela Ricci and new boy on the block, label mate Laville – to present a gilt-edged collection of songs making arguably the best album of their career. Summed up by its cover artwork- shot in the suitably louche environs of ultra-hip nightspot Annabel’s – Simon explains with a smile; “It’s a bit clubby, a little bit sleazy, with a bit of luxury and a smidgen of street.”

The English-Irish electronic/dance duo Moloko released their first album Do You Like My Tight Sweater? in 1995.

It’s one of their most experimental records, before moving on to a more mainstream approach. Roisin Murphy is carrying the album with her versatile vocals, both in range and style, while Mark Brydon created the breakbeats, sound effects and groovy disco lines.
This is electronica at its best, danceable and funky.

The album includes their hits ““Fun for Me” and “Dominoid”, besides fan favourites like “Day for Night” and “Where Is the What If the What Is in Why?”. They never slow down in their exiting music and absurd lyrics, but that’s exactly what makes this record unforgettable.

Pure joy to be danced on all night.

Do You Like My Tight Sweater? is available as a limited edition of 3000 numbered copies on turquoise vinyl.

The first official reissue of ‘Good Lovin’’ – a modern soul dancer with a killer groove, heavy low-end, delectable string & horn trade-offs and the husky tones of the inimitable Al Mason, that blew up on the scene in 1980 and now commands eye watering prices between collectors. This dinked 7 inch comes backed with ‘We Still Could Be Together’ off the original promo 12 Inch, with both tracks fully remastered and officially licensed for the first time since its original release.

‘Good Lovin’’ stormed dancefloors back in the early ‘80s taking Al’s undeniable, raspy vocal prowess and stirring it up with an energetic combination of funk guitars, full frontal basslines, on-point harmonies and a perfectly arranged string and brass section. It’s been a rare treasure on the second-hand market with original copies trading hands for £400 so an official reissue will be music to many an ear.

The B side, ‘We Still Could Be Together’, is an emotive ballad filled to the brim with Mason’s tangible passion alongside smoky pianos, cinematic strings and velvety backing vocals. A slow stepper with a bittersweet message behind it.

Primarily based in Leeds, The Lewis Express is comprised of many of the musicians that have graced previous ATA releases: George Cooper, Piano (Abstract Orchestra) Neil Innes, Bass (The Sorcerers, The Magnificent Tape Band, Tony Burkill), Sam Hobbs, Drums (Dread Supreme, Tony Burkill, Matthew Bourne) and Pete Williams, Percussion (The Sorcerers, The Magnificent Tape Band, Tony Burkill).Recorded over an intense two-day session, 'Clap Your Hands' is heavily influenced by the classic soul jazz recordings of The Young Holt Trio / Young Holt Unlimited, and Ramsey Lewis, from who this group take their name. As with many of the classic Ramsey Lewis cuts this album was recorded live, capturing the rich inter-relationship between the players and leaving in some of that chunky room noise.

'Clap your hands' builds on the template set by their eponymous debut album and further explores the 60's soul-jazz of Ramsey lewis, Young-Holt and Ray Charles as well as the latin boogaloo of Eddie Cano and Pete Terrace. The band's intention was to produce an album of dancefloor friendly, uplifting, funky soul-jazz with a stripped back line up of Piano, Bass, Drums and Percussion. Ranging from the mod-jazz of 'Stomp Your Feet' (a Ramsey-esque groover that's just made-to-measure for dancers) and 'Out From The Rock' (Funky drums and plenty of blues-dipped soul from the Piano) to the driving boogaloo of title track 'Clap Your Hands' and the Ellignton-esque 'Moola Umemo' (Remeniscent of Ellington's 'Money Jungle'). Each track is, in it's own way, aimed squarley at the dancefloor and sure to go down well with both DJs and listeners alike.

"Clap Your Hands" is certainly a more contained album from The Lewis Express, whose debut moved around different camps. It's a tighter, more focussed record that wears it's inspiration proudly on it's sleeve.

Radio support expected from Gilles Peterson (BBC6 Music, Worldwide Fm), Craig Charles (BBC6 Music, Radio 2), Jamie Cullum (Radio 2) and Huey Morgan (BBC6 Music).

