quête:dave

Chicago's DAVE MAZE along with SPIKE REBEL drop this limited 12" EP feat. "a funky combination of Disco Edits, original DE&E Disco runners, and Rare Grooves. 4 amazing runners that are a must have." Limited stock

Launched in 2000, Post Office quickly became a landmark compilation series, featuring artists such as Ricardo Villalobos, Daniel Bell, Robert Hood, Dimbiman, Matthew Dear, Seth Troxler, Craig Richards, Losoul, Ark, Mr Oizo and many more. Each new edition stands as both a milestone in Logistic Records’ story and a forward-looking vision of the global electronic scene.

Remixed With Love has set the benchmark for disco reworks for over a decade, with Dave Lee universally recognised as the most trusted name in the field when it comes to respectfully updating dancefloor classics from the original multi-tracks.

With original vinyl editions long deleted and constant demand from DJs and collectors, this brand-new one-off, vinyl-only release has been made possible via a fresh licensing deal with Sony Music, allowing eight of the most requested mixes from the catalogue to be pressed together for the first time.

This is not a repress; it is a bespoke, limited selection, and once the pressing has sold through, it cannot be repeated.

Dave Wallace is one third of Aquasky, as well as a founding member of Mad Dog and Fugitive. He also released his own EP’s on Moving Shadow and R&S in the 90’s and more recently an EP on TeeBee’s Subtitles label as well as a return to the rave with various Fugitive tracks and remixes on Vinyl Fanatiks over the past few years.

But one track has always alluded a release, there was always something that prevented it from being released. Originally written in 1995, it wasn’t until 1996 that he sent it to LTJ Bukem who went nuts for it, advising Dave to speed it up from its original 156bpm so he could play it. Upon doing so, it was also sent to Fabio and the pair of them played it on Kiss, Radio 1 and various gigs and festivals across the world. Dave was just in discussions to release it when Dillinja made a Bladerunner track using the same samples. In light of that and how the hierarchy worked in the 90’s drum and bass scene, Dave decided to pull the release and the track went back into the DAT draw… for 26 years!

This track has been requested by many to be pressed since Vinyl Fanatiks started as it had such a huge fanbase, so many people loved the track after hearing it either back in the day or on copies of mixes uploaded in recent years to the internet. An extremely desired track! But there was never a B-side to it… until Dave stepped into his Fugitive guise and brought the track up to date with one of the baddest basslines we have released on the label.

Join us as we take you on a ride from the smooth to the ruff!


Its all an expression!

The second release from Irish label IL Corpo Records comes from Dublin native Dave Hughes. The Fastplay E.P. sees the accomplished audio engineer and Dj return to production duties with 4 carefully crafted excursions into mid tempo deep house with elements of dub and techno. Having had multiple releases on John Tejada’s legendary Palette label and iRecords amongst others, the production values are top notch and well executed making this an interesting listen indeed.

Fastplay chugs along building gradually before sultry vocals from Svelte weave their way into the mix and beckon the listener to the dance floor for the night ahead.

Feel Better is a downtempo dubby experiment inflected with a dose of rave nostalgia.

Walk Alone sees more atmospheric chord work and well chosen percussion that cements the sentimental feel of the E.P.

Tabouli rounds out the release with broken beats wrapped up in mid eastern rhythms. Moody chords and a G Funk lead line keep the groove evolving to the end.

Following the lush listening LP outing by KAMM, the EG team is back in fine floorrocking form, this time with both label operatives on the dials as Rodney joins Dave Aju for his debut co-production. And what a debut it is: Highly-potent, raw, swinging house music of the highest order, complete with knocking 909 kicks, thick slapping snares, and a hypnotic melodic call-and-response tonal section that keeps things properly lifted and moving throughout. The vox evoke label boss Aju’s earlier catalog work, and he’s in particularly pointed mode here, spitting fire spoken word lines calling out various questionable corners of the dance music scene and humanity on the whole. A bold light-shining display during notably dark times, defending the once-sacred underground dance space against runaway trends of ego-driven capitalism, online image over actual skill sets, and the beyond low-ball barrier of entry into the arena. But by the time the soulful chorus lines hit and rise us up and onward toward the blissful musical finish, it is clear that this is in fact a unifying floor anthem and that indeed despite our differences amidst disheartening global chaos, at least “We Still Dancin". As always with the seasoned DJ-focussed three-piece Elbow Grease EP offerings, here we have the full A-side OG Vocal Mix cut at a crispy and tight 45rpm, a deliciously stripped and leveled-up EG Dub Mix on the B1, and finally the uplifting B2 Vibe Mix which doubles-down as half ambient instrumental builder and essential acapellacapella

Originally recorded as an unreleased demo aer Love 4 Love and later recovered by Stefano
Colombo and Davide Romani, For Loving on You has become one of the highlights of the
Embrace project.
This limited vinyl edi on features three brand new versions by Dave Lee, including a vinylonly instrumental bonus track. With contribu ons from Ma$ Cooper, Michele Chiavarini,
Julian Crampton, and Mark Beaney, the remix keeps the soul of Change alive while bringing
it to today’s dancefloors.

