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Ov Sulfur - Endless LP

Ov Sulfur

Endless LP

12inch19802976081
Century Media Records
23.01.2026
  • Endless//Godless
  • Seed
  • Forlorn
  • Vast Eternal
  • Wither
  • Evermore
  • Dread
  • Bleak
  • A World Away

Mit ihrem zweiten Album "Endless" tauchen Ov Sulfur noch tiefer in die düsteren Klanglandschaften ein, die das Quintett aus Las Vegas schon auf ihrem 2023 erschienenen Debüt "The Burden Ov Faith" auszeichneten. Angetrieben von der Stimme von Frontmann Ricky Hoover verschieben Ov Sulfur die Grenzen ihrer Deathcore-Ursprünge, indem sie gleichzeitig Black Metal ('Vast Eternal') und ein überraschendes Maß an Melodie ('Wither') erforschen, ohne dabei ihren Genre-dezimierenden Ansatz zu verwässern. Nachdem sie sich bereits als beeindruckender Live-Act erwiesen haben und mit Bands wie Lorna Shore, Signs of the Swarm und Nekrogoblikon auf Tour waren, ist mit "Endless" klar: Ov Sulfur sind hier, um zu bleiben.

pre-order now23.01.2026

expected to be published on 23.01.2026

24,16 €
Lorna Shore - I Feel The Everblack Festering Within Me LP 2x12"
  • Prison of Flesh
  • Oblivion
  • In Darkness
  • Unbreakable
  • Glenwood
  • Lionheart
  • Death Can Take Me
  • War Machine
  • A Nameless Hymn
  • Forevermore

Gatefold clear 2LP


Lorna Shore hat unerwartete Höhen erklommen, vor den größten Zuschauermengen ihrer Karriere gespielt und ist buchstäblich durchs Feuer gegangen, um »I Feel the Everblack Festering Within Me« zu veröffentlichen. Das neueste Album des Quintetts aus New Jersey knüpft dort an, wo sie mit dem mittlerweile klassischen »Pain Remains« aufgehört haben.

Während die erste Single des Albums, »Oblivion«, klassische Lorna Shore-Klänge sind, hört man erst in Songs wie dem hymnischen »Unbreakable«, dem pathetischen »Glenwood« oder den triumphalen Gitarrenmelodien von »Lionheart« den Sound von Extreme Metal, der seine eigenen Grenzen überschreitet – geprägt von den Erfolgen auf riesigen Festivals und Arenenauftritten mit Künstlern wie Gojira und Mastodon.

Lorna Shores Aufstieg war schlichtweg atemberaubend, und »I Feel The Everblack Festering Within Me« ist nichts weniger als ihr karriereprägendes Album.

pre-order now23.01.2026

expected to be published on 23.01.2026

28,78 €
Blair Mowat - DOCTOR JEKYLL (ORIGINAL FILM SOUNDTRACK)
  • A1: Doctor Jekyll
  • A2: Jekyll and Hyde
  • A3: A Grand Estate
  • A4: The Interview
  • A5: Hyde and Seek
  • A6: Nina and Rob
  • A7: Searching for Sandra
  • A8: The History of Hyde
  • A9: The Killing Game
  • A10: The Plan
  • B1: Attempted Murder
  • B2: Intruders
  • B3: The Devastation of Hyde
  • B4: The Deal
  • B5: Transformation
  • B6: Sweet Goodbyes
  • B7: Three Steps Ahead

Our director, Joe Stephenson, was looking for a bold, gothic, and dramatic score mixing traditional Hammer Films tropes with a modern sensibility.

Much like Jekyll and Hyde, this is a score of two parts, recorded with two different orchestras - the Budapest Art Orchestra and The Royal Scottish National Orchestra.
This helped to emphasise the split personality of the score: switching from sparse, haunting horror to the operatic gothic explosions we hear towards the end of the film.

A 30-person choir helped achieve a sense of scale where needed, and Hyde’s textural effects are performed on a variety of rare archaic instruments such as the Viola Da Gamba and Stroh Violin which help to evoke the sense of an ancient evil.

With a gorgeous smoky coloured vinyl, and Sean Longmore’s stunning bespoke artwork, this is a limited release that I’m eagerly awaiting to display on my own shelf.
The future of Hammer Films is bright, and I’m thrilled that fans can celebrate its rebirth with a score that honours the past while eagerly stepping into a new era." - Blair Mowat

pre-order now23.01.2026

expected to be published on 23.01.2026

25,17 €
SIGH - GHASTLY FUNERAL THEATRE (LP)
  • A1: Intro: Soushiki (01:26)
  • A2: Shingontachikawa (05:27)
  • A3: Doman Seman (05:33)
  • B1: Imiuta (03:14)
  • B2: Shikigami (06:22)
  • B3: Outro: Higeki (01:31)
also available

Marble Vinyl[27,31 €]


Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus ‘Infidel Art’ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the band’s fundamental sound. The result was ‘Ghastly Funeral Theatre’ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sigh’s unique blackened metal tapestry.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find) works, this edition of ‘Ghastly Funeral Theatre’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind ‘Ghastly Funeral Theatre’.

This edition of ‘Ghastly Funeral Theatre’ is presented on black vinyl.

pre-order now23.01.2026

expected to be published on 23.01.2026

21,81 €
SIGH - GHASTLY FUNERAL THEATRE (LP)
  • A1: Intro: Soushiki (01:26)
  • A2: Shingontachikawa (05:27)
  • A3: Doman Seman (05:33)
  • B1: Imiuta (03:14)
  • B2: Shikigami (06:22)
  • B3: Outro: Higeki (01:31)
also available

Black Vinyl[21,81 €]


Japanese black metal legends Sigh formed in 1989/1990. The genre-classic debut ‘Scorn Defeat’ followed on Euronymous’ Deathlike Silence Productions in 1993 & with each subsequent release, Sigh grew to become one of the country’s greatest & most revered metal exports. With a journey through the strange & the psychedelic, incorporating a whole eclectic mix of genre styles & experimentation throughout their career, Sigh has remained a vital creative force in the avantgarde field whilst maintaining their old school roots, as witnessed with the stellar 2022 album, ‘Shiki’. 2025 also saw Sigh reimagining their ‘Hangman’s Hymn’ album for a release on Peaceville as part of the band’s 35th anniversary celebrations, in the shape of ‘I Saw The World’s End: Hangman’s Hymn MMXXV’.

