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Those who pay close attention to DJ Harvey’s sets should already be familiar with NuNorthern Soul’s next single, a fully licensed reissue of a sought-after 1980 promotional seven-inch from legendary Spanish Flamenco singer Manuel Mancheño Peña, better known as El Turronero (‘The Nougat’).

Both ‘Las Penas’ and ‘Si Yo Volviera A Nacer’ have long been secret weapons in the sets of dusty-fingered Balearic DJs, with Harvey regularly dropping the tracks during his sessions at Pikes Hotel on the White Isle.

Both tracks first appeared on Pena’s 1980 album New Hondo, a set that updated the then veteran Flamenco artist’s sound for the disco era. Whereas most of his previous albums were more traditional Flamenco affairs, New Hondo combined his throaty, effervescent Flamenco singing style with the driving grooves, swooping orchestration and spacey synthesizer sounds of European disco.

To promote the album, Spanish label DB Belter pressed up a promotional “45” featuring two of the most club-friendly cuts on the album. It’s this release that is being reissued for the very first time by NuNorthern Soul.

A-side ‘Las Penas’ is undoubtedly an off-kilter, late-night disco classic. Built around a flanged, action-packed disco-funk bassline, metronomic beats. soaring and layered female backing vocals, intergalactic synth sounds and stirring strings, the track steps up a level when ‘El Turronero’ takes to the microphone to belt out an infectious, energetic vocal in his trademark Flamenco style. It’s the kind of cut that’s as haunting and intoxicating as it is funky and floor friendly.

Flipside ‘Si You Volviera A Nacer’, another of New Hendo’s most sought-after tracks, is another unique and righteous concoction. Looser, groovier and warmer in tone, it sees another sublime, Flamenco style lead vocal from Pena accompanied by even funkier bass, spiralling ’70s synthesizer sounds, sweaty drums and some seriously exotic instrumental flourishes (think sitar and kalimba). It’s every bit as alluring as the more driving A-side, and equally as playable.

Both tracks may be unusual in comparison to the artist’s other releases, but they expertly capture a moment in time, when disco dominated dancefloors all over the world and inspired even the most traditional and historic of European musical styles. Quite a number of flamenco-disco records were made in Spain during the late ’70s and early ’80s, but very few are quite as magical as these.

Wayout Records head honcho, Manchester DJ and producer James Kumo aka K.Mo, takes the reins for their next release ‘Space Funk EP’, featuring man of the moment Byron The Aquarius.

The deep house groove of title track ‘Space Funk’ has Byron on keys, laying down his trademark synth and bassline stabs courtesy of his Prophet 6. The warm and soulful vibes sit alongside driving drum patterns and additional live percussion by Mauskovic Dance Band member Chris Bruining.

The B side opens with ‘Moon Light Shuffle’, delivering a captivating bass line with synth lead melodies accenting the organic solo to die for from the super talented Tim Jules.

Close ‘Inner Soul’ is full of sparkle with heady pads, luscious piano chords again from Tim Jules, elevating this very credible record to a whole other level.

In the past years, the multi-instrumentalist, composer, producer and music enthusiast Jeff Özdemir had been focusing on organising the Live-Mixtape series in Berlin, inviting numerous artists to join him on stage for every single event. However, the year 2020 put an end to this for all the painfully obvious and obviously painful reasons. Undeterred, he instead put together the third instalment of the »Jeff Özdemir & Friends« series, working with singers, musicians and groups such as Knarf Rellöm & DJ Patex, F.S. Blumm, Joanna Gemma Auguri, Elke Brauweiler and Elmer Kussiac for an 18-track … Now, is this a compilation or an artist album? Well, why just either this or that when it can just be both at once? This is »Jeff Özdemir & Friends Vol. 3« after all, emphasis on »&«.

Released on Karaoke Kalk like its two predecessors from the years 2015 and 2017, respectively, »Jeff Özdemir & Friends Vol. 3« sees the man behind Kreuzberg’s 33rpm record store and the 33rpm Records label showcase his qualities as a people remixer, songwriter and versatile musician. He put together a collection of groovy tunes picking up on funk and afrobeat rhythms, introspective ballads, a musically channeled punk attitude, shoegaze sentiments, spoken word passages, drones, glockenspiel sounds, seriously fun experimentation and much more. Just like on the cover artwork - courtesy of Marion Eichmann, Özdemir’s favourite visual artist - everything here seems to discreetly exist for itself while being tightly connected to everything else at same time.

While artists like Ertan Doğancı, Désolé Léo, eng°n, F.S. Blumm and Zap have been long-term collaborators of Özdemir and were featured on previous instalments of the »Jeff Özdemir & Friends« series, new faces and forces also enter the mix. The melancholic »Love Letters« for example marks the first (though hopefully not last) collaboration with singer Joanna Gemm Auguri, while Knarf Rellöm & DJ Patex’s appearance has been dreamt of collectively but hasn’t been fully realised until now.

Whether it’s Désolé Léo’s French crooner soul, the lo-fi synth pop song »Bored« featuring former Commercial Breakup singer Elke Brauweiler or the many different sounds and styles presented under the name Jeff Özdemir: no decision is ever made between either that or this musical direction, but all are being joyfully enjoyed together. Thus, throughout its 70 minutes, the stylistic diversity of »Jeff Özdemir & Friends Vol. 3« does not once border on randomness. Instead, these sometimes very different songs are marked by a shared atmosphere - a direct result of these very different musicians approaching their studio time together less as a chance to make music but more of a chance to carefully listen to and interact with each other.

Just like you’d expect it from someone deeply connected with the local music community who also happens to run a record store, Özdemir is also the kind of person who’ll hand you the worn copy of a record he has just fished out from the bargain bin because he knows about its potential to change your life. The contributions by Vackrow (»Kleistpark«), Gebrüder Teichmann’s old band BeigeGT (»Disco«), and Otto von Bismarck (»Zu viele Erinnerungen«, produced by The Whitest Boy Alive’s Daniel Nentwig) do not even feature Özdemir, but are simply musical pearls that were (almost) lost in the shuffle of music history and unearthed for this very special occasion. That’s just what friends do, don’t they?

Adopted Berliner hailing originally from the US, Kyle Geiger is not just an experienced DJ and producer, having already released on staple techno imprints Soma, Perc Trax and Droid, but also a budding production teacher via his Twitch livestream started during the first lockdown of 2020. When he’s not sharing knowledge about DAWs and shedding light on diverse voices in the music scenes, he also runs his labels Cubero and Front Left.

Across three techno excursions, collectively dubbed 'Bellhouse' and numbered 1 to 3, Kyle uses recurrent themes and motifs to craft intricate techno rollers in different forms. 'Bellhouse 1' stands out as a peak time dancefloor track, complete with heavy-hitting percussion, a dramatic lead and scintillating hi hats. 'Bellhouse 2' on the other hand comes off as a more subtle, restrained groove, whose nervousness can keep the energy high, while the third track can be found more on the dubby side, with metallic synths and mechanical whirs atop a steadily evolving marching bass. Hosts Rebar take on 'Bellhouse 2' giving it their own spin - distilling its fidgety atmosphere into a more anchored, mind-bending slow burner.

