Suche:de groove

2026 Repress

Kerouac presents a captivating five-track vinyl-only EP on Murmurations, showcasing groove-rich basslines, intricate percussion and deep rhythmic textures into a dancefloor-ready package. The A-side kicks off with "Gravity", a hypnotic excursion of looping stabs and rolling percussion, before sliding into "Active Meditation", a deep, driving cut built on smooth stabs and an elastic bassline. The flip opens with "Official Line", a tumbling low-end roller with layered vocal chops and crisp percussion. "Chugs" lives up to its name, a relentless groove packed with vocal hooks and a thick, chugging bass. Finally, "Too Sea Bee" winds things down with warm chord progressions and a funky, laid-back vibe that leaves a lasting glow.

Techno architect Damon Wild returns to Sonic Groove with a masterclass in deep-space hypnotism. The Synewave founder bridges classic 90s grit with sharp, modern production across six tracks of driving, futuristic acid and mental, dubbed-out atmospheres. From broken beats to haunting vocal snippets, this is deep, spontaneous music from a true pioneer of the hypnotic sound.

Active in London’s electronic underground since the late 80s, Paul Hierophant has long worked in the space between techno, ambient, and dub, preferring atmosphere, tone, and slow-burn tension to obvious dancefloor tricks.

The Elder Gods finds him further out on the fringes of electro, where the synths loom large and the delay and reverb units are given a proper workout. The result is widescreen, ominous, and immersive.

The title track is a monolithic slab of rhythm where corroded synth pressure and ritualistic percussion feel less like a groove than some ancient machine grinding slowly back into life.

Titans stalks forward on a cavernous half-step pulse, all foggy bass weight and fractured metallic vocal echos, like dub techno that has wandered into darker mythological territory and decided to stay there.

The Hydra coils around a lurching low-end spine, its tentacular FX flickering and mutating while the groove stubbornly regenerates.

Works and Days rounds things off with a standout alien vocal loop drifting through pulsing bass and drums, lending the track a meditative feel that works just as well for late-night headphone sessions as it does in the deeper end of a DJ set.

This is an EP for selectors who like their electro expansive, slightly strange, and built for proper sound systems.

A cult classic reborn for a new generation.

Originally released in 2002 on the short‑lived US imprint Square Room Records, the In Stereo EP by Aruba (Darran Nugent) has long been a prized gem for vinyl collectors of quality underground house and techno.

Now, two decades later, Darran brings In Stereo back to life on his new Sleight of Hand label, with ‘Soundz From My Stereo’ completely re‑recorded and sounding hotter than ever. This special edition also features a brand‑new Re‑edit plus a standout remix from UK DJ and producer Man Power (Geoffrey Kirkwood), who delivers a bold, imaginative re‑interpretation that elevates the release into something truly special.

Also returning is ‘Body Groove’, freshly reimagined for today’s floors. The original’s slap‑bass funk remains gloriously intact, now paired with a more modern, refined house sensibility that gives the track a whole new swagger.

2026 Repress

Techno mainstay Gary Beck drops hugely sought-after cut 'Hopper' on SHDW's Mutual Rytm sub-label Spectra, with remixes from KiNK.

Glasgow-born Gary Beck is a primary figure in techno and has been for well over a decade. Dropping seminal
underground classics and cultured full-lengths on an array of leading labels, as well as his own BEK Audio imprint,
he has also led the way as a revered DJ as his legacy continues to build. Now, adding to his standout 'Upside
Criminal' EP as well as his well-received track 'Fold' on the 'Federation Of Rytm III' VA, he returns with a record that
has often featured in both his and Mutual Rytm boss SHDW's sets, stepping out on the label's Spectra series with
a cut that has long been sought-after by those who know.

A spontaneous studio moment turned club weapon, the timeless 'Hopper' merges a syncopated disco bassline with
subtle nods to funk and classic dancefloor energy. It's one of those tracks that lingers in your head long after the
night ends - a pure embodiment of Beck's raw energy and production finesse built on an infectious groove full of
contrast and character.

Bulgarian synth wizard, hardware genius and tireless innovator KiNK delivered Spectra's inaugural release, so he
lands as the perfect person to remix. His first interpretation stays close to his roots with a house-leaning, slowed
down take that channels warmth and groove in equal measure. On the B2, however, he flips the script with a high
octane fusion of techno and UKG. It's a peak-time anthem engineered to ignite dancefloors and closes out a
standout EP with the third release in the Spectra catalogue.

Gary Beck 'Hopper' drops via Mutual Rytm Spectra on 20th June 2025.

Swiss techno icon Deetron shows his class with a new four-track EP on Mutual Rytm's sub-label, X.