Maintaining the core trio of Mirai Kawashima, Shinichi Ishikawa & Satoshi Fujinami & on the back of the epic & darkly symphonic opus ‘Infidel Art’ (1995), Sigh adopted a more boundary-defying approach to their writing, whilst still keeping the dark foundations & traits of the band’s fundamental sound. The result was ‘Ghastly Funeral Theatre’ which surfaced in 1997 & draped in Eastern & horror-based atmospherics, the band also embraced elements outside of metal with what was their most experimental offering to date; utilising instruments such as the saxophone as well as acoustic passages & notoriously drawing comparisons to the moods of bands such as The Beatles at times, featuring catchy hooks & structures in line with the rock music genre, but masterfully woven into Sigh’s unique blackened metal tapestry.

Continuing with Peaceville’s re-issues of Sigh’s classic early ( & until now, hard to find) works, this edition of ‘Ghastly Funeral Theatre’ contains a new master created by Patrick Engel at Temple of Disharmony, featuring a new transfer from the original DAT source.

The release also includes a new interview with main-man Mirai Kawashima conducted by Dayal Patterson of Cult Never Dies, delving into the history & inspirations behind ‘Ghastly Funeral Theatre’.

This edition of ‘Ghastly Funeral Theatre’ is presented on black vinyl.

pre-order now23.01.2026

expected to be published on 23.01.2026

27,31 €
Knocked Loose - Laugh Tracks LP

Knocked Loose

Laugh Tracks LP

12inch810540038650
Pure Noise Records
23.01.2026

Das ursprünglich 2016 erschienene Album "Laugh Tracks" der amerikanischen Metalcore-Band Knocked Loose erscheint auf Vinyl in neuer Farbe.

pre-order now23.01.2026

expected to be published on 23.01.2026

32,35 €
She Spread Sorrow - Huntress LP
  • 1: Blue (6:09)
  • 2: Get Me (5:08)
  • 3: Stand (5:0)
  • 4: Dragonflies (5:56)
  • 5: Inside (7:24)
  • 6: Parasomnias (10:32)

"Huntress" by She Spread Sorrow (Alice Kundalini) is the story of a huntress and her morbid and psychotic relationship with her prey. The protagonist is Blue, a girl whose existence is marked by obsession with another woman of the same age and by nightmares that leave her without peace. Between love and psychosis, a tragic story is consumed, which vibrates in the stomach, like the music that accompanies it - dark and hypnotic death industrial, with moments of dark ambient, power electronics and noise.Inspired by Kundalini’s nightmares and her fervent world of dreams, "Huntress" was born after 3 years of intense recordings. It pursues the need to whisper secret, forbidden tales and to stimulate the deepest shadows of the human being, exploring the boundaries between the delicate and the violent; between love and obsession; between fantasy and madness."Huntress" is the soundtrack of a tragic game between opposites in a reality of total solitude.

pre-order now23.01.2026

expected to be published on 23.01.2026

21,81 €
Elise Frank - I Didn't Pay For It (LP)
  • I m smoking
  • How did i
  • Car dealer
  • Double lovin
  • She s a bird
  • I didn t pay for it
  • Bullfrog blues
  • Your kind
  • Here comes the blues
  • If you need me
  • Twice on sunday

Neues Album der französischen Gitarristin - ist auf der Ruf Records Blues Caravan-Tour im Januar 2026

pre-order now23.01.2026

expected to be published on 23.01.2026

28,99 €
AS I LAY DYING - Shadows Are Security LP
  • A1: Meaning In Tragedy
  • A2: Confined
  • A3: Losing Sight
  • A4: The Darkest Nights
  • A5: Empty Hearts
  • A6: Reflection
  • A7: Repeating Yesterday
  • A8: Through Struggle
  • A9: The Truth Of My Perception
  • A10: Control Is Dead
  • A11: Morning Waits
  • A12: Illusions
pre-order now23.01.2026

expected to be published on 23.01.2026

37,61 €
Motorhead - House of Blues 2x12

Motorhead

House of Blues 2x12

2x12inchPARA456LP
Parachute
23.01.2026
  • A1: We Are Motörhead 2:34
  • A2: Bomber 3:03
  • A3: No Class 3:03
  • A4: I'm So Bad (Baby I Don't Care) 3:15
  • A5: Over Your Shoulder 4:20
  • A6: Civil War 3:50
  • B1: Metropolis 4:06
  • B2: God Save The Queen 4:36
  • B3: Born To Raise Hell 5:08
  • B4: Stay Out Of Jail 4:36
  • B5: Dead Men Tell No Tales 3:34
  • C1: Sacrifice 6:16
  • C2: Orgasmatron 6:03
  • C3: Going To Brazil 3:08
  • C4: Iron Fist 3:52
  • D1: Killed By Death 7:09
  • D2: Ace Of Spades 5:07
  • D3: Overkill
pre-order now23.01.2026

expected to be published on 23.01.2026

28,78 €
YHWH NAILGUN - 45 POUNDS

YHWH NAILGUN

45 POUNDS

12inchWHYT099LP
AD 93
23.01.2026

*Repressed on yellow vinyl

45 Pounds is a record of thrilling cacophony: whirring drums meet the sound of instruments which have been twisted and bent into new shapes, all of which are paired with the arresting growls of Zack Borzone. Across the record the four-piece re-imagine what is possible within the confines of a band set up, creating music that perfectly encapsulates the information overload of our times.