Esteban Adame aka Frequencia drops the track list for an intergalactic backyard party with the Chicano Boombox EP. Esteban’s music career started as a DJ in L.A.’s East Side backyard party scene, he then stepped up his musical game by collecting gear and studying the piano. His evolution into a professional musician led him to gigs around L.A.’s jazz and salsa scenes. But he never lost his love for DJ culture and electronic music and that led him to join Mad Mike’s Galaxy 2 Galaxy band through his mutual friendships with UR’s Santiago Salazar and Yaxteq’s own DJ Dex. He’s released music on esteemed labels such as Underground Quality, Dolly, Mister Saturday Night, EPM, Jealous God and more. He also collaborates with DJ Dex as El Coyote.

“Rush The Floor” makes you want to do just that with its hypnotic lead synth and a breakdown that will leave the dancefloor wanting more. “Deep Function” flexes musical chops via soulful chords and a perfectly timed solo all riding over a thumping house beat. “Still Here” recalls classic Detroit Techno methodology as a reminder to keep the inspiration flowing. The EP is rounded out with “The Promise” a driving yet euphoric track perfect for watching the sunrise after a long night.

Weird.ltd presents its second reference in the hands of the AREA 51 duo made up of Camilo Gil & Rodrigo Valdivia.

Four fresh house cuts in their deep nuances, and hypnotic cuts of minimalism with a South American flavor.

Plus two remixes, like ASTRAL, by UK legend TOMMY VICARI JNR.
And the Venezuelan based in Berlin, ARGENIS BRITO.

Undoubtedly a must for lovers of dance worship.

Here I leave you the support, and the feedback from the djs, so you can listen, and hopefully these days contact Jordan, to make that possible.
support of Djs such as:

Rick Wade - Dj Aakmael - Dorian Paic - Maher Daniel - Sascha Dive - Jef K - Norm Talley - XDB - Delano Smith - Politics of Dancing - Djebali among others ..

Feedback:
Jorge Caiado: Remix for Argenis its for me.
Dorian Paic: Remix for Vicari Jnr Killer!
Gari Romalis: All the stuff its for me, thanks
Amir Javasoul: A2 and B1 for me, strong stuff.
Mariano: All tracks for me !!!
XDB: argenis brito did a killer remix --- from first listen seems to be a dancefloor weapon,
Norm Talley: World of deep, yeah!
Peter Grummich: Solid Ep, Remix Argenis Brito its for me
Djebali: "Love the Ep, great music with superb remixes! Will play"

Another all-time classic from the extensive back catalog of the legendary Miami songstress Gwen McCrae.

"90% Of Me Is You" is instantly recognizable, it's been sampled countless of times by some of the most seminal Hip Hop artists ever (Large Professor, Jaylib, Mobb Deep & more) & is a bonafide "Rare Groove" sure-shot that never loses it's appeal & is always in demand with DJ's & producers. Perhaps it's the pairing of the languid guitar & strings, or Gwen's sultry vocals & that steady breakbeat that keeps people hooked some 40 years after it's original release Whatever it is, it's classic material from start to finish!

Backed here with it's original b-side slow jam "It's Worth The Hurt" this super-rare 45 has been re-mastered, re-pressed & brought back for 2015's dance-floors in conjunction & with the permission of T.K. Disco / Henry Stone Music, Miami USA.

Carrying on a new white label series of killer garage cuts, Bristol's Time Is Now have hand-picked British duo Cortese for their next installment. Expect playful, niche-inspired garage sounds with a unique touch of modernism.

The EP opens with "Abbey Park"; a glistening neo speed-garage track with delicate synth chords dancing over the cavernous slow attack bassline. It purrs into the squelchy bassline style "Where You At", that compliments upbeat piano stabs with autotuned vocals.

"Floaty" uses an iconic Aaliyah vocal chops, dancing around a chunky El-B inspired snare. This one has a melancholic breakdown which is perfect for a dancefloor breather, before the growling bassline is reintroduced to devastating effect. A collaboration with Brighton-based DJ Movement, "Things That Make You Go 'Hmm'" is pure bassline garage energy let loose in a furore of bass patches in a moodier track that still doesn't take itself too seriously. Closing out, "Figure 1" brings a searing synth melody which complements another rolling bassline. The understated drums make excellent use of a syncopated kick pattern whilst diva vocals chime along in the background.

Premieres from Data Transmission and Bolting Bits. Early support from Hospital, Huey Morgan, Rupture, Fanu, Rob Luis, Anthony Kasper (Fokuz), Red Rack'em, Bandcamp Weekly, etc.

150 copies pressed on 180 gram vinyl. Picture shows the HF021VFELT edition which comes with 'Nuthin' But a Jungle Thang' die-cut felt sleeve insert (in assorted colours), with Heard and Felt embroidered fabric tag. HF021V edition is the same 180g vinyl without the felt sleeve insert.

With music from Jonny Faith's recent Night Lights EP appearing in Grand Theft Auto and best of 2020 lists including Gilles Peterson's, you might think Jonny would continue to mine his take on hip hop and broken beat. Well, all in good time. He's been ready to enter the jungle for 20 years, and he's not waiting any longer.

Now based in Melbourne, Jonny first got involved in music in Edinburgh as a DJ and turntablist in the 90s, getting hooked on jungle, drum & bass, hip hop and the hybrids of these championed by the Mo'Wax label. Formative experiences included hearing DJ Hype spinning in Newcastle, seeing the Roni Size/Reprazent live show with two drummers and hanging out at cult Edinburgh club night Manga, where residents G-Mac and DJ Kid hosted the likes of Marky, Grooverider and J Majik.

Jonny was keen to start making his own sounds, signing up for an electronic music production course. But it wasn't quite what he was after.

'The course turned out to be more house-oriented,' Jonny recalls. 'Sampling wasn't on the curriculum, and the students weren't allowed to touch the Akai S900, the sampler used in lots of the early jungle classics.'

When Jonny did start releasing his own productions a few years later, he was starting to explore the experimental beat scene around the time Flying Lotus and Hudson Mohawke (another Scottish turntablist) were starting to make their mark.

Jonny continued to widen his sonic palette, adding elements of dub, jazz, funk, electronica and broken beat, and picking up fans like Radio Nova Paris, KCRW, Vice and Clash Magazine along the way. But he's never been more than one degree of separation from his jungle/D&B roots. He continued to buy and play the music, did the odd D&B remix and snuck sonic elements and techniques into his tracks at various tempos. Over the years his releases have shared labels with the likes of Peshay, Om Unit, Drumagick, Reso, Kid Drama and Danny Scrilla.

