SlothBoogie Records welcomes Deep House maestro DJ Aakmael onto its roster this March with ‘The Hardbody Project’ EP, comprised of four original compositions from the Richmond, US-based artist.
Across the past decade and a half DJ Aakmael has unveiled an impressive back catalogue of soul-drenched, dynamic deep house via revered imprints such as Uzuri, Church, Scissor & Thread, Freerange and Second Hand Records amongst many more. Here we see his latest material perfectly interlace with SlothBoogie Records own impressive back catalogue of bumping house and raw deep cuts.
Leading the release is ‘Hardbody’, laid out across seven minutes with chopped brass samples, bright key sequences, modulating Moogesque resonant leads and shuffled drums before ‘Track 166’ shifts focus over to a deeper aesthetic via dubbed out chord swells, organic percussion and twinkling piano melodies.
The aptly named ‘Deepshyt’ opens the flip side, as the name would suggest employing an amalgamation of deep and entrancing synth work, crisp drums and spoken word vocal chants. ‘Strobe’ then rounds out the release with a more disco-tinged House feel, fusing together funk guitar licks, cinematic strings and a snaking bass groove atop Aakmael’s signature swinging rhythmic feel.
Buscar:disco soul
Favorite Recordings proudly presents the new 12" of Magic Source. The all-star group around producer Björn Wagner (known also for his cosmic and tropical-flavoured disco music as Bacao Rhythm & Steel Band and The Mighty Mocambos) creates here a hypnotic four-on-thefloor sound that is both earthy and spaced out and all their own.
Recorded on 16 track analogue tape with inexpensive vintage gear, the crew explores the more unusual facets of disco music off the beaten track in favour of more otherwordly and international stylings. In their music, one could hear echoes from lost tropical disco records, cinematic flavors from library soundtracks and a healthy dose of DIY garage funk rawness.
On A side, "Riviera Drive" is an extended Mediterranean disco groove based on hypnotic percussions and soulful horn themes that alternate with trippy keyboard excursions. The tune is equally at ease on the dancefloor as in a chill-out zone, but of course, prefers to be in its natural habitat in a classic car somewhere between Nice and Monaco.
On the flip, Tom Tom Club's "Genius Of Love" is reimagined as a jazzy yacht soul instrumental with an echoed flute taking the lead. You'll also find a shorter Radio Edit of "Rivieria
Drive".
A1 East Vision by Milanese’s finest Uabos uncovers an extraordinary musical experience with a lot of twists and twirls that are skilfully crafted. Constructed of mouth-watering synth textures and dusty melodic samples that hover over the rolling bass engine, Uabos surely delivers a dancefloor killer.
Herzel’s Transformation as the A2 track adds deep blue melodic depth on top of icy rhythmic pattern. It tickles the senses as sharp leads and powerful kicking stabs appear above the grinding bass line, providing mesmeric effect.
Flute Power’s Discothalia heats up the B side. Lush breaks and ripples meet a cloud-bursting bass line, intertwining with the ethereal vocal traces that unveil throughout the composition and into infinity.
Metropolitan Soul Museum in the closing B2 track Former Glory introduces a delicately structured musical narrative that has blocks of steady rhythmic percussion accompanied with unforeseeable melodic samples and tender vocal cut-ups.
- A1: Kim English - Treat Me Right (David Morales Club Mix)
- A2: Sandy B - Feel Like Singing (Adelphi Music Factory Remix)
- B1: Byron Stingily - Get Up Everybody (Darius Syrossian Remix)
- B2: Byron Stingily - Get Up Everybody (Parade Mix)
- C1: Pj - Can Ya Tell Me (Gerd Janson Piano Megamix)
- C2: Pj - Can Ya Tell Me (Gerd Janson Bonus Beat)
- C3: Pj - Can Ya Tell Me (Pierre’s Phat Dub)
- D1: Wonderboy - Jerk It (Sorley Street Mix)
- D2: Wonderboy - Jerk It (Felix Da Housecat Original Nooworld Underground Mix)
- E1: Innervision Ft Melonie Daniels - Don’t You Ever Give Up (Ian Friday Libation Vox)
- E2: Innervision Ft Melonie Daniels - Don’t You Ever Give Up (Ricanstruction Vocal)
- F1: Kim English - Learn 2 Luv (Ralf Gum Remix)
- F2: Kim English - Learn 2 Luv (Mood Ii Swing Club Mix)
- G1: Deep Creed - The Anthem (Monki Remix)
- G2: Deep Creed - The Anthem (Armand Van Helden Original Circle Mix)
- H1: Kim English - It Makes A Difference (Danny Howard Remix)
- H2: Danny Krivit & Kyle Smith Present Kim English - It Makes A Difference (Dub)
Black Vinyl[33,57 €]
Nervous Records, the iconic label synonymous with the rise of house from the streets of New York City, will mark 30 years in the music industry by releasing the celebratory compilation LP ‘Nervous Records: 30 Years’ on October 1st (Part 1) and October 15th (Part 2).
