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From the heart of Tokyo, Kasmisou emerges with its debut vinyl release, Fleur by Taiga Tokunaga. A label built on the pursuit of functional beauty in dance music, Kasmisou embraces subtlety, detail, and emotional precision.
Fleur is a timeless 12″ designed for selectors who value both warmth and clarity. Across its grooves, Tokunaga blends delicate deep-house textures, fluid micro-house rhythms, and elegant breakbeat atmospheres. Each track unfolds like a living space, organic, balanced, and quietly radiant.
This record captures the refined minimalism of Tokyo’s underground scene while carrying a universal pulse that transcends borders. A vinyl built to stay in your bag, adaptable to any time slot, yet always leaving its mark.

Lost Gospel Gem - Exitiment "Rap For Jesus" by Columbus Native Kenneth Jordan Rediscovered Nearly 40 Years Later

Columbus, GA — In the late 1980s, Columbus native Kenneth Jordan was such a powerhouse on the local music scene that talent shows had to rewrite their rules. His voice was so captivating (and his wins so frequent) that some claimed the competitions were rigged.

Jordan, deeply rooted in the city's thriving R&B circuit, eventually turned his creative energy toward faith-based music. Teaming up with several local musicians, he recorded "Excitement (Rap For Jesus)", a gospel-infused rap track that aimed to connect with a younger audience enthralled by the sound of hip-hop. His goal was simple: to give youth something uplifting to rap about and listen to.

In 1985, following a personal health scare and a period of reflection, Jordan transitioned from R&B to gospel music. "I took it as a sign from above that it was time to make a change," he later shared. Though his lyrics found new purpose, his signature soulful style remained unchanged.

Fast forward to December 2022 in Little Rock, Arkansas, where record collector and producer Brian Sears stumbled upon a well-loved copy of "Excitement (Rap For Jesus)" while purchasing over a thousand vinyl records from the trunk of an SUV in a Lowe's parking lot. Struck by the track's energy and message, Sears went into "detective mode" to uncover the story behind the voice—and the man—on the record.

Today, Kenneth Jordan continues to share his gift with his community, leading spirited performances every Sunday at his local church in Columbus. Nearly four decades later, his music and message still resonate with the same joy and conviction that first made him a hometown legend.

US label Lovers Rock Recordings is back with more sophisticated soul sounds from bona fide legends. There is no deep digging involved for the source material here, but that's not to say the results aren't still essential. First up are the beautifully horizontal grooves of 'Hang Onto Your Love (instrumental)' with dancing keys adding a little playfulness up top and syrupy bass melting the heart from below. On the flip is 'No Ordinary Love (instrumental)' which is an even more slow, immersive sound with gloppy bass and drawn out chords all slowing time and softening reality. No brainers for late night lovers.

After years of shaping the UK underground from behind the scenes, Alex Nut steps out with his first official solo EP, serving up an intoxicating blend of Spiritual Jazz, Deep House, Dub, Hip Hop and analog electronics. The Present Under Construction EP is rooted in a deep musical language and future-facing energy, it captures a moment of creative transformation and exploration.
Built up over a few years from rough sketches made on an old MPC2000XL, the tracks were revisited, reshaped and eventually brought to life in the studio with longtime friend and collaborator Sam Crowe (Cleo Sol, Lianne La Havas). Together, they added a range of analogue sounds using the Dave Smith Prophet Rev 2, a Fender Rhodes, and a Moog Sub 37. Those recordings were then chopped, resampled, and restructured into the versions you hear on the record today. The records lead track 'andthenitstarted' features saxophonist James Mollison (Ezra Collective, Nala Sinephro) and includes remixes from Detroit House legend Patrice Scott and fellow Eglo Records alumni Last Nubian.

Best known as a DJ, broadcaster, curator and co-founder of Eglo Records, Alex has spent over a decade championing soulful underground music, through fabled Radio shows to legendary club nights, his fingerprints are all over a scene that continues to evolve. Initially making noise alongside the likes of Floating Points, Steven Julien, and Fatima, Alex Nut has long been a cornerstone of the UK's soulful underground. His work continues to champion the evolution of Jazz, Soul, House, and Broken Beat — nurturing a generation of artists now reshaping the global soundscape.