Now, more than 20 years after those early experiences in Edinburgh, Jonny unveils his first jungle/D&B EP, On Lock. And it sounds like he's been making this music the whole time. In a way, he has.

The single 'Open My Eyes' bursts out the gate, chopping not only the breaks and the soul for a tune that sounds like Amerie's '1 Thing', or some Just Blaze chipmunk soul, reimagined for the 174 BPM crew. Jonny started this one as a hip hop beat for a live routine on his MPC, but it only really came together when he reframed the groove around a D&B rhythm. Next up, Jonny tries a similar trick on his own boom bap tune 'Stay in Your Lane' from the 'Night Lights' EP. His new Step Off Mix totally recontextualises US MC Lady K's slinky soulful rap and hooks with a tough and funky junglist groove. One for fans of the old Roni Size/Bahamadia collab. 'Create' then spaces things out just a touch, with atmospheric but propulsive drumfunk. Vinyl bonus track 'Nuthin' But a Jungle Thang' layers cascading amen breaks, timestretched vocals and a massive double bass-line over the wah guitars and synth whistling of a G-funk era classic.

With early support for Jonny Faith's take on jungle/D&B coming from Hospital Records, Rupture (Rinse FM) and Fanu (Metalheadz), Jonny is ready to be welcomed (back) into the scene.


b A2: Stay in Your Lane (Jonny Faith Step Off Mix) feat. Lady K

Exclusive premieres scheduled in Music is My Sanctuary and Les Yeux Orange and heavy dj support including Groove Armada's Tom Findlay, Blessed Madonna, Erol Alkan, Dino Soccio, Tricky Disco, Leo Zero and many more

"In The Dark", is the new release from Casbah 73. A sensual, sinuous disco affair dealing with touch, human contact and yearning. Three different versions, each a completely different dancefloor proposition and ranging from organic and soulful disco, to hands in the air, uplifting funky horns to searing club banger, all crashing pianos, fierce bass, deep Moog and wild, dubby vocals. It is, in a nutshell, what we need now.

Following on from his recent debut release on Defected/Glitterbox Records, Spanish/US DJ and producer Casbah 73 continues from strength to strength with this, his latest offering, out now on his spiritual home Lovemonk Records.

Recorded locally with a group of top flight musicians and featuring a stellar vocal performance from Angela Gooden.

Following a limited 7” vinyl release of SunPalace edits in 2020, BBE Music finally delivers the full-length versions of Moodymann and Kenny Dope’s ‘Rude Movements’ remixes, alongside brand new interpretations by François K, Frankie Feliciano and OPOLOPO, plus a special edit by Phil Asher.
François Kevorkian needs no introduction to fans of House and electronic music. Featuring keys by Eric Kupper, his ‘SATS Dub’ and ‘TradMix’ versions of ‘Rude Movements’ are simply classic works, summoning House music’s golden era forward in time, to the here and now.
Bonus spaced-out ‘Flerken Space Bubbles’ and beat-less ‘Atmosphere’ revisions are also included in the digital version: both invaluable tools for DJs. Ricanstruction label founder and
long-time champion of the good groove, Frankie Feliciano delivers a slick and faithful update of ‘Rude Movements’, with a slight Latin soul twist. Swedish mix-king OPOLOPO turns in a typically live-sounding, funky and dancefloor-ready jam (ready whenever the dancefloor is,
anyway) The full, extended version of Moodymann’s remix retains the original ‘jammed’ feel of Rude Movements, adding stellar flute, sax and piano solos to that hypnotic vibe. Kenny Dope’s Afro-Latin inspired ‘Dancefloor Powder’ version is joined this time by a rough’n’ready, street tough ‘O'Gutta’ mix; calling all b-boys and b-girls! For the expanded digital package, we are also including a special edit by our sorely missed brother Phil Asher, created for his
own DJ sets and now available to all.
Made famous by David Mancuso at his New York Loft Parties, ‘Rude Movements’ was an obscure Brit-funk b-side recorded in the home studio of Mike Collins. The track’s unique sound, coupled with pristine sonics and production values caught the audiophile ears of
Mancuso, and the rest is history. Soon the track found its way into the hands of Loft Party denizens Larry Levan, Nicky Siano, Frankie Knuckles and Danny Krivit and continues to influence House and electronic producers through to this day.

Incredible Bongo Band was formed by MGM A&R Michael Viner in 1972 to record the soundtrack to a now virtually anonymous B-Movie entitled 'The Thing With Two Heads'. "The IBB" transformed from a loose studio collective to an instrumental pop covers consortium, interpreting classics of the day in their inimitable percussive fashion. Viner recorded them at MGM studios during downtime, assembling line-ups from whichever musicians were available at the time, leading to a unique blend of multi-talented musicians that included Jim Gordon, King Errisson, Jerry Scheff, and Perry Botkin Jr. The full bands' line-up is shrouded in mystery, but their legacy is undeniable. They spawned cult-classic records that would become a goldmine for hip hop breaks and attain sampling immortality.

'Apache', which was written and made famous by the British band The Shadows, is legendary in the worlds of dance music and hip hop. It was a staple for DJs such as Kool Herc and Grandmaster Flash as they invented their world-shaking take on the art of DJing at the Bronx block parties of the ‘70s. Over the years it has become a hip hop and breakers anthem and is revered as 'the break' of all time (at least in the top three) with the rhythms of this LP even helping to coin the term 'breakbeat'.

“Bongo Rock” is significant, for being one of the musical cornerstones of rap ... it is certainly one of the most sampled LP’s in history, if not the most sampled. Almost every history-minded hip-hop DJ has a copy, and the first few bars of “Apache,” can send crowds into overdrive.” According to Kool Herc, the stylistic pioneer many people consider to be the father of hip-hop music, the Bongo’s “Apache” is “the national anthem of hip-hop.” NY Times.

Sampled over 600 times, including... Nas, Beastie Boys, Moby, Mick Jagger, Kanye West, Sugarhill Gang, Jay-Z, Aphex Twin, DJ Shadow, Massive Attack, Ultramagnetic MC’s, Unkle, LL Cool J, 2 Live Crew, 4 Hero, Fatboy Slim, to name a few…

The real story of “The IBB” is far greater than the recordings themselves and ultimately shows how a distinctly powerful musical performance can get the recognition it deserves, no matter how anonymous its origins.

Bottin teams up with Francisco (Jolly Music, L.U.C.A.) for a drugged-out, sexed up, slo-mo psych-rock aptly titled LOVE LIFE. Old acquaintance Rodion steps in on remix duties, working deranged synth magic in the extended dj version. On the flipside, Argentina's Fernando Pulichino (2020 Soundsystem, Silver City) joins in with his flamboyant bass and shimmering guitars on DELTA TIGRE, an afro-cosmic sound contraption. The IchiSan remix heads up to the sky, all the way to synth heaven. Overall a compelling, throbbing disco-not-disco EP for adventurous djs and dancers in-the-know, who want to hear something different and juicy.