Featuring original mixes of the label’s biggest tracks, plus remixes by some of its most celebrated acts, ‘Nervous Records: 30 Years’ is both a celebration of the past and of the future. Featuring a who’s who of electronic dance music, the long player sees names including Louie Vega, David Morales Darius Syrossian, Tensnake, Monki, Franky Rizardo, Danny Howard and more take on iconic Nervous cuts: ‘You Make Me Feel Mighty Real’, ‘Treat Me Right’, ‘Future Groove’, ‘Feel Like Singing’, ‘Get Up Everybody’, ‘Break You’, ‘Hot’, ‘End This Hate’, ‘Unspeakable Joy’, ‘Can Ya Tell Me’, ‘Jerk It’, ‘The Anthem’, ‘It Makes A Difference’, ‘Learn 2 Luv’ and ‘Don’t You Ever Give Up’.
The album marks one of the most enduring, extraordinary legacies to grace America’s illustrious music history, not just in electronica but far beyond. Founded in 1991 by Michael and his father Sam Weiss, and recognizable immediately by its distinctive character logo, the label grew rapidly, in no small part due to Michael Weiss’ practically unmatched passion for discovering new music.
“Louie Vega and Kenny Dope woke me at 4am on Tuesday night, Wednesday morning from their studio telling me they had something really different that I needed to hear,” Michael recollects. “I asked if they could play it over the phone. They said if I wanted to hear it I had to come to the studio. So of course I got myself up, got dressed and went there. That “really different track” ended up being ‘The Nervous Track’, a tune that became our signature release and was also highly instrumental in the emergency of London’s ‘Broken Beat’ movement.”
The label’s willingness to take chances on fresh sounds and innovative concepts rising up from the melting pot sidewalks of NYC ensured a body of work that has become a living musical history of the city. House cuts ‘Unspeakable Joy’ and ‘Nitelife’ (Kim English), ‘Get Up (Everybody)’ (Byron Stingily) and ‘Feel Like Singing’ (Sandy B) bump up against hip-hop anthems like ‘Who Got Da Props’ (Black Moon) and “Bucktown” (Smif-n-Wessun) and reggae cut ‘Take It Easy’ (Mad Lion); soulful flows from Mood II Swing (Kim English ‘Learn 2 Luv’, Loni Clark “Rushing”), Armand Van Helden (‘The Anthem’) and Nuyorican Soul (‘Mind Fluid’) sit alongside seminal techno singles like Winx’ ‘Don’t Laugh’. The young artists and producers who joined the Nervous Records’ family have gone on to become some of the most hallowed and celebrated dance acts of all time: Louie Vega, Kenny Dope, David Morales, Tony Humphries, Roger Sanchez, Armand Van Helden, Kerri Chandler, Kim English, Byron Stingily, Josh Wink, to name just a handful.
“We did a release with Josh Wink under his Winx alias entitled ‘Nervous Build-Up’,” Michael said. “It did well and it was obvious how talented Josh was. Subsequent to that release I was pretty persistent in asking him to continue to play me his new demos. During one phone conversation he said, “Mike I’m gonna play you something over the phone but don’t laugh when you hear it.” That demo ended up being ‘Don’t Laugh’, which became one of our biggest international hits and still to this day is one of America’s earliest and most impactful techno hits.”
As much a celebration of the label’s future as it is of their past, Nervous Records: 30 Years is but a marker in the imprints’ history, a clear sign of where they’ve been and also where they’re going. With 30 years behind them, the label’s determination to unearth new raw diamonds in the rough is as unwavering as ever.
“I’ve always been one to look at what others are doing (the industry at large) and think, “ok, are they doing this specific thing for a reason, or doing it because everyone else is doing the same thing” and make my decision based on that,” says Nervous Records’ General Manager Andrew Salsano. “In an age where data metrics and analytics reign supreme, I remain steadfast that they should be complementary to your decision and not the sole indicator to make one. So many songs today are written with 15 second hooks in mind for social media, and while there’s nothing wrong with that business model you will always be chasing the wave instead of carving out your own path and identity.
“My primary focus for the sound of the label has and will continue to revolve around signing good songs and music that has the ability to react at the street level first. The best results come from artists that are firstly given a bit of local love that grows into a global impact. Fresh ideas that express child-like curiosity and artists showing vulnerability in their music are also something I look for, artists and producers that are not making music with certain markets in mind, but rather their own style and signature that is unique but able to straddle the fine line of underground and overground.”
Still as raw, as underground and as finely tuned to the dance floor as they ever have been, perhaps the secret to the success - and the longevity - of Nervous Records has something to do with that hard, dogged, no-holds-barred NYC edge that runs through the veins of the label. With the next generation of producers rising from the clubs of New York, one thing is certain; Nervous Records will be there to find them, nurture them and bring them to the world at large, over the next decade and beyond.
Siedah Garrett's seminal 1985 classic 'Do You Want It Right Now' receives 3 new incredible remixes from Dr Packer, BluePrint and Jolyon Petch.
Dr Packer delivers a truly funk-worthy re-work injecting a barrage of the smoothest soul-laced sonics for an early 90s house meets nu disco cut.
Jolyon Petch ramps up the funk with infectious guitar licks and groove-laden bass for his 'Elektrik Disko Mix’.
Burgeoning British producer and Stress Records artist BluePrint drops a rolling progressive house / melodic techno hedonistic dancefloor cut, re-working the classic with absolute finesse with sleek piano work floating euphorically around the iconic lyrics.