Hungarian producer Dave Wincent & German-Filipino producer Wigbert collaborate on a new four tracker ‘Collab’ on DCLTD. The EP marks their debut body of work together.

Collab02: minimal, no-frills techno, an unrelenting wall of percussion with subtle changes of note patterns embedded within. Hissy hoover swooshing sounds like waves of static or desert winds add intrigue to an austere soundscape.

Echo Chamber: fast, resonant drums, with a tapping hi-hat crescendo bringing in machine-like rhythmic industrial sounds… disquieting yet high energy.

Fly Back And Forth: Muffled beats a Moroder-like throbbing synth effect from the start, hypnotic and yet energetic. Sustained, pulsing high synth chords add emotional heft.

Resonant Control: a complex wave of percussion which keeps on coming, with a high chiming strand which broadens tone and becomes dominant, spiked with bleeps like mysterious radio signals from space.

Wax Digits hits release number five with a tight and tidy two-tracker from the late veteran Robert Ouimet who passed a couple of years ago. Before then he cooked up these gems with his pal and production partner Dave Godin. They are being released as a tribute to the memory of Ouimet and a fine one they are too. 'Plenty' has a raw groove and big chords with jangling guitars adding hints of melancholy that counter the big stabs. Soulful vocals are a great finishing touch then 'Funky Together' is more loose and strident with big horns leading the way under psyched-out chords. Two quality party starters.

London cinematic soul extraordinaire SHOLTO partners with his Sunglasses For Jaws (SFJ) bandmate David Bardon and acclaimed Hungarian pianist & composer Àbáse for a new double A side.
Combining moody instrumental hip-hop tones, dusty funk breaks and swirling synths with undertones of jazz harmony, ‘Metropolis’ and ‘The Right Orcid’ were born out of a spontaneous jam session in the Sunglasses For Jaws studio whilst Àbáse was visiting London in 2024.

Massive disco boogie from the man with the plan DAVE MAZE. Volume two of the "DISCO YAMS" series drops 4 upbeat, booty shakin' groovers re-edited and tweaked for your clubbing pleasure. Untitled to keep the crate diggers guessing... Limited heavyweight colored vinyl. Paper sleeves.

Evighet proudly unveils its fifth release, EVIGHET005, featuring the Sky City EP by Dave N.A., the prolific producer from Yerevan known for his refined sound design and emotionally resonant compositions. With a catalog that spans labels such as Typeless Records and Uppers & Downers, his work continues to bridge precision and sensitivity, exploring the borders between rhythmic architecture and ambient introspection. On Sky City EP, Dave N.A. constructs an intricate sonic landscape where lush atmospheres coexist with fractured breaks and IDM-inspired rhythms. Rooted in the traditions of Jungle and Breakbeat yet unbound by genre, each piece reveals a narrative built from texture, movement and space. His music invites reflection while maintaining a dynamic forward energy, evoking the sense of motion through memory and dreamlike transitions. A central moment in the release is “Bloom”, which features a collaboration with Hayk Karoyi on flute. His performance adds an organic depth and melodic fluidity, weaving through electronic layers with warmth and clarity. The result is a delicate interplay between human breath and machine pulse, blurring the boundary between the natural and the synthetic. Sky City EP marks a new chapter for Evighet, reaffirming the label’s dedication to sound as a medium of exploration and storytelling. Through this release, Dave N.A. captures both emotional immediacy and compositional detail, expanding the label’s evolving narrative with a vision that feels deeply personal yet universally resonant.

The Armenian electronic underground has been quietly brewing something visceral. After years navigating the labyrinth of electronic production from his Yerevan studio, Dave N.A. strips away the excess to reveal six raw, uncompromising cuts that pulse with quiet intensity. Not the manufactured urgency of algorithmic dance floors, but the honest tension of someone who’s spent years refining his craft while the scene evolved around him.