A long awaited new start for the Italian-born, Berlin based DJ & producer Bertrand. is set to be marked on 7th of June along with a 12′ vinyl only release on Future Déjà Vu. ”Bohr Model” summons new horizons in Bertrand.’s sound with an abundance of heady uppers & forward pushing dance anthems. The techno-electro mini-album is his first EP since 2019 and boldly highlights an advancement of Bertrand.’s production style and refined musical visions. The diverse take on captivating club tracks demolish the conventional means of dance music creating an audible narrative right at the intersection of edge-cutting sound and classical dancefloor weaponry.

Arkada records is excited to announce our 3rd release - forthcoming split EP featuring the sounds of Phausis and JFrank.

We are very happy to present the first part of the EP and the sounds of one of a kind underground producer and the man behind Arkada label artowrks Phausis also known under his Dj alias Agent2.

Born in London and raised on a mix of electronica and Detroit techno, Phausis doesn't put his head above ground to release music very often. With the occasional release on Earthlings compilation, acre recordings, Subgrade and the Anti- The Social Network here he presents two rare tracks of electro/acid especially brewed for Arkada records.

Second part of our EP presents the music of the Rome based most talanted electronic music producer JFrank.

Co-founder and Generalissimo at brainstormlab, and master General at Distant Future with well over 10 years of live gigs under his belt, JFrank is well known for his late night dancefloor breaks and has played everywhere from the arthouse to the doghouse – London warehouses and Berlin basements to Spanish squats and Roman ruins – with his special brand of space-age electronics. Along with a broad portfolio of releases, he currently has vinyl out on Pyramid Transmissions, Kaer'Uiks and The Irrational Media Society

On the second chapter of Arkada003 - 2 outstanding Electro/Glitch tracks of Julien which were also produced especially for the release.

The second album from Brighton based Balearic duo Andres y Xavi. This time with a little help from Rolo McGinty of Peel faves and Balearic Beat legends The Woodentops. This is a love letter to the forgotten side of Ibiza: dusty lanes, olive groves and clearings with sea views that go on for miles.

10 original compositions plus a cover of Talk Talk’s Renee.

The self released and distributed first album found favour with Balearic DJs across the world. Lead track ‘My alibi’ was picked out by the likes of Kenneth Bager, Danny Psychmagik and ‘Never seen Ibiza’ was a firm favourite of Phat Phil Cooper and Balearic Ultras.

Rolo adds guitar and vocals and a Woodentops vibe to two tracks on the album ‘What do you see in me?’ and ‘Walking in the sun’, his personal tribute to Jose Padilla.

First album received support from Kenneth Bager (Music for Dreams), Phat Phil Cooper (NuNorthernSoul), Chris Coco, Mike Salta, Leo Mas, Balearic Ultras, David Pickering (OneMillionSunsets) and many more!

And was described by Dr Rob (Ban Ban Ton Ton) as "Smokey Muscle Shoals organ plays, strings swoon, and Kosmische synths blink like distant stars... an overall “vibe” somewhere between Mo`Wax and the Sunday Best of Bent and Dan Mass... adorned by cascading Indie “neo-acoustic” guitar jangle. Like The Stone Roses by way of Horsebeach."

Everything has its right moment in space and time. And Rhode & Brown’s debut album “Everything in Motion” is no exception to this rule.

But first things first:
Hailing from Munich, Germany, Friedrich Trede and Stephan Braun are the DJ and producer duo Rhode & Brown. Growing up in two neighbouring villages near Munich both of them had been music enthusiasts since their early childhood. Friedrich played drums in punk bands at school and recorded rap songs in his bedroom, while Stephan, as childhood friend of Harold Faltermeyer's son, had the chance to experiment in the impressive studio of the legendary Donna Summer producer in his early teens.

By the late 2000s older friends started supplying them with DJ mixtapes and helped them sneak into clubs they weren’t allowed to visit, yet – cultivating their love for electronic music and club culture. And, of course, the Internet was their go-to source for finding the latest blog house tunes back then, too.

It wasn’t until October 2009 that their paths would cross for the very first (but almost last) time when introduced by a mutual friend: Back then Stephan was selling his old CDJ-player and Friedrich, who wanted to hone his DJ skills, ended up buying it: „When I got home and unpacked the player I realized that it was the wrong model. I thought Stephan was trying to rip me off - so I called him in a rage and demanded my money back.“ Friedrich laughs. To cut a long story short, the two met again the same evening, money and CD-players were exchanged, but luckily so was their passion for house and disco music. It was at that very moment that Rhode & Brown was born.

A lot has happened since the two played their first gigs together and made baby steps in music production. In the past 10 years they established themselves as one of the most reliable house producers around with rock solid releases on Toy Tonics, Shall Not Fade, Public Possession or their own Slam City Jams imprint. As well as becoming a household name in the DJ world, sharing the booth with the likes of Palms Trax, Dam Swindle, Jamie Tiller or Octo Octa - spreading their infectious "Dancing Deejays" vibes around the globe.

Following the great reception of last years „Aku Aku“ EP, June 2021 will see the release of Rhode & Brown’s debut album on Permanent Vacation. A record that showcases their open minded approach to making music and a passion for the nuances between genres - „We found inspiration for this album in all corners of our record collection. That means we are as much influenced by disco or 80s synth-pop as by house and techno of the last decades or the latest viral trap hit on Spotify“, the guys say.

On "Everything In Motion" you'll hear piano house / Italo disco hybrids alongside dreamy Balearic soundscapes and '90s-infused acid breakbeats flawlessly accompanying '80s synth pop anthems. Always infused with that signature Rhode & Brown magic. The album also finds them collaborating with some of the finest vocalists of the moment: Peaking Lights' own Indra Dunis is lending her voice to the title track for this special laid back California vibe, while Berlin's hottest export DJ City evokes a neon light romance affair on "Memory Palace", with a longing poem that makes you wander the rainy streets at night with your walkman on.

At a time when suddenly everything seems to be standing still, Rhode & Brown undeterred moving forward... true to their LP’s title.

Coinciding with the release of the Curtis Vodka EP on Mutual Intentions, Kurtiss moves from the fringes of the dance floor to the centre of the DJ booth with this lively three-track tool for the same label. The mysterious artist pays tribute to House music's origins as he takes his style of Hi-Def House music into peak time.

Shimmering hi-hats, deep basslines and staccato keys explode on "Every Woman loves Acid" where a disembodied vocal and squelching 303 go line for line in a psychedelic call and response. The obvious Larry Heard tribute, hastens the step of the Chicago classic "Can You Feel It" to accommodate an impatient dance floor, while Sadé croons over a skipping bass line for a live remix of "Never Thought."