Most famous for her song writing credits on Michael Jackson's 'Man in The Mirror', as well as a duet on Jackson's 'I Just Can't Stop Loving You' and 'Don't Look Any Further' with Dennis Edwards, it's no surprise that Siedah Garrett's long career has cemented her as one the most iconic names from the 80's. 'Do You Want It Right Now' which featured in the 1985 movie 'Fast Forward' has been sampled over the years by the likes of Armand Van Helden and covered by Degrees of Motion and this iconic anthem is still considered as one of the game changers during the pivot into the 'Freestyle' movement during the 80's.
DJ Support across the mixes from Danny Howard, Mark Knight, Breakbot, Rudimental, Claptone, Jamie Jones, Sam Divine, Oliver Heldens, Riva Starr, Alaia & Gallo, Judge Jules, Mousse T, Joachim Garraud, Kevin McKay, Russell / Freemasons, Paco Osuna, Oliver Dollar.
Tour-Maubourg & Christophe Salin are kicking off Salin Deep, Salin Records' sublabel dedicated to raw and dub- influenced house music. Every Record Sleeve is handprinted by Daria Salin (limited edition of 300). Ever since they met at Fête de la Musique in 2018, Tour-Maubourg and Christophe Salin have had a soul-mate kind of relationship.
Their first collaboration took place with the release of Tour-Maubourg’s Duophonie EP on Salin Records (March 2020). Following this, both were keen to take the collaboration to the next level by creating a mutual EP which was initially planned to be made in the Autumn of 2020 at the Villette 45 Studio in Paris. Following a worldwide turn of events, this was no longer possible - as the EP's title 'From A Distance' suggests.
However, both parties found alternative ways to create, write and mix tracks together despite the 1000 km distance between Paris & Lübeck. Salin Deep gave both artists the freedom to discover new musical territories. Their mutual influences and inspirations culminated in an EP intended to take the listener on a deep journey, something we love to do with all our releases. Daria Salin encompassed the sublabel's vibe as well as the concept of 'distance' into her artwork by aggressively zooming into her portraits of Tour-Maubourg & Christophe Salin. This way, the beholder is forced to keep a certain distance if they wish to see the two faces printed on the vinyl sleeve....
- A1: Soul Wun - 96 To Albert Park
- A2: T U.r.f. - Easy Way Out
- A3: Joe Cleen – Chainsmoker
- B1: Jesse Bru - Yellow Sunshine Machine
- B2: Felipe Gordon – Avalancha
- B3: Erik Ellmann - Private Talk
- C1: Kristy Harper - Blissful Denial
- C2: Amy Dabbs – Nebel
- C3: Fede Lng & Mojeaux Ft Raw Takes - Mackie Acid
- D1: Two Half Circles - Daisy’s Groove
- D2: The Revenge - High Time
- D3: Metropolitan Soul Museum - Four Dancers
London's SlothBoogie return with the second instalment of their 'Dancing With Friends' series this August, featuring exclusive new music from Kemback, Felipe Gordon, Mak z, Bill Mango, The Revenge and more.
Following the success of the inaugural 'Dancing With Friends', which featured the likes of Kassian, Letherette, Joe Cleen and Ruff Stuff amongst others, the crew are back with that ever so tricky... second album. This sequel however, will not disappoint. The team have scoured the four corners of the globe to provide listeners with a comprehensive follow up that showcases more brand-new music from their favourite producers.
'Dancing With Friends Vol.2' is a deftly curated selection of the diverse styles synonymous with the SlothBoogie sound, ranging from the hazy deepness of cuts by Amy Dabbs, DJ Counselling, Bill Mango, Metropolitan Soul Museum and Kristy Harper to Disco tinged, jazzy, bumpy numbers from the likes of Jesse Bru, T.U.R.F. and Felipe Gordon through to more tripped out acid workouts by The Revenge, Fede Lng & Mojeaux, Togethrs and Pablot.
With this latest collection you can trust SlothBoogie to bring some much-needed dancefloor unity and sun-drenched energy to the world for the summer of 2021. The perfect soundtrack to reconnect and begin dancing with friends once again.
The vinyl format will come as a Gatefold Cover with 2 x 12" cream speckled clear vinyl and will include the full digital album download cards.
Disco King Dr Packer steps up to the plate for M2MR, this time utilising his precise production mastery for one hell of a groovy soulful disco jam 'Get Some Soul' complete with a pumping piano house remix from Perth duo, Cup & String.
Squelching bass, scintillating piano and organ ecstasy and choice vocal samples combine for this uplifting cut. On the flip, Cup & String take it late night, club-ready, adding a slice of Gil to the mix, dialling the lights down low and focusing the remix around those killer piano stabs and bumping beat.