The band have become known for their stellar live performances and now with 45 Pounds they have set that electrifying feeling to record. With 45 Pounds YHWH Nailgun have created a statement that is short to cut through the modern day post-algorithmic sludge. Stay tuned for more news.

out of Stock

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Last In: 6 months ago
20,59 €
Various - TECH035 - Curated by ANNÉ LP 2x12"

Nastia's imprint launches a new compilation series curated by selected music connoisseurs and crate diggers, with ANNÉ as the debut curator.

Each compilation features handpicked unreleased pieces including an exclusive track by the curator. The release pairs a curated double vinyl with a CD featuring the curator's own mix of the compilation.

For this first edition, ANNÉ has put together a balanced journey that opens with Gaetano Parisio's dynamic old-school energy and closes with The Advent's raw classic techno. Between these two legends, the selection flows seamlessly across the first 12".

The second record takes a more soulful direction, starting with Newa and closing with ANNÉ's own track - a natural way to wrap up the journey she's curated, serving both as a closing piece and the final statement of the compilation.

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Last In: 7 months ago
32,73 €
Various - Strobes in Space LP 3x12"
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Last In: 51 days ago
48,11 €
Elujay - A Constant Charade LP

Mit ,A Constant Charade" nimmt der Künstler und Produzent Elujay aus Oakland die Maske von seinem facettenreichen, genreübergreifenden Schaffen ab. ,Einer der talentiertesten Singer-Songwriter der Bay Area" (Hypebeast) gibt sein Solo-Debüt beim kunstorientierten Indie-Label drink sum wtr mit einer risikofreudigen LP, die auf fast ein Jahrzehnt einzigartiger Arbeit in der zeitgenössischen Pop-Landschaft folgt. Er sieht seinen Stil als eine Fusion unerwarteter Einflüsse: R&B gemischt mit Rhythmen aus Yacht Rock, Sophisti-Pop, Dancehall, Al Jeel, Lovers Rock und den Klängen seiner trinidadischen Wurzeln. ,A Constant Charade" ist eine dynamische Sammlung, die von Verletzlichkeit und Ehrgeiz geprägt ist. Die Themen berühren soziale Signale, Verhaltensmuster und die Art und Weise, wie wir uns anderen gegenüber verhalten, ,einfach beobachten, wie ich mich fühle, wenn ich unter Menschen bin", sagt er. "Ob ich nun den Code wechsle oder mich anders verhalte ... wir alle tun das, es ist eine Farce." Mit seinem charakteristischen Gesang und den bisher stärksten Arrangements, zusammen mit einer Reihe von Mitwirkenden und Co-Produzenten, durchbricht Elujay die Spielchen, um echt zu sein. Aufgenommen an verschiedenen Orten über einen Zeitraum von drei Jahren, krönt "A Constant Charade" ein bahnbrechendes Jahr 2025, das mit der zweiten Folge von GEMS IN THE CORNERSTORE von JEMS! begann, seinem von dsw unter Vertrag genommenen Projekt mit J. Robb. Wie GEMS lehnt sich das neue Album stärker an den Einflüssen karibischer Musik und Leftfield-Elektronik an, von Dance bis Ambient und einem Dutzend Stilrichtungen dazwischen. ,Ich denke, es ist wichtig, einfach zu erkennen, dass diese Leute, mit denen man zusammenarbeitet, den neuen Sounds, die man entdeckt, eine gewisse Glaubwürdigkeit verleihen", sagt Elujay. Er schreibt einen Großteil der nostalgischen Qualität von "A Constant Charade" Nicholas Creus zu: ,Er ist Jazzgitarrist und ein großer Fan von The Police und Yacht Rock, er ist einfach überall auf diesem Album zu finden." Ebenso wie den langjährigen Mitstreitern Martin Rodrigues, Jaden Wiggins und Ben Yasemsky, die Elujay seit seiner Kindheit kennt. ,Benji ist einfach ein stiller Killer, ein großartiger Gitarrist, Produzent und Finisher, der immer in letzter Minute alles aufräumt." Wenn es um die Zusammenarbeit mit anderen geht, ,habe ich kein Ego, es geht nur darum, dass die beste Idee gewinnt. Letztendlich geht es um die Menschen, wir wollen einfach nur die bestmögliche Musik machen."

pre-order now23.01.2026

expected to be published on 23.01.2026

23,49 €
DeadHeads, Mandidextrous, Matt Scratch - The Descent

Limited to 250 copies !

The Deadheads had never had much luck with spaceships. Their first mission had ended in a catastrophic engine failure, leaving them adrift in deep space for weeks. This time, their craft was hardly more reassuring. A hodgepodge of outdated technology and shoddy repairs made it more of a floating death trap than a reliable cruiser. As they began their descent toward the strange planet, the hull creaked and rattled, sending a wave of dread through the crew.

"Hold on," Matt's voice crackled over the intercom, without much conviction, as if he himself doubted they would make it out alive. Outside, a thick, grayish atmosphere swirled ominously, while the planet's gravity became far stronger than anticipated.

“Fuck, we’re gonna burn at the entrance!” M yelled, his hands flailing on the console as sparks flew from the control panel. The ship’s sensors were completely jammed, and the navigation system flickered intermittently, like a dying light. Below, the planet’s surface was a tangle of lava rivers and jagged rock formations, the kind of place no sane person would ever land. But the Deadheads had never pretended to be. They lived in a state of constant emergency.

As the descent intensified, the alarms blared. On the bridge, the screens lit up with red warnings and flashing messages: "SYSTEM ERROR," "UNSTABLE TRAJECTORY," "SUIVITY SYSTEM COMPROMISED." The lines of code scrolled by too quickly to be read, while a mechanical voice repeated relentlessly: "Imminent impact. Structural integrity at twenty percent."

The once pristine shell of the vessel began to disintegrate, with shards of metal breaking away and disappearing into the atmosphere.