Kurtiss homes his efforts in on the groove for this outing in a fitting selection for the whitelabel format. Alongside the official EP, this ushers in a new era for Kurtiss' music, sealing his future in wax, and bringing his music to a bigger audience through the Mutual Intentions franchise.

Kurtiss is a sporadic figure on the House music scene with eccentric habits, whose music is a rarified sonic experience for those who seek it out. Finally, this package re-constitutes the artist's presence in a physical format that will indefinitely become a future apogee on his and the label's discography.

Athlete Whippet join the Toy Tonics family! The London/Berlin-based duo make a sound that is based on futuristic breakbeats combined with deep, jazz chord progressions and a kind of funk that sounds more like it was made in 2100 then in a year behind us. Definitely not a retro record the Vesta EP is further proof that the connection between London and Berlin that has been build by several Toy Tonics artists (Cody Currie the latest in the gang) is becoming a strong one. The combination of the Berlin dancefloor sound and the UK jazz fusion soul is changing the scene and creating new moods. Neo soul and house, broken beats and disco.. there are lot of things happening in that new world and Athlete Whippet could be a strong player in that new sound.

The 2 guys already achieved great support by UK radio DJs such as Annie Mac and Jamz Supernova for their their first collaborative EP Touch (with Metronomy’s Olugbenga), followed by their 2020 solo EP 'Your Love Is Lifting Me', an ode to compassion and solidarity, and remixes for labels including Rhythm Section.

‘Vesta’ is not just the title track of the EP but also the name of the South London Road where they shared an apartment, built a studio in their living room, and put together the first ideas for this EP.

Both Robin and Avi come from a live performance background, played in bands since their early teenage years before they met studying music at Goldsmiths in London. You can hear a playful live quality throughout the EP. It’s not your average house productions with the usual formalistic patterns, but a very original, very fresh style - hard to copy (but easy to dance to).

Now based between Berlin and London, they collaborate with their friend, Athens-born, Berlin-based artist Aphty Khéa on Yesterday and Can’t Make My Mind Up.

Avi and Robin their label squareglass and a London-residency inviting guests such as Seb Wildblood, Will Saul, Asquith, Anu and also have a monthly show on Rinse FM.

What began as a challenge to fight creative stagnation, soon grew into a fully-fledged audio-visual project for Belgian DJ, producer and live artist, Biesmans. Setting himself the goal of making three tracks per week for a month, he re-scored ‘80s pop culture moments – including films, TV shows and games, resulting in a brilliant 12-track work encompassing new wave, indie, dark wave, electro and
disco.
Moving his modular-heavy studio to Berlin in 2014, the ensuring years saw Joris Biesmans drop heat on Correspondent, Disco Halal, AEON, 17 Steps and Future Disco. He’s been a core member of Watergate
family since his arrival in the capital, working as the club’s sound technician. He made his debut on Watergate Records in 2020 with the well-received ‘Electric Love’ EP.
The ‘Planes, Trains & Automobiles’ album took shape in April last year as the lockdown was starting to take grip and Biesmans needed a positive distraction. Ensconced in the music of his childhood and ‘80s
pop cultural fodder, he locked himself in his studio and set about creating, later digging through archival footage to match the music. Biesmans, who previously undertook work scoring films, was so absorbed by the process, he’d sometimes do it in reverse; allowing the vintage media be the guide. Throughout the period, the clips were shared each Monday, Wednesday and Friday on his Instagram, building up a firm following from fans, friends and colleagues. And thus, the project found its wings, developing into an album.
Throughout the dozen tracks, highlights are plentiful; from the neon ambience of the Kraftwerk-inspired ‘ ‘Cosmic Cruise’, which later accompanied a smoky scene between Tom Cruise and Rebecca de Mornay in ‘Risky Business’; the sun-soaked, retro-pop title track, which became the album’s first single, and was paired with a jubilant dance scene from the Breakfast Club; ‘Cold Void’, the album’s second single, which saw Biesmans link up with fellow Belgians Boi Wonder and Tom the Bomb for a dark wave creation built around a heavy guitar solo and set against a backdrop of Blade Runner clips; and the silky electro funk of ‘Another World’ that soundtracks scenes from Miami Vice.
Biesmans explains about ‘Planes, Trains and Automobiles’: “I started this as a lockdown challenge, in which I would make three tracks per week for a month, alongside providing videos where I re-scored
footage of 80s pop culture moments. Inspired by the movie of the same name, I picked the title because it ties to the theme of ‘mobility’. Our society is based upon being mobile and when Corona hit us, we
could taste a bit of being immobile. As an artist that meant, I could focus on making music 100%. No distractions, no weekend gigs, no parties just making music. This new lifestyle resulted in my first album.
A journey into the past but looking forward to the future, experimenting with other genres and techniques to make a real album that goes beyond club music.”

The 15th edition of ( djebali ) presents is here, and it features a number of new and forward-thinking artists 3 perfect dancefloor tracks delivered by Cosenza ! It comes as usual with a remix of the previous artist on the label : Giorgio Maulini

Repress

clear blue + black marbled vinyl

For its seventh release, Rave Or Die proudly welcomes Irish superstar Sunil Sharpe. Hailing from Dublin, this producer and DJ has gain within a few years a solid reputation of merciless techno purveyor in Europe with uncompromising re-leases on structures such like On The Hoof, Sheworks, Black Sun Records, Trensmat, Mord, Inner Surface Music, Komisch, Bastardo Electrico, and many more.

Half of the Tinfoil duo along with DeFekt offers to the French Rave label a great slab of bastard-heavy material in his typical signature: hard and fast Loose (Burn Down)' supported by metallic sorities and ruff modulations over a pounding bass line in a pure, raw style.

On the flipside, ROD mastermind Umwelt (Boidae, Shipwrec, New Flesh Records) serves up another milestone of a cabalistic anthem dedicated to industrial ware-houses: mechanic Slave To The Rave' signs an ode to the dancefloor thanks to its implacable and hammering beat. Harder, faster, higher seems to be the motto of Rave Or Die seventh chapter! Rush on it.

