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Repress

CRG020V1 and CRG020V2 are the vinyl samplers of the mix Cleric made for its 20th release.

To celebrate hitting their 20th release, Cleric's imprint pulls together 23 talents for a various artist mix compilation including tracks from the likes of Rebekah, Cleric, Stef Mendesidis, Remco Beekwilder & Stranger, Endlec, Kwartz, Setaoc Mass, Roman Poncet, Slam and many more.

Clergy has become synonymous with a balance of atmospheric and hard hitting brand of techno ever since 2014. The boss's own music has been key to that, with carefully curated releases from guests such as Dax J, Kwartz, Reflec and Cleric himself. Helping to make the label an underground favourite. "Clergy Visions 01" sees Cleric invite an array on techno heavyweights to contribute to this compilation that's mixed by the label boss himself.

The mix opens up with the bleak ambience and fizzing electric cables of Jokasti & Nek's "Grained" then Sept's "Artifical" lays down a tunnelling techno groove that immediately locks you in. The mysterious alias, Reizemann heads off to a cosmic realm with its deep space pads slowly building the momentum throughout the drums. The energy levels then stay high throughout tracks from Roman Poncet, Kwartz and Setaoc Mass, then leading onto the groove of Stef Mendesidis.

Testament to Cleric's skills as a DJ and sequencer is the fact this journey is constantly evolving while remaining coherent. A mid-section featuring the likes of Endlec, Sleeparchive and EAS keeps you on your toes with perfectly stripped back but hard dynamic drum programming and intense melody work. Remco Beekwilder & Stranger bring a more hard hitting and industrial style before Slam calm the fires once more allowing you to sink into a smooth, elongated roller. It's left to the dystopian darkness of Rebekah and atmospheric techno brilliance of Lerias to close out this most adventurous mix in real style

2024 Repress

CRG020V1 and CRG020V2 are the vinyl samplers of the mix Cleric made for its 20th release.

To celebrate hitting their 20th release, Cleric's imprint pulls together 23 talents for a various artist mix compilation including tracks from the likes of Rebekah, Cleric, Stef Mendesidis, Remco Beekwilder & Stranger, Endlec, Kwartz, Setaoc Mass, Roman Poncet, Slam and many more.

Clergy has become synonymous with a balance of atmospheric and hard hitting brand of techno ever since 2014. The boss's own music has been key to that, with carefully curated releases from guests such as Dax J, Kwartz, Reflec and Cleric himself. Helping to make the label an underground favourite. "Clergy Visions 01" sees Cleric invite an array on techno heavyweights to contribute to this compilation that's mixed by the label boss himself.

The mix opens up with the bleak ambience and fizzing electric cables of Jokasti & Nek's "Grained" then Sept's "Artifical" lays down a tunnelling techno groove that immediately locks you in. The mysterious alias, Reizemann heads off to a cosmic realm with its deep space pads slowly building the momentum throughout the drums. The energy levels then stay high throughout tracks from Roman Poncet, Kwartz and Setaoc Mass, then leading onto the groove of Stef Mendesidis.

Testament to Cleric's skills as a DJ and sequencer is the fact this journey is constantly evolving while remaining coherent. A mid-section featuring the likes of Endlec, Sleeparchive and EAS keeps you on your toes with perfectly stripped back but hard dynamic drum programming and intense melody work. Remco Beekwilder & Stranger bring a more hard hitting and industrial style before Slam calm the fires once more allowing you to sink into a smooth, elongated roller. It's left to the dystopian darkness of Rebekah and atmospheric techno brilliance of Lerias to close out this most adventurous mix in real style.

Having built a loyal local Antwerp following off of the success of their 2019 debut self released album, ‘Forgotten Kingdom’, and growing reputation for electrifying stage performances, Kolonel Djafaar achieved worldwide recognition in 2021 for the ‘Cold Heat’ EP on Batov Records, attracting praise from Music Is My Sanctuary (“triumphant), and support from Gideon Coe on BBC 6 Radio Music, and DJs across Worldwide FM, Soho Radio, Le Mellotron, and KEXP.

The group overcame busy schedules and frequent quarantine periods to hit the studio in February 2022 to lay down four tracks. However, the creative itch persisted, leading to an intense writing session in August, deep in the heart of a tranquil forest. From noon until midnight, the band immersed themselves in the creative process, embracing the freedom to make noise without restraint.

Fueled by hearty breakfasts, unwavering focus, and the ambient clucking of chickens roaming the studio, Kolonel Djafaar crafted the majority of ‘Getaway’. This period marked a pivotal shift as a number of new band members joined just in time for the August sessions.

Membership changes, including Emiel Lauryssen joining on trumpet, alongside guitarist Philip Matthhijnssens, the band's palette has broadened and new sounds are able to break through. From psychedelic rock and soul influence of the Daptone Records’ affiliated Budos Band, surf rock (“Urban Dweller”), Morricone Spaghetti Western guitar, and Afro Cuban (“Kelmendi”), alongside the brassy Afrobeat and Ethio jazz vibes the group have been known for.

The broader dynamics of ‘Getaway’, and the band’s more cinematic and experimental approach, is particularly apparent on "Siren’s Glitch" and "Phil’s First Tear". The latter, first conceived by drummer Anton Van Hove, features the lead guitar doubling up with the bass guitar for added impact. Whilst the origins of "Convoi Exceptionnel", a brass & synths stomper of a march, trace back to a jam session during the band's Hungarian tour, another vital period of prolonged time together, capturing the organic essence of their experiences on the road.

Each track on ‘Getaway’ holds a unique connection to at least one band member, and all benefit from a collaborative approach to songwriting. "Sparking Clover'', an Ethio-inspired psych & soul groover penned by tenor saxophonist Doyin Smith, carries a poignant undertone inspired by personal loss, while psych rock leaning tracks like "Apologies in Advance" showcase the band's evolution and increasing professionalism in crafting a distinct sonic experience.

The curious cover art depicts a lone individual heading down an empty city street towards a large mysterious glowing object, evoking the common emptiness and struggle of urban life, and the search for meaning or just something better. The band envision the object to represent this album, offering a beacon to like-minded listeners. Kolonel Djafaar invite music enthusiasts on an immersive journey, to ‘Getaway’ from the daily grind of life, on an album reflecting diverse influences and marking a new chapter in their musical exploration.

Introducing the forthcoming vinyl single from FJAAK's highly anticipated album, "FJAAK THE SYSTEM." Featuring three electrifying stompers and an exclusive acapella track tailored for DJ tool usage, this release promises to captivate techno enthusiasts and vinyl aficionados alike. First up, "A1 - Redemption" unleashes an ancient acid-techno anthem, pulsating with acidic elements and an unmistakable old-school vibe. Its hard-hitting beats and minimalist structure reflect the chaotic state of our world's system, while sporadic vocal shots weave a narrative of societal disarray, urging listeners to delve into the madness. Next, "A2 - Hustle" encapsulates the relentless journey of artists striving to leave their mark in the world of music. With pulsating futuristic breakbeats and driving rhythms, the track embodies the dedication and passion fueling their creative pursuits, amidst the challenges of the road and the vibrant energy of the techno scene. Then, "B1 - Mechanic Love" delves into the intricate dynamics of relationships in a technologically infused world. Exploring the blurred boundaries between humans, machines, and cyborgs, the track navigates themes of love, intimacy, and companionship within a futuristic realm where humanity's evolution converges with technological innovation. It's a symphony of emotion and machinery, inviting listeners to ponder the complexities of existence. Lastly "B2 - Unity" featuring US artist Red Eye, the vinyl single includes an exclusive acapella version of a track featured on the upcoming album, providing DJs with a versatile tool for creative mixing and experimentation.