With a final, piercing screech, the ship crashed onto the planet's surface, sending up a cloud of dust and debris. The crew was violently thrown from their seats, stunned but barely alive. They struggled to their feet amidst the wreckage, the ship reduced to a charred shell around them.

"Well," M said, wiping the dirt off his suit with a grimace, "at least the air is breathable." Matt scanned the hostile expanse stretching before them and smiled slightly. "Perfect. Let's hope we have better luck with the planet than with our ships."

With that, the Deadheads gathered their equipment and headed into the unknown, while the remains of their ship slowly sank into the unstable soil of the planet.

out of Stock

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Last In: 7 months ago
19,75 €
Langkamer - No LP

Langkamer

No LP

12inchBR081LPW
Breakfast Records
22.01.2026
  • 1: Crocodile Clock
  • 2: Babe Pig In The City
  • 3: The Summer That I Hit The Wall
  • 4: Easterly
  • 5: The Gates
  • 6: Neck
  • 7: Crows 03:0
  • 8: Deansgate
  • 9: Billy
  • 10: Split The Difference
  • 11: Goodnight Zoo

“Innovative, hooky and full of depth” - Far Out Magazine

“Songs that lodge into your brain in the opening ten seconds” - Brooklyn Vegan

“Breezy, melodic… a clear ear for a hook” - UNCUT

“Playful and unexpected, emotional but not overstated” - CLUNK

‘Crows’ is the new single from Bristol’s Langkamer and the first to be revealed from their new album ‘No’, which is due for release on 22nd January 2026. Their fourth album in as many years, ‘No’ saw the prolific band taking to the mountains at the invitation of veteran producer Remko Schouten (Pavement, Personal Trainer, Bull). The much loved Bristol band holed up for a week in the wilds of Southern Spain at his brand new Zarzalico studio. Over a week, under the Murcian heat, they laid down the perfectly formed eleven tracks that make up ‘No’.

Since the band’s conception, Langkamer have worked out of anywhere affordable and available, whether it be the basements of renowned venues (‘West Country’, ‘Red Thread Route’, ‘Langzamer’) or secluded cottages (‘The Noon And Midnight Manual’). Over the years, their frenetic pace and quality of writing has earned them fans across the world, plaudits at UK media, and built an ever-growing musical community around them - not least via Breakfast Records - the independent label that is home to Getdown Services - formed by Langkamer’s Dan Anthony and Josh Jarman in 2006 alongside acclaimed singer-songwriter Jasmine 4.T.

To call Langkamer ‘your mid-level indie bands favourite mid-level indie band” sells them short. They have always scraped by on irregular incomes, plagued both by daily financial pressures and the occasional cash sinkhole so well known to any musician in the current impossible climate. Once Schouten offered to host them at his new studio (Zarzalico), they couldn’t refuse. A relentless recording schedule found the group only breaking for the daily long lunch and to occasionally fire an airgun across the hills. If the last half a decade had been a pressure cooker of constant touring and recording, their brief time in the remote Zarzalico could not have been more symbolic. Lead single ‘Crows’ perfectly captures this nervy balance and is a wiry slice of atmospheric proto-punk, drawing from the shadows of the late-70s UK landscapeit also defies these conventions, striking an anthemic chord from beginning to end. From the scaling chromatic guitars at the breakdown, to the final chants of ‘suffer’ and ‘struggle’, there’s a loud desperation and defiance to ‘Crows’ that lends it an unparalleled urgency. As singer/drummer Josh Jarman states:

“Crows is a song about the crazy shapes we contort ourselves into trying to create art in the era of late-stage capitalism. Working a thousand jobs. Writing songs with the left hand while writing emails with the right hand. Your day is already doomed the moment you open your eyes. Everything’s a bad omen.”.

With ‘No’ arriving early next year, ‘Crows’ is the perfect introduction to Langkamer, a band that has only taken new bold steps with each release, always hiding a keen experimentalism behind a charming hook. It is also the surest sign yet that they are ready to step up, and take on the road once again vision unclouded.

pre-order now22.01.2026

expected to be published on 22.01.2026

27,69 €
PS95 - LORELTD013: PS95

PS95

LORELTD013: PS95

12inchLORELTD013
Western Lore
22.01.2026

Experimental tape loop jungle from Oxford’s Battery Operated mad scientist duo. Deep, sumptuous hazy textural loops (with a slammer of an A1) driven by heavyweight percussive bliss. Supported regularly by Dead Man’s Chest on SWU/Kool FM

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Last In: 8 months ago
12,19 €
Death Is Not The End - Skateland Soundtapes, 1980-1986 (TAPE)

Death Is Not The End turns 10 years old in May, and as part of the celebrations are committing a selection of DINTE NTS Radio shows from over the years to cassette. Kicking off with the recent special Skateland Soundtapes, 1980-1986 - comprising a selection of clips from sessions held at Halfway Tree, Kingston's most storied roller skating rink during the dancehall era's golden period of the early to mid/late 1980s.

Audio sourced with the indefatigable efforts of the Who Cork The Dance crew - big thanks going out to Jayman, Ruff House, Keimo, Omar, Gee Wizz and the one Jah Humble.

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Last In: 8 months ago
16,39 €
Various - River of Revenge: Brazilian Country Music 1929-1961, Vol. 2

The second volume in Death Is Not The End's survey of a form of Brazilian country music known as música caipira ("hillbilly music") - a stripped-back forerunner to música sertaneja, the Brazilian equivalent to US country & western which in it's contemporary form has come to dominate the domestic music industry in recent decades. This collection covers some of the earliest recordings made by the pioneering folklorist Cornélio Pires at the end of the 1920s, through to records from the 30s, 40s & 50s and the beginning of the 60s.