- A1: Fink - Covering Your Tracks
- A2: Alfa Mist - Mulago
- A3: Charlotte Day Wilson - Mountains
- A4: Moreton - Count A Heart (Feat Jordan Rakei)
- B1: Puma Blue - Untitled 2
- B2: Connan Mockasin - Momo's
- B3: C Duncan - He Came From The Sun
- B4: Oso Leone - Virtual U
- B5: Joe Armon-Jones - Idiom (Feat Oscar Jerome)
- C1: Snowpoet - Eviternity
- C2: Maro - Forever & Always
- C3: Homay Schmitz - Speak Up
- C4: Bill Laurance - Singularity
- D1: Jordan Rakei - Lover, You Should've Come Over (Exclusive Jeff Buckley Cover Version)
- D2: Cubicolor - Counterpart
- D3: Jordan Rakei - Imagination (Exclusive Original Piece)
- D4: Alejandro Gonzalez Inarritu - Imagination (Exclusive Spoken Word Piece)
Clear Repress[26,68 €]
“I wanted to try and showcase as many people as I knew on this mix. My idea of Late Night Tales was to distil a series of relaxing moments; the whole conceptual sonic of relax- ation. So, I was trying to think of all the collaborators and friends that I knew, who’d recorded stuff with this horizontal vibe. Plus, I was also trying to help my friends' stuff get into the world. I know the story of Khruangbin blowing up after appearing on the series (in fact, I think that's how I discovered them). So, the main idea was to create a certain atmosphere, but also to help some of my favourite collaborators and bud- dies to give their songs a little push out into the world. Hope you like it” Jordan Rakei
Due for release on 9th April, Late Night Tales celebrate their 20th anniversary with the release of multi-instru- mentalist, vocalist and producer Jordan Rakei’s majestic compilation. The 28-year-old modern soul icon effortlessly stamps his own jazz and hip-hop driven sound all over this gorgeous array of handpicked tracks. A beautifully layered blend that is mirrored in the music he’s made, itcomes as no surprise that such a supremely gifted songwriter should deliver a mix that is all about the song.
Rakei, born in New Zealand, but raised in Australia, moved to the UK in 2015; he released his debut album, Cloak, with Oz label Soul Has No Tempo, but his two subsequentLPs, Wallflower and Origin, came out on Ninja Tune, the former#2 in Album Of The Year for Gilles Peterson’s Worldwide poll, while Origin was nominated for Best Album at the AIM Awards. Jordan had this to say on his upcoming mix:
As Jordan says,there’s so much more to the song selection on Late Night Tales’latest outing than a random collection of artists. Many have some sort of personal connection, so just as Bonobo provided a platform for the breakout of Khruangbin on a previous LNT, this may have the same ef- fect for Rakei’s friends. After a soothing opener from Fink, good friend and big influence Alfa Mist (part of the Are We Live collective) delivers ‘Mulago.’ “I want to champion their sound and show the world how good he is, and I thought it’d be fitting to start the mix with family,” says Jordan.
Next up is Charlotte Day Wilson with ‘Mountains,’ followed by ‘Count A Heart’ from Moreton, an exclusive collab- oration with Jordan, who grew up on the same street in Brisbane, Australia. “She was the first artist I ever collabo- rated with, and one of the first artists to be involved in mycareer,” he explains. Elsewhere we hear Scottish producer and multi-instrumentalist C Duncan’s haunting ‘He Came from the Sun,’ Barcelona collective Oso Leone deliver a dreamy ‘Virtual U’ and Bill Lauren’s ‘Singularity,’ which evokes a striking sense of time and place.
Snowpoet’s ethereal ‘Evitenity’ is a “long mediative nar- rative over a beautiful soundscape,” which at times seems chaotic, nicely juxtaposed with undeniable beauty, and Maro’s kooky songwriting shines on ‘Always And Forever.’ Long-time buddy Armon-Jones contributes ‘Idiom,’ and Jordan’s exclusive cover version is a two-for-one, Radio- head’s ‘Codex’ merging with ‘Lover, You Should’ve Come Home’ by Jeff Buckley and another exclusive,original com- position by Jordan, ‘Imagination.’ The latter works as a piece with the spoken (Spanish) word voiced by movie director Alejandro González Iñárritu (Babel, Birdman, and The Reve- nant,) who is a big fan of Jordan’s. “He messaged me when I went to L.A and asked to come to my show. I was in such shock and we hung out after. I thought it would be nice to get him to do this in his native tongue, because I don’t think that’s been done yet on the series.” It certainly is a familyaffair. Not theblood is thicker than water kind, but certainly musical kindred spirits.
The established favourite Nicolas Laugier AKA. The Reflex has been a crucial name in the fabric of electronic music, and is widely praised for his masterful production style which has gained the seal of approval of heritage artists such as Nile Rodgers, Giorgio Moroder, Nina Simon, Kid Creole, Kathy Sledge, Noel Gallagher, Bono and Paul Weller - morphing some of the world classics into contemporary; certified rave anthems. Loved by tastemakers alike including Rob Da Bank, Gilles Peterson, Craig Charles and Mistajam, The Reflex is responsible for unleashing some of the best remixes to date.
Returning off the back of his latest revision of Norman Doray and Darren Crook's 'Sweet Freedom', which has so far gained nearly 150 worldwide radio spins since it's release on 6th November, The Reflex now puts forward an incredible 2021 revision of two time Grammy award winner Nile Rogers' 'Do What You Wanna Do'. A modern disco anthem, the track has since been remixed by producers like MK, Eats Everything and Rob Da Bank. With an already established repertoire of essential remixes and re-edits, the London based producer combines his unique Disco and Soul blend with his acclaimed musical initiative to create what will be an intricate and exceptional upgrade, and a key selection of an already impressive arsenal of releases.