Mode_1 Reclaim EP by DIG Records

Cover // Augmented reality by Omer Avarkan


********************************AUGMENTED REALITY COVER ***********************************

After a stellar debut release in 2023, vinyl-only label Dust in Grooves, sees its anticipated second EP Reclaim, showcasing one of Dublin's gleaming underground talents Mode_1. Establishing DIG as a progressive sonic platform, founder Olivia Mendez is also curating a series of dynamic augmented reality covers for each EP. Adding more layers into the sound experience of the Reclaim vinyl is motion designer and visual artist Omer Avarkan.


Mode_1's dedication to uncovering layers of tough but rhythmic grooves, both as a DJ and a producer, has led him to make a mark on legendary techno imprints such as Knotweed, FiedelTwo, Truncate and Naked Lunch. Staying true to his advancing, dynamic sound laid with dexterous technique, Robert Kavanagh delivers a collection of four ominous tracks, pulsating with incandescent pads and pacey drums.


The EP opens with the relentless and driving Sigma, setting the tone for a swiftly moving ride across the record. With playful shifting of gears and jacking rhythms, the A2 flows into the next track Dusty Room, utilising the bleepy pitches in contrast to the expansive spheric tones, offering an energetic boost of a melodic techno work-out, with hints of sharp dub edges.


Reclaim on B1 highlights the versatility of Mode_1, comprising multi-layered scales, evolving spiral sounds and a build-up of reverberating tones that escalate with poise. As a closing track of the record, Platform 8 is one of those B2 sides that you keep reaching out to. This ultimate big-floor tool is loaded with advancing movement, keys with mystical undertones, and depth of texture that play with the infinite nature of the number eight.


Unlocking the animated cover of the EP and seeing it come to life virtually, adds a new dimension to the classic format of the vinyls. To unlock its motion, follow the riddle on the back.


All tracks mastered by Nihad Tule.


Words by Lora Mateeva, Orb Mag

repressed !

Foremost international techno outlet Drumcode is delighted to announce the release of its next full-length album, 'Satellite', by enduring Italian techno talent Sam Paganini.

Though he has been active since the mid nineties, recent years have been hugely successful for Sam, with searing techno EPs coming on revered labels such as Riche Hawtin's Plus8, Sven Vath's Cocoon and of course, Adam Beyer's Drumcode. In his time he has been responsible for underground hits like 'Zoe', 'Polyester' and 'Fire In My Arms', all of which demonstrate his dynamic understanding of sexy, dark and hypnotic techno grooves and at the same time have earned him plenty of great Beatport chart positions as well as respect from the best in the game.

Incredibly, 'Satellite' is Sam's first full-length album. Informed by his DJ gigs at legendary places like Berghain in Berlin and Cielo in New York, the album starts with a dystopian bit of sonic scene setting, as if a space ship is charging up ready to take off.

Following the success of the "Out Of Luck" single, we're wrapping up the Ghia reworks chapter with "The Other Side" - a dynamic 12" vinyl loaded with three contemporary funk tracks and three instrumental cuts.

The release starts off with the title track on which we can hear another collaboration with vocalist Adriano Prestel. The song is built on the foundation of "Message From The Other Side," a synth-funk instrumental from last year's "Don't Stop" LP. Jim Dunloop has skillfully rebuilt the infectious grooves from scratch, and guitarist Lucy Liebe has contributed to the guitar elements. Interestingly, the 1985 original version contained vocals that were preserved on a demo tape. These original lyrics conveyed the idea that everyone should learn to listen to the other side. Adriano picked up this idea and wrote new verses and a new chorus, beautifully transforming the song into a soulful bliss. In today's world, the message remains relevant: without listening, understanding, and compromise, solutions are elusive.
Next up, DJ Friction takes "Out Of Luck" to new heights with a remix infused with electro-funk. The synth bass replaces the original, a punchier kick and a clap snare give it a classic boogie feel. Additional strings on the chorus and an extended build-up complete the transformation, making it a fantastic tune for any DJ set.

Marian Tone returns to remix "The Other Side" in the '85 rework, blending parts of the original song with replayed instruments from the studio sessions. He adds clav sounds and retains the original marimba keys by Ghia's Lutz Boberg. If you are into the 80s vibes, this rework will be your choice.
The flip side features instrumental versions that, even without vocals, are a special treat for all boogie and funk enthusiasts. Last but not least, the release includes the original mixdown of "Out Of Luck" from when the recording was finalized at Ed Longo's Soundrays studio - offering a different take from the instrumental version on the previously issued 45 single.

The 12" is presented in a full-picture sleeve designed by The Raincoatman, also known as label owner DJ Scientist.

Experiences Limited, now 3XL, with a new LP from Exael on a highly atmospheric ambient jungle tip, deploying 30 mins of percussive spasms seeping into smoked-out zoners - highly tipped if yr into anything from Lee Gamble to Malibu.

Clearing their cache of stray bullets, Exael returns with a gyring plunge into percussive wormholes and low-lit mood enhancers .The tracks are broadly cleft along schisms of dark/light and demonic/angelic, switching from restive propellers to more sublime sensations in a fine testament to their practice - making for prob our favourite Exael release thus far.

On the “darker” side, they commit the convulsive, fractious footwork pulses and warped tones of ‘Circle (Squishy Mix)’ in a sort of parallel to 33EMYBW’s insectoid rhythms and combustion systems, while ‘Ice That melts The Tips’ trades in rapid, ice-skating thizz and ‘Ghoul Search (Demonic Attachment Mix)’ fires up the junglist particle accelerator for a proper gauntlet of hyper techstep dynamics.

The contrast is epitomised by ’Composure’, arranging flinty breaks on a luscious waterbed of floating pads, before ‘Eidolon’ renders a sort of airborne dembow pressure in the vicinity of Ben Bondy & special guest dj’s xphresh works. ‘L-theanine’ closes the session on a fine tread inside emo ambient styles and flurries on the same spectrum between DJ Lostboi and Teresa Winter, complete with a reverberating, half-buried vocal.

"The 'Kashkaval EP' marks DJ 3000's fourth vinyl release, stemming from his acclaimed 'Mezë' album.

This EP encapsulates DJ 3000's evolution, weaving a narrative from his Albanian heritage to his current thriving career. 'Kashkaval EP' stands as his most intimate and comprehensive work to date, embodying a profound musical odyssey. It extends an invitation to all, urging them to partake in a celebration of diverse cultures and a symphony of sound that transcends geographical boundaries. Through meticulously crafted tracks, it guides listeners on a shared and cherished voyage, forging connections through the universal languages of music, culture, and food.”

Kashkaval - Is a cheese originating from the Balkans. When producing this electro track, it all came together quite swiftly, to be honest. I only needed one final element to complete it. Coincidentally, my dad was discussing this cheese at the time, so I recorded him talking about it on my phone and seamlessly integrated it into the track. I applied various effects and kept it subtle in the mix, making it almost unrecognizable in Albanian. The chords fell into place after that.

Constant Sorrow - This song took shape during the pandemic. I had nearly completed the concept, and for some time before that, I had been in conversation with producer and vocalist Keith Caden. I believed his vocal talents would be a perfect fit for this track. I shared the track and its title with him, and he subsequently wrote the vocals, even contributing harmonica and a few other embellishments. I'm particularly fond of this electro-style track, and Keith's vocals truly bring a unique and special dimension to it.