Where Future Unfolds is a new work spirited by Chicago-based sound & visual artist Damon Locks. Starting as a solo sound collage piece (where Locks pulled samples from Civil Rights era speeches and recordings to create an improvisational pallet for performance on his drum machine), over 4 years the project has blossomed into his 15-piece Black Monument Ensemble - featuring musicians (including Angel Bat Dawid on clarinets and Dana Hall on drums), singers (alumni of the Chicago Children"s Choir), and dancers (members of Chicago youth dance company Move Me Soul). Where Future Unfolds is a live capture of the ensemble"s epic debut at the Garfield Park Botanical Conservatory on the West Side of Chicago. Recalling the spirits of Phil Cohran"s Artistic Heritage Ensemble, Eddie Gale"s Black Rhythm Happening, Archie Shepp"s Attica Blues, and Public Enemy"s It Takes a Nation of Millions to Hold Us Back, the album presents an inspired, innovative & immediate intersection of gospel, jazz, activism & 808 breaks.

Direct and simple: Christian S embarks to Permanent Vacation and brings five house-not-house tunes.
The bitter gloomy title track “Tannin” vibrates with a dry bassline over which an acid-flavored synth-line
arguments with higher hi-hat spirits. Matias Aguayo added his very special ability for creating haunting
chords and drums to the tune “Dancer” and transformed it together with Christian S into a nervous
house sensation. In contrast, Cologne DJ and producer Korkut Elbay also did some twists on
“Dancer”. His edit concentrates more detailed on the witchy chord construction. With Columbian
producer Sano Christian S puts his love for percussive spheres on the table and created a tune that is
made for magic floor moments, when all dancers melt into to one entity. Finally, the enchanted solo
track “Passant” wafts gently while a nervous melody haunts the listener. It rounds up a free spirited,
percussive, edgy yet catchy EP that is made for all circumstances of the night.

Primarily based in Leeds, The Lewis Express is comprised of many of the musicians that have graced previous ATA releases: George Cooper, Piano (Abstract Orchestra) Neil Innes, Bass (The Sorcerers, The Magnificent Tape Band, Tony Burkill), Sam Hobbs, Drums (Dread Supreme, Tony Burkill, Matthew Bourne) and Pete Williams, Percussion (The Sorcerers, The Magnificent Tape Band, Tony Burkill).Recorded over an intense two-day session, 'Clap Your Hands' is heavily influenced by the classic soul jazz recordings of The Young Holt Trio / Young Holt Unlimited, and Ramsey Lewis, from who this group take their name. As with many of the classic Ramsey Lewis cuts this album was recorded live, capturing the rich inter-relationship between the players and leaving in some of that chunky room noise.

Claps your hands/Stomp Your feet was recorded during the sessions for the upcoming Album 'Clap Your Hands'. building on the template set by their eponymous debut album these tracks further explore the 60's soul-jazz of Ramsey lewis and Young-Holt and the latin boogaloo of Eddie Cano and Pete terrace. A-side 'Clap your Hands' opens with cowbell, handclaps and bass before drums and electric piano enter to carry the track onto the dancefloor. This is one for the Djs and it'll do the business in the clubs for sure, but, also perfect for a late night, sweaty house party - shoes off and beer in the sink. B-side 'Stomp Your Feet' is much more in the classic mod-jazz frame with a faster pace and funkier drums, but still with handclaps and electric piano to the foreground. Drummer Hobbs opens up 'Stomp Your Feet' in fine style, and The Lewis Express start to swing with a Ramsey-esque groover that's just made-to-measure for dancers. Everything comes together here, with a mid-60s Cadet record feel throughout. Both tracks were recorded live to tape and were recorded and mastered for a tougher sound perfectly suited for djs to fill a dancefloor.

Leipzig’s Dj Balduin has been a staff favourite for some time as we are avid fans of his GLYK imprint, and in particular his debut EP “Vvigmara”. Dj Balduin proclaims to enjoy producing music that creates “states of hypnosis with an occasional, gentle “hands-up-face-slap” every now and then” which perfectly sums up “Lost Cat” - his first release for KOMPAKT.

“E.W.B.A” came to Dj Balduin while having a shower, so chances are high we have this summer’s rain dance anthem on our hands as it has all the right elements - a classic rave synth meets an infectious open snare to break through the beat.