A percentage of the royalties from this release will be donated to Nile Rodgers' 'We Are Family Foundation' - who collaborate with forward thinking organisation who believe in youth and together, build creative programming and content, empowering young people to take humanity forward.
The Patchouli Brothers are best friends from small town Canada, who found themselves bonded by their affinity for the strange side of house, disco, soul & otherworldly sounds. They hold down a residency at Beam Me Up, a weekly disco night in Toronto & a monthly party in Montreal, and have had releases on some of their favourite labels like Defected, Soundway, GAMM, Star Creature, Pleasure of Love & Basic Fingers.
Before the world stopped spinning, they were touring Europe & beyond. They look forward to meeting freaks across the world and to dance together again soon.
The Parisian jazz / funk collective The Big Hustle returns with the release of their third LP titled For Life published by Betino’s records. The Big Hustle here definitively asserts its identity, once again demonstrating the strength of the collective, and positions itself as the guardian of "real" organic music from the US jazz / funk tradition of the 70's.
The group has chosen for this new opus to refocus on the musical core of the band. However a few selected guests are present, for example the virtuoso saxophonist Baptiste Herbin, and Marie Sané, rising star of the Parisian soul scene.
The group returns to a musical approach close to their first LP, favoring instrumental titles to vocal pieces. The artistic orientation here has been to favor mastery and precision over spontaneity and the raw side of the beginnings. Funk in all its forms remains the essence of this album, especially on « 78 Funk ». We can also identify influences from jazz, afro pop, hip hop, modern gospel to rock. The overall sound of the album is marked by a more advanced and worked production. We can discover new sounds brought by the post production work that evoke the sound of dub, hip hop etc ... Nicolas Gueguen (Beat Assailant, NTM, Booster…) is once again in charge of the mixing process and brings his savoir-faire to reveal the best of each track and highlight all the subtleties of the arrangements and the interpretation.
For Life stands as the continuation of the artistic path of The Big Hustle : an odyssey in the making through the African American musical tradition of yesterday, today and tomorrow. The Big Hustle is definitely ready to evolve in the current musical world and well beyond. For Life!
We stumbled onto Al Muntzie’s under the radar soul beauty ‘Die Happy’ after conducting an interview with Joe Quarterman for a feature on our website.
It got us salivating about the prospect of further productions, which Joe had recorded, but had perhaps been overlooked. ‘Die Happy’ was originally released in 1976 and was the only release on S.B. Moon Records. The record has a crossover vibe as it sits beautifully between modern soul, funk, and proto-disco.
Initial research didn’t shed much light onto the background of the song. The trail was sparse, other than the record appearing on the sales list of rare-soul collectors and record dealers. So we decided to go back to the source and find out about the record directly from Joe himself.
“I met Al Muntzie through my bass guitar player, Elliot Adams. Elliot informed me that Al was looking for a song that was funky and suitable for a group. At that time, 1976 - 79, I had written the words and melody to ‘Die Happy” and Elliot cranked out a mean bass part that gave the song life. He should be credited as co-writer for his outstanding bass part. At this time my band, FreeSoul, had dis-banded and worked as sideman musicians.
Elliot and I made a demo of the song on a cassette and we let Al Muntzie hear it: he liked it. We set a recording date at the Omega Recording Studio in northern Virginia. We used a combination of two bands; FreeSoul and Experience Unlimited (EU). Al sang lead vocal and me and the Embracebles did the background vocals. Al was very cooperative and did not say much during the session. He followed my direction and got the job done.
The session took all day into the late evening hours where we mixed and mastered the tune to perfection. We had a good time creating this work of art.” We are forever thankful to Joe for giving us the opportunity to present this fantastic production by Al, Elliot, and Joe, and to give it the new lease of life, which it rightfully deserves. Produced by the legendary Joe Quarterman
- A1: Ryuichi Sakamoto - The End Of Asia
- A2: Mariah - Shinzo No Tobira
- A3: Chika Asamoto - Self Control
- A4: Jun Fukamachi - Treasure Hunter
- B1: Yumi Murata - Watashi No Bus
- B2: Hitomi 'Penny' Tohyama - Rainy Driver
- B3: Yumi Seino - La Maison Est En Ruine
- B4: Kyoko Furuya - Tokyo
- C1: Kazue Itoh - Chinatown Rose
- C2: Kazumi Watanabe - Tokyo Joe
- C3: Juicy Fruits - Jenie Gets Amgry
- C4: Haruo Chikada & Vibra-Tones - Soul Life
- D1: Colored Music - Heartbeat
- D2: Akira Sakata - Room
- D3: Yasuaki Shimizu - Semi Tori No Hi
- D4: Shigeo Sekito - The Word Ii
Repress!
A MAJOR EXPLORATION OF TOKYO'S CUTTING EDGE 80S SOUND THROUGH THE MUSIC OF CULT JAPANESE LABEL NIPPON COLUMBIA AND ITS BETTER DAYS IMPRINT, SELECTED BY BRITISH RADIO PRESENTER AND DJ NICK LUSCOMBE.