HIGHLIGHTS An emblematic figure of the Brazilian avant-garde and a key part of the cultural climate that made the rise of tropicália possible, Walter Smetak was a Swiss musician and inventor of instruments who developed his career in Brazil. "Smetak" (1974), his debut album, was produced by Caetano Veloso and Roberto Santana, and had the support of Gilberto Gil. It sums up a personal universe that combines Afro-Brazilian ritual traditions, theosophy, microtonal studies, collective improvisation and the use of unconventional musical instruments. Liner notes by Caetano Veloso. DESCRIPTION Walter Smetak was a Swiss cellist, composer, inventor of musical instruments, sculptor and writer who developed his career in Salvador, Brazil, and became an emblematic figure of the Bahian avant-garde and a key part of the cultural climate that made the rise of tropicália possible. Since 1969, he has carried out various workshops of experimental music at University of Bahia. His music was materialized in two albums: "Smetak" (1974) and "Interregno" (1980). "Smetak" was produced by Caetano Veloso and Roberto Santana, with the support of Gilberto Gil. There he unfolded a radical sound universe, based on the investigation of Afro-Brazilian ritualistic traditions, microtonality studies and collective improvisational open processes, always under the influence of theosophy, which he discovered in Brazil, and which allowed him to generate a symbolism represented in the construction of his own unconventional instruments, many of them of a sculptural nature, made with unusual materials such as PVC pipes, pumpkins and polystyrene foam, which he called plásticas sonoras. Around 150 instruments were created by Smetak, many of them in a surrealist style. They have been exhibited on various occasions in museums and galleries. His music was often based on graphic scores, many of them of great beauty. In addition to Smetak, Caetano Veloso and Roberto Santana, musicians such as Gereba, Tuzé Abreu, Djalma Correa, Capenga, among others, participated in the recording of this album. The author of one of the most important studies on Smetak, Marco Scarassatti, has written on the work of the Swiss-Brazilian artist: "His original and metaphysical work goes beyond any mysticism created around his figure. He investigated the relationship between sound and light, space and form, microtonality, collective improvisation, as a sound alchemist, a multimedia and unplugged prophet-visionary. While transforming matter, Smetak transformed himself and many of those around him." This reissue reproduces the much sought after original 1974 edition, published by Phillips. It includes the catalog of instruments used, adds a brochure with new photos and presents the remastered audio. The liner notes were written by Caetano Veloso. This project is part of Incidencias Sonoras: COINCIDENCIA experimental music & sound art platform, by the Swiss Arts Council Pro Helvetia.

7” vinyl imprint Alim Music revisits Osunlade’s distinctive versions of Jazzy Jeff’s classic cut ‘Rock Wit U feat. Erro’, with special ’45 edits of both the ‘Yoruba Soul Mix’ and ‘Yoruba Soul Dub’ created specially by Osunlade himself.

Appearing on Jazzy Jeff’s 2002 BBE debut album ‘The Magnificent’, ‘Rock Wit U’ started life as a smooth and soulful R&B cut, featuring sultry vocals from Erro (Eric Roberson). Back in 2001, production hero Osunlade remixed the track, taking this slow jam into dancefloor territory, where it became an underground hit, championed by the likes of Joe Claussell and Masters at Work.

Bedouin’s Human By Default recruits Upercent for the four-track ‘Inconformisme EP’ this May.

Previously recording for Watergate, Kompakt and Adana Twins’ TAU, the Valencia-based DJ/producer arrives on Bedouin’s imprint for his debut appearance on the label, delivering some of his most accomplished productions to date on vinyl.

Across the record, Upercent displays combines his wide range of musical influences into a set of engaging downtempo dancefloor cuts with impeccable attention to detail. Opener ‘Elefants’ twists various acoustic instruments and vocal samples around soft shakers and warm low end, leading into theloose percussion of ‘Fluir’, grounded by a softly thudding kick amongst fluttering and glitched out FX.

On the flip, ‘Caduco’ combines the natural and the synthetic as hand percussion meets sharp synth stabs and glowing pads. ‘Hipocresia’ twists mangled horns over a low slung backbeat.

Brace! Brace! That record is a bouncing riddim, and we never know where it's gonna land: here noise or miami bass, there dark disco and then Balearic. What could be an easy puzzle for diggers always feels true though. Sincere, like the 14-year-old DJ F16 Falcon, going nuts on some American nu hardcore - the back of the record are actual screenshots testifying of that moment. A life ago, DJ F16 Falcon used to be a part of the noise music scene in Paris, releasing music under the Roger mpr moniker. He dropped the complicated stuff for dance music but kept the industrial touch. We all need some dance. And we all need a Sugar Dada.

Canadian born and Naarm (Melbourne) based Jennifer Loveless returns one year on from her debut releaseHard/Soft(Pure Space Records) withWater, a 12" EP presented by Butter Sessions. Bestowing us with five tracks of dystopian dance-floor thump,Wateris a bustling showcase of Jenn's breadth as an artist. Reflecting on the contrast ofWaterwith her first EP, Loveless comments "I wanted a hard contrast to theHard/Softrelease. I always had a plan to release an energetic frivolous fun type EP afterHard/Soft. I had a feeling people might see me as an ambient producer (although I wouldn't really categoriseHard/Softas that), and I guess this EP,Water, is my response".

At its core,Wateris a hyper-charged cetacean maelstrom of electronic music, sampling weddell seals, humpback whales, pacific walruses and water itself.Waterkicks off with the rumbling patter ofOut/Underbefore moving into the unabatingSyzygy(Scissor Me).Jenn stamps a joyful yet skittish imprint ontoECC,while fly on the wallBackroll Buddysits on a sound bed of audio Jenn recorded at parties, capturing friends chattering and an edit of a Whitney Houston earworm she heard a DJ playing, paying ode to a night out.B L U YOUis a charming endnote; a fusion of fluorescent pop and a catchy bassline. The verdict here is thatWaterallows Jennifer Loveless to prove herself truly as a jack of all trades.Watertakes shape as an engrossing palette of bold dance music.

Spindle Ensemble’s highly anticipated sophomore album is scheduled for a release on Thursday 27th May 2021 on vinyl, CD and digital download via Hidden Notes Records. The vinyl version will be accompanied by a special 12 page booklet which also includes liner notes written by celebrated DJ and Broadcaster Nick Luscombe (BBC3’s Late Junction/Musicity/Flomotion Radio).

In conjunction with the announcement a brand new single Caligo - with B side Menilmontant - was released via Bandcamp on Friday 5th February 2021 together with a unique music video that combines super 8 footage and scratched 16mm film visual artist Narna Hue (watch the video below).

A special socially distanced album launch concert is due to take place at St George’s Bristol on Thursday 27th May depending on COVID guidelines and restrictions at that time.

Since their formation in Bristol in 2016 contemporary chamber quartet Spindle Ensemble led by composer and pianist Daniel Inzani (Yola, Alabaster dePlume, Tezeta) which also features tuned percussionist Harriet Riley (Charles Hazelwood’s Paraorchestra, Bristol Symphony Orchestra), cellist Jo Silverston (Mesadorm) and violinist Caelia Lunniss (Edward Penfold) have garnered much praise for their innovative take on contemporary classical music, rooted in spontaneity and improvisation performed with deft musicianship and unique instrumental pairing all resulting in truly captivating sonic soundscapes.

Equally at home performing in concert halls such as the Union Chapel, Southbank Centre, Bristol Beacon, St George’s Bristol and festivals including Shambala and Hidden Notes to churches, art centres, record shops and independent venues across the UK they continue to bring their music to a diverse and ever growing audience.