The kick drum thud of “Sheee” seems to be all too menacing at first, but surprisingly learns how to open itself into a gorgeously seductive uplifting house tune.

This story ends with the perfect set closer; “Lost Cat And An Untied Shoe” brings that beat back with soaring synths and a playful natural bass line that adds just the slightest edge of funk to carry the crowd home at the end of the night.
Leipzigs DJ Balduin und besonders seine Debüt-EP „Vvigmara“ trendet, seitdem wir sein GLYK-Label kennen, unter den Mitarbeitern von Kompakt. Laut eigenen Angaben genieße es DJ Balduin, Musik zu produzieren, die seine Zuhörer in den „Zustand der Hypnose versetzt und gleichzeitig mit gelegentlichen zarten Schlägen ins Gesicht wachhält“, was auf „Lost Cat“ – sein erstes Release auf Kompakt – auch geschieht.

„E.W.B.A“ kam DJ Balduin unter der Dusche, die Chancen stehen also hoch, dass wir hier eine Hymne für diejenigen Raves haben, die unter kräftigen Sommergewittern stattfinden werden – die richtigen Zutaten sind alle da: klassische Rave-Hooks, ansteckende Snaredrums, die hervorbrechen aus dem Bass.

Der Schlag der Bassdrum von „Sheee“ scheint zunächst bedrohlich, lernt aber überraschender Weise sich selbst zu wandeln hin zu einem prachtvoll verführerischen House-Stück. Die Geschichte endet mit dem aller besten letzten Stück: „Lost Cat And An Untied Show“ bringt den Beat zurück zusammen mit aufsteigenden Synths und einer verspielten, natürlichen Bassline, die einen Funken Funk hinzufügt, um die Dancer nach Hause zu begleiten in der Nacht.

Cosmic Bridge’s club focused ‘Earthbase Series’ continues with ‘Nocturnal’ the new release from Russian producer A.Fruit.

Four tracks that fuse Footwork, Drum’n’Bass, Techno and bold sound design into the 160 BPM framework. A er a heavy hitting set of releases via Russian imprint Hyperboloid, Irish modern trendsetters Rua Sound, and the ever vigilant Med School, so please welcome A.Fruit to the Cosmic Bridge roster.

Label boss Om Unit says: “Anna has a rare ear in this 160bpm world; one foot firmly in the techier sound-design lane, and one in the world of fun dance floor sounds. Well mixed, and not too serious! It’s great to have her on board and we look forward to sharing a stage soon!”

Kicking things off is ‘Make Them Shake’, a hypnotic and contorted expression of footwork with bubbling bass and drum FX - only for the boldest of dancers. ‘Polykarp’ comes complete with rugged old school hardcore chops twisted into a technoid stepper. ‘Deep Insight’, is reminiscent of early Moving Shadow Jungle; hypnotic & minimalist with tight drums, glitches and jazzy late night moments. Closing track ’Before You Go’ is a breaks filled, garage-footwork workout; cheeky vocal cuts and rolling syncopated rhythms for your waistline!

London based Prescription Pricing Authority returns to GAMM with another 7" monster.
With heavy doses of soul, funk and jazz infected disco this beautifully designed release delivers on both sides.

A side's Pick'em Up is a real disco thumper with big horns and powerful vocals that just works.
The B side delivers a mid 70-s jazz-funk rework that will definitely get the jazz dancers moving.

Die 13 Tracks auf "Polymer", darunter energiegeladene Banger, helle, melodische, viszerale Rhythmen und hypnotische Strukturen, bilden das vielleicht kompakteste Album von Plaid. Das Duo ging Anfang der 1990er aus der Formation The Black Dog hervor und zählt neben Acts wie Aphex Twin, Autechre oder Nightmares On Wax zu den Eckpfeilern des Warp-Labels. In ihrer langjährigen Karriere arbeiteten Plaid zusammen mit Björk, London Sinfonietta und den Southbank Gamelan Players und füllten Venues vom Sydney Opera House über das Londoner Bloc bis zum Berliner Berghain. "Polymer" trägt all die Emotionen, Einflüsse und Inspirationen in sich und funktioniert als ihr Statement in modernen Zeiten.