Following the acclaimed reissue of Sa Discossa earlier this year, Jo Tongo's third solo album Those Flowers returns to the spotlight.

Originally released just a year and a half after Sa Discossa, this 1982 gem came out on the small Context label and, in Tongo's own words, the two records are "like twins." Recorded with many of the same musicians, Those Flowers continues the vibrant fusion of disco-funk and reggae - this time dedicating one side to each, leaning slightly more into his Western influences.

But there's more than groove beneath the surface. Tracks like "People Need Peace" and "We Human Beings" channel his enduring themes of resistance, identity, and freedom. The synthesizer at the beginning of the song mimics the ominous drone of warplanes, and lyrics speak directly to global struggles - reminders that his music is both deeply personal and powerfully political. "I paid for these ideals in my career," Tongo reflects, alluding to the personal costs of his outspoken stance against colonialism and injustice.

Still, Those Flowers carries joy at its heart. Songs like "Ain't No Man Like A Real Friend" celebrate trust and loyalty, while the title track offers a tender ode to love and kindness - "picking flowers from the soul," as Tongo puts it. These songs reveal the inner world of a man who has always viewed music as a mirror of life.

This reissue marks the second installment in the African Edge series from The Outer Edge label. Fully restored and remastered, Those Flowers is now set to bloom again - another vital chapter in the legacy of Jo Tongo.

British-Brazilian jungle artist Janaway announces his brand new EP International Luv via Up Ya Archives Records.

‘50/50 Vision’ is the defining statement of Janaway’s upcoming EP, a single that captures the project’s full essence in one. Blending pulsing jungle rhythms with the rich textures of Brazilian vocals, together, with his UK-centric underground lens, he creates this rolling, dancefloor-ready track that bridges continents and culture.

The title, a play on “20/20 vision,” reflects Janaway’s experience as a dual-heritage artist who views each of his cultures from a balanced perspective. This sense of duality runs throughout his work, expressed through a distinctive fusion of sounds, stories, and collaborations that mirror his own world. The accompanying visuals deepen this connection, featuring Janaway alongside his collaborators and friends, not only adding a personal and authentic layer but providing a snapshot of the community that shapes his music.

‘50/50 Vision’ is a collaboration with two incredible artists that represent each side of his heritage. MC Tchelinho’s (Rio’s Heavy Baile collective), dynamic flow injects raw Brazilian energy and is enhanced by Arinola’s signature mix of UK funk and Ragga vocals which layer in an infectious groove. Together, they create a dynamic intersection of contrasting sound that feels both global and grounded - full of rhythm, movement and connection.

Growing up between cultures, Janaway has always gravitated toward sounds without borders. Now based in Bristol, he’s part of the new wave pushing jungle forward while keeping its essence alive. His signature blend of heavyweight basslines and sharp breakbeats has earned support from Nia Archives, Tim Reaper, Sherelle and Fracture. His acclaimed high-octane DJ sets packed with unreleased tracks, move effortlessly through jungle, footwork, and jungle funk, keeping crowds locked in and dancefloors moving. After a European tour and standout appearances at Boomtown, Glastonbury, and Outlook Festival, Janaway is fast becoming one of the most exciting names shaping the next gen of jungle.

Mole Audio 08 is coming up, and we’re proud to welcome RSCA with their debut release.

RSCA is a collaborative project by Eduardo de la Calle and Aureal, born from a shared vision to expand the boundaries of techno into a more minimalist, abstract, and experimental territory.

Driven by the use of analog machines, the duo delves into hypnotic repetition, rich sonic textures, and the pursuit of both a physical and emotional experience through sound.

RSCA invites listeners into a deep, sensory journey, where rhythm transforms into a medium for introspection and connection.

