People Unpleased strikes again with this 4-track EP, designed for the dancefloor through the unique vision of each contributing artist. Featuring talents from across the globe—Bolivia, Spain, Argentina, and the United Kingdom—this collaboration delivers an exceptional record for your collection
Dystopian Context: Episode 3
In a futuristic society where science has advanced to the point of creating bio-synthetic hybrids, a groundbreaking discovery emerges: the ability to imprint memory onto energy.
Initially developed to enhance machine control, this breakthrough was soon applied to living beings. Its consequences mirrored genetic determinism, shaping behavioral patterns and influencing individual will.
This technology enables certain elites to manage and condition the population, restricting autonomy through the manipulation of energetic memory.
However, a group of resistance fighters has uncovered an advanced data-erasure technique called Vibracid, capable of deleting imposed memories and restoring self-determination.
The struggle is not between different species, but between those who monopolize scientific power and those who seek to reclaim their freedom and forge their own destiny.
Vibracid (Corrosive Vibration)
A technique for data erasure and elimination, designed for the eradication of records and the neutralization of control mechanisms.
Limited to 150 copies.
The Aachen Jazz Files
A collection of essential jazz from the NABEL record label (1980-1994), compiled by miche & Rainer Truby.
The Aachen Jazz Files celebrates the pioneering spirit of NABEL Records—one of Germany’s most underrated yet influential independent jazz labels. Founded in 1980 by Rainer Wiedensohler, NABEL became a home for innovative musicians blending classic acoustic jazz with fusion, Brazilian rhythms, and avant-garde flourishes.
This compilation collects some of the label’s finest moments, including the soulful and Latin-tinged brilliance of Monika Linges Quartet (whose album *Floating* was reissued last year by PANORAMA Records for RSD Black Friday), the cosmic jazz explorations of John Thomas & Lifeforce, the deep jazz-funk grooves of Hipsters In The Zone, and the stunning, expressive vocals of Maria João’s quintet.
Nestled in the far west of Germany, near the Dutch and Belgian borders, Aachen has long been a hidden gem for jazz lovers. Its vibrant scene, fueled by music schools and the legendary Malteserkeller jazz club, cultivated a unique sound that resonated far beyond its city limits. In fact, the city didn’t just birth a jazz movement—it also lays claim to opening Germany’s first discotheque in 1959.
From London to Tokyo, NABEL’s releases became secret weapons for jazz DJs seeking deep, danceable cuts. The label’s trademark blend of acoustic jazz, fusion, and Brazilian influences made its way onto turntables in underground clubs and festival stages worldwide.
Expect elegant samba jazz, spiritual grooves, and modal masterpieces that capture the essence of NABEL’s golden years. Monika Linges’ contributions shine with her rich harmonies and heartfelt compositions, while John Thomas & Lifeforce deliver a perfect storm of fiery instrumentation and deep soul. Maria João’s early recordings showcase her extraordinary vocal range, and Hipsters In The Zone bring a forward-thinking, acid jazz-infused perspective to the NABEL sound.
As co-compiler Rainer Truby puts it:
'NABEL Records always had this special ‘Aachen sound’—a jazz flavor that carried its own energy, somewhere between the cool sophistication of fusion and the warmth of Brazilian music. It’s a pleasure to finally bring together some of these classics in one essential collection.'
Compiled by miche & Rainer Truby.
PANORAMA Records is a London-based label dedicated to unearthing and reintroducing rare and essential music to new generations. With a focus on jazz, funk, and global grooves, the label has built a reputation for high-quality reissues that capture the spirit of the originals while providing fresh context for today’s listeners. Their past releases have garnered support from tastemakers like Gilles Peterson, Patrick Forge, and Mr Bongo DJs.
Gladio Operations launches its twelfth release, where the Spanish label returns to the various artists format.
Opening the pack is producer and Distrito 91 label owner Fabio Vinuesa. Under his newly created alias Protocolo Sysex, he gives us “NottheFuture,” a powerful track with raw bass lines — a benchmark for the dancefloor.
On the same side, we encounter Sinitsin. The Russian artist, who debuts on the label, leaves his mark with “Thinking Machine”. A track that reveals his enthusiasm for charismatic and effective melodies, very well sequenced throughout the track.