From The Ashes - Electro played a significant role in this album. When I mention electro, it's not the typical style of tracks but rather a more unique approach. The vocals on this album truly infuse profound meaning into the songs, and I have a deep appreciation for the way the chords resonate and create a dynamic bounce in the tracks.

Crown Royal - There's an amusing backstory to the essence of this track. "Crown Royal" harkens back to a liquor we used to enjoy back in the day. We'd have our Crown Royal and pair it with those Black & Mild cigars – quite the combo! This track was born from the memories of those late-night drives back home from the club.

KiNK is back with the ninth release on his Sofia imprint. He unveils his inaugural release of 2024 in collaboration with the talented Rachel Row. This dynamic release comprises three tracks and two engaging DJ acappellas. Showcased in recent live performances, and now unleashed into the wild.

SOFIA: Founded by Strahil Velchev and Konstantin Petrov, Sofia is not only the physical location where this music was made, the city where they met and developed as artists, but also a paradox that is reflected in the art and music that comes from the place. Beautiful and ugly at the same time, clean and dirty, brutal as well as romantic, it’s a place where aesthetically seemingly incompatible styles come together in a twisted, yet unifying form. The photographs for the sleeves are made by influential local selector DJ Valentine, effortlessly capturing the local reality.

Second chapter for the new VA vinyl trilogy on R3volution Records called

In this edition there are the following artists under our attention:

- PWCCA, label owner of the top labels Hardtools and Inducted Waves and acclaimed world-famous Spanish producer, already distinguished with severeal appearances on our label including the latest release "Programming Language EP" last year;
- PUSHMANN, another top Spanish DJ and producer, making his debut on
- PYRAMIDAL DECODE authentic Italian based talent who, with many appearances on our label, has also found the time to make his music recognized around the world thanks to numerous releases on labels that represent milestones in the international techno scene, such as WarmUp, Mord, Dynamic Reflection, Faut Section, Edit Select...
- JOAQUIN RUIZ, the only non-European artist on this release, has already made many appearances on our label both as a solo release and as a remixer. He is a DJ/producer on the West Side of Buenos Aires. Ambitious and always looking for new challenges and opportunities, Joaquin is definitely one of the newest emerging talents from the techno music scene in Argentina. He runs his label West Rules too and also releases his music on respected labels of the scene such as Devotion, Knotweed, Affekt, Selected, Subsist, just to name a few
- MICHELE MAUSI founder & label owner with another amazing track called Waterloop
- MDMP is Michele's 2nd alias in pair with DANIELE PETRONELLI with a pure BOMB track called Under Armor

Repress!

HI-LO returns to Adam Beyer’s label for a sharp new outing ‘WANNA GO BANG’. The new track comes almost a year on from his energetic Drumcode debut ‘Hypnos’, which was followed by his remix of Adam Beyer & DJ Rush’s ‘Restore My Soul’. Oliver Heldens’ techno alias HI-LO has been building steam over the last 12 months, remixing Nina Kraviz’s ‘Skyscrapers’, sharing line-ups with everyone from Erol Alkan to PanPot and Enrico Sangiuliano on the world’s biggest stages, while also collaborating with Reinier Zonneveld, Eli Brown, and Space 92. All the while he’s kept in contact with Beyer, a sophomore offering on Drumcode always on the cards. ‘WANNA GO BANG’ is a high-powered Chicago-influenced weapon, that takes its vocal from the DJ Deeon classic ‘2 B Free’. HI-LO’s cut sees the vocal combine with a volley of drums throughout the mid-section, which adds a clever dynamic energy to the track. Already teased in HI-LO’s sets, and widely supported by the underground’s finest including Beyer, Amelie Lens, Enrico Sangiuliano, ANNA, and many more, ‘Wanna Go Bang’ is set to dominate clubs worldwide. Included in the pack, ‘LOKOMOTIF’ is five minutes of pure machine funk as HI-LO crafts a fantastic little groover driven by 90s house synths stabs. The track which has been in the works for the past two years has been teased in HI-LO’s sets over the summer, also garnering support from Carl Cox. On both tracks, Oliver Heldens says “‘WANNA GO BANG’ is my take on Chicago legend DJ Deeon’s classic vocoder vocal sample (from his 1992 song “2 B Free”, but it’s pitched down 5 semitones now which gives it such a dark vibe). I’ve always wanted to make my own DJ weapon version of it since I heard Bjarki’s trippy version in 2015, and I’m really happy with how it turned out, it’s such a monster! “LOKOMOTIF” is a high-energy groover, driven by 90s House synth stabs, funky percussion and banging drums, and it sits very nicely in between Techno and House. Both are really ‘dance floor’ focused, so I’m very pleased that many noteworthy DJs have been banging out these tracks in their sets already pre-release. And I couldn’t be happier than to see them released on one of my all-time favorite labels, Drumcode!”

Record Producer/ DJ / Record Plugger and Record Shop Owner Herman Chin-Lay operated out of his Aquarius Record shop at Half Way Three ,Kingston ,Jamaica.
It is from this base that he started his recording studio where he not only put out the first ever Dub album 'Aquarius Dub' but was also responsible for naming future artist Horace Swaby.
By allowing him to use his exotic fictitious working name 'Augustus Pablo' for his own recording career.
Although called 'Aquarius Dub' the tacks that make up this album were cut at Dynamic Sounds, Harry J's and Randy's Studio 17.
It was not long after this release that Herman opened the first ever twenty four track studio Aquarius Studios.
We have compiled this set of Dub tracks that were worked on at Aquarius studio's itself.
Using the legendary studio for some of the recordings and/or it's mixing and voicing facilites.
Hope you enjoy the set...Dubbing at Aquarius Sounds...

Enigmatic Mancunian Act AnD brings a dynamic and raw take on modern techno in his dj sets. He maintains always strong analogue production ethics and showcase this in his heavy hitting live show. Alongside production work that takes in everything from techno to electronica to hip hop with the uncompromising AnD attitude towards sound design.Always expect the unexpected!!!” Embracing the shadowy outskirts of techno, AnD’s covert productions on his own selftitled white label series looks to push them even further into their own brand of sonic destruction. In doing so AnD follow in the footsteps of UK luminaries Surgeon, Regis, James Ruskin and The Black Dog by continuing to shape a genuine and unflinching vision of techno. – credits All music by AnD Mastering by Joe Farr

Roberto Agosta, or just Agosta as he likes to be called, is a Sicilian DJ and producer from Catania active all along the eastern coast of Sicily, a place that proved to be a soulful place and a training ground for a long career, making him an excellent music selector and a reference point in the spread of alternative music.

A soundtrack music enthusiast since he was a child, now a vinyl "serial gathere", Agosta has always put his vast knowledge at the service of a very personal sound that sums many different music styles and contaminations, simple and profound but straightforward and direct at the same time.

Agosta’s eponymous album, released on LP, CD and digital formats, was conceived during the Covid-19 lockdown, thanks to the precious collaboration of friend DJ and producer Massimo Napoli aka Galathea, with whom Roberto has already started another project called AN-AN that will produce a new record for Space Echo at the end of 2022.

This record highlights a typical chill-out aesthetic, thanks to its trip-hop and ambient rhythms and atmospheres, while a deeper exploration reveals the psychedelic essence of the entire work, a daring and exciting journey in the most primitive Sicily, and the energy that sustains all of its ten tracks.

Much of their author and his lifestyle - mainly based on meditation, the search for spiritual elevation, the relationship with nature and the regaining of contact with those particular places and with the people who live there - is revealed by those tracks that constitute a soundtrack for this spiritual but also extremely physical journey.