For its first release of 2019, Sol Power Sound is pleased to welcome back Nenor -- formally Obas Nenor-- to the label family. Since his now-classic Color Soul EP on Sol Power Sound back in 2015, Nenor has gone on to release a string of hugely successful EPs on Heist, Whiskey Disco, and on his own imprint, Nenorion Music.

With the Future Ancestor EP, Nenor revisits the African-inspired textures that made the Color Soul EP unforgettable, but ventures further into the subterranean reaches. On "Tike Ye Ya Kende", Nenor teams up with Congolese-born vocalist Natalie Wamba for a rousing dancefloor heat-rock, with pulsing marimbas and hazy synths.

"Nova Man" is a straight-up banger with huge chugging bass, dubby vocal samples, and thrilling atmospherics.

"Ibe" dives head-first into the deep with tripped-out arpeggios, complex, layered percussion, and more of those gritty signature Nenor synths.

"Knwo" speeds ahead on a bruk-n-bass trajectory as a frenetic stomper that will inspire late-night dancers to throw crazy shapes.

With early support from Simbad, Soul Clap, Jacques Renault and more, the Future Ancestor EP is sure to be another staple in ever-growing Nenor and Sol Power Sound catalogs and will keep dark rooms ablaze all summer long.

Back in 2007 Names You Can Trust was launched with an EP from Greenwood Rhythm Coalition. For NYCT's landmark 50th single release, the group returns, drawing on the same long-simmering stew of African, Caribbean and American funk and dancefloor vibes that flavored that first release, but with a sound more deeply infused and farseeing than anything they've done before. The spacey, arcing cut is woven through with guitar that blurs the lines between western twang and soukous popcorn and anchored by cabinet-rattling low end. Spread over two sides of a seven-inch single or available in unedited form digitally, "Jewels" is hypnotic and quite uncategorizable, except to say that sitting still will not be an option when it spins. Adventurous DJs, headphone journeyers, underground dancers, postmodern tropicalistas, and all those whose musical tastes dwell somewhere in the magical twilight of imaginary cities, take note.

hvmble is a newly-formed Berlin-based collective engaged in house music production and label work. Merging ideas in a fresh way is the intent of our approach and sound. Exchange in a diverse community is key to our spirit. hvmble aims at staying versatile. hvmble’s debut-EP series ’Textures’ features an eclectic practice where diverse elements of dance music are teamed playfully. Hypnotizing groove structures, vibrant hi-hats and a sublty-formed bottom-end unite and stimulate the bodymind. Textures invites the listener/ dancer to float through skillfully meshed patterns and dreamy layers, to experience promising new spaces. The sounds appearance and cover

Originally released on Illuminated Records in 1983, "Viral Shedding" is surely one of the most important references for the industrial/funk dance music.

Between pure noise and electronic beats, 'Viral Shedding' is creating a twisted and percussive rhythmic urge, a funky disco sound permeated by digital industrial beats. Nigel Ayers and Caroline K take their inaccessible best and thrown it into the melting pot with a set of pumping rhythms. The result is the frustrated son of mutant disco, swimming in the same waters of Cabaret Voltaire, 23 Skidoo, Tackhead, Meat Beat Manifesto and Hula.

As Nigel Ayers recalls, "Popular music picked up on what we were doing 1983-1984, which helps explain why records such as -Viral Shedding- sound clubbier today than they did at the time, but the technology of music making locked in a seat of aesthetics in those days that shaped pop as a whole more than industrial music itself did. Whether by synthesizer manufacturers' musical design or through engineering limitations, the more automated a band allowed their music to become, the dancer it was likely to be."

Features the classics 'Suffering Stinks', 'Going Under' and 'No Separation'.

Considering He Was A Self Taught Pianist, Brian Auger's Progress Into The Heart Of The British Modern Jazz Scene Of The Late 1950's And Early 60's Was Particularly Impressive. He Gained Invaluable Experience The Hard Way, Paying His Dues At The Cottage Club, And The Original Ronnie Scotts On Gerrard Street, Working With Renowned Saxophonists Tommy Whittle, Dick Morrisey And Jimmy Skidmore - And Sessions In Smoky East End Pubs With His Friend, Arguably Britain's Greatest Jazz Saxophonist Tubby Hayes.