From out of the dark, sparks of feedback birdsong signal a return to the singular sonic environments of Rafael Toral"s sound-world. A year after Spectral Evolution, his acclaimed album of electric guitar conceptions, comes the companion work Traveling Light. Sharpening his focus around a set of jazz standards, his move from abstract form to solid song elicits glints from beyond time and space, crafting a unique listening lens for deep listeners. In the early years of his practice, Toral used the guitar as a generator to create discreet texture and droning tones. Later, he abandoned the guitar entirely, focusing on self-made electronics to render his music with a post-free jazz perspective. For the music of Spectral Evolution and Traveling Light, Toral has combined his methodologies: radically expanding the space within their harmonies with his self-made machines, while engaging directly with his instrument and the chords of the material. In addition to Toral"s proxy orchestra of guitars, sine wave, feedback and bass guitar, Traveling Light features the sounds of clarinetist José Bruno Parrinha, tenor saxophonist Rodrigo Amado, flügelhorn player Yaw Tembe, flautist Clara Saleiro, who each guest on one song. In every contour of Traveling Light"s path - arrangement, improvisation and production - the spring of the old pours through the new in an unstoppable flow. The result is a listening experience of these standards that remains "in the tradition", even as the elongated harmonies seem to alter time such that, as Toral notes, "the chords become events on their own."

A fresh take on the 2020 gem from Alex Attias featuring Georgia Anne Muldrow and Kid K. This latest release brings three dynamic remixes from the mighty Kaidi Tatham, Stephane Attias, and El Mustang, each crafted for distinct moments on the dance floor.
Kaidi Tatham delivers a vibrant boogie-infused rework bursting with soulful energy. A joyful, groove-heavy ride that’s already a favorite here at Visions.
Stephane Attias steps in with a deep house interpretation, dubbed out and laced with hypnotic vocal touches and slick keys courtesy of Sean McCabe. El Mustang (Alex Attias himself) ventures into darker territory with a stripped-back broken beat version, perfect for those late-night sessions when the mood shifts and the rhythm deepens.

Hailed as "one of the finest ambient and dub techno albums around," Deep Ground earned Purl a place in the hearts of many lovers of the deeper side of electronica. Enthusiasts on Discogs describe it as "one of the best dubtech albums ever - hypnotic, mesmerizing & deep" - and compare it to luminaries like Biosphere and bvdub for its "warm deep calming sounds and atmospheres." Reminiscent of Wolfgang Voigt's GAS project, the seminal 2011 album by Purl (Ludvig Cimbrelius) is finally reborn in a remastered 3xLP vinyl reissue on LILA ART. Originally released on the revered Silent Season label based in British Columbia, this ambient techno masterpiece has continued to captivate listeners year after year. In many ways like a darker sister to 154's ethereal techno epic "Strike", Deep Ground echoes the misty forests and quiet expanses of Cimbrelius' youth in Sweden. As the artist reflects in a poem accompanying the release: "We are consciousness, rooted in the deep ground of being. The deep ground of being is where all things begin and end. The deep ground of being is eternal." This ethos permeates every layer of Purl's expression; crafting sonic sanctuaries that remain intimate while evoking the infinite.

Delicately remastered for vinyl by Giuseppe Tillieci (Neel) in collaboration with Purl. Limited to 300 copies worldwide.

Celebrating its anniversary with a characteristically bold move, Kyiv-based vinyl label Artreform isn't closing a chapter - it's opening a new one. Rather than issuing a standard 50th release, the label jumps straight to release 51 with this striking 8-track mini-album - a sly nod to the new sounds and exciting events still to come.
Splitting the anniversary release into two parts (four tracks each) creates a liminal space between the past and the future; between canonical house sounds and futuristic sound experiments. Unwavering ambition and a daring vision have long defined Artreform - and are deeply embedded in the creative credo of its founder, DJ, producer, and vinyl connoisseur Joss.
After an impressive 13-year journey, it's fair to say that Artreform has never succumbed to the lure of fleeting trends, remaining steadfast in its dedication to quality tech house, deep house, and microhouse. At the same time, the label continues to stay sharp, hungry for new ideas, and firmly in step with the times - while many imprints of similar vintage slide into self-mythologizing mode, focusing on reissues and retrospective compilations.
The new release makes this abundantly clear. The second half of the celebratory mini-album features a vibrant, life-affirming dancefloor cut from JOSS; a peak-time rave-inspired killer by iO (Mulen) - an artist who's been with Artreform since day one; a stylish deep house groove from seasoned masters Gorje Hewek & Binu Raal; and an ethereal vibe courtesy of Swedish standout Cirkel Square, whose music sounds dreamy, arresting, and otherworldly.