Following his debut ‘Altura EP’ on no•id, where collaborations with freq444 showcased his ability to merge Armenia’s electronic scene with Brussels’ underground pulse, Dave N.A. returns with ‘Echoes EP’ after the label’s necessary creative hibernation. This isn’t about comebacks or grand statements. It’s about persistence. About the kind of restless creativity that emerges when you’ve been grinding in relative obscurity, releasing on labels like Uppers and Downers, Typeless, and Elicit Records, slowly building a sound that refuses easy categorization.

The EP opens hard and unexpectedly with “BLINK,” delivering a throat-cutting and all-consuming bassline. “ECHOES” builds around atmospheric sounds and percussive elements, driven by a straightforward yet effective drum sequence. “SHADO” ventures into darker and faster territory with sparse drum programming and heavy sub-bass emphasis. Both “RUSH” and “ORB” unleash torrents of unrelenting breaks, each percussive hit landing with surgical precision as sub-bass currents pull everything forward into hypnotic repetition. “HUNTER” closes the journey, stalking into frame with predatory low-end and razor-sharp hi-hats slicing through dense atmospheric fog.

The no•id ship continues to chart its course through Brussels’ underground, prioritizing artists who value craft over hype. With Dave N.A.’s return, the label reinforces its commitment to electronic music that functions on multiple levels: cerebral yet visceral, local yet universal.

Next in the We’re Going Deep label series, he welcomes 4 tracks of completely fresh material from a relatively unknown Italian producer, Davide Tonini. Hailing from the much fabled Adriatic coastal party town of Rimini in Italy, Davide has been shaping and sculpting Electronic sounds for well over 3 decades now. Having first started releasing music under his ‘Wet Basement’ alias back in 2015, his sonic palette traverses IDM, Techno, Deep House, Acid and Ambient soundscapes.

Having spent decades honing his practice, he has both self-released his music and worked with the long standing Odrex Music in Berlin. And there’s something deeply irresistible about his output that screams class and quiet dedication. In his own words, in around 2005 he got into the world of Eurorack and a few years later, Serge Modular. Since then, he’s been totally hooked...

In more recent times, Davide has recorded and released 2 digital LPs worth of material for ‘Detroit Underground’ under his own name, so it seems fitting that We’re Going Deep are now hosting a debut 12” cut – offering up 4 cuts of trademark sumptuousness. Bringing together the best of influences that touch on the likes of Aril Brikha, David Alvarado, Deepchord, Convextion and Basic Channel, he weaves together their respective magic to a new whole point of inflection that is both of this world and the other. All tinged with a warmth and smile that could only originate in Mediterranean climes.

The aptly named ‘A-1’ kick starts the EP in fine fashion as shimmering chords cut through rays of floatingly filtered synthesis, all beautifully dubbed out to a steady rolling kick and neatly shuffled high-hats, with precision bass notes interjecting to add an additional layer of funk. With bliss set to maximum, this is nothing short of genius. Followed by ‘Bilateral’, Davide offers a touch more space and lets the bottom end lead, whilst neatly filtered chords flicker to and fro - seeping their way into your consciousness as the tight drum work brings you to groove mode.

On the reverse, ‘Drive’ burrows further into emotive depths as Davide bathes you in layers of dub and twinkling melodics, all passed through a hazy film of goodness. Rounding off the EP with the deft touch of Distanze Logaritmiche – a soft roller that steeps you in undulating chords and cavernous effects. This is high class music that deserves patience and your attention to reap the ultimate rewards from a true master of his craft.

Tuskegee returns with serious intent and a fresh club weapon from a recognised statesman of house music, Junior Sanchez. Having written and collaborated with artists including Daft Punk, Armand Van Helden, Todd Terry, and Roger Sanchez, ‘Bitch U Could Neva’ pairs Sanchez with vocalist and songwriter Dave Giles II, riding high himself following link-ups with Honey Dijon, Mike Dunn, and a producer on Beyonce’s anthemic ‘Cozy’.

‘Bitch U Could Neva’ is a powerful, instantaneous trip back into the underground style and attitude shared between both artists, reflecting the vibe of Sanchez’s rise to success in the halcyon days of New York nineties clubbing, alongside Giles II’s own youth in the Chicago creative scene. Living up to the attitude of its title, ‘Bitch U Could Neva’ bumps with peak-time energy, jackhammer drums and chopped-up vocals never undermining its fundamental sensuality, an increasingly rare link between true, authentic dancefloors past and present.