Somewhat rooted in Portuguese troubadour folk traditions, música caipira is typically performed by a duo singing in parallel thirds and sixths, drawing upon a Portuguese-Brazilian style known as moda de viola - with the viola being the viola caipira, a Brazilian-style ten-string guitar that is the core instrument of the music. Born out of the "outback"-style region in north-eastern Brazil, these songs tell stories of pain, love, loss & betrayal - often backed by homemade guitars using invented tunings. Away from the polished pop country & western-stylings of the sertaneja, these recordings could be viewed as the Brazilian equivalent to the roots music of the American dustbowl or Appalachia.

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Last In: 3 months ago
15,08 €
Various - Klassinen Suomalainen Punk Kasetti (Finnish Punk Rock 1978-1980)
  • 1: Track
  • 1: Track 2
  • 1: Eppu Normaali – Poliisi Pamputtaa Taas
  • 2: Hassisen Kone – Hassisen Kone
  • 3: Hassisen Kone – Kolumbia Orkesteri
  • 4: Hurskas – Isänmaa Huumaa
  • 5: Hurskas – Sätkyihminen
  • 6: Karanteeni – Haluan Toimintaa
  • 7: Kollaa Kestää – Musti, Sotakoira
  • 8: Lapsuuden Loppu – Tämän Yön On Tää Kylä Meidän
  • 9: Loose Prick – Mua Potkitaan Päähän
  • 10: Mopot – Erilainen Tyttö
  • 11: Mopot – Pellinen, Pöhköläinen Ja Pähkinä
  • 12: Nauta – Onko Suomi Vapaa Maa
  • 13: Nauta – Mä Meen
  • 14: Neuroosi – Rock Against Seija Isonsaari
  • 15: Pelle Miljoona & 1980 – Helsinki
  • 16: Pelle Miljoona & 1980 – Automaatti
  • 1: Problems? – Ei Tää Lama Päähän Käy
  • 2: Pupukuusikko – Kilpa-Auto
  • 3: Ratsia – Ole Hyvä Nyt
  • 4: Ratsia – Lontoon Skidit
  • 5: Sensuuri – Termiitti
  • 6: Sensuuri – Ydinvoimää
  • 9: Systeemi – Systeemissäkö Vika?
  • 10: Systeemi – Punk Nuorisoo
  • 11: Teurastamo 5 – Vanhat Jarrut
  • 12: Tv n Orjat – Terve Hullus
  • 13: Tv n Orjat – Tavallinen Ihminen
  • 14: Tyhjät Patterit – Tässä Ja Nyt
  • 15: Tyhjät Patterit – 22
  • 16: Vaavi – Mitään
  • 17: 1978 – Elektroninen Xtaasi
  • 18: Problems? – Koko Yö
  • 19: Widows – Overscrupulous
  • 20: Widows – Age Doesn't Mean A Thing
  • 21: Ypö-viis – Energia On A Ja O
  • 22: Ypö-viis – Kaupunki Muistaa Nuoria
  • 7: Stalin – Me Ollaan Stalin
  • 8: Stalin – Ei Kiitos
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Last In: 8 months ago
16,39 €
Heavenly - Tragic Tiger's Sad Meltdown

Tragic Tiger's Sad Meltdown is Heavenly aka Tiger Hutchence-Geldof's debut album of sorts, cut from cassette tapes of rehearsals mixed with snippets of field recordings. Recorded with contributions from Nicholas Allbrook (Pond), Scarlett Stevens (San Cisco), India Rose & Jacob Diamond.

"I made this cassette in the living room of our house in Fremantle, a seaside town in Western Australia. I had always been shy to sing with others but moving across the world and my ex-boyfriend Nick had given me some bravery. Something about living closer to nature meant I felt creative and open hearted. It was as if the wide open landscape of Australia had finally given my heart enough space to open properly. The recordings are actually just recordings of our rehearsals, I never feel set in how song is meant to be so they usually just come out of me in the moment. My friends playing along with me are luckily all very empathic players and we found a way to play with one another without any structure or plan. It was really moving to create with so much freedom and understanding. Most of the songs are about my sister Peaches who I lost as a teenager so singing them aloud felt very potent but my band always made me feel held"

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Last In: 8 months ago
6,68 €
Various - Alabaos y Gualíes: Dirges and Funeral Rites in the Afro-Colombian Pacific MC (TAPE)
  • 01: Andagoya - Juana
  • 02: Docordó Infantil - Allá arriba
  • 03: Bojayá Resistencia - Padre misericordia
  • 04: Andagoya - Levanten la tumba
  • 05: Docordó - Yo sembré mi mata
  • 06: Tadó - El reloj
  • 07: La Encharcazón - Buenas noches mis dolientes
  • 08: Dipurdú - Despierta mortal despierta
  • 09: Andagoya - El alma se va
  • 10: Docordó - Tío Pacho
  • 11: Docordó Infantil - Repicaron las campanas
  • 12: Tadó - Un sábado de mañana
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Last In: 8 months ago
16,39 €
Dark Tranquillity - Live Damage (2x12")

It's taken over two decades, but at last, the wait is over: Sevan Mater has unleashed the first- ever vinyl pressing of Live Damage , the iconic live performance by DARK TRANQUILLITY, captured during their "Damage Done" era. Pressed on Gold and Black swirl vinyl, limited to just 500 copies, and housed in a stunning gatefold cover, this reissue is nothing short of melodic death metal heaven. Originally released in 2003 as a DVD, Live Damage immortalized one of DT 's most intense and electric live shows - recorded in Krakow, Poland. Now, for the first time ever, that raw energy, that iconic Swedish aggression, and that perfectly balanced blend of melody and brutality has been etched into vinyl grooves for audiophiles and collectors alike. From the soaring leads of The Treason Wall to the punishing drive of Final Resistance, every track explodes with clarity and presence on wax.

The vinyl mastering brings new warmth and immediacy to the performance, giving fans the closest thing to being there, without the sweat and flying beer. And the packaging? Absolutely elite. Sevan Mater delivers a luxurious gatefold, featuring rare tour photos, liner notes, and an aesthetic drenched in cold, melancholic elegance. If you're a fan of At The Gates, In Flames, or if Damage Done was the soundtrack to your early 2000s fury, this release is a must-own. More than just a live album - it's a time capsule of melodic death metal at its peak.