Deetron is one of the most respected producers of his time. From sleek house to deep techno, he brings impeccable sound designs and melodic elegance to his work while remaining true to his authentic signature sound. He always delivers, whether landing via labels like Ilian Tape under his Soulmate guise or via the likes of Axis and Music Man, and that quality is on show once again as he brings the class on this new EP via the sub-label of SHDW's Mutual Rytm.

First up, 'Translate Rhythms' layers jazzy, de-tuned melodies into a quick and slick deep techno groove. It's a colourful and playful sound with a serious impact. 'Cause' is a more heads-down and moody sound with walls of drums and bass rolling beneath raw percussive loops and tight vocal stabs that ramp up the energy levels. The fantastic 'Move' brings grainy pads, inescapable bass weight and bulky drum loops to make for an immovable wedge of serious concrete techno funk. Last is the digital bonus cut 'Orbit', which heads off to the stars with a deepspace
vibe, swirling pads and minimal drums that tap out a rumbling groove.

A snapshot of UK tech house in its formative years, OLC002 finds Rob Pearson laying down the blueprint for a sound he’d continue to refine through Evasive Records. Released on Online Collective—the label arm of South London’s Online Studios—this EP captures a raw, forward-facing moment in underground dance music.

The title track Slipstream leads with intent: tight tech drums ride alongside a chopped breakbeat groove, underpinned by weighty sub bass and warped melodic textures. A fluid lead synth drives the track forward, locking into a hypnotic, evolving flow built for the dancefloor.

Vortex channels early Detroit techno through a South London lens—crisp edits, filtered drum machine rhythms, and a hypnotic vocal loop combine for a stripped, late-night roller with serious intent.

On Metaphor, Pearson taps into the spirit of early bleep and warehouse house, fusing it with late ‘90s tech house sensibilities—raw, swung, and deeply functional.

The Metaphor (Bonus Beats) rounds things off as a pure DJ tool, primed for layering and extended blends.

A sharp, authentic document of a pivotal era, Slipstream EP showcases Pearson’s early command of groove, texture, and dancefloor dynamics.

Brouqade returns with a heavyweight contribution from one of Mexico’s finest: Sakro takes the helm, delivering a 12" that strikes the perfect balance between hypnotic depth and peak-time functionality. After months of building anticipation on dancefloors worldwide, becoming a secret weapon, these four tracks have finally found their way onto wax.

This EP is a masterclass in rhythmic tension and psychedelic storytelling. Sakro places the groove unapologetically at the forefront. The listener is submerged in a dense atmosphere defined by:
Rolling Basslines & Trippy Textures

Across the four tracks, Sakro explores the intersection of raw house energy and sound design. The nuances whether modular bleeps or unexpected percussive shifts, intensify the groove rather than distracting from it. It’s this specific blend of sophistication and grit that has already caused a stir in some Sets.

With great pleasure we welcome on board ADSR. This is not a standard EP but more a collection of 5 tracks made in the years between 1989 and 2001.

“Kicked” (1989) rides a driving dance groove with subtle Depeche Mode–influenced melodies, fueled by rolling arps and crisp string plucks. “Unit 3” (2001) hits with tough basslines and hard pads over a relentless beat, nodding to mid-80s EBM in the vein of Nitzer Ebb, Skinny Puppy, and Front 242. “Unchained” (1990) drifts on a late-night 808 groove with glassy pads and house-leaning chord stabs, sliding into early techno territory.

The EP closes with two well known tracks but those versions of them have never seen the light before today. “Windswept (Desert Mix)” – 1994 is a pounding early-session track built on tripped-out SH-101 leads, evolving arpeggios, long sweeps, and a steady 909, made for getting completely lost in.“Suboceana (Early Version)” – 1991 serves seductive chord progressions and drawn-out, reflective melodies, a liquid journey for both listening and the dancefloor.

Purveyors of deep-tinged electronic grooves since 2008, Ornate Music returns for their next analogue emission. Dropping four refreshingly shaped cuts from mysterious Bolton boy: Jimmy The Hand. A seriously talented artist and shaper of off-kilter sonics, Jimmy works his alchemy in all the right places on this impressive collection of creations. Punchy drums and uplit mood colour the way in opener 'Nail Varnish'', as 'Delve Deep' opens the Arps to crunched drums, setting the mind to cycle with impressive effect. Over on the flip, rising pads and rhythmic shuffle fuse with warped effects as you skip through the sunny climes of 'That's More Like It'. Last but not least, you're met with the RAW punch of 'Breath': a full complement of Millsian influenced psychotropia that leaves you screaming for more, you've been warned.

A new Memory Remains journey on Wax: A Four-Track Vinyl That Captivated Dancefloors

After months of exclusive testing across diverse club spaces and underground venues, this much-anticipated vinyl release is finally available for all. Four tracks, each carrying its energy and narrative, come together to form a singular listening experience—crafted for dance floors, yet timeless in their emotional depth.