Listeners may hear influences from composers such as Satie, Pärt, Ravel, Reich, Glass and Moondog in their music but might also find the soundtracks of Morricone and the minimalist aesthetics of the Penguin Cafe Orchestra nestled alongside the more experimental leanings of groups such as Rachel’s, Esmerine, Bell Orchestre and Amiina.

The quartet’s forthcoming album Inkling was recorded at various venues across Bristol, capturing their performances as unique 3D sound images enabling the listener to hear each instruments position mimicking the audible experience as a live audience member. Unlike their debut BEA, some of the compositions on Inkling also features a collection of guest musicians expanding their sound to an orchestral scale, featuring the addition of brass and percussion instruments.

In September 2019 the group released a double A-side single of Chase and Okemah Sundown from the album with accompanying videos by acclaimed Director/Cinematographer Fred Reed and stop-motion animator Marie Lechevallier.

Spindle Ensemble’s highly anticipated sophomore album is scheduled for a release on Thursday 27th May 2021 on vinyl, CD and digital download via Hidden Notes Records. The vinyl version will be accompanied by a special 12 page booklet which also includes liner notes written by celebrated DJ and Broadcaster Nick Luscombe (BBC3’s Late Junction/Musicity/Flomotion Radio).

In conjunction with the announcement a brand new single Caligo - with B side Menilmontant - was released via Bandcamp on Friday 5th February 2021 together with a unique music video that combines super 8 footage and scratched 16mm film visual artist Narna Hue (watch the video below).

A special socially distanced album launch concert is due to take place at St George’s Bristol on Thursday 27th May depending on COVID guidelines and restrictions at that time.

Since their formation in Bristol in 2016 contemporary chamber quartet Spindle Ensemble led by composer and pianist Daniel Inzani (Yola, Alabaster dePlume, Tezeta) which also features tuned percussionist Harriet Riley (Charles Hazelwood’s Paraorchestra, Bristol Symphony Orchestra), cellist Jo Silverston (Mesadorm) and violinist Caelia Lunniss (Edward Penfold) have garnered much praise for their innovative take on contemporary classical music, rooted in spontaneity and improvisation performed with deft musicianship and unique instrumental pairing all resulting in truly captivating sonic soundscapes.

Equally at home performing in concert halls such as the Union Chapel, Southbank Centre, Bristol Beacon, St George’s Bristol and festivals including Shambala and Hidden Notes to churches, art centres, record shops and independent venues across the UK they continue to bring their music to a diverse and ever growing audience.

Listeners may hear influences from composers such as Satie, Pärt, Ravel, Reich, Glass and Moondog in their music but might also find the soundtracks of Morricone and the minimalist aesthetics of the Penguin Cafe Orchestra nestled alongside the more experimental leanings of groups such as Rachel’s, Esmerine, Bell Orchestre and Amiina.

The quartet’s forthcoming album Inkling was recorded at various venues across Bristol, capturing their performances as unique 3D sound images enabling the listener to hear each instruments position mimicking the audible experience as a live audience member. Unlike their debut BEA, some of the compositions on Inkling also features a collection of guest musicians expanding their sound to an orchestral scale, featuring the addition of brass and percussion instruments.

In September 2019 the group released a double A-side single of Chase and Okemah Sundown from the album with accompanying videos by acclaimed Director/Cinematographer Fred Reed and stop-motion animator Marie Lechevallier.

For Jayda G, joy is a state of mind. Whether she transmits it through her upbeat productions or magnetic energy at the decks, the Canadian-born DJ and producer, real name Jayda Guy, is a beacon of empathy on the dancefloor. It's no surprise, then, that Jayda G's DJ-Kicks mix captures the buoyant spirit of the music that has influenced her most. "DJ-Kicks has been a personal goal of mine for a really long time. I've been a fan for decades now. I remember there was one mix by Chromeo and it had some French disco on it that always stood out in my mind," she remembers. Clocking in at just over an hour, Guy's mixtakes you on a journey that moves through loved classics and new bubblers. The mix contains Jayda's Brand new single "All I Need", the follow up to Grammy Nominated breakthrough single "Both Of Us", a slinky house tune co-produced with James Ford that fizzes with shimmering energy. A rallying cry for kinship and understanding, Guy's insouciant vocals insist "all I need is you to hear me", gliding across the perfectly swung house beat. "Because the mix was made during the pandemic, I thought, 'What music makes me happy?' I want people to feel like they know me. I wanted it to be approachable, still honouring the disco and soul music that I love. I hope that translates in some shape or form."

TRANSPARENT ORANGE VINYL

For Jayda G, joy is a state of mind. Whether she transmits it through her upbeat productions or magnetic energy at the decks, the Canadian-born DJ and producer, real name Jayda Guy, is a beacon of empathy on the dancefloor. It's no surprise, then, that Jayda G's DJ-Kicks mix captures the buoyant spirit of the music that has influenced her most. "DJ-Kicks has been a personal goal of mine for a really long time. I've been a fan for decades now. I remember there was one mix by Chromeo and it had some French disco on it that always stood out in my mind," she remembers. Clocking in at just over an hour, Guy's mixtakes you on a journey that moves through loved classics and new bubblers. The mix contains Jayda's Brand new single "All I Need", the follow up to Grammy Nominated breakthrough single "Both Of Us", a slinky house tune co-produced with James Ford that fizzes with shimmering energy. A rallying cry for kinship and understanding, Guy's insouciant vocals insist "all I need is you to hear me", gliding across the perfectly swung house beat. "Because the mix was made during the pandemic, I thought, 'What music makes me happy?' I want people to feel like they know me. I wanted it to be approachable, still honouring the disco and soul music that I love. I hope that translates in some shape or form."

Der gebürtige Stuttgarter und international renommierte DJ und Produzent Danilo Plessow (Motor City Drum Ensemble) deckt auf seiner Fabric-Ausgabe mit seinem feinen Gespür für Soulfulness und perfekte Instrumentierung mehrere Jahrzehnte, Locations und Genres ab. Raritäten von den 70ern bis heute, die teils bis heute digital nicht erhältlich sind, schmücken das 28-Track-Mixset, von denen 11 Highlights als Full-Length-Tracks den Weg auf die Gatefold-2LP (samt Download-Code) fanden, darunter Plessows exklusiver Kollabo-Beitrag mit den beiden Jazz-Instrumentalisten Francesco Geminiani und Peter Schlamb, sowie Cabaret Voltaires "Taxi Mutant", das hier erstmals auf Vinyl erscheint.

Reissue on vinyl of the 2006 collection of PJ Harvey sessions with the late BBC Radio 1 DJ John Peel, spanning recordings from the start of her career in 1991 up to 2004. Reissue is faithful to the original recording and package, with cutting by Jason Mitchell at Loud Mastering under the guidance of longtime PJ Harvey producer John Parish.

Repress!