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Last In: 8 months ago
35,08 €
Various Artists - Elders of the Begena LP 2x12"

Fantastisches Album mit 12 Liedern der Begena-Musiker Tafese Tesfaye, Admassu Fikre, Seyoum Mengistu und Alemu Aga. ""Die Begena ist eines jener seltenen Musikinstrumente, das seit über 5800 Jahren existiert. Faszinierend an ihr ist nicht nur ihr Alter, sondern auch die Tatsache, dass sich ihre Herstellung und ihr Verwendungszweck über all die Jahre hinweg nicht verändert haben. ... Während des Derg-Regimes, nach dem Sturz von Kaiser Haile Selassie, wurde sie nicht mehr als wichtig erachtet. ... Aber besonders in den letzten 15-16 Jahren hat es eine Renaissance erlebt. Es gibt viele, meist junge Begena-Spieler, von denen ich über 500 Schüler unterrichtet habe. Es gibt auch Begena-Bauer, die das Instrument für neue Schüler bauen. Das Interessante an diesem Instrument ist, dass die Musik, der Klang, der aus diesem Instrument kommt, die besondere Kraft hat, Menschen zur Konzentration, zur Ruhe und zum Nachdenken zu bewegen. Das ist eine besondere Qualität. Man muss kein Äthiopier sein, jeder kann es hören, es wird ihn automatisch zur Ruhe und Konzentration anregen."" – Alemu Aga (aus einem Interview mit Pit Budde für den WDR, Köln, 2008)

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Last In: 8 months ago
29,20 €
Reedale Rise - Doing Regular Things

2025 Transparant Magenta vinyl

Our personal mental health worker Reedale Rise is serving us his sweet medical blend of high hanging fruits. Making sure to keep La Familia Frustrada from going insane..

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Last In: 5 months ago
14,08 €
Mark Vernon - The Dramaturgy of Decay LP

Step into the ethereal soundscape of Mark Vernon's LP, "The Dramaturgy of Decay." Reminiscent of early fears surrounding recording technology, the album explores ghostly voices, distorted and elusive. Vernon's sonic cinema mirrors the decay found in ruined films, capturing the essence of disappearing places and voices. Amidst themes of death and environmental destruction, the album maintains a delicate balance with humor and familiarity. Through snippets of reworked audio letters, it unveils a soundscape of forgotten moments, extracting life from the transient. "The Dramaturgy of Decay" is a beautifully haunting reflection on time through sound--an otherworldly musical experience for the present.

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Last In: 8 months ago
21,43 €
Death Cult - Paradise Now LP 2x12"
  • 83: rd Dream
  • Christians
  • Gods Zoo (These Times)
  • Brothers Grimm
  • Ghost Dance
  • Butterflies
  • A Flower in the Desert
  • Resurrection Joe
  • Horse Nation
  • Go West
  • Hollow Man
  • Dreamtime
  • Spiritwalker
  • Rain
  • Moya
  • She Sells Sanctuary

Vier Jahrzehnte nach ihrer Gründung schreiben Ian Astbury und Billy Duffy ein neues Kapitel in der Geschichte von The Cult. Gemeinsam mit John Tempesta (Bass) und Charlie Jones (Schlagzeug) ließen sie 2023 ihre legendäre Frühphase Death Cult für eine exklusive Konzertreihe wieder aufleben - eine Hommage an die Ursprünge einer der einflussreichsten britischen Rockbands der 1980er-Jahre. Das Ergebnis dieser intensiven Rückkehr erscheint am 16. Januar 2026 unter dem Titel "PARADISE LIVE" - ein 16 Songs starkes Live-Album, aufgenommen am 18. November 2023 in der ehrwürdigen Albert Hall in Duffys Heimatstadt Manchester. "PARADISE LIVE" erscheint als Doppel-LP im exklusiven "Black on White"-Splatter-Design, auf CD sowie digital. Das edle Artwork zeigt ein schwarz auf schwarz geprägtes Schmetterlingsmotiv - entworfen von Ian Astbury und kunstvoll neu interpretiert von Carter O"Sullivan (Beggars Art Department). Die Black-Splatter-Edition ist ausschließlich über den Band-Webshop erhältlich, während die White-Splatter-Edition im regulären Handel erscheint. Der Weg von The Cult begann 1981 mit Southern Death Cult, deren gleichnamiges Album posthum 1983 erschien. Noch im selben Jahr gründeten Astbury und Duffy Death Cult - der Beginn einer kreativen Partnerschaft, die seit über 40 Jahren Bestand hat. Bereits 1984 entwickelte sich daraus The Cult, die im selben Jahr ihr gefeiertes Debüt "Dreamtime" veröffentlichten. Mit "PARADISE LIVE" schließen Astbury und Duffy den Kreis - ein intensives, authentisches Live-Dokument, das Vergangenheit, Gegenwart und Zukunft einer außergewöhnlichen Band miteinander verbindet.

pre-order now16.01.2026

expected to be published on 16.01.2026

40,55 €
Lucy Liebe - Deadline Season LP
  • A1: Tshau
  • A2: Lonely (feat. Giaa)
  • A3: Mortal Minds (feat. Laiz & Pachakuti)
  • A4: New Stuff Love Song
  • A5: Figures of Past Tense (feat. Rosa Landers)
  • A6: Bae47 (Arabesque)
  • B1: We Do (feat. Aka Kelzz)
  • B2: The Good Life (feat. Coco Elane)
  • B3: Rough Time
  • B4: Garden Studio
  • B5: Take Me Home (feat. Laiz)
  • B6: Your Safety Is Too Big An Effort (feat. garrrog)
  • B7: Like The Leaves

„Deadline Season“ ist das Debütalbum von Lucy Liebe. Einigen könnte sie bereits als Gründungsmitglied von Bokoya sowie durch Konzerte mit douniah und Gianni Brezzo bekannt sein. Lucy ist Multiinstrumentalistin: Sie spielt Schlagzeug, Keys, Flöte, Trompete, Gitarre und Bass – und singt. Unterstützung erhält Lucy zudem von Sänger*innen AKA Kelzz, Coco Elane, garrrog, Giaa, Laíz und Rosa Landers sowie Trompeter Pachakuti.