A1: Unknown – Naha Naha

A vibrant, hypnotic opener that merges the ethereal with the rhythmic. The vocal, a fusion of Bambara influences, drifts over the playful pulse of bongo-driven percussion, while the sitar weaves an entrancing melody. The result? A high-spirited, kinetic groove that invites movement and joy.

A2: Unknown – Haciéndome Drogado

A deep, sun-kissed journey infused with the warmth of Spanish vocals and a breezy, immersive vibe. This track captures the essence of carefree summer nights, where music, movement, and emotion become one. A deep house gem with a magnetic pull.

B1: Unknown – Mom, You Make Everything Beautiful

No words are needed—only feeling—a heartfelt tribute to the transformative love of mothers, where every touch brings beauty. Melodic, evocative, and steeped in emotion, this track resonates deeply with the soul, making it a standout moment on the record.

B2: Unknown – Whispers

Closing the journey is an enchanting, introspective piece featuring a haunting female vocal and a spellbinding solo guitar. Drifting between melancholy and warmth, this deep house masterpiece leaves a lasting imprint, wrapping the record in an aura of mystery and elegance.

Now pressed on vinyl, this collection is ready to be discovered, shared, and cherished. The wait is over—the music is yours.

Music by Kirik

MCRV019 – VA – Phase Drift. Passage is a graceful and emotionally nuanced four-track journey through modern deep tech house. Blending reimagined echoes of early 2000s deep sounds with forward-thinking production, the release moves between moods and textures with surgical control and quiet sophistication. It’s an EP that balances warmth and restraint, melancholy and motion — built for selectors who appreciate finely tuned emotional arcs.

A1. Stephano Franca – Arriving opens with a fluid, introspective piece. Gentle and melancholic, it glides with cinematic poise, drawing listeners into a state of suspended reflection.
A2. Dot – Distance Call introduces a percussive, tribal undercurrent — earthy and grounded, yet full of bounce. It energizes the space while maintaining depth and groove.

Flipping over, B1. Reenday – Last Call (Nicolas Barnes Remix) brings a refined sense of cold elegance. Dubby and atmospheric, it’s a minimalist piece that evokes distance and stillness — a cool breath in the night.
Closing the release, B2. Jeronimo Watson – On The Prowl is a deep tech gem — emotive, seductive, and sharply detailed. With a slow-burning energy, it brings the record to a confident and composed close.

From Brazilian talent Stephano Franca to Dot and Nicolas Barnes, two of the label’s most precise and consistent producers, and rising standout Reenday, a finalist of the ANTS: NEXT GEN Artist Program 2025, this release represents the current essence of MixCult. It is sealed by the distinct touch of Jeronimo Watson, whose Los Angeles–rooted sound closes the circle with style.

Phase Drift. Passage is not just a collection of tracks — it’s a refined toolkit for navigating emotional shifts and dancefloor narratives, framed by elegance and intention.

Limited Edition.

Jazz pianist, composer and electronic music producer, Alessandro Deledda returns with ISLA CHROMATICA, a new project released exclusively on vinyl.
Blending retrosynth textures, Balearic electronics and touches of classic Italo disco, the record unfolds as a colorful sonic journey between analog atmospheres, dreamy grooves and Mediterranean-inspired moods. Drawing from his background in jazz and his experience releasing on several international labels, Deledda crafts a sound that is both nostalgic and forward-looking, where warm synthesizers, rhythm machines and melodic sensibility meet on an imaginary island of sound.

"After years of audio exploration and creativity together, Bizarre Trax co-founders B.Love and oliver.r unveil their much-anticipated LOVE.R alias with a dynamite, four-track EP on the ever-vibrant Dias de Campo imprint. This powerhouse pairing has been on the label's radar for a while, and their Dos Cremaet Por Favor EP proves exactly why.

Brimming with intricate textures, playful grooves, and the duo's unmistakable flair for left-field dancefloor energy, each track delivers a heady mix of quirky rhythms and off-kilter beats that define each of their signature sounds. The A-side marks the grand entrance of LOVE.R with two innovative collaborations, while the flip lets each artist shine with a solo cut of their own.

And if that's not enough, you can catch these prolific tastemakers lighting up the decks at this year's festival. See you front left."