The B-side opens up by an acquaintance of the label, Jauzas the Shining. This time he is accompanied by Foreign Sequence, and together they have created “Enter the Body”. A track of dark aesthetics, served with dramatic vocals, very characteristic of the Frenchman who, of course, never disappoints. Another artist making his debut is Italian producer Teslasonic.
This fast-paced track titled “Chubby Bee” reveals a minimalist bass line, with subtle and delicate touches of the 303.
The EP is brought to a close by another Gladio acquaintance. Igors Vorobjovs returns with this track titled “For One”.
Orientated towards IDM sounds, the Latvian producer once again envelops us with a passage of deep and mysterious harmonies, which undoubtedly makes it a timeless piece.
»White Noise« is a cooperation project between raster-media and the Max Planck Institute for Empirical Aesthetics. Artistic sound projects generated in the context of the scientific research institute will appear at irregular intervals. The themes and questions of empirical aesthetics research are taken up, questioned or challenged in very different ways. »White Noise« is conceived as an audio archive of the MPIEA artists in residence which records the artistic works on vinyl and documents the respective concepts and working methods in text form.
Victioria Keddie’s »Pshal P’shaw« (white noise #002) is a multimedia exploration delving into phonetic expression’s auditory and rhythmic nuances of phonetic expressions through an amalgamation of text, sound, video, data, and customized learning software. Drawing inspiration from the painter and architectural theorist Hermann Finsterlin who made speculative architectural renderings, the project originated during a residency at the Max Planck Institute of Empirical Aesthetics in Frankfurt in 2023.
The project’s engagement with the sonic landscape of the eight diphthongs in US English, documented through recorded sessions at EEG labs with participants of diverse international backgrounds, is not just a technical analyses. The applied script for the recording session, infused with a contemporary Western US dialect, ventures beyond, exploring the primal essence of phonetic expression and its impact on the oral landscape of mouth, throat, and tongue.
This work focuses on the spoken aspect of language: the art of oration, conversation, and mimicry. It reflects the beauty of our perpetual change, speaking directly to our humanity and the raw, tender moments of existence. It embraces the awkward, beautiful and vulnerable essence of our shared human experience.
Victoria Keddie is a multidisciplinary artist delving into sound, video, installation, and performance. Her work uncovers hidden narratives within ordinary artifacts and spaces, emphasizing their role in shaping our collective story. The examination of acoustic phenomena and language is a recurring theme in her artistic work. Keddie’s current projects navigate the acoustic complexity of language and dialects.
For over a decade, Keddie was co-director of E.S.P. TV, exploring the televisual medium for performance and sound. Keddie has performed and exhibited internationally. Recent fellowships include the NYSCA/NYFA for Music/Sound (2022), the Max Planck Institute for Empirical Aesthetics (2023), and the Bemis Center for Contemporary Art, Sound Art and Experimental Music Fellowship (2024).
»White Noise«, 40 p. magazine English/German, vinyl LP, cardboard box
Repress.
An incredibly important but left behind album from 1994 originally on the Concrete label and now fully remastered & reissued. Three piece Opik, which consisted of Murray Clark, Chris Deverell and Robert Ellerby delivered some of the most bustling, pulsating, instrumental electronic music of the 90’s. Driven along by forceful emotional basslines coupled with melodic synths and the occasional epic vocal sample. Think LFO, think Orbital, think Leftfield, think Underworld and you are nearly there. Music truly ahead of its time.
Kiria Records proudly presents "Vintage A EP", a collection by Direkt that embodies the essence of modern groove with timeless and elegant influences. This EP explores different sonic shades, perfect for enriching any moment of a DJ set.
On side A, we have "Vintage A", a track that stands out for its sophisticated groove and immersive structure. The blend of delicate synths and sharp percussion creates an atmosphere perfect for lighting up the dancefloor and taking listeners on a hypnotic journey. Following that, Cally’s remix delivers an innovative and minimal reinterpretation of the original track. With tight rhythms and subtle nuances, this version captivates the audience and adds depth to transitional moments.
On side B, "Best Kick Forward" opens with a powerful rhythmic drive, characterized by strong basslines and an engaging progression, making it perfect for the most dynamic moments of a set. Closing the EP is "Fragments", a track that plays with atmospheric elements and refined grooves. Intricate percussion and ethereal melodies intertwine to create a finale that leaves a lasting impression.