‘Tokyo Dreaming’ is a superb selection picked from the highly collectible Nippon Columbia label and its Better Days sub-label. For the occasion, we’ve teamed up with journalist and Japanese music expert Nick Luscombe who was granted rare access to the much-guarded Nippon Columbia's vaults for a masterful selection encapsulating the fascinating sound of Tokyo in the late 70s and 80s. The selection mixes electro, synth-pop, funk and ambient and features such artists as Ryuichi Sakamoto, Mariah, Shigeo Sekito, Juicy Fruits, Hitomi "Penny" Tohyama and Yumi Murata. The tracklist includes many sought-after rarities and hidden gems which have never been released outside of Japan and the set has been newly remastered by Nippon Columbia. The album has been designed by famed London-based designer Optigram and is annotated by Nick.
Nippon Columbia, one of Japan's oldest music labels is also one of its most collectible thanks to its sub-label Better Days which, in the late 70s, became a hotbed for Tokyo's new generation of pop artists eager to experiment with ambient, electro and funk. Armed with a string of new Japanese-made synthesizers and drum machines that would soon take the world by storm, they made cutting-edge music, which has since become highly sought-after by a new generation of Japanese music lovers. Nick Luscombe, who has long been a leading advocate of Japanese music from this era, has handpicked a selection of some of the sharpest music released on these labels at the time.
According to Nick, “Tokyo Dreaming is a look back to an incredible era of Japanese music, that still sounds and feels like the future. It was a moment when brand-new music tech from Japan helped forge new ideas and experiments that permeated pop, soul and jazz and helped create new forms of music including electro and techno. The perfect meeting point that would help create a new soundtrack for modern living.“
?The selection starts with "The End of Asia" by Ryuichi Sakamoto from his 1978 ground-breaking debut "Thousand Knives Of" (reissued last year by Wewantsounds). The track became a staple of Sakamoto's and YMO's live shows and was even re-recorded by the group for their 1980 album 'X Multiplies'. The track is followed by Mariah's cult Armenian folk flavoured synth pop classic "Shinzo No Tobira" (1983), which first spread outside of Japan when the Scottish DJ duo Optimo started playing the track regularly at their shows.
?Chika Asamoto's "Self Control" (1988) and Jun Fukamachi's "Treasure Hunter" (1985) are perfect songs in the synth-pop canon, while Yumi Murata's rendition of Akiko Yano's "Watashi No Bus" and Hitomi "Penny" Tohyama's "Rainy Driver" both from 1981, move closer towards the slicker, funkier sound of City Pop.
?'Tokyo Dreaming' superbly showcases the breadth of 80s Japanese music and the way electro pop was a playing ground for musicians to experiment with many styles, as showcased by Akira Sakata's dub-enfused "Room" from 1980, Kazumi Watanabe's discoid "Tokyo Joe" (1980) and Juicy Fruits' "kawai" robotic Techno pop song "Jenie Gets Angry".
?The selection flows effortlessly between many shades of synth and ends with two cult classics in the form of Yasuaki Shimizu's "Semi Tori No Hi" and Shigeo Sekito's ambient-jazz masterpiece "The Word II" from his highly sought-after album "Kareinaru Electone (The Word) Vol.2" which, although recorded in 1975, perfectly announces the synth revolution to come. Tokyo Dreaming showcases the groundbreaking sounds of a city turned giant sonic lab which was restlessly inventing the music of the future.
Nick Luscombe is a highly respected and in-demand music influencer who discovers great music from all over the world and shares it internationally through his many radio shows and DJ sets. He has been in charge of music selection for various radio programs since 1999, and from 2010 - 2019, was the DJ for the popular BBC Radio music program "Late Junction”. He has also curated and presented music shows for Monocle and British Airways radio stations. He has worked as both Chief Music Editor at iTunes and Director of Music at London’s Institute of Contemporary Art, and is the founder of MSCTY.
After a long delay due to his previous powerhouse 'Hypnotised' blowing up the worldwide spot, German maestro Purple Disco Machine finally lets loose the next step in his world dance domination. Every superlative under the sun has been used for this man's talents and he does not disappoint with a return to his updated Italo disco stylings on new single 'Exotica'.
Purple Disco Machine remains at the forefront of world dance music, following a series of remixes for A-list icons Diplo, Dua Lipa, Mark Ronson, Foals, Calvin Harris, Fatboy Slim, Sir Elton John, whilst more recently delivering his stellar cuts of Duke Dumont’s ‘Ocean Drive’, and Lady Gaga and Adriana Grande’s international hit single ‘Rain On Me’.
He now unveils yet another side of his impressive production prowess with new single ‘Exotica’ featuring the Italian electro funk producer Mind Enterprises on vocals, creating an electric club record exploring and playing homage to '80s German and Italian euro disco records that he grew up with.
Based around a replayed sample of 80’s Italo disco classic ‘Void Vision’ by Cyber People, Purple Disco Machine creates a high energy dance-floor heater with a lively modulated vocal. ‘Exotica’ shares its name with the forthcoming studio album, which the artist confirms will feature his playful interpretation of the music of the decade that birthed the Purple Disco Machine sound; Synth Pop, Italo Disco, Electro Funk, Soul, R&B and Boogie.