Harrison BDP stands as one of the true masters of that off-world deep house sound. Easily one of the most consistent producers, so having the Welsh wizard launch the first 12” on Jupiter’s Depth is iconic. The EP delivers it all — from deep, trippy journeys to pacey dub-techno rollers. No question, another Discogs relic in the making — 300 press, so move quick.

Bait revisits Trois-Quarts Taxi System's 'Plexus' for its next outing. The label's first long-player was a benchmark in meditative experimentation that now comes as a new remix package which brings together pioneers and forward-thinking voices to reinterpret the album's deep, exploratory spirit. Label head Beatrice M. opens with 'Coma' a warm nod to old-school sensibilities, while Herbalistek submerges us in the shadowy textures of 'Spectre.' Pinch delivers a moody steppers twist on 'Sonar' and Katatonic Silentio sharpens 'Plexus 3' into abrasive and physical rhythm. Together, these reworks stretch the original visions further outward into new realms.

2025 Repress

In 2013 Voyage Direct released Tom Trago’s ‘Hidden Heart of Gold’, an expansive trip into intergalactic deep house territory that ranks as one of his most emotionally charged moments to date.

Hidden Heart Of Gold is undeniably special. A typically spacey and quietly soulful dancefloor epic that stretches out majestically over 13 spellbinding minutes. It was a highlight in many of Trago’s club sets for the best part of 12 months prior to release..

Virtual waves of ambient chords shimmer between the speakers, rising and falling as if drifting through time and space. Meanwhile, eyes-closed melodies reminiscent of classic stargazing techno and disembodied vocal samples ride a tough but unfussy machine drum rhythm and addictive bassline. There are well-timed breakdowns and a gradual, enveloping build towards a heart-breaking climax. Many listeners may feel contrasting emotions; a sense of undiluted joy while dancing, perhaps, but also the odd pang of melancholy when listening on headphones. It's that kind of record.

The tracks intergalactic, emotion-rich inspirations are explored further on the flipside Ambient Mix, a winding, beatless excursion brimming with hazy, late night beauty. Gentle and immersive, it offers a grandiose, never-ending world in which to shed your inhibitions. Shorn of the originals dancefloor paraphernalia, Tom's emotive, wide-eyed vision comes to the fore ¿ all sensual chords, far-sighted pads and gentle, outer-space melodies. Like the A-side club version, it may just take your breath away.

2026 Repress

Atmospheric Vol 2 is the second single to be taken from Deepchord's latest full length but sees him stray from the album tracks, bringing 3 exclusive pieces to the vinyl, keeping in the same musical vein as Ultraviolet Music.

Exploring the North & Pinewood Lodge see Rod Modell on more Deep Techno excursions as beautifully sweeping pads and glistening synths drift by ever evolving, perfectly processed atmospheres. Deepchord's unique use of subtle field recordings throughout give both of these tracks a real heady/druggy quality and his seamless loops allow you to drift of into his fully developed dream world. Shot Point delves into straight up ambient territory with Deepchord striking an unearthly balance between the natural and synthetic world. Yet more flawlessly collected field recordings wash away on an ocean of reverb soaked pads, drowning the listener within its mesmerising tides.

A deep journey into the sound abysses of the night, invoking hidden energies, opening a ritual portal to the core of the seal and the ritual itself.

This compilation brings together diverse artists who explore a fusion of dark techno, industrial environments, ritual textures and pulses that evoke vast underground spaces. The idea is to generate a state of technical-ceremonial trance: vinyl becomes a physical talisman, object of worship, beyond a simple club track.