With "Vintage A EP", Direkt and Kiria Records deliver a must-have musical chapter, crafted for DJs and collectors seeking unique and uncompromising sounds.
Liquid Memory returns with Stephan Bazbaz – Lithium EP, a collection of three dancefloor-certified heavy hitters.
Packed with deep grooves and undeniable energy, this record is destined for the record bags of the most discerning DJs and clubbers—a must-have for those who appreciate expertly crafted club weapons.
A long-time praised producer, Stephan Bazbaz makes a true comeback with this release, marking his first in four years after over a decade of delivering top-tier music. With extensive experience behind the decks and in the studio, he has honed a sound that seamlessly blends minimal dub and crisp house. From his celebrated residencies to his own vinyl-only label, No Waves, his deep understanding of club culture shines through in every groove.
One of the most politically charged terms of the 20th century, the Iron Curtain was a metaphor for political and cultural division. In a post-war telegram Winston Churchill referred to the fault line that ran through Europe between East and West as "an Iron Curtain is drawn down upon their front. We do not know what is going on behind".
In this two-part album, as far as jazz is concerned, we will showcase, describe and celebrate exactly what was 'going on behind'. We see that music is the power supreme, with the ability to transcend all barriers, be they physical, political or metaphorical.
Our liner notes illustrate the complex and contradictory history of Soviet jazz, and the tracks we've chosen cover the key period of the early 1960s to the 1980s. It was during these dark years of the Cold War that the Soviet Union and its satellite states produced a number of outstanding artists playing in a variety of styles. The impact of modernism, from hard bop and Latin to modal and cool jazz, had found its way through cracks in the curtain. The deeply-felt ancestral strains of traditional European folk music were combined with the exciting new and progressive sounds of the West, and a radical, intoxicating brew was created that no amount of guns, tanks or polonium tea could overcome.
We chronicle the triumph of jazz at a time of extreme geopolitical conflict. What went on behind the Iron Curtain in these countries was once mysterious and unknown to the West, but the perseverance of their artists provided sound and light amid the secretive, dark days of the communist-capitalist standoff. There was no end of life-affirming spiritual jazz behind the Iron Curtain.
"Whether it's by improvisation in the African-American jazz tradition, or by a village kobza player standing on top of a damn hill - he feels connected to the stars."
Mary Yuzovskaya unveils the 'The More You Know' remix EP on her vinyl-only Monday Off imprint, releasing 6th June 2025. Featuring reworks from Spain's ORBE, 90s US Techno legend Mike Parker, Judas Records' JUDAS, and Duna founder CONCEPTUAL.
First up, Token and Mote-Evolver artist and Orbe Records boss ORBE remixes 'Ittiologia', maintaining the original's hypnotism by amplifying its eerie soundscapes for a loopy, deep space trip. JUDAS, shrouded in mystery yet known for his self-released EPs on his eponymous label and releases on ARTS, then revisits 'Micologia', completely reworking its tripped-out sequences into short bursts of droning synth work.
Tresor, Semantica, and Prologue's Mike Parker also provides a version of 'Micologia', with the US Techno lynchpin slowing down its rhythm while its weighted synthlines bubble up between its kicks and rides. Closing out this remix package, Italy's CONCEPTUAL reworks 'Ittiologia', building tension via the original's dark and shadowy atmospheres but switching up its low-end for an electric, late-night feel.
Mary Yuzovskaya is a storyteller. Through delicate, masterful curation and a deep knowledge of experimental, trippy Techno, she weaves together sonic journeys - with 'The More You Know - Remixes' making for another excellent addition to her Monday Off label.
2025 Repress
Words by Costanza Acernese
MOVING PRESSURE 04 / Obscur
With its fourth release, Moving Pressure welcomes its first external artist: young Slovenian producer Obscur. With a signature sound that is driving and subtly psychedelic, his debut on the label doesn't stray from the core tenets of its sonic ethos. Obscur delivers minimalism with purpose-dynamic, intentional, and wholly physical.