Das Album entstand nach Lucys Umzug von Köln nach Berlin. „Ich war neu in der Stadt und wusste, dass ich nicht einfach weitermachen wollte wie zuvor", erinnert sie sich. „Also wurde ich sehr aktiv: habe Leute angeschrieben, Ordner mit Beats verschickt, Kontakte geknüpft. Parallel bewarb ich mich bei verschiedenen queeren Organisationen auf Forschungsstellen – ohne Erfolg. Was aber klappte, war eine Albumförderung. Und ich hatte ohnehin schon viel Material in Arbeit. Die meisten Songs sind während Sessions von Grund auf entstanden, mit Gästen, mit denen ich mich einfach treffen und gemeinsam etwas Neues schaffen wollte."

Musikalisch bewegt sich Deadline Season in viele Richtungen, bleibt dabei aber immer punktgenau und zu 100 Prozent Lucy Liebe. „Ich nenne es gerne Alternative R&B – vielleicht die 2025er-Version von Neo-Soul? Meine Jazz-Einflüsse sind auf jeden Fall noch da."

pre-order now16.01.2026

expected to be published on 16.01.2026

20,80 €
J:Kenzo - Taygeta Code Remixes Pt. 3

The third instalment of the remixes from J:Kenzo's album 'Taygeta Code' sees four killer producers take on each remix in their own unique style across the 140 bpm spectrum.

BOYLAN (Sentry / Mean Streets) leads the dance with his 140 bpm jungle / breaks flip of 'Like A Hawk' which features vocals by the mighty FLOWDAN. Bringing the heat in heavy and devastating fashion!

MANI FESTO (Rupture / Club Glow) steps up with his electro breaks remix of the modular dance floor heater 'Deadbull', with filtered breaks and a high energy bounce.

Canadian dubstep producer MYTHM (Artikal / Wheel & Deal) delivers his heavyweight remix of album highlight 'Narky'. The Vancouver native flips the groove and levels up the energy bringing additional heat to his version.

The final remix is from UNKEY (Foto Sounds) who takes on the album opener 'Desired State'. Unkey turns the air dark, strips back the vibe and uses sub heavy minimalism to inject a feeling of dread throughout his remix to put a stamp on the finale covering 4 corners of the world of Dubstep and 140 music.

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Last In: 8 months ago
12,56 €
Nat King Cole - Penthouse Serenade LP
  • 1: Penthouse Serenade
  • 2: Somebody Loves Me
  • 3: Laura
  • 4: Once In A Blue Moon
  • 5: Don't Blame Me
  • 6: Little Girl
  • 7: Laugh! Cool Clown
  • 8: Polka Dots And Moonbeams
  • 9: Down By The Old Mill Stream
  • 10: If I Should Lose You
  • 11: Rose Room
  • 12: I Surrender Dear
  • 13: It Could Happen To You
  • 14: I Surrender Dear

[n] 14 I Surrender Dear [alt. Tk.

pre-order now16.01.2026

expected to be published on 16.01.2026

20,97 €
Nightbus - Passenger LP

Nightbus

Passenger LP

12inchMELO146LP
Melodic
16.01.2026
  • Somewhere, Nowhere
  • Angles Mortz
  • False Prophet
  • Fluoride Stare
  • The Void
  • Ascension
  • Just a Kid
  • Host
  • Landslide
  • Renaissance
  • 7: am
  • Blue In Grey

2026 Repress

Flickering in ultraviolet, there is an elusive place where blue pill meets red, ups become downs, and day merges with night. Those liminal spaces where anything is possible is where you’ll find Nightbus and their hypnotic debut album Passenger. Doom, uncertainty, and opportunity lurk in the shadowy corners of their murky existence with stops at disassociation, co-dependency, and addiction before reaching its final destination - a glimmer of hope.

The in-between of Nightbus’ own Gotham lies where Manchester’s city pulse meets Stockport’s outer realm. An audio-visual entity formed among a musical family of friends, freaks, and foes in messy mills and after hours on dancefloors alike, their sound bleeds from tension where collective creative forces are bound together and collide with the fallout of being torn apart. Before even playing a show, their So Young released single ‘Mirrors’ – a knowing nod of respect to some well-known gloomy Northerners - may have made old school indie heads shimmy at shows in Salford’s The White Hotel but also signalled the duo’s knack for offering listeners a Bandersnatch approach to hitchhiking their own personal Nightbus in whatever direction they choose to take. “Everyone can have their moment with our songs; the music is our response to who we are as young people, living in the city full of this energy right now,” they say.

Whilst reverb hefty melodies and dread-filled loops embody isolation from writing at each of their home studio set-ups, magic happens in the ether across 90s trip-hop, indie sleaze and electronica; Jake’s production layers Olive’s pop sentimentality with drums and samples whilst tales of a cast of faceless characters place Olive as puppet master; her severed self’s perspective manipulating their stringed limbs at arm’s length to see how their stories play out when scenes reflecting her own lie close to the bone. “It’s a bit fucked; like having this out of body experience with a made-up movie running through my head,” she says. “As I write I can see they’re all from a similar world, but they allow me to explore different feelings without giving away part of myself.”

Recorded at The Nave in Leeds with producer-engineer Alex Greaves (Heavy Lungs, Working Men’s Club), surprise and danger lies in every crevice. Brooding whispers turn to chants on 6-minute opus ‘Host.’ Improvised when performed live, its immersive shift in tempo leads to hefty dub courtesy of Jake’s pedals. Even then, you won’t know shit’s hit the fan until its mid-point reveal when ominous bass blasts a thunderous soundtrack as its protagonist defiantly walks away after committing the perfect crime. “It makes you wait, and more songs should have sirens,” Olive grins.