The song titles are, in fact, intrinsically linked to Roberto’s real life: the Gorna and Ilice mountains at the foot of Etna, the Carricante vineyard and its excellent wine, Unna, Three Chestnuts, Varanni, Don Alfio, Lady G. Each of them represents a pleasant and dreamlike narration and the escape from the complex dynamics of a city like Catania, among echoes of the most dreamy Pink Floyd, the softer side of ’70s krautrock, but also the Massive Attack and Tricky’s Bristol scene.
There’s also an excellent choice of synthesizers and overdubbed guitars, thanks to the talent of the multifaceted musician and producer Salvo Bruno Dub, and of Manuela Amalfitano, Loredana Poidomani and Deran Obika’s voices.

Agosta is an introspective, deep work with a cinematic vocation, perfectly rooted in the territory where it took shape, among sunny landscapes, lush with vegetation but also deserted and arid lands. From Sicily to the cosmos... enjoy!

The first in a four-volume retrospective of Kuduro and tarraxinha pioneer DJ ZNOBIA. Incoming unto the world for a very long time from the musseke of Rangel, home of Casa da Mé&e Ju, in the Angolan capital o Ldanda, one if not the pivotal visionary of his country’s music electronic and digital modernism DJ Znobia, o/fum/an inventor. Usually considered the first purveyor of the fluency regarding tarraxinha (drinking in its foundational slow shuffle from the city of Benguela), as well as a main player in free thinking, spontaneous, funny, depressive, silly, melancholic, hilarious all encompassing beats within kuduro, batida, techno and beyond, his influence as a producer, DJ, MC and public fiuce has had a great imprint in Angolan culture for the better part of the last three ecades. This venture went through over 700 tracks of his archive (more than double are lost in the meantime between his and the NNT library) in order to collaboratively select a fiercely representative albeit balanced affair from his production, between instrumentals for sung kuduro, instrumental kuduro/batida, sung and instrumental tarraxinha, and other creative styling from the late 90’s to the mid 2000’s. Forms now heard around the world which started here, with Znobia a decisively influential contributor, along with several of his peers and collaborators, which will be also in evidence in this four volume retrospective. His story is way too far flung for this endeavor to try and make a simple narrative out of it. You have to be him, you have to be within this territory, and we ask of the people who will approach to ask him what has happened with the history of this music and what is the current reality at ground zero Luanda, as he is a mirror and visionary of its streets, in a country with such complicated dynamics and brutal treatment of its citizens. To try to put in a clean slate for this conversation, let’s talk to a genius of street music. Your question. First, here's the opening collection of what we have to share with you.

Story Of Collapsed Dimention unfold in 4 tracks multi-genres musical accompaniment and 12 frame comics, as artwork. The EP symbolizes a journey of personal transformation, the courage to confront the unknown and fight against circumstances and suffering. In order to become something new, we need to give up what we are now.

The tracks span across various styles, including funky house with a live-band feel, featuring infectious rhythms and vibrant instrumentation. There is a breakbeat track infused with a groovy bassline seized from NBA Live 95 on Sega Genesis, accompanied by turntablism hard drops and scratchy sounds that add an edgy and gritty vibe.

B-side explores psychedelic frequency modulations of polyharmonic intertwined with jungle-oriented breaks, creating a mesmerizing fusion of intricate melodies and rhythmic complexity. Finally, the EP concludes with an electro banger that has been accidentally reinvented with its captivating energy and a profound message.

Overall, the EP showcases a diverse and dynamic musical journey through these genres, offering a rich and immersive listening experience or valuable universal DJ-tool.

The artwork features hand-drawn comics by the talented artist Larisa Shalyapina, script and production by CDA.

The unique texture, blurriness, and overall quality of the illustration are meticulously preserved through a process of manual assembly and duplication, resulting in a visually captivating and tactile experience.

Used gear: Roland MC-808, Roland MC-505, Moog Subphatty, Waldorf Wave XT, MAM33, Volca FM, Volca Bass, Tascam Midistudio 644, Jomox t-resonator II, Boss Digital Delay, Teletron SAQ-206B Amp, KME Sound GBA 80 Bassbox, Culture vulture distortion, Distress compressors. DAW Ableton.

conceptualization:

Tracks are written during frequent relocations, capturing experienced moments and raw emotions. As the physical changes in our living environment are comparable to the collisions and evolving paths within the domain of knowledge reflected in the trials of spiritual awakening.

In Berlin, a city of expats, it has a special relevance to people who came here to find themselves. It also resonates with those who have been brought here by circumstances.

Record id released with all Ukrainian brothers and sisters in heart.

While we find comfort in our safe spaces, it is inevitable that some stress will eventually provoke us to take action. We may long for that period of comfort and feel a sense of anger or sadness for what once was. Once the truth is revealed, much like the unveiling of light, there is no turning back — a path to enlightenment shall be accepted.

Within the EP, each track serves as a chapter for this path.

A1

First track encapsulates escapism by chasing a feel-good sense in the run from responsibilities into fantasy-land. In the moment of careless life in careless time, where the future is sacrificed in the name of immediate pleasure.

A2

Robotboy incorporates a superficial state of mind with a reactive personality rooted in a narcissistic ego, dishonestly denying the righteous path. Subconscious struggle from hedonistic lifestyle with no relief.

B1

A deeply intimate and personal, embodied introspective sentiment kept hidden from the world, revealing when we’re alone and usually stifled with distraction and entertainment. Nostalgic feeling of loss follows us during the abandonment of a beloved place. Overwhelming weight of regret in presents.

B2

Taking action of the first step makes us unstoppable and disclosure of knowledge leads to destruction of the illusory world. Finding out the truth, same as seeing the light, excludes the retreat into darkness. As comprehension is the way to enlightenment.

A1 - Synergy
A long-awaited release for seasoned fans of the label familiar with ASC's DJ sets since creating Spatial, Synergy has been requested for release many times and is finally here - and it hasn't aged a bit. A track which lifts you gradually through a true journey of escalating, dynamic atmospheric soundscapes with crisp detailed break patterns that ebb and flow to an intricate collage of synths, keys and vocal hits to an inquisitive melody. A
stunning piece which somehow has something new to offer each time you hear it.

A2 - Suspended Animation
Conjuring an ethereal feeling with grand atmospheric backdrops reminiscent of early Intense, Suspended Animation is a calming yet suspenseful track which slowly builds with expressive break patterns and minimal kickdrums as subtle basslines rumble below. Long echoing effects and melodies gently nudge the proceedings forward, ASC once again showcasing the diversity of his production toolset.

AA1 - Repetition
It's been a while since a pure two-step drum loop has had this much impact - make no mistake - the breaks of Repetition will bore their way into your brain like Pulp Fiction did in the mid 90's with a thumping kickdrum and stabbing snare tweaked to perfection. While the beats drive the track along, a collage of audio texture surrounds them with a signature female vocal sample closing out phrases filled with finely tuned synthwork.

AA2 - Pharaoh
Landing with immediate impact and building the mood with a subdued urgency, the Hot Pants breaks of Pharaoh surf the dunes of sound to an abundance of sheer atmosphere as ASC crafts a stunningly evocative track which is aptly titled, transporting the listener to mystical Egyptian sands, the synths and horns whispering like the echoes of of a bygone era demanding their timely reprise through the medium of Spatial.
Epic.