'F135' opens the A-side with a sinister tilt-rubbery squeaks stretch and coil around a flickering, synthetic voice. It's tactile and strange, without losing movement. 'Soul Eater' follows with a slow-burn crescendo, nestling psychedelic inflections into a warm low-end. On the flip, 'Stockholm Syndrome' pares things back. Dry, stripped rhythms carry an atmospheric tension-it's austere yet playful, leaving space for darker hues to linger without fully settling. A precise, heads-down statement. 'Blasphemy' follows with a tighter percussive grip and Feral-esque, panning modulations. Highs slice through a foundation of finely textured grooves-functional at its core, but laced with enough detail to give the track a sharper, more intricate edge. The digital bonus, 'Diamond City', stretches the sonic palette even further. Not through layers, but through tone: steel blues and deep violets bounce off metallic bleeps with cinematic restraint, closing the EP on a reflective note.
The latest transmission on Samurai tunes into half-time intensity with a psychedelic edge courtesy of leading French practitioner Vardae. Applying techno hypnotism and cinematic atmospheres to his snaking beat constructions, the Lyon-based artist delivers a pitch-perfect exercise in mystical meditation that follows a natural path from the Ancestral Voices LP.
Since first emerging around 2017, Vardae has been determined to establish a sound unbound by genre restrictions. To date he's successfully moved between cult labels such as Non Series and Ooda while pivoting from linear 4/4 to crooked broken beat without disrupting his immersive, finely sculpted production style.
Alongside his releases, Vardae is also responsible for the ouroboros festival that takes place every year in central France. Last summer, after the dancefloor closed on the final night of the the event, fabled Dutch transcendental ambient group Son Of Chi made an acoustic concert around the campfire that cast a spell over everyone present. This experience formed the inspirational basis for Vardae's new EP, drawing on the instinctive power of insistent rhythm and the spiritual intrigue that lies behind subtly dissonant tones - shadows cast by refined, restrained synthesis flickering in the imagined light of the flames.
From the rattle of timbale on 'The Light Motion' to the laser-focused ripples that charge through 'Voices Of Dispossession', Vardae bends and shapes his drum work with exacting intention across this EP. Treading the line between 85 and 170BPM, he approaches fierce peaks in his tracks with an exacting patience, building to the arp-soaked climax of 'Flaming As A Cloud' and its ecstatic, melodic crescendo.
Proudly individual and drawing from the deepest of musical experiences, Vardae's latest statement promises similarly profound moments when these pieces come into contact with the right souls and the right sound in the right setting.
YIA, the emerging DJ duo, returns with a release that blends house, deep tech, and minimal influences, creating a refined yet impactful groove, designed to light up the most selective dancefloors.
The vinyl includes two exclusive remixes from two prominent international names:
• Argentine producer Guile, known for his organic and hypnotic sound, delivers a deep and immersive rework.
• From the UK, Duncan Thomas presents an elegant version, full of tension and groove, perfect for the more sophisticated nighttime sets.
Released by Yes I Am Recordings, a label active in both digital and vinyl formats, this EP is made for diggers and those seeking authentic, underground sounds.
The album "THE ENTITY" is an esoteric-horror concept composed of 12 tracks (plus one bonus track) dedicated to The
Entity, the central figure of the DEATH SS project. Its literary inspirations range from Aleister Crowley—who sought to
free mankind by awakening its artistic genius—to characters by Hogg and Stevenson, who delve into the dark side of
human nature. It features figures such as Jack the Ripper, Walter Sickert, Cimiteria, and others, all deeply connected to
the band’s mythology. Produced by Tom Dalgety, renowned for his work with Ghost, The Cult, Rammstein, and more.
![Ashtec - Walkin' Target [Produced By Gaudi]](https://www.deejay.de/images/l/2/5/1150225.jpg)
An intersection of original dubs and outernational electronica, Ashtech’s Walkin’ Target, produced and co-written by Gaudi, was originally released in 2007 on cult Canadian label Interchill and is now presented for the first time on vinyl.
Tightly structured, Walkin’ Target revolves around Ashtech’s earth rattling basslines and Gaudi's solid production aesthetic, with three of the tracks featuring the inimitable vocal stylings of Cheshire Cat (Leftfield). A former bass player with Almamegretta, Ashtech’s intuitive style combined with Gaudi’s melodic flair to create a joyful collection of groove orientated roots and downtempo dubs that upon release found a home in the collection of music lovers worldwide.
Long deleted and not available on any mainstream download or streaming platforms, Ashtech dug out the original audio files, which were lovingly re-mastered for this pressing.
Cool Up Records presents the new 7-inch vinyl single by Spanish singer Sailor Smile. The record includes the tracks "Small Baby" and "Let Me Shine", both from her recent EP Desire.