"The latest release on Textasy's Berlin-based imprint further mines the interface between electro and jungle. DJ DR-660's EP is, as the name suggests, dedicated to carnal pleasures, whether it's cleverly flipping a familiar spoken word sample into speedy bass-heavy beats and slow jam smoothness on 'Talk 2 Me (Consent)' or combining Miami bass style lewdness and rolling breaks on 'Fuk Me From The Back (Da Bomb Edit)' The latter is especially good, fluidly alternating between rhythms and hip hop samples in a way that will excite dancefloors. Elsewhere, 'Rhodes Rec' has the kind of smokey keys you could expect in an ambient d&b number, but riding speedy juke/ghettotech drums and another rude vocal. The whole EP is fire. 9/10' - DJ MAG (words by Ben Murphy)

After severals EPs on labels such as Lumière Noir, Kill the DJs or Bahnsteig 23, here is the first album of french duo Il Est Vilaine, infused with a "Yellow Magic Orchestra-ish" touch, rooted in the french musical landscape.

A road trip in Brittany as a red thread, the two hooligans of Il Est Vilaine revisit Kawaii pop, crazy rock like DEVO and Detroit techno with a surprising coherence. An album long matured and awaited by the band's fans.

Il Est Vilaine aren’t Bretons, but they sure are tricksters. The Francophiles among you might have caught on to the corny pun in their name (beating a certain presidential candidate to the punch all while turning the name of the pastoral Ille-et-Vilaine region into, literally, “he’s a nasty woman,”) but the real takeaway is that these born-and-bred Parisians don’t take themselves too seriously – especially in an era in which there is much too much of that happening.
It was in 2014 (and on Dialect Recordings) that Florent and Simon tossed their debut 12” into the ring, the rightfully named Scandale – a tight little bombshell released that roused the electronic music scene out of its complacent little catnap.
So there we had it, two outcasts refusing to eat at the same table as the tech-house scene queens, serving up three whiplash-on-the-dancefloor cuts drenched in sweaty hedonistic disco and wrapped in a battered motorcycle jacket (with a gooey post-punk-pop core for good measure.) A clear mission statement right out of the gates, watermarked with mystical incantations and throbbing with rock ’n’ roll’s primitive drive. Everything and the kitchen sink, and a bag of chips – an invitation to just let lose that’s even better than the sum of its parts.

Bosq & Pat Kalla have been traveling parallel paths from across the Atlantic ocean without ever intersecting for too long. They have both been deeply involved in the modern / retro Afro Disco scenes in their respective countries but it wasn’t until the legendary French producer & label head GUTS asked Bosq to remix Pat Kalla & Le Super Mojo “Canette” that they met musically. That remix was received so well by the public as well as the artists themselves that they decided to work on an original track together.

“Mouna Power”, sung in a mix of French, English & the Cameroonian dialect of Pat’s heritage places Pat’s smooth vocals over Bosq’s raw & heavily layered, percussion & horn driven Disco Funk. The Dance Dub strips back some of the vocals, pushes the percussion even further up in the mix, and stretches out the grooves, focusing more on the infectious B-section than the original. This makes for a perfect body moving excursion that will let the dancers delve deeper into the groove while being carried along by the horn blasts and Pat’s chanted vocals.

The record features the renowned horn section of the Bogota Orquesta Afrobeat, and djembe work from “Beto” Salas, a world class percussionist from Turbo on Colombias Caribbean coast. Bosq as usual handles all the rest of the percussion, instrumentation & production.

After a long wait, and restructure of our releases due to The Pandemic, we decided that our next EP had to represent the times that we miss on the dancefloor as well as the glimmer of hope that dance music has given us through these surreal times.

Hardt Antoine steps up for his second independent Reculture release with two originals.

‘Tonight’ is an emotional downtempo track resonating feelings missed from a less bleak time. The track is carried through its 80s style bassline, emotive vocal cuts and cinematic feel. Evolving from a mellow and hypnotic aura and transformed by the tracks drums and percussive elements

‘Are You There’ brings together elements of acid, percussion and a rolling bassline that keeps your feet moving - an ode to the dancefloor. Are You There's liveliness creates an energetic atmosphere guided by melodic colours. The vocals within the track opens a dialogue between the music and the listener that creates a symbiotic relationship between DJ and those on the Dancefloor.

AEGEAN is the first offering by Argentine producer and Leipzig resident Accanto. His approach to mid tempo electronica is very rich in organic textures and deep atmospherics. The opening track Sentimental Sediments sounds deep, raw and dubby, a great opener for any set. Bokanovsky picks up the pace and brings in the sunshine uplifting vibes, while the title track Aegean completes the package with an exquisite progressive anthem that makes good use of a bass arpeggio to create a driving groove that will surely lift dancefloors to Cosmic dimentions. A must for Balearic lovers and adult ravers.
ACCANTO is Jorge Bonadeo Miguens, a young Argentine producer residing in Leipzig. Born in 1990 in the city of Buenos Aires, his relationship with music started at an early age while digging the cassettes of his older brothers. At the age of 13 he started playing bass guitar in a rock band with friends, with which he played
in several halls and bars, as well as recorded a studio album.
Around 2012 Jorge got into the electronic music scene of Buenos Aires. After years of traveling and getting immersed in the scenes of his city, Sydney and Europe, he settled in Barcelona and started producing, while also performing as DJ. Nowadays based in Germany, and after years of self knowledge and learning, he felt ready to share his music with the world.

The always affordable Wanted series returns this week with another set of beautifully presented, expertly selected comps covering a variety of genres. Here we have a set of overlooked and under the radar Hip Hop heaters including the lyricism and flow of De La Soul, Bubba Sparxxx and RZA & GZA from Wu Tang Clan and the production talents of Pete Rock, Jazzy Jeff and Timberland. Beats to make your head nod til your neck snaps.

Global electronic sound specialist - Producer and DJ Oliver Williams aka "The Busy Twist" is at it again. Among his numerous projects as a producer, this double-sider, dancefloor-focused EP is one of his seldom seen, more personal works in the vein of what he does best: an uptempo, bass-heavy madness, influenced by his regular trips to Africa, Latin America and the West-Indies, packed with undeniable British club music culture and production technique. Highly infectious energy, pure sunshine, 100% good vibes. Following up on The Busy Twist previous collaborations with Congolese singer Tres. "Nanko" is another joyful, sun-soaked, highly danceable Electro-Soukous party joint, loaded with captivating guitar grooves and soulful vocals. On the flip, "Rwendo Rweupenyu (The Journey Of Life) Remix" is an outstanding take on Zimbabwean Sungura Music (one of the country's most popular genres), originally performed by street band Daniel & Gonora Sounds, led by singer-guitarist Daniel Gonora and his drummer son Isaac. Respectfully using Daniel's mind bending guitar riffs and highpitched, uplifting vocals, The Busy Twist and his collaborator delivers an inspiring and remarkably effective version of the original song. Vinyl contains exclusive extended and instrumental Dj-friendly versions of both tracks that won't be available for download anywhere.