Words by Chris Hayes

To celebrate the 25th anniversary of LA the Darkman’s Heist of the Century LP, Coalmine Records has partnered up with the Brooklyn native for a special edition vinyl reissue, marking the first time that the record’s been repressed since its original release. This album is widely regarded as one of the strongest and most underrated releases from a Wu-Tang Clan affiliate, and it’s easy to understand why once you hear its dynamic 18 tracks. The Killer Bee embodies the raw spirit of the Wu while adding his own signature gritty flavor throughout Heist of the Century. He shines whether he’s spitting solo on standouts like “Shine,” “Street Life,” and the title track, and when he’s joined by rap heavyweights like Raekwon, Ghostface Killah, Havoc, and Masta Killah. Rae actually delivers two show-stopping guest performances on”Az the World Turns” and “Spring Water.” The production lineup is just as serious, which boasts credits from the likes of RZA, DJ Muggs, Havoc, 4th Disciple, as well as Carlos “Six July” Broady who produced 10 tracks among others. Whether you were there day one, only started diving into the Wu’s vast discography recently, or somewhere in between, you’d be hard-pressed to find a better representation of their sound than Heist of the Century. “Heist of the Century undeniably continues in the vein of the surrealistic, orchestral sound that branded the Wu-Tang Clan as one of the most revolutionary hip-hop groups of the decade.” MTV.

Gallery is back, and this time they're unleashing a one-sided wonder just in time for the party season! Brace yourself for the ultimate sonic experience as two massive anthems collide, giving birth to a new and priceless piece of musical art.

This masterpiece has been exclusively hammered by the dynamic duo, the keepers of the coveted copies—none other than the legendary DJs, Harvey and Artwork. Get ready to be swept away on a musical journey that's set to elevate your party vibes to a whole new level!

This vinyl contains analog live one-takes by DJ Lily, recorded during April to June 2023 in Gothenburg. A1, A2 & B1 rely on playfulness, whereas B2 & B3 are blistering. Sequences were made with a Syntrx, the bass module of a Pulsar23 and a modern FM synth.

Mastered by Paul Mac at Hardgroove Mastering.

Repress!

Little Dragon return with a spectacular second album offering in August, a pulsating electro pop epic that Prince would be proud of (only fronted by a beautiful Swedish lady with a sultry voice). A bold and surprising side/two step onwards from their self titled debut, released two years ago to great acclaim especially among specialist circles. Machine Dreams, with its nagging hooks and gloriously infectious tunes, should finally see the band break out into the mainstream.

Recorded in their home city of Gothenburg, Machine Dreams is a gigantic leap on from previous material but still maintains a distinct sound that can only be Little Dragon. Be it Yukimi s warmly inviting vocals, Erik s dextrous drumming, the vast array of synths and bleeps created by Hakan or Frederik s bubbling bass lines, together they don t sound like anything else around right now. The move towards a more electronic sound was a conscious one, as Yukimi explains; The title Machine Dreams seems obvious. These days, humans seem more and more like machines, and as technology evolves, machines feel more human and it becomes fuzzy and beautiful and science fiction-ish. We feel dependent on our machines to create and live, and their sounds reflect us .

Album opener A New breaks us in gently with a single whirring note on the synthesiser, an almost alien sound that gradually morphs into a slow, thumping bassline. Yukimi s vocals flow alongside Hakan s assortment of sound effects interspersed with militaristic drums breaks. A magical opener that sets the scene and seems to sink into itself, taking us with it, until the pace is swiftly ratcheted skywards with Looking Glass , the massive snare, crisp driving beat and experimental synths revealing the band s current penchant for the 80 s. This influence continues apace into stand out track My Step . Utilising a solid drumbeat that nestles next to jagged and playful synthlines, the track breaks down into motorik propulsion with a scuzzy techno bassline that Yukimi works with ease.

Upcoming single Feather finds Yukimi s voice at its most detached and blaze, seemingly nonchalant yet magnificently seductive. Backed by Hakan s keyboard atmospherics, the song creates a soundscape reminiscent of Tears For Fears more reflective moods. Gradually layering more vocals, synths, echoes and reverb, it builds to a quietly psychedelic, dreamy cosmic swirl. Runabout brings forth a mini Airto style percussive breakdown at the tail end of yet another Little Dragon pop gem. Swimming bursts forth into vision with stabbing keys and reflective bass alongside yet another wonderful vocal performance from Yukimi who sings of young love and now so many years have past, my memories as clear as glass . The song is over as quickly as it started, flowing into the next miniature masterpiece in the form of Blinking Pigs

The album closes with the stunning track Fortune , which has already caught the attention of none other than DJ Shadow. It s no wonder really, as the textured melodies blend with the drifting percussion, creating a blissful sonic mood. With a smattering of drums and bass and the magic of Yukimi s voice and Hakan s electronic dynamics floating on top, it s the perfect track to end this fascinating journey through Little Dragon s brave new world.

With disparate influences from Depeche Mode to Prince, LCD Soundsystem to James Holden, Dancehall to R&B, Jazz and Soul, Little Dragon take their place among artists who straddle many genres, yet somehow create their own and in doing so create sounds that make time stop (Yukimi). Futuristic yet somehow retro, Machine Dreams sees Little Dragon achieve something timeless; that elusive pop classic.

ONE LEVEL is delighted to announce its latest release, the captivating 'Big Tal's Elements' EP by French DJ/Producer, ALEQS NOTAL.

Following the resounding success of One Level's debut release, the awe-inspiring Afro-futurism of Hagan's 'Forward Focus' EP - a production that ignited a dynamic and fruitful chapter for the London-based artist - the label has been meticulously crafting its return. One Level prides itself on championing quality over quantity, and this ethos is beautifully demonstrated in its second release...

Aleqs Notal, the former scratch champion and consistently evolving producer, joins the label family with a collection of four remarkable tracks. Despite his years of experience, Aleqs admits that he's still in the process of refining his own sound and with 'Big Tal's Elements’, a nickname affectionately bestowed by longtime friend and fellow artist Manaré, his four carefully curated house joints encapsulate a wealth of influences, all beautifully combining to create a modern and innovative soundtrack.

Following his early years of turntable virtuosity, and having embarked on a new creative chapter in the studio, it was 2014 and as a founding member of the innovative ClekClekBoom collective - a group of young French talents who spearheaded a groundbreaking movement that reshaped the Parisian electronic landscape - that saw Notal continue to cultivate his own sound, one rooted in the sounds of Detroit and Chicago. He became a respected DJ on the cities’ club circuit, and has gone on to to feature his music on esteemed labels including Phonogramme, Salon Recordings, Release Sustain and Patrice Scott's Sistrum Recordings.

The EP opens with 'Untwisted Delight', a homage to the timeless sound of the Motor City. A bass-driven DJ tool, pulsating with the resonance of the 808, evoking echoes of Pittman, and igniting a powerful dancefloor energy.

‘Save Ya’ is an ode to determination and self-preservation. A track with its roots deeply embedded in the dancefloor and featuring an archive sound-bank vocal alongside glorious hi-hats, it is a firm favourite of Notals. “I think its from my scratch background. I always work with the hi-hats. For me, when I hear the hats its as though I hear somebody singing." Fully road-tested at Fabric London, Save Ya is now set to rescue many a night.

'Come Get It' channels the spirit of early Chicago house. A fusion of spirited 606 and 808 drum patterns, coupled with the enchanting allure of resounding hi-hats, it offers a heartfelt homage to the revolutionary sounds that defined an era and continue to influence so much of today’s music.

Concluding the EP is 'Hymn Of Passion', a track inspired by Ron Trent's Future Vision imprint. Drawing on a diverse palette of Nigerian percussive elements and samples garnered from past projects, Aleqs weaves a sonic mosaic. Crafted in a single jam session, the track elegantly melds a rhythmic finesse with resonant congas, intertwining with the emotive Rhodes piano, to craft an unforgettable finale.