The pair then look to London for a confident, stripped-back take from prestigious record collector and curator GIDEON. The founder of dance music institutions Adonis and Glastonbury’s infamous Block 9 goes deep to find the track’s potential as a minimal, vogue-adjacent house workout, scattered with telephone dial tones and an upfront disclosure; “Bitch, I’m serving.”

Back across the Atlantic, Physical Therapy and Michael Mangan team up under their Fatherhood project to give ‘Bitch U Could Neva’ a seriously bouncy redress, winding tight drums atop a rubbery bassline and paying their own Twilo and Tunnel-era tributes with cut-up vocals and an ecstatic onslaught of rave stabs.

Die Northern Soul-Szene zieht weiterhin Anhänger an, die alle ihren Glauben bewahren und sich von dieser Musik bewegen lassen. 'True True Love' wurde 2006 als erste Single von Kent Select veröffentlicht, und Originalexemplare werden mittlerweile für über 300 £ verkauft - wenn man denn eins findet. Ace freut sich die Nummer nun zusammen mit einer unveröffentlichten Instrumentalversion der Dave & Darrell Band auf 7inch Single neu aufzulegen. Die Single wird mit Picture Sleeve geliefert und enthält Liner Notes von Ady Croasdell.

2025 Repress

Another big release on SOUNDS. in the rebound. SO8 - Modal "Lovers" from 1996 will be out in September. Don't miss this re-mastered edition!

Starting life as the most asked about ‘ID’ in Maur’s DJ sets during the Summer, to now finally being released on Toolroom, this stone-cold classic from 2006 gets an update from Maur. Maintaining much of the original vibe but adding their trademark big room melodic twist with bundles of energy. Already causing a huge stir at club level with Gorgon City, Danny Howard, Adam Beyer and Nicky Romero all providing early support. On the flip is the 2006 original in all its glory.

2024 Reissue

Missing returns on his Sub System Recordings label with some 80’s inspired vibes. Keeping the presentation on the 80’s tip we have opted to press this on a fluorescent pink 10”.

Fugitive is Dave Wallace from Aquasky, dusting off his old alias that he used to record under on Underdog Recordings back in 1994. Digging deep for some 80s licks, while rolling out the beats! Watch that drop! On the flipside M-Beat returns to the label for a proper remix on that 94 tip.

Dave Lee teamed up with Omar. A gifted, prolific artist, Omar learned his craft classically, playing the trumpet, piano, bass guitar and percussion. A former principal percussionist of the Kent Youth Orchestra and later a graduate of the Guildhall School Of Music, Omar was awarded an MBE in 2012 for services to music.

'Starlight' is a gorgeous, mid-tempo dance record, with Omar’s silky vocals backed up with rich production: soaring live strings, groove-laden clav and a warm bassline creating a heady, inviting atmosphere. Almost viscerally life-affirming and unashamedly positive. This is an exclusive 7” version.

On the B side, Destiny II featuring Aria Lyric - I'm Here For This. An uptempo boogie synth filled track in the spirit of Leroy Burgess’s 80’s offerings. Written by Dave Lee, Audrey Martells & broken beat don Kaidi Tatham. An exclusive new track not part of the album Produced with Love II.

Repress & Recut !
Featuring Ling-Ling and its Dave LXR Remix.
With a flip from Mechoz and Tribal Engineers :)

One of the UK’s most singular voices, Murkage Dave has spent the last decade crafting a body of work that refuses to fit neatly into any genre box. His music, loosely pop but informed by indie, outsider art, and an instinct for storytelling, is built on honesty, empathy, and fearless social commentary. Across his career, he has earned a cult following and praise from Pharrel Williams, Iggy Pop, BBC Radio 6 Music, The Guardian, Rolling Stone, Pitchfork, Clash, Complex, Highsnobiety, and Vogue. His debut album Murkage Dave Changed My Life (2018) amassed over 12 million Spotify streams, while follow-up The City Needs A Hero (2022) reached #10 on the UK iTunes Chart and #15 on the UK Independent Chart.

Dave Lee invites everyone to congregate at the piece of waste land behind his church where he also parks his combine harvester from time to time. Leading proceedings is 'Feel The Light' an extended super uplifting Gospel cut, filled with rousing horns, scorching organ solos and top tier sing-a-long vocal chants. The kind of record that really brings people together, much like the house of god. Flip the record and you're whisked away to the sunny shores of Rio with the Latin Jazz-Funk-tastic 'Further Tales Of Ladybug' a Wayne Henderson of The Crusaders fame piece that has, like the opposite side track been lovingly re-crafted from the stems by Mr Lee.