Side A opens with darker rhythms, synthesizers that resonate like funeral bells, mechanical percussions that hit like ancestral machinery. As it progresses, the journey intensifies, layers of bass that rumble like mine hulls, reverberations that expand consciousness.

The B-side takes flight towards the ethereal and the expansive: distant melodies, ritual echoes, processed voices that look like invocations, culminating in a track that sounds like the closing of a rite, the day that meets the night.

Un Own is a freshly minted label founded by, we're told, familiar-but-unfamiliar figures and designed as a home for DJ- and collector-friendly edits and remixes. The debut release comes from seasoned remixer and beatmaker Shimmy Sonic. These jams have already been tested on discerning dancefloors and 'Coolage' kicks off with elastic, low slung grooves that draw from classic soul and hip-hop sensibilities. The vocal is a real doozy that soars high. On the flip, 'Our Time' gets deep into downtempo bliss with psyched out guitars rising out of the mix to set the tone for Un Own's mission of putting out respectful reworks built for selectors and serious listeners alike.

SKYLAX RECORDS presents a monumental new release by two of France’s most revered electronic music icons: ARNAUD REBOTINI & ACID WASHED. This record marks the first chapter of a secretive 4-part project — each release forming a piece of a bigger picture — a bold and mysterious tribute to the roots and future of rave culture. Following in the footsteps of Rebotini’s landmark album "Musical Component", this new project feels like a natural evolution — deepening his vision while expanding it into new sonic territories. Without giving too much away, this is SKYLAX BLACK 2 (after the LAXBLACK 1 "Winter Sequences EP" which marked the collaboration between Rebotini & Skylax) and features a set of four stunning tracks. On the A-side, Redshifts to Blueshifts opens the EP with an epic and soulful Detroit-style journey, evoking the finest moments of Underground Resistance — militant yet emotional, full of futuristic melancholy. 99 Shakes follows with a more direct club-driven assault, propelled by massive synth riffs and machine-gun rhythms, pushing the boundaries of dancefloor energy. Flip to the B-side and discover Futur Race, a pure electro odyssey à la Juan Atkins and early Metroplex (think 1985 sci-fi transmissions), sharp, robotic, and ultra-funky. Closing the EP is Gen Mix, a powerful and cinematic slice of what can only be called Wagnerian techno — intense, dramatic, orchestral in scope, and unmistakably Rebotini. This release is a statement — timeless and forward-thinking. This release is the first in a series — a mysterious and powerful journey through sound, vision, and legacy. What’s next? You’ll find out… one piece at a time.

Vel initiates the «Cuddle Protocol», her first ambient album, set for release on October 17, 2025 on PURR.


Vel, recognized for her striking presence in the contemporary techno scene, steps into new territory with the release of her first ambient album, Cuddle Protocol (P:\URR(3)_Cuddle_Protocol), the third outing on her own label PURR. Out October 17, 2025, the 9-track record is a personal and intimate statement, delivered on vinyl and digital formats.


With Cuddle Protocol, Vel explores the paradox of intimacy in a coded world. “I like the idea of a protocol for softness,” she explains, “of codifying something that should be intimate and spontaneous.” This tension runs through the album: fragile voices and soft layers unfold against serious, carefully structured arrangements, balancing tenderness with rigor.


Ambient music has always been Vel’s “first love.” Before producing techno, she composed ambient exclusively, and this album marks a return to the form in its most sincere expression. “I know this music will follow me all my life. It’s not a phase. It’s how I express myself most truthfully.”
Cuddle Protocol is about slowing down, embracing sincerity, and reaching for deeper connection. “When I listen to ambient, I access another world. It’s charged with emotion, it makes me drift and forget everything. That’s the feeling I wanted to share.”
Mastering: Sixbitdeep / Artwork: Adone Giuntini

LL delivers four mid-80s Minneapolis groove reworks, rebuilt for today’s dancefloors. Deep, warm, and unapologetically underground. Pressed loud for maximum impact. Strictly limited. No digital. For the real ones.