With a diverse array of influences seamlessly interwoven, Aleqs Notal’s ‘Big Tal's Elements’ EP is a journey through sound that fully captivates the listener.

Laolu makes his Crosstown Rebels debut with ‘Now I See’, combining with Off The Meds frontman Kamohelo Khoaripe across the two-track release. Having emerged via his versatile and dynamic DJ sets for the likes of Circoloco, with releases via labels such as Keinemusik, Innervisions and Anjunadeep, Swiss DJ/producer Laolu has stamped his mark while racking up support from Dixon and Black Coffee. Arriving in fine form, he closes out November with a classy label debut on Damian Lazarus’ renowned Crosstown Rebels as he serves up his latest two-track release ‘Now I See’ - a vibrant and personal release shaped and finalised after a decade following the birth of his daughter.

Spirited and resonant, combining soulful female vocals with organic percussion and sweeping melodies throughout, ‘Now I See’ is a warm and sonorous production set for heartfelt dancefloor moments, while ‘Monday To Sunday’ featuring the impactful vocals of Kamohelo takes a darker path as swirling bass patterns, menacing synths and warped tones merge around the commanding flute for a powerful late night cut.

PRESSED ON FRUIT PUNCH COLORED VINYL WITH HAND NUMBERED OBILIMITED TO 2000 COPIES

The contemporary realm of hip hop music can be seen as polarized between two sides; mainstream versus underground, industry versus independent, at a base level boiled down to catchy sounds & infective hooks over higher quality lyrical content. These elements don’t need to be mutually exclusive, but these days it’s rare to find an act that can please all sides of the discussion. Clipse are one of the few groups that successfully and consistently caters to both sides of rap’s splintered psyche, simultaneously serving the scene with upbeat bangers that get the club poppin’ & subwoofers rattlin’ while crafting clever quotable compositions deserving of repeated headphone submersions. Though their preceding official albums Lord Willin’ (2002) & Hell Hath No Fury (2006) made bigger splashes commercially, 2009’s Til The Casket Drops is surely no slouch, a gem which deserves to be revisited with fresh ears – good thing Get On Down has given it the proper treatment it deserves with its first-ever vinyl pressing!
Til The Casket Drops was a departure from the duo of Malice & Pusha T’s previous works in that it was their first LP not completely produced by The Neptunes. However, the celebrated team who brought us ‘Grinding’ & ‘Mr. Me Too’ still helmed 8 of the album’s 13 tracks, thus dominating the soundscapes and aesthetic of the album anyway. With the remaining beats handled by Hitmen Sean C & LV (Jay-Z, Big Pun, Ghostface) and Aftermath’s DJ Khalil (Kendrick Lamar, Aloe Blacc, Eminem) clearly Clipse stock hadn’t lowered in the game. While boasting notable vocal features from Kanye West, Pharrell, Cam’ron, Keri Hilson, Yo Gotti & their Re-Up Gang affiliate Ab-Liva, Casket Drops leaves ample space for the core emcee duo of Pusha & Malice to shine in the spotlight, with verses revolving around each other succinctly in-synch and bonded by an exceptional creative rhythm only biological brothers could share.
Clipse have always delighted in dualities, juxtapositions and contradictions, unabashedly celebrating the capitalistic lifestyle and the grind as the kings of ‘coke-rap’, while taking hard looks at society’s mores and those of their own individual journeys. We hear Malice’s eventual transition to No Malice taking form on this album as he found religion, warning others who might follow in his path on ‘Footsteps’: “don’t let my wrongs give you the right of way/ to emulate my past escaping the law’s grasp” while refusing to be pinned down in one lane: “it weights on my conscience and I hate conscious rap”. Meanwhile Pusha T continues his lyrical ascent into the King Push persona with bars like “pompous motherfucker, look what them jewels made me/ I’m only finding comfort in knowing you can’t replace me/ What a thing to say, but what am I to do/ I’m role-playing a conscious nigga and true is true/ Cocaine aside, all of the bloggers behooved/ My critics finally have a verse of mine to jerk off to” decisively on album opener “Freedom”.
Since it dropped, the Clipse have stated that Casket… is their final album together while subsequently alluding to the possibility of an eventual reunion. Only time will tell, but until then it’s time to re-celebrate one of hip hop’s most dynamic duos by hearing Til The Casket Drops in a whole new light with its long-overdue, first time on vinyl pressing via Get On Down featuring all 13 original tracks on wax and cover art by the legendary KAWS! It’s kinda like a big deal…

For Fans Of... El Michels Affair, Adrian Younge, Roy Ayers, Karriem Riggins, The Roots, Khruangbin. Producer "Grimez" has been making music for 20 years deep Grimez has ghost produced tracks for 50 cent, Hi-Tek, Kool Keith, Stick man (DEAD PREZ), Killah Priest, Sadat X, MOOD & Talib Kweli, and Mighty Diamonds to name a few. Gritty & raw analog instrumentals. Jason Grimes is all about making timeless music. The Cincinnati-based DJ and producer has a long history of record collecting, sampling, and creating new sounds with analog gear. Grimes works with some of Cincinnati’s finest studio musicians to create raw, soulful, instrumental hip-hop under the moniker Doctor Bionic. As a teenager in the 90s, Grimes fell in love with hip-hop at an early age. He became comfortable scratching on a pair of 1200s and sampling records with an NPC in high school. After years of collecting records and working on his sound behind the scenes, he had compiled a huge discography of original songs – but he wasn’t sure how to share them. “I got pretty burnt out and I had to take a hiatus for a few years,” he explained. “There wasn’t much going on in the Cincinnati music scene, and it always felt like an uphill battle.” Then, on a casual bike ride with his wife through Loveland in 2015, Grimes came across a new record shop. “I heard some music playing and I saw a sign that read ‘funk/soul’ – I had to go in and see what these guys were all about.” He spoke with Terry Cole, co-owner of Colemine & Plaid Room Records. “It was a breath of fresh air to meet Terry. The interaction inspired me to start making records again.” A short time later, Grimes started his independent label Chiefdom Records. His studio persona Doctor Bionic was one of the first to see a release on the new imprint. “Doctor Bionic is a studio band of session musicians,” he shared. “The personnel changes on every record. It depends on the sound I’m going for.” For every record, the goal is to make timeless music. Grimes is responsible for writing, recording, producing, mixing, and releasing the records. Spiritual Conquest features several heavy hitters from the Cincinnati music scene. Brad Myers and Brandon Scott played guitar on a few tracks each. Marvin Hawkins laid down some live drums. The album offers a dynamic mix of instrumental hip-hop sounds. From punchy, head-bobbing beats to ethereal, floating piano lines, the mix offers a little something for everyone

- Includes songs from Mackjunt., Tommy Martini, YungGrunge, and Professor Creepshow.
-This is the fourth album of Jazz Playaz.
-Similar artists are Mackjunt., Dam Funk, Knxwledge, ohbliv, DJ Harrison, DJ Screw, J Dilla.
-Limited edition of 250 solid baby blue colored vinyl.
This album presents a fresh perspective on the current state of modern and contemporary jazz music, thanks to the innovative contributions of the quartet. Their unique blend of styles seamlessly merges the smooth, dreamy sounds of vaporwave with the bold, rhythmic beats of hip-hop, creating a truly captivating listening experience. The result is a dynamic fusion of genres that pushes the boundaries of traditional jazz and appeals to a wider audience. The quartet's masterful musicianship and fearless experimentation make this album a must-listen for anyone interested in exploring the ever-evolving world of contemporary jazz.
STARRING: Mackjunt., Tommy Martini, YungGrunge, Professor Creepshow.