Leaning deeper into alter-egos via the video game-psychological horror of a Silent Hill dystopia, the band’s Fight Club moment ‘Angles Mortz’ turns its literal translation of death angles on its head as it reflects upon kink and internalised shame reincarnated as pride. Elsewhere the ice cool ‘Landslide’ is a Requiem for a Dream about the addiction of being in a band; ‘The Void’ explores co-dependency and estranged relationships; and carefully selected samples revive house track ‘Just A Kid’ from the band’s early incarnation. Passenger’s every direction is to face challenges head on. “That is what’s so great about horror; you can see through predictable patterns so when the unexpected occurs it's more realistic and uncomfortable… I want to own the dark stuff!”

As for Passenger’s first single, the pulsating ‘Ascension’ is a spiralling deep dive into death, suicide, and legacy around who or what we leave behind. A noughties club banger by way of NYC beats - ergonomically designed for those who like to stay out a little too often and too late - it throbs like a house party’s partition wall as the literal levelling up undergoes a neon transformation; blue glitching to pink, diffusing the white construct of the Nightbus Matrix. “It really does feel like the end of something and was purposely written that way,” they say, “the ascension is like a firework going off!”

With wheels in motion, Nightbus has become a movement surpassing sonic realms. Between shows from Porto to Brighton taking in The Great Escape, Rotterdam’s Left Of The Dial and Paris’ Supersonic; DJing; remixing; guesting (BDRMM’s Microtonic album); and even enlisting talented like-minds to craft a 3-part queer coming-of-age music video series which ties in with a new ‘hyperpop’ phase in the evolution of their popular Nightbus Soundsystem club night, heads are now being turned from sports brands to high-end fashion designers. “There are things we can’t reveal just yet,” tells Olive, “but we’re excited about the direction this beast we’ve created is heading.” As the album philosophises and asks one ultimate question; what does it truly mean to be ‘Passenger’? Nightbus may not claim to offer a definitive answer, but it might make you feel a bit better about those demons.

pre-order now16.01.2026

expected to be published on 16.01.2026

22,27 €
Bloodred Hourglass - We Should Be Buried Like This LP
  • A1: The Crown Is Permanent
  • A2: We Should Be Buried Like This
  • A3: Royally Done
  • A4: Chasing Shadows
  • A5: Dance Of The Dandelions
  • A6: God Has Favourites
  • B1: Mirage
  • B2: Frail
  • B3: Shun The Limelight
  • B4: Vividus

Ltd. Orange Vinyl Finnish powerhouse Bloodred Hourglass (BRHG) return with their seventh studio album “We Should Be Buried Like This”, a bold and unrelenting statement from a band that has steadily evolved into one of the most commanding forces in modern death metal. Hailing from Mikkeli, BRHG have long stood out for their ability to merge the ferocity of thrash and groove metal with the immersive soundscapes of metalcore, alternative metal, and melodic death. Their music is as dynamic and emotionally resonant as it is heavy and entertaining - a mix that has earned them critical acclaim, a devoted international fanbase, and a reputation for explosive live performances. On “We Should Be Buried Like This”, the band takes their darkest, most unfiltered turn yet. Described as “a work of end-time songs,” this album does not aim to comfort or explain. It’s a raw, confrontational piece built around the slow erosion of hope, the fading of love, the repetition of generational mistakes, and a world defined by self-obsession, disconnection, and indifference. “There’s no pleading, no sugarcoating,” the band explains. “We’re not here to prove anything. This is an album born from an urgent drive to rip things open and say them as they are.” Musically, “We Should Be Buried Like This” is the most aggressive and straightforward album BRHG have ever crafted, yet it never loses sight of the unmistakable melodic power that defines their sound. With searing riffs, explosive energy, and sweeping emotional depth, the album pulses with intensity from start to finish. Guest appearances and fresh sonic elements are woven throughout, yet the band remains firmly rooted in the signature style they’ve spent years perfecting.

pre-order now16.01.2026

expected to be published on 16.01.2026

21,22 €
Phara - The Great Attractor EP

2026 Repress

Belgian based Phara makes a huge debut on Soma with The Great Attractor EP. With his fast, raw and energetic sound, Phara's ascent has been quick off the mark and this latest release has the young producer stretch himself farther with cleverly produced and exciting tracks. UK Techno don, Setaoc Mass backs up this already masterful EP, lending his own prowess to the title track.

Great Attractor leans on 90s, spaced out techno vibes as fast paced 909s fire against the backdrop of rapid, modulating synths. Setaoc Mass' remix comes up next, offering a deeper more restrained affair. However, as usual, the adept nature of his productions deal out devastating effect. On the flip, Mission 3,2,1 delves into dubbed out synth work whilst retaining drive and groove. Further dub explorations are found on closing track The Andromeda Manoeuvre. Spacial synth work and atmospherics ebb and flow as Phara's hard hitting and relentless percussive work deals the final blow.

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Last In: 11 days ago
10,88 €
Monsieur Van Pratt / Discogram - Manufatti Vol 2

Monsieur Van Pratt / Discogram

Manufatti Vol 2

12inchDMR008
Disco Mind Italy
16.01.2026

Disco Mind Records impressed everyone with its first EP and now it deals with the pressure of coming back with a second in fine fashion. This one is perfect for warm days and summer nights as it offers four high-impact and gloriously feel-good Brazilian and disco edits all pulled off to perfection. New young talent Brother Julian kicks off with a peak time and groovy burner, then disco don Romand Truth goes a little more deep and smooth with his seductive sound. Delfonic offers the percussive Latin grooves of 'Nada is Going to Change' and 'Grito de Guerra' is another upbeat open-air rhythm.

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Last In: 3 months ago
14,08 €
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