Following the warm reception of the 7-inch single “I Put a Spell on You” in 2024, also featuring Sailor Smile, the Spanish label reaffirms its commitment to the artist. This new release moves beyond the reggae sound of previous productions, while preserving the signature style that defines Cool Up’s work.
On A-side, “Small Baby” is a Soul tune with a solid groove and plenty of character. On B-side, “Let Me Shine” is a Ska track featuring a vocal collaboration with Tenor Mario, who also co-produced both tracks. Together, they deliver a vibrant duet full of energy and party vibes.
Both tracks stand out for their horns arrangements by Sherlock Horns, which add richness and cohesion to the production, solidifying a distinctive sound within the label's catalog.
The vinyl design, created by Mr. John Vanilla, maintains the aesthetic line of Cool Up Records' 7"collection.
As most of us now live in a world saturated with information, this album feels like a reflection of how the modern world might sound if it were to process its own chaos through a unified scream. Hailing from the highlands of Bandung, West Java, a city where tradition and modernization intertwine in the rhythm of daily life, Xin Lie unpretentiously translates this cultural fusion into a sonically rich and rhythmically bold debut LP.
The artist’s roots in the hardcore and punk scenes reverberate throughout the album, though they’ve been reshaped and refined for the club. There’s an undeniable pleasure in experiencing the chaos Xin Lie channels—irregular beats, dynamic frequencies, and disjointed grooves collide and expand, each track laced with a sense of unpredictable energy. Yet even in its most chaotic moments, the music feels deliberate, its edges softened by a sense of compositional care.
The album reveals a strange duality: tracks that seem to beckon you to the dance floor but never quite let you settle there. Frequencies flicker and fluctuate in patterns that feel just slightly off-grid, as though resisting traditional structures. Yet, amidst the digital textures, Xin Lie weaves in organic sounds—snippets of native conversations or environmental noise—creating layers that feel both intimate and expansive.It’s fair to say this album extends far beyond the boundaries of today’s club music.
Picture this: you’re moving through your daily routines—mundane, repetitive—and suddenly, the music shifts your perspective. It reframes the ordinary as something surreal, as though it’s deconstructing itself in real-time, breaking into fragments or conjuring entirely new forms. Perhaps it’s best imagined as the soundtrack to a multi-sensory art installation or a performance staged not in a gallery but in an unassuming house down your street. Who’s to say where it might take you?
Produced by Chez Damier and Ron Trent, the track was born in NYC, inspired by a transformative night at the legendary Sound Factory Club. In the early morning haze, as the echoes of basslines and rhythms lingered, the duo channeled the energy of the dancefloor into their studio. The result captured the raw, soulful essence of Deep House, reflecting the dancefloor communion that transcended time and space. To extend the feeling while honoring the original, Atjazz was invited to bring his jazz-influenced touc
With his deep understanding of groove and texture, he reimagined the track through two distinct remixes, each offering a fresh perspective. While both versions explore different nuances, they remain faithful to the track’s core essence, maintaining its hypnotic flow while adding a renewed vibrancy to the dancefloor. The duo of Chez Damier and Ben Vedren, proudly welcome French producer Fred H, one of the closest members of their extended musical family, to deliver a special remix of their track "Berlin Nights In Paris".
The result is a re-imagination of the track, introducing a percussive soundscape that drives the rhythm forward while offering a space for the listeners' minds to wander, immersing them in an atmospheric journey. This reinterpretation preserves the original’s essence while infusing it with new textures, dynamic movement, and a hypnotic flow that deepens its emotional impact.
This collaboration is more than just a remix. It’s a testament to the creative synergy within their musical circle, reinforcing the timeless spirit of house music while pushing it forward. er. Through his deep connection to what truly ignites the dancefloor, DJ SOURIRES maintains the emotive spirit of the original track, keeping its essence intact, yet injecting fresh dynamics that transforms it into a high-octane dancefloor heat track. His intricate, oscillating drum programming and masterful arrangement drive the rhythm forward, creating a compelling urgency that commands attention and movement. The remix swells with intensity, amplifying the hypnotic elements of the original while layering in driving percussion, rich basslines, and sharp, yet spacious synths that build tension and release in all the right moments. Every twist and turn in this remix is an invitation to lose yourself in the dance.