UK producer Tom Carruthers delivers another masterclass for Skylax, diving deeper into the DNA of house music with Deepline, a 5-track journey that connects the raw futurism of the late ’80s to the deep innovations of the early ’90s. Known for his MPC-driven grooves on L.I.E.S., Clone Jack For Daze and Craigie Knowes, Carruthers has become a true guardian of machine funk — always stripped down, always pure. The title track Deepline captures the very essence of house, hypnotic and driving, right at the crossroads of 80s machine funk and early 90s deepness, a timeless groove that feels like the missing link. Dream 12 unfolds as lush and atmospheric, with pads that instantly recall the golden era of early 90s deep house, a reverie made for afterhours and smoke-filled basements. Experience stands as a raw reminder of the four pillars of house — drum machines, bass, minimalism and repetition — metallic, stripped, relentless, pure underground. On the flip, Fantasy explodes with wild energy, channeling the raw spirit of Trax Records and Armando, dirty and direct, a weapon for uncompromising dancefloors. Finally, Folx closes the record with a cosmic edge, its tough jackin’ drums colliding with spacey synth touches to create a bridge between Chicago basements and interstellar dancefloors. Once again, the visual identity is entrusted to the iconic H5 studio (Daft Punk, YSL, Logorama), whose bold modernist artwork perfectly mirrors Carruthers’ stripped yet futuristic vision. Vinyl only. No digital. No compromise.

Rocksteady Disco comes through with more tasteful and timeless edits on this fourth volume of its series which focuses on sounds from Detroit. Gino steps up on the A-side with the leggy grooves and funky bassline soft 'Funk Beyond' then 'Sunshine Ramp' pairs a classic vocal sample with a bubbly, percolating groove full of fun. On the flip, things get more textured and expressive with the busy jazz horns of DJ Righteous's '6 Minutes Of NRG' then 'Never Forget' brings heavyweight drum-first funk with warm organ chords and a busy mix of bass and melodies under the soaring vocals. Scorching stuff.

COLLECTING ORDERS FOR 2026 REPRESS

Night falls, the lights dim, and the Extrasensorial Catalog presents its third chapter—an eclectic VA built for late hour mind-bending moments on the dancefloor.

On the A side, we open with Dani Labb and his explosive contribution "Rin Raje", a raw, hypnotic roller designed to twist minds and bodies alike. Saturated grooves, razor-sharp percussion and just the right amount of darkness make this an undeniable peak-time must.

A2 features the Italian craftsman Niki IL B with "Monte Moggio", a mystical excursion into deep, textured terrain. This track feels like wandering through fog-covered hills at dawn—delicate, groovy, and haunting in the best possible way.

Flip to the B side, and Ludovic wastes no time with "Vitesse, Argent, Sexe (5am Mix)", a late-night anthem soaked in tension and sweat. Pulsating basslines and seductive rhythms carry you into a euphoric state where the rules no longer apply.

Closing things off is Kebab Traume with "Mindlock", a cerebral journey that merges dreamy pads, off-kilter drumwork and warped melodies—like stepping into a lucid dream you never want to wake up from. An ideal closer for those deep after-hours rituals.

When The Style Council’s debut album Café Bleu was released in 1984, Weller and wing-man Mick Talbot unveiled a cosmopolitan blend of jazz, soul, and pop that felt effortlessly sophisticated and daringly fresh. Café Bleu was more than a debut—it was a statement of intent, redefining what British pop could sound like in a new decade.

Since then, fans have been waiting for a deep dive into the Style Council vaults eager to hear any unreleased material. And now the wait is over.

The Café Bleu Special Edition is a treasure trove for Style Council devotees and music lovers alike - an immersive journey into one of the most inventive eras of Paul Weller’s career. This lavish release unveils a wealth of previously unheard material, including early demos, alternate takes, and unreleased songs that showcase the band’s restless drive for experimentation and evolution.

After a moment of calm, De Lichting returns with the fourth instalment in its double LP album series, Vier.



Never losing touch with its roots in emotional dance music, Vier is a tribute to the electronic soul, something increasingly overlooked on today’s dancefloors. queniv’s Frequency Match opens the album as a gentle invitation, built on minimal drum work and long, stretched pads. RDS’s Aerial Reflections continues in the same vein, leaning into a more serious mood with old school flavoured rhythms.

The first heavier club moment comes from Human Space Machine with Test Rec. A more tense, primetime leaning, proggy groove unfolds, washed in nostalgic strings and trippy elements for both body and mind. Nathan Kofi follows with Kinesis, a proper Detroit infused techno track that pushes the experimental edge further, darker and more driving.

On the second record, the mood shifts into deeper melancholy with Eversines’ Lift The Veil, featuring classic deep house textures of Rhodes chords and FM basses. Nearing the end of the album, Proxyan’s Another delivers pure credits rolling, emotion drenched analogue funk electro, a track the rest of the group had to beg Robbert to include. We are glad we did.

As a kind of bonus track, RDS and Eversines close Vier with a tech house rework of their earlier track Missing. Released on vinyl for the first time, it was previously available only in digital form via Kalahari Oyster Cult.