The Inclusion Of Several Of His Rare, Early 60's Piano Trio Tracks On Both Volumes Of 'back To The Beginning - The Brian Auger Anthology' Brought Long Overdue Attention To Brian's Early Jazz Career, Which Many Were Simply Unaware Of Prior To Their Release. The Enthusiastic Reaction To Those Tracks That Stuck In Brian's Mind, And Later, Fate Intervened, As He Himself Explains, "a Couple Of Years Later, Ken Greene, The Music Director Of Bogie's, Called And Told Me That He Was Starting A Project, To Whit, A Week At Bogie's With A Different Jazz Piano Trio Each Night".

The Material Brian Decided To Play Features Tracks From A Selection Of His Musical Influences, Heroes And Friends Including 'chelsea Bridge' By One Of His Favourite Composers, The Great Billy Strayhorn, Freddie Hubbard's Ever Green 'little Sunflower', The Much Loved Standard 'there Is No Greater Love' Which Brian Used To Play In His Original Early 60's Piano Trio, And His Own Composition Victor's Delight He Wrote A Tribute To The Great English Jazz Musician Victor Feldman Who He First Discovered Via His Tenure With The Cannonball Adderley Quintet.

Surprisingly, This Is Brian's Very First Jazz Piano Album Of His Illustrious And Award Winning Career, And Marks A Return To The Instrument And The Music That First Entranced And Enthralled Him As A Young Boy. His Musical Journey, Which Began In Austere Post War London, And On Which He Absorbed So Many Varied Styles Of Music, And Literally Took Him Around The World, Enrapturing Audiences Worldwide, Has Indeed Come Full Circle.

Dubplate’s Don Persian has repressed this Hardcore Breaks Techno Riddim, seeing there were only 100 in existence before going for crazy prices, now including a mix from S.Bell capturing a shimmering soundscape vibe, adding perfection to his unsung abilities. This E.P. has some speaker destroyer’s on there, introducing the MixMaster Max into the pot alongside the Persian doing what can only be called world dub music. Sterling breaks shuffling at a downtempo 8 bit vibe with a really heavy bass! MixMaster Max’s history is interesting to say the least...

Born October 1966. Break Dancer in 1984, under the moniker Mad Max, started a crew named The Back Street Warriors, busking all over the UK at places such as Covent Garden/Leicester Square Performing on stage & in clubs. They once jammed with The Rock Steady Crew in Camden Palace in front of an audience.

Then in 1987 he became a DJ, playing all genre’s of music, he first played on RJR Radio, playing Electro, Hip Hop, Soul, R&B & Reggae. Moving forward he started playing Acid House & Four to the Floor Music styles, by the early 90’s he played on Weekend Rush & then went onto Defection, Touchdown, Don & Passion FM, playing Acid & Hardcore Jungle.

In the early day’s, MixMaster Max was one of the Innovator’s of Jungle music by mixing Hardcore, Reggae & Hip Hop together, helping other’s to produce, fuse & gain idea’s in the music industry. He was by Far the most Original, Innovative, DJ anybody had ever heard.

In 1991 he played alongside John Saunderson at the Camden Palace on a Friday night, he also played at the Famous Hacienda Club in Manchester.

He was the first DJ to create the Topsy Turvey, which is one turntable on top of the other, he came runner up in the DMC World Championships in the early 90’s.

He played at some of the Biggest Rave’s back in the day, Pirate club 93, Fantazia 92, Dungeon’s 91/92, Turnmills 92, to mention a few. He also played on Avenues FM & People’s Choice, which were legal Radio Station’s, not forgetting Kool FM & Centreforce.

He performed on stage with the We Papa Girl Rapper’s in 1990 at the Notting Hill Carnival. This Legendary Cult figure is a Master of the Nunchucker’s & TurnTable’s!

His innovative Mixes were ‘legendary’ he was a pioneer precursor to the Art form known as Jungle Music, not to mention his Scratching abilities, which was ‘extraordinary’!

For those that listened to pirate radio back in the day, he was the legendary cult figure that inspired us all, giving us the freshest musical styles that had never been heard before!

He can still be heard on Radio today...What an inspiration this Unsung Hero has been to us All!