Die Dave Clark Five verkauften mit ihrem einzigartigen Musikstil über hundert Millionen Tonträger. „All
The Hits“ ist die ultimative Sammlung ihrer größten Hits, darunter „Glad All Over“, das die Beatles in
Großbritannien von Platz 1 der Charts verdrängte, „Bits & Pieces“, „Do You Love Me“ und „Over and
Over“, das in den USA die Spitze der Charts erreichte. Diese Neuauflage erscheint als 1-CD-Digisleeve mit
Booklet und als 1-LP auf schwarzem Vinyl und enthält alle großen DC5-Hits.
Die Dave Clark Five waren die erste englische Band, die in den USA tourte und die British Invasion anführte.
In ihren ersten zwei Jahren in den USA landeten sie nicht weniger als fünfzehn Top-20-Hits in Folge – mehr
als jede andere Band außer den Beatles. Sie eroberten die Welt im Sturm und prägten die Rockmusik
maßgeblich, indem sie einen Hit nach dem anderen über die Radiosender der Welt verbreiteten.

During the 35 years of making music, Dave Lee has constantly been searching for new singers and writers to work with. A search that’s ended up with many fantastic collaborations and releases with the likes of Thelma Houston, Taka Boom, Dianne Charlemagne and Seal. More recently this quest led him to Maurissa Rose and the creation of their album ‘London / Detroit’. After hearing Maurissa's voice on a Theo Parrish record Dave reached out to her and after a few long phone conversations and mp3 swaps they both agreed a visit to London would be much more fun than trying to work together remotely. Maurissa made the journey from her home in Detroit to write and record an album with Dave at his studio in March 2022 - as they both feel that creating music together in the same room is always better. The fruits of their labour yielded 11 brand new songs (and 1 cover) tapping into their collective love of Soul, Disco and R&B, with a sprinkle of Soulful House. This album is a special one for Dave Lee as it’s the first time in his career he’s recorded an entire album with same singer on every track.

In the album’s liner notes Dave talks of how Maurissa is a naturally creative person, full of ideas, warm & unpretentious which is reflected in her vocal performances throughout ‘London / Detroit’. Dave’s expertly crafted music is backed up with a deeply passionate yet effortless delivery from the Detroiter, a marker of someone who has honed and perfected their art. When it comes to the music side of this LP, Dave Lee is once again proving he’s still at the top of his game and shows no sign of relenting. Drawing from his encyclopaedic knowledge of all things Soul/Funk/Disco, we are treated to a range of styles, BPMs and influences from 95bpm street soul to more uptempo disco and boogie flavours. Be it the rippling synth voyage opener of ‘You Decide’, taking the Johnnie Taylor classic ‘What About My Love’ into a modern Boogie realm, upping the tempo on the soulful houser ‘I Feel the Sun” or bringing the tempo back down to the bassy acidic chug of ‘You’re Giving Me Life’. Mr Lee is truly adept at creating a modern disco soul sound without the usage of samples.

London and Detroit might be two very different cities on opposite sides of the Atlantic but this album is proof that creative synergy knows no distance.

Out everywhere on Feb 28th on Gatefold Vinyl, CD and Digital/Streaming.

Der Gitarrist John Scofield und der Bassist Dave Holland, zwei der zeitgenössischen Meister des Jazz, haben
im Laufe der Jahre in verschiedenen Zusammenhängen zusammengespielt – darunter Projekte mit Herbie
Hancock und Joe Henderson sowie eine energiegeladene Gruppe mit Joe Lovano und Al Foster. Memories
of Home ist nun ihr erstes Duo-Album, letztes Jahr nach ausgiebigen Tourneen in den NRS Studios in
Catskill, New York, aufgenommen. John Scofield: „Die Platte enthält, genau wie unsere Live-Shows,
Stücke, die jeder von uns komponiert hat, einige neu, einige alt. Wir teilen jahrzehntelange gemeinsame
musikalische Bezugspunkte. Die Gemeinsamkeiten und Unterschiede in unseren Herangehensweisen machen
die Zusammenarbeit, wie ich finde, umso spannender.“
Das Album enthält Scofields Songs „Icons at the Fair“, „Meant to Be“, „Mine Are Blues“, „Memorette“
und „Easy for You“ sowie Hollands „Mr. B“, „Not for Nothin’“, „You I Love“ und „Memories of Home“.