New release for 'To Pikap Records' by Raj Pannu, British producer, DJ and long-time collaborator of electronic music pioneers Coldcut (Ninja Tune). This fiery 5-track EP will make your brain blush and your body sweat with its sexy, futuristic blend of everything considered danceable. Coming straight from the underground, these sick compositions of hypnotic new born grooves are here to heal our cosmic souls with fluid dynamics, rumbling bass and bubbling repetition which some would consider illegal. It's a must have.

Repress of the sold out Record Store Day release, this time on a different colour. Black Spiders – Those trusted and true sons of the north are back. “We knew the new album had to be special. We’ve been away for a while. The first album was a straight shot, the second on the rocks, with this new one we had to kick down the brewery doors!” Pete Spiby. Back in June of 2017, Sheffield rock beasts Black Spiders waved goodbye to an army of loyal fans with some sonically charged shows before retreating into the shadows. And then, in November of last year, with the world in the grips of the Coronavirus pandemic and after a long year of very little fun from out of the silhouettes they returned with ‘Fly In The Soup’, the first new Black Spiders music in 6 years. Exactly the feel-good shot in the arm the world needed, while we await that other vaccine. The seeds of the Black Spider return were actually planted last summer, when singer and guitarist Pete Spiby began taking to guitarist Ozzy Lister to start writing new material and before they knew it, they had amassed the best part of 40 songs in a very short period of time which they whittled down. And then the pandemic hit. “It’s certainly been a strange process, in unfamiliar territory,” explains Pete. “We started to look at how we could do it given the restrictions and not only that, but we had to replace our original drummer too. For us and probably most other bands, we would usually take a riff or song idea to a rehearsal and thrash it out ‘till we either had something or it ended up in the song graveyard! This time around we couldn’t do that, so myself, Ozzy and on occasion Adam Irwin (bass player) started to send ideas back and forth until we had something to work with in GarageBand. We got to a point where we had enough song ideas with basic structure to go into a studio. It was at this point when we had to look for a new drummer.” With former drummer ‘Tiger’ Si Atkinson unavailable to play, with a week or two of grooming, the band took a chance on Planet Rock DJ Wyatt Wendel to occupy the drum stool. “I've never joined or worked with a band in this way EVER,” laughs Wyatt. “2020 certainly made it surreal. “A Pete/Ozzy writing session at the beginning of the year had produced some promising results, but it felt like barriers were popping up everywhere,” explains bassist Adam Irwin. “We started talking about how we could use technology such as GarageBand to help, and slowly but surely the song writing gathered pace. It was time to hook up with our old producer Matt Elliss and try these new songs out in the studio. “Heading into the studio to record songs we’d written but never played together, with a drummer that we’d never met, is one of the stranger experiences I’ve had while being in a band. Thankfully, Wyatt has turned out to be an excellent addition, who despite his faults (loud, southern) has fit right into the band dynamic. Covid has made life really tough for so many of us in our industry. And yet, this new way of song writing has been liberating, this is the most consistent and prolific we’ve ever been, and I am immensely proud of this album.” Against all of the odds, Black Spiders have crafted an album that features 13 tracks of high-energy, feel-good rock n’roll contrasted by demonic doom that despite the disjointed, isolated way it was recorded. It sounds like a band, firing on all cylinders. “We had to dig down deep to pull out some gems and what would we want from Black Spiders,” questions Pete. War, vengeance, mental health, death, conservation & climate change, where are we from? Relationships, friendships, our flaws. Where are we going? Alien life and Mother Earth - some of which made the record.” Kicking off with the aforementioned ‘Fly In The Soup’ single, this 3rd ST long-player wastes no time in grabbing you by the scruff of the neck and dragging you through an album where good times, hooks and riffs are not in short supply, but the doom-drenched likes of ‘Wizard Shall Not Kill Wizard’ and the psychedelic groove of album closer ‘Crooked Black Wings’ give us an album of many moods and dynamics and a reason to be cheerful in 2021. And why does the album have no title? “It wasn’t hard picking a title for the album, as we decided that the focus should be on the band, not the album title, so we decided not to have one. Let the music do the talking....

"Skum and Villainy Edits Vol 1" by DJ Deviant represents a dynamic fusion of musical genres and tracks, interweaving elements from rock, hip-hop, and funk. “Intergalactic Rocket Fuel” incorporates everybody's favourite beats and pieces resulting in an energetic mashup.

"House Party Rocker" epitomises an electrifying blend of lively party hip-hop style harmonised with the potent funk-rock guitar riffs and it guarantees a thrilling experience on the dance floor.

This release is a superb selection for DJs looking to provide a vibrant and genre-blurring dance music adventure.

A lavish four chapter chronicle that imagines an alternative evolution of mankind through sound, VIS (Latin for energy or force) is the result of a lengthy process of self-discovery, collaboration and research for Italian-German composer David August. The son of a classical pianist, August slipped from the academic music world into an early career as a dance music producer and DJ before he felt his artistic outlook shifting considerably. He established the adventurous 99CHANTS label in 2018, and has since used it as an output for his most progressive notions, collaborating most recently with jazz-noise vocalist Cansu Tanrikulu and Carnatic singer Sushma Soma on last year"s acclaimed "Imaginary Landscapes" compilation. VIS then is a chance for August to reconcile his personal narrative, leveling it with concepts that touch on history, transformation and metaphysics. He wrote the album"s 13 pieces to play like a linear storyline, tracking the development of culture from its illusory beginnings in Plato"s cave into the wider world and observing its progression and adaptation.

August represents these themes with levitational orchestral drones, choirs and bells that slowly bend to long-forgotten ancestral rhythms, inevitably colliding with the digitized chaos of the information age. Motion guides everything, whether it"s shadows on a wall projected by dancing flames, or dramatic, overlayed rhythms that vibrate the air and excite the feet. VIS is a dynamic attempt to show the movement of time on a macro scale, looking backwards in order to move forwards. It charts mankind"s journey from its cosmic beginnings through the awe-inspiring world of flora and fauna, grounding the experience in rhythmic expression and dance before we"re returned to the stars in transcended form. Crucially, it"s a hopeful articulation of ideas and concepts that continue to echo throughout history, inviting us to imagine greater and cherish the teeming landscape that surrounds us.

Banoffee Pies White Label Series is back with a debut EP on the mother imprint from Bristol based Artist, DJ & Talent, No Nation. A deeply attuned junglist delivers a love sick transmission with four gripping, jazzy and skeletal rave compositions following their recent single “Gad Damn”.

Rooted in the sounds of Jazz, Progressive Rock and Fusion, No Nation quickly cemented themselves within Soul, RnB & Old School Hip Hop scenes early on before finding space to express these inspirations through their passion for high tempo hybrids. Now an established Bristol artist and label main stay with international bookings worldwide.

As a producer their music is something to be savoured. Drawing inspiration from music from output on Inperspective and Scientific Wax labels while combining a dynamic and diverse fusion of soulful sounds. Chopped breaks and samples sure to leave a lasting impression. No Nation has featured on labels Club Paint edit series, Bristol-based outfit Slippery Sounds, London leftfield label Diffrent Music and most recently Sherelle's new imprint BEAUTIFUL music.