Certified as one of the most prolific electronic artists of our generation, the Dresden born producer ranks #2 on Beatport’s all-time Top Artists, with his 2013 breakthrough hit ‘My House’ remaining as one of the platform’s best-sellers through to today. With an undeniable midas touch, Purple Disco Machine landed himself in the record books once again in 2018, whilst amassing a stunning 100 million streams across his original ‘Dished (Male Stripper)’, and remixes of Weiss’ ‘Feel My Needs’, and most notably his remix of the seminal ‘Praise You’ by industry icon Fatboy Slim. With a slew of varied releases including hit singles ‘In My Arms’, ‘Body Funk’ and ‘Devil In Me’, the producer’s status was propelled by his debut LP ‘Soulmatic’, earning him critical acclaim across the globe.
Deepology presents the third EP of the ‘Four Seasons’ series. Four releases, vinyl only, each corresponding to a specific season of the year. Quality deep house gems & catalogue highlights from past and present.
The main track of the EP is ‘Moscow After Autumn Rain’ by Elastic Sound. The track originally released on Deepology back in autumn 2007 now re-mixed and re-shaped by Spanish deep house master Soul Minority. The remix is all about the still magnificence of the big city, cosy streets melting in the twilight, the smell of trees whatever comes up in your imagination.
On the B1 side is a track by Russians Acos CoolKas duo. The guys teamed up with vocalist Metropoliz to deploy this gentle piece of melodic sunshine delivered straight to your soul.
The B2 track, a summer tune called Beach, from Tek Killa form Athens - some quality stuff to fill the space around you with sunshine & sound.
Limited Edition of 300 copies. Pressed on black vinyl with white disco bag.
Regarded as one of the greats from Detroit, Rick Wade has crafted an incredible discography of tracks blurring the lines somewhere between deep house and techno with a sound and style brilliantly his own. His outstanding 'Timeless EP' from 2017 returns to Elypsia Recordings with an onslaught of remixes delivered by a diverse and unstoppable roster of modern musical mavericks - each respectfully twisting the original magic of Rick's original productions and creating a fresh take in their own style.
The Way I Am' comes in the shape of Tresilo aka Oliver Way (of Detroit Grand Pubahs), Esteban Adame and Ben Long (of Space DJz) and is an absolute belter of a prime-time stormer. Dominated by gigantic synth melodies, the track weaves around percussive alterations with hi-hats, sharp claps and energetic rides paired perfectly with the catchy musical wiggles and kicks. The familiar vocal sample from the original sneaks into play with perfect placement - offering a reminder of Rick Wade's awesome original.
Rick's previously unreleased track, 'Academy' receives the first of two remixes from Seattle house hero Pezzner. The 'CR2' Remix takes the groove into subterranean territories with a heads down bouncer of a track, fully embracing Pezzner's more house-focused approach. A percolating bassline keeps the cut moving ahead while soft, divine pads offer a classy sonic texture suitable for wide-eyed ravers and urban headphone listeners alike.
Detroit's Vintage Future joins the remix roster with his take on 'Planet Deep,' one of the standout cuts from the original EP. The track is absolutely saturated with Detroit soul. Deep, machine driven textures and gorgeous otherworldly melodies rest alongside a truly infectious groove. The famed keyboardist for Model 500's live gig, Vintage Future knows clearly how to craft an incredible groove with his keys, and the sounds from this impeccable remix are tip top.
The second remix of 'Academy' from Pezzner continues his remix focus in a deeper house mindset, with Pezzner delivering even softer sounds, and more intense pad dynamics. This retouch includes the addition of some gorgeous orchestral stabs and organ textures which gives the remix a soulful touch - made to focus on a slightly more melodic approach than the previous Pezzner rework.
Named "best kept secret of Canadian funk" by the Quebecois newspaper La Presse, The Brooks are a band of accomplished musicians, well-known in the soul/funk scene across the Atlantic. Expert instrumentalists led by Alexandre Lapointe create a dazzling combo with frontman Alan Prater— an incredibly energetic showman who has worked alongside some of the biggest names in the music industry. This passionate and experienced band fan the sacred fire every time they perform! Thanks to a solid realization, their musical message comes across beautifully. The Brooks go beyond mere interpretation and style exercises: they are a powerful groove machine and a driving force in their sector. 50 years of African American music are condensed in the band's aesthetic. In their live shows and in their records, you can hear James Brown's meticulousness, D'Angelo's delightfulness, Fela Kuti's radiance, Herbie Hancock's intergenerational openness, and J. Dilla's innovative spirit. These heroes of music didn't let rules and trends dictate their messages, and neither do The Brooks. Just like these history makers, they built their reputation with sweat and rigor, outside of conventional channels. The Brooks are incredibly hard workers united in a project where pleasure and complete artistic freedom are the only key words. After 8 years of existence, with an EP and two albums, they have already won many awards and nominations (GAMIQ, Independent Music Awards, ADISQ...) and built a solid reputation in the Quebec indie world.
Who are The Brooks? First, there's the icon, Alan Prater! This Florida-born musician can boast that he shared the stage with the Jacksons! Thanks to his many trips and experiences, he became a key member of Montreal jazz. He is the band's biggest asset: if The Brooks were a sports team, Alan Prater would be captain. Then, at the drums: Maxime Bellavance, one half of the Beat Market duo, whose "dancy and retro futurist" groove can be heard in several major and underground projects in Canada. Philippe Look aces guitar and vocals. His experience as a session musician working with famous bands for 20 years allowed him to take part in different projects: rock, downtempo, trip hop, electro… As one of the founding members of The Brooks, he also wrote many of the band's songs. Keyboardist Daniel Thouin is an integral part of the Montreal jazz scene. He is both an accomplished acoustic piano player and synthesizer player, well versed in writing as well as in improvising, in organic sounds as well as in the latest technologies. Thouin possesses a double vision, which allows him to both exalt and lead productions. Composer Sébastien Grenier wows us with his saxophone. Thanks to his theoretical knowledge and his 20 years of experience, acquired through continuous training all around the world, he is a true guiding force. French trumpetist Hichem Khalfa begun learning the instrument at 7 years old. He attended a musical conservatory before going to the Haute École de Musique and finally pursuing his studies at McGill University. He won prizes at Rimouski International Jazz Festival and received the François Marcaurelle prize at Montreal Off Festival. His successful jazz projects allowed him to work with famous musicians like Blitz the Ambassador, Nomadic Massive, Rhonda Ross and Kalmunity. Philippe Beaudin can be considered an apostle of Afro-Latin percussions, which he teaches and practices with great passion. Thanks to his participation in several projects, you can discover his talent both on stage and onscreen. The Brooks' philosophy is based on art in its rawest form, on perfectionism in musical practice. The choices they make and the directions they take are motivated mostly by instinctive feelings. This is how The Brooks recently crossed the path of Underdog Records during a trip in France. It was love at first sight for the two groups who share a passion for soul. Their chemistry allows them to be completely free in their creative process and natural as ever in their conception-creation-communication approach.
Berlin-based, Dutch-born Steffi possesses near-boundless prowess. As a DJ, she’s proved her effortless mastery of disco, house, electro, and techno; as helm of labels Klakson and Dolly, she’s long maintained her status as tastemaker; as a producer, she has graced us with three solo LPs and numerous 12”s. Dark Entries is now honored to unveil the debut of her project Crushed Soul, a moniker she had used only once in 2013 for an Ostgut Ton compilation track. The mutual esteem of Steffi and DE has been previously fruitful, with Steffi providing a remix for Cute Heels’ 2016 EP on DE, but this is their first full-length collaboration.
The Family of Waves EP represents both familiar and novel pastures for Steffi. While her love of electro and classic Detroit techno have been oft-evident, here we witness the darker shades of new wave and industrial creep to the forefront. This turn for the twisted feels not just natural, but predestined, an inevitable succumbing to morbid forces. But Steffi also views Family as “a playful association...a mix of my past and new modern waves". There is a kernel of whimsy, even joy, lurking within the record’s temporal jumblings. The A-side opens with “Gravitational Field”, which juxtaposes its gnarled bassline with unearthly percussives and a recurrent resonant gong. The wild sonic palette speaks Steffi’s singular voice. “Scalar Property” continues the paranoid propulsion with an unhealthy dose of what can only be described as Metroid-funk, its staccato bass jabs interlaced with ghastly vocal pads. The B-side contains a diptych of slower tracks that juggle reference points both retro and futurist. In “Family of Waves”, a churning EBM-esque bassline battles acerbic yelps. On this track, the collision of past and present is most pronounced, as if A Split Second were covering Mike Parker. “Diffusion of Heat” closes the EP with what feels like a perfect synthesis of Steffi’s musical passions: funky, warbling chord stabs; intricate rhythmic diversions; the ecstasy of repetition. Here, disco, new wave, and techno marry harmoniously, if only to inform us of the disharmony of our present.
All songs have been mastered for vinyl by George Horn at Fantasy Studios. The sleeve and accompanying postcard were designed by Eloise Leigh using video art stills by Goldenliustra.
Italian Duo Souldynamic have been turning the heat up considerably over the last couple of years. Releasing a steady stream of original track, remixes and their well loved disco reworks they have popped up on some of the most respected labels out there from King Street and Tribe to BBE. Consequently their remixes have adorned the releases of some of the most legendary performers from across the electronic scene including Louie Vega and Dennis Ferrer.
Their latest release the ‘West Side of Afrika’ EP see’s them land on the irrepressible Samosa Records. They are having a glorious couple of years with one sell out chart topping release after another so it’s a well made match.
Comprising four tracks of afro centric house music it’s a wonderfully warm and inviting release if you love your percussive African disco.
Lead track Guinée fuses easy going percussion with an effervescent bassline and a wonderfully expressive vocal. It’s a track which is easy to get lost in, one for those communal loved up dancefloor moments.
Faranah is a more laid back affair again leading off with layers of percussion its swirling dual vocals and brass stabs give it tons of feel-good zest
Over on the flip Bamako is the deepest cut on the release. It’s pounding bassline cuts through the speakers, creating immeasurable straight to the dancefloor energy. Wonderfully succinct playing and a ridiculously hooky vocal top matters off perfectly..
Final track Beyla is the perfect way to see the release out. Energetic brass stabs power the track. Couple those with some brilliant looped up percussion and it’s a track which will fit a variety of situations from the more laid back to the peak time. Indeed the percussive break down midway through is worth buying two copies for.
Another powerful release from the Samosa stable!




