The Good People, consisting of producer Saint and lyricist Emskee, hail from Brooklyn, New York. The dynamic duo brings a fresh take on the nostalgic elements of East Coast hip-hop. The Good People are coming off of two acclaimed albums, each showcasing their soulful instrumentals and flawless lyricism. In 2019, the duo dropped Good For Nuthin’ featuring Large Professor, Lilí Fame, Sadat X, Napoleon Da Legend, Cella Dwellas, G-Roc and Red Alert. They followed up with The Greater Good in 2021 featuring Lords of the Underground, Shabaam Sahdeeq, Craig G, Rasheed Chappell, DJ C-Reality, DJ Ace, Tone Spliff, Mikey D, Skanks the Rap Martyr, John Jigg$, DJ Eclipse, Rockwelz, Mouf and Nam Nitty. Now, The Good People bring you the new limited edition run of A Good Year. In 2022 they dropped a new single digitally every month which would become the tracklist for the new album. The new 12-track album features Dinco D, Charlie Brown, Makeba Mooncycle, John Jigg$ and Bobby J From Rockaway and is the perfect addition to their growing catalog

Introducing Bavhu, a dynamic Kiwi duo who have delivered an absolute belter, 'Always Dancin' out on TMRW Music.

Sporting some knocking drums, heaving rhythms, funky bass, irresistibly hooky vocals and filthy disco percussion, 'Always Dancin' is a joyous disco-sampling house outing that’s already garnered heavyweight attention from the likes of Danny Howard, Pete Tong and Zane Lowe, who have already thrown their support behind the track.

DJ Support:

Plays on Radio 1 from Danny Howard, Pete Tong, Dance Anthems + on KISS from TCTS

SuperBlue: The Iridescent Spree is the electrifying new album from jazz legends Kurt Elling and Charlie Hunter, following the success of their eponymous Grammy-nominated debut and acclaimed EP Guilty Pleasures featuring Nate Smith. With a vocal range that seamlessly blends jazz, R&B, and funk, Elling is a virtuosic showman and deep collaborator with a comedic edge. Hailed by The Washington Post as the most daring, dynamic, and interesting singer in jazz since the mid-1990s, he and Hunter have pushed the boundaries of jazz and lyrics to create a one-of-a-kind sound that is uniquely their own. Teaming up with hip-hop masterminds Corey Fonville and DJ Harrison (Butcher Brown), Elling and Hunter showcase their virtuosity, showmanship, and musicianship to offer a deluge of roisterous funk, indelible beats, and all-too-current lyrics that will have you grooving like never before. SuperBlue is more than just another jazz album. It's a punch in your face, take no prisoners masterpiece that showcases the sheer talent, passion, and unpredictability of these extraordinary musicians. Get ready to be blown away by the brilliance of Kurt Elling and his collaborators in this groundbreaking project!

Minor Science—aka UK-born, Berlin-based musician Angus Finlayson—makes his Balmat debut with Absent Friends Vol. III, the third installment in a shape-shifting series across a variety of formats and platforms. And with it, he pushes forward his vision of ambient music as neither static vista or merely mood-setting atmosphere, but rather a dynamic matrix of textures, sensations, and even rhythms.

The first two Absent Friends—a 2014 set for Blowing Up the Workshop, and a 2017 cassette and web player for Whities (now AD93)—were hybrid affairs, part DJ mix and part collage, mostly featuring music made by other people. Then, in 2020-21, Finlayson developed the project into a live show of his own material. Armed with hundreds of bespoke stems created in his studio—idiosyncratic FX chains, feedback loops through cheap rack gear, heavily post-processed field recordings, found voices, etc.—he would improvise on four CDJs, mixer, FX, and live synths, extending techniques he learned as a club DJ into a live context, accompanied by visuals by Stockholm-based artist Paul Witherden.

Absent Friends Vol. III is an album of studio versions of the music developed for the live show. But in Minor Science’s world, even a category as simple as “studio versions” is slightly opaque. “Most of these tracks weren’t ‘composed’ in the studio,” Finlayson explains: “The sounds started out as stems and source material for the live show, and might not have been intended to go together—but then through performance, they settled into shapes that worked. I then recreated those performances in the studio.” That organic process of ideation and realization might help explain the unusual coherence of the album, in which sounds and textures flow seamlessly from one to the next, sometimes seeming to stand still, and sometimes looping back. There are virtually no melodies, few recognizable motifs or riffs, yet the eight-track album nevertheless moves with a distinctive logic and a determined sense of purpose, from the frozen-in-time shimmer of the opening “Introduction” through the early cuts’ studies of space and light; from the seemingly autobiographical “Summer Diary” through the rushing trance (yes, trance) arpeggios of “Contingency” and on to the dulcet denouement of the closing “Gather Your Party (Dispersed Mix).”

Toying with the familiar but not afraid to break with expectations, AVEM presents a versatile range of works that make up his debut album.

Dream State was largely written and produced in times of the pandemic, specifically during lockdown periods — a context that grants the album an air of melancholic isolation. Offering seven songs on a double LP, it marks the collective imprint LOKD’s vinyl premiere. Merging sounds of Electronica, House and Techno, LOKDLP001 finds its place neatly outside of common categories.

In the past years, the Swiss DJ, producer and live act has made a name for himself with a steadily growing catalogue: not only through a handful of EPs, but also by releasing countless singles, remix- es and live recordings. In autumn of 2023, the Basel– based artist now reveals his first studio album.

Instrumentation ranges from studio percussion re- cordings, synthesizer & drum machine classics, all the way to ethereal piano and vocal performances; all performed and recorded by the artist himself.

Familiar structures of House and Techno are introduced, only to be broken again by gleam- ing twists and turns. A focus on percussion is ap- parent throughout the album, be it in the dynamic texture of drum recordings or in the evolving break- beat rhythms of a guiding bass drum.

Dream State tells an ephemeral tale of the uncertain, treading through an unique territory of opposites — from rapid progression to outright hypnosis, from weightless yearning all the way to euphoric catharsis.

Long Island Sound follow up their acclaimed debut album and accompanying remix EP with Don’t Let Me / Air a limited white label release featuring 2 brand new dancefloor-certified anthems that signal a new era for the duo in both style and effect, while certifying them as masters of their house domain.

The Dublin-based duo of Rob Roche and Tim Nolan have made impressive strides as Long Island Sound for close to a decade now, honing their swooning dance craft via beloved EPs on their Signs Of Space imprint while becoming mainstays of their island’s club and festival circuit thanks to multiple acclaimed DJ sets.

Last year, they reached an impressive feat that few Irish dance acts have before them by releasing their debut album Lost Connection.

A 7-track opus that fused dynamic electronic sounds with contemporary styles of house, techno, and breaks, it signalled an exhilarating new direction for the duo that showcased their exceptional artistry in melody and production and subsequently earned them great acclaim.

An accompanying 5 track remix EP followed this year, featuring quality club reworks of various album cuts from producers Cromby, James Shinra, Mor Elian, and Benjamin Damage.

Signing off on that notable era, the duo moves swiftly on with this limited 2 track white label of unadulterated festival-ready house epics that have been highlights of their sets over the past year.

Don’t Let Me glides along a chromatic world of lasered synths, pitched diva croons and shuffling pistons before a breathtaking swell of cinematic rave harmonics reaches a magnificent combustible peak that’ll have you gasping for Air.

The flip cracks the window open, dialling down the frenzy with a magnificent swooning melody sits on top of a growling Reese bassline and mechanized 2-step beat where a romantic ambience grows.

Limited stock. First come first served!

DJ Support:

Pete Tong Radio One Support 21.07.2023

Tim Sweeney supports 'Don't Let Me' on his Beats in Space podcast on Apple Music

John Digweed supports 'Air' on his recent Compiled and Mixed podcast for Apple Music

Jenny Greene 2FM Ireland supports 'Don't Let Me'

Long Island Sound Guest Mix on Jenny's 'The Greene Room' on 2